Search results for ""author black"

They call themselves the Black Book Club: a consortium of billionaires who gained their wealth and power by dealing with evil demons. One of them has kidnapped a beautiful ice spirit named Yukina, tormenting her for the sake of her priceless crystal tears. Can the law-abiding entities of the Underworld tolerate this depravity? Of course not! That's why Yusuke, teenage delinquent and part-time Underworld Detective, has been dispatched to rescue Yukina and break up the Black Book Club.Fighting alongside Yusuke is his friend and rival Kuwabara, who has fallen in love at first sight with Yukina. But if Kuwabara knew her family connections, he might not be so hot for the ice maiden. And Yukina's kidnapper isn't about to give her up without a fight. To destroy Yusuke and Kuwabara, he's hired nothing less than the Brokers of Darkness, demons so powerful that even the Underworld fears them. Yusuke and his friends are about to find themselves in the center of a demonic battle royale...

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The Romeo and Juliet high school rom-com manga that inspired the anime! Rival dorms on an extravagant island campus fight a schoolyard war, but can two star-crossed lovers keep their budding relationship a secret? On the fair island campus of Dahlia, the student body is split into two rival dorms: The Black Dog House of the eastern nation of Touwa, and the White Cats House of the West. Despite his doting childhood friend and a loyal posse, the first-year leader of the Black Dogs, Romeo Inuzuka, has one big teenage problem: He has a crush on Juliet Persia, the first-year leader of the White Cats! With her own brainiac right-hand man and a powerful crew behind her, the cutthroat Juliet thinks she has no time for misadventures with a hopeless romantic like Romeo. When Romeo meets Juliet one fateful twilight, he thinks he has a shot at love...but is this secret affair really worth dying for?!

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The companion activity book to the fabulously fun picture puzzle book The Lion Picture Puzzle Bible. Colour in the black and white line drawings of enlarged sections from the original illustrations, and complete the puzzles on each page. Includes mazes, spot the difference, and search and find. Ingeniously detailed scenes can now be personalised with your own unique flair!

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The Colour of Ireland: County by County 1860-1960 is a photographic celebration of the history, culture, people and places that make up a century of life in Ireland. Covering all 32 counties, this beautiful, meticulously researched collection takes a past only ever viewed before in black and white and - in glorious colour - breathes fresh energy and emotion into it.With close to 200 colourised photographs set alongside their black and white counterparts, here is a world seen for the first time: a treasure trove to fire the imagination and reignite our connection to the past as it was actually lived. From the thatched cottages of Meath to the libraries of Trinity College, from 1920s sunseekers in Dun Laoghaire to women spinning and carding wool in County Mayo, all of Ireland is vividly brought to life. Along with key moments from the Irish War of Independence and the turbulent history of the 32 counties, these images capture rural landscapes, villages, towns and cities. Endlessly, uniquely fascinating, The Colour of Ireland offers a wealth of perspectives on the bygone ages of an ever-changing land.

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An examination of Coventry's process of urbanisation from its origins in the Anglo-Saxon past to the eve of the Black Death. The processes by which medieval urban communities were formed and developed can be clearly seen in this study of Coventry. Following a survey of Domesday evidence, the book goes on to look at the mechanisms for economic growth inCoventry during the twelfth century, in which both lay and monastic lords played a significant part. Coventry in the thirteenth century reveals other issues: migration to and from the town, the occupational structure within Coventry, and the urban land market. The story of Coventry's development into the fourteenth century ranges over trade, manufacturing and occupations, and notes changes in the land market. Making extensive use of the town's rich documentation, this study presents the reader with a closely argued analysis of the stages by which Coventry developed from its origins in the Anglo-Saxon past to a vibrant and wealthy urban community on the eve of the Black Death. Dr RICHARD GODDARD teaches in the School of History, University of Nottingham.

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In The Geographies of Social Movements Ulrich Oslender proposes a critical place perspective to examine the activism of black communities in the lowland rain forest of Colombia's Pacific Coast region. Drawing on extensive ethnographic fieldwork in and around the town of Guapi, Oslender examines how the work of local community councils, which have organized around newly granted ethnic and land rights since the early 1990s, is anchored to space and place. Exploring how residents' social relationships are entangled with the region's rivers, streams, swamps, rain, and tides, Oslender argues that this "aquatic space"—his conceptualization of the mutually constitutive relationships between people and their rain forest environment—provides a local epistemology that has shaped the political process. Oslender demonstrates that social mobilization among Colombia's Pacific Coast black communities is best understood as emerging out of their place-based identity and environmental imaginaries. He argues that the critical place perspective proposed accounts more fully for the multiple, multiscalar, rooted, and networked experiences within social movements.

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While Zora Neale Hurston and her 1937 novel Their Eyes Were Watching God have become widely celebrated, she was also a prolific stage director and choreographer. In the 1930s Hurston produced theatrical concerts that depicted a day in the life of a railroad work camp in Florida and featured a rousing Bahamian Fire Dance as the dramatic finale. In Choreographing the Folk, Anthea Kraut traces the significance and influence of Hurston’s little-known choreographic work.Hurston’s concerts were concrete illustrations of the “real Negro art theatre” she was eager to establish, and they compellingly demonstrate how she used the arena of performance to advance a nuanced understanding of the black diaspora. Her version of the Fire Dance was staged in a variety of venues during the 1930s. In its multiple representations, Kraut asserts, the dance raised critical issues about ownership, artistry, and authenticity. Choreographing the Folk argues for the significance of Hurston’s choreography, and with perceptiveness, sensitivity, and originality, Kraut illuminates the important and often-contested place of black folk dance in American culture.

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The definitive history of Sunderland AFC. Formed by a group of teachers nearly 150 years ago in 1879, Sunderland AFC have a long and storied history in English football. The club has won six top-flight titles, only six other teams have won more, and they have lifted the FA Cup twice - in 1937 and in 1973. The Black Cats are renowned for having one of the largest and most loyal fan bases in the country, and records have regularly been broken for attendance figures at the Stadium of Light. After hitting a nadir with back-to-back demotions from the Premier League down to the third division in 2018, the club are now back on the ascendancy and plotting a return to the top-flight. Drawing on interviews with key players, managers and staff members, esteemed club historian Rob Mason delves into Sunderland's 150-year history, charting the glorious highs and the ignominious lows to trace how the Black Cats have come to dominate football in the North-East.

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Can Wild Alan unite the Discard against the tyranny of the Pyramid?Idle Hands is an ancient disease that once tore through the Discard, and if Wild Alan doesn't find a way into the Black Pyramid to administer the cure to his son, Billy, it will soon be stalking Gleam once again. Even with Bloody Nora's help, there's only one way in - and that's through the Sump, which was sealed long ago to contain the horrors within.And for Alan, the Black Pyramid will be even more dangerous. Thanks to the disease, the Pyramidders' fear and loathing of the Discard is reaching fever-pitch - and Alan is the most well-known Discarder of all.Bloody Nora has her own agenda. All the information she needs to complete her people's Great Work is hidden in the Pyramid - but just by being there, she is violating a centuries-old treaty between the Pyramid and the Mapmakers, which could spark conflict between the two greatest powers that Gleam knows.'Gleam's combination of dystopia, mythic quest, music and squishy monsters is hugely entertaining' SFX

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In 1791, Thomas Jefferson hired a Black man to help survey Washington, DC. That man was Benjamin Banneker, an African American mathematician, a writer of almanacs, and one of the greatest astronomers of his generation. Banneker then wrote what would become a famous letter to Jefferson, imploring the new president to examine his hypocrisy, as someone who claimed to love liberty yet was an enslaver. More than two centuries later, Rachel Jamison Webster, an ostensibly white woman, learns that this groundbreaking Black forefather is also her distant relative. Acting as a storyteller, Webster draws on oral history and conversations with her DNA cousins to imagine the lives of their shared ancestors across eleven generations, among them Banneker’s grandparents, an interracial couple who broke the law to marry when America was still a conglomerate of colonies under British rule. These stories shed light on the legal construction of race and display the brilliance and resistance of early African Americans in the face of increasingly unjust laws, some of which are still in effect in the present day.

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In Negro Soy Yo Marc D. Perry explores Cuba’s hip hop movement as a window into the racial complexities of the island’s ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux.

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Big money NCAA basketball had its origins in a many-sided conflict of visions and agendas. On one side stood large schools focused on a commercialized game that privileged wins and profits. Opposing them was a tenuous alliance of liberal arts colleges, historically black colleges, and regional state universities, and the competing interests of the NAIA, each with distinct interests of their own. Kurt Edward Kemper tells the dramatic story of the clashes that shook college basketball at mid-century—and how the repercussions continue to influence college sports to the present day. Taking readers inside the competing factions, he details why historically black colleges and regional schools came to embrace commercialization. As he shows, the NCAA's strategy of co-opting its opponents gave each group just enough just enough to play along—while the victory of the big-time athletics model handed the organization the power to seize control of college sports. An innovative history of an overlooked era, Before March Madness looks at how promises, power, and money laid the groundwork for an American sports institution.

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Big money NCAA basketball had its origins in a many-sided conflict of visions and agendas. On one side stood large schools focused on a commercialized game that privileged wins and profits. Opposing them was a tenuous alliance of liberal arts colleges, historically black colleges, and regional state universities, and the competing interests of the NAIA, each with distinct interests of their own. Kurt Edward Kemper tells the dramatic story of the clashes that shook college basketball at mid-century—and how the repercussions continue to influence college sports to the present day. Taking readers inside the competing factions, he details why historically black colleges and regional schools came to embrace commercialization. As he shows, the NCAA's strategy of co-opting its opponents gave each group just enough just enough to play along—while the victory of the big-time athletics model handed the organization the power to seize control of college sports. An innovative history of an overlooked era, Before March Madness looks at how promises, power, and money laid the groundwork for an American sports institution.

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Two plays from the acclaimed playwright debbie tucker green. trade is a short play dealing with the controversial topic of female sex tourism. Three black women on a Caribbean island: a hip young thing from London, an older tourist and a resident native. One subject. Two worlds. Three points of view. trade was first performed by the Royal Shakespeare Company as part of the 2005 New Work Festival in the Swan Theatre, Stratford-upon-Avon, in October 2005. (An earlier version of the play was performed by the Royal Shakespeare Company as part of the 2004 New Work Festival at The Other Place, Stratford-upon-Avon, in October 2004, and Soho Theatre, London, in March 2005). generations is a 30-minute drama about three generations of a black South African family who contest their relative culinary skills. But food isn't the only topic and the family numbers are declining... generations was first seen as a Platform performance at the National Theatre, London, on 30 June 2005. The play was revived at the Young Vic, London, in March 2007, in a production directed by Sacha Wares.

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This insightful and comprehensive book uses theory and empirical studies to debunk contemporary illusions about the functionality of economies and examines the phenomena of economic magic and economic black magic. Norman C. Miller considers 11 economic myths, three of which are the theory that excessive imports reduce employment as firms are forced to downsize or shut down, that a more equal distribution of income kills incentives and reduces economic growth rates and the myth that a higher minimum wage always generates a net decrease in employment. Chapters examine the effects of advances in technology, poverty and income inequality, international trade, and trade deficits on employment and economic growth. The book concludes with discussions on three case studies demonstrating economic black magic, namely the Great Depression, the Great Recession, and the COVID-19 pandemic. This creative and accessible book will be vital reading for students and scholars in economics and finance, the history of economic thought, methodology of economics, and political economy. It will also be beneficial for business owners, economists, finance practitioners, and social scientists, as well as citizens interested in the functioning of economies.

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Approximately 2.4 million Black youth participate in after-school programs, which offer a range of support, including academic tutoring, college preparation, political identity development, cultural and emotional support, and even a space to develop strategies and tools for organizing and activism. In Reclaiming Community, Bianca Baldridge tells the story of one such community-based program, Educational Excellence (EE), shining a light on both the invaluable role youth workers play in these spaces, and the precarious context in which such programs now exist. Drawing on rich ethnographic data, Baldridge persuasively argues that the story of EE is representative of a much larger and understudied phenomenon. With the spread of neoliberal ideology and its reliance on racism—marked by individualism, market competition, and privatization—these bastions of community support are losing the autonomy that has allowed them to embolden the minds of the youth they serve. Baldridge captures the stories of loss and resistance within this context of immense external political pressure, arguing powerfully for the damage caused when the same structural violence that Black youth experience in school, starts to occur in the places they go to escape it.

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An extraordinarily successful collaboration between the Irish poet, Paul Muldoon and the acclaimed Scottish photographer, Norman McBeath, in which there's an uncanny relationship between word and black-and-white image. Although a McBeath photograph (of a statue of Apollo wrapped in polythene) is directly invoked in one poem, much of the success of this beautifully produced book has to do with indirection and evocation. It's as if this book presents us with a distinctly new genre - photometry.

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Scotties are exciting, full-colour, Scottish information books for young readers, with a photocopiable black/white 8pp section for home or classroom use. The book looks at the landscape of Scotland before people, and at the islands, coasts, moorlands, machair, lochs, rivers and flora and fauna that we know now. It also discusses topics such as climate change, renewable energy and carbon footprint and at how the countryside can be enjoyed and protected.

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The making of a New Zealand coaching great Between the years 2012 and 2019, Sir Steve Hansen oversaw an era of such remarkable success that it would be almost impossible to repeat. His 15-year career in the All Blacks coaching team is the heaviest footprint in rugby history. Of the 210 tests he was involved with, his team lost just 25 times. Of the 107 tests he served as head coach, Sir Steve accumulated a record 4 World Rugby Coach of the Year awards and orchestrated 93 victories - a winning percentage of 87 per cent, the highest of any All Blacks coach.Steve Hansen: The Legacy delves into the highs and the lows that earned the New Zealand rugby knight a place in the pantheon of world rugby coaching greats. Revealing and perceptive, the book uncovers how Hansen dealt with the immeasurable pressure of leading the world's most famous rugby team; the tension created by being re-appointed specifically to win the Rugby World Cup; how he dealt with high-profile athletes and an exodus of New Zealand's all-time greats; the endless tug-of-war between commercialism and high performance; the increasing influence of referees on the game; the power battle between the northern and southern hemispheres; the Achilles heel that contributed to the All Blacks' 2019 Rugby World Cup loss; and how, during his career, he learnt to understand his weaknesses and use them to his advantage.Much more than a biography, in Steve Hansen: The Legacy, award-winning writer Gregor Paul tells the compelling story of the former policeman from Mosgiel, his quest for world rugby dominance and his journey to coaching greatness.

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Bad Blood explores representations of race in early modern English and Spanish literature, especially drama. It addresses two different forms of racial ideology: one concerned with racialized religious difference—that is, the notion of having Jewish or Muslim “blood”—and one concerned with Blackness and whiteness. Shakespeare’s Othello tells us that he was “sold to slavery” in his youth, a phrase that evokes the Atlantic triangle trade for readers today. For many years, however, scholars have asserted that racialized slavery was not yet widely understood in early modern England, and that the kind of enslavement that Othello describes is related to Christian-Muslim conflict in the Mediterranean rather than the rise of the racialized enslavement of Afro-diasporic subjects. Bad Blood offers a new account of early modern race by tracing the development of European racial vocabularies from Spain to England. Dispelling assumptions, stemming from Spain’s historical exclusion of Jews and Muslims, that premodern racial ideology focused on religious difference and purity of blood more than color, Emily Weissbourd argues that the context of the Atlantic slave trade is indispensable to understanding race in early modern Spanish and English literature alike. Through readings of plays by Shakespeare, Lope de Vega, and their contemporaries, as well as Spanish picaresque fiction and its English translations, Weissbourd reveals how ideologies of racialized slavery as well as religious difference come to England via Spain, and how both notions of race operate in conjunction to shore up fantasies of Blackness, whiteness, and “pure blood.” The enslavement of Black Africans, Weissbourd shows, is inextricable from the staging of race in early modern literature.

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Curated by Saturday AM, the Saturday AM Annual series is the ultimate version of the eponymously titled digital magazine. Since 2013, Saturday AM has stood as one of the biggest brands in manga-inspired comics, with hit series like Apple Black, Clock Striker, and The Massively Multiplayer World of Ghosts. Built on the belief that comics and pop culture are only strengthened with the addition of diversity, Saturday AM’s mission is to discover, develop, and debut artists from Argentina, Brazil, Indonesia, Vietnam, Zimbabwe, and more! Annual events like #summerofmanga have consistently wowed Saturday AM fans with original short stories from new artists. These short story concepts range from action-oriented superhero tales to heartfelt examinations of identity and orientation. While Saturday AM Annual harkens back to the days of comic anthologies by offering several stories featuring favorite heroes, the 2024 edition focuses on new voices, taking popular Saturday AM characters from hit series like Apple Black and Clock Striker and pairing them with exceptional new artists, some of today’s hottest up-and-coming creators! Celebrate the next wave of amazing new artists with Saturday AM Annual 2024. Saturday AM Annual is rated OT for Older Teen, recommended for ages 16 and up. Find even more diverse manga-inspired comics with the Saturday AM TANKS, which collect Saturday AM’s comics in graphic novel format. The Saturday AM TANKS series include:Apple Black, Clock Striker, Gunhild, Hammer, Henshin!, The Massively Multiplayer World of Ghosts, Oblivion Rouge, Saigami, Soul Beat, Titan King, Underground, and Yellow Stringer.

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What does it mean to call a place home? Who is allowed to become a member of a community? When can we say that we truly belong? These are some of the questions of place and belonging that renowned cultural critic bell hooks examines in her new book, Belonging: A Culture of Place. Traversing past and present, Belonging charts a cyclical journey in which hooks moves from place to place, from country to city and back again, only to end where she began--her old Kentucky home. hooks has written provocatively about race, gender, and class; and in this book she turns her attention to focus on issues of land and land ownership. Reflecting on the fact that 90% of all black people lived in the agrarian South before mass migration to northern cities in the early 1900s, she writes about black farmers, about black folks who have been committed both in the past and in the present to local food production, to being organic, and to finding solace in nature. Naturally, it would be impossible to contemplate these issues without thinking about the politics of race and class. Reflecting on the racism that continues to find expression in the world of real estate, she writes about segregation in housing and economic racialized zoning. In these critical essays, hooks finds surprising connections that link of the environment and sustainability to the politics of race and class that reach far beyond Kentucky.With characteristic insight and honesty, Belonging offers a remarkable vision of a world where all people--wherever they may call home--can live fully and well, where everyone can belong.

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‘We talkin’ about life. We talkin’ about being treated as equals. We talkin’ about not being shot down in the streets and motherfuckers gettin’ off scot-free.’ Lynchburg, Virginia, on the former site of a cotton mill. Fourteen-year-old Ruffrino is struggling to make sense of his place in an impoverished world filled with seemingly random killings of young black men. As his anger towards reality grows, he moves further away from his family. Losing himself online, Ruffrino’s world sinks around him while he battles to wake up the zombies and prove by any means necessary that Black Lives Matter. Tearrance Arvelle Chisholm's play Br’er Cotton was first seen at Kitchen Dog Theatre, Texas, in 2017, and received its UK premiere at Theatre503, London, in 2018. It was shortlisted for both the Theatre503 Playwriting Award 2016 and the Relentless Award, and won the 2019 Off-West End Award for Best New Play.

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An irreverent black comedy about sex, drugs, murder and children's baseball. Dwayne Devero is just like you and me, except he simply doesn't give a s**t any more. He's had enough. He's done with people living life wrong. You'll do it right, or he'll bury you under the bases at the ballpark where he coaches. It's just that simple. Tired of poor decisions being made all around him, from the politics of player positions on his son's little league baseball team to the philandering of his wife in his own bedroom, Dwayne decides that breaking is better than bending. What follows is a wild ride full of carnage and revenge, led by a man who will stop at absolutely nothing to bring honor back to his family, his community and children's baseball. Baseball Dads is a pitch black comedy in which one man takes on the duty of bludgeoning honor back into a sometimes dishonorable world.

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While on a cross-country road trip, Patrick and his family stop in Ravens Pass. They check in to the only hotel in town. But what they can’t see is the place is absolutely packed... with ghosts! And if the family doesn’t manage to leave by sunrise, they’ll be joining the ghouls for a never-ending stay. Packed with creepy black-and-white illustrations and spooky frights, this thrilling Ravens Pass tale will chill young readers to the bone.

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Preface.- 1 Introduction: Discerning the Real, the Possible and the Impossible.- 1.1 The first sci-fi movie.- 1.1.1 exploring the science in Le Voyage dans la Lune.- 1.2 The first literary work of science fiction.- 1.3 Reference frames, revisited.- 1.4 Roadmap to the rest of the book.- 2 What is the Nature of Space and Time? (the physics of space travel and time travel).- 2.1 Changing perspectives through history.- 2.2 Newton's Laws.- 2.3 Einstein and relativity.- 2.3.1 special relativity and time dilation.- 2.3.2 general relativity and distortion of spacetime.- 2.3.3 gravitational waves.- 2.3.4 faster than light, but not faster than light.- 2.4 Stephen Hawking, black holes, wormholes and quantum gravity.- 2.4.1 black holes.- 2.4.2 the multiverse hypothesis.- 2.4.3 wormholes.- 2.5 Other time travel scenarios.- 3 What is the Universe Made of? (matter, energy and interactions).- 3.1 The Standard Model of Particle Physics.- 3.2 The atomic nucleus: protons, neutrons, isotopes and radioacti

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The post–Civil Rights era was marked by an explosion of black political thought and aesthetics. Reflecting a shifting horizon of expectations around race relations, the unconventional sounds of free jazz coupled with experimental literary creation nuanced the push toward racial equality and enriched the possibilities for aesthetic innovation within the Black Arts Movement. In Imagine the Sound, Carter Mathes demonstrates how African American writers used sound to further artistic resistance within a rapidly transforming political and racial landscape. While many have noted the oral and musical qualities of African American poetry from the post–Civil Rights period, Mathes points out how the political implications of dissonance, vibration, and resonance produced in essays, short stories, and novels animated the ongoing struggle for equality. Situating literary works by Henry Dumas, Larry Neal, and Toni Cade Bambara in relation to the expansive ideas of sound proposed by free jazz musicians such as Marion Brown and Sun Ra, not only does this book illustrate how the presence of sound can be heard and read as political, but it recuperates critically neglected, yet important, writers and musicians. Ultimately, Mathes details how attempts to capture and render sound through the medium of writing enable writers to envision alternate realities and resistance outside of the linear frameworks offered by the Civil Rights and Black Power movements.In precise and elegant prose, Mathes shows how in conceptualizing sound, African American writers opened up the political imaginations of their readers. By exploring this intellectual convergence of literary artistry, experimental music, and sound theory, Imagine the Sound reveals how taking up radically new forms of expression allows us to speak to the complexities of race and political resistance.

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A prominent Mediterranean port located near Islamic territories, the city of Valencia in the late fifteenth century boasted a slave population of pronounced religious and ethnic diversity: captive Moors and penally enslaved Mudejars, Greeks, Tartars, Russians, Circassians, and a growing population of black Africans. By the end of the fifteenth century, black Africans comprised as much as 40 percent of the slave population of Valencia. Whereas previous historians of medieval slavery have focused their efforts on defining the legal status of slaves, documenting the vagaries of the Mediterranean slave trade, or examining slavery within the context of Muslim-Christian relations, Debra Blumenthal explores the social and human dimensions of slavery in this religiously and ethnically pluralistic society. Enemies and Familiars traces the varied experiences of Muslim, Eastern, and black African slaves from capture to freedom. After describing how men, women, and children were enslaved and brought to the Valencian marketplace, this book examines the substance of slaves' daily lives: how they were sold and who bought them; the positions ascribed to them within the household hierarchy; the sorts of labor they performed; and the ways in which some reclaimed their freedom. Scrutinizing a wide array of archival sources (including wills, contracts, as well as hundreds of civil and criminal court cases), Blumenthal investigates what it meant to be a slave and what it meant to be a master at a critical moment of transition. Arguing that the dynamics of the master-slave relationship both reflected and determined contemporary opinions regarding religious, ethnic, and gender differences, Blumenthal's close study of the day-to-day interactions between masters and their slaves not only reveals that slavery played a central role in identity formation in late medieval Iberia but also offers clues to the development of "racialized" slavery in the early modern Atlantic world.

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A riveting, revealing portrait of tennis champion and global icon Serena Williams that combines biography, cultural criticism, and sports writing to offer “a deep, satisfying meditation” (The New York Times) on the most consequential athlete of her time.There has never been an athlete like Serena Williams. She has dominated women’s tennis for two decades, changed the way the game is played, and—by inspiring Naomi Osaka, Coco Gauff, and others—changed, too, the racial makeup of the pro game. But Williams’s influence has not been confined to the tennis court. As a powerful Black woman who struggled to achieve and sustain success, she has emerged as a cultural icon, figuring in conversations about body image, working mothers, and more. Seeing Serena chronicles Williams’s return to tennis after giving birth to her daughter—from her controversial 2018 US Open final against Naomi Osaka through a 2020 season that unfolded against a backdrop of a pandemic and protests over the killing of Black men and women by the police. Gerald Marzorati, who writes about tennis for The New Yorker, travels to Wimbledon and to Compton, California, where Serena and her sister Venus learned to play. He talks with former women’s tennis greats, sports and cultural commentators—and Serena herself. He observes Williams from courtside, on the red carpet, in fashion magazines, on social media. He sees her and writes about her prismatically—reflecting on her many, many facets. The result is an “enlightening…keen analysis” (The Washington Post) and energetic narrative that illuminates Serena’s singular status as the greatest women’s tennis player of all time and a Black woman with a global presence like no other.

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This book provides the first comprehensive examination of the urban phenomenon known as Ballroom culture that first gained notoriety in the documentary Paris Is Burning in 1990. Butch Queens Up in Pumps uniquely explores the ways in which Black LGBT people in Detroit use performance and other cultural practices—such as alternative identity, kinship, and community formations—to contend with or alter the conditions in which they live.Butch Queens Up in Pumps is as much an examination of Black queer cultural formations as it is an ethnographic account of Ballroom culture in Detroit. Marlon M. Bailey’s rare perspective as both participant and observer in the Ballroom scene makes for compelling reading and lends his analysis an uncommon immediacy and authenticity, producing a remarkable performance ethnography that delves deeply into this subcultural phenomenon. The book will appeal to scholars and students across a wide range of disciplines, including African American studies, gender and sexuality studies, performance studies, dance, and anthropology, and to anyone interested in the politics, prevention, and activism surrounding HIV/AIDS.

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The local community around the Nat Turner rebellion The 1831 Southampton Rebellion led by Nat Turner involved an entire community. Vanessa M. Holden rediscovers the women and children, free and enslaved, who lived in Southampton County before, during, and after the revolt. Mapping the region's multilayered human geography, Holden draws a fuller picture of the inhabitants, revealing not only their interactions with physical locations but also their social relationships in space and time. Her analysis recasts the Southampton Rebellion as one event that reveals the continuum of practices that sustained resistance and survival among local Black people. Holden follows how African Americans continued those practices through the rebellion’s immediate aftermath and into the future, showing how Black women and communities raised children who remembered and heeded the lessons absorbed during the calamitous events of 1831. A bold challenge to traditional accounts, Surviving Southampton sheds new light on the places and people surrounding Americas most famous rebellion against slavery.

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Long before the English became involved in the African slave trade, they imagined Africans as monstrous and deformed beings. The English drew on pre-existing European ideas about monstrosity and deformity to argue that Africans were a monstrous race, suspended between human and animal, and as such only fit for servitude. Joining blackness to disability transformed English ideas about defective bodies and minds. It also influenced understandings of race and ability even as it shaped the embodied reality of people enslaved in the British Caribbean. Stefanie Hunt-Kennedy provides a three-pronged analysis of disability in the context of Atlantic slavery. First, she examines the connections of enslavement and representations of disability and the parallel development of English anti-black racism. From there, she moves from realms of representation to reality in order to illuminate the physical, emotional, and psychological impairments inflicted by slavery and endured by the enslaved. Finally, she looks at slave law as a system of enforced disablement.Audacious and powerful, Between Fitness and Death is a groundbreaking journey into the entwined histories of racism and ableism.

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This book by the renowned naturalist and writer Paul A. Johnsgard tells the complex biological and environmental story of the western Great Plains under the black-tailed prairie dog’s reign—and then under a brief but devastating century of human dominion. An introduction to the ecosystem of the shortgrass prairie, Prairie Dog Empire describes in clear and detailed terms the habitat and habits of black-tailed prairie dogs; their subsistence, seasonal behavior, and the makeup of their vast colonies; and the ways in which their “towns” transform the surrounding terrain—for better or for worse. Johnsgard recounts how this terrain has in turn been transformed over the past century by the destruction of prairie dogs and their grassland habitats. This book also offers a rare and invaluable close-up view of the rich history and threatened future of the creature once considered the “keystone” species of the western plains. Included are maps, drawings, and listings of more than two hundred natural grassland preserves where many of the region’s native plants and animals may still be seen and studied.

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The History of Britain and Ireland: Prehistory to Today is a balanced and integrated political, social, cultural, and religious history of the British Isles. Kenneth Campbell explores the constantly evolving dialogue and relationship between the past and the present. Written in the aftermath of the Black Lives Matter and Rhodes Must Fall demonstrations, The History of Britain and Ireland examines the history of Britain and Ireland at a time when it asks difficult questions of its past and looks to the future. Campbell places Black history at the forefront of his analysis and offers a voice to marginalised communities, to craft a complete and comprehensive history of Britain and Ireland from Prehistory to Today. This book is unique in that it integrates the histories of England, Ireland, Scotland and Wales, to provide a balanced view of British history. Building on the successful foundations laid by the first edition, the book has been updated to include: · COVID-19 and earlier diseases in history · LGBT History · A fresh appraisal of Winston Churchill · Brexit and the subsequent negotiations · 45 illustrations Richly illustrated and focusing on the major turning points in British history, this book helps students engage with British history and think critically about the topic.

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Two of the most celebrated black neighborhoods in the United States - Harlem in New York City and Bronzeville in Chicago - were once plagued by crime, drugs, and abject poverty. But now both have transformed into increasingly trendy and desirable neighborhoods, with old buildings being rehabbed, new luxury condos being built, and banks opening branches in areas that were once redlined. In "The New Urban Renewal", Derek S. Hyra offers an illuminating exploration of the complicated web of factors - local, national, and global - driving the remarkable revitalization of these two iconic black communities.How did these formerly notorious ghettos become dotted with expensive restaurants, health spas, and chic boutiques? And, given that urban renewal in the past often meant displacing African Americans, how have both neighborhoods remained black enclaves? Hyra combines his personal experiences as a resident of both communities with deft historical analysis to investigate who has won and who has lost in the new urban renewal. He discovers that today's redevelopment affects African Americans differentially: the middle class benefits while lower-income residents are priced out. Federal policies affecting this process also come under scrutiny, and Hyra breaks new ground with his penetrating investigation into the ways that economic globalization interacts with local political forces to massively reshape metropolitan areas.As public housing is torn down and money floods back into cities across the United States, countless neighborhoods are being monumentally altered. "The New Urban Renewal" is a compelling study of the shifting dynamics of class and race at work in the contemporary urban landscape.

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How activists in Ghana, South Africa, and Brazil provide inspiration and strategies for combating the gender violence epidemic in the United States How can the U.S. learn from the perspectives of anti-gender violence activists in South America and Africa as we seek to end intimate violence in this country? The U.S. has consistently positioned itself as a moral exemplar, seeking to export its philosophy and values to other societies. Yet in this book, Traci C. West argues that the U.S. has much to learn from other countries when it comes to addressing gender-based violence. West traveled to Ghana, South Africa, and Brazil to interview activists involved in the struggle against gender violence. In each of these places, as in the United States, Christianity and anti-black racism have been implicated in violence against women. In Ghana and Brazil, in particular, their Christian colonial and trans-Atlantic slave trade histories directly connect with the socioeconomic development of the Americas and historic incidents of rape of black slave women. With a transnational focus on religion and racism, West brings a new perspective to efforts to systemically combat gender violence. Calling attention to forms of violence in the U.S. and international settings, such as marital rape, sex trafficking of women and girls, domestic violence, and the targeting of lesbians, the book offers an expansive and nuanced view of how to form activist solidarity in tackling this violence. It features bold and inspiring approaches by black women leaders working in each setting to uproot the myriad forms of violence against women and girls. Ultimately, West calls for us to learn from the lessons of Africana activists, drawing on a defiant Africana spirituality as an invaluable resource in the quest to combat the seemingly chronic problem of gender-based violence.

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In the southern United States, there remains a deep need among both black and white writers to examine the topic of race relations, whether they grew up during segregation or belong to the younger generation that graduated from integrated schools. In Race Mixing, Suzanne Jones offers insightful and provocative readings of contemporary novels, the work of a wide range of writers-black and white, established and emerging. Their stories explore the possibilities of cross-racial friendships, examine the repressed history of interracial love, reimagine the Civil Rights era through children's eyes, herald the reemergence of the racially mixed character, investigate acts of racial violence, and interrogate both rural and urban racial dynamics. Employing a dynamic model of the relationship between text and context, Jones shows how more than thirty relevant writers-including Madison Smartt Bell, Larry Brown, Bebe Moore Campbell, Thulani Davis, Ellen Douglas, Ernest Gaines, Josephine Humphreys, Randall Kenan, Reynolds Price, Alice Walker, and Tom Wolfe-illuminate the complexities of the color line and the problems in defining racial identity today. While an earlier generation of black and white southern writers challenged the mythic unity of southern communities in order to lay bare racial divisions, Jones finds in the novels of contemporary writers a challenge to the mythic sameness within racial communities-and a broader definition of community and identity. Closely reading these stories about race in America, Race Mixing ultimately points to new ways of thinking about race relations. "We need these fictions," Jones writes, "to help us imagine our way out of the social structures and mind-sets that mythologize the past, fragment individuals, prejudge people, and divide communities."

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How activists in Ghana, South Africa, and Brazil provide inspiration and strategies for combating the gender violence epidemic in the United States How can the U.S. learn from the perspectives of anti-gender violence activists in South America and Africa as we seek to end intimate violence in this country? The U.S. has consistently positioned itself as a moral exemplar, seeking to export its philosophy and values to other societies. Yet in this book, Traci C. West argues that the U.S. has much to learn from other countries when it comes to addressing gender-based violence. West traveled to Ghana, South Africa, and Brazil to interview activists involved in the struggle against gender violence. In each of these places, as in the United States, Christianity and anti-black racism have been implicated in violence against women. In Ghana and Brazil, in particular, their Christian colonial and trans-Atlantic slave trade histories directly connect with the socioeconomic development of the Americas and historic incidents of rape of black slave women. With a transnational focus on religion and racism, West brings a new perspective to efforts to systemically combat gender violence. Calling attention to forms of violence in the U.S. and international settings, such as marital rape, sex trafficking of women and girls, domestic violence, and the targeting of lesbians, the book offers an expansive and nuanced view of how to form activist solidarity in tackling this violence. It features bold and inspiring approaches by black women leaders working in each setting to uproot the myriad forms of violence against women and girls. Ultimately, West calls for us to learn from the lessons of Africana activists, drawing on a defiant Africana spirituality as an invaluable resource in the quest to combat the seemingly chronic problem of gender-based violence.

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Internationally bestselling author Lisa Scottoline returns with this gripping, twisting thriller that will keep fans of Jenny Blackhurst's THE FOSTER CHILD and Shari Lapena's THE COUPLE NEXT DOOR guessing until the very end.Everyone deserves a second chance at happiness.Dr Noah Alderman, a widower and single father, is finally content after marrying the wonderful Maggie. And they're both thrilled when Maggie gets an unexpected chance to be a mother to Anna, the daughter she once thought she'd lost forever. But when seventeen-year-old Anna arrives everything changes - and the darkest turn of events will shatter their lives in ways no one could have imagined.What if your perfect family becomes your worst nightmare?

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In Neuroscience and Philosophy three prominent philosophers and a leading neuroscientist clash over the conceptual presuppositions of cognitive neuroscience. The book begins with an excerpt from Maxwell Bennett and Peter Hacker's Philosophical Foundations of Neuroscience (Blackwell, 2003), which questions the conceptual commitments of cognitive neuroscientists. Their position is then criticized by Daniel Dennett and John Searle, two philosophers who have written extensively on the subject, and Bennett and Hacker in turn respond. Their impassioned debate encompasses a wide range of central themes: the nature of consciousness, the bearer and location of psychological attributes, the intelligibility of so-called brain maps and representations, the notion of qualia, the coherence of the notion of an intentional stance, and the relationships between mind, brain, and body. Clearly argued and thoroughly engaging, the authors present fundamentally different conceptions of philosophical method, cognitive-neuroscientific explanation, and human nature, and their exchange will appeal to anyone interested in the relation of mind to brain, of psychology to neuroscience, of causal to rational explanation, and of consciousness to self-consciousness. In his conclusion Daniel Robinson (member of the philosophy faculty at Oxford University and Distinguished Professor Emeritus at Georgetown University) explains why this confrontation is so crucial to the understanding of neuroscientific research. The project of cognitive neuroscience, he asserts, depends on the incorporation of human nature into the framework of science itself. In Robinson's estimation, Dennett and Searle fail to support this undertaking; Bennett and Hacker suggest that the project itself might be based on a conceptual mistake. Exciting and challenging, Neuroscience and Philosophy is an exceptional introduction to the philosophical problems raised by cognitive neuroscience.

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Michael Cochrane reads this novelisation of a classic TV adventure featuring the First Doctor.The TARDIS materialises outside the Post Office Tower in London, 1966. The Doctor senses a powerful and evil force, which he and the ever-curious Dodo track down to scientist Professor Brett and WOTAN, his revolutionary new computer.Designed as a universal problem solver, WOTAN has suddenly begun to think for itself and has formulated a deadly plan. Using its phenomenal power it will programme humans to build mobile fighting computers, and with these indestructible war machines WOTAN will take over the world. With the help of Dodo, Sir Charles Summers, and new friends Ben and Polly, the Doctor must find a way to prevent a global catastrophe.Michael Cochrane, who has played several roles in the BBC TV series, reads Ian Stuart Black’s novelisation of his original 1966 serial starring William Hartnell as the Doctor.Duration: 4 hours approx.(P) & © 2018 BBC Worldwide Ltd t/as BBC StudiosNovelisation copyright © Ian Stuart Black1988Original script copyright © Ian Stuart Black 1966Reading produced by Neil GardnerRecorded at Ladbroke Audio LtdSound design by Simon Power for Meon Productions - www.meonsound.comExecutive producer: Michael StevensTARDIS sound effect composed by Brian HodgsonCover illustration by Alister Pearson

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Britain yesterday; America today. The reality of being top dog is that everybody hates you. In this provocative book, noted historian and commentator Jeremy Black shows how criticisms of the legacy of the British Empire are, in part, criticisms of the reality of American power today. He emphasizes the prominence of imperial rule in history and in the world today, and the selective way in which certain countries are castigated. Imperial Legacies is a wide-ranging and vigorous assault on political correctness, its language, misuse of the past, and grasping of both present and future.

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Anne Blackburn explores the emergence of a predominant Buddhist monastic culture in eighteenth-century Sri Lanka, while asking larger questions about the place of monasticism and education in the creation of religious and national traditions. Her historical analysis of the Siyam Nikaya, a monastic order responsible for innovations in Buddhist learning, challenges the conventional view that a stable and monolithic Buddhism existed in South and Southeast Asia prior to the advent of British colonialism in the nineteenth century. The rise of the Siyam Nikaya and the social reorganization that accompanied it offer important evidence of dynamic local traditions. Blackburn supports this view with fresh readings of Buddhist texts and their links to social life beyond the monastery. Comparing eighteenth-century Sri Lankan Buddhist monastic education to medieval Christian and other contexts, the author examines such issues as bilingual commentarial practice, the relationship between clerical and "popular" religious cultures, the place of preaching in the constitution of "textual communities," and the importance of public displays of learning to social prestige. Blackburn draws upon indigenous historical narratives, which she reads as rhetorical texts important to monastic politics and to the naturalization of particular attitudes toward kingship and monasticism. Moreover, she questions both conventional views on "traditional" Theravadin Buddhism and the "Buddhist modernism" / "Protestant Buddhism" said to characterize nineteenth-century Sri Lanka. This book provides not only a pioneering critique of post-Orientalist scholarship on South Asia, but also a resolution to the historiographic impasse created by post-Orientalist readings of South Asian history.

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German photographer Birgit Nieser travelled across Burma on timber trucks and motorbikes capturing a way of life that is fast disappearing. Her stunning black and white images capture the essence and heart of this breathtaking country.

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This book presents a fun and practical way of learning the functions of acupuncture points on the twelve primary and eight extra channels.. Students are invited to colour and doodle their way through the sequence of images on each channel in turn embellishing anything they find difficult to remember or recall. Through the drawings the author offers her own imaginative visual representation of each point based on translations of the Chinese point names. The text page opposite each set of drawings provides a quick cross reference for the student, with a simple list of the point names and the main functions relating to each. The flexible style of this book accommodates the needs of students from a wide range of schools and traditions. This is an essential learning resource for students of acupuncture, acupressure, shiatsu and massage, and is ideal for revision and self or paired testing.

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The Classical Dutch is an ambitious and underrated defence to queen's pawn openings. With his first few moves Black creates an asymmetrical pawn structure which unbalances the position from a very early stage, allowing both white and black players to fight for the initiative. Now, for the first time in recent history, International Master Jan Pinski delves into the secrets of the Classical Dutch, studying both the positional motives and tactical nuances for both sides. He deals with the theoretical main lines as well as the crafty side variations, updating the reader on all the new important wrinkles. *Written by an openings expert *Up-to-date coverage of a dynamic opening *Full explanations on all the crucial tactical and positional themes

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While staying with his Aunt Dahlia to help out in the election at Market Snodsbury, Bertie Wooster comes up against the familiar horrors of Florence Craye, his former fiancee, and Roderick Spode, head of the Black Shorts, in a plot tangle from which, as usual, only the ingenuity of Jeeves can save him.

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Welcome to Ikebukuro, where Tokyo's wildest characters gather!! Meet an ordinary boy who daydreams about the extraordinary. A naive stalker girl. The strongest man in Ikebukuro. A shut-in doctor with questionable credentials. A hedonistic informant...and the 'headless rider' astride a pitch-black motorcycle!? As their paths cross, this eccentric cast weaves a twisted, cracked love story...

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