Search results for ""author merchant"

During the time of Charles V, plays were written and performed by amateur literary and acting societies known as chambers of rhetoric. Members of the chambers saw themselves not only as entertainers, but as religious and cultural leaders, and on the strength of this sense of mission became the most influential performers of vernacular drama in the Low Countries. Gary Waite examines the social and religious messages of the plays presented, showing how they promoted or opposed calls for reform, religious and otherwise. Presenting an overview of some eighty surviving scripts from across the Low Countries, Waite considers the culture and drama of two distinct urban communities in particular: Antwerp and Amsterdam. He argues that the dramatists promoted a wide range of reform perspectives, but in so doing they reshaped reform ideas to accommodate their own concerns as urban artisans and merchants. In the end, despite their desire for peace, they contributed significantly to the rise of anticlerical sentiment and reform aspirations and to increasing dissatisfaction with Habsburg rule. Offering perspectives gleaned from primary material that is available only in sixteenth-century Dutch, this study adds significantly to existing scholarship on the local ramifications of the Reformation in the Low Countries.

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The story of Catholic Emancipation begins with the violent Anti-Catholic Gordon Riots in 1780, fuelled by the reduction in Penal Laws against the Roman Catholics harking back to the sixteenth century. Some fifty years later, the passing of the Emancipation Bill was hailed as a 'bloodless revolution'. Had the Irish Catholics been a 'millstone', as described by an English aristocrat, or were they the prime movers? While the English Catholic aristocracy and the Irish peasants and merchants approached the Catholic Question in very different ways, they manifestly shared the same objective. Antonia Fraser brings colour and humour to the vivid drama with its huge cast of characters: George III, who opposed Emancipation on the basis of the Coronation Oath; his son, the indulgent Prince of Wales, who was enamoured with the Catholic Maria Fitzherbert before the voluptuous Lady Conyngham; Wellington and the 'born Tory' Peel vying for leadership; 'roaring' Lord Winchilsea; the heroic Daniel O'Connell. Expertly written and deftly argued, THE KING AND THE CATHOLICS is also a distant mirror of our times, reflecting the political issues arising from religious intolerance.

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This book covers the design, development, production and operations of the Hawker Hurricane before, during and after the Second World War. Without the courage and perseverance of the young men from Britain and the Commonwealth, who risked their lives to beat the Luftwaffe and forestall the enemy invasion of Britain, there would not have been a 'Battle of Britain.' The Hurricane was a simple rugged metal structure that did not require expensive assembly jigs, absorbed a lot of battle damage, and was also simple to repair. Its wide-track undercarriage allowed operations from rapidly prepared grass fields, and the ultimate cannon armament and rocket projectiles could destroy both soft skin and armoured targets. Following the Battles of France and Britain, Spitfires took over much of the air-to-air interception, while Hurricanes roamed around occupied Europe destroying enemy ground targets. They operated off merchant ships on the Russian convoys and were vital in the defence of Malta.Hurricanes worked with the Soviet Air Force within the Arctic Circle, and supported the Eighth Army against the forces of Rommel in the deserts of North Africa, as well as serving with distinction in Asia.

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A History of the Modern Middle East offers a comprehensive assessment of the region, stretching from the fourteenth century and the founding of the Ottoman and Safavid empires through to the present-day protests and upheavals. The textbook focuses on Turkey, Iran, and the Arab countries of the Middle East, as well as areas often left out of Middle East history—such as the Balkans and the changing roles that Western forces have played in the region for centuries—to discuss the larger contexts and influences on the region's cultural and political development. Enriched by the perspectives of workers and professionals; urban merchants and provincial notables; slaves, students, women, and peasants, as well as political leaders, the book maps the complex social interrelationships and provides a pivotal understanding of the shifting shapes of governance and trajectories of social change in the Middle East. Extensively illustrated with drawings, photographs, and maps, this text skillfully integrates a diverse range of actors and influences to construct a narrative that is at once sophisticated and lucid. A History of the Modern Middle East highlights the region's complexity and variation, countering easy assumptions about the Middle East, those who governed, and those they governed—the rulers, rebels, and rogues who shaped a region.

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WINNER OF THE SALTIRE SOCIETY HISTORY BOOK OF THE YEARNext morning at about 6 o'clock my mother wakened us to say there had been a shipwreck and bodies were being washed ashore. My fatherhad gone with others to look for survivors ... I don't think any survivors came in at Port Ellen but bodies did.The loss of two British ships crammed with American soldiers bound for the trenches of the First World War brought the devastation of war directly to the shores of the Scottish island of Islay.The sinking of the troopship Tuscania by a German U-Boat on 5 February 1918 was the first major loss of US troops in in the war. Eight months after the people of Islay had buried more than 200 Tuscania dead, the armed merchant cruiser Otranto collided with another troopship during a terrible storm. Despite a valiant rescue attempt by HMS Mounsay, the Otranto drifted towards Islay, hit a reef, throwing 600 men into the water. Just 19 survived; the rest were drowned or crushed by the wreckage.Based on the

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For the twentieth anniversary of the start of the Matthew Bartholomew series, Sphere is delighted to reissue all of the medieval monk's cases with beautiful new series-style covers.------------------------------------The seventeenth chronicle in the Matthew Bartholomew series.In 1358 the fledging college of Michaelhouse in Cambridge is in need of extra funds. A legacy from the Archbishop of York of a parish close to that city promises a welcome source of income. However, there has been another claim to its ownership and it seems the only way to settle the dispute is for a deputation from Michaelhouse to travel north.Matthew Bartholomew is among the small party which arrives in the bustling city, where the increasing wealth of the merchants is unsettling the established order, and where a French invasion is an ever-present threat to its port. But soon he and his colleagues learn that many of the Archbishop's executors have died in unexplained circumstances and that the codicil naming Michaelhouse as a beneficiary cannot be found...'A first-rate treat for mystery lovers' (Historical Novels Review)'Susanna Gregory has an extraordinary ability to conjure up a strong sense of time and place' (Choice)

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Italian immigrants to the United States and Argentina hungered for the products of home. Merchants imported Italian cheese, wine, olive oil, and other commodities to meet the demand. The two sides met in migrant marketplaces—urban spaces that linked a mobile people with mobile goods in both real and imagined ways. Elizabeth Zanoni provides a cutting-edge comparative look at Italian people and products on the move between 1880 and 1940. Concentrating on foodstuffs—a trade dominated by Italian entrepreneurs in New York and Buenos Aires—Zanoni reveals how consumption of these increasingly global imports affected consumer habits and identities and sparked changing and competing connections between gender, nationality, and ethnicity. Women in particular—by tradition tasked with buying and preparing food—had complex interactions that influenced both global trade and their community economies. Zanoni conveys the complicated and often fraught values and meanings that surrounded food, meals, and shopping. A groundbreaking interdisciplinary study, Migrant Marketplaces offers a new perspective on the linkages between migration and trade that helped define globalization in the late nineteenth and early twentieth centuries.

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During the middle of the 19th-Century, Britain and China would twice go to war over trade, and in particular the trade in opium. The Chinese people had progressively become addicted to the narcotic, a habit that British merchants were more than happy to feed from their opium-poppy fields in India. When the Qing dynasty rulers of China attempted to supress this trade--due to the serious social and economic problems it caused--the British Government responded with gunboat diplomacy, and conflict soon ensued. The first conflict, known as the First Anglo-Chinese War or Opium War (1839-42), ended in British victory and the Treaty of Nanking. However, this treaty was heavily biased in favour of the British, and it would not be long before there was a renewal of hostilities, taking the form of what became known as the Second Anglo-Chinese War or Arrow War (1857-60). Again, the second conflict would end with an 'unequal treaty' that was heavily biased towards the victor. 'The Lion and the Dragon: Britain's Opium Wars with China, 1839-1860' examines the causes and ensuing military history of these tragic conflicts, as well as their bitter legacies.

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Indonesia and its more than 17,000 islands are spread out over a surface area equivalent to that of the European Union. As an area of confluences and encounters, the Indonesian archipelago has always been one of the most important crossroads of world trade, where Austronesian ships, Arab dhows, Chinese junks, Iberian caravels, and other ships of the East India Companies berthed long before the container ships and oil tankers of today. The history of this archipelago is that of a multitude of links and connections, where the near and the far intermingle, forced to compete in a ubiquitous maritime world. The sea brings together more than she separates, and the monsoon winds have made this intersection a mandatory stop for merchants, clerics, and foreign diplomats, whose presence has left traces in the myths, monuments, arts, and traditions of contemporary Indonesia. Overlapped, blended, reinterpreted by rich and complex societies, these inflows have forged multiple worlds that the relationship with the sea has finely coloured and chiselled. Archipel invites us to discover this world, with the sea as the common thread, and an exceptional collection of major artworks as markers of a history to be discovered and admired.

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In the 1630s, the Netherlands was gripped by tulipmania: a speculative fever unprecedented in scale and, as popular history would have it, folly. We all know the outline of the story - how otherwise sensible merchants, nobles, and artisans spent all they had (and much that they didn't) on tulip bulbs. We have heard how these bulbs changed hands hundreds of times in a single day, and how some bulbs, sold and resold for thousands of guilders, never even existed. Tulipmania is seen as an example of the gullibility of crowds and the dangers of financial speculation.But it wasn't like that. As Anne Goldgar reveals in "Tulipmania", not one of these stories is true. Making use of extensive archival research, she lays waste to the legends, revealing that while the 1630s did see a speculative bubble in tulip prices, neither the height of the bubble nor its bursting were anywhere near as dramatic as we tend to think. By clearing away the accumulated myths, Goldgar is able to show us instead the far more interesting reality: the ways in which tulipmania reflected deep anxieties about the transformation of Dutch society in the Golden Age.

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In Old Regime France credit was both a central part of economic exchange and a crucial concept for explaining dynamics of influence and power in all spheres of life. Contemporaries used the term credit to describe reputation and the currency it provided in court politics, literary production, religion, and commerce. Moving beyond Pierre Bourdieu's theorization of capital, this book establishes credit as a key matrix through which French men and women perceived their world. As Clare Haru Crowston demonstrates, credit unveils the personal character of market transactions, the unequal yet reciprocal ties binding society, and the hidden mechanisms of political power. Credit economies constituted "economies of regard" in which reputation depended on embodied performances of credibility. Crowston explores the role of fashionable appearances and sexual desire in leveraging credit and reconstructs women's vigorous participation in its gray markets. The scandalous relationship between Queen Marie Antoinette and fashion merchant Rose Bertin epitomizes the vertical loyalties and deep social divides of the credit regime and its increasingly urgent political stakes.

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In the summer of 1915 the Royal Naval Air Service found itself engaged in an unexpected war at sea, the fight to prevent the German submarine fleet from disrupting the flow of vital supplies to the British Isles, necessary for the conduct of the war. It was a war that had to be won because by the spring of 1917 the U-boat campaign against Allied merchant shipping was close to bringing the British war effort to the point of collapse. Airships of the RNAS played a vital part in this new war at sea. This book tells the story of the young men who ventured out over the often hostile waters around the British Isles in airships, who were expected to hunt down the German submarines and to attack them with the hopelessly inadequate weapons at their disposal. The story is told by those who took part in this new form of warfare, through pieces written by them or via interviews with veterans. It covers the entire experience of being an airship pilot, from initial training, through their numerous adventures while flying these frail craft over the coastal waters of the British Isles, to the final victory in 1918.

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Twelfth Night by William Shakespeare is a delightful comical love story. The play begins with a shipwreck, during which Viola, a young aristocratic-born woman, is separated from her identical twin brother, Sebastian – only to be swept onto the shores of the Kingdom of Illyria where she disguises herself as a man and falls in Love with the Kingdoms Duke. Thus begins this entertaining tale of mistaken identities and thwarted love.Also available as part of a 20 book set, including Romeo and Juliet, Hamlet, The Tragedy of Macbeth, A Midsummer Night’s Dream, A Winter’s Tale, The Taming of the Shrew, The Tempest, Twelfth Night, Timon of Athens, The Two Gentlemen of Verona, The Merchant of Venice, Othello, Much Ado About Nothing, King Lear, Julius Caesar, Cymbeline, The Comedy of Errors, As You Like It, Anthony and Cleopatra and All’s Well That Ends Well. About Sweet Cherry Easy Classics:Sweet Cherry Easy Classics adapts classic literature into stories for children, introducing these timeless tales to a new generation.

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Twelfth Night by William Shakespeare is a delightful comical love story. The play begins with a shipwreck, during which Viola, a young aristocratic-born woman, is separated from her identical twin brother, Sebastian – only to be swept onto the shores of the Kingdom of Illyria where she disguises herself as a man and falls in Love with the Kingdoms Duke. Thus begins this entertaining tale of mistaken identities and thwarted love.Also available as part of a 20 book set, including Romeo and Juliet, Hamlet, The Tragedy of Macbeth, A Midsummer Night’s Dream, A Winter’s Tale, The Taming of the Shrew, The Tempest, Twelfth Night, Timon of Athens, The Two Gentlemen of Verona, The Merchant of Venice, Othello, Much Ado About Nothing, King Lear, Julius Caesar, Cymbeline, The Comedy of Errors, As You Like It, Anthony and Cleopatra and All’s Well That Ends Well. About Sweet Cherry Easy Classics:Sweet Cherry Easy Classics adapts classic literature into stories for children, introducing these timeless tales to a new generation.

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In Burmese Days, George Orwell, one of the most famous writers in the English language, draws on his own experience of living and working in Burma to write an unflinching novel about the dark side of imperialism. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by journalist and writer David Eimer.John Flory is a disillusioned timber merchant based in the remote town of Kyauktada in 1920s Burma. Whilst his English peers gather night after night to drink and gossip in their exclusive club, Flory has embraced local life – his best friend is Dr Veraswami and his mistress is Ma Hla May. The slow, sticky, hot days are interrupted by the arrival of the young and beautiful Elizabeth. And when the club is forced to elect a non-white member, Flory is caught up in an increasingly hostile and dangerous feud.

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Over the last 20 years, the concept of 'economic' activity has come to seem inseparable from psychological, semiotic and ideological experiences. In fact, the notion of the 'economy' as a discrete area of life seems increasingly implausible. This returns us to the situation of Shakespeare's England, where the financial had yet to be differentiated from other forms of representation. This book shows how concepts and concerns that were until recently considered purely economic affected the entire range of sixteenth and seventeenth century life. Using the work of such critics as Jean-Christophe Agnew, Douglas Bruster, Hugh Grady and many others, Shakespeare and Economic Theory traces economic literary criticism to its cultural and historical roots, and discusses its main practitioners. Providing new readings of Timon of Athens, King Lear, The Winter’s Tale, The Merchant of Venice, Measure for Measure, Julius Caesar, Macbeth and The Tempest, David Hawkes shows how it can reveal previously unappreciated qualities of Shakespeare’s work.

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This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.

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Given the fundamental changes that transformed American society in the years between Benjamin Franklin's apprenticeship in a printer's shop and mid-19th-century efforts to organize labouring men and women, no social group offers a more interesting spectacle than skilled tradesmen or artisans. They came from various ethnic backgrounds (some worked in slavery), took their religion and politics seriously, lived mostly in cities but also in the countryside, and in many cases became pillars of their communities. This book examines the role of artisans in the American economy and society in the 18th and 19th centuries. Going beyond the traditional story of the decline of journeyman status, it explores a variety of themes loosely centred around opportunities in the developing economy. Indeed, many of these essays explore entrepreneurial ideals among many artisans competing in the marketplace. This collection also examines the interaction of race and the artisan economy in southern cities. It traces the economic relationships from father to son or between merchant and artisan, and explores the culture and politics of artisans, including religion, third-party politics, and the interaction of gender and reform.

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Chief of Police Samuel Craddock faces a race against time to solve a perplexing murder at a motorcycle rally before the event comes to an end.With the annual Jubilee Motorcycle Rally approaching, Jarrett Creek residents are divided. Some despise the rowdy, unsavory behaviour of the bikers, but they bring welcome money to local merchants. What''s to be done?At a town meeting to find a solution, temperatures flare as Amber Johnson and Lily Deverell - family women on opposing sides of the debate - throw accusations at each other. Attempting to appease both camps, Chief of Police Samuel Craddock enacts a curfew to dissuade late-night revellers.Nevertheless, trouble strikes. With the rally in full swing, Amber is found murdered at the event. Why did Amber leave her home that night? What secrets was she hiding from her family? Craddock quickly faces more challenges as he offers to take in his rebellious teenaged niece, Hailey, whose parents a

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Naráyana’s best-seller gives its reader much more than “Friendly Advice.” In one handy collection—closely related to the world-famous Pañcatantra or Five Discourses on Worldly Wisdom —numerous animal fables are interwoven with human stories, all designed to instruct wayward princes. Tales of canny procuresses compete with those of cunning crows and tigers. An intrusive ass is simply thrashed by his master, but the meddlesome monkey ends up with his testicles crushed. One prince manages to enjoy himself with a merchant’s wife with her husband’s consent, while another is kicked out of paradise by a painted image. This volume also contains the compact version of King Víkrama’s Adventures, thirty-two popular tales about a generous emperor, told by thirty-two statuettes adorning his lion-throne. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

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Since his first public appearance in the late 1590s, Shylock has been synonymous with antisemitism. Many of his bon mots remain common currency among Jew-haters; among them "3000 ducats" and the immortal "pound of flesh". But Shakespeare, being Shakespeare, was incapable of inventing anyone so uninteresting; instead he affords Shylock such ambiguity that some of his other lines have become keynotes for believers in shared humanity and tolerance. Following Shakespeare's example these stories - all inspired by The Merchant of Venice - range from the comic to the melancholic. Many pivot on significant productions of the play: Stockholm in 1944, London in 2012, and Venice in 2016. Some are concerned with domestic matters, others with the political, including one - more outrageous than the others - that links Shylock via Israel with the American presidency; most combine both. Running through these linked stories - of which there are seven, like the ages of man - is the cycle of family life, with all its comedy and tragedy.

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Superb. . .a fast-moving and gripping plot Publishers Weekly Starred Review of The Merchant MurderersMarch, 1557. Jack Blackjack is back in London and enjoying a sedentary life - after his treacherous voyage back to his beloved city the previous year, he desires nothing more than the simple pleasures - women, wine, beer and more women.But his new parish of St Helen''s has different ideas for him. . . a week after first laying eyes on the tempting Miss Rachel Nailor, she turns up horribly dead on the church vestry floor. . . and someone is trying to frame him for her murder!A fellow Lady Elizabeth sympathiser, it appears Rachel Nailor was a woman with many secrets. But was she murdered in a fit of lustful rage, or was it part of a wider political play? Who would want Rachel dead - and Jack hanged for it? The suspects are plenty and Jack is running out of time. With his master breathing down his neck, and old foes crawling o

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Exeter possesses the best series of local customs accounts from medieval England, beginning in 1266 and surviving for almost 70 per cent of the years up to 1498. They are also far more complete than other local accounts: listing ships' names, home ports, shipmasters and dates of arrival, as well as the importers and their cargoes. Equally remarkable is their focus on coastal as well as overseas traffic, unlike the better known national customs accounts which recorded only overseas trade. From the Exeter accounts we can follow the movements of foreign and domestic shipping, grain imports during the great Famine of 1315-17, and the identity of the merchants, shipmasters and marinerswho carried on the various kinds of trade. Dr Kowaleski's introduction provides the first detailed account of the port of Exeter and its activities during this period, followed by a complete translation of the surviving accounts from 1266 to 1321. The book also includes a specimen Latin account, a glossary of weights and measures, map, and full indexes.

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Anthony Cotterell wrote a unique form of war journalism – witty, sharp,engaging, and so vivid it was almost cinematic. As an official British Army journalist during the Second World War, he flew on bombing raids, sailed with merchant shipping convoys, crossed to France on D-Day, and took part in the Normandy Campaign. During this time he kept a diary, a hilarious and caustic record of his role in the war, a diary which abruptly ended after he vanished in mysterious circumstances after the battle of Arnhem bridge in 1944. Cotterell’s diary and selected war journalism, illustrated with previously unpublished photographs, are presented together here to shed new light not only on the everyday life of the British Army in the Second World War but also on the role of the press during times of conflict. The quality of his writing is truly captivating and his account of the Normandy campaign is surely the nearest that a modern reader will ever get to experiencing what it was like to be in the thick of a Normandy tank battle.

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Spanish-born photographer Fadia Ahma (b.1975) lives and works in Lebanon. Her poetic series of photographs of Beirut eloquently captures the street life of that resilient city; merchants on street corners, grocers, fishermen, bathers, street artists, collapsed buildings, new construction. She presents fragments of life through fragments of the city itself. This is the first monograph of her vibrant and intuitive work on the people and places of Beirut. She has been crisscrossing her city with a camera since 2003. District after district, house after house, she explores the complexity and humanity of Beirut and the Lebanese people. "I decided," she explains, "to follow an itinerary, which is always the same, so that I wouldn't disperse myself. It is my constancy that allows me to discover, to meld with this city." Fadia Ahmad's imagines her photographs as paintings, which mirror Beirut and capture the poetry of place and people which are nestled in the slightest details. Text in English and French.

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Like so much of Middlesex, Chelsea was swallowed up by Greater London. Here its history restores its lost identity. Chelsea was a desirable riverside residence for wealthy merchants, lawyers, and courtiers from the fifteenth century, and a pleasure resort for all ranks of society from the eighteenth; it is now one of the most expensive and desirable places to live in London. This new volume relates all this and more, including a re-examination of the location of Sir Thomas More's house, a reassessment of Henry VIII's relationship with the manor house, the history of a major estate not previously identified, and a survey of the farm-gardening which gave prosperity to some local inhabitants. Facets of Chelsea's more recent history covered include the rebuilding of eastern Chelsea, which removed alarge lower middle- and working-class population and replaced their accommodation with houses for the well-off; the artistic community which grew up in the late nineteenth century from which Chelsea derived its bohemian reputation; and the cultural and commercial changes of the Swinging Sixties.

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Professor Dick Hobbs is a leading commentator on the culture of crime and criminality. East End born and bred, he is a fascinating dichotomy of the criminal and the intellectual world, allowing him a unique insight into a subject that holds fascination for so many. When he was growing up, the East End was rocking with dock strikes, thievery and the kind of family values practiced by the Krays the Tibbs and a few dozen other outlaw clans. Violence was everywhere Crime was an unavoidable fact of life. However, his real education in Plaistow taught him that the real essence of illegal capitalism is to be found amongst the poor bloody infantry of the crime world; the jump up merchants, lorry highjackers, warehouse thieves, and middle-market drug dealers. These are the people with whom he has spent most of his professional life, and along with more exalted villains such as Mad Frankie Frazer and Charlie Richardson, these are the characters who will feature in the book, weaving the stories of these fearsome gangsters with the history and evolution of the UK underworld.

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This book provides a thoroughly researched and richly illustrated account of a key element of the early modern Atlantic world: the sugar trade linking Brazil, Portugal, and the Netherlands. The study seeks to illuminate the economic, social, political, and cultural dimensions of this commerce. Indeed, trade supported Brazil's rise as the world's leading producer of sugar and the first great plantation colony. Likewise, the sugar trade boosted the economy of Portugal and contributed to the upsurge of the Dutch market. The increasing availability of sugar transformed the European diet (along with some medical theories); and sweets came to play an important part in a variety of social practices. In the political arena, sugar and sugar-producing areas became strategic targets in global conflicts. Furthermore, as this trade expanded, it figured centrally in the evolution of a wide range of financial techniques, business strategies, and institutions of governance—which merchants exploited in order to make their transactions more efficient. The book provides a clear examination of these increasingly sophisticated practices, and shows how they had much in common with today's business operations.

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"Fans of medieval mysteries will revel in Starr's lively blending of intriguing suspense and telling historical detail." - Library Journal It is the autumn of 1367. Master Hugh is enjoying the peaceful life of Bampton, when a badly beaten man is found under the porch of St. Andrew's Chapel. The dying man is a chapman - a traveling merchant. Before he is buried in the chapel grounds, an ancient, corroded coin is found in the man's mouth. Master Hugh's quest for the chapman's assailants, and his search for the origin of the coin, makes steady progress - but there are men of wealth and power who wish to halt his search, and an old nemesis, Sir Simon Trillowe, is in league with them. But Master Hugh, and his assistant, the groom Arthur, are determined to uncover the thieves and murderers, and the source of the chapman's coin. They do, but not before they become involved with a kidnapped maiden, a tyrannical abbot, and a suffering monk - who needs Master Hugh's surgical skills and in return provides clues which assist Hugh in solving the mystery of the tainted coin.

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In 1300, an English privateer named 'The Waxman' was trapped and overrun by two powerful war cogs flying the streamers of the powerful Hanseatic League of North Germany. The ship was carrying a casket containing the 'Carta Mysteriosa', a collection of valuable and detailed maps and sea charts. The rulers of Europe, not to mention their merchant princes, would wade through a sea of blood to obtain them.Three years later Wilhelm Von Paulents, a representative of the Hanseatic League, comes to England. Rumours have it that he owns the sea charts and Sir Hugh Corbett is sent to negotiate with Von Paulents. But the German visitors fall ill of some mysterious ailment and then, on the morning of the fourth Sunday in Advent, Corbett is summoned to a scene of bloody mayhem and murder: Von Paulents, his wife, son and clerk have been barbarously assassinated. The 'Carta Mysteriosa' have not been stolen. So why were the murders committed and by whom? Corbett investigates and, once again, he enters the world of shadows to confront the Seed of Cain.

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Fedor Chizhov built the first railroad owned entirely by Russian stockholders, created Moscow’s first bank and mutual credit society, and launched the first profitable steamship line based in Archangel. In this valuable book, Thomas Owen vividly illuminates the life and world of this seminal figure in early Russian capitalism.Chizhov condemned European capitalism as detrimental to the ideal of community and the well-being of workers and peasants. In his strategy of economic nationalism, Chizhov sought to motivate merchants to undertake new forms of corporate enterprise without undermining ethnic Russian culture. He faced numerous obstacles, from the lack of domestic investment capital to the shortage of enlightened entrepreneurial talent. But he reserved his harshest criticism for the tsarist ministers, whose incompetence and prejudice against private entrepreneurship proved his greatest hindrance.Richly documented from Chizhov’s detailed diary, this work offers an insightful exploration of the institutional impediments to capitalism and the rule of law that plagued the tsarist empire and continue to bedevil post-Soviet Russia.

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Beginning with an atmospheric account of Tyburn, we are set up for a grisly excursion through London as a city of ne'er do wells, taking in beheadings and brutality at the Tower, Elizabethan street crime, cutpurses and con-men, through to the Gordon Riots and Highway robbery of the 18thcentury and the rise of prisons, the police and the Victorian era of incarceration. As well as the crimes, Arnold also looks at the grotesque punishments meted out to those who transgressed the law throughout London's history - from the hangings, drawings and quarterings at Tyburn over 500 years to being boiled in oil at Smithfield. This popular historian also investigates the influence of London's criminal classes on the literature of the 19thand 20thcenturies, and ends up with our old favourites, the Krays and Soho gangs of the 50s and 60s.London's crimes have changed over the centuries, both in method and execution. Underworld London traces these developments, from the highway robberies of the eighteenth century, made possible by the constant traffic of wealthy merchants in and out of the city, to the beatings, slashings and poisonings of the Victorian era.

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From the mid 18th century up till after memories of the Napoleonic wars and the glories of 'Nelson's navy' had faded, the Royal Navy was the bulwark of Britain's defence and the safeguard of trade and imperial expansion. While there have been political and military histories of the Navy in this period, looking at battles and personalities, and studies of its administration and the life below decks, this book is the first study of the Navy in a cultural context, exploring contemporary attitudes to war and peace and to ideologies of race and gender. As well as literary sources, Dr Lincoln draws on the vast collections of the National Maritime Museum, in paintings, cartoons, and ceramics, amongst others, to focus attention on material that has hitherto been little used - even research into the general culture of the late-Georgian age has, curiously, neglected perceptions of the Navy, which was one of its major institutions. Individual chapters discuss the attitudes of particular groups towards the Navy - merchants, politicians, churchmen, women, scientists, and the seamen themselves - and how these attitudes changed over the course of the period.

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The unlikely beginnings of the East India Company—from Tudor origins and rivalry with the superior Dutch—to laying the groundwork for future British expansion The East India Company was the largest commercial enterprise in British history, yet its roots in Tudor England are often overlooked. The Tudor revolution in commerce led ambitious merchants to search for new forms of investment, not least in risky overseas enterprises—and for these “adventurers” the most profitable bet of all would be on the Company. Through a host of stories and fascinating details, David Howarth brings to life the Company’s way of doing business—from the leaky ships and petty seafarers of its embattled early days to later sweeping commercial success. While the Company’s efforts met with disappointment in Japan, they sowed the seeds of success in India, setting the outline for what would later become the Raj. Drawing on an abundance of sources, Howarth shows how competition from European powers was vital to success—and considers whether the Company was truly “English” at all, or rather part of a Europe-wide movement.

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Dana Gioia has been hailed for decades as a master of traditional lyric forms, whose expansive and accessible poems are offerings of rare poignancy and insight. In Meet Me at the Lighthouse, he invites us back to old Los Angeles, where the shabby nightclub of the title beckons us into its noirish immortality. Elsewhere, he laments the once-vibrant neighborhood where he grew up, now bulldozed, and recalls his working-class family of immigrants. Gioia describes a haunting from his mother on his birthday, Christmas Eve. Another poem remembers his uncle, a US Merchant Marine. And "The Ballad of Jesús Ortiz" tells the story of his great-grandfather, a Mexican vaquero who was shot dead at a tavern in Wyoming during a dispute over a bar tab. "I praise my ancestors, the unkillable poor," Gioia writes. This book is dedicated to their memory. Including poems, song lyrics, translations, and concluding with an unsettling train ride to the underworld, Meet Me at the Lighthouse is a luminous exploration of nostalgia, mortality, and what makes a life worth living and remembering.

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A Man of All Talents is the remarkable story of rugby and wrestling legend Douglas 'Duggy' Clark. Born in 1891 in the sleepy Cumbrian village of Maryport, at 14 he left school to work for his father's coal merchant business. Duggy grew into an exceptionally strong but quiet and reserved young man. His two great passions were rugby and Cumberland and Westmorland-style wrestling, and he excelled at both. By 24 he was already a rugby league great and a key member of Huddersfield's 'Team of All Talents', winning every honour the sport could offer. He represented Britain in the infamous 1914 'Rorke's Drift' tour of Australia before being called up to serve in the Great War. He was awarded the Military Medal for bravery, but his war injuries were so severe he was discharged with a 20% disability certificate. Doctors gave Duggy an ultimatum: either he could stay home and live a long but sedate and ordinary life or risk his health by returning to sport. He chose the latter and went on to achieve more extraordinary and pioneering feats.

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In That Way Madness Lies, fifteen acclaimed writers put their modern spin on William Shakespeare's celebrated classics! "From comedy to tragedy to sonnet, from texts to storms to prom, this collection is a knockout." -BuzzFeed.com West Side Story. 10 Things I Hate About You. Kiss Me, Kate. Contemporary audiences have always craved reimaginings of Shakespeare's most beloved works. Now, some of today's best writers for teens take on the Bard in these 15 whip-smart and original retellings! Contributors include Dahlia Adler (reimagining The Merchant of Venice), Kayla Ancrum (The Taming of the Shrew), Lily Anderson (As You Like It), Melissa Bashardoust (A Winter's Tale), Patrice Caldwell (Hamlet), A. R. Capetta and Cori McCarthy (Much Ado About Nothing), Brittany Cavallaro (Sonnet 147), Joy McCullough (King Lear), Anna-Marie McLemore (Midsummer Night's Dream), Samantha Mabry (Macbeth), Tochi Onyebuchi (Coriolanus), Mark Oshiro (Twelfth Night), Lindsay Smith (Julius Caesar), Kiersten White (Romeo and Juliet), and Emily Wibberley and Austin Siegemund-Broka (The Tempest).

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A NEW STATESMAN BOOK OF THE YEAR 2020 'An extraordinary achievement . . . gripping, grim and witty' Robert MacFarlane 'Unputdown-able ... No book could be more timely' Richard J Evans Today, the bunker has become the extreme expression of our greatest fears: from pandemics to climate change and nuclear war. And once you look, it doesn't take long to start seeing bunkers everywhere. In Bunker, acclaimed urban explorer and cultural geographer Bradley Garrett explores the global and rapidly growing movement of 'prepping' for social and environmental collapse, or 'Doomsday'. From the 'dread merchants' hustling safe spaces in the American mid-West to eco-fortresses in Thailand, from geoscrapers to armoured mobile bunkers, Bunker is a brilliant, original and never less than deeply disturbing story from the frontlines of the way we live now: an illuminating reflection on our age of disquiet and dread that brings it into new, sharp focus. The bunker, Garrett shows, is all around us: in malls, airports, gated communities, the vehicles we drive. Most of all, he shows, it's in our minds.

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* Winner of the Andrew Carnegie Medal for Excellence in Fiction* New York Times Bestseller * A New York Times Notable Book and a Washington Post Notable Fiction Book of 2017* Longlisted for the National Book Award for Fiction* Named a Best Book of 2017 by NPR, The Guardian, Vogue, Esquire, Kirkus Reviews, Philadelphia Inquirer, BookPage, Bustle, Southern Living, and St. Louis Post-Dispatch"Immensely satisfying...an old-fashioned page-turner, tweaked by this witty and sophisticated writer...Egan is masterly at displaying mastery...she works a formidable kind of magic." -Dwight Garner, The New York TimesThe long-awaited novel from the Pulitzer Prize-winning author of A Visit from the Goon Squad, Manhattan Beach opens in Brooklyn during the Great Depression. Anna Kerrigan, nearly twelve years old, accompanies her father to the house of a man who, she gleans, is crucial to the survival of her father and her family. Anna observes the uniformed servants, the lavishing of toys on the children, and some secret pact between her father and Dexter Styles. Years later, her father has disappeared and the country is at war. Anna works at the Brooklyn Navy Yard, where women are allowed to hold jobs that had always belonged to men. She becomes the first female diver, the most dangerous and exclusive of occupations, repairing the ships that will help America win the war. She is the sole provider for her mother, a farm girl who had a brief and glamorous career as a Ziegfield folly, and her lovely, severely disabled sister. At a night club, she chances to meet Styles, the man she visited with her father before he vanished, and she begins to understand the complexity of her father's life, the reasons he might have been murdered. Mesmerizing, hauntingly beautiful, with the pace and atmosphere of a noir thriller and a wealth of detail about organized crime, the merchant marine and the clash of classes in New York, Egan's first historical novel is a masterpiece, a deft, startling, intimate exploration of a transformative moment in the lives of women and men, America and the world. Manhattan Beach is a magnificent novel by one of the greatest writers of our time.-------------------------------------------------------------------------------------------***Jennifer Egan's latest novel THE CANDY HOUSE is coming April 2022, the long-awaited sibling novel to A Visit from the Goon Squad***

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Engrossing and memorable, The Sins of the Father is the second novel in international bestseller Jeffrey Archer’s celebrated the Clifton Chronicles. It takes us to New York in 1939 where our hero Harry Clifton is in desperate need of help.Only days before Britain declares war on Germany, Harry joins the Merchant Navy, unable to face long-held family secrets and the fact he will never be able to marry his true love Emma Barrington. But when his ship is sunk mid-Atlantic, Harry takes the opportunity to assume the identity of one his deceased rescuers and begin a new life.Landing in America, he quickly discovers he has made a mistake and without any way to prove his true identity, Harry is now chained to a past that could be far worse than the one he had hoped to escape . . .Brimming with intrigue, the Clifton Chronicles continues its powerful journey with family loyalties stretched to their limits and fates decided.Continue the bestselling series with Best Kept Secret and Be Careful What You Wish For.

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The Collapsing Empire is an exciting space opera from John Scalzi, the first in the award-winning Interdependency series.Does the biggest threat lie within?In the far future, humanity has left Earth to create a glorious empire. Now this interstellar network of worlds faces disaster – but can three individuals save their people?The empire's outposts are utterly dependent on each other for resources, a safeguard against war, and a way its rulers can exert control. This relies on extra-dimensional pathways between the stars, connecting worlds. But 'The Flow' is changing course, which could plunge every colony into fatal isolation.A scientist will risk his life to inform the empire's ruler. A scion of a Merchant House stumbles upon conspirators seeking power. And the new Empress of the Interdependency must battle lies, rebellion and treason. Yet as they work to save a civilization on the brink of collapse, others have very different plans . . .Continue the space adventure trilogy with The Consuming Fire.'Rousing storytelling and satisfying intrigue . . . an engaging, well-crafted sci-fi drama.' - SFX

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When we speak of the English Renaissance, what is it that we are naming, what are we recognizing reborn? As the essays in this latest collection from the English Institute demonstrate, our basic notions of the period have themselves been reconceived. In Cannibals, Witches, and Divorce, seven critics defamiliarize the images of the Renaissance "to permit the repressed to return, to acknowledge the presence of the unassimilable ghost the mark of difference of an age that is at once self and 'other'." John Hollander discovers a "hidden undersong" in the Spenserian lyric, while Patricia Parker examines the question of feminine dominance and male resistance in the Bower of Bliss. Stephen Orgel and Steven Mullaney document the Renaissance encounter with the alien "other" in essays on The Tempest and The Merchant of Venice. Macbeth, in Janet Adelman's reading, encodes the fantasy of an absolute and destructive maternal figure. Marjorie Garber addresses the Shakespearean authorship controversy in the context of the subversive uncanniness of the texts themselves; Mary Nyquist discusses Milton's Eve, his divorce tracts, and the exegetical tradition as recently examined by feminist biblical scholars. Together, these essays explore Renaissance discourses of estrangement as strategies for the construction of the self and the world.

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Vikings, those ancient Norse seafarers, have inspired plenty of pop culture phenomena, from the A&E hit show Vikings to Thor Ragnarok to the ever-expanding world of Viking larp. Known for being skilled craftspeople, accomplished merchants, hardworking farmers, and masters of the sea, the Vikings were a complex and captivating people.The Viking Hondb?k is an engaging, compelling guide -- with a sense of humor -- exploring who the Vikings were and how they lived, from ancient Norse daily life to battles and adventuring. Readers will learn how Vikings ate, dressed, and fought, and even how they weaved the perfect beard braid and built warships and weapons. Interspersed throughout the book are revealing historical anecdotes about Viking conquests, daily life, and relationships, with sections covering personal style, family structure and household, tools and metalwork, sailing and raiding, fishing and hunting, family and neighbors, swordmaking and boatbuilding, famous warriors, myths and afterlife, and more. A two-color design and fifty black-and-white line drawings will bring the style and details of the Vikings world to life.

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A spellbinding, spirited tale of two men exploring masculinity, race, and belonging in a desperate search to feel at home in their own skins. An enthralling nautical epic, River Meets the Sea traces the dual timelines of a white-passing Indigenous foster child in 1940s Vancouver and a teenage immigrant in the suburbs of Nanaimo in the 1970s. A natural-born storyteller, Ronny is a left-handed “alley mutt” without a birth certificate who searches for his mother everywhere — most powerfully, he hears her voice in the surging Stó:lō River. Born in the middle of the ocean on a merchant ship departing Sri Lanka, Chandra is a Tamil boy with “skin like a charred eggplant” who finds his haven from the pressure to assimilate by swimming and surfing in the Salish Sea. Moving gracefully between these parallel stories like a wave, the novel traces the seemingly separate lives of these sensitive young men and their everlasting connections to water. When their troubled paths inevitably cross, they form a sacred bond based on the mutual understanding of what it means to be othered, illuminating the interconnectedness of humanity and our innate relationship with the natural world.

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WINNER OF THE HISTORICAL WRITERS ASSOCIATION NON-FICTION CROWNAS HEARD ON BBC RADIO 4'Fabulous, timely, a marvellous achievement' Spectator'A richly resonant work which recasts our understanding of the Elizabethan era' Daily TelegraphIn 1570, after plots and assassination attempts against her, Elizabeth I was excommunicated by the Pope. It was the beginning of cultural, economic and political exchanges with the Islamic world of a depth not again experienced until the modern age. England signed treaties with the Ottoman Porte, received ambassadors from Morocco and shipped munitions to Marrakech in the hope of establishing an accord which would keep the common enemy of Catholic Spain at bay. This awareness of the Islamic world found its way into many of the great English cultural productions of the day - especially, of course, Shakespeare's Othello and The Merchant of Venice. This Orient Isle shows that England's relations with the Muslim world were far more extensive, and often more amicable, than we have ever appreciated, and that their influence was felt across the political, commercial and domestic landscape of Elizabethan England.

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The phrase "silk road" evokes vivid images: of merchants leading camel caravans over deserts and steppes to trade exotic goods in the bazaars of glittering Oriental cities, of pilgrims braving bandits and frozen mountain passes to gather scriptures and spread their faith across continental expanses. Beyond the exotica, however, this VSI will be a sketch of the historical background against which the silk road flourished, and an essay on the significance of old-world intercultural exchange to Eurasian and world history generally. On the one hand, Millward treats the silk road broadly, as a metonym for the cross-fertilizing communication between peoples across the Eurasian continent since at least the Neolithic era. On the other, he highlights specific examples of goods and ideas exchanged between the Mediterranean, Persian, Indian, and Chinese regions, along with the significance of these exchanges. While including silks, spices, travelers' tales of colorful locales, the main focus of the book is to outline the dynamics of Central Eurasian history that promoted silk road interactions, especially the role of nomad empires; and to highlight the importance of the biological, technological, artistic, intellectual, and religious interchanges across the continent. Millward shows that these exchanges had a profound effect on the old world that was akin to, if not yet on the scale of, modern globalization. Millward also considers some of the more abstract contemporary uses to which the silk road concept has been put. It is, of course, a popular marketing device for boutiques, museums, restaurants, and tour operators from Venice to Kyoto. More than that, however, the silk road has ideological connotations, used sometimes to soften the face of Chinese expansion in Central Asia, or, in the US culture wars, as a challenge to the "clash of civilizations" understanding of intersocietal relations. Finally, while it has often been argued that the silk road declined or closed after the collapse of the Mongol empire or the opening of direct maritime communications from Europe to Asia, Millard disputes this view, showing how silk road phenomena continued through the early modern and modern expansion of Russian and Chinese states across Central Asia. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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In Insignificant Things Matthew Francis Rarey traces the history of the African-associated amulets that enslaved and other marginalized people carried as tools of survival in the Black Atlantic world from the seventeenth to the nineteenth centuries. Often considered visually benign by white Europeans, these amulet pouches, commonly known as “mandingas,” were used across Africa, Brazil, and Portugal and contained myriad objects, from herbs and Islamic prayers to shells and coins. Drawing on Arabic-language narratives from the West African Sahel, the archives of the Portuguese Inquisition, sixteenth- and seventeenth-century European travel and merchant accounts of the West African Coast, and early nineteenth-century Brazilian police records, Rarey shows how mandingas functioned as portable archives of their makers’ experiences of enslavement, displacement, and diaspora. He presents them as examples of the visual culture of enslavement and critical to conceptualizing Black Atlantic art history. Ultimately, Rarey looks to the archives of transatlantic slavery, which were meant to erase Black life, for objects like the mandingas that were created to protect it.

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Worlds Apart Trading Together sets out to replace the outdated notion of ‘Indo-Roman trade’ with a more informed perspective integrating the new findings of the last 30 years. In order to accomplish this, a perspective focusing on concrete demand from the ground up is adopted, also shedding light on the role of the market in long-distance exchange. Accordingly, the analysis conducted demonstrates that an economically highly substantial trade took place between the Mediterranean and the Indian Ocean in the 1st–6th cen. CE, altering patterns of consumption and modes of production in both India, South Arabia and the Roman Empire. Significantly, it can be documented that this trade was organised at the centres of demand and supply, in Rome and India, respectively, by comparable urban associations, the transport in-between being handled by equally well-organised private networks and diasporas of seagoing merchants. Consequently, this study concludes that the institution of the market in Antiquity was able to facilitate trade over very long distances, acting on a scale which had a characteristic impact on the economies of the societies involved, their economic structures converging by adapting to trade and the market.

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