Search results for ""Thames Hudson Ltd""

When night falls, everything is dark. Or is it? The moon shines with a pale light. A car drives along the street, and when its headlights flash, we see two bright dots run by. Is it a cat? Or perhaps a fox? If we stand still for a moment, our eyes will adjust to the darkness. We can see twinkling stars in the sky, and sometimes even the bright belt of stars called the Milky Way. The night contains both light and darkness. Come on a journey and visit the dark forest, the deep ocean and the shadows of the city, and discover everything that’s glows, glitters and shines in the night!

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It’s Franklin’s birthday! Luna and all the villagers are planning a surprise party, and Franklin’s family are visiting from the moon. While the party is being set up, Luna takes Franklin book shopping. They find a padlocked book of fairy tales, which the bookseller tells them is full of dangerous magic. Luna’s tortoise, Neil, can’t help picking the lock… but when he peers inside, the book swallows him whole. Franklin and Luna dive into the book to rescue Neil. They tumble into cobwebbed forests and meet dusty fairy-tale characters who have been trapped inside these pages for hundreds of years. After several encounters and some narrow escapes, they finally find Neil – who has won a gold medal after racing a hare – and, all together, they break out of the book and into the real world. Exhausted but victorious, all the fairy-tale characters, Franklin, Luna and Neil arrive at Franklin’s birthday party. They’re not sure it’s a happily ever after, but they’re certainly very full of cake… and that will more than do for now.

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In a town where a lot of poor people suffer and where there are a lot of miseries, a swallow who was left behind after his flock flew off to Egypt for the winter, meets the statue of the late ‘Happy Prince’, who in reality has never experienced true sorrow, for he lived in a palace where sorrow isn’t allowed to enter. Viewing various scenes of people suffering in poverty from his tall monument, the Happy Prince asks the swallow to take the ruby from his hilt, the sapphires from his eyes, and the golden leaf covering his body to give to the poor. As the winter comes and the Happy Prince is stripped of all of his beauty, his lead heart breaks when the swallow dies as a result of his selfless deeds and severe cold. The statue is then brought down from the pillar and melted in a furnace leaving behind the broken heart and the dead swallow and they are thrown in a dust heap. These are taken up to heaven by an angel that has deemed them the two most precious things in the city. This is affirmed by God and they live forever in his city of gold and garden of paradise.

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The last book completed by William Klein within his lifetime: A landmark retrospective encompassing Klein's legacy of creativity across photography, filmmaking, painting, book design, graphic design and beyond. Photographer. Filmmaker. Artist. Designer. To master one of those disciplines would be a lifetime achievement for any creative individual, yet William Klein's career was celebrated in each of them over the last eight decades. Klein was one of the great image makers of the 20th century and one whose work remains an enduring creative influence on the work of contemporary artists, photographers and filmmakers. With over 250 images, this career retrospective explores the late William Klein's entire creative and artistic arc. Directed by Klein himself, from the selection of content to book design, this large-format publication looks back at his uncompromisingly creative lifetime, showcasing Klein's prolific and relentlessly innovative contribution to the world of photography, art, design and filmmaking. Published in association with a major retrospective at the International Center of Photography, this book is a comprehensive take on his career. While best known as a photographer who broke all the rules and conventions, William Klein: Yes focuses on the full range of Klein’s work, from his abstract paintings through to his startling, authentic street photography and photobooks and his dynamic, satirical take on filmmaking. With a flowing, chronological text by David Campany, this book will be both an introduction to William Klein for a new generation and a source of fresh insights for those who already know who William Klein was: a true original.

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This is a beginners’ step-by-step guide to drawing like a fashion designer. The book is aimed at young people who are keen to learn how to draw fashion figures and outfits. At the beginning of the book, leading fashion designers explain why drawing is so important to the design process, with examples from their sketchbooks for inspiration. Then there are sections that show how to create a fashion template ( croquis ), including fashion proportions and how to turn a stick figure into a full figure; how to draw skirts, trousers, jackets and dresses onto the fashion template; and how to develop a collection, including the creation of complete outfits and seasonal looks. Towards the back of the book there’s a section that looks at the design process, from creating a mood board and following a brief to developing a collection.

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Many of Magnum’s most renowned photographers – beginning with Robert Capa and Henri Cartier-Bresson on assignment in the 1930s – have been captivated by China. They’ve returned time and again, their fascination growing in line with China’s burgeoning accessibility and international influence. – both an outstanding photobook and a fascinating social history – illustrates the agency’s evolving relationship with this increasingly influential nation to give a visually rich, informed photographic account of the country, its people and the changes witnessed over the last nine decades. Chronologically organized to present key periods in the development of the modern state and its associated territories, Magnum China presents in-depth portfolios by individual photographers, accompanied by introductory commentaries on the featured projects and group selections illustrating the diversity of Magnum’s interaction with the region. Supplemented with introductory essays by Jonathan Fenby, historical timelines, lists of photographers’ travels and a fold-out map of China, Magnum China offers detailed and perceptive socio-political, geographical and historical context to complement the outstanding photography of some of the world’s finest photographers.

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Abbas – veteran Magnum photographer of political and social conflict in Northern Ireland,Vietnam, the Middle East, South America and South America – turns his attention in this collection to the Islamic world in the wake of 9/11. In over 170 compelling duotone images, Abbas exposes an inside view of a world seen by very few people in the West until now. Focusing on the resurgence of Islam everywhere on the planet since September 2001, these pictures swell with the undercurrents of global disturbance, uncertainty and threat. A member of Magnum for more than 25 years, Abbas is widely recognized as one of the most exceptional photographers of our time: these images represent some of the most memorable work he has produced, on a subject of compelling interest across the globe.

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From the intricate embroidery on a Palestinian wedding dress to the complex iconography on an Afghan war rug, textiles reflect the beliefs, practices and experiences of people from across the Middle East and Central Asia. This book explores the significance and beauty of textiles from across this vast area, and is arranged thematically to enable cross-regional comparisons of the function and symbolic meaning of textiles. Each chapter relates to a facet or phase of a person’s life in which textiles feature prominently: childhood, marriage and ceremony, status and identity, religion and belief, and house and homestead. The book also includes contemporary works that grapple with modern political issues. The textiles featured include men’s, women’s and children’s garments, hats and headdresses, mosque curtains and prayer mats, floor coverings, tent hangings, hand towels and cushions, storage sacks, purses and cosmetic pouches, dolls and souvenirs, animal trappings and amulets. Focusing on the British Museum’s remarkable collection, this book offers a wealth of creative inspiration and will be essential reading for anyone interested in textiles and the cultures of the Middle East and Central Asia.

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This is the most ambitious book ever published on the ruby, the king of gems. From Emperors and Empresses, Kings and Queens, Maharanis to Hollywood royalty, a stunning array of style icons are shown wearing their favourite ruby jewelry, alongside classic images of rubies from art, advertising and fashion. The book also showcases sixty of the world’s most significant and renowned pieces of ruby jewelry, including many previously unseen designs from royal and private collections. Historic creations are represented alongside pieces from major modern jewelry houses, among them Cartier, Boucheron, Van Cleef & Arpels, Chaumet, Harry Winston and Graff. Additionally, Ruby offers practical guidance on what to look for in a quality ruby.

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The Anatomy of Colour is the definitive book on the use of colour and paint in interior decoration over a 300-year period. Drawing on his huge specialist archive, historian and paint expert Patrick Baty traces the evolution of pigments and paint colours together with colour systems and standards, and examines their impact on the colour palettes used in interiors from 1650 to 1960. He first charts the creation in paint of the common and expensive colours made from traditional earth pigments between 1650 to 1799. Next he examines the emergence of colour systems and standards and their influence on paint colours together with the effect of industrialized production on the texture and durability of paints. Alongside the authoritative and revealing text are specially commissioned photographs of pages from rare colour books. Throughout the book reproductions of interiors from home decor books, highlighting the distinctive colour trends and styles of painting particular to each period, accompany the in-depth analysis of the history of colour and the development and use of paint colours in interior design.

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The Writer's Map winner of Trade Illustrated category in the British Design and Production AwardsPhotography & Illustrated Travel Book of the Year at the Edward Stanford Travel Writing Awards 2019Maps can transport us, they are filled with wonder, the possibility of real adventure and travels of the mind. This is an atlas of the journeys that writers make, encompassing not only the maps that actually appear in their books, but also the many maps that have inspired them and the sketches that they use in writing. For some, making a map is absolutely central to the craft of shaping and telling their tale. A writer’s map might mean also the geographies they describe, the worlds inside books that rise from the page, mapped or unmapped, and the realms that authors inhabit as they write. Philip Pullman recounts a map he drew for an early novel; Robert Macfarlane reflects on his cartophilia, set off by Robert Louis Stevenson and his map of Treasure Island; Joanne Harris tells of her fascination with Norse maps of the universe; Reif Larsen writes about our dependence on GPS and the impulse to map our experience; Daniel Reeve describes drawing maps and charts for The Hobbit trilogy of films; Miraphora Mina recalls creating ‘The Marauder’s Map’ for the Harry Potter films; David Mitchell leads us to the Mappa Mundi by way of Cloud Atlas and his own sketch maps. And there’s much more besides. Amidst a cornucopia of images, there are maps of the world as envisaged in medieval times, as well as maps of adventure, sci-fi and fantasy, maps from nursery stories, literary classics, collectible comics – a vast range of genres.

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The Banjara – an ethnic group composed of nomadic tribes, centered in the Indian state of Rajasthan – are renowned for their highly colourful textiles, often embellished with mirrors and intricate embroidery and produced from natural resources. Created to satisfy the needs of the tribe, occasionally incorporating shells, beads, mirrors, and tassels for decoration, the Banjara technique is unique in India and a celebration of the strength of the women who practise it. Recent genetic and linguistic evidence supports ties between the Banjara and the European Roma, eliciting much debate about the exact nature of the connection. This is the first book to be devoted to the traditions and embroidery of the Banjara, illuminating their history and investigating their links with the European Roma. Photographs by documentary photographer Tim McLaughlin illustrate the highest quality pieces of Banjara embroidery and costume, both historic and contemporary, and are accompanied by a foreword by Rosemary Crill, a senior curator at the Victoria and Albert Museum in London, and an appendix of line drawings.

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Derek Jarman’s Sketchbooks – Deluxe Edition. Edited by Stephen Farthing and Ed Webb-Ingall. With a preface by Tilda Swinton. Featuring contributions from Keith Collins, Christopher Hobbs, Andrew Logan, James Mackay, Jon Savage, Howard Sooley, Neil Tennant and Toyah Willcox. DELUXE SLIPCASED EDITION. INCLUDES THREE PRINTS. Containing poetry, drawings, pressed flowers, photographs, excerpts from scripts and notes, Derek Jarman’s sketchbooks are part autobiography and part social history, bursting with the energy and creativity of this groundbreaking artist. This publication collates the best of Jarman’s sketchbooks to reveal the detailed planning and emotional engagement behind each of his films in more depth than ever before. This deluxe edition is limited to 500 copies, each presented in a cloth-covered slipcase. Each numbered copy is accompanied by three prints reproduced from the sketchbooks, housed in an envelope tipped into the book. The book, which is covered in real blue cloth with gold foil blocking on the spine and in a debossed recess on the frontboard, is c.15% larger than the standard edition. 196 illustrations, 187 in colour, 31.0 x 24.0cm, 256pp, ISBN 978 0 500 517185 . £150.00 slipcased hardback + 3 prints

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This book captures the new mood – a return to a preference for the unique and the handmade. Design expert and acclaimed blogger Olivier Dupon has sourced the cream of the contemporary design world from all over Europe, Australia and the United States, profiling 75 artisans who use craft techniques, rather than mass-production methods, to create stylish, whimsical, covetable objects. Hundreds of colour photographs feature a huge variety of crafts, including art, ceramics, furniture, glasswork, jewelry, lighting, metalwork, papercraft, textiles and woodwork. Complete with a directory of products, and Dupon’s personal recommendations for inspiring shops and websites to visit, this is the perfect resource for discovering unique and beautiful objects made by new, talented artisans from all around the world.

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Chanel's combination of tradition, originality and style has always made it the most seductive of brands. Here the House of Chanel opens its private archives, revealing a galaxy of brilliant designs created by Coco Chanel from the 1920s onwards, and now reinterpreted to become the motifs for brand new garments, accessories and beauty products. Inspired by the House's signature fragrance, the legendary ‘Chanel No 5’, the book explores five central themes – the suit, the camellia, jewelry, fragrances and make-up, and the little black dress – and follows the threads from past to present to show how these key items have been rediscovered and reinvented by fashion designers working in the footsteps of their illustrious predecessors. This visual journey is enhanced by previously unpublished archive photographs and original drawings by Karl Lagerfeld, as well as glorious images from some of the greatest names in fashion photography. Dazzling clothes, intricate accessories, beautiful models and timeless design leave no doubt as to the lasting fame of the brand and embody everything that has come to symbolize the magic of Chanel.

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Packed with information and glaze recipes, The Glaze Book will enable you to reference hundreds of ceramic surfaces. Each glaze recipe is clearly illustrated so you can see the colour and surface responses it has to offer, and features a description including its firing range, and the uses to which it can be put. The Glaze Book provides easily accessible help on - Methods and Techniques - Raw Materials - Glazing Tools and Equipment - Mixing a Glaze - Methods of Application - Glaze Recipes for Earthenware, Stoneware and Porcelain

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A beautiful and informative gift book devoted to Edward Bawden's representations of England. Edward Bawden (1903-1989) was a printmaker, painter, illustrator and designer. He studied and later taught at the Royal College of art, served as a war artist in WW2 and worked extensively as a commercial artist for companies including London Transport, Fortnum and Mason, Shell-Mex, the Folio Society and Chatto and Windus. Aside from the years he spent in France, the Middle East and North Africa while serving as a war artist, and later visits to Canada and Ireland, Bawden rarely travelled far from home, but found inspiration in the fields and farms of his native Essex, at the seaside, and in classic London scenes: Kew Gardens, the Royal Parks, the Tower of London and St Paul’s Cathedral, and the iron-and-glass monuments to Victorian engineering such as Liverpool Street station and the markets in Spitalfields and Smithfield. This book celebrates England as represented by Bawden in 85 works held in the V&A’s collection, including prints, posters, drawings, paintings, murals and advertising material. The illustrations include such early pieces as his poster Map of the British Empire for an exhibition in 1924; his mural English Garden Delights, designed for the Orient Line Navigation Company in 1946; illustrations for books including Good Food, The Gardener’s Diary and Life in an English Village; advertising work for London Transport, Shell and Fortnum & Mason; the poster Lifeguards, created to mark the coronation of Queen Elizabeth II in 1953; and a varied selection of linocuts and watercolours. As this book demonstrates, it was England, with its quiet landscapes, its pleasures and pastimes, its history and ceremonies, its traditions and recreations, that was the source of Bawden's finest and most engaging work.

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A joyful and celebratory gift book devoted to the work of the much-loved English artist Eric Ravilious (1903–1942) and the influence of natural forms and themes in his work. Eric Ravilious was a designer, painter, printmaker and illustrator best known for his depictions of the English landscape, particularly the South Downs. Often described as a particularly ‘English’ artist, key to his style was an ability to convey in watercolour the mild vagaries of the British climate. His engagement with nature, though romantic rather than precise, pervades his works in many different techniques. This book explores his appreciation of the natural world and the techniques he used in a variety of media to convey those elements. Drawing on the V&A’s collections, more than 100 beautiful images capture Ravilious’s deep enjoyment of everything in nature, from dewponds, cockerels, grassy hills, owls, greenhouse geraniums, cornsheaves and snow, to the rainy seas, airport-runway puddles and tideswept beaches of his later work as a war artist. The book includes sections on weather, plants, landscape, animals and birds, and ends with a section devoted to man in the landscape, showcasing Ravilious’s love of rusting machinery and other signs of human presence within nature, not least his famous depictions of hillside chalk figures. This book will appeal to those with a love of English landscapes, flora and fauna or an interest in British art and design in the interwar period.

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Bringing together more than 100 items of clothing, this book reveals the intricacies of Japanese dress from the 18th century to the present. Including garments for women, men and children, the details have been selected both for their exquisite beauty and craftsmanship, and for how much they impart about the wearer’s identity, be it age, status or taste. A comprehensive introduction, illuminating the main periods and key themes of Japanese fashion history, is followed by thematic chapters that cover all aspects of clothing, from hair accessories and necklines to hemlines and shoes. Each garment or object is accompanied by a short text exploring its structure and the fascinating range of decorative techniques employed, including embroidery, weaving, lacquering, stencilling, dyeing and digital technology. Specially commissioned detail photography and line drawings provide an invaluable resource for Japanophiles, students, collectors, designers and lovers of fashion and world dress.

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Discover the stories of 100 women and men whose activities in the 19th century laid the foundations of modern China. Through telling the lives of one hundred significant individuals, this book explores how China transformed from dynastic empire to modern republican nation during the period 1796 to 1912. Both famous and surprisingly little-known women and men are brought together in eight thematic sections that bring to life the complexities of China’s path to modernity. Featured figures include the Dowager Empress Cixi, the power behind the throne of the Qing dynasty for fifty years; Yu Rongling, the aristocratic daughter of a Qing diplomat who trained in Paris with Isadora Duncan and is now seen as one of the founders of modern dance in China; Shi Yang, the most powerful woman pirate in the world, celebrated in popular culture as a female icon; the Manchu-Chinese Duanfang, a lynchpin of late Qing government and an avid collector of international art, murdered by his own troops in the 1911 Revolution that ended dynastic rule; Luo Zhenyu, a pioneer of Chinese archaeology whose discoveries and research empirically confirmed the antiquity of Chinese civilization; and many others. Written by an international team of specialists, this book populates the landscapes of modern Chinese history with extraordinary individuals, making sense of the drama and creativity of the country’s ‘long 19th century’.

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A passionate advocate of craftsmanship over mass-production, William Morris (1834– 1896) designed a huge variety of objects, but it is his highly original carpet, fabric and wallpaper patterns that have continued to capture the imagination and exert their influence on the decorative arts. Around 600 such designs are attributed to Morris, of which the vast majority are based on natural forms, including trees, plants and flowers. This beautifully designed, accessibly priced gift book offers a wealth of designs by Morris in which flowers are the principal motif, bringing together not only completed patterns but also working drawings in pen and watercolour, and examples of his pearwood, floral-pattern printing blocks. It also explores examples of the sources that inspired Morris’s flower-based designs: his own gardens at the Red House in Kent, Kelmscott Manor in Oxfordshire and elsewhere; 16th- and 17th-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and a range of decorated objects, particularly from the Islamic world, that Morris studied at the South Kensington Museum (now the V&A). Authored by Rowan Bain, curator at the William Morris Gallery in Walthamstow, north London, and lavishly illustrated with almost 100 colour illustrations, this exquisite book will both inform and delight

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The illustrations on this gorgeous giftwrap are all taken from award-winning designer Caz Hildebrand’s Herbarium, a 21st-century reboot of the traditional herbal compendium. The visual genius behind the international bestseller The Geometry of Pasta, she has created abstract forms and vibrant colours to illustrate 100 essential herbs and to reveal their hidden properties. This stylish giftwrap set includes twelve gift tags.

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Thirty-six postcards featuring iconic images of the Big Apple from the world's most famous photographic agency.

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Inspired by Susan Herbert’s delightful feline reimaginings of famous scenes from art, theatre, opera, ballet and film, are two gift products: a set of three small (A6) ruled notebooks and a boxed collection of 20 different notecards with high-quality envelopes.

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William Morris's patterns are enduringly popular for their originality and colour, and have captured the imagination of countless designers and artists. This colouring book explores the intricate work of William Morris and his Arts & Crafts contemporaries and allows you to invent your own colourways to complete their patterns. - 45 patterns to color, interspersed by full-colour reproductions of the original designs - Organized into four sections Nature, Colour, Pattern, and Craft to highlight different aspects of the designs, and the crafts and skills behind them - Explores Morris's love of nature, his artistry, mastery of colour, and innovation in pattern design in concise introductory texts

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The perfect primer on acclaimed French artist Sophie Calle. Sophie Calle is a French writer, photographer, installation artist and conceptual artist. Her work is distinguished by its use of arbitrary sets of constraints, and frequently depicts human vulnerability, and examines identity and intimacy. She is renowned for her detective-like ability to follow strangers and investigate their private lives, which she has deployed in her acclaimed works Suite Venitienne, The Hotel and Address Book. She has had major exhibitions all over the world, including at the 2007 Venice Biennale, the Whitechapel Gallery in London, and the Louisiana Museum of Modern Art in Denmark, and has worked closely with the writer Paul Auster. The Guardian called her ‘the Marcel Duchamp of dirty laundry’, and she was among the names in Blake Gopnik's list 'The 10 Most Important Artists of Today', with Gopnik arguing, 'It is the unartiness of Calle's work — its refusal to fit any of the standard pigeonholes, or over anyone's sofa — that makes it deserve space in museums.'

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André Kertész is one of four new titles being published in Autumn 2007 in Thames & Hudson's acclaimed 'Photofile' series. Each book brings together the best work of the world's greatest photographers in an attractive format and at an easily affordable price. Handsome and collectable, the books are printed to the highest standards. Each one contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography.

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A definitive survey of the finest examples of residential architecture in Britain from 1900 to the present, featuring the major architects of the 20th century and leading emerging talents. In recent years there has been a resurgence of interest in the architectural history and heritage of Britain. This has been driven by many important political, cultural and social factors, as well as a powerful and renewed interest in the design of house and home. The Iconic British House explores and celebrates fifty of the most architecturally significant houses from 1900 to the present. Encompassing major artistic movements, such as Arts and Crafts, Art Deco, Modernism and Postmodernism, the houses include examples designed by architects Charles Rennie Mackintosh, Edwin Lutyens, Berthold Lubetkin, Richard Rogers and many others. 21st-century innovation and imagination are evidenced in houses by established and emerging talents, such as Seth Stein, Nick Eldridge, Robin Partington and Ken Shuttleworth. Much more than a celebration of influential homes, this richly illustrated overview is also a comprehensive guide to shifting architectural movements and ideas, a survey of great architects with international relevance and a journey through changing tastes, styles, aesthetics and patterns of living.

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This survey of the world’s most innovative and successful examples of pre-fabricated homes explores the full range of possibilities, open to anyone seeking to find clever and up-to-date solutions for building their own home. From net-zero houses to plug-and-play dwellings and converted shipping containers, each chapter explores the varied and exciting ways that architects and designers are using pre-fabricated technology to address today’s living and world challenges. A reference section includes in-depth essays, which explore the latest manufacturing methods, trends and technologies, presenting a wide range of possibilities to suit every need, taste and desire. Richly illustrated with photography and drawings, with projects selected by a long-time expert in pre-fab architecture, this fresh take on new solutions presents the factory-made house in a new light. Whether designing on a tight budget, crafting something self-sustaining or simply looking for new spatial ideas, this is an essential and future source of inspiration for architects, designers and home-builders. With 223 illustrations

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Zaha Hadid (1950–2016) was one of the most innovative and celebrated architects of our time. Prepared in collaboration with the architect’s office, this comprehensive survey of over 200 projects – from the earliest experimentations to product design, from speculative follies to large-scale built works – is a testament to the depth, range and excitement of her vision. This fourth edition has been thoroughly expanded and brought up to date with the latest completed buildings and new projects. Eleven new projects are featured, including 582–606 Collins Street (Melbourne, Australia), Messner Mountain Museum Corones (South Tyrol, Italy), King Abdullah Financial District Metro Station (Riyadh, Saudi Arabia), Dominion Office Building (Moscow, Russia) and One Thousand Museum (Miami, USA).

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Henri Cartier-Bresson’s photography came to define the 20th century. This book tells his life story through his images: all the major events from his youth to his death in 2004 are described, contextualized and analysed in the light of his photographic work. From his early encounters with the Surrealists, his film work and his experiences in the SecondWorldWar, to the development of his own personal aesthetic, the concept of the ‘decisive moment’, and the foundation of Magnum Photos, his influence on the world has been profound and unforgettable.

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Byoung Cho aims to make each of his buildings ‘so it looks like it’s not designed at all, it’s just there’. Influenced by Korea’s rich aesthetic tradition, Cho utilizes understated forms to create serene buildings that yield powerful and subtle experiences for their inhabitants. His work focuses on seemingly simple structures and has a strong regard for nature and sustainability. He has created many iconic buildings, art and cultural centres, schools, health facilities and residences throughout Korea, Japan and the United States. This book features over 25 of Cho’s most highly acclaimed projects, including Twin Trees (2010), his instantly iconic towers located adjacent to the 14th-century royal Gyeongbok Palace in Seoul. The projects are accompanied throughout by sketches and plans, providing a comprehensive insight into the making of these buildings. Byoung Cho offers an engaging and indepth overview of one of the most creative and deeply thoughtful designers working today. It will inspire architects, architectural students and anyone interested in sustainability and the built environment.

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A wide-ranging and engaging introduction to the place and power of colour in life and art by John Gage, author of the award-winning Colour and Culture. The complex phenomenon of colour has received detailed attention from the perspectives of physics, chemistry, physiology, psychology, linguistics and philosophy. However, the people who work most closely with colour – artists – have rarely been canvassed for their opinions on this mysterious subject. John Gage sets out to address this omission by focusing on the thoughts and practices of artists. Colour in Art is concerned with the history of colour, but is not itself a history; instead each chapter develops a theme from a different scientific discipline, as seen from the viewpoint of such diverse artists such as Wassily Kandinsky, Vincent van Gogh, Sonia Delaunay, Bridget Riley and Clifford Possum Tjapaltjarri. Drawing on examples through the ages, from ancient times to the present, the many topics covered include flags, synaesthesia, Theosophy, theatre design, film, chromotherapy and chromophobia. Featuring a new foreword by art writer Kelly Grovier outlining contemporary developments in the study of colour, and an updated bibliography, this new edition of this classic text offers a wide-ranging and engaging introduction to the place and power of colour in life and art.

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An essential foundation course for graphic designers working in digital media, print and moving image. Regularly revised and in print for over twenty years, this practical resource for students is used in graphic design classes in Europe, the UK and the USA. Graphic Design School is organized into two main sections, ‘principles’ and ‘practice’. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section puts these basics into practice, and gives information about studio techniques and production issues relevant to a number of different graphic design disciplines. The second section closes with an overview of some of the different career choices open to students entering the graphic design field. This new edition features over forty new images, updated reading lists and expert voices referencing a more diverse set of practitioners, and is as packed as ever with exercises, tutorials, and real-world graphic design briefs. Examples are taken from all media – digital media, websites, magazines, books and corporate brand identities. It remains a must-have book for anyone starting in graphic design.

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A timely and up-to-date account of religion in Roman Britain. Two thousand years ago, the Romans sought to absorb into their Empire what they regarded as a remote, almost mythical island on the very edge of the known world – Britain. The expeditions of Julius Caesar and the Claudian invasion of AD 43, and the continuing Roman presence up to the 5th century AD, brought fundamental and lasting changes to the island. Not least among these was the introduction of a new pantheon of Classical deities and religious systems, along with a clutch of exotic Eastern cults including Christianity. But what of Britannia and her own home-grown deities? What cults and cosmologies did the Romans encounter, and how did they react to them? Under Roman rule, the old gods and their adherents were challenged, adopted, adapted, absorbed and reconfigured. In Britain no inscriptions predate the Roman period, apart from brief coin-legends, and the divine imagery that adorned temples in the Roman world was largely lacking. But with the Romans, religion becomes much more visible. In this fresh and innovative new account Miranda Aldhouse-Green balances literary, archaeological and iconographic evidence (and scrutinizes their shortcomings) to illuminate the complexity of religion and belief in Roman Britain, and the two-way traffic of cultural exchange and interplay between imported and indigenous cults. Despite the remoteness of this period, on the cusp between prehistory and history, many of the forces, tensions, ideologies and issues of identity at work are still relevant today, as Sacred Britannia skilfully reveals.

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A comprehensive reference covering an extensive range of painting and drawing styles. Bursting with practical techniques, engaging artist profiles and inspirational galleries, Drawing and Painting combines an authoritative approach with a contemporary aesthetic guaranteed to appeal to all artists. The book’s up-to-date approach is a far cry from the dry instructions and dated artwork that feature in more traditional art books. In contrast to other, project-orientated titles, Drawing and Painting places the emphasis on the techniques themselves, encompassing drawing, sketching and a range of painting styles. From pen and ink to oils and acrylics, specially commissioned photography and artwork accompanies step-by-step techniques, while profiles of contemporary artists provide insight into various working methods, materials and techniques. Acknowledging the growing interest in digital tools as a medium, information is provided throughout the book on how effects can be created using Smart Pens, tablets and apps.

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An illustrated selection of Van Gogh’s letters, forming an extraordinary window into the life and creative thinking of one of the world’s most iconic artists. Vincent van Gogh’s letters have long been prized as some of the most valuable documents in the world of art. Not only do they throw light on Van Gogh’s own complex and intriguing character, they enlighten the whole creative process as seen through his eyes. Here we can observe Van Gogh’s thoughts and opinions at first hand, as well as his close ties with his brother Theo, his sometimes troubled relationships with friends and fellow artists, his personal doubts and fears, and above all his overriding passion for his art. This is not only an immense treasure trove of biographical and art-historical information, it provides a lasting pleasure as a personal written testimony to a life consecrated to art. Vincent van Gogh: A Life in Letters belongs on the shelves of every reader in search of self-revelatory documents of one of the greatest creative minds.

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The story of the nude in art in our times, told by a popular art historian with a rare gift for sharing her passions and ideas. The representation of the nude in art remained for many centuries a victory of fiction over fact. Beautiful, handsome, flawless – its great success was to distance the unclothed body from any uncomfortably explicit taint of sexuality, eroticism or imperfection. In this newly updated study, Frances Borzello contrasts the civilized, sanitized, perfected nude of Kenneth Clark’s classic, The Nude: A Study in Ideal Form (1956), with today’s depictions: raw, uncomfortable, both disturbing and intriguing. Grittier and more subtle, depicting variously gendered bodies, the new nude asks awkward questions and behaves provocatively. It is a very naked nude, created to deal with the issues and contradictions that surround the body in our time. Borzello explores the role of the nude in twentieth- and twenty-first-century art, looking at the work of a wide range of international artists creating contemporary nudes. Her fascinating text is complemented by a profusion of well-chosen, unusual and beautifully reproduced illustrations. The story begins with a tale of life, death and resurrection – an investigation into how and why the nude has survived and flourished in an art world that prematurely announced its demise. Subsequent chapters take a thematic approach, focusing in turn on Body art and Performance art, the new perspectives of women artists, the nude in painting, portraiture and sculpture and in its most extreme and graphic expressions that intentionally push the boundaries of both art and our comfort zone. The final chapter illustrates radical developments in art and culture over the last decade, focusing in particular on artworks by women, trans artists and artists of colour. Borzello links these works to their art-historical and political predecessors, demonstrating the continually unending capacity of the nude to disrupt traditional hierarchies and gender categories in life and art.

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A concise, reader-friendly illustrated survey of Western art and architecture from prehistory to the present day. Acknowledging how architecture, painting, sculpture and the decorative arts reflect the culture and society of their time, this latest addition to the Art Essentials series invites the reader to experience and appreciate the entirety of Western art from prehistory to today. Focusing on the ‘history’ in art history, each of the twelve chapters opens with a question to ponder, followed by a summary of the major historical developments of the period, touching on social structure, political organization, migration, race, religious beliefs, scientific advances and customs. An exploration of these themes in the visual arts reveals how architecture, sculpture and painting simultaneously shape, reflect, and document the culture of the time and place they were created. A secondary focus explores the constantly evolving aesthetic preferences that swing between naturalism and abstraction, with each era and style either rebelling against the previous or seeking to improve it. Antecedents and outside influences are also discussed.

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An accessible and comprehensive 'how to' guide to expressive and experimental techniques and manipulation of Polaroid prints and cameras. Polaroid: The Missing Manual is the go-to resource for all lovers of instant photography. Divided into two main parts, ‘Camera and Film Format Guide’ and ‘Creative Techniques’, it offers a comprehensive introduction to instant photography, including: a wide-ranging overview of instant cameras and compatible accessories and film; tips on what to buy and where to buy it; how to adapt equipment and preserve the life of your images; easy step-by-step guides to a wide range of image manipulations, accompanied by visual showcases of the work of the very best Polaroid photographers; and extensive resources section, complete with film compatibility guide, a list of stockists and safety information. Polaroid: The Missing Manual provides photographers, art students and vintage camera enthusiasts with the knowledge and skills to push the boundaries of what a Polaroid photograph can be.

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A celebration of the richness of figurative painting over the last 100 years and a passionate critique of the accepted history of art in the 20th century. Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art. The World New Made explores the work of more than fifty individual painters, presenting a collective ‘Resistance’ who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art. Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence. A rich cast is brought to life, partly through their own writings. As the author argues, ‘All across the world, isolated artists found new idioms for human-centred painting in the midst of modern life.’

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No other art movement in history has contained two artists as different as Magritte and Miró. This is because Surrealism was not in origin an art movement, but a philosophical strategy. It was a way of life – a rebellion against the establishment that had given the world the hideous slaughter of the First World War. Instead of trying to analyse the work of the Surrealists, bestselling author and Surrealist artist Desmond Morris concentrates on them as people – as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Did they enjoy a social life or were they loners? Were they bold eccentrics or timid recluses? Drawing on the author’s personal knowledge of the Surrealists, this book captures their life histories, idiosyncrasies and often-complex love lives, vividly illustrated with images of the artists and their works. The arts of Surrealism were both spectacular and international, shaped by the darkest, most irrational workings of the unconscious. Shocking, witty and always entertaining, Morris's tales illuminate the striking variation in approaches to the Surrealist philosophy, both in the artists’ work and in their lives.With 72 illustrations

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A concise, accessible and up-to-date overview of the arts of Africa from prehistoric times to the present day. This indispensable introductory guide explores the art of the African continent from its early origins over 150,000 years ago to the contemporary, set in the context of post-colonial debates, the restitution of cultural objects and artefacts, and the challenges of the present. This enormous and complex field of study, once under-appreciated by the Western art world, is now of global importance and an essential subject of education in art history. For ease of reference and analysis, this indispensable guide is structured chronologically into manageable and meaningful chapters covering ancient art, the Middle Ages, travel and trade, encounters with Europe in the age of exploration, the colonial era, the rebuilding of the continent in recent times, and contemporary art. It addresses core, continent-wide themes in African visual and cultural expression, from the life-cycle (motherhood, children, initiation, religion) to the body and representations of power dynamics. Important regional artistic expressions are also explored, such as the cultures of Mali (the Western Sudan), Nigeria (the lower Niger and Benue area), the Congo Basin and various nomadic populations across the continent. Written from an inclusive modern perspective, focusing not only on royal traditions but also the broader global history of the continent and its artistic practices, this is an excellent introduction for students, museum visitors and anyone with an interest in fine art, African history and cultural studies.

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Whether it’s horror at plastic littering the world’s beaches, or despair at the melting of the polar ice caps, the world is gradually waking up to the impending climate disaster. In The Green Imperative, Papanek argues for design that addresses these issues head on. This means using materials that can be recycled and re-used, no more pointless packaging, thinking about how products make us feel and engage all our senses, putting nature at the heart of design, working at a smaller scale, rejecting aesthetics for their own sake, and thinking before we buy. First published at the close of the 20th century, the book offered a plethora of honest advice, clear examples and withering critique, laying out the flaws and opportunities of the design world at that time. A quarter of a century on, Papanek’s lucid prose has lost none of its verve, and the problems he highlights have only become more urgent, giving today’s reader both a fascinating historical perspective on the issues at hand and a blueprint for how they might be solved.With 141 illustrations, 26 in colour

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Revolutions – peaceful or violent, radical or reactionary – have shaped the political landscape of the world we live in today. But what led revolutionaries to action? What were they fighting against and what were they seeking to achieve? Each revolution is a product of its time, its society, its people – and the outcomes vary dramatically, from liberal reform to brutal dictatorship. This is an essential primer on twenty-four of the most significant revolutions in modern history, from England’s Glorious Revolution of 1688 to the Arab Spring. It is narrated by contributors from around the world, each bringing their unique perspective and reflecting on the changing, sometimes contested, meaning of each revolution in its country of origin and how national identity can be shaped by memories of dissent. Whether as inspiration or warning, the legacies of these revolutions are not only important to those interested in protest, political change and the power of the people, but also impact on virtually every one of us today.With 24 illustrations

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The expansion of capitalism and neoliberal ideologies have delivered economic integration between countries and brought global inter-connectedness to individuals. So why do so many people now feel that they are ‘citizens of nowhere’, disparaged by the ‘cosmopolitan elites’? Has democracy and the power of nation states been irredeemably weakened by unfettered global finance, opaque forms of global governance, and the power of transnational corporations? Can the huge rise in social and economic inequality be reversed? Can diverse cultural expression be maintained in a globalizing world? In the context of the current nationalist backlash and the momentous impacts of the COVID-19 pandemic, this thought-provoking volume considers whether globalization is dead or whether it will survive, and perhaps transform. Written in a clear and engaging style, the volume traces the development of economic globalization starting from the first wave of colonialization in the 15th century, through the first period of globalization at the end of the 19th century, and up to the contemporary period of globalization that started in the 1980s and appears today to be teetering on the brink of collapse. It explores the impacts of globalization on today’s world, from global supply chains and tax havens to rising economic inequality, climate change and pandemics, and assesses the different impacts on rich and poor countries, and on the rich and poor within countries. It then reviews the growing anti-globalization sentiment, starting from the anti-IMF protests that raged through developing countries in the 1980s and 1990s, to the emergence of the transnational anti-globalization movement of the 2000s, to more recent uprisings such as the Arab Spring, The Occupy Movement, the Gilets Jaunes, and to the current populist nationalist backlash led by President Trump and embodied in the 2016 Brexit vote. Sensing that globalization has reached a tipping point, the book considers a range of possible scenarios for the future world order, including nationalism, authoritarianism and democratic globalism. Finally, it explores whether globalization can be democratized in a world in which effective and inclusive global governance is crucial to solving global problems, such as tackling climate change, controlling global pandemics and upholding universal human rights.

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Radical Matter: Rethinking Materials for a Sustainable Future presents the eight ‘Big Ideas’ that will shape and inform the choices of materials, design methods and manufacturing processes made by designers in the years ahead. This book draws from a global community of designers who are pushing boundaries with new and disruptive approaches to their use of materials and design processes that go beyond the notion of ‘sustainable design’. Holistic systems of design, production and consumption that will benefit our world environmentally, socially and economically are now possible, and material innovation will be a crucial element in achieving that goal. The eight ‘Big Ideas’ unpack the themes and ideas that are impacting on our material world through cutting-edge case studies and expert opinions: 1) Today’s Waste, Tomorrow’s Raw Material; 2) Natural Assets; 3) Shit, Hair, Dust; 4) Material Connections; 5) Co-Creation; 6) Designed to Disappear; 7) Living Materials; and 8) Future Mining. Each ‘Big Idea’ includes fully illustrated case studies from leading designers and engineers who are at the cutting edge of material and design technology. Packed with expert ideas and radical solutions to the current global changes faced by the design and manufacturing industries, Radical Matter contains a wealth of information to help design professionals and students turn revolutionary concepts into reality.

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Avant-garde artist Yayoi Kusama’s matchless creativity and originality have been captivating the world since she moved from Matsumoto, her hometown in Nagano, Japan, to the USA in 1958. In the last ten years alone, her retrospective exhibitions in four major European and American museums, including Tate Modern, London, and the Whitney Museum of American Art, New York, have seen record attendance. Kusama has continuously innovated and re-invented her style. Well-known for her repeating dot patterns, her art encompasses an astonishing variety of media, including painting, drawing, sculpture, film, performance and immersive installation. It ranges from works on paper featuring intense semi-abstract imagery, to soft sculpture known as ‘Accumulations’, to her ‘Infinity Net’ paintings, made up of carefully repeated arcs of paint built up into large patterns. This comprehensive publication, originally published to accompany a sell-out exhibition at Matsumoto City Museum of Art, offers a comprehensive overview of Kusama’s entire career, including works from her youth, when she indulged in drawing in order to escape from her hallucinations; paintings made when she was based in New York, including ‘Infinity Nets’ and ‘Polka Dots’; works from the1980s and 1990s, when she participated in the Venice Biennale; and last but not least, the ongoing large-scale series ‘My Eternal Soul’. The plates are in chronological order and followed by detailed captions.

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