Search results for ""Peter Lang AG""

This book explores the functions and potential of translation in language learning. It demonstrates that despite its changing fortunes in the history of foreign language teaching, translation has a prominent part to play both in the L2 classroom and beyond. As a cognitive process and a quintessential communicative activity, it not only boosts the learner’s bilingual and bicultural competence, but also promotes and accelerates the development of the skill of translation. Considering its diverse educational assets as well as the results of a research survey presented in this book, the author argues that translation practice should become an integral element of contemporary foreign language education.

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The book shows the connections between Japanese historical avant-garde movements and new Japanese experimental films. The author provides insight into the development of Japanese avant-garde visual culture and experimental aesthetics, also featuring the expanded cinema after 2000. The author focuses on the detailed presentation of the chosen aspects, artists and films of the Japanese avant-garde from its origins to the post-2000 period. The analysis is built around themes, objectives and aesthetics introduced by such artists as Shūji Terayama, Takahiko Iimura, Masao Adachi, Takashi Itō, Toshio Matsumoto, Mako Idemitsu, Japanese feminist filmmakers, video artists and the new wave of experimenting independent directors: Takashi Makino, Rei Hayama, Shinkan Tamaki and Kazuhiro Goshima.

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The editors of this book combine new approaches in economy and business administration. The topics of this book range from tax policy, accounting information systems, banking in Turkey, work safety, gender pay gaps and social media marketing to e-municipality processes and Islamic indices.

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This book is the first monographic study of Tadeusz Baird – one of the greatest Polish composers of the second half of the 20th century, a connoisseur of music tradition and a prophet of the future of music (postmodernity), a composer of worldwide renown, an erudite. Baird was deeply engaged in art, aware of the threats and problems of contemporary world, and endowed with a sense of a mission. His personality was shaped by traumatic experiences during World War II and during the late 1940s and early 1950s. He was very demanding of himself and others. As signaled in the title, the book is an extensive, monographic representation of the composer's work and concepts in their stylistic, cultural, and esthetic contexts.

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The book contains analyses and interpretations of multidimensional perspectives in philosophical, economical and psychological research on imagination. The authors analyse Russian (N. Bierdiajew) and French philosophy and anthropology (G. Bachelard, G. Durand), German conceptions (I. Kant's, F. Baader's, F. Schiller 's or Heideggerian interpretations) of the role of imagination in art, science and sociopolitical domains. Image and imagination play the main role in the contemporary social world. It is investigated by psychology, sociology and political sciences, and many subdisciplines of philosophy have their own traditions in approaches to image and imagination problem. The authors try to integrate the results of these research efforts.

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Methods in Dialectology is a venerable institution, having started in 1972 in London, Western Ontario, Canada. This book is a collection of papers presented at Methods XVI in Tachikawa, Japan, in 2017. It was the first time Methods took place in Asia. In this volume, the emphasis is on diverse methods and diverse research questions. Many of the papers focus on language innovation, language change, corpus studies and linguistic atlas from different perspectives. At the same time, methodological innovation is very much in focus. Its emphasis meant that several papers showcased cutting-edge quantitative techniques that allow dialectologists to address questions that had been thought impossible to answer only a few years ago.

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The book addresses the relationship between the literary representations of North Greenland and the Inughuit people in Knud Rasmussen’s expedition accounts The New People and My Travel Diary and the historical process of Danish colonization of North Greenland. The aim of reading both works is to demonstrate the ambivalence in representing North Greenland and the Inughuit, and, through this, to prove the existence of common mechanisms and cultural practices connected to mapping of the Other in a situation of asymmetric power relations. Applying a textual approach founded on colonial discourse analysis, the reading proves that literary mappings of geography and identity can never be stable, as they are in the state of constant transformation, perpetually recontextualized and reinvented.

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Edward Riou (1762–1801) was a sea officer in the British Royal Navy. As a midshipman, he participated in the third voyage of Captain James Cook. He gained popular acclaim for saving HMS Guardian after she had struck an iceberg. Riou was killed in the Battle of Copenhagen (1801). Lord Nelson lamented Riou’s death as an irreparable loss. Later authors alluded to him as a «perfect naval officer». This biography sheds new light on Riou’s notions of his duty as a King’s officer and on his methods to enforce cleanliness and discipline aboard the ships he commanded. It introduces dissenting appraisals by men who served under him. As a microhistorical study, this biography analyses Riou’s leadership style and puts him into his social context by comparing him with his fellow officers.

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This book presents a new approach to early English theatre by exposing a genuine relationship between monastic performances and theatricality. It argues that modern theatre was reinvented in Anglo-Saxon monasteries by monks who were required to transform themselves by disciplining their bodies and performing complex religious acts. After extensively surveying the monastic and liturgical sources of theatre the author reconstructs the XII-century staging of the Anglo-Norman «Ordo representacionis Ade» and demonstrates the fundamental incongruity between the ancient and Christian performativity. On a more personal note he concludes with comments on references to the monastic rule in «Performer», a programmatic text by Jerzy Grotowski.

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This book addresses the issue of task equivalence, which is of fundamental importance in the areas of language testing and task-based research, where task equivalence is a prerequisite. The main study examines the two ‘seemingly-equivalent’ picture-based spoken narrative tasks, using a multi-method approach combining quantitative and qualitative methodologies with MFRM analysis of the ratings, the analysis of linguistic performances by Japanese candidates and native speakers of English (NS), expert judgements of the task characteristics, and perceptions of the candidates and NS. The results reveal a complex picture with a number of variables involved in ensuring task equivalence, raising relevant issues regarding the theories of task complexity and the commonly-used linguistic variables for examining learner spoken language. This book has important implications for the possible measures that can be taken to avoid selecting non-equivalent tasks for research and teaching.

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