Search results for ""ARC""

An update to the bestselling Falling Upward from Franciscan Father Richard Rohr In the revised and updated edition of Falling Upward, Richard Rohr seeks to help readers come to terms with the two halves of life. In this book, Rohr teaches us that we can’t understand the meaning of "up" until we have fallen "down." More importantly, Rohr describes what "up" can look like in the second half of life. Most of us tend to think of the second half of life in chronological terms, but this book proposes a different paradigm. Spiritual maturity is found "when we begin to pay attention and seek integrity" through a shift from our "outer task" to the "inner task." What looks like falling down can be experienced as falling upward—and is not necessarily connected with aging. This new edition focuses on practical guidance that you can use to live a life of love and meaning in a world of suffering and challenge. Falling Upward is an invitation to living the gospel and a call to ongoing transformation. Gain a spiritual perspective on the "the common sequencing, staging, and direction of life's arc" and learn how to bring forth your gifts in the second half of life Grapple with difficult feelings, fears, and emotions associated with "great love and great suffering" Learn how we "grow spiritually much more by doing it wrong than by doing it right" Understand why so many of us resist falling into the second half of life Readers of Rohrs previous works and those new to the remarkable teachings of this Franciscan priest will find comfort and inspiration in this guide to lifelong spiritual growth.

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How playwrights from Alfred Jarry and Samuel Beckett to Tom Stoppard and Simon McBurney brought the power of abstract mathematics to the human stageThe discovery of alternate geometries, paradoxes of the infinite, incompleteness, and chaos theory revealed that, despite its reputation for certainty, mathematical truth is not immutable, perfect, or even perfectible. Beginning in the last century, a handful of adventurous playwrights took inspiration from the fractures of modern mathematics to expand their own artistic boundaries. Originating in the early avant-garde, mathematics-infused theater reached a popular apex in Tom Stoppard’s 1993 play Arcadia. In The Proof Stage, mathematician Stephen Abbott explores this unlikely collaboration of theater and mathematics. He probes the impact of mathematics on such influential writers as Alfred Jarry, Samuel Beckett, Bertolt Brecht, and Stoppard, and delves into the life and mathematics of Alan Turing as they are rendered onstage. The result is an unexpected story about the mutually illuminating relationship between proofs and plays—from Euclid and Euripides to Gödel and Godot.Theater is uniquely poised to discover the soulful, human truths embedded in the austere theorems of mathematics, but this is a difficult feat. It took Stoppard twenty-five years of experimenting with the creative possibilities of mathematics before he succeeded in making fractal geometry and chaos theory integral to Arcadia’s emotional arc. In addition to charting Stoppard’s journey, Abbott examines the post-Arcadia wave of ambitious works by Michael Frayn, David Auburn, Simon McBurney, Snoo Wilson, John Mighton, and others. Collectively, these gifted playwrights transform the great philosophical upheavals of mathematics into profound and sometimes poignant revelations about the human journey.

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Renowned for his endlessly quotable pronouncements, Oscar Wilde cut a dashing figure in late Victorian London … until his tragic downfall resulting from an ill-judged libel action. We remember him not only for his famous trial and imprisonment, but also for a “devil’s dictionary” of timeless aphorisms and for the enduring brilliance of plays such as The Importance of Being Earnest. Wilde's life resembles his early short story, "The Remarkable Rocket", which, rising from nowhere in a shower of sparks, explodes and falls to earth, exclaiming as it goes out, "I knew I should create a great sensation." Merlin Holland expertly traces the arc of his illustrious ancestor's life, from his birth in Dublin in 1854 as Oscar Fingal O'Flahertie Wills Wilde, to a brilliant career at Oxford University where his reputation for dandyish wit was first honed, through to his conquest of the drawing rooms and theatres of fashionable London, culminating in disgrace and imprisonment at the hands of the Marquess of Queensberry in the most notorious libel trial in English history. Wilde died in penury and obscurity in 1900, yet his reputation today has never been greater. This engaging and innovative short book features a concise biographical essay on Wilde's meteoric career, followed by a Q&A interview based on Wilde's own words and Merlin Holland's unrivalled knowledge of his grandfather's life, work and puckish observations. This sparkling biography does full justice to Oscar Wilde's writerly genius and irrepressible humanity. It offers readers a renewed appreciation for a man who at times scandalised his era as much as he delights our own.

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The authoritative edition Henry VI, Part 1 from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.Henry VI, Part 1 is an uncompromising celebration of early English nationalism that contrasts the English with the French, portrayed here as effeminate and scheming. A boy king, Henry VI, is on the English throne, and the indomitable Talbot leads the English cause in France. Joan La Pucelle (Joan of Arc), who becomes captain of the French, claims to be chosen by the Virgin Mary to liberate France. The English, however, consider her a sensual witch. Many of the English nobility remain, quarreling, at home. Once in France, some seek permission to fight each other there. Talbot and his son cannot prevail; the English defeat themselves by preying on each other. This edition includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Phyllis Rackin The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

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This is an exploration of the lives and works of Christian saints and their place in today's church, shown in 200 images. This is a fascinating history of saints and sainthood, and their role within Christianity and the Catholic Church. It explores the religious significance of sainthood, the process of canonisation, and the mysteries and miracles that are attributed to the saints. It looks at patron saints, hero and warrior saints, as well as apostles and martyrs. Special sections are included on the most enduring and popular saints, prayed to and called upon throughout the world, such as Mary the Virgin, James the Great, St Christopher, Francis of Assisi, Joan of Arc and Theresa of Liseux. It is sumptuously illustrated with beautiful works of art and iconography that have inspired believers down the centuries. This beautiful book chronicles the mysterious history of sainthood, unravelling the myths and addressing such issues as martyrdom, relics, patronage and canonisation. It discusses what a saint is and explains the selection and confirmation process, and covers subjects such as feast days, pilgrimage, and how sainthood is depicted in art. Themed spreads throughout the book provide lists of patron saints and feast days, and discuss in more detail areas such as The Holy Family, Celtic Saints, Warrior Saints, Saintly Popes and the Incorruptibles. The final chapter contains in-depth studies of some of the world's most called-upon and best-loved saints, including Mary the Mother of God, John the Baptist and James the Great, Francis of Assisi and more. A valuable reference book, this expert guide will inform every reader interested in discovering more about Christianity and the company of saints.

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Breaking the mold of existing calculus textbooks, Calculus in Context draws students into the subject in two new ways. Part I develops the mathematical preliminaries (including geometry, trigonometry, algebra, and coordinate geometry) within the historical frame of the ancient Greeks and the heliocentric revolution in astronomy. Part II starts with comprehensive and modern treatments of the fundamentals of both differential and integral calculus, then turns to a wide-ranging discussion of applications. Students will learn that core ideas of calculus are central to concepts such as acceleration, force, momentum, torque, inertia, and the properties of lenses. Classroom-tested at Notre Dame University, this textbook is suitable for students of wide-ranging backgrounds because it engages its subject at several levels and offers ample and flexible problem set options for instructors. Parts I and II are both supplemented by expansive Problems and Projects segments. Topics covered in the book include: * the basics of geometry, trigonometry, algebra, and coordinate geometry and the historical, scientific agenda that drove their development* a brief, introductory calculus from the works of Newton and Leibniz* a modern development of the essentials of differential and integral calculus* the analysis of specific, relatable applications, such as the arc of the George Washington Bridge; the dome of the Pantheon; the optics of a telescope; the dynamics of a bullet; the geometry of the pseudosphere; the motion of a planet in orbit; and the momentum of an object in free fall. Calculus in Context is a compelling exploration-for students and instructors alike-of a discipline that is both rich in conceptual beauty and broad in its applied relevance.

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The first major career-spanning collection of the poems of Adonis, widely acknowledged as the most important poet working in Arabic today “Poetry for [Adonis] is not merely a genre or an art form but a way of thinking, something almost like mystical revelation.”—Charles McGrath, New York Times Born in Syria in 1930, Adonis is one of the most celebrated poets of the Arabic-speaking world. His poems have earned international acclaim, and his influence on Arabic literature has been likened to that of T. S. Eliot’s on English-language verse. This volume serves as the first comprehensive survey of Adonis’s work, allowing English readers to admire the arc of a remarkable literary career through the labors of the poet’s own handpicked translator, Khaled Mattawa. Daring in form and prophetic in tone, Adonis’s poetry sings of both the sweet promise of eros and the problems of the self. He writes of childhood (“Your childhood is a village. / You will never cross its boundaries / no matter how far you go”); of blood, bombs, and mutilation (“Murder has changed the city’s shape”); and of the anguish of exile (“‘I write poetry in the language of the country that sheltered me,’ said a young man who looked old”). Adonis demonstrates the poet’s affection for Arabic and European lyrical traditions even as his poems work to destabilize those sensibilities. This collection positions the work of Adonis within the pantheon of the great poets of exile, including César Vallejo, Joseph Brodsky, and Paul Celan, providing for English readers the most complete vision yet of the work of the man whom the cultural critic Edward Said called “today’s most daring and provocative Arab poet.”

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Winner of the Phyllis Goodhart Gordan Book Prize from the Renaissance Society of AmericaTitian, one of the most successful painters of the Italian Renaissance, was credited by his contemporaries with painting a miracle-working image, the San Rocco Christ Carrying the Cross. Taking this unusual circumstance as a point of departure, Christopher J. Nygren revisits the scope and impact of Titian’s life’s work. Nygren shows how, motivated by his status as the creator of a miracle-working object, Titian played an active and essential role in reorienting the long tradition of Christian icons over the course of the sixteenth century.Drawing attention to Titian’s unique status as a painter whose work was viewed as a conduit of divine grace, Nygren shows clearly how the artist appropriated, deployed, and reconfigured Christian icon painting. Specifically, he tracks how Titian continually readjusted his art to fit the shifting contours of religious and political reformations, and how these changes shaped Titian’s conception of what made a devotionally efficacious image. The strategies that were successful in, say, 1516 were discarded by the 1540s, when his approach to icon painting underwent a radical revision. Therefore, this book not only tracks the career of one of the most important artists in the tradition of Western painting but also brings to light new information about how divergent agendas of religious, political, and artistic reform interacted over the long arc of the sixteenth century.Original and erudite, this book represents an important reassessment of Titan’s approach to devotional subject matter. It will appeal to students and specialists as well as art aficionados interested in Titian and in religious painting.

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Peter Davison, Janet Fielding and Sarah Sutton reprise their roles as The Doctor, Tegan and Nyssa, in a run of stories following on from 1983's adventure The Arc of Infinity. Reunited with the Doctor and Nyssa, Tegan joins them on a trip to Amsterdam's Rijkmuseum to see a new exhibition of the work of Rembrandt van Rijn, featuring his drawings of "Vessels of the Stars". The Doctor is astonished to discover that they are designs for spaceships that would actually work, and decides to pop back to the Dutch Golden Age for a quiet word with Rembrandt - but the world-weary artist is no mood to help. Meanwhile, strange forces are swirling in the canals, creatures from ancient myth, the watery, goblin-like Nix. What is their connection to the mysterious Countess Mach-Teldak - and to the events of Tegan's life during her year away from the Doctor? Forever kept busy, Peter Davison's most recently been seen on the London stage in the critically acclaimed The Vertical Hour, and in the musical Gypsy opposite Imelda Staunton. The Doctor, Nyssa and Tegan team first met in 1981's Doctor Who adventure Logopolis, where Tegan and Nyssa were on hand to help the Doctor (Tom Baker) regenerate into his fifth incarnation (Peter Davison). Writer Jonathan Morris has been responsible for some hugely popular Doctor Who stories for Big Finish, most recently with 2015's We Are The Daleks...CAST: Peter Davison (The Doctor), Janet Fielding (Tegan), Sarah Sutton (Nyssa), Tim Delap (Kyle), Richard James (Rembrandt Van Rijn), Elizabeth Morton (Teldak), Robbie Stevens (Polsbroek/Nix), Wayne Forester (Glauber).

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Prodigy by Marie Lu is the long-awaited sequel to Legend, THE must-read dystopian thriller novel.Perfect for all YA fans of The Hunger Games by Suzanne Collins and Divergent by Veronica Roth. A brilliant re-imagining of Les Miserables, the series is set to be a global film sensation as CBS films have acquired rights to the trilogy. The Twilight Saga producers, Marty Bowen and Wyck Godfrey, will produce.Injured and on the run, it has been seven days since June and Day barely escaped Los Angeles and the Republic with their lives. Day is believed dead having lost his own brother to an execution squad who thought they were assassinating him. June is now the Republic's most wanted traitor.Desperate for help, they turn to the Patriots - a vigilante rebel group sworn to bring down the Republic. But can they trust them or have they unwittingly become pawns in the most terrifying of political games?Dystopian fiction at its very best in this thrilling installment in the Legend trilogy.Praise for Legend:'If you liked The Hunger Games, you'll love this.' - Sarah Rees-Brennan, author of The Demon's Lexicon'Legend is impossible to put down and even harder to forget.' - Kami Garcia, author of New York Times bestselling author of Beautiful Creatures'A fine example of commercial fiction with razor-sharp plotting, depth of character and emotional arc, 'Legend' doesn't merely survive the hype, it deserves it.' - New York Times'Marie Lu's dystopian novel is a 'Legend' in the making.' - USA Today'Legend is impossible to put down and even harder to forget.' - Kami Garcia, New York Times bestselling author of film sensation, Beautiful Creatures

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This is the second volume arising from the 1994–2003 excavations of the Triconch Palace at Butrint (Albania), which charted the history of a major Mediterranean waterfront site from the 2nd to the 15th centuries AD. The sequence (Butrint 3: Excavations at the Triconch Palace: Oxbow, 2011) included the development of a palatial late Roman house, followed by intensive activity between the 5th and 7th centuries involving domestic occupation, metal-working, fishing and burial. The site saw renewed activity from the 10th century, coinciding with the revival of the town of Butrint, and for the following 300 years continued in intermittent use associated with its channel-side location.This volume reports on the finds from the site (excluding the pottery), which demonstrate the ways in which the lives, diet and material culture of a Mediterranean population changed across the arc of the late Roman and Medieval periods. It includes discussion of the environmental evidence, the human and faunal remains, metal-working evidence, and the major assemblages of glass, coins and small finds, giving an insight into the health, subsistence base and material culture of the population of a Mediterranean site across more than 1000 years. The findings raise important questions regarding the ways in which changes in the circumstances of the town affected the population between Late Antiquity and the Middle Ages. They illustrate in particular how an urban Roman centre became more rural during the 6th century with a population that faced major challenges in their health and living conditions.

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For anyone who's ever picked an apple fresh from the tree or enjoyed a glass of cider, writer and orchardist Diane Flynt offers a new history of the apple and how it changed the South and the nation. Showing how southerners cultivated over 2,000 apple varieties from Virginia to Mississippi, Flynt shares surprising stories of a fruit that was central to the region for over 200 years. Colorful characters abound in this history, including aristocratic Belgian immigrants, South Carolina plantation owners, and multiple presidents, each group changing the course of southern orchards. She shows how southern apples, ranging from northern varieties that found fame on southern soil to hyper-local apples grown by a single family, have a history beyond the region, from Queen Victoria's court to the Oregon Trail. Flynt also tells us the darker side of the story, detailing how apples were entwined with slavery and the theft of Indigenous land. She relates the ways southerners lost their rich apple culture in less than the lifetime of a tree and offers a tentatively hopeful future.Alongside unexpected apple history, Flynt traces the arc of her own journey as a pioneering farmer in the southern Appalachians who planted cider apples never grown in the region and founded the first modern cidery in the South. Flynt threads her own story with archival research and interviews with orchardists, farmers, cidermakers, and more. The result is not only the definitive story of apples in the South but also a new way to challenge our notions of history.

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A new history of Middle East oil and the deep roots of American violence in Iraq. Iraq has been the site of some of the United States' longest and most sustained military campaigns since the Vietnam War. Yet the origins of US involvement in the country remain deeply obscured—cloaked behind platitudes about advancing democracy or vague notions of American national interests. With this book, Brandon Wolfe-Hunnicutt exposes the origins and deep history of US intervention in Iraq. The Paranoid Style in American Diplomacy weaves together histories of Arab nationalists, US diplomats, and Western oil execs to tell the parallel stories of the Iraq Petroleum Company and the resilience of Iraqi society. Drawing on new evidence—the private records of the IPC, interviews with key figures in Arab oil politics, and recently declassified US government documents—Wolfe-Hunnicutt covers the arc of the twentieth century, from the pre-WWI origins of the IPC consortium and decline of British Empire, to the beginnings of covert US action in the region, and ultimately the nationalization of the Iraqi oil industry and perils of postcolonial politics. American policy makers of the Cold War era inherited the imperial anxieties of their British forebears and inflated concerns about access to and potential scarcity of oil, giving rise to a "paranoid style" in US foreign policy. Wolfe-Hunnicutt deconstructs these policy practices to reveal how they fueled decades of American interventions in the region and shines a light on those places that America's covert empire builders might prefer we not look.

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At Kingdom's Edge investigates how life in a conquered colony both revealed and shaped what it meant to be English outside of the British Isles. Considering the case of Jeronimy Clifford, who rose to become one of Suriname's richest planters, Jacob Selwood examines the mutual influence of race and subjecthood in the early modern world. Clifford was a child in Suriname when the Dutch, in 1667, wrested the South American colony from England soon after England seized control of New Netherland in North America. Across the arc of his life—from time in the tenuous English colony to prosperity as a slaveholding planter to a stint in debtors' prison in London—Clifford used all the tools at his disposal to elevate and secure his status. His English subjecthood, which he clung to as a wealthy planter in Dutch-controlled Suriname, was a ready means to exert political, legal, economic, and cultural authority. Clifford deployed it without hesitation, even when it failed to serve his interests. In 1695 Clifford left Suriname and, until his death, he tried to regain control over his abandoned plantation and its enslaved workers. His evocation of international treaties at times secured the support of the Crown. The English and Dutch governments' responses reveal competing definitions of belonging between and across empires, as well as the differing imperial political cultures with which claimants to rights and privileges had to contend. Clifford's case highlights the unresolved tensions about the meanings of colonial subjecthood, Anglo-Dutch relations, and the legacy of England's seventeenth-century empire.

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The Grass Shall Grow is a succinct introduction to the work and world of Helen M. Post (1907–79), who took thousands of photographs of Native Americans. Although Post has been largely forgotten and even in her heyday never achieved the fame of her sister, Farm Security Administration photographer Marion Post Wolcott, Helen Post was a talented photographer who worked on Indian reservations throughout the West and captured images that are both striking and informative. Post produced the pictures for the novelist Oliver La Farge’s nonfiction book As Long As the Grass Shall Grow (1940), among other publications, and her output constitutes a powerful representation of Native American life at that time. Mick Gidley recounts Post’s career, from her coming of age in the turbulent 1930s to her training in Vienna and her work for the U.S. Indian Service, tracking the arc of her professional reputation. He treats her interactions with public figures, including La Farge and editor Edwin Rosskam, and describes her relationships with Native Americans, whether noted craftspeople such as the Sioux quilter Nellie Star Boy Menard, tribal leaders such as Crow superintendent Robert Yellowtail, or ordinary individuals like the people she photographed at work in the fields or laboring for federal projects, at school or in the hospital, cooking or dancing. The images reproduced here are analyzed both for their own sake and in order to understand their connection to broader national concerns, including the 1934 Indian Reorganization Act. The thoroughly researched and accessibly written text represents a serious reappraisal of a neglected artist.

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A fantastical field guide to the hidden history of New York's magical past Manhattan has a pervasive quality of glamour—a heightened sense of personality generated by a place whose cinematic, literary, and commercial celebrity lends an aura of the fantastic to even its most commonplace locales. Enchanted New York chronicles an alternate history of this magical isle. It offers a tour along Broadway, focusing on times and places that illuminate a forgotten and sometimes hidden history of New York through site-specific stories of wizards, illuminati, fortune tellers, magicians, and more. Progressing up New York’s central thoroughfare, this guidebook to magical Manhattan offers a history you won’t find in your Lonely Planet or Fodor’s guide, tracing the arc of American technological alchemies—from Samuel Morse and Robert Fulton to the Manhattan Project—to Mesmeric physicians, to wonder–working Madame Blavatsky, and seers Helena Roerich and Alice Bailey. Harry Houdini appears and disappears, as the world’s premier stage magician’s feats of prestidigitation fade away to reveal a much more mysterious—and meaningful—marquee of magic. Unlike old-world cities, New York has no ancient monuments to mark its magical adolescence. There is no local memory embedded in the landscape of celebrated witches, warlocks, gods, or goddesses—no myths of magical metamorphoses. As we follow Kevin Dann in geographical and chronological progression up Broadway from Battery Park to Inwood, each chapter provides a surprising picture of a city whose ever-changing fortunes have always been founded on magical activity.

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An incisive portrait of how the new Black politics can forge a future centered on collective action, community, and careWhen #BlackLivesMatter emerged in 2013, it animated the most consequential Black-led mobilization since the civil rights and Black power era. Today, the hashtag turned rallying cry is but one expression of a radical reorientation toward Black politics, protest, and political thought. To Build a Black Future examines the spirit and significance of this insurgency, offering a revelatory account of a new political culture—responsive to pain, suffused with joy, and premised on care—emerging from the centuries-long arc of Black rebellion, a tradition that traces back to the Black slave.Drawing on his own experiences as an activist and organizer, Christopher Paul Harris takes readers inside the Movement for Black Lives (M4BL) to chart the propulsive trajectory of Black politics and thought from the Middle Passage to the present historical moment. Carefully attending to the social forces that produce Black struggle and the contradictions that arise within it, Harris illustrates how M4BL gives voice to an abolitionist praxis that bridges the past, present, and future, outlining a political project at once directed inward to the Black community while issuing an outward challenge to the world.Essential reading for the age of #BlackLivesMatter, this visionary and provocative book reveals how the radical politics of joy, pain, and care, in sharp contrast to liberal political thought, can build a Black future that transcends ideology and pushes the boundaries of our political imagination.

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From one of our foremost church historians comes an overarching analysis of the three modern Catholic councils—an assessment of what Catholicism was and has become today.Catholic councils are meetings of bishops. In this unprecedented comparison of the three most recent meetings, John O’Malley traverses more than 450 years of Catholic history and examines the councils’ most pressing and consistent concerns: questions of purpose, power, and relevance in a changing world. By offering new, sometimes radical, even troubling perspectives on these convocations, When Bishops Meet analyzes the evolution of the church itself.The Catholic Church today is shaped by the historical arc starting from Trent in the sixteenth century to Vatican II. The roles of popes, the laity, theologians, and others have varied from the bishop-centered Trent, to Vatican I’s declaration of papal infallibility, to a new balance of power in the mid-twentieth century. At Trent, lay people had direct influence on proceedings. By Vatican II, their presence was token. At each gathering, fundamental issues recurred: the relationship between bishops and the papacy, the very purpose of a council, and doctrinal change. Can the teachings of the church, by definition a conservative institution, change over time?Councils, being ecclesiastical as well as cultural institutions, have always reflected and profoundly influenced their times. Readers familiar with John O’Malley’s earlier work as well as those with no knowledge of councils will find this volume an indispensable guide for essential questions: Who is in charge of the church? What difference did the councils make, and will there be another?

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Listen to a short interview with David L. KirpHost: Chris Gondek | Producer: Heron & CraneThe rich have always valued early education, and for the past forty years, millions of poor kids have had Head Start. Now, more and more middle class parents have realized that a good preschool is the smartest investment they can make in their children's future in a competitive world. As The Sandbox Investment shows, their needs are key to the growing call for universal preschool.Writing with the verve of a magazine journalist and the authority of a scholar, David L. Kirp makes the ideal guide to this quiet movement. He crouches in classrooms where committed teachers engage lively four-year-olds, and reveals the findings of an extraordinary longitudinal study that shows the life-changing impact of preschool. He talks with cutting-edge researchers from neuroscience and genetics to economics, whose findings increasingly show how powerfully early childhood shapes the arc of children's lives.Kids-first politics is smart economics: paying for preschool now can help save us from paying for unemployment, crime, and emergency rooms later. As Kirp reports from the inside, activists and political leaders have turned this potent idea into campaigns and policies in red and blue states alike.The Sandbox Investment is the first full story of a campaign that asks Americans to endorse a vision of society that does well by doing good. For anyone who is interested in politics or the social uses of research--for anyone who's interested in the children's futures--it's a compelling read.

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“A fascinating, totally seductive read!” —Eula Biss, author of Notes from No Man’s Land: American Essays and On Immunity: An Inoculation“A book built of brain and nerve and blood and heart. . . . Irreverent and astute. . . . Pain Studies will change how you think about living with a body.” —Elizabeth McCracken, author of Thunderstruck and Bowlaway“A thrilling investigation into pain, language, and Olstein’s own exile from what Woolf called ‘the army of the upright.’ On a search path through art, science, poetry, and prime-time television, Olstein aims her knife-bright compassion at the very thing we’re all running from. Pain Studies is a masterpiece.” —Leni Zumas, author of The Listeners and Red ClocksIn this extended lyric essay, a poet mines her lifelong experience with migraine to deliver a marvelously idiosyncratic cultural history of pain—how we experience, express, treat, and mistreat it. Her sources range from the trial of Joan of Arc to the essays of Virginia Woolf and Elaine Scarry to Hugh Laurie’s portrayal of Gregory House on House M.D. As she engages with science, philosophy, visual art, rock lyrics, and field notes from her own medical adventures (both mainstream and alternative), she finds a way to express the often-indescribable experience of living with pain. Eschewing simple epiphanies, Olstein instead gives us a new language to contemplate and empathize with a fundamental aspect of the human condition.Lisa Olstein teaches at the University of Texas at Austin and is the author of four poetry collections published by Copper Canyon Press. Pain Studies is her first book of creative nonfiction.

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The Heroine with 1,001 Faces dismantles the cult of warrior heroes, revealing a secret history of heroinism at the very heart of our collective cultural imagination. Maria Tatar, a leading authority on fairy tales and folklore, explores how heroines, rarely wielding a sword and often deprived of a pen, have flown beneath the radar even as they have been bent on redemptive missions. Deploying domestic crafts and using words as weapons, they have found ways to survive assaults and rescue others from harm, all while repairing the fraying edges in the fabric of their social worlds. Like the tongueless Philomela, who spins the tale of her rape into a tapestry, or Arachne, who portrays the misdeeds of the gods, they have discovered instruments for securing fairness in the storytelling circles where so-called women’s work—spinning, mending and weaving—is carried out. In a broad-ranging volume that moves with ease from the local to the global, Tatar demonstrates how our new heroines wear their curiosity as a badge of honour rather than a mark of shame and how their “mischief making” evidences compassion and concern. The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present day. It casts an unusually wide net, expanding the canon and thinking capaciously in global terms, breaking down the boundaries of genre and displaying a sovereign command of cultural context. This, then, is a historic volume that informs our present and its newfound investment in empathy and social justice like no other work of recent cultural history.

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Even when you can’t find the words, the Prayer Bible guides you in praying the life-giving Word of God, offering prayer prompts for each of the Bible’s 1,189 chapters.The Prayer Bible guides you in praying the life-giving Word of God. This long-standing practice teaches you to engage the Scriptures in prayer, giving you the words to pray even when you don't know what to pray. Each of the Bible’s 1,189 chapters offer a prayer prompt, so you can engage the arc of Scripture through prayer. With a total of 1,200 prayer prompts, and as part of the Abide Bible editions, The Prayer Bible enables you to experience the depth and everyday meaning of every chapter of the Bible.Features include: Introduction on how to use The Prayer Bible Bible book introductions provide a concise overview of the background and historical context of the book about to be read 1,200 prayer prompts, at least one for each chapter of the Bible to strengthen your prayer life Words of Christ in red quickly identify Jesus’ teachings and statements Presentation page allows you to personalize this special gift by recording a memory or note Prayers of the Bible include nearly 100 prayers in the Bible, who prayed them, and what they prayed about Bible reading plan guiding you through the entire Bible in a year Articles with tips and insight to help you engage with Scripture Satin ribbon marker make it easy to navigate and keep track of where you were reading Clear and readable 8.5-point NKJV Comfort Print®

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Lawrence Goldstone’s Not White Enough is a comprehensive examination of a century of bigotry against Chinese and Japanese Americans that culminated in the infamous Supreme Court decision Korematsu v. United States: the landmark ruling that upheld the illegal imprisonment of more than 100,000 innocent men, women, and children who were falsely accused of endangering national security during World War II. This book is the first to trace the full arc of prejudice against Asian Americans that made internment inevitable and serves as a legal and political history of anti-Asian racism, beginning with the California gold rush and ending with the infamous Korematsu decision.Not White Enough demonstrates how the lines between law and politics blurred for decades to enable a two-tiered system of justice where constitutional guarantees of equality under law were no longer upheld for all people. Goldstone examines each of the key Supreme Court decisions—including Wong Kim Ark, Ozawa, and Thind—as not simply jurisprudence but as expressions of political will. He chronicles the political history of racism that made Japanese internment almost inevitable, highlighting the key roles San Francisco mayors James D. Phelan and Eugene Schmitz, political boss Abe Ruef, California attorney general Ulysses Webb, and future Chief Justice Earl Warren played in instigating some of the most egregious anti-Asian legislation, all for political convenience and gain. Goldstone also illustrates Chinese and Japanese immigrants’ courage and determination to carve out a place for themselves in a country that did everything it could to reject them.

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Danger! Danger! The very word puts us on notice. As it is designed to do. Don't touch that. Peril ahead. Proceed with caution. But the threat of danger can also be a trap, holding us back from experiencing many wonders of the world, trying new things, going where no one has gone before. In MAKE Volume 35, we confront danger within the world of making, and how to be smarter about risk. We examine safe practices for makers, and we look at the illusion of danger vs. real danger, how to use common sense, and how to educate yourself to work more safely and productively. We're bringing plenty of fire, lightning bolts, and rocket's red glare, too. Guest contributor and celebrated pyromaniac William Gurstelle, author of the best-selling Backyard Ballistics and Whoosh, Boom, Splat, will show us how to make a rocket out of sugar, a tornado out of fire, and a cannon out of dry ice. And Arc Attack member Craig Newswanger shows us how to build the awesome Six-Pack Tesla Coil, made with a beer-bottle capacitor, that'll throw 15" electrical arcs. Other fun, and 100% safety-approved projects include: How to make a phonograph out of Lego bricks A light-up hoodie from Electroluminescent (EL) wire An impressive "high-gain" home media projection screen using little more than latex house paint and sandblasting glass All this, along with the latest developments in maker tech--hardware, software and tools for 3D printing, Arduino, Raspberry Pi, robotics--and much, much more.

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In these sixteen stories, available in English for the first time, prize-winning author Yenta Mash traces an arc across continents, across upheavals and regime changes, and across the phases of a woman's life. Mash's protagonists are often in transit, poised "on the landing" on their way to or from somewhere else. In imaginative, poignant, and relentlessly honest prose, translated from the Yiddish by Ellen Cassedy, Mash documents the lost world of Jewish Bessarabia, the texture of daily life behind the Iron Curtain in Soviet Moldova, and the challenges of assimilation in Israel. On the Landing opens by inviting us to join a woman making her way through her ruined hometown, recalling the colorful customs of yesteryear—and the night when everything changed. We then travel into the Soviet gulag, accompanying women prisoners into the fearsome forests of Siberia. In postwar Soviet Moldova, we see how the Jewish community rebuilds itself. On the move once more, we join refugees struggling to find their place in Israel. Finally, a late-life romance brings a blossoming of joy. Drawing on a lifetime of repeated uprooting, Mash offers an intimate perch from which to explore little-known corners of the twentieth and early twenty-first centuries. A master chronicler of exile, she makes a major contribution to the literature of immigration and resilience, adding her voice to those of Jhumpa Lahiri, W. G. Sebald, André Aciman, and Viet Thanh Nguyen. Mash's literary oeuvre is a brave achievement, and her work is urgently relevant today as displaced people seek refuge across the globe.

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Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.

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China and South Korea have come a long way since they were adversaries. The arc of their relationship since the late 1970s is an excellent model of East-West cooperation and, at the same time, highlights the growing impact of China's "rise" over its regional neighbors, including America's close allies. South Korea-China relations have rarely been studied as an independent theme. The accumulation of more than fifteen years of research, Between Ally and Partner reconstructs a comprehensive portrait of Sino-Korean rapprochement and examines the strategic dilemma that the rise of China has posed for South Korea and its alliance with the United States. Jae Ho Chung makes use of declassified government archives, internal reports, and opinion surveys and conducts personal interviews with Korean, Chinese, and American officials. He tackles three questions: Why did South Korea and China reconcile before the end of the cold war? How did rapprochement lay the groundwork for diplomatic normalization? And what will the intersection of security concerns and economic necessity with China mean for South Korea's relationship with its close ally, the United States? The implications of Sino-Korean relations go far beyond the Korean Peninsula. South Korea was caught largely unprepared, both strategically and psychologically, by China's rise, and the dilemma that South Korea now faces has crucial ramifications for many countries in Asia, where attempts to counterbalance China have been rare. Thoroughly investigated and clearly presented, this book answers critical questions concerning what kept these two countries talking and how enmity was transformed into a zeal for partnership.

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To an outsider, working as a university professor might seem like a dream: summers off, a few hours of class each week, an exchange of ideas with brilliant colleagues, books and late afternoon lattes...Who wouldn't envy that life? But those in the trenches of academe are well acquainted with the professoriate's dark underside: the hierarchies and pseudo-political power plays, the peculiar colleagues, the over-parented students, the stacks of essays that need to be graded ASAP. No one understands this world better than novelist Julie Schumacher, who here provides a bitingly funny distraction designed to help you survive life in higher education without losing your mind. Sardonic yet shrewdly insightful, Doodling for Academics offers the perfect cognitive relief for the thousands of faculty and grad students whose mentors and loved ones failed to steer them toward more reasonable or lucrative fields. Through forty pages of original illustrations and activities from coloring to paper dolls to mad libs this book traces the arc of a typical day on campus. Get a peek inside the enigma of the student brain. Imagine a utopian faculty meeting. Navigate the red tape maze of university administration. With the help of hilarious illustrations by Lauren Nassef, Schumacher infuses the world of campus greens and university quads with cutting wit, immersing you deep into the weirdly creative challenges of university life. Offering a satirical interactive experience for scholars, the combination of humor and activities in this book will bring academia into entertaining relief, making it the perfect gift for your colleagues, advisors, or newly minted graduates.

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“Sometimes ideas change the world. This astonishing, miraculous, shattering, inspiring book captures the origins and the arc of the movement for sex equality. It’s a book whose time has come—always, but perhaps now more than ever.”—Cass Sunstein, coauthor of NudgeUnder certain conditions, small simple actions can produce large and complex “butterfly effects.” Butterfly Politics shows how Catharine A. MacKinnon turned discrimination law into an effective tool against sexual abuse—grounding and predicting the worldwide #MeToo movement—and proposes concrete steps that could have further butterfly effects on women’s rights. Thirty years after she won the U.S. Supreme Court case establishing sexual harassment as illegal, this timely collection of her previously unpublished interventions on consent, rape, and the politics of gender equality captures in action the creative and transformative activism of an icon.“MacKinnon adapts a concept from chaos theory in which the tiny motion of a butterfly’s wings can trigger a tornado half a world away. Under the right conditions, she posits, small actions can produce major social transformations.”—New York Times“MacKinnon [is] radical, passionate, incorruptible and a beautiful literary stylist… Butterfly Politics is a devastating salvo fired in the gender wars… This book has a single overriding aim: to effect global change in the pursuit of equality.”—The Australian“Sexual Harassment of Working Women was a revelation. It showed how this anti-discrimination law—Title VII—could be used as a tool… It was the beginning of a field that didn’t exist until then.”—U.S. Supreme Court Justice Ruth Bader Ginsburg

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Make gerometry paractice easy and dun!Geometry is one of the oldest mathematical subjects in history. Unfortunately, few geometry study guides offer clear explanations, causing many people to get tripped up or lost when trying to solve a proof—even when they know the terms and concepts like the back of their hand. However, this problem can be fixed with practice and some strategies for slicing through all the mumbo-jumbo and getting right to the heart of the proof. Geometry Workbook For Dummies ensures that practice makes perfect, especially when problems are presented without the stiff, formal style that you’d find in your math textbook. Written with a commonsense, street-smart approach, this guide gives you the step-by-step process to solve each proof, along with tips, shortcuts, and mnemonic devices to make sure the solutions stick. It also gives you plenty of room to work out your solutions, providing you with space to breathe and a clear head. This book provides you with the tools you need to solve all types of geometry problems, including: Congruent triangles Finding the area, angle, and size of quadrilaterals Angle-arc theorems and formulas Touching radii and tangents Connecting radii and chords Parallel, perpendicular, and intersecting lines and planes Slope, distance, and midpoint formulas Line and circle equations Handling rotations, reflections, and other transformations Packed with tons of strategies for solving proofs and a review of key concepts, Geometry Workbook For Dummies is the ultimate study aid for students, parents, and anyone with an interest in the field.

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An illuminating study of an award-winning writer who captured the complex challenges twentieth-century women faced in their struggle for independence.In Understanding Alice Adams, Bryant Mangum examines the thematic intricacies and astute social commentary of Adams’s eleven novels and five short story collections. Throughout her career Adams was known for creating and re-creating the “Alice Adams woman,” who is bright, honest, attractive, thoughtful—and sometimes a bit offbeat. As Mangum notes, Adams’s central characters—her heroes—are most often women struggling toward self-sufficiency and independence as they strive to fulfill their responsibilities, including child rearing and other societal commitments.After an overview of Adams’s life (1926– 1999), Mangum groups the novels and stories by the decades in which they were published, since shifts in the thematic arc of Adams’s fiction break conveniently along those lines. He explains how Adams used the novel as an extended workshop for her short fiction. Her novels cover wide swaths of the American experience, and from these sweeping narratives she distilled her sharp, lyrical, vibrant short stories, which earned her 23 O. Henry Awards—including six first-place recognitions and a lifetime achievement award—an honor shared with only Joyce Carol Oates, John Updike, and Alice Munro.In this study Mangum explores how Adams treats love, family, work, friendship, and nostalgia. He identifies hope as a thread that links all her main characters, despite how accurately she had anticipated the complexities and challenges that accompanied increased freedom for women in the later twentieth century.

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Journey through the seven feminine archetypes to rediscover your essential self. Journey through the archetypal wisdom of the divine feminine to gain a better understanding of your psyche, reclaim your essential self, and activate the life you desire. Guiding you to awaken the wisdom of your feminine soul, Mara Branscombe presents an inspiring look at the seven feminine archetypes that prevail in the modern psyche—Maiden, Mother, Sage, Huntress, Lover, Mystic, and Queen. She explains the continuing arc of influence these feminine archetypes have throughout different stages of life, sometimes dormant, sometimes prominent. Revealing the positive impact the archetypes can have if we embrace them and live them consciously, Mara explores each archetype’s beneficial qualities, its connections to the physical-emotional-mental body, and its shadow aspects. She shares step-by-step creative practices, guided visualisations, mind-body rituals, and soulful poetry to help you embody each archetype, including inviting in the light aspects and integrating the shadow. She also shares embodiment techniques to help you shift your consciousness and untangle from the habitual and unconscious patterns that dim your vital spark. Encouraging you to stay open to all archetypes, rather than concentrating solely on the archetype you are living right now, this guide shows how to weave the fine strands of the different archetypes together in a divine feminine way to help you reclaim your wholeness. By viewing yourself and the world through the lens of the seven feminine archetypes, you will discover how each cycle and experience in life are part of the unfolding of your own living ceremony.

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The eagerly anticipated final volume in Jonathan Sumption's prize-winning history of the Hundred Years War, 'one of the great historical undertakings of our age' (Dan Jones, Sunday Times).Triumph and Illusion is the final volume of Jonathan Sumption's epic history of the Hundred Years War. It tells the story of the collapse of the English dream of conquest, from the opening years of the reign of Henry VI, when the battles of Cravant and Verneuil consolidated their control of most of northern France, to the loss of all of England's continental dominions except Calais thirty years later.This sudden reversal of fortune was a seminal event in the history of the two principal nation-states of western Europe. It brought to an end four centuries of the English dynasty's presence in France, separating two countries whose fates had once been closely intertwined. It created a new sense of national identity in both countries. The legacy of these events would influence their divergent prospects for centuries to come.Behind the clash of arms stood some of the most remarkable personalities of the age: the Duke of Bedford, the English Regent who ruled much of France from Paris and Rouen; Charles VII of France, underrated in both countries, who patiently rebuilt his kingdom after the disasters of his early years; the captains who populate the pages of Shakespeare - Fastolf, Montagu, Talbot, Dunois and, above all, the extraordinary figure of Joan of Arc, who changed the course of the war in a few weeks at the age of seventeen.

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CHOSEN AS A BOOK OF THE YEAR BY SUNDAY TIMES AND HISTORY TODAY'Absolutely stunning. . . a formidable achievement. A six-part historical thriller that is essential reading for both our politicians and the ordinary citizen' Kai BirdBest-selling historian Serhii Plokhy returns with an illuminating exploration of the atomic age through the history of six nuclear disasters In 2011, a 43-foot-high tsunami crashed into a nuclear power plant in Fukushima, Japan. In the following days, explosions would rip buildings apart, three reactors would go into nuclear meltdown, and the surrounding area would be swamped in radioactive water. It is now considered one of the costliest nuclear disasters ever. But Fukushima was not the first, and it was not the worst. . .In Atoms and Ashes, acclaimed historian Serhii Plokhy tells the tale of the six nuclear disasters that shook the world: Bikini Atoll, Kyshtym, Windscale, Three Mile Island, Chernobyl and Fukushima. Based on wide-ranging research and witness testimony, Plokhy traces the arc of each crisis, exploring in depth the confused decision-making on the ground and the panicked responses of governments to contain the crises and often cover up the scale of the catastrophe.As the world increasingly looks to renewable and alternative sources of energy, Plokhy lucidly argues that the atomic risk must be understood in explicit terms, but also that these calamities reveal a fundamental truth about our relationship with nuclear technology: that the thirst for power and energy has always trumped safety and the cost for future generations.

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Cities are the world's future. Today, more than half of the global population, 3.7 billion people, are urban dwellers, and that number is expected to double by 2050. There is no question that cities are growing; the only debate is-over how they will grow. Will we invest in the physical and social infrastructure necessary for Iiveable, equitable, and-sustainable cities? In the latest edition of State of the World, the flagship publication of the Worldwatch Institute, experts from around the globe examine the core principles of sustainable urbanism and profile cities that are putting them into practice. State of the World first puts our current moment in context, tracing cities in the arc of human history. It also examines the basic structural elements of every city: materials and fuels; people and economics; and biodiversity. In part two, professionals working on some of the world's most inventive urban sustainability projects share their first-hand experience. Success stories come from places as diverse as Ahmedabad, India; Freiburg, Germany; and Shanghai, China. In many cases, local people are acting to improve their cities, even when national efforts are stalled. Parts three and four examine cross-cutting issues that affect the success of all cities. Topics range from the nitty-gritty of handling waste and developing public transportation to civic participation and navigating dysfunctional government. Throughout, readers discover the most pressing challenges facing communities and the most promising solutions currently being developed. The result is a snapshot of cities today and a vision for global urban sustainability tomorrow.

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Over a remarkable career Bernard Bailyn has reshaped our understanding of the early American past. Inscribing his superb scholarship with passion and imagination honed by a commitment to rigour, Bailyn captures the particularity of the past and its broad significance in precise, elegant prose. His transformative work has ranged from a new reckoning with the ideology that powered the opposition to British authority in the American Revolution to a sweeping account of the peopling of America and the critical nurturing of a new field, the history of the Atlantic world. Illuminating History is the most personal of Bailyn’s works. It is in part an intellectual memoir of the significant turns in an immensely productive and influential scholarly career. It is also alive with people whose actions touched the long arc of history. Among the dramatic human stories that command our attention: a struggling Boston merchant tormented by the tensions between capitalist avarice and a constrictive Puritan piety; an ordinary shopkeeper who in a unique way feverishly condemned British authority as corrupt and unworthy of public confidence; a charismatic German Pietist who founded a cloister in the Pennsylvania wilderness famous for its strange theosophy, its spartan lifestyle, and its rich musical and artistic achievement. And the good townspeople of Petersham, whose response in 1780 to a draft Massachusetts constitution speaks directly to us through a moving insistence on individual freedoms in the face of an imposing central authority. Here is vivid history and an illuminating self-portrait from one of the most eminent historians of our time.

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Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre. Pygmalion (1912) was a world-wide smash hit from the time of its première in Vienna 1913 and it has remained popular to this day. Shaw was awarded an Academy Award in 1938 for his screenplay of the film adaptation. It was, of course, later made into the much-loved musical My Fair Lady. Heartbreak House (1917), which was finally performed in 1920 and published in 1921, bares the hallmarks of European modernism and a formal break from Shaw's previous work. A meditation on the war and the resultant decline in European aristocratic culture, it was perhaps staged too soon after the conflict; indeed, it did not have the success of his earlier works, which was likely due to his experimental aesthetics combined with a war-weary audience that sought lighter fare. However, while this contemporary reception was muted, it is now recognised as a modernist masterpiece. Saint Joan (1923) marked Shaw's resurrection and apotheosis. The first major work written of Joan of Arc after her canonization (1920), the play interrogates the origins of European nationalism in the post-war era. Like Pygmalion, it was an immediate world-wide hit and secured Shaw the Nobel Prize for Literature in 1925. Drawing upon the transcripts of Joan's trial, Shaw blended his trademark wit to produce a hybrid genre of comedy and history play. Despite the historical setting, Saint Joan is highly accessible and continues to delight audiences.

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How do people link the past to the present, marking continuity in the face of the fundamental discontinuities of history? A Time to Gather argues that historical records took on potent value in modern Jewish life as both sources of history and anchors of memory because archives presented one way of transmitting Jewish culture and history from one generation to another as well as making claims of access to an “authentic” Jewish culture. Indeed, both before the Holocaust and in its aftermath, Jewish leaders around the world felt a shared imperative to muster the forces and resources of Jewish life and culture. It was a “time to gather,” a feverish era of collecting and conflict in which archive making was both a response to the ruptures of modernity and a mechanism for communities to express their cultural hegemony. Jason Lustig explores these themes across the arc of the twentieth century by excavating three distinctive archival traditions, that of the Cairo Genizah (and its transfer to Cambridge in the 1890s), folkloristic efforts like those of YIVO, and the Gesamtarchiv der deutschen Juden (Central or Total Archive of the German Jews) formed in Berlin in 1905. Lustig presents archive-making as an organizing principle of twentieth-century Jewish culture, as a metaphor of great power and broad symbolic meaning with the dispersion and gathering of documents falling in the context of the Jews' long diasporic history. In this light, creating archives was just as much about the future as it was about the past.

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Max Immelmann was born in Dresden, the son of a paper board container factory owner. When World War I started, Immelmann was recalled to active service, transferred to the Luftstreitkräfte and was sent for pilot training in November 1914. He was initially stationed in northern France as a reconnaissance aviator. On June 3, 1915 he was shot down by a French pilot but managed to land safely behind German lines. He was decorated with the Iron Cross, Second Class for preserving his aircraft. Later in 1915, he became one of the first German fighter pilots, quickly building an impressive score of air victories. He became known as “The Eagle of Lille” (Der Adler von Lille) due to Lille being one of his favourite scouting areas.Immelmann was the first pilot to be awarded the Pour le Mérite, Germany's highest military honour. The medal became colloquially known as the "Blue Max" in the German Air Service in honor of Immelmann. His medal was presented by Kaiser Wilhelm II in January 1916. Oswald Boelcke received his medal at the same ceremony. Immelmann was credited with 15 victories. His final victory was on 30 March 1916.Immelmann will forever be associated with the Fokker Eindecker, Germany's first fighter aircraft, and the first to be armed with a machine gun synchronised to fire forward, through the propeller arc. Along with Oswald Boelcke and other pilots, Immelmann was one of the main instigators of the Fokker Scourge which inflicted heavy loses upon British and French aircrews during 1915. This new edition has been entirely reoriginated. Not a word has been changed, but the original type and page layout have been reworked, as has been the format in which the book is presented, to give a beautiful new treatment for this classic of aviation literature.

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Join Oscar-winning filmmaker Guillermo del Toro for an intimate exploration of his darkly electrifying psychological thriller Nightmare Alley.Comprehensive and insightful, Guillermo del Toro’s Nightmare Alley: The Rise and Fall of Stanton Carlisle, is the ultimate companion to the master director’s latest work. • DISCOVER A RIVETING STORY: Inspired by William Lindsay Gresham’s cult 1947 novel, Nightmare Alley stars Bradley Cooper as Stanton “Stan” Carlisle, a talented but troubled drifter who takes up with a traveling carnival. Ingratiating himself with its troupe of misfits, Stan swindles his way to fortune and fame, but when he meets psychiatrist Lilith Ritter (Cate Blanchett), his greed and duplicity will put him on the path to self-destruction. Also starring Toni Collette, Willem Dafoe, Richard Jenkins, and Rooney Mara, Nightmare Alley is del Toro’s most ambitious film to date, an engrossing yet disturbing journey into the psyche of a tragic swindler whose own nature seals his fate. • EXCLUSIVE INTERVIEWS: This deluxe volume delves into the creation of all aspects of the film through extensive interviews with del Toro and his cast and crew, including writer Kim Morgan, with whom he collaborated closely on the script. • NEVER-BEFORE-SEEN CONCEPT ART AND PHOTOS: This incisive commentary is illustrated with a broad range of striking visuals from the production—including concept art and unit photography—that illuminate the film’s two distinct worlds: the ramshackle life of the traveling carnival and the sophisticated art deco trappings of 1940s Buffalo, New York. • INSIGHTS FROM DEL TORO HIMSELF: Tracing the arc of a production that faced multiple challenges, not least of all the onset of a pandemic that threatened to derail shooting, del Toro and his team give deep insights into the complex psychology of the film’s protagonists and the process of bringing them to life on set.

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We are living in an age of unprecedented upheaval. The future of Western culture is uncertain. America's economic and political vitality are more fragile than ever. The preservation of tradition is far from guaranteed. Many have observed that we are living through a world historical moment of which Hegel spoke: a time when many of the traditional assumptions about the shape and future of culture are suddenly in play. As The New Criterion embarks on its fourth decade of publication, the magazine commemorates its commitment to the civilizing values of informed criticism with the publication of Future Tense: The Lessons of Culture in an Age of Upheaval. Compiling the writings of some of the greatest essayists of our time, Future Tense examines this pivotal period through a variety of lenses. Beginning with a meditation on memorials after the 9/11 attacks (Michael J. Lewis), the essays address patriotism in relation to Pericles (Victor Davis Hanson), twenty-first century American pride and leadership (Andrew Roberts), the future of religion in America (David Bentley Hart), and the unwinding of the welfare state (Kevin D. Williamson). Continuing this arc, pieces examine self-knowledge and modern technology (Anthony Daniels), the cultural capital of museums (James Panero), and the difficulties of making law in the modern world (Andrew C. McCarthy). In its penultimate essay, the book explores the possibility of a forthcoming political revolution (James Piereson), then closes with a reflection of culture's role in the economy of life and the fragility of civilization (Roger Kimball). Taken together, these prominent writers demonstrate an acute understanding of the value of Western thought as well as the challenges it faces. Future Tense is an engaging discourse on the prospects of society and an important collection for anyone concerned with the longevity of traditional culture.

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This gripping history shows how the electronic devices we use to access care influence the kind of care we receive.The Doctor Who Wasn’t There traces the long arc of enthusiasm for—and skepticism of—electronic media in health and medicine. Over the past century, a series of new technologies promised to democratize access to healthcare. From the humble telephone to the connected smartphone, from FM radio to wireless wearables, from cable television to the “electronic brains” of networked mainframe computers: each new platform has promised a radical reformation of the healthcare landscape. With equal attention to the history of technology, the history of medicine, and the politics and economies of American healthcare, physician and historian Jeremy A. Greene explores the role that electronic media play, for better and for worse, in the past, present, and future of our health. Today’s telehealth devices are far more sophisticated than the hook-and-ringer telephones of the 1920s, the radios that broadcasted health data in the 1940s, the closed-circuit televisions that enabled telemedicine in the 1950s, or the online systems that created electronic medical records in the 1960s. But the ethical, economic, and logistical concerns they raise are prefigured in the past, as are the gaps between what was promised and what was delivered. Each of these platforms also produced subtle transformations in health and healthcare that we have learned to forget, displaced by promises of ever newer forms of communication that took their place. Illuminating the social and technical contexts in which electronic medicine has been conceived and put into practice, Greene’s history shows the urgent stakes, then and now, for those who would seek in new media the means to build a more equitable future for American healthcare.

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The Scottish Highlands form the highest mountains in the British Isles, a broad arc of rocky peaks and deep glens stretching from the outskirts of Glasgow, Perth and Aberdeen to the remote and storm-lashed Cape Wrath in Scotland's far northwest. The Romans never conquered the region - according to the historian Tacitus, the Highland warrior chieftain Calgacus dubbed his people 'the last of the free' - and in the Dark Ages the island of Iona became home to a Celtic Church that was able to pose a serious challenge to the Church of Rome. Few travellers ever ventured there, however, disturbed by the tales of wild beasts, harsh geography and the bloody conflicts of warring families known as the clans. But after the defeat of Bonnie Prince Charlie at the Battle of Culloden the influence of the clans was curbed and the Scottish Highlands became celebrated by poets, writers and artists for their beauty rather than their savagery. In the nineteenth century, inspired by the travel reportage of Samuel Johnson, the novels of Walter Scott, the poems of William Wordsworth and the very public love of the Highlands espoused by Queen Victoria, tourists began flocking to the mountains - even as Highlanders were being removed from their land by the brutal agricultural reforms known as the Clearances. With the popularity of hiking and the construction of railways, including the famed West Highland line across Rannoch Moor, the fate of the Highlands as one of the great tourist playgrounds of the world was sealed. Andrew Beattie explores the turbulent past and vibrant present of this landscape, where the legacy of events from the first Celtic settlements to the Second World War and from the construction of military roads to mining for lead, slate and gold have all left their mark.

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Essays on the post-modern reception and interpretation of the Middle Ages, This volume continues the theme of its predecessor, addressing how the Middle Ages have been invoked to score political points, particularly with reference to the rise of populism fueled by recent recessions and a pandemic. The nine essays in the first portion of the volume directly address political medievalism in Tariq Ali's 2005 novel on Mideast instability, A Sultan in Palermo; attempts by twentieth-century Czech politicians to anchor their causes in the fifteenth-century Czech hero Petr Chelcický; far-right deployment of Robin Hood memes to slander Hillary Rodham Clinton and Barack Obama; the ways Rory Mullarkey's 2017 play Saint George and the Dragon comments onEnglish national identity relative to Brexit; how national stereotypes have come into play amid cross-channel reporting on Brexit; nationalism in the medievalizing German monument to their fallen at the 1942 Battle of El Alamein;the English-speaking world's reception of Anthony Munday's 1589 book on conduct, Palmendos; nationalism in the self-characterization of two contemporary British Pagan movements; and how various communities in the television series Game of Thrones comment on medieval and/or contemporary nations. Nor are politics entirely absent from the final four articles in the volume, as they examine attempts to promote such particular agendas as toxic masculinity in Game of Thrones; misogyno-feminism there and in the George R.R. Martin book series on which the television program is based, A Song of Ice and Fire; the potential for audience self-realization amid the tension between the individual and the collective in The Mere Wife, Maria Dahvana Headley's 2018 adaptation of Beowulf; and ideal individual and collective behavior as modeled in the Ringling Brothers' 1912-13 spectacles about Joan of Arc.

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Is plot a line, an arc, or a shape? None of these. Rather than thinking of plot as a sequence of events or actions put into place solely through human agency against the backdrop of setting, this book questions why we should distinguish between plot and setting—and indeed, whether we can make such a distinction. After all, plot, Yoon Sun Lee contends, cannot be disentangled from the material setting in which it takes place. In The Natural Laws of Plot, Lee connects the history of the novel and the history of science to show how plot in the realist novel is given shape by the characteristics of the physical world—and how in turn, plot serves as the avenue through which the realist novel participates in the same lines of inquiry about the world as pursued by the natural and physical sciences. Lee argues that the novel emerges and evolves in tandem with the development of scientific practices and concepts in eighteenth- and nineteenth-century Europe to investigate the idea of a unified and objective world. Drawing on readings from Defoe, Austen, Scott, and many others, Lee demonstrates how bodies, human and non-human, behave according to laws that are built into worlds by plot, and how they are subject to causes and consequences that can occur independently of individual action, social forces, or metaphysical destiny. This interest in representing and exploring how things happen sets the novel apart from other literary genres, and makes the history of science integral to the understanding of the history and theory of the novel, and of narrative. Plot, Lee shows us, is immersive and powerful, because it satisfies our wish to know how things happen in a coherent, objective, and possibly real world.

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An exploration of Francophone African literary imaginations and expressions through the lens of Afrofuturism Generally attributed to the Western imagination, science fiction is a literary genre that has expressed projected technological progress since the Industrial Revolution. However, certain fantastical elements in African literary expressions lend themselves to science fiction interpretations, both utopian and dystopian. When the concept of science is divorced from its Western, rationalist, materialist, positivist underpinnings, science fiction represents a broad imaginative space that supersedes the limits of this world. Whether it be on the moon, under the sea, or elsewhere within the imaginative universe, Afrofuturist readings of select films, novels, short stories, plays, and poems reveal a similarly emancipatory African future that is firmly rooted in its own cultural mythologies, cosmologies, and philosophies. Isaac Joslin identifies the contours and modalities of a speculative, futurist science fiction rooted in the sociocultural and geopolitical context of continental African imaginaries. Constructing an arc that begins with gender identity and cultural plurality as the bases for an inherently multicultural society, this project traces the essential role of language and narrativity in processing traumas that stem from the violence of colonial and neocolonial interventions in African societies. Joslin then outlines the influential role of discursive media that construct divisions and create illusions about societal success, belonging, and exclusion, while also identifying alternative critical existential mythologies that promote commonality and social solidarity. The trajectory proceeds with a critical analysis of the role of education in affirming collective identity in the era of globalization; the book also assesses the market-driven violence that undermines efforts to instill and promote cultural and social autonomy. Last, this work proposes an egalitarian and ecological ethos of communal engagement with and respect for the diversity of the human and natural worlds.

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Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary. By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns—particularly the link between cinematic realism and contingency—that the other essays explore further. Among the topics addressed are the provocative mimesis of Luis Buñuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami. Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James F. Lastra, Ivone Margulies, Abé Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang

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Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottinger’s films, as well as her more recent photographic artworks, situated within a dazzling thought experiment centered on the history of art cinema through the turn of the twenty-first century. In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger’s defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the local and the global. Widely regarded as a singular and provocative talent, Ottinger’s conspicuous absence from critical discourse is, for Rickels, symptomatic of the art cinema’s demise. Incorporating interviews he conducted with Ottinger and illustrated with stunning examples from her photographic oeuvre, this book takes up the challenges posed by Ottinger’s filmography to interrogate, ultimately, the very practice-and possibility-of art cinema today. Laurence A. Rickels is professor of German and comparative literature at the University of California, Santa Barbara, and the author of several books, including The Case of California, The Vampire Lectures, and the three-volume Nazi Psychoanalysis (all published by Minnesota). He is a recognized art writer whose reflections on contemporary visual art appear regularly in numerous exhibition catalogues as well as in Artforum, artUS, and Flash Art.

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