Search results for ""Author Roy"

During the Second World War navies developed low visibility camouflage, applied to both the vertical and horizontal surfaces of their ships, in order to reduce visibility by blending in with the sea, or confuse the identity of a ship by applying obtrusive patters. In this volume by maritime artist Mal Wright, all the paint schemes that adorned the cruisers, minelayers and armed merchant cruisers of the Royal Navy and Commonwealth are depicted in detail, along with discussion on changes of armament and electronics that effected the outward appearance of each ship. Beginning with the older cruisers, the book goes on to cover all the other cruiser classes taking in heavy cruisers, prewar cruisers, prewar and wartime cruisers; a large part also covers minelayers and armed merchant vessels (AMCs). Where possible both sides of the ship are depicted. With 800 full colour illustrations, arranged by ship type rather than camouflage scheme, this book concentrates the clearest possible information into a single volume to provide a one-stop reference source. Many schemes would be difficult for any reader to unearth other than with the most intensive research, so this work is an invaluable tool for historians, collectors, modelmakers and wargamers. 'Overall, this is a very good book that brings the subject matter to life in a way that no previous work has done. Like its predecessor you can read it from cover to cover or dip into it to study a particular ship or class and it is a tribute both to Mal Wright's many years of research and his artwork. I thoroughly recommend it...' Australian Naval Institute

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A princess born to the Thuringian royal house. A captive in war, forced to marry the Frankish king who killed her family. A queen, who renounced her position, received consecration as a deaconess, and took monastic vows. A religious leader, who acquired a fragment of the Cross of the Crucifixion for her convent of Holy Cross in Poitiers. And, lastly, a saint, remembered for her healings, exorcisms, and extreme self-mortification. Such was Radegund, a woman who lived through an era defined by headlong change. Honored as a "mother" by subsequent Frankish kings and as a holy woman by her nuns and devotees, Radegund enjoyed a reputation for righteousness that spread throughout the whole of medieval Europe, with later queens emulating her pious achievements. For generations, she defined medieval queenship, female monastic practice, and the expectations associated with holy women. Today, she is often envisioned as a pan-European saint. Radegund presents a new interpretation of this remarkable woman, examining her vibrant life and legacy. E. T. Dailey shows how she succeeded in establishing a place for herself within this difficult and dangerous world, despite the trials she faced. He also demonstrates how Radegund achieved a position of prominence as a woman in a foreign land without resorting to the violence and intrigue that characterized the lives of other prominent women during this period. Based on a wealth of English, French, and German scholarship, this book will equip experts and lay readers with a concise, authoritative, and accessible portrait of Radegund.

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Harpia Publishing is proud to announce the launch of a new title for 2017, EMB-312 Tucano: Brazil’s turboprop success story, set to become the definitive English-language reference work on this revolutionary Latin American aerospace product. Written by an expert in the field, this book recounts the story of Embraer’s EMB-312 turboprop trainer, the first aircraft in its class to offer a cockpit and controls equivalent to its fighter contemporaries, as well enough power to match the high-speed manoeuvres of comparable jet trainers. Cheap to fly, capable of operating from unprepared runways and with limited maintenance requirements, the Tucano was Embraer’s first design to be built under license outside Brazil, and more than 660 units were produced for service in 16 countries, seven of which have taken it into combat. Although it is best known as a trainer, this remarkable aircraft has also provided front-line air defence in countries including Paraguay and Honduras. After almost 30 years of service, it remains in widespread use today. This lavishly illustrated story of the first-generation Tucano includes accounts of Embraer’s path to global success, service of the EMB-312 in its native Brazil, including with the air force’s display team, licence production for the Royal Air Force and for export as the Shorts Tucano, and a detailed breakdown of every worldwide operator, past and present. Also included is the story of how the EMB-312 began its evolution towards the EMB-314 Super Tucano, which Harpia will cover in a separate book at a future date. Appendices, in typically thorough Harpia style, include a six-view drawing and a full inventory of EMB-312 units and insignia. With the level of accuracy and insight familiar to Harpia’s regular readers, this unique aircraft profile also includes specifications, and details of training syllabuses, upgrades, avionics and weapons.

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THE VOLUME relates the history of the south-east corner of Somerset. The area comprises the outliers of Salisbury Plain on the east and part of a clay vale to the west. It included a natural route followed by the two principal roads from London to Exeter and by the railway. Of the towns, Milborne Port and Wincanton each owed its prosperity to one of those roads. Bruton and Milborne Port were royal urban centres in the late 11th century, both centres of minster parishes. Milborne Port, a borough in 1086, returned members to parliament for some years from 1298; at Wincanton a borough had been created by the mid 14th century. Settlement in nucleated villages was dense in the clay valebut ancient scattered farmsteads were found both south of Wincanton and west of Selwood forest. Quarries in most parishes provided local building stone; millstones from the Upper Greensand at Penselwood were widely distributed inthe 13th and 14th centuries. The area remains chiefly agricultural. Arable farming was at first often in paired open fields, mostly inclosed and consolidated by private agreement before 1800. Acts between 1771 and 1821 inclosed and allotted surviving common meadow and pasture. Dairying, significant by 1600, predominated by 1700. The heart of Selwood forest, still heavily wooded, supported a timber industry in the 18th and 19th centuries. Deer parks preceded two 18th century landscaped parks at Redlynch and Bruton Abbey. Textiles were long made in the countryside as well as in the three towns. Milborne Port, from the 1670s a centre for tanning, was from the early 19th century to the late 20th an important gloving town, employing outworkers in surrounding villages. PARISHES: BLACKFORD, BRATTON SEYMOUR, BREWHAM, BREWHAM LODGE, BRUTON, CHARLTON HORETHORNE, CHARLTON MUSGROVE, NORTH CHERITON, ABBAS AND TEMPLECOMBE, CORTON DENHAM, CUCKLINGTON, EASTRIP, HENSTRIDGE, HOLTON, HORSINGTON, MARSTON MAGNA, MILBORNE PORT, MILTON CLEVEDON, PENSELWOOD, PITCOMBE, RIMPTON, SHEPTON MONTAGUE, STOKE TRISTER, STOWELL, UPTON NOBLE, WINCANTON, YARLINGTON

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‘So funny. And the sex is amazing – makes me feel like a nun!’ Jilly Cooper ‘Light, fizzy and as snort-inducing as a pint of Prosecco.’ Evening Standard Magazine ‘Hilarious and compelling.’ Daily Mail ‘Perfect summer reading for fans of Jilly Cooper and Bridget Jones.’ HELLO! ‘Bridget Jones trapped inside a Jilly Cooper novel. A beach cocktail in book form.’ METRO ‘Gloriously cheering.’ Red Magazine ‘Howlingly funny.’ India Knight, Sunday Times Magazine ‘This saucy read is great sun-lounger fodder.’ Heat ‘Sexy and very funny…perfect for fans of Jilly Cooper.’ Closer ‘Cheerful, saucy and fun!’ The Sunday Mirror ‘As fun and fizzy as a chilled glass of prosecco…this is the perfect read for your holiday.’The Daily Express ‘This book has it all – love, romance, sadness and sex – a rare find that is funny at times and moving at others.’ Marie Claire The Plus One [n] informal a person who accompanies an invited person to a wedding or a reminder of being single, alone and absolutely plus none Polly’s not looking for ‘the one’, just the plus one… Polly Spencer is fine. She’s single, turning thirty and only managed to have sex twice last year (both times with a Swedish banker called Fred), but seriously, she’s fine. Even if she’s still stuck at Posh! magazine writing about royal babies and the chances of finding a plus one to her best friend’s summer wedding are looking worryingly slim. But it’s a New Year, a new leaf and all that. Polly’s determined that over the next 365 days she’ll remember to shave her legs, drink less wine and generally get her s**t together. Her latest piece is on the infamous Jasper, Marquess of Milton, undoubtedly neither a plus one nor ‘the one’. She’s heard the stories, there’s no way she’ll succumb to his charms… A laugh-out-loud, toe-curlingly honest debut for fans of Helen Fielding, Bryony Gordon and Jilly Cooper. Don’t miss the hottest book of 2018!

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This book addresses perceived lacunae in the historiography of the Land War in late nineteenth-century Ireland, particularly deficiencies or omissions relating to the themes of the title: famine, humanitarianism, and the activities of agrarian secret societies, commonly referred to as Moonlighting. The famine that afflicted the country in 1879-80, one generation removed from the catastrophic Great Famine of the 1840s, prompted different social responses. The wealthier sectors of society, their consciousness and humanitarianism awakened, provided the bulk of the financial and administrative support for the famine-stricken peasantry. Others, drawn from the same broad social stratum as the latter, vented their anger and frustration on the government and the landlords, whom they blamed for the crisis. The concern of marginal men and women for the welfare of their less fortunate brethren was not so much the antithesis of altruism, as a different, more rudimentary way of expressing it.The volume's opening chapter introduces the famine that tormented Ireland's Atlantic seaboard counties in the late 1870s and early 1880s. The four chapters that follow develop the famine theme, concentrating on the role of civic and religious relief agencies, and the local and international humanitarian response to appeals for assistance. The 1879-80 famine kindled benevolence among the diasporic Irish and the charitable worldwide, but it also provoked a more primal reaction, and the book's two closing chapters are devoted to the activities of secret societies. The first features the incongruously named Royal Irish Republic, a neo-Fenian combination in north-west County Cork. The volume's concluding essay links history and literature, positing a connection between agrarian secret society activity during the Land War years and the Kerry playwright George Fitzmaurice's neglected 1914 drama The Moonlighter. This original and engaging work makes a significant contribution to our understanding of modern Irish history and literature.

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Diana Armfield RA Hon RWS NEAC has a highly personal attachment to subject and a subtly distinctive affinity with the rhythms of form and tone. These qualities make her an important, influential figure in modern British art - and a very popular one. Flower paintings have brought her wide acclaim, but this book - created to mark her 100th birthday - also richly represents Diana's feeling for landscape and place. Including an inspiring number of more recent works, it brings her fascinating artistic and life story up to date.'I think I was born making things', Diana comments to Andrew Lambirth, whose absorbing interview with her forms the narrative thread of Diana Armfi eld: A Lyrical Eye. Diana's was a creative childhood steeped in experiments with drawing, pottery and embroidery, played out against the backdrop of a picture-fi lled house, a lovely garden and an artistic family. She studied at Bournemouth, Slade and Central art schools, starting out as a talented textile designer - a legacy that lent her a unique approach to the geometry, cadences and colour qualities of a painting. After organising cultural activities for workers and troops in World War II, Diana became one half of a successful partnership designing textiles and wallpaper, whose work featured in the Festival of Britain in 1951. The 1960s brought a turn to painting and from 1966 Diana has been a regular exhibitor at the prestigious Royal Academy Summer Exhibition. She has continued to paint and draw throughout her life and, as this book clearly demonstrates, always thinks afresh about each subject she tackles in order to respond to it with a close,warm sincerity.Diana Armfi eld: A Lyrical Eye charts Diana's personal and artistic journey with over 200 beautiful reproductions of her work, tracing favourite subjects and events - from a Welsh landscape to an informal fl ower display or the much-loved location of a painting trip in Italy or France. Andrew Lambirth's interview also explores the unique bond with her husband, painter Bernard Dunstan, who died in 2017, looking at how two leading artists interwove their personal and creative lives over a marriage of almost 70 years. As well as this interview, Andrew has contributed an essay on Diana's work to the book. Diana's standing and popularity have led to regular exhibitions, especially at prominent London gallery Browse& Darby. Her work is held in private and public collections worldwide, from London's V&Ato the Yale Center for British Art.

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Some of the finest architectural structures in India are to be found below ground: these are its ancient stepwells. Stepwells are unique to India; the earliest rudimentary wells date from about the 4th century CE, and eventually they were built throughout the country, particularly in the arid western regions. Stepwell construction evolved so that, by the 11th century, they were amazingly complex feats of architecture and engineering, not only providing water all year round but also serving as gathering places, refuges and retreats. The journalist Victoria Lautman first encountered stepwells three decades ago, and this book – now available in paperback for the first time – is a testament to her determined efforts over several years to document these fascinating but largely unknown structures before they disappear. Of the thousands of stepwells that proliferated across India, most were abandoned as a result of modernization and the depletion of water tables. Frequently commissioned by royal or wealthy patrons, the wells vary greatly in scale and design. Some also functioned as subterranean Hindu temples, featuring columned pavilions and elaborate stone carvings. Islamic wells were generally less flamboyant, but often incorporated shady loggias and small chambers in which to relax and escape the stifling heat. Today, few stepwells are in use. The majority have been left to silt up, fill with rubbish and crumble into disrepair. Gradually, however, the Indian government and heritage organizations are recognizing the need to preserve these architectural wonders. In 2014 India’s grandest and best-known stepwell, the Rani ki Vav in Patan, Gujarat, became a UNESCO World Heritage site. In her introduction, Lautman discusses why and where the stepwells were built. She reflects on the reasons they became derelict and considers how the appreciation of stepwells is changing with the work of organizations and individuals who aim to protect and restore them. The main part of the book is arranged in a broadly chronological order, with up to four pages devoted to each of c. 70 stepwells, every one unique in design and engineering. The name, location (including GPS coordinates) and approximate date of each well accompany colour photographs and a concise commentary by Lautman on the history and architecture of the well and her experience of visiting it. While many of the stepwells are rather decrepit, their magnificent engineering and great beauty never fail to impress.

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For more than 600 years the Livery Companies have played a leading role in commercial activities and social and political life in the City of London. These trade associations, each representing a particular craft or profession, were originally responsible for controlling, for example, wages and working conditions. As the Companies were established and incorporated by royal charter, largely in the 14th and 15th centuries, they began acquiring and adapting buildings from which to operate. The Companies’ headquarters – the Livery Halls – gradually evolved from large medieval town houses to become an identifiable building type matched in scale and ambition only by the guild houses of northern European mercantile cities and the Venetian scuole. By the time of the Great Fire of London in 1666, there were at least 53 Livery Halls. Of the 40 Halls standing today, half remain on their medieval sites, but all have been rebuilt several times. To give only two examples: there have been six incarnations of Clothworkers’ Hall on Mincing Lane and six Salters’ Halls on three different City sites. This beautiful book is the first major exploration of these architecturally significant yet under-researched buildings. Dr Anya Lucas, who has studied the Halls in depth, provides an introduction and an illustrated history of the buildings that have been lost over the centuries. The Great Fire, in particular, resulted in a period of energetic reconstruction. Companies rebuilt and beautified their Halls in recognition that the image they projected was as crucial as their wealth and regulatory powers. More building activity took place in the 18th and 19th centuries as Halls were required to accommodate new functions. Many of the Restoration Halls did not survive these years, and, where they did, alterations continued apace. Only 3 out of 36 Halls remained untouched after the Blitz of 1940–41, leading to another wave of reconstruction, the buildings being predominantly traditional or neo-Georgian in style. Henry Russell surveys each of the 40 present-day Halls, no two of which share an identical plan. Sited across the City from east to west, they range from the London Proof House, the home of the Worshipful Company of Gunmakers, on Commercial Road, outside the old City walls, to HSQ Wellington, headquarters of the Honourable Company of Master Mariners, moored on the Thames at Victoria Embankment. All existing Livery Halls have been photographed especially for the project by the renowned interiors photographer Andreas von Einsiedel, making this a truly outstanding publication.

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The 1914-18 conflict narrated through the voices of the men whose combat was in the air.'This moving book uses letters and diaries to evoke the terrible cost of such warfare...Sleepless nights, separated lovers and grieving parents are recalled with painful immediacy in this meticulously researched tribute to those who died or were lucky enough to survive' DAILY MAILThe empty chairs belonged, all too briefly, to the doomed young First World War airmen who failed to return from the terrifying daily aerial combats above the trenches of the Western Front. The edict of their commander-in-chief was the missing aviators were to be immediately replaced. Before the new faces could arrive, the departed men's vacant seats at the squadron dinner table were sometimes poignantly occupied by their caps and boots, placed there in a sad ritual by their surviving colleagues as they drank to their memory.Life for most of the pilots of the Royal Flying Corps was appallingly short. If they graduated alive and unmaimed from the flying training that killed more than half of them before they reached the front line, only a few would for very long survive the daily battles they fought over the ravaged moonscape of no-man's-land. Their average life expectancy at the height of the war was measured only in weeks. Parachutes that began to save their German enemies were denied them.Fear of incarceration, and the daily spectacle of watching close colleagues die in burning aircraft, took a devastating toll on the nerves of the world's first fighter pilots. Many became mentally ill. As they waited for death, or with luck the survivable wound that would send them back to 'Blighty', they poured their emotions into their diaries and streams of letters to their loved ones at home.Drawing on these remarkable testimonies and pilots' memoirs, Ian Mackersey has brilliantly reconstructed the First Great Air War through the lives of its participants. As they waited to die, the men shared their loneliness, their fears, triumphs - and squadron gossip - with the families who lived in daily dread of the knock on the door that would bring the War Office telegram in its fateful green envelope.

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'It's no wonder Oprah Winfrey and Reese Witherspoon are fans of Jasmine Guillory - she writes the sexiest and smartest romances. This tale . . . ticks all the romcom boxes' Red MagazineHave you discovered New York Times bestseller and Reese's Book Club pick Jasmine Guillory yet? 'The queen of contemporary romance' OprahMag.comReaders are loving While We Were Dating, one of Time Magazine's 100 Must-Reads of 2021!'A compelling and thoroughly enjoyable read from start to finish . . . all capped off by skilful writing' ⭐ ⭐ ⭐ ⭐ ⭐'This book was so lovely (as all of Guillory's books are) . . . Ben was a great romantic hero: sexy and smart but also kind and respectful . . . Highly recommended!' ⭐ ⭐ ⭐ ⭐ ⭐'This was my first Jasmine Guillory book, and it won't be the last!''A great summer read . . . I always enjoy Jasmine Guillory's books and this did not disappoint'...........................................................................Can a Hollywood romance work in the real world? Ben Stephens has never been one to mix business and pleasure, but when he lands a huge ad campaign featuring movie star, Anna Gardiner, and it turns out she's as funny and down-to-earth as she is gorgeous, Ben can't help flirting a little. Anna Gardiner is hoping this ad campaign will be a great distraction while she waits to hear if she's booked her dream role, but she doesn't anticipate that Ben Stephens might be an even bigger distraction . . . After a family emergency and a late-night road trip moves them past light-hearted flirtation, Ben and Anna grow closer. But when Anna's manager decides to use their fling to help Anna's Hollywood career, will Ben be content to play the background role in Anna's life and leave when the cameras stop rolling? Or could he be the leading man she's looking for?...........................................................................PERFECT FOR FANS OF EMILY HENRY, CHRISTINA LAUREN AND TESSA BAILEY!'A charming, warm, sexy gem' ROXANE GAY'The undisputed queen of the modern-day romance' Vogue'Juicy yet meaningful, like every Guillory classic' Elle'Steamy and swoonworthy' PopSugar'When Jasmine Guillory comes out with a book, buy it' Refinery29If you love this, be sure to check out all of Jasmine's smart and sexy rom-coms:The Wedding DateThe ProposalThe Wedding PartyRoyal HolidayParty of TwoWhile We Were DatingDrunk on Love

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An American Book Fest Best Book Award finalist and Royal Dragonfly Book Award honorable mention. A memoir of a parent’s sudden passing from ALS, recalling life lessons learned and regaining faith in the process. Kevin P. Martin, Sr. was diagnosed with Lou Gehrig’s Disease, better known as ALS, in August 2019. He died only a month later. Over a thousand people would attend the wake and funeral in South Boston—after all, Kevin Sr. was a leader in the Southie community and in the Catholic Church, both as a business owner and family man. But Kevin Jr. struggled with a bottomless grief; neither his father’s example nor his own faith as a permanent deacon in the Archdiocese of Boston fully equipped him to cope with the loss.All Is Well is the story of the good life well-lived and life lessons Kevin Sr. taught his son. It’s a story of how Kevin Jr. moved from darkness to light after his father’s death. It is a memoir that gives a roadmap out of grief, taking a path whose landmarks are the Beatitudes, family, miracles, baseball, rites of passage, bucket lists, and love; it offers insights into leadership, marriage, parenting, resilience, practicality, suffering, giving, forgiveness, joy, and savoring the little things. It paints a portrait of a servant leader, a consummate professional and family man, and sheds light on the up-close realities of ALS. It offers one exceptional father’s example for how we can better live a life without regrets, how we can make the best of the time we have, and how we can do the most good with the journey we’re given. Part Tuesday's With Morrie and part Townie, this memoir offers solace and a path for those who are experiencing or have experienced grief from losing a parent, especially to terminal illness. Those that believe in a higher power (especially but not limited to the Catholic community), those from Boston and elsewhere in New England, and those looking to find lessons in the good life well-lived will readily find themselves in All is Well. 100% of this book’s profits will go to ALS research, care charities, and support organizations.

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This pathbreaking study uses the extraordinary life of Meir Macnin, a prosperous Jewish merchant, as a lens for examining the Jewish community of Morocco and its relationship to the Sephardi world in the late eighteenth and early nineteenth centuries. Macnin, a member of one of the most prominent Jewish families in Marrakesh, became the most important merchant for the sultans who ruled Morocco, and was their chief intermediary between Morocco and Europe. He lived in London for about twenty years, and then shuttled between Morocco and England for fifteen years until his death in 1835. This book challenges accepted views of Muslim-Jewish relations by emphasizing the ambivalence in the relationship. It shows how elite Jews maneuvered themselves into important positions in the Moroccan state by linking themselves to politically powerful Muslims and by establishing key positions in networks of trade. The elite Jews of Morocco were also part of a wider Sephardi world that transcended national boundaries. However, Macnin remained more connected to Morocco, where Jews were, according to Islamic law, protégés of the ruler and still subject to specific legal disabilities. The early-nineteenth-century sultan Mawlay Sulayman confined Jews in a number of Moroccan cities to newly created Jewish quarters as part of a policy of defining boundaries between Muslims and Jews. Yet Macnin remained closely tied to royal power, and in 1822 he became the principal intermediary between Morocco and the European powers for Mawlay Sulayman’s successor, Mawlay ‘Abd al-Rahman. At the beginning of the period covered in this book, Meir Macnin belonged to a wide, transnational Sephardi world, and moved easily between Morocco and Europe. By the end of his life, however, this Sephardi diaspora had virtually come to an end. Emancipation in Western Europe and the growing identification of European Jews with the nations in which they lived meant that their affinity to their Sephardi heritage no longer transcended their national attachments. The gap between Moroccan and European Jewry grew, and a new kind of division—between “Western” and “Oriental” Jews—now existed within the Jewish world.

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Famed as the ultimate penalty for traitors, heretics and royalty alike, being sent to the Tower is known to have been experienced by no less than 8,000 unfortunate souls. Many of those who were imprisoned in the Tower never returned to civilisation and those who did, often did so without their head! It is hardly surprising that the Tower has earned itself a reputation among the most infamous buildings on the planet. There have, of course, been other towers. Practically every castle ever built has consisted of at least one; indeed, even by the late 14th century, the Tower proudly boasted no less than 21. Yet even as early as the 1100s, the effect that the first Tower had on the psyche of the local population was considerable. The sight of the dark four-pointed citadel - at the time the largest building in London - as it appeared against the backdrop of the expanding city gave rise to many legends, ranging from the exact circumstances of its creation to what went on within its strong walls. In ten centuries what once consisted of a solitary keep has developed into a complex castle around which the history of England has continuously evolved. So revered has it become that legend has it that should the Tower fall, so would the kingdom. Beginning with the early tales surrounding its creation, this book investigates the private life of an English icon. Concentrating on the Tower's developing role throughout the centuries, not in terms of its physical expansion into a site of unique architectural majesty or many purposes but through the eyes of those who experienced its darker side, it pieces together the, often seldom-told, human story and how the fates of many of those who stayed within its walls contributed to its lasting effect on England's - and later the UK's - destiny. From ruthless traitors to unjustly killed Jesuits, vanished treasures to disappeared princes and jaded wives to star-crossed lovers, this book provides a raw and at times unsettling insight into its unsolved mysteries and the lot of its unfortunate victims, thus explaining how this once typical castle came to be the place we will always remember as THE TOWER.

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In Improving Mental Health: Four Secrets in Plain Sight, Dr. Lloyd Sederer draws upon four decades of diverse clinical practice, mental health research and public health experience to create a memorable volume that is as elegant as it is instructive. The book aims to help clinicians improve the lives of their patients—and patients to improve their own lives—by identifying these secrets and taking action in ways that can work immediately, closing the science-to-practice gap. In addition to mental health and primary care clinicians, patients and their families will find the book's many stories, clinical examples and cultural references fascinating and illuminating. The book's four foundational truths, all hiding in plain sight and all eminently actionable, are • Behavior serves a purpose. The search for meaning and the identification and communication value of a behavior are too often overlooked aspects of mental health care and a lost opportunity with and for patients and their families. • The power of attachment. The force of attachment as a human need and drive must be harnessed if we are to change painful and problem behaviors. Relationships are the royal road to remedying human suffering—both individual and collective. • As a rule, less is more. Mental health treatments, both medical and psychosocial, have often been aggressive, from high doses of drugs to intensive sessions and psychic confrontation in individual and group psychotherapy. Unfortunately, these high risk efforts infrequently provide help and often have unwanted and problematic effects. Primum non nocere—first, do no harm—is the first law of medicine. • Chronic stress is the enemy. From adverse childhood experiences to posttraumatic stress, chronic stress can be an underlying factor in the development of many mental and physical disorders. However, chronic stress can be understood and contained, thereby reducing its damage. Dr. Sederer synthesizes the knowledge gained through his considerable experience as a psychiatrist with insights gleaned from history, research and literature to address the four truths in a systematic, yet lively, manner. The result is a book of rare grace. Improving Mental Health: Four Secrets in Plain Sight will be a touchstone for the clinician and general reader alike.

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When studying the planning behind the Combined Operations cross-Channel raids that harassed the Germans along the coast of Occupied France during the Second World War, one name appears repeatedly - that of Captain John Jock' Hughes-Hallett. Hughes-Hallett was Deputy Director of the Local Defence Division at the Admiralty in 1940 and 1941, before becoming Naval Adviser at Combined Operations Headquarters. Along with the head of Combined Operations, Lord Louis Mountbatten, Hughes-Hallett orchestrated the Commando raids from Norway to Normandy - attacks which tied down German troops far in excess of the numbers employed on the raids. Hughes-Hallett became Commodore commanding the Channel Assault Force (known as J' Force) and Naval Chief of Staff (X) from 1942 to 1943\. He is perhaps best known for being the Naval Commander of the Dieppe Raid of August 1942, and attack which, despite its disastrous outcome, led to one of the most important decisions regarding the D-Day landings of June 1944\. At a meeting following the Dieppe raid, Hughes-Hallett declared that if a port could not be captured, then one should be taken across the Channel. Although this was met with derision at the time, the concept of Mulberry Harbours began to take shape when Hughes-Hallett moved to be Naval Chief of Staff to the Operation Overlord planners. It was in the planning for D-Day that the then Commodore Hughes-Hallett's experience came to the fore. The ultimate success of that enormously complex operation owed much to his many years in Combined Operations. Hughes-Hallett retired from the Royal Navy with the rank of Vice Admiral, taking up a new career as Member of Parliament for Croydon East and then Croydon North East. It is remarkable that the Hughes-Hallett memoirs have not been published until now for, without doubt, they constitute one of the most important wartime autobiographies to presented to the world in recent decades.

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This innovative study reveals the creative world of a Native community. Once seminomadic hunters and gatherers who traveled by horse wagon, canoe, and dog sled, the Dene Tha of northern Canada today live in government-built homes in the settlement of Chateh. Their lives are a distinct blend of old and new, in which traditional forms of social control, healing, and praying entwine with services supplied by the Royal Canadian Mounted Police, a nursing station, and a Roman Catholic church. Many older cultural beliefs and practices remain: ghosts linger, reincarnating and sometimes causing deaths; past and future are interpreted through the Prophet Dance; “animal helpers” become lifelong companions and sources of power; and personal visions and experiences are considered the roots of true knowledge. Why and how are such striking beliefs and practices still vital to the Dene Tha? Drawing on extensive fieldwork at Chateh, anthropologist Jean-Guy Goulet delineates the interconnections between the strands of meaning and experience with which the Dene Tha constitute and creatively engage their world. Goulet’s insights into the Dene Tha’s ways of knowing were gained through directly experiencing their lifeway rather than through formal instruction. This experiential perspective makes his study especially illuminating, providing an intimate glimpse of a remarkable and enduring Native community.

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Since Paul Coreman's ground-breaking L'Agneau mystique au laboratoire in 1953, the Ghent Altarpiece, masterwork of the Van Eyck brothers, has been a major focus of research at the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels). Some sixty years later, in the wake of a new conservation campaign in which KIK-IRPA is again playing the leading role, the art of Hubert and Jan van Eyck took centre stage at the Symposium XVIII for the Study of Underdrawing and Technology in Painting (Brussels, 19-21 September 2012). The event was organised by the KIK-IRPA and the Centre for the Study of the Flemish Primitives in collaboration with the Laboratoire d'étude des ÷uvres d'art par des méthodes scientifiques (Université catholique de Louvain-la-Neuve), and Illuminare - Centre for the Study of Medieval Art (Katholieke Universiteit Leuven). The Ghent Altarpiece and the oeuvre of Jan van Eyck continue to captivate modern viewers and still arouse tremendous interest among art historians. The fascination with Eyckian art, with all its dazzling illusionistic effects and iconographic finesse, is every bit as fresh and challenging as it was six centuries ago. During three days of presentations and intense discussions, eminent specialists from all over the world attempted to fanthom the secrets of Van Eyck's success. They debated the issues from a variety of different standpoints, and shed new light on thorny topics such as attribution, iconography and painting technique. This book captures the variety of thirty-seven papers presented at the symposium and provides state-of-the-art knowledge on one of the most significant painters of all time. It should be read in conjunction with the widely acclaimed website "Closer to Van Eyck", which offers the scientific imagery of the Ghent Altarpiece in glorious high resolution.

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It was a long way from the gritty streets of Springfield Avenue on Chicago's West Side, and hawking stockings in the old Maxwell Street marketplace, to a position as sports columnist and feature writer for the New York Times, and a share in the Pulitzer Prize. But Ira Berkow made that improbable journey. In this joyful, moving, and often funny memoir, he describes how he climbed up to become not just a sportswriter but a writer. His early years were not exactly promising. For someone who suffered through poor grades in high school and flunked out of his first crack at college in his first semester, it was a revelation to discover as a junior in college that he had a passion for writing. He pursued it with determination and became one of America's most thoughtful writers on sports, a man interested as much in the people who play the games as in the scores and statistics. His father had not a little to do with forming Mr. Berkow's character and his concern for matters like truth and justice. But there were others who pitched in to help suggest a path for a young man who wasn't always sure what he wanted to do with his life. Like the great sports columnist Red Smith, a mentor who took the time to critique a young writer's efforts; and Red Holzman, the Hall of Fame coach of the New York Knicks, who inspired Mr. Berkow as well as his players. Add E. B. White, Muhammad Ali, Saul Bellow, Mike Royko, Ted Williams, P. G. Wodehouse, Michael Jordan—the cast of characters in Full Swing is as broad as Mr. Berkow's interests and as instructive as a day at training camp. This is a writer's memoir with the warts as well as the wows, and with all the intelligence and charm that readers of Mr. Berkow have grown accustomed to. With 12 black-and-white photographs.

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The book, the latest in a series of eight Battleground Europe books that deals with the BEF's campaign in France and Flanders in 1940, covers the fierce fighting around the Dunkerque Perimeter during May and June 1940 between the retreating British Expeditionary Force and its French allies and the advancing German army. It covers the area that most people in Britain associate with the fighting in France in 1940, a military disaster that could have been much worse. This grievous military setback was soon transformed into a morale boosting symbol of the resilience of the British against a Germany that had crushed so many nations in a matter of weeks. With over 200 black and white photographs and fourteen maps, this book looks in some detail at the units deployed around Dunkerque and Nieuport and their often desperate actions to prevent the inevitable advance of German forces opposing them. The evacuation of the BEF from the beaches east of Dunkerque is covered in detail from the perspective of the Royal Navy and from the standpoint of the soldier on the beaches. Unusual for a Battleground Europe publication is the inclusion of a walk and drive around Ramsgate and Dover, covering the English end of the evacuation. In addition to visits to the relevant cemeteries, the book includes three appendices and two car tours, one tour covering the whole of the Dunkirk perimeter and the other covering Ramsgate and Dover, although there is plenty of scope for walking in both tours. There is also a walk around De Panne, which takes the tourist along the beach that saw so much of the evacuation, and into the back areas of the town where the Germans left their mark when clearing up after the British had gone.

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A biography of Washington's most famous apartment complex -- the buildings with a thousand stories of the notables who have lived there From the day The Watergate officially opened in October 1965, living there meant being at the epicenter of politics and international intrigue. Virtually every major Washington figure in the 1960’s and 1970’s -- from J. Edgar Hoover to John and Martha Mitchell to Carl Bernstein and Bob Woodward-had a connection to the the building. In The Watergate, writer and political consultant Joseph Rodota skillfully weaves the stories of such insiders into a riveting narrative history of a building that was a central hub of Washington for more than a decade. Along the way, Rodota introduces us to the Watergate’s secret movers and shakers who made the Beltway tick. There’s Anna Chenault, who dated Tommy Corcoran, Washington’s first “super lobbyist,” and was known as Washington’s “Tiger Hostess” for the lavish dinners and cocktail parties she hosted in her Watergate penthouse. Walter Pforzheimer, one of the “founding fathers” of the CIA, kept two apartments at the Watergate, one for his collection of literature on spying, and the other to sleep in. He chose the building because its cement-and-steel construction meant the floor was strong enough to hold his safe, and was a ubiquitous, if enigmatic, presence at the complex. And during the Nixon-Watergate scandal, the irrepressible Martha Mitchell was actually living there! During the Clinton years, it was almost known as "little Little Rock." Through the stories of both Washington royalty, and these lesser-known yet fascinating residents, Rodota achieves a history of Washington through the chronicle of its best-known residential building.

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A legal document dated 1600, for a Star Chamber case titled Clifton versus Robinson, details how boys were abducted from London streets and forcibly held in order to train them as actors for the Blackfriars theatre. No adults were seen on-stage in this theatre, which was stocked solely by acting boys, resulting in a satirical and scurrilous method of play presentation. Were the boys specifically targeted for skills they may have possessed which would have been applicable to this type of play presentation? And, was this method of recruitment typical or atypical of Elizabethan theatre? Analysis of the background of the boy subjects of the legal case indicate that several had received grammar-school tuition and, as a result, would have possessed skills in oration and rhetoric. Indeed, a significant number of the grammar schools in London provided regular public disputations and theatrical performances which would have made these boys an attractive proposition for inclusion in a theatrical company. The styles of play-texts which the boys performed and their manner of presenting characters helps to assess why child acting companies were commercially viable and popular. Their portrayal of all roles in a performance; young and old, male and female, clearly demonstrated their versatility and skill in mimicry and the adoption of other personas. Therefore the taking of grammar-school boys for re-training as actors was not opportunistic; their abductions were planned. The theatre owners undertook this method of recruitment as they felt that they were immune from prosecution due to holding royal commissions which they used to recruit boys. However, the Clifton vs. Robinson case clearly demonstrates that a determined parent whose child had been taken could challenge this and demand reparation.

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Stratford developed at the lowest crossing point of the River Lea and was a strategic gateway to London. Part of the Essex parish of West Ham, its name, which derives from the Roman road to Colchester, was first mentioned shortly after the Norman Conquest. Domesday Book recorded nine water-mills and, more recently, the largest tithe-mill in Britain was built here in 1776, which happily survives to this day. The Abbey of Stratford Langthorne was founded in 1135, soon after the new Bow Bridge had been built, and it remained a wealthy institution until its dissolution in 1538.Throughout the Middle Ages, Stratford’s situation made it a trading place and a rural retreat for City merchants. Silk weaving and calico printing were the first industries to develop, together with the famous Bow porcelain works, but after the railway arrived in 1839, Hudson, ‘The Railway King’, turned Stratford into a major railway town. Meanwhile, on the marshy southern fringe fronting the Thames, ship-building and chemical works developed and the greatest industrial venture – the Royal Docks – were built, the largest in the country for many years. Stratford’s growth in the Victorian age was phenomenal; the population soared and social pressures mounted. The area became a cradle of the socialist and trade union movement.This splendidly illustrated book explores both the medieval background and the rich industrial and social heritage of Stratford in a fascinating narrative account, illuminated with a superb selection of carefully captioned old pictures. It will appeal to all who live or shop in the town and to everyone with an interest in the past of East London and the making of its present environment.

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Aled Jones, a choirboy with a remarkable voice, achieved more as a teenager than many adult singers do in a lifetime. His prodigious talent propelled him to international stardom; before he was 16, he had already sold more than 6 million records and had become a fixture on television and radio. He has worked alongside such musical greats as Leonard Bernstein, Andrew Lloyd Webber, Neville Marriner, Howard Blake and Mike Oldfield. Some of the high points of his early career included performances at the Hollywood Bowl and the wedding of Bob Geldof and Paula Yates, as well as singing privately for the Prince and the late Princess of Wales. Best known as a boy soprano for his hit 'Walking in the Air', Aled tells the full story of the effect it had on his life. Always refreshingly honest and self-effacing, Aled reveals how he faced up to life after his voice had broken and how he carved out a new career for himself on stage, record, television and radio. His story begins with his idyllic childhood on the Welsh island of Anglesey and his years as a chorister at Bangor Cathedral, during which his family provided wonderful support and encouragement as he rose to fame. He tells of his studies at the Royal Academy of Music and the Bristol Old Vic Theatre School. As an adult performer, Aled has released a series of best-selling albums. Today, he is most known for sitting alongside Lorraine Kelly as one half of the presenting partnership of ITV's breakfast programme Daybreak. He is a regular host of Songs of Praise and presents weekly radio programmes for Classic FM and BBC Radio Wales. Aled: My Story reveals the man behind the music in a frank, heart-warming and funny account of his life.

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Shortlisted for the Royal Society Science Book Prize 2021'To compare any book to a Sacks is unfair, but this one lives up to it . . . I finished it feeling thrillingly unsettled, and wishing there was more.' – James McConnachie, Sunday TimesIn Sweden, refugee children fall asleep for months and years at a time. In upstate New York, high school students develop contagious seizures. In the US Embassy in Cuba, employees complain of headaches and memory loss after hearing strange noises in the night.These disparate cases are some of the most remarkable diagnostic mysteries of the twenty-first century, as both doctors and scientists have struggled to explain them within the boundaries of medical science and – more crucially – to treat them. What unites them is that they are all examples of a particular type of psychosomatic illness: medical disorders that are influenced as much by the idiosyncratic aspects of individual cultures as they are by human biology.Inspired by a poignant encounter with the sleeping refugee children of Sweden, Wellcome Prize-winning neurologist Suzanne O’Sullivan travels the world to visit other communities who have also been subject to outbreaks of so-called ‘mystery’ illnesses.From a derelict post-Soviet mining town in Kazakhstan, to the Mosquito Coast of Nicaragua via an oil town in Texas, to the heart of the Maria Mountains in Colombia, O’Sullivan hears remarkable stories from a fascinating array of people, and attempts to unravel their complex meaning while asking the question: who gets to define what is and what isn’t an illness?Reminiscent of the work of Oliver Sacks, Stephen Grosz and Henry Marsh, The Sleeping Beauties is a moving and unforgettable scientific investigation with a very human face.'A study of diseases that we sometimes say are 'all in the mind', and an explanation of how unfair that characterisation is.' – Tom Whipple, The Times Books of the Year

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In early modern England, wood scarcity was a widespread concern. Royal officials, artisans, and common people expressed their fears in laws, petitions, and pamphlets, in which they debated the severity of the problem, speculated on its origins, and proposed solutions to it. No Wood, No Kingdom explores these conflicting attempts to understand the problem of scarcity and demonstrates how these ideas shaped land use, forestry, and the economic vision of England's earliest colonies. Popular accounts have often suggested that deforestation served as a "push" for English colonial expansion. Keith Pluymers shows that wood scarcity in England, rather than a problem of absolute supply and demand, resulted from social conflict over the right to define and regulate resources, difficulties obtaining accurate information, and competing visions for trade, forestry, and the English landscape. Domestic scarcity claims did encourage schemes to develop wood-dependent enterprises in the colonies, but in practice colonies competed with domestic enterprises rather than supplanting them. Moreover, close studies of colonial governments and the actions of individual landholders in Ireland, Virginia, Bermuda, and Barbados demonstrate that colonists experimented with different, often competing approaches to colonial woods and trees, including efforts to manage them as long-term resources, albeit ones that nonetheless brought significant transformations to the land. No Wood, No Kingdom explores the efforts to knot together woods around the Atlantic basin as resources for an English empire and the deep underlying conflicts and confusion that largely frustrated those plans. It speaks to historians of early modern Europe, early America, and the Atlantic World but also offers key insights on early modern resource politics, forest management, and political ecology of interest to readers in the environmental humanities and social sciences as well as those interested in colonialism or economic history.

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'Fascinating revelations' Max Hastings, Sunday Times'Wonderfully detailed and colourful' Steven Poole, Daily Telegraph'The book I have long been waiting for... Essential reading' Michael KlarePetroleum has always been used by humans: as an adhesive by Neanderthals, as a waterproofing agent in Noah's Ark and as a weapon during the Crusades. Its eventual extraction from the earth in vast quantities transformed light, heat and power. A Pipeline Runs Through It is a fresh, comprehensive in-depth look at the social, economic, political and geopolitical forces involved in our transition to the modern oil age. It tells an extraordinary origin story, from the pre-industrial history of petroleum through to large-scale production in the mid-nineteenth century and the development of a dominant, fully-fledged oil industry by the early twentieth century.This was always a story of imperialist violence, political disenfranchisement, economic exploitation and environmental destruction. The near total eradication of the Native Americans of New York, Pennsylvania and Ohio has barely been mentioned as a precondition for the emergence of the first industrialised oil region in the United States. Britain's invasion of Upper Burma in 1885 was perhaps the first war fought, at least in part, for access to oil; the growth of Royal Dutch-Shell involved the genocidal subjugation of people of the Dutch East Indies and the exploitation of oil in the Middle East arose seamlessly out of Britain's prior political and military interventions in the region.Finally, in an entirely new analysis, the book shows how the British navy's increasingly desperate dependence on vulnerable foreign sources of oil may have been a catalytic ingredient in the outbreak of the First World War. The rise of oil has shaped the modern world, and this is the book to understand it.

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Is administrative law unlawful? This provocative question has become all the more significant with the expansion of the modern administrative state. While the federal government traditionally could constrain liberty only through acts of Congress and the courts, the executive branch has increasingly come to control Americans through its own administrative rules and adjudication, thus raising disturbing questions about the effect of this sort of state power on American government and society. With Is Administrative Law Unlawful?, Philip Hamburger answers this question in the affirmative, offering a revisionist account of administrative law. Rather than accepting it as a novel power necessitated by modern society, he locates its origins in the medieval and early modern English tradition of royal prerogative. Then he traces resistance to administrative law from the Middle Ages to the present. Medieval parliaments periodically tried to confine the Crown to governing through regular law, but the most effective response was the seventeenth-century development of English constitutional law, which concluded that the government could rule only through the law of the land and the courts, not through administrative edicts. Although the US Constitution pursued this conclusion even more vigorously, administrative power reemerged in the Progressive and New Deal Eras. Since then, Hamburger argues, administrative law has returned American government and society to precisely the sort of consolidated or absolute power that the US Constitution-and constitutions in general-were designed to prevent. With a clear yet many-layered argument that draws on history, law, and legal thought, Is Administrative Law Unlawful? reveals administrative law to be not a benign, natural outgrowth of contemporary government but a pernicious-and profoundly unlawful-return to dangerous pre-constitutional absolutism.

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In London in 1770 Georg Christoph Lichtenberg (1742–1799) remarked, ‘What a work could be written on Shakespeare, Hogarth and Garrick! There is something similar in the genius of all three.’ Two-and-a-half centuries on, Robin Simon’s highly original and illuminating book takes up the challenge.William Hogarth (1697–1764) and David Garrick (1717–1779) closely associated themselves with Shakespeare, embodying a relationship between plays, painting and performance that had been understood since Antiquity and which shaped the rules for history painting drawn up by the Académie royale in Paris in the seventeenth century.History painting was considered the highest form of art: a picture illustrating a moment drawn from just a few lines in a revered text. Hogarth’s David Garrick as Richard III (1745) transformed those ideas because, although it looked like a history painting, it was also a portrait of an actor in performance. With it, Hogarth established the genre of theatrical portraiture, a new and distinctively British kind ofhistory painting.This book offers a fresh examination of theatrical portraits through close analysis of the pictures and of the texts used in performance. It also examines the central role of the theatre in British culture, while highlighting the significance of Shakespeare, Hogarth and Garrick in the European Enlightenment and the rise of Romanticism. In this context another trio of genius features prominently: Lichtenberg, GottholdEphraim Lessing and Denis Diderot.Familiar paintings and performances are seen in an entirely new light, while unfamiliar pictures are also introduced, including major paintings and drawings that have never been published.The final chapter shows that the inter-relationship between plays, painting and performance survived into the age of cinema, revealing the pictorial sources of Laurence Olivier’s legendary film Richard III.

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'The thinking man's action hero.' - The Times Magazine'Inspiring survival stories from Aldo Kane, the man behind Tom Hardy, Bear Grylls and Steve Backshall expeditions.' - Trail MagazineTrained Royal Marines Sniper, world record breaker and extreme TV adventurer, Aldo Kane is known for his ability to navigate and lead through challenging and pressured environments, whether it be abseiling into an erupting volcano in the Democratic Republic of Congo, rowing the Atlantic, getting locked in a bunker for 10 days with zero daylight, leading Steve Backshall into the jungle or being held at gunpoint...In his debut book, Lessons From The Edge, Aldo will inspire readers with his jaw-dropping stories and show them how to survive and thrive through sheer strength of mind and sharp decision-making. It will reveal how this tough military man was able to cope with suddenly feeling worthless, how he overcame doors literally slamming in his face, how he came to realise that you can't wait for things to happen and instead how he rediscovered his identity and harnessed his emotions to his advantage to find determination, purpose, and a renewed sense of belonging. And how, to use his own words, he became the captain of his own ship.Aldo is a firm believer that with the right head game, however hard it feels, you can get through anything life throws at you. Lessons From The Edge will inspire readers to find the spirit to do the things in life they've previously been too scared to tackle, build the courage to know that failure isn't the end, and the knowledge that the impossible can be made possible.Aldo is currently co-presenting The Bridge on Channel 4.

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THE NEW YORK TIMES BESTSELLER 'Superb, enthralling and necessarily terrifying . . . every step feels spring-loaded with tension... extraordinary.' The New York TimesThe story of Chernobyl is more complex, more human, and more terrifying than the Soviet myth. Adam Higginbotham has written a harrowing and compelling narrative which brings the 1986 disaster to life through the eyes of the men and women who witnessed it first-hand. Drawing on hundreds of hours of interviews conducted over the course of more than ten years, as well as letters, unpublished memoirs, and documents from recently-declassified archives, this book makes for a masterful non-fiction thriller.Chernobyl has become lodged in the collective nightmares of the world: shorthand for the spectral horrors of radiation poisoning, for a dangerous technology slipping its leash, for ecological fragility, and for what can happen when a dishonest and careless state endangers not only its own citizens, but all of humanity. It is a story that has long remained in dispute, clouded from the beginning in secrecy, propaganda, and misinformation.Midnight In Chernobyl is an indelible portrait of history's worst nuclear disaster, of human resilience and ingenuity and the lessons learned when mankind seeks to bend the natural world to his will - lessons which, in the face of climate change and other threats - remain not just vital but necessary.Now, Higginbotham brings us closer to the truth behind this colossal tragedy.'Tells the story of the disaster and its gruesome aftermath with thriller-like flair . . . wonderful and chilling ... written with skill and passion.' The Observer'An invaluable contribution to history.' Serhii Plokhy, Evening StandardLONGLISTED FOR THE ROYAL SOCIETY OF LITERATURE ONDAATJE PRIZE 2020

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Admiral John Benbow was an English naval hero, a fighting sailor of ruthless methods but indomitable courage. Benbow was a man to be reckoned with. In 1702, however, when Benbow engaged a French squadron off the Spanish main, other ships in his squadron failed to support him. His leg shattered by a cannon-ball, Benbow fought on - but to no avail: the French escaped and the stricken Benbow succumbed to his wounds. When the story of his 'Last Fight' reached England, there was an outcry. Two of the captains who had abandoned him were court-martialled and shot; 'Brave Benbow' was elevated from national hero to national legend, his valour immortalized in broadsheet and folksong: ships were named after him; Tennyson later feted him in verse; in Robert Louis Stevenson's Treasure Island, the tavern where Jim Hawkins and his mother live is called 'The Admiral Benbow'. For the very first time, Sam Willis tells the extraordinary story of Admiral Benbow through an age of dramatic change, from his birth under Cromwell's Commonwealth; to service under the restored Stuart monarchy; to the Glorious Revolution of 1688; to the French wars of Louis XIV; and finally to the bitter betrayal of 1702. The Admiral Benbow covers all aspects of seventeenth century naval life in richly vivid detail, from strategy and tactics to health and discipline. But Benbow also worked in the Royal Dockyards, lived in Samuel Evelyn's House, knew Peter the Great, helped to found the first naval hospital, and helped to build the first offshore lighthouse. The second volume in the Hearts of Oak trilogy, from one of Britain's most exciting young historians, The Admiral Benbow is a gripping and detailed account of the making of a naval legend.

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A heartwarming and hilarious YA rom-com about a trans boy who concocts the perfect plan to ensure his new school sees his true gender, by joining the secret 'Borrow a Boyfriend Club.' The first rule: don't fall in love. Perfect for fans of Only Mostly Devastated and Red White and Royal Blue.Need a prom date? Want to impress your friends? Or make your ex jealous? Just call ...THE BORROW A BOYFRIEND CLUBWhen sixteen-year-old Noah starts at a new school, he has a plan to ensure the students see him as his true gender: join the school's secretive Borrow a Boyfriend Club, where members rent themselves out to their classmates for dates. The endless "accidental slip-ups" that plagued him at his last school will be a thing of the past once he joins the club; after all, it has "boy" right in the title. But he fails the audition. Desperate, he strikes a deal with the club's prickly president, Asher: he'll help lead the nearly-bankrupt club to victory at the school's fundraising dance competition, and in exchange Asher will allow Noah to prove his skills as a boyfriend in a series of tests that include romancing Asher himself. As Noah passes test after test, his fake romance with Asher starts to feel surprisingly real, and Noah is faced with a dilemma. If he fails to win the dance fundraiser the club will go bankrupt, and he'll not only lose the new friends he's made - the whole school will know he isn't "boy enough". But if Noah succeeds in securing the club their victory, he'll have to follow the most important, unbreakable rule of the Borrow a Boyfriend Club: no real girlfriends (or boyfriends) allowed.Will Noah risk breaking the rules for a chance at love?

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Carolyn Jones's vivid and life-affirming portraits capture people from all backgrounds—children and grandmothers, men and women of all races—living with HIV and AIDS. It is estimated that over one million people in the United States would test positive for the Human Immune Virus, and many others are already suffering from Acquired Immune Deficiency Syndrome. A common-and harmful-misconception holds that AIDS is an instant death sentence but, in fact, testing positive for HIV does not mean immediate illness. Carolyn Jones has collaborated with George DeSipio, Jr., and Michael Liberatore (co-founders of the project), and the seventy-three people who volunteered to pose for these photographs in an inspiring effort to change the way we think about AIDS. Jones's compelling portraits have the power to profoundly alter perceptions about this disease, and about the way we all live and die. AIDS poses challenging questions that we must each grapple with, whether healthy or not. These captivating pictures illustrate the self-confidence and wisdom of ordinary people coping with an extraordinary fate, facing their mortality, questioning their priorities, and living life to the fullest. Their energy, courage, and dignity in the face of such adversity offer a vital lesson in how to embrace life, day by day. Their faces and their stories are proof that AIDS doesn't look like anyone—it looks like, and ultimately is, all of us. Design Industries Foundation for AIDS (DIFFA) is the sole recipient of the royalties from the sale of Living Proof. For additional information regarding Living Proof and the Design Industries Foundation for AIDS, please call DIFFA: (212) 727-3100.

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TELEGRAPH 50 BEST BOOKS OF 2022'A sparkling biography of a fascinating woman' - Lynn Barber, Telegraph *****'Gaudoin's book is revealing and hugely entertaining. Highly recommended.' - Daily Mail'Gaudoin tells these delicious stories with brio' - Sunday TimesDebutante of the year. Able politician. Femme fatale. Just some of the many labels attached to the irrepressible, controversial Raine Spencer: Countess, socialite and stepmother to Diana, Princess of Wales. But who was the real Raine? What was hidden behind the immaculately manicured public façade and her overwhelmingly negative tabloid image? From her childhood days as daughter of romantic novelist powerhouse, Barbara Cartland, to Westminster councillor and wife of Earl Spencer, Three Times a Countess recounts Raine's compelling and glamorous life, revealing her to be a powerful, accomplished woman who, after a tumultuous relationship, reconciled with Diana to become the Princess's closest confidante and a key witness at the inquest into her death. To her friends, Raine was shrewd, intelligent, witty and loyal; to her enemies, pushy, overly flamboyant and ruthless. From a career spanning local politics to dealing with the fortunes of Althorp; from taking on the Spencer family estate to her final role as a board member at Harrods, Raine's life was, by any standards, a success . Yet she could not sway the powerful media narrative which pitted her as 'the evil stepmother' at every turn. A societal whirl of London Seasons, family feuds, politics, pomp and 'big hair', Gaudoin's vibrant history of the Countess sets the record straight once and for all, drawing insight from those who knew Raine most. Three Times a Countess reveals a sophisticated, determined woman whose loyalty knew no bounds and whose cache of secrets would have worried even the most upright of royals.

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Horses are very rare in Africa. The few to be found west of Sudan, from the lands of the Sahara and Sahel down to the fringes of the tropical forests, belong to the king, the chief warrior and to notable persons. Due to the dense humidity of the tropical rainforest and the deadly tsetse fly, only restricted numbers of horses survive. And yet rider and mount sculptures are common among the Dogon, Djenne, Bamana, Senufo and the Yoruba people. The Akan-Asante people of Ghana and the Kotoko of Chad produced a good deal of small casting brass and bronze sculptures. Some of the artists could barely even have caught a glimpse of a horse. This visually stunning book presents a wealth of African art depicting the horse and its rider in a variety of guises, from Epa masks and Yoruba divination cups to Dogon sculptures and Senufo carvings. In Mali, the Bamana, Boso and Somono ethnic groups still celebrate the festivals of the puppet masquerade. The final chapter of this book is dedicated to the art and cult of these festivals, which are still alive and well. It is not the habit of the African artist to provide intellectual statements for his work, yet his unique creative dynamic and far-searching vision does not conflict with that of his Western counterpart. It is fair to state that the African, who though not educated in Western art history, contributed his fair share to the shaping of modern art. Features works from museums in both Africa and Europe, including the Musée Royal de L'Afrique Central, Tervuren in Belgium; Afrika Museum, Berg en Dal, Netherlands; Musée du quai Branly, Paris; Museum Rietberg, Zurich; The British Museum, London; Museu National de Antologia, Lisbon and National Museum, Lagos, Nigeria.

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Captain Robert Falcon Scott CVO (6 June 1868 29 March 1912) was a Royal Navy officer and explorer who led two expeditions to the Antarctic regions. During the second venture, Scott led a party of five which reached the South Pole on 17 January 1912, only to find that they had been preceded by Roald Amundsen's Norwegian expedition. On their return journey, Scott and his four comrades all perished from a combination of exhaustion, starvation and extreme cold. Before his appointment to lead the Discovery Expedition, Scott had followed the conventional career of a naval officer in peacetime Victorian Britain, where opportunities for career advancement were both limited and keenly sought after by ambitious officers. It was the chance for personal distinction that led Scott to apply for the Discovery command, rather than any predilection for polar exploration. However, having taken this step, his name became inseparably associated with the Antarctic, the field of work to which he remained committed during the final twelve years of his life. Following the news of his death, Scott became an iconic British hero, a status maintained and reflected today by the many permanent memorials erected across the nation. Sue Blackhall reassesses his life and the causes of the disaster that ended his and his comrades' lives, and the extent of Scott's personal culpability. From a previously unassailable position, Scott has became a figure of controversy, with questions raised about his competence and character. However, more recent research has on the whole regarded Scott more positively, emphasising his personal bravery and stoicism while acknowledging his errors, but ascribing his expedition's fate primarily to misfortune.

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Exquisite and sumptuous, immaculately tailored, dignified and, above all, practical. The wardrobe of Queen Elizabeth II was as distinctive in style as her position in the world was unique. This remarkable book is a fond reflection of the days when her Majesty led the field in fashion, showcasing some of the world's best designers. At every appearance, as the world looked on, the impeccable outfits of Queen Elizabeth II were at the centre of keen discussion and debate. This sartorial biography celebrates Her Majesty as a much-loved and timeless style icon. Showcasing the best of the world’s designers, including Norman Hartnell, Hardy Amies and Ian Thomas, it also tells us much about the many years in which she reigned. Journey through the decades to discover classic designs with nipped-in waists and full skirts, strong tailored silhouettes, as well rather more relaxed styles from the 70s, all worn by Her Majesty, who always dressed with poise and diplomacy for the world stage. Princess Elizabeth was the leading style influencer of her day. Young and beautiful (and a real princess), she represented postwar optimism and renewal, both personal and cultural. She had a wardrobe most could only dream of, custom-made in the finest fabrics. From practical clothes for her beloved outdoor pursuits to exquisite and sumptuous gowns, her personal style reflected cultural and social changes over nine decades and reveals a rare understanding of the value of impeccable dressing. In our current era of casual clothing for nearly every occasion, the Queen's formal attire signalled respect for those she was visiting. With stunning formal portraits and candid photography, discover the careful work that underpinned the royal wardrobe and celebrate Her Majesty The Queen’s enduring legacy.

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In 1991, Gerald Ratner made a landmark speech to the Institute of Directors After over 25 years in the jewellery trade, Gerald Ratner was one of the most well-known and successful retailers of his generation. He had built up a highly profitable, multi-million pound international business, including household names like Ratners, H Samuel, Ernest Jones, Watches of Switzerland, as well as over one thousand stores in the US. Being asked to give the keynote address at the Institute of Directors' annual conference at The Royal Albert Hall was a great honour and should have been the crowning glory on two decades of empire building. Gerald's speech was seized upon by the media after he included jokes about the quality of some of the shops' products. But the far-reaching impact that these jokes would have no one could have predicted. "Even though I had once had my name above hundreds of shops up and down the country, it had become more famous as a byword for crap. It took several years to realise just what an impact the speech had had on every aspect of my life." Press coverage of hardback version: "... a rollicking good read" —Michael Skapinker, The FT "Most business autobiographies are so overlaid with ghost-writerly blandness that the character of the subject is lost. Mr Ratner had help with this one, but fortunately he is still there: obsessive, funny and a bit of a scoundrel - the last mitigated by how well he knows it." —The FT "self-effacing, revealing and human" —Luke Johnson, FT Business Life "A few ill-chosen words to a well-heeled audience 16 years ago reduced Britain's biggest jeweller to poverty. Now he reveals how he bounced back" —Jewish Chronicle "...contains lessons for us all" —Management Today "...worth its weight in gold" —The Independent Amazon reviews "Everyone knows the story of Gerald's rise and fall - what an amazing story and well worth reading.... I couldn't put it down, totally gripping and inspiring stuff, you really couldn't see this coming from such an energetic, passionate man" "I have read many bio's from business leaders and most are boring 'how to get rich' or 'let me tell you a long list of not very interesting stories with all the good bits missed out'. Gerald's book is very different it is a great read, I could not put it down" "Sobering and enlightening at the same time. A great read and a morality tale of our time."

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Since it was first published in 2006, Riches, Rivals and Radicals has been the go-to text for introductory museum studies courses. It is also of great value to professionals as well as museum lovers who want to learn the stories behind how and why these institutions have evolved since the day the first mastodon bones, royal portraits and botanical specimens entered their dusty halls. For this third edition, Marjorie Schwarzer has mined new resources, previously unavailable archives and contemporary trends to provide a fresh look at the challenges and innovations that have shaped museums in the United States. Schwarzer argues that museums are fundamentally optimistic institutions. They build and preserve some of the nation’s most extraordinary architecture. They showcase the beauty and promise of new scientific discoveries, historical breakthroughs and artistic creation. They provide places of inspiration and repose. At the same time, museums have succeeded in exposing some of the nation’s most painful legacies – racism, inequity, violence – as they strive to be places for healing and reckoning. This too, one could argue, is an act of optimism, for it expresses the hope that museum visitors will gain empathy and understanding from the evidence of others’ struggles. Schwarzer shows us how museums are rooted in a contentious history tied to social, technological and economic trends and ultimately changing ideas of what it means to be a citizen. Along the way we meet some notorious and eccentric characters including business tycoons, architects, collectors, designers, politicians, political activists and progressive educators, all of whom have exerted their influence on what is a complex yet nonetheless enduring institution. Major additions since the last edition include material on digital curation, emergent exhibitions about civil rights, immersive museum environments, continuing efforts to diversify the field, how museums' role in our increasingly digital society, and a new foreword by American Alliance of Museums President and CEO Laura L. Lott.Museums new to this edition include the National Museum of African American History and Culture, the National Memorial for Peace and Justice, and the 9/11 Memorial and Museum.Beautifully written and lavishly illustrated, the third edition of this accessible, award-winning book brings the reader up to date on the stories behind the people and events that have transformed America’s museums from their beginnings into today’s vibrant cultural institutions.

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The Grimaldis of Monaco tells in full the remarkable history of the world’s oldest reigning dynasty. For nearly eight hundred years, from the elegant Genoese Rainier I to the current Prince Albert II, the Grimaldis—“an ambitious, hot-blooded, unscrupulous race, swift to revenge and furious in battle”—have ruled Monaco. Against all odds, they have proved themselves masterful survivors, still in possession of their lands and titles despite the upheavals of the French Revolution and the First and Second World Wars, when royal heads rolled and most small countries met their demise. With insufficient weaponry and military forces far too small to go into combat against their more powerful neighbors, France and Italy, the Grimaldis endured by their cunning and their shrewd choice of brides—rich women and high connections in the most influential courts of Europe, and often, strong sexual appetites. The French nobleman’s daughter who married Louis I later became the mistress of France Louis XIV. Her son, Antoine I was wed to an aristocratic wife who outdid her mother-in-law by having so many lovers her husband took to hanging them in effigy. The seafaring adventurer Prince Albert I was unfortunate enough to have two wives, one British, one American, who ran off with their lovers. His second wife, the American Alice Heine, a fabulously rich heiress from New Orleans and the widowed Duchesse de Richelieu, was the model for Proust’s Princess of Luxembourg. Heine used her own wealth to bring grandeur, culture, and sophistication to the palatial center of Monte Carlo; and with the introduction of gambling, an internationally celebrated resort was born, initially for the privileged few and later for raffish café society, The last section of the book is devoted to the most recent generations of the Grimaldis. Here, a new image of Rainier III emerges as both man and monarch, beginning with his blighted childhood as the son of divorced parents and of a mother scorned as illegitimate. And preceding the drama of his marriage to Grace Kelly, there is an account of his intense love affair with a French film start and reasons behind his sister’s lifelong malice and envy of him. The final note is necessarily tragic, detailing in full the deaths of both Princess Grace and Princess Caroline’s husband in sudden and shocking accidents

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The Deadly Trade takes readers on an epic and enthralling voyage through submarine warfare, including how U-boats in two world wars tried to achieve victory, first for the Kaiser and then 20 years later for Adolf Hitler. It tells the story of how such tiny craft took on mighty battleships, including U-boats sinking HMS Royal Oak and HMS Barham in WW2, along with the incredible exploits of British submariners in the Dardanelles and Baltic during WW1.The action-packed narrative includes bitterly contested Atlantic convoy fights of WW2 and submarines in the clash of battle fleets at Midway. Iain Ballantyne also reveals how the US Navy submarine service brought the Japanese empire to its knees in 1945, even before the atomic bombs were dropped. The Deadly Trade tells the amazing stories of not only pioneers such as Drebbel, Fulton and Holland, but also of legendary submarine captains, including Max Horton and Otto Weddigen in WW1. During WW2 we sail to war with Otto Kretschmer, Gunther Prien, Fritz-Julius Lemp, Malcolm Wanklyn, Dudley Morton, Richard O'Kane and Sam Dealey. We get involved in the famous fights of Britain's ace submarine-killing escort group leaders Frederic 'Johnny' Walker, Donald Macintyre and Peter Gretton. There is a dive into unconventional submarine warfare, including Japanese midget subs in the notorious Pearl Harbor raid plus British X-craft against the Tirpitz in Arctic waters. Iain Ballantyne plunges readers into famous Enigma machine captures that played a key role in deciding the outcome of WW2. He explains what the Nazis were up to at the end of WW2, pursuing Total Underwater Warfare, partly via the revolutionary Type XXI U-boat. Ballantyne reveals the incredible story of a proposed cruise missile attack on New York and considers the likelihood (or otherwise) of Hitler escaping to South America in a U-boat. The Deadly Trade takes us into the post-WW2 face-off between the Soviets and NATO, the sinking of the Indian frigate INS Khukri by Pakistan's PNS Hangor and attack on the Argentine cruiser ARA Belgrano by HMS Conqueror. The Deadly Trade concludes with today's growing submarine arms race and Putin's 'missile boat diplomacy' along with the use of cruise missiles by the British and Americans to try and decapitate rogue regimes. The Deadly Trade is the perfect companion to Hunter Killers, Iain Ballantyne's real-life Cold War submarine thriller.

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This handbook is based on the decades of knowledge and ­experience of the world-famous Bircher-Benner Clinic, todays Medical Centre Bircher-Benner, a cutting-edge medical healing center. This book is a huge help for you as a patient to assist you on the road to recovery and to prevent illness. It enables you to understand the scientific basics and causes of your illness and gives valuable direction on nutrition, nursing and physical treatments. The book explains nutrition in interconnected levels, is ready to use practically and is supplemented by a wide variety of tested good-tasting nutritional recipes by the Bircher-Benner Clinic. For physicians, this book is a great time-saver and a valuable aid in guiding their patients. Table of contents Introduction, Two Kinds of Food Energy, The New Order of Foods according to their Qualitative Nutritional Value, The Basic System of Soft Connective Tissue, the Origin of Chronic Diseases, The Experiment at the Royal Free Hospital, London, A few Additional Examples of Scientific Studies on the Effect of the Raw Vegetable Food Therapy, Secondary Plant Substances, Medical Effect of Vegetable Foods, On Raw-Food Therapy to Prevent and Fight Cancer, On Dietetic Raw- Food Therapy for Degenerative Complaints (Antioxidation) On Raw-Food Therapy for Danger of Thrombosis and Embolism, Special Features of Raw Food Therapy for Hypertension, Special Feature of Raw-Food Therapy for Reduction of Cholesterol Levels, On raw food therapy for diabetes mellitus, on raw-food therapy for infectious diseases (antimicrobial effect), On raw-food therapy for a weak immune system and susceptibility to infection, The Indication for the Fresh-Vegetable Diet,(Raw-Food-Diet) The Fresh Raw Fruit and Vegetable Diet, Stage-1-Diet, Stage-2-Diet, Forms of the Fresh-Vegetable Diet, Reactions to the Change to the Fresh-Vegetable Diet and Their Treatment, Additional General Recommendations for the Fresh Vegetable and Juice Diet, The New Balance, The Rejuvenating Effect of Fresh Raw Vegetable Food, The Right Starting Dose, The Subject of" Raw-Food Intolerance", Recommendations for lab examinations for the attending physician, Preparation and Cleaning of Raw Vegetables, Composition of Raw Vegetables, Adjustment to Taste and Chewing Ability, Cleaning of Raw Vegetables, From the Bircher Grater to The Electric Blender, Menu, Menu Combinations for Different Types of Raw Vegetable Diets, The Recipes Birchermuesli, Fruit-and-Fresh Grain Dishes, Fruit Dishes, Juices, Milk Types, Dressings for Raw Vegetables, Salads, Healthful Teas, List of recipes, Bibliography, Index TABLE OF CONTENTS Two Kinds of Food Energy The New Order of Foods according to their Qualitative Nutritional Value The Basic System of Soft Connective Tissue, the Origin of Chronic Diseases The Experiment at the Royal Free Hospital, London A Few Additional Examples of Scientific Studies on the Effect of the Raw Vegetable Food Therapy Secondary Plant Substances, Medical Effect of Vegetable Foods On Raw-Food Therapy to Prevent and Fight Cancer On Dietetic Raw-Food Therapy for Degenerative Complaints (Antioxidation) On Raw-Food Therapy for Danger of Thrombosis and Embolism Special Features of Raw Food Therapy for Hypertension Special Features of Raw-Food Therapy for Reduction of Cholesterol Levels On raw food therapy for diabetes mellitus On raw food therapy for infectious diseases (antimicrobial effect) On raw-food therapy for a weak immune system and susceptibility to infection. The Indication for the Fresh-Vegetable Diet (Raw-Food Diet) The Fresh Raw Fruit and Vegetable Diet Stage-1 Diet Stage-2 Diet Forms of the Fresh-Vegetable Diet Reactions to the Change to the Fresh-Vegetable Diet and Their Treatment Additional General Recommendations for the Fresh Vegetable and Juice Diet The New Balance The Rejuvenating Effect of Fresh Raw Vegetable Food The Right Starting Dose The Subject of Raw-Food Intolerance Recommendations for lab examinations for the attending physician Preparation and Cleaning of Raw Vegetables Composition of Raw Vegetables Adjustment to Taste and Chewing Ability Cleaning of Raw Vegetables From the Bircher Grater to the Electric Blender Menu Menu Combinations for Different types of Raw Vegetable Diets The Recipes Birchermuesli Fruit-an-Fresh-Grain Dishes Fruit Dishes Juices Milk Types Dressings for Raw Vegetables Salads Healthful Teas List of recipes Bibliography

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"A beguiling tale of espionage and double-dealing in the years leading up to World War II. ... Strap in for a narrative that demands a suspension of disbelief—and richly rewards it." —Kirkus Reviews (starred review); Best Books of February SelectionThe untold story of the World War I hero who became a fixture of high society in Golden Age Hollywood—all while acting as a double agent for the Japanese Empire as it prepared to attack Pearl HarborFrederick Rutland’s story is a rags-to-riches coup for the ages—a lower-class boy from England bootstraps his way up the ranks of the British military, becoming a World War I pilot, father of the modern aircraft carrier, cosmopolitan businessman, and Hollywood A-list insider. He oversaw this small empire from his mansion on the fabled Bird Streets of Beverly Hills. Snubbed for promotion in the Royal Air Force due to little more than jealousy and class politics, Rutland—to all appearances—continued to spin gold from straw, living an enviably lavish lifestyle that included butlers, wild parties, private clubs, and newswor­thy living . . .. . . and it was all funded by the Japanese Empire.Beverly Hills Spy reveals the story of Rutland’s life of espi­onage on behalf of the Axis, selling secrets about fleet and aircraft design to the Japanese Imperial Navy that would be instrumental in its ability to attack Pearl Harbor, while col­lecting a salary ten times larger than the best-paid Japanese admirals. Based on recently declassified FBI files and until-now untranslated documents from Japanese intelligence, Ronald Drabkin brings the scope of this unforgettable tale into full focus for the first time. Rutland hides in plain sight, rubbing elbows with Amelia Earhart and hosting galas and fundraisers with superstars like Charlie Chaplin and Boris Karloff, while simultaneously passing information to Japan through spy networks across North and Central America. Countless opportunities to catch Rutland in the act are squandered by the FBI, British Intelligence, and US Naval Intelligence alike as he uses his cunning and charm to mis­direct and cast shadows of doubt over his business dealings, allowing him to operate largely unfettered for years.In the end, whether he fully intends to or not, Rutland sets in motion world events that are so monumental, their consequences are still being felt today.Beverly Hills Spy is a masterpiece of research on spy craft, a shocking narrative about an unknown but pivotal figure in history, and brings new information to light that helps us understand how Pearl Harbor happened—and how it could have been prevented.

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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY JANET MASLIN, THE NEW YORK TIMES'Victoria the Queen, Julia Baird's exquisitely wrought and meticulously researched biography, brushes the dusty myth off this extraordinary monarch' The New York Times Book Review (Editor's Choice).The true story for fans of the hit ITV drama series Victoria starring Jenna Coleman, this page-turning biography reveals the real woman behind the myth: a bold, glamorous, unbreakable queen. Drawing on previously unpublished papers, this stunning book is a story of love and heartbreak, of devotion and grief, of strength and resilience.When Victoria was born, in 1819, the world was a very different place. Revolution would begin to threaten many of Europe's monarchies in the coming decades. In Britain, a generation of royals had indulged their whims at the public's expense, and republican sentiment was growing. The Industrial Revolution was transforming the landscape, and the British Empire was commanding ever larger parts of the globe. Born into a world where woman were often powerless, during a century roiling with change, Victoria went on to rule the most powerful country on earth with a decisive hand.Fifth in line to the throne at the time of her birth, Victoria was an ordinary woman thrust into an extraordinary role. As a girl, she defied her mother's meddling and an adviser's bullying, forging an iron will of her own. As a teenage queen, she eagerly grasped the crown and relished the freedom it brought her. At twenty years old, she fell passionately in love with Prince Albert of Saxe-Coburg and Gotha, eventually giving birth to nine children. She loved sex and delighted in power. She was outspoken with her ministers, overstepping boundaries and asserting her opinions. After the death of her adored Albert, she began a controversial, intimate relationship with her servant John Brown. She survived eight assassination attempts over the course of her lifetime. And as science, technology, and democracy were dramatically reshaping the world, Victoria was a symbol of steadfastness and security-queen of a quarter of the world's population at the height of the British Empire's reach.Drawing on sources that include revelations about Victoria's relationship with John Brown, Julia Baird brings vividly to life the fascinating story of a woman who struggled with so many of the things we do today: balancing work and family, raising children, navigating marital strife, losing parents, combating anxiety and self-doubt, finding an identity, searching for meaning. This sweeping, page-turning biography gives us the real woman behind the myth.

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A Times Book of the Year 2019'You should not deny yourself the pleasure of reading it' Sunday Times'A remarkable work and an important addition to the extraordinary wartime history of literary London' Literary ReviewWho were the Lost Girls? At least a dozen or so young women at large in Blitz-era London have a claim to this title. But Lost Girls concentrates on just four: Lys Lubbock, Sonia Brownell, Barbara Skelton and Janetta Parlade. Chic, glamorous and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, they cut a swathe through English literary and artistic life in the 1940s. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became the mistress of the King of Egypt and was flogged by him on the steps of the Royal Palace. And all of them were associated with the decade's most celebrated literary magazine, Horizon, and its charismatic editor Cyril Connolly. Lys, Sonia, Barbara and Janetta had very different - and sometimes explosive personalities - but taken together they form a distinctive part of the war-time demographic: bright, beautiful, independent-minded women with tough upbringings behind them determined to make the most of their lives in a highly uncertain environment. Theirs was the world of the buzz bomb, the cocktail party behind blackout curtains, the severed hand seen on the pavement in the Bloomsbury square, the rustle of a telegram falling through the letter-box, the hasty farewell to another half who might not ever come back, a world of living for the moment and snatching at pleasure before it disappeared. But if their trail runs through vast acreages of war-time cultural life then, in the end, it returns to Connolly and his amorous web-spinning, in which all four of them regularly featured and which sometimes complicated their emotional lives to the point of meltdown.The Lost Girls were the product of a highly artificial environment. After it came to an end - on Horizon's closure in 1950 - their careers wound on. Later they would have affairs with dukes, feature in celebrity divorce cases and make appearances in the novels of George Orwell, Evelyn Waugh, Anthony Powell and Nancy Mitford. The last of them - Janetta - died as recently as three months ago. However tiny their number, they are a genuine missing link between the first wave of newly-liberated young women of the post-Great War era and the Dionysiac free-for-all of the 1960s. Hectic, passionate and at times unexpectedly poignant, this is their story.

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The specialty of plastic surgery was developed and named by Sir Harold Gillies following his work between the two world wars reconstructing severely damaged servicemen from the First World. War. Sir Harold went on to inspire and train other surgeons from around the world. Among them was his cousin Sir Archibald McIndoe, who in the Second World War set up the unit at East Grinstead Hospital which looked after severely burned airmen and some other servicemen. The airmen themselves set up the famous Guinea Pig Club which gave enormous social and often financial support to the severely injured. After the Second World War specialised burn units were created throughout the UK, including one at Stoke Mandeville Hospital, where Anthony Roberts served. After the number of war injuries had reduced, the burn unit for all three services was set up at RAF Halton, a few miles from Stoke Mandeville. A close relationship between the hospitals developed which led to military surgeons being posted to Stoke Mandeville for training in the care of burns and an introduction to plastic surgery. Most doctors will never be involved in a disaster during their working lives. Anthony Roberts was involved in treating casualties from the Bradford City football stadium fire in 1985 that claimed 56 lives and resulted in hundreds more being injured, many of them with severe burns. It had a major effect on him, and on all those involved. It started his appearances on the media and his overseas visits to other countries to talk about it. And subsequently he was asked to join and to lead other international efforts to provide help. He led the first British team from Stoke Mandeville that gave aid in Sarajevo during the war. He returned several times and has also given aid in three other war zones and six major disasters. Because of this involvement in all these situations Professor Roberts taught junior trainee surgeons from the three British services and those of several foreign countries. As well as his military involvement, Anthony Roberts spent sixteen years working with the Royal Protection Group at State occasions, and thirty years working as a motor racing track doctor including at Formula One level, providing immediate and vital treatment to drivers who suffered serious injuries and burns following accidents on the track and to spectators. There have been enormous changes in the specialty over the past fifty years and a detailed view of these is given in an absorbing account of this life-enhancing surgery by one who served on the frontline in difficult and dangerous situations around the world.

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At a time when state assistance to the arts sector has come under considerable scrutiny both in Europe and the United States, this book comprehensively examines the evolution of, and rationale for, state involvement with the so-called 'high' arts on both continents. This book offers an overview of the key economic issues arising in relation to the state and the arts in these regions, with a detailed analysis of the European and American models of state assistance to the high arts sector.John O'Hagan examines in detail the various channels - regulation, taxation and direct expenditure - through which the state interacts with the arts and compares and contrasts the experiences of America and Europe. Regulatory measures considered include the guarantee of artistic freedom, copyright, resale royalties for artists, and trade restrictions. He also considers taxation measures to support the arts, including deductions for charitable contributions to the arts, property tax exemption, and relief on artists' income. The discussion on direct expenditure covers state ownership of institutions, revenue funding and matching grants as well as new avenues of expenditure such as community arts/arts centres, and new revenue sources for this expenditure, such as lottery funding. Finally the book covers the non-profit making arts sector, and examines why it, and not the commercial sector, receives private and state funding.The State and the Arts will be indispensable for students and academics of public and social policy, cultural economics and public management. It will also be of considerable interest to policymakers and key players in the arts sector.

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