Search results for ""Author Daniel"

Unos sicarios del cártel de los Emes irrumpen en el set de rodaje de la última narcotelenovela de Santiago Parral y lo asesinan a balazos cuando el director intenta proteger a la estrella, la célebre actriz Mónica del Sol. O al menos esa es la versión oficial que se difunde a los medios de comunicación sobre asesinato del admirado director. Sin embargo, la realidad es muy diferente, mucho menos cinematográfica. Santiago Parral es asesinado sí, pero por cuál de todos sus empleados, allegados y enemigos con motivos para hacerlo? A través de la investigación que iniciará para exonerar a su marido, uno de los principales sospechosos, la periodista Daniela Ruiz irá descubriendo pistas sobre el crimen que la llevarán a nuevos posibles implicados: el asistente de dirección y reciente marido de la hija del director, la artista invitada al episodio de ese día, la cocinera?Una vuelta de tuerca al clásico thriller policíaco, cargado de una mordaz crítica al sistema político inoperante, a la l

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Excluded from the ranks of elite executive decision-makers for generations, women are now exercising power as chiefs of government and chiefs of state. As of April 2016, 112 women in 73 countries have served as presidents or prime ministers. The Gendered Executive is a critical examination of national executives, focusing on matters of identity, representation, and power. The editors and contributors to this volume address the impact of female executives through political mobilization and participation, policy- and decision-making, and institutional change. Other topics include party nomination processes, the intersectionality of race and gender, and women-centered U.S. foreign policy in southern Africa. In addition, case studies from Chile, India, Portugal, and the United States are presented, as are cross-national comparisons of women leaders in Latin America. The Gendered Executive will enhance our understanding of the complexity of gender in and comparative analyses of executive politics.Contributors include: Amy C. Alexander, Sheetal Chhabria, Georgia Duerst-Lahti, Maria C. Escobar-Lemmon, Cory Charles Gooding, Lilly Goren, Karen M. Hult, Farida Jalalzai, Daniela F. Melo, Catherine Reyes-Housholder, Ariella R. Rotramel, Leslie A. Schwindt-Bayer, Michelle M. Taylor-Robinson, and the editors

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Crumpled Paper Boat is a book of experimental ventures in ethnographic writing, an exploration of the possibilities of a literary anthropology. These original essays from notable writers in the field blur the boundaries between ethnography and genres such as poetry, fiction, memoir, and cinema. They address topics as diverse as ritual expression in Cuba and madness in a Moroccan city, the HIV epidemic in South Africa and roadkill in suburban America. Essays alternate with methodological reflections on fundamental problems of writerly heritage, craft, and responsibility in anthropology. Crumpled Paper Boat engages writing as a creative process of encounter, a way of making and unmaking worlds, and a material practice no less participatory and dynamic than fieldwork itself. These talented writers show how inventive, appealing, and intellectually adventurous prose can allow us to enter more profoundly into the lives and worlds of others, breaking with conventional notions of representation and subjectivity. They argue that such experimentation is essential to anthropology’s role in the contemporary world, and one of our most powerful means of engaging it. Contributors. Daniella Gandolfo, Angela Garcia, Tobias Hecht, Michael Jackson, Adrie Kusserow, Stuart McLean, Todd Ramón Ochoa, Anand Pandian, Stefania Pandolfo, Lisa Stevenson, Kathleen Stewart A School for Advanced Research Advanced Seminar

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Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.

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Si ya terminasteLocuras lejos de casa! y te quedaste con ganas de vivir más aventuras con Lady Pecas, no puedes perderte este segundo volumen de la serie de la hermana pequeña deTheCrazyHaacks! Se ha abierto la convocatoria para un concurso de teatro y Lady Pecas es una de las candidatas a protagonista! Lo mejor? La obra es Romeo y Julieta, y al concurso también se ha presentado Will. Lo peor? Will es tan guapo que hace que Daniela se olvide del guion cada vez que lo ve... y encima las trillizas están dispuestas a todo para ganar la competición!Conseguirá el papel de Julieta gracias a la ayuda de sus amigas y al apoyo de sus inseparables cachorros?

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This volume contains the proceedings of the first International Colloquium of the Research Centre “Polemikos” that was founded in 2016 by Joseph Verheyden (KU Leuven) and Daniela Müller (RU Nijmegen). The Centre is dedicated to the study of the history of religious polemics. This first meeting, held 14-16 of March 2018 in Leuven, studied a commonly known and broadly used way to discredit an adversary by using labels, in particular the negative label par excellence – that of being “a pagan”. For practical reasons, the focus was limited to voices and evidence of Western origin – from the famous adversus Paganos literature to the controversies on native populations after the discovery of the New World and the place and role to be given to more “rationalistic” approaches to the Christian faith in the (early) modern period. The case studies presented here illustrate that the label can receive many different meanings. Among these are the characterisation of the others as strangers or barbarians and the accusation of committing idolatry, but also all sorts of insinuations or claims of immoral behaviour and more outlandish ones that associate these “pagan” others with demonic schemes. The last two contributions have less to do with “fighting” and more with “imagining” paganism, though these two aspects overlap as is shown in several of the essays; hence the choice for “Imagining Paganism” in the general title.

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When the Soviet Union dissolved, so did the easy credit, cheap oil, and subsidies it had provided to Cuba. The bottom fell out of the Cuban economy, and many expected that Castro’s revolution—the one that had inspired the Left throughout Latin America and elsewhere—would soon be gone as well. More than a decade later, the revolution lives on, albeit in a modified form. Following the collapse of Soviet communism, Castro legalized the dollar, opened the island to tourism, and allowed foreign investment, small-scale private enterprise, and remittances from exiles in Miami. Capitalism, God, and a Good Cigar describes what the changes implemented since the early 1990s have meant for ordinary Cubans: hotel workers, teachers, priests, factory workers, rap artists, writers, homemakers, and others.Based on reporting by journalists, writers, and documentary filmmakers since 2001, each of the essays collected here covers a particular dimension of contemporary Cuban society, revealing what it is like to have lived, for more than a decade, suspended between communism and capitalism. There are pieces on hip hop musicians, fiction writing and censorship, the state of ballet and the performing arts, and the role of computers and the Internet. Other essays address the shrinking yet still sizeable numbers of true believers in the promise of socialist revolution, the legendary cigar industry, the changing state of religion, the significance of the recent influx of money and people from Spain, and the tensions between recent Cuban emigrants and previous generations of exiles. Including more than seventy striking documentary photographs of Cuba’s people, countryside, and city streets, this richly illustrated collection offers keen, even-handed insights into the abundant ironies of life in Cuba today.Contributors. Juliana Barbassa, Ana Campoy, Mimi Chakarova, Lydia Chávez, John Coté, Julian Foley, Angel González, Megan Lardner, Ezequiel Minaya, Daniela Mohor, Archana Pyati, Alicia Roca, Olga R. Rodríguez, Bret Sigler, Annelise Wunderlich

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When the Soviet Union dissolved, so did the easy credit, cheap oil, and subsidies it had provided to Cuba. The bottom fell out of the Cuban economy, and many expected that Castro’s revolution—the one that had inspired the Left throughout Latin America and elsewhere—would soon be gone as well. More than a decade later, the revolution lives on, albeit in a modified form. Following the collapse of Soviet communism, Castro legalized the dollar, opened the island to tourism, and allowed foreign investment, small-scale private enterprise, and remittances from exiles in Miami. Capitalism, God, and a Good Cigar describes what the changes implemented since the early 1990s have meant for ordinary Cubans: hotel workers, teachers, priests, factory workers, rap artists, writers, homemakers, and others.Based on reporting by journalists, writers, and documentary filmmakers since 2001, each of the essays collected here covers a particular dimension of contemporary Cuban society, revealing what it is like to have lived, for more than a decade, suspended between communism and capitalism. There are pieces on hip hop musicians, fiction writing and censorship, the state of ballet and the performing arts, and the role of computers and the Internet. Other essays address the shrinking yet still sizeable numbers of true believers in the promise of socialist revolution, the legendary cigar industry, the changing state of religion, the significance of the recent influx of money and people from Spain, and the tensions between recent Cuban emigrants and previous generations of exiles. Including more than seventy striking documentary photographs of Cuba’s people, countryside, and city streets, this richly illustrated collection offers keen, even-handed insights into the abundant ironies of life in Cuba today.Contributors. Juliana Barbassa, Ana Campoy, Mimi Chakarova, Lydia Chávez, John Coté, Julian Foley, Angel González, Megan Lardner, Ezequiel Minaya, Daniela Mohor, Archana Pyati, Alicia Roca, Olga R. Rodríguez, Bret Sigler, Annelise Wunderlich

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Events such as the global financial crisis have helped reveal that the drivers and contours of governance on a national and international level remain a mystery in many respects. This is so despite the ever-increasing complexity and sophistication in the management and understanding of economic, legal and political spheres of global society. Set in this context, this timely Research Handbook is the first to explicitly address the constitutive relationship between law and political economy.With scholarly contributions from diverse disciplinary and geographic backgrounds, this authoritative book provides an expansive overview of the legal architecture of the global political economy. It covers, in three parts, topics surrounding money and markets, the relations of organization, and commodities, land and resources.Scholars and policymakers as well as undergraduate and postgraduate law students interested in the intersection of socio-political, economic, and legal dynamics of governance will find this book a thought-provoking and insightful resource.Contributors: A. Andreoni, G. Baars, S. Bailey, B. Bowring, T.A. Canova, D. Danielsen, J. Desautels-Stein, J. Ellis, A. Gupta, F. Guy, A. Hanieh, I. Isailovi , V. Kishore, R. Kreitner, T. Krever, P. Luff, T. Mahmud, B.N. Mamlyuk, M. McCluskey, R. Míguez, C. Mummé, A. Ng Boyte, Ö. Orhangazi, U. Özsu, A. Rasulov, L. Russi, C. Salom o Filho, P. Skott, J. Toporowski, R.A. Woodcock, L.R. Wray

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Crumpled Paper Boat is a book of experimental ventures in ethnographic writing, an exploration of the possibilities of a literary anthropology. These original essays from notable writers in the field blur the boundaries between ethnography and genres such as poetry, fiction, memoir, and cinema. They address topics as diverse as ritual expression in Cuba and madness in a Moroccan city, the HIV epidemic in South Africa and roadkill in suburban America. Essays alternate with methodological reflections on fundamental problems of writerly heritage, craft, and responsibility in anthropology. Crumpled Paper Boat engages writing as a creative process of encounter, a way of making and unmaking worlds, and a material practice no less participatory and dynamic than fieldwork itself. These talented writers show how inventive, appealing, and intellectually adventurous prose can allow us to enter more profoundly into the lives and worlds of others, breaking with conventional notions of representation and subjectivity. They argue that such experimentation is essential to anthropology’s role in the contemporary world, and one of our most powerful means of engaging it. Contributors. Daniella Gandolfo, Angela Garcia, Tobias Hecht, Michael Jackson, Adrie Kusserow, Stuart McLean, Todd Ramón Ochoa, Anand Pandian, Stefania Pandolfo, Lisa Stevenson, Kathleen Stewart A School for Advanced Research Advanced Seminar

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In a climate that ranges from cold, dark and unforgiving to endless sun and crystalline skies, the homes of the Nordic countries are lifted by ever-changing and dramatic natural light balanced by an intrinsic sense of warmth. Nordic architects today are as much informed by vernacular traditions and natural materials as their forebears, but the most recent generation of practitioners reflects a new appetite for spatial exploration and changing lifestyles. Divided into four chapters – rural cabins, coastal retreats, town houses and country homes – this survey of over forty of Scandinavia’s finest and most innovative houses features work by a broad spectrum of leading architects, such as Jon Danielsen Aarhus, Tham & Videgård, Snorre Stinessen, Reiulf Ramstad and Todd Saunders. Structured by terrain to reveal the full diversity of the landscape and its architectural challenges, the book is full of fresh thinking about living spaces that are at once universal and distinctively Nordic. From country houses complete with traditional Nordic fireplaces, saunas, window seats and verandas, to remote cabin hideaways and artist’s studios, there are details and grand ideas that can be applied to residential design anywhere. A reference section includes an appendix of architectural plans.

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Site reliability engineering (SRE) is more relevant than ever. Knowing how to keep systems reliable has become a critical skill. With this practical book, newcomers and old hats alike will explore a broad range of conversations happening in SRE. You'll get actionable advice on several topics, including how to adopt SRE, why SLOs matter, when you need to upgrade your incident response, and how monitoring and observability differ. Editors Jaime Woo and Emil Stolarsky, co-founders of Incident Labs, have collected 97 concise and useful tips from across the industry, including trusted best practices and new approaches to knotty problems. You'll grow and refine your SRE skills through sound advice and thought-provoking questions that drive the direction of the field. Some of the 97 things you should know: "Test Your Disaster Plan"--Tanya Reilly "Integrating Empathy into SRE Tools"--Daniella Niyonkuru "The Best Advice I Can Give to Teams"--Nicole Forsgren "Where to SRE"--Fatema Boxwala "Facing That First Page"--Andrew Louis "I Have an Error Budget, Now What?"--Alex Hidalgo "Get Your Work Recognized: Write a Brag Document"--Julia Evans and Karla Burnett

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Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital point about the complexity of image culture in the modern world: We must comprehend how regimes of visuality emerged globally, not only in the metropole but also in relation to the putative margins of a world that increasingly came to question the very distinction between center and periphery.Contributors. Jordanna Bailkin, Roger Benjamin, Daniela Bleichmar, Zeynep Çelik, David Ciarlo, Natasha Eaton, Simon Gikandi, Serge Gruzinski, James L. Hevia, Martin Jay, Brian Larkin, Olu Oguibe, Ricardo Padrón, Christopher Pinney, Sumathi Ramaswamy, Benjamin Schmidt, Terry Smith, Robert Stam, Eric A. Stein, Nicholas Thomas, Krista A. Thompson

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Mexico City, 1988. Long before iTunes or MP3s, you said "I love you" with a mixtape. Meche, awkward and fifteen, discovers how to cast spells using music, and with her friends Sebastian and Daniela will piece together their broken families, and even find love... Two decades after abandoning the metropolis, Meche returns for her estranged father's funeral, reviving memories from her childhood she thought she buried a long time ago. What really happened back then? Is there any magic left?

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We are living through years of great importance, marked by the unstoppable evolution of technology, science and the information society. This book brings together twenty-two essays written by prestigious researchers from the world's leading universities on areas as diverse as crucial to our future: climate change, artificial intelligence, economics, cyber-security and geopolitics, democracy, anthropology, new media, astrophysics and cosmology, nanotechnology, biomedicine, globalisation, gender theory and the cities of the future. Text by Michelle Baddeley, Virginia Burkett, Manuel Castells, Nancy Chau, Barry Eichengreen, Amos N. Guiora, Ravi Kanbur, Ramón López de Mántaras, Maria Martinon-Torres, José M. Mato, Diana Owen, Alex Pentland, Carlo Ratti, Martin Rees, Victoria Robinson, Daniela Rus, José Manuel Sánchez-Ron, Vivien A. Schmidt, Samuel H. Sternberg, Sandip Tiwari, Ernesto Zedillo, Yang Xu.

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In this expansive and provocative new work, Michael Dango theorizes how aesthetic style manages crisis—and why taking crisis seriously means taking aesthetics seriously. Detoxing, filtering, bingeing, and ghosting: these are four actions that have come to define how people deal with the stress of living in a world that seems in permanent crisis. As Dango argues, they can also be used to describe contemporary art and literature. Employing what he calls "promiscuous archives," Dango traverses media and re-shuffles literary and art historical genealogies to make his case. The book discusses social media filters alongside the minimalism of Donald Judd and La Monte Young and the television shows The West Wing and True Detective. It reflects on the modernist cuisine of Ferran Adrià and the fashion design of Issey Miyake. And, it dissects writing by Barbara Browning, William S. Burroughs, Raymond Carver, Mark Danielewski, Jennifer Egan, Tao Lin, David Mitchell, Joyce Carol Oates, Mary Robison, and Zadie Smith. Unpacking how the styles of these works detox, filter, binge, or ghost their worlds, Crisis Style is at once a taxonomy of contemporary cultural production and a theorization of action in a world always in need of repair. Ultimately, Dango presents a compelling argument for why we need aesthetic theory to understand what we're doing in our world today.

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From a former Israeli spy, comes the most realistic and authentic thriller of the year. The Times Number One BestsellerWinner of the CWA International Dagger.A Times, Telegraph and FT pick for Summer Reads 2019, and an FT Thriller of the Year"The year's best espionage thriller" Daily Telegraph Best Books of 2019"Gripping, smart and shot through with dry wit. A terrific read" Simon BeckettWhen an Israeli tech exec disappears from Charles de Gaulle airport with a woman in red, logic dictates youthful indiscretion. But Israel is on a state of high alert nonetheless. Colonel Zeev Abadi, the new head of Unit 8200's Special Section, just happens to have arrived on the same flight.For Commissaire Léger of the Paris Police, all coincidences are suspect. When a second young Israeli from the flight is kidnapped, this time at gunpoint from his hotel room, his suspicions are confirmed - and a diplomatic crisis looms. As the race to identify the victims and the reasons behind their abductions intensifies, a covert Chinese commando team watches from the rooftops, while hour by hour the morgue receives fresh bodies from around Paris.This could be one long night in the City of Lights.Translated from the Hebrew by Daniela Zamir

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Serialization is an old narrative strategy and a form of publication that can be traced far back in literary history, yet serial narratives are as popular as ever. This book investigates a resurgence of serial narratives in contemporary literary culture. Analyzing series as diverse as Mark Z. Danielewski’s experimental book series The Familiar; audiobook series by the Swedish streaming service Storytel; children’s books by Lemony Snicket and Philip Pullman and their adaptations into screen; and serial writing and reading on the writing site Wattpad, the book traces how contemporary series at once are shaped by literary tradition and develop the format according to the logics of new media and digital technologies. The book sheds light on the interplay between the selected serials' narrative content and medial, social, and economic contexts, drawing on insights from literary studies, literary sociology, media studies, and cultural studies. Serialization in Literature Across Media and Markets thus contributes a unique and interdisciplinary perspective on a historical phenomenon that has proved ever more successful in contemporary media culture. It is a book for researchers and students of literature and media and for anyone who likes a good series and wants to understand why.

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National Portrait Gallery: The Collection introduces the key people who have shaped the history of Britain, its culture and identity, by exploring essential highlights from the National Portrait Gallery’s unrivalled Collection. National Portrait Gallery: The Collection is published to celebrate the reopening of the Gallery after a three-year redevelopment project. Designed by Daniela Rocha, this engaging and inviting book takes the reader on a chronological journey through Britain’s history in portraiture, from the Tudors to Now, featuring the country’s most impactful and famous individuals, from Queen Elizabeth I to Mary Seacole, and Virginia Woolf to David Bowie. The book is richly illustrated with beautiful paintings, photographs, sculptures, drawings and digital works. Readers will enjoy a selection of the most popular and recognisable portraits from the Collection, accompanied by short chapter introductions that introduce key historical periods, their most exciting figures, and their most important historical, political, social and cultural moments. This accessible structure allows the reader to dip into any of the beautiful portraits and their stories, and understand their place in British history. An Introduction by Director Dr. Nicholas Cullinan will highlight why portraiture has been fundamental to people and society historically, but also to contemporary audiences, by exploring themes of culture, identity and the representation of diversity. This will also introduce readers to the nation’s newly-reopened National Portrait Gallery, explaining how it came to be the nation’s home of portraits and the world’s most significant Collection of people.

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In this expansive and provocative new work, Michael Dango theorizes how aesthetic style manages crisis—and why taking crisis seriously means taking aesthetics seriously. Detoxing, filtering, bingeing, and ghosting: these are four actions that have come to define how people deal with the stress of living in a world that seems in permanent crisis. As Dango argues, they can also be used to describe contemporary art and literature. Employing what he calls "promiscuous archives," Dango traverses media and re-shuffles literary and art historical genealogies to make his case. The book discusses social media filters alongside the minimalism of Donald Judd and La Monte Young and the television shows The West Wing and True Detective. It reflects on the modernist cuisine of Ferran Adrià and the fashion design of Issey Miyake. And, it dissects writing by Barbara Browning, William S. Burroughs, Raymond Carver, Mark Danielewski, Jennifer Egan, Tao Lin, David Mitchell, Joyce Carol Oates, Mary Robison, and Zadie Smith. Unpacking how the styles of these works detox, filter, binge, or ghost their worlds, Crisis Style is at once a taxonomy of contemporary cultural production and a theorization of action in a world always in need of repair. Ultimately, Dango presents a compelling argument for why we need aesthetic theory to understand what we're doing in our world today.

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The Handbook on the Geographies of Corruption is a comprehensive overview of corruption, exploring the immense variation of corruption among nations, and how this reflects levels of wealth, the centralization of power, colonial legacies, and different national cultures.In this Handbook, Barney Warf brings together a multidisciplinary and interdisciplinary collection of original new chapters from established researchers and leading academics to examine corruption from a spatial perspective. The Handbook opens with a series of thematic chapters on the causes and consequences of corruption, its geography, the connection between corruption and gender, and the role of e-government in mitigating current corruption issues. Further chapters offer a series of national case studies, on countries including Mexico, Brazil, South Africa, Turkey, Russia, Pakistan, China, Indonesia, Ukraine, Bangladesh, and the Philippines from which to draw lessons. This Handbook will be a valuable read for human geography scholars and corruption researchers, wishing to gain a more in depth understanding of how and why corruption levels differ across the world. Practitioners concerned with combatting corruption would also greatly benefit from reading this given its real-world insights.Contributors include: A. Batory, S. Bayraktar, C. Calimbahin, S. Dabbous, D. Danieli, E. Dimant, N.G. Elbahnasawy, D.H. Enste, M. Eren, A. Guizani, C. Heldman, A. Jiménez, F.F. Khan, J. Leitner, J.M. Luiz, M. Marktanner, H. Meissner, K.Z. Meyer, M. Mietzner, S. Morris, M. Nurunnabi, V. Pesqué-Cela, G.G. Schulze, K. Senters, A. Sghaier, H.O. Stensöta, L. Wängnerud, B. Warf, M. Wilson, M.S. Winters, N. Zakharov

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A husband and wife spend a week apart over the Hanukkah holiday: Daniela visits her widowed brother-in-law in Africa to revive memories of her sister with him but, in ways she cannot begin to understand, he has been left wounded and raging after an earlier tragedy - a death by friendly fire. Her husband, Amotz Ya'ari, stays behind in Israel, rushing between his engineering company, their grandchildren and his father. Life in the Ya'ari family is full, complicated and humorous, but beyond it lies a fragile society deeply uneasy with itself and badly scarred, with each family harbouring its own ghosts.Ever-creative, A.B. Yehoshua's short, interwoven chapters create a duet-like narrative which penetrates deeply into human relationships and taps into the psyche of his country.

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Now in its fifth edition! An indispensable reference for anyone concerned with the future of American colleges and universities.Whether it is advances in information technology, organized social movements, or racial inequality and social class stratification, higher education serves as a lens for examining significant issues within American society. First published in 1998, American Higher Education in the Twenty-First Century offers a comprehensive introduction to the complex realities of American higher education, including its history, financing, governance, and relationship with the states and federal government. This thoroughly revised edition brings the classic volume completely up to date. Each chapter has been rewritten to address major recent issues in higher education, including the COVID-19 pandemic, the movement for racial justice, and turmoil in the for-profit sector. Three entirely new chapters cover broad-access colleges, race and racism, and organized social movements. Reflecting on the implications of ethnic and socioeconomic diversity within higher education, the book also grapples with growing concerns about the responsiveness and future of the academy.No other book covers such wide-ranging issues under the broader theme of higher education's relationship to society. Highly acclaimed and incorporating cutting-edge research, American Higher Education in the Twenty-First Century is now more useful and engaging than ever.Contributors: Michael N. Bastedo, Philip G. Altbach, Patricia J. Gumport, Peter Riley Bahr, Joy Blanchard, Julia Brickfield, Michael Brown, Katherine S. Cho, Daniela Conde, Charles H. F. Davis III, Hans de Wit, Peter D. Eckel, Martin Finkelstein, Denisa Gándara, Liliana M. Garces, Roger L. Geiger, Leslie D. Gonzales, Jillian Leigh Gross, Jessica Harris, Nicholas Hillman, Julia Rose Karpicz, Robert Kelchen, Adrianna Kezar, Lisa R. Lattuca, Demetri Morgan, Rebecca Natow, Anna Neumann, Audrey Peek, Laura W. Perna, Gary Rhoades, Tykeia N. Robinson, Roman Ruiz, Wonson Ryu, Lauren T. Schudde, Jeffrey C. Sun, David A. Tandberg

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Twenty-first-century culture is obsessed with books. In a time when many voices have joined to predict the death of print, books continue to resurface in new and unexpected ways. From the proliferation of “shelfies” to Jane Austen–themed leggings and from decorative pillows printed with beloved book covers to bookwork sculptures exhibited in prestigious collections, books are everywhere and are not just for reading. Writers have caught up with this trend: many contemporary novels depict books as central characters or fetishize paper and print thematically and formally.In Bookishness, Jessica Pressman examines the new status of the book as object and symbol. She explores the rise of “bookishness” as an identity and an aesthetic strategy that proliferates from store-window décor to experimental writing. Ranging from literature to kitsch objects, stop-motion animation films to book design, Pressman considers the multivalent meanings of books in contemporary culture. Books can represent shelter from—or a weapon against—the dangers of the digital; they can act as memorials and express a sense of loss. Examining the works of writers such as Jonathan Safran Foer, Jennifer Egan, Mark Z. Danielewski, and Leanne Shapton, Pressman illuminates the status of the book as a fetish object and its significance for understanding contemporary fakery. Bringing together media studies, book history, and literary criticism, Bookishness explains how books still give meaning to our lives in a digital age.

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"Weak in Comparison to Dreams... is the most courageous and fascinating debut I have read since Mark Z. Danielewski’s House of Leaves." —Full Stop MagazineFor years, Samuel Emmer has monitored bacteria levels in drinking water for the small city of Guelph.He is content to focus on dangerous life-threatening single-celled organisms as his grasp on his own life recedes—and with it, family and friends. To be sure, it is more than a little surprising when Samuel learns that he has been appointed to the city’s Zoo Feasibility Committee. Even more so, that he is being tasked with interacting not just with animals, but human beings. His assignment: travel to zoos around the world and gather information on the stereotypical behavior of animals in their enclosures—the city of Guelph aspiring commendably, if naively, to a cruelty-free habitat for its animals. It is in Tallinn, Estonia, that the dreams start for Samuel. He is in a vast wooded landscape; there is a fire burning in the distance; and it is coming his way… Weak in Comparison to Dreams, by the historian and art critic James Elkins, is like no other novel you have ever read, even as certain inspirations, from Sebald to Tokarczuk, are clear. With an astounding breadth of knowledge and playful courage, Weak in Comparison to Dreams reignites our love for the ambitious novel with experimentation that never lacks intention, and whose empathetic scope explores the deepest aspects of our individual humanity.

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'In a period marked by nationalism and populism, the relevance of the roles played by parliaments is sometimes underestimated and rather deserves greater attention. The book edited by Raube, Wouters and Muftuler-Bac gathers a group of leading scholars in the field of parliamentary studies and contributes to bridge a gap in a very sensitive policy field, that is to say the external relations of the European Union. A wide list of approaches and theoretical and empirical investigations demonstrates that, despite the dominant influence of the executive branches of government, not only networking of parliaments has enlarged, but also traditional and innovative roles, i.e. control and conflict mediation, have been amplifled and diversified. Therefore, parliaments are far from being put aside.'- Daniela Irrera, EuropeNow This insightful companion examines the role of parliaments in the external relations of the EU, a relatively under-explored topic of research in an increasingly complex international relations environment. In fact, this volume challenges the dominant perspective, demonstrating the increased networking of parliaments both within the EU and with external actors, shedding light on the growing role of parliamentary scrutiny, control and conflict mediation. Providing a comparative overview of parliamentary action in EU external relations, this book considers both the conceptual basis of these actions and examines key case studies for empirical analysis. It situates the EU's internal and external dimension of parliamentary cooperation in a wider context, engaging in a debate that goes beyond the EU into relationships with neighbouring regions as well as parliamentary institutions from other areas of the globe. Advanced students and researchers of EU external relations and global governance will greatly benefit from reading this timely book. At the same time, international relations and political science scholars will also appreciate this thorough and comprehensive volume.Contributors include: M.A. Afke Groen, M.A.H.K. Belley, K. Biedenkopf, T. Christiansen, A. Cianciara, I. Cooper, R. Cutler, M.A.F. De Vrieze, S. Delputte, I. Demirsu, M.A.D. Fonck, J.E. Fossum, D. Fromage, M. Gianniou, M. Góra, M.A.C. Glahn, S. Gürkan, D. Jan i , T. Lenz, C. Lord, M. Müftüler-Baç, G.G. Müller, X. Nuttin, L. Oehman, D. Peters, M.A.I. Petrova, K. Raube, L. Redei, G. Rosén, Z. Selden, M.A. Shaohua Yan, S. Stavridis, A. von Lingen, W. Wagner, J. Wódka, J. Wouters

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Peter Schäfer befasst sich mit den Rückwirkungen des sich herauskristallisierenden Christentums auf das zeitgenössische rabbinische Judentum, d.h. den Einflüssen, die das zu sich selbst findende Christentum auf das Judentum ausübte.Nach der viel diskutierten Erzählung vom verschwundenen Messiasbaby im Jerusalemer Talmud werden Auseinandersetzungen zwischen Rabbinen und diversen Häretikern bezüglich der Frage des einen Gottes oder einer möglichen Vielzahl von Göttern untersucht. Vor allem die im Christentum allmählich konkrete Gestalt annehmende Idee einer göttlichen Zweiheit (Vater und Sohn) bzw. Dreiheit (Vater, Sohn und Heiliger Geist) hat im rabbinischen Judentum deutlichere Spuren hinterlassen als bisher meist angenommen. Daneben spielen Vorstellungen eine wichtige Rolle, die sich aus dem Menschensohn des Danielbuches im Judentum und im Christentum entwickelten; im babylonischen Talmud und in der frühen jüdischen Mystik tritt uns dann die Gestalt eines höchsten Engels mit Namen Metatron entgegen, der sogar den Beinamen "Kleiner Gott" erhält. Abschliessend wird ein klassischer rabbinischer Midrasch vorgestellt, der ganz unbefangen den Gedanken des stellvertretenden Sühneleidens des Messias (wieder) in das Judentum einführt.Die Grenzen zwischen "Rechtgläubigkeit" und "Häresie" erweisen sich auch im Judentum als fließend, und mehr als einmal drängt sich die häretische Überlegung auf, ob man nicht nur von der "Geburt des Christentums aus dem Geist des Judentums" sprechen sollte, sondern umgekehrt auch von der "Geburt des Judentums aus dem Geist des Christentums".

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Becoming Audible explores the phenomenon of human and animal acoustic entanglements in art and performance practices. Focusing on the work of artists who get into the spaces between species, Austin McQuinn discovers that sounding animality secures a vital connection to the creatural.To frame his analysis, McQuinn employs Gilles Deleuze and Félix Guattari’s concept of becoming-animal, Donna Haraway’s definitions of multispecies becoming-with, and Mladen Dolar’s ideas of voice-as-object. McQuinn considers birdsong in the work of Beatrice Harrison, Olivier Messiaen, Céleste Boursier-Mougenot, Daniela Cattivelli, and Marcus Coates; the voice of the canine as a sacrificial lab animal in the operatic work of Alexander Raskatov; hierarchies of vocalization in human-simian cultural coevolution in theatrical adaptations of Franz Kafka and Eugene O’Neill; and the acoustic exchanges among hybrid human-animal creations in Harrison Birtwistle’s opera The Minotaur. Inspired by the operatic voice and drawing from work in art and performance studies, animal studies, zooarchaeology, social and cultural anthropology, and philosophy, McQuinn demonstrates that sounding animality in performance resonates “through the labyrinths of the cultural and the creatural,” not only across species but also beyond the limits of the human.Timely and provocative, this volume outlines new methods of unsettling human exceptionalism during a period of urgent reevaluation of interspecies relations. Students and scholars of human-animal studies, performance studies, and art historians working at the nexus of human and animal will find McQuinn’s book enlightening and edifying.

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The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and public spheres. Internet pioneer Philip Agre observed a discourse deficit in artificial intelligence research and proposed a critical technical practice, a single disciplinary field with one foot planted in the craft work of design and the other foot planted in the reflexive work of critique. A critical technical practice rethinks its own premises, re-evaluates its own methods, and reconsiders its own concepts as a routine part of its daily work. This volume considers the potential for critical technical practice in the evolving situation of composition across a wide range of current practices. In seeking to tell more honest, useful stories of composition, it hopes to contribute to a new discourse around the creation of music. Contributors: Patricia Alessandrini (Stanford University), Alan Blackwell (University of Cambridge), John Bowers (Newcastle University), Nicholas Brown (Trinity College Dublin), Nicolas Collins (School of the Art Institute of Chicago), Agostino di Scipio (Conservatorio de l'Aquila), Daniela Fantechi (Orpheus Institute, Ghent), Ambrose Field (University of York), Karim Haddad (IRCAM, Paris), Jonathan Impett (Orpheus Institute, Ghent), Scott McClaughlin (University of Leeds), Lula Romero (Kunstuniversitat Graz), David Rosenboom (CalArts, Los Angeles), Ann M. Ward (Cornell University), Laura Zattra (IRCAM, Paris)

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The Golden City of Prague has long been an intellectual centre of the western world. The writers collected here range from the early nineteenth century to the present and include both Prague natives and visitors from elsewhere. Here are stories, legends, and scenes from the city's past and present, from the Jewish fable of the golem, a creature conjured from clay, to tales of German and Soviet invasions. The international array of writers ranges from Franz Kafka to Ivan Klíma to Bruce Chatwin, and includes the award-winning British playwright Tom Stoppard and former American Secretary of State Madeleine Albright, both of whom have Czech roots. Covering the city's venerable Jewish heritage, the glamour of the belle-époque period, World War II, Communist rule, the Prague Spring, the Velvet Revolution, and beyond, Prague Stories weaves a remarkable selection of fiction and nonfiction into a literary portrait of a fascinating city.Richard Bassett, former Central European correspondent for The Times, knows his subject inside out. Here is Prague in all its brilliance, a city rich in folklore both Slavic and Jewish, whose history is the stuff of legend - Jan Hus, Charles IV and his eponymous bridge, serial defenestrations; Prague in the dark years of World War II, in the grey years of Communism, in the excitement of the Velvet Revolution. And here is today's Prague, a vibrant cosmopolitan capital where a new generation of Czech writers - Sylva Fischerova, Daniela Hodrova and others - explores its identity in new and exciting ways.A unique collection of fiction and non-fiction to delight and stimulate travellers and stay-at-homes alike.

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Mixed Realism is about how we interact with media. Timothy J. Welsh shows how videogames, like novels, both promise and trouble experiences of “immersion.” His innovative methodology offers a new understanding of the expanding role of virtuality in contemporary life. Today’s wired culture is a mixed reality, conducted as exchanges between virtual and material contexts. We make balance transfers at an ATM, update Facebook timelines, and squeeze in sessions of Angry Birds on the subway. However, the “virtual” is still frequently figured as imaginary, as opposed to “real.” The vision of 1990s writers of a future that would pit virtual reality against actual reality has never materialized, yet it continues to haunt cultural criticism. Our ongoing anxiety about immersive media now surrounds videogames, especially “shooter games,” and manifests as a fear that gamers might not know the difference between the virtual world and the real world.As Welsh notes, this is the paradox of real virtuality. We understand that the media-generated virtualities that fill our lives are not what they represent. But what are they if they are not real? Do they have presence, significance, or influence exceeding their material presence and the user processes that invoke them? What relationships do they establish through and beyond our interactions with them?Mixed Realism brims with fresh analyses of literary works such as Truman Capote’s In Cold Blood and Mark Z. Danielewski’s House of Leaves, along with sustained readings of controversial videogames such as Super Columbine Massacre and Call of Duty: Modern Warfare 2. Continually connecting the dots between surprising groupings of texts and thinkers, from David Foster Wallace to the cult-classic videogame Eternal Darkness and from Cormac McCarthy to Grand Theft Auto, it offers a fresh perspective on both digital games and contemporary literature.

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How do we think? N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis-the belief that humans and technics are coevolving-and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa. mines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. She goes on to depict the neurological consequences of working in digital media, where skimming and scanning, or "hyper reading," and analysis through machine algorithms are forms of reading as valid as close reading once was. Hayles contends that we must recognize all three types of reading and understand the limitations and possibilities of each. In addition to illustrating what a comparative media perspective entails, Hayles explores the technogenesis spiral in its full complexity. She considers the effects of early databases such as telegraph code books and confronts our changing perceptions of time and space in the digital age, illustrating this through three innovative digital productions - Steve Tomasula's electronic novel, "TOC"; Steven Hall's "The Raw Shark Texts"; and Mark Z. Danielewski's "Only Revolutions". Deepening our understanding of the extraordinary transformative powers digital technologies have placed in the hands of humanists, "How We Think" presents a cogent rationale for tackling the challenges facing the humanities today.

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Das Gründerinnen-Handbuch soll mehr Frauen motivieren, zu gründen – vom kleinen Unternehmen bis zum skalierbaren Startup mit Weltmarktambitionen. Die Autorinnen machen Mut, den Sprung in die Selbständigkeit zu wagen – auf Grundlage ihrer eigenen unternehmerischen Erfahrungen sowie des Know-how ihres Netzwerks: Dazu haben sie zahlreiche Startup-Gründerinnen, Investor:innen sowie Expert:innen interviewt und bieten einen fundierten und pragmatischen Einstieg – mit wertvollen Praxis-Tipps. Die vollständigen Interviews gibt’s auch in ihrem Podcast „EQUALIZER – von und für Gründerinnen“ auf den gängigen Plattformen wie Spotify und Apple Podcasts.Das Buch stellt die relevanten Phasen und Methoden beim Gründen vor und zeigt prägnant, was wichtig ist: Wie ist der Weg von der ersten Idee und der Frage nach dem „Why“ bis zum überzeugenden Businessplan? Welche Formen der Finanzierung gibt es und wie wähle ich Investor:innen aus? Wie lassen sie und Kunden sich von der Idee überzeugen? Neben den fachlichen Themen beleuchten die Autorinnen auch die menschliche Komponente: Wie funktioniert Networking wirklich gut? Wann im Leben ist Gründen sinnvoll und wie funktioniert es mit der Work-Life-Balance am besten? Was hilft Gründerinnen, sich in diesem noch sehr männlich dominierten Bereich erfolgreich zu bewegen? Viele inspirierende Best-Practice-Beispiele zeigen, dass Unternehmerin zu werden eine spannende Option für Frauen ist. Legt los!Mit wertvollen Tipps von 15 Gründerinnen: Alina Bassi, Kleiderly Sophie Chung, Qunomedical Dalia Das, neue fische GmbH, School and Pool for Digital Talent Stefanie A. Engelhard, Unleash Future Boats Andrea Fernandez, Vitamin Dr. Joana Gil, LignoPure Daniela Greiffendorf, European Seniors' School Laetitia Hörnler, mamis travelguide Christine Kiefer, RIDE Carolin Kunert, Knister Dr.-Ing. Anne Lamp, traceless materials Katharina Obladen, UVIS UV-Innovative Solutions Miriam Schütt, SofaConcerts Lena Weirauch, ai-omatic solutions Ines Woermann, helloguide und 12 Investor:innen und Expert:innen Dr. Isabelle Canu, respin Judith Dada, La Famiglia Fridtjof Detzner, Planet A Tina Dreimann, better ventures Alexa Gorman, encourageventures e.V. & SAP.iO Sina Gritzuhn, Hamburg Startups Doreen Hotze, Handelskammer Hamburg Nico Lumma, NMA.VC Dr. Kirsten Mikkelsen, Jackstädt-Zentrum Dr. Christian Nagel, Earlybird Sanja Stankovic, german.innovation Bettine Schmitz, Auxxo, Evangelistas

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Mixed Realism is about how we interact with media. Timothy J. Welsh shows how videogames, like novels, both promise and trouble experiences of “immersion.” His innovative methodology offers a new understanding of the expanding role of virtuality in contemporary life. Today’s wired culture is a mixed reality, conducted as exchanges between virtual and material contexts. We make balance transfers at an ATM, update Facebook timelines, and squeeze in sessions of Angry Birds on the subway. However, the “virtual” is still frequently figured as imaginary, as opposed to “real.” The vision of 1990s writers of a future that would pit virtual reality against actual reality has never materialized, yet it continues to haunt cultural criticism. Our ongoing anxiety about immersive media now surrounds videogames, especially “shooter games,” and manifests as a fear that gamers might not know the difference between the virtual world and the real world.As Welsh notes, this is the paradox of real virtuality. We understand that the media-generated virtualities that fill our lives are not what they represent. But what are they if they are not real? Do they have presence, significance, or influence exceeding their material presence and the user processes that invoke them? What relationships do they establish through and beyond our interactions with them?Mixed Realism brims with fresh analyses of literary works such as Truman Capote’s In Cold Blood and Mark Z. Danielewski’s House of Leaves, along with sustained readings of controversial videogames such as Super Columbine Massacre and Call of Duty: Modern Warfare 2. Continually connecting the dots between surprising groupings of texts and thinkers, from David Foster Wallace to the cult-classic videogame Eternal Darkness and from Cormac McCarthy to Grand Theft Auto, it offers a fresh perspective on both digital games and contemporary literature.

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Twenty-first-century culture is obsessed with books. In a time when many voices have joined to predict the death of print, books continue to resurface in new and unexpected ways. From the proliferation of “shelfies” to Jane Austen–themed leggings and from decorative pillows printed with beloved book covers to bookwork sculptures exhibited in prestigious collections, books are everywhere and are not just for reading. Writers have caught up with this trend: many contemporary novels depict books as central characters or fetishize paper and print thematically and formally.In Bookishness, Jessica Pressman examines the new status of the book as object and symbol. She explores the rise of “bookishness” as an identity and an aesthetic strategy that proliferates from store-window décor to experimental writing. Ranging from literature to kitsch objects, stop-motion animation films to book design, Pressman considers the multivalent meanings of books in contemporary culture. Books can represent shelter from—or a weapon against—the dangers of the digital; they can act as memorials and express a sense of loss. Examining the works of writers such as Jonathan Safran Foer, Jennifer Egan, Mark Z. Danielewski, and Leanne Shapton, Pressman illuminates the status of the book as a fetish object and its significance for understanding contemporary fakery. Bringing together media studies, book history, and literary criticism, Bookishness explains how books still give meaning to our lives in a digital age.

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Die Zukunft der Universität Das Buch dokumentiert nicht nur das Symposium „Radikale Universität“, das die gesellschaftsbildende Kraft der Universität, die Interdisziplinarität und den Dialog zwischen Kunst und Wissenschaft im Spannungsfeld sozialer Relevanz und Verantwortung beleuchtete. Es würdigt auch das Wirken von Rektor Gerald Bast an der Universität für angewandte Kunst Wien: Mit der Einrichtung zahlreicher neuer interdisziplinärer Studien, der Annäherung von Kunst und Wissenschaft und einer klaren gesellschaftspolitischen Haltung setzte er wichtige Impulse. Die Publikation untersucht drei Kernthemen: Kunst und Wissenschaft, den Ausbau der Universität zum Campus und die Bildungsreform. Alle Texte verhandeln die Zukunft der Bildung in Zeiten radikaler Veränderung, um radikale Perspektiven auf die Institution Universität zu entwickeln. Über Herausforderungen für Universitäten und Bildung im 21. Jahrhundert Beiträge von Aleida Assmann, Klaus Bollinger, Brigitte Felderer, Olga Grjasnowa, Daniela Hammer-Tugendhat, Lisz Hirn, Anab Jain, Judith Kohlenberger, Meinhard Lukas, Helga Nowotny, Ferdinand Schmatz u. a. Mit Fotografien und Renderings von Marlene Mautner

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From Asia to Africa, Oceania to Europe, the Americas and Antarctica, see the world through the eyes of 60 young people who are fighting for their homes and their futures in the face of climate change.The stories in this book are devastating, defiant, inspiring and moving - but, above all, they are full of hope. The climate crisis can feel overwhelming but, as this book shows, for every problem there are young voices raising awareness, creating solutions and demanding that things change. It's not too late to save the world. United we really are unstoppable. Aditya Mukarji (16) stopped 26 million straws from polluting the oceans. Cecilia La Rose (15) filed a lawsuit against the Canadian federal government for contributing to global warming. Delphin Kaze (19) founded a company that produces eco-charcoal from organic waste in Burundi.And more inspiring stories from . . . Htet Myet Min Tun; Tatyana Sin; Iman Dorri; Howey Ou; Theresa Rose Sebastian; Nasreen Sayed; Liyana Yamin; Albrecht Arthur N. Arevalo; Akari Tomita; Karel Lisbeth Miranda Mendoza; Emma-Jane Burian; Anya Sastry; Ricardo Andres Pineda Guzman; Cricket Guest; Lia Harel; Shannon Lisa; Khadija Usher; Brandon Nguyen; Vivianne Roc; Octavia Shay Muñoz-Barton; Payton Mitchell; Ashley Torres; Eyal Weintraub; Daniela Torres Perez; Catarina Lorenzo; Juan José Martín-Bravo; João Henrique Alves Cerqueira; Gilberto Cyril Morishaw; Holly Gillibrand; Stamatis Psaroudakis; Lilith Electra Platt; Anna Taylor; Raina Ivanova; Federica Gasbarro; Laura Lock; Agim Mazreku; Adrian Toth; Kaluki Paul Mutuku; Nche Tala; Sebenele Rodney Carval; Jeremy Raguain; Lesein Mathenge Mutunkei; Toiwiya Hassane; Koku Klutse; Tsiry Nantenaina Randrianavelo; Ruby Sampson; Tafadzwa Chando; Elizabeth Wanjiru Wathuti; Ndèye Marie Aida Ndieguene; Zoe Buckley Lennox; Lourdes Faith Auhura Parehuia; Alexander Whitebrook; Komal Narayan; Kailash Cook; Madeleine Keitilani Elceste Lavemai; Freya May Mimosa Brown; and Carlon Zackhras25p from the sale of physical copies of the book will go to a charity advocating for the protection of children's rights.

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In Making Things and Drawing Boundaries, critical theory and cultural practice meet creativity, collaboration, and experimentation with physical materials as never before. Foregrounding the interdisciplinary character of experimental methods and hands-on research, this collection asks what it means to “make” things in the humanities. How is humanities research manifested in hand and on screen alongside the essay and monograph? And, importantly, how does experimentation with physical materials correspond with social justice and responsibility? Comprising almost forty chapters from ninety practitioners across twenty disciplines, Making Things and Drawing Boundaries speaks directly and extensively to how humanities research engages a growing interest in “maker” culture, however “making” may be defined.Contributors: Erin R. Anderson; Joanne Bernardi; Yana Boeva; Jeremy Boggs; Duncan A. Buell; Amy Burek; Trisha N. Campbell; Debbie Chachra; Beth Compton; Heidi Rae Cooley; Nora Dimmock; Devon Elliott; Bill Endres; Katherine Faull; Alexander Flamenco; Emily Alden Foster; Sarah Fox; Chelsea A. M. Gardner; Susan Garfinkel; Lee Hannigan; Sara Hendren; Ryan Hunt; John Hunter; Diane Jakacki; Janelle Jenstad; Edward Jones-Imhotep; Julie Thompson Klein; Aaron D. Knochel; J. K. Purdom Lindblad; Kim Martin; Gwynaeth McIntyre; Aurelio Meza; Shezan Muhammedi; Angel David Nieves; Marcel O’Gorman; Amy Papaelias; Matt Ratto; Isaac Record; Jennifer Reed; Gabby Resch; Jennifer Roberts-Smith; Melissa Rogers; Daniela K. Rosner; Stan Ruecker; Roxanne Shirazi; James Smithies; P. P. Sneha; Lisa M. Snyder; Kaitlyn Solberg; Dan Southwick; David Staley; Elaine Sullivan; Joseph Takeda; Ezra Teboul; William J. Turkel; Lisa Tweten.

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Staff in schools have never been under so much pressure with high stakes accountability leading many teachers to rethink their profession. A third of Early Career Teachers are leaving within 5 years of training while Headteachers are less sure than ever that they will be able to continue to lead their schools. We have a staff wellbeing and mental health crisis in education.The schools in Cultures of Staff Wellbeing and Mental Health have addressed this crisis by implementing a whole-school culture of staff wellbeing and mental health. It has taken courage, determination and authenticity to prioritise relationships over results, not only between the children and their teachers, but also between the staff themselves. This book will support your school with: •32 individual chapter case-study accounts by headteachers and mental wellbeing leads of how they are implementing staff and pupil wellbeing in their schools. A rich resource of strategies and ideas to adapt to your own context.•How to recognise and tackle staff burnout in your school, identifying the Maslach factors that cause it. •Why teachers putting ‘a brave face on it’ is ineffective: Jonathan Glazzard presents his ground- breaking research identifying a connection between teacher wellbeing, pupil emotional response and attainment.•What ‘buffer’ leadership is and why recognising it is crucial to the headteacher’s mental health.This book belongs to the staff of the case-study schools that recount, in their own words, how focusing on wellbeing and mental health has transformed their schools."This book exemplifies good practice and will hopefully inspire others to follow its case study leads."David Gumbrell, Founder of The Resilience Project"This book is an outstanding reference guide for all school leaders who wish to implement a culture of wellbeing based on evidence and success. A must read!"Suneta Bagri (FCCT), Former Head teacher, Founder of The Every Teacher Matters Project & Cultivate Coaching & Consultancy"The editor not only encourages the reader to engage & empower all staff to see and own their own wellbeing, but also for leaders to model self-care & the promotion of sustainable wellbeing behaviour." Patrick Ottley-O’Connor, Executive Headteacher"A must read for any school wanting to strengthen the wellbeing of their school community."Daniela Falecki, Founder and Director Teacher Wellbeing Pty Ltd, Sydney AustraliaSteve Waters is the founder and director of the Teach Well Alliance. He has thirty years' experience as a secondary school English teacher. During this time he fulfilled many roles including middle leader and Assistant Headteacher. His previous books include Doing Your Research Project which is in its seventh edition.

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This is it. The key to happiness is recognising that, yes, this is it. You’re all you have to work with and this moment is the only one you have any control over. It took a while for Conor Creighton to understand this powerful concept. But once he did, his life changed forever. Conor Creighton came out of the womb chewing his fingernails. A chaotic childhood saw his default mode set to ‘generally miserable’, so he left home at 17, vowing never to return. The ensuing decades of disorder resulted in chronic anxiety. At rock bottom, he signed up for a ten-day silent meditation retreat. It was hell. His legs ached. His butt felt like it was on fire. His mind threw at him a never-ending collage of regrets, wants and realisations. Then, suddenly, for the first time in nearly twenty years, he felt calm as relief and, eventually, joy washed over him. He learned that meditation has just one goal: to recognise that this is it. There is nothing else. No desire to get anywhere or change or improve anything. When Conor stopped trying to get somewhere or ‘be someone’ and realised that this, and this alone, is it, his anxiety abated, he learned to like himself and he discovered that he might even be happy. By remembering that ‘this is it’ in uncomfortable times and in comfortable times, your life can become a lot like meditation. In this highly entertaining, refreshingly honest memoir and meditation guide, you’ll discover how. ‘Conor is Ireland's answer to Sam Harris. This book will you teach you truly life-altering wisdom that has stood the test of both time and science in the most hilarious, relatable and heart-warmingly welcoming way.’ Daniella Moyles ‘I love Conor’s way of sharing the magic of contemplation and meditation. In a world filled with distraction and noise Conor reminds us to slow down and come back to ourselves. This Is It takes a practical approach to meditation and contemplation in what can feel like an overwhelming world.’ Pat Divilly ‘Other worldly and painfully, beautifully Irish all at one. Like poetry and philosophy read by your brother's best friend who has been around the world and come back to serve you everything you’ve forgotten you already know. I adore this book and Conor.’ Angela Scanlon

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There is an urgent focus on education around the world, and this book is pushing directly into this territory. It will appeal to a wide range of readers – to anyone who is passionate about art and or education – and will have a strong international appeal as the contributors have international profiles and the book is poised to address global issues concerning contemporary art, education, and independent practice. In this collection of original essays, the writers engage with the work of the artists who took part in Art School. Each contribution provides a lens through which each writer can focus on specific moments within the evolution of Art School, working outwards to explore how these moments resonate with the wider fields of art-in-education and radical pedagogies. These texts respond to a widespread concern with art and its place in education, while retaining a committed and informed engagement with the phenomena they assess. Art School takes place as a series of independent projects, exhibitions, workshop and residency programmes, bringing active contemporary artists into educational systems to inspire and expand their teachings. Responding to a growing desire to rethink art education at all levels, it is for those committed to new forms of social imagination and social engagement in contemporary art. This book is for curators, schoolteachers and other educators, and also for artists and art students who wish to extend their practice beyond the gallery. Less a manifesto or a declaration of doctrine than an emergent set of experiments, Curriculum considers the school as a zone of artistic and curatorial practice, foregrounding the potential of contemporary art (understood in wide terms) to stimulate students’ creativity in original and open ways. Although the book focuses on a specific project in Ireland, that project exemplifies trends in art and education that are happening around the world and includes contributions from an international group of scholars all well-known in their field. Contributors: Clare Butcher, Gerard Byrne, Juan Canela, Helen Carey, Daniela Cascella, Fiona Gannon, Jennie Guy, Andrew Hunt, Hannah Jickling & Helen Reed, Alissa Kleist, Rowan Lear, Peter Maybury, Annemarie Ní Churreáin, Nathan O’Donnell, Sofia Olascoaga and Priscila Fernandes, Matt Packer and Sjoerd Westbroek. Artists: Sven Anderson, John Beattie, Clare Breen, Sarah Browne, Karl Burke, Rhona Byrne, Ella de Búrca, Vanessa Donoso Lopez, Priscila Fernandes, Hannah Fitz, Jane Fogarty, Kevin Gaffney, Adam Gibney, Fiona Hallinan, Elaine Leader, Maria McKinney, Maeve Mulrennan, Mark O’Kelly, Sarah Pierce, Naomi Sex and Orlaith Treacy. Primary interest will be among educators, artists, curators, academics and students, and others working or studying in a variety of settings including school, universities, museums, and other arts organisations. Of interest to these groups in the following ways: Artists: Learning about how other artists are working in sites of education. Curators: Reading about the curatorial mechanisms that support artists maintaining the ethics and integrity of their practice when working with younger audiences in schools. Gallerists: Extending the horizons of audience and public outreach. Museums: Considering new models of education, outreach, exhibition, and off-site events. Schools: Learning about new models of artist residencies and workshops. Students and Parents: Researching the potential of contemporary artists’ impact on education. Educators: Forming a critical perspective of how contemporary arts practice can be integrated in curricula. Local and National Arts Agencies: Learning about how independent curatorial and artistic practice can co-exist within sites of education. This publication was funded by the Arts Council of Ireland and the Arts Office of Wicklow County Council.

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