Search results for ""arcadia""

In this book, Emily Griffiths Jones examines the intersections of romance, religion, and politics in England between 1588 and 1688 to show how writers during this politically turbulent time used the genre of romance to construct diverse ideological communities for themselves.Right Romance argues for a recontextualized understanding of romance as a multigeneric narrative structure or strategy rather than a prose genre and rejects the common assumption that romance was a short-lived mode most commonly associated with royalist politics. Puritan republicans likewise found in romance strength, solace, and grounds for political resistance. Two key works that profoundly influenced seventeenth-century approaches to romance are Philip Sidney’s New Arcadia and Edmund Spenser’s The Faerie Queene, which grappled with romance’s civic potential and its limits for a newly Protestant state. Jones examines how these works influenced writings by royalists and republicans during and after the English Civil War. Remaining chapters pair writers from both sides of the war in order to illuminate the ongoing ideological struggles over romance. John Milton is analyzed alongside Margaret Cavendish and Percy Herbert, and Lucy Hutchinson alongside John Dryden. In the final chapter, Jones studies texts by John Bunyan and Aphra Behn that are known for their resistance to generic categorization in an attempt to rethink romance’s relationship to election, community, gender, and generic form.Original and persuasive, Right Romance advances theoretical discussion about romance, pushing beyond the limits of the genre to discover its impact on constructions of national, communal, and personal identity.

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FINALIST FOR THE 2019 MINNESOTA BOOK AWARD IN POETRY “After the explosion: the longest night.” In Wilder—selected by Rick Barot as the winner of the 2018 Lindquist & Vennum Prize for Poetry—Claire Wahmanholm maps an alien but unnervingly familiar world as it accelerates into cataclysm. Here refugees listen to relaxation tapes that create an Arcadia out of tires and bleach. Here the alphabet spells out disaster and devours children. Here plate tectonics birth a misery rift, spinning loved ones away from each other across an uncaring sea. And here the cosmos—and Cosmos, as Carl Sagan’s hopeful words are fissured by erasure—yawns wide. Wilder is grimly visceral but also darkly sly; it paints its world in shades of neon and rust, and its apocalypse in language that runs both sublime and matter-of-fact. “Some of us didn't have lungs left,” writes Wahmanholm. “So when we lay beneath the loudspeaker sky—when we were told to pay attention to our breath—we had to improvise.” The result is a debut collection that both beguiles and wounds, whose sky is “black at noon, black in the afternoon.”

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In Untold Futures, J. K. Barret locates models for recovering the variety of futures imagined within some of our most foundational literature. These poems, plays, and prose fictions reveal how Renaissance writers embraced uncertain potential to think about their own present moment and their own place in time. The history of the future that Barret reconstructs looks beyond futures implicitly dismissed as impossible or aftertimes defined by inevitability and fixed perspective. Chapters on Philip Sidney’s Old Arcadia, Edmund Spenser’s The Faerie Queene, William Shakespeare’s Titus Andronicus, Antony and Cleopatra, and Cymbeline, and John Milton’s Paradise Lost trace instead a persistent interest in an indeterminate, earthly future evident in literary constructions that foreground anticipation and expectation. Barret argues that the temporal perspectives embedded in these literary texts unsettle some of our most familiar points of reference for the period by highlighting an emerging cultural self-consciousness capable of registering earthly futures predicated on the continued sameness of time rather than radical ruptures in it. Rather than mapping a particular future, these writers generate imaginative access to a range of futures. Barret makes a strong case for the role of language itself in emerging conceptualizations of temporality.

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The Nutty IdyllAre you considering escaping the city for a blissful new way of life in the countryside? Estate agents may be feeding you with persuasive visions of Arcadia, but realities are more helpful. Read on.Former townies Giles and Mary have embraced country life for over thirty years, each in their own different way. Mary is more inclined to engage in the social opportunities offered by the local community. While Giles's pre-occupations include his organic no-dig veg patch and regenerative agriculture as 'the only method that could save the ecosystem from imminent disaster'.Together they sift through the unhelpful dreamy myths and offer their own, two-handed pragmatic reality, obtainable for all. In robust back-and-forth exchange, they de-mystify every aspect of life in rural outposts, celebrating the peaks and navigating the troughs, from planning wars and ghost hunting to dog walking and bargain hunting.Join Giles and Mary in this book, as they share their hard-earned lessons to help us all find our own way to a new, contented country life, where perfect isn't the point.

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Thomas Klinkert untersucht den poetologischen Zusammenhang von Muße und Erzählen anhand von literarischen Texten in italienischer, französischer, spanischer und deutscher Sprache vom Mittelalter bis zur Gegenwart. Er zeigt, wie in diesen Texten das Erzählen als soziale Kommunikationshandlung oder als individueller Schreibvorgang aus Situationen der Muße heraus entfaltet wird oder aber wie die Muße Anlass gibt, über künftige Schreib- und Erzählhandlungen nachzudenken und diesen Vorschub zu leisten. Im diachronen Längsschnitt vom 13. bis zum 20. Jahrhundert wird nicht nur der grundlegende poetologische Nexus von Muße und Erzählen erkennbar, sondern es werden auch historisch je unterschiedliche Semantisierungen von Muße und die damit verbundenen unterschiedlichen Auffassungen von Individualität, Gesellschaft und Kommunikation erkennbar. Anhand von Texten wie dem Roman de la Rose, Boccaccios Decameron, Sannazaros Arcadia, Montaignes Essais, Cervantes' Don Quijote, Rousseaus Rêveries du promeneur solitaire, Stifters Nachsommer, Prousts À la recherche du temps perdu oder Semprúns Quel beau dimanche arbeitet der Autor diese Zusammenhänge textanalytisch differenziert heraus. Muße erscheint dabei als Möglichkeitsbedingung für Produktion und Rezeption von Erzähltexten und zugleich als Reflexionsfigur, welche dazu dient, die poetologische Spezifizität des jeweiligen Textes in seinem historischen Kontext und seiner Selbsteinordnung in die literarische Reihe zu markieren. Damit schlägt Thomas Klinkert den Bogen von einer allgemein anthropologischen Betrachtung des Phänomens Muße hin zu dessen literarhistorisch spezifischer, narratologisch-poetologischer Beschreibung.

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Philip Green, retail's most colourful figure, is widely regarded as the finest retailer of his generation and one of the best business brains in the UK. He made his first million at 33, and now owns the Arcadia Group, running about an eighth of the UK clothing retail market. So how did a man who just fell into the industry by accident go on and build this business empire? The Unauthorized Guide to Doing Business the Philip Green Way draws out the universal lessons from Philip Green's remarkable success and identifies 10 strategies for building a business empire that can be applied to any business or career: Do it your way Make the business run as efficiently as possible Keep the customer satisfied Whatever you do, don't break the supply chain People matter - you can't run an empire without them Spot the money-making opportunity When the going gets tough - work harder! Aim high and keep trying Stay private but enjoy the publicity Give something back Want to be the best? The secrets of phenomenal success are in your hands. Check out the other Unauthorized Guides in this series: Richard Branson; Duncan Bannatyne; Alan Sugar; Jamie Oliver; and Bill Gates.

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In 1967, sex between consenting men in England and Wales was finally decriminalised - an entire century after the death penalty was abolished for sodomy in Britain in 1861. Between these legal landmarks lies a century of seismic shifts in gender and sexuality which found expression across the arts as artists, collectors and consumers explored transgressive identities, experiences and perspectives. Some of the resulting artworks were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works reveal the rich diversity of queer British art. This beautiful book explores coded desires in aestheticism; the impact of the new science of sexology; queer domesticities; eroticism in the artist's studio; intersections of gender and sexuality; seedy dives and visions of Arcadia; and love and lust in sixties Soho. Featuring works by major artists such as Simeon Solomon, Clare Atwood, Ethel Sands, Duncan Grant, Francis Bacon and David Hockney among others, Queer British Art pays homage to the wealth of queer creativity in Britain between the 1860s and the 1960s.

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Effective risk management allows opportunities to be maximized and uncertainty to be minimized. This guide for emerging professionals provides a comprehensive understanding of risk management with tools, tips and tactics on how to offer expert insights and drive success in an ever-changing area, covering everything from Covid-19 and digitization to climate change. Fundamentals of Risk Management is a detailed and comprehensive introduction to commercial and business risk for students and risk professionals. Completely aligned with ISO 31000 and the COSO ERM Framework, this book covers the key principles of risk management and how to deal with the different types of risk organizations face. The frameworks of business continuity planning, enterprise risk management, and project risk management are covered alongside an overview of international risk management standards and frameworks, strategy and policy. The revised sixth edition includes brand new content on trends such as cyber risk, black swan events and climate risk. It has been fully updated to place the emphasis on seeing risk as 'positive' rather than a 'constant threat', and establishes that risk is different in a digital/VUCA age. Additionally, it considers in detail the impact of the climate crisis and its effect on risk management activities. Further updates from the previous edition include brand new case studies on the failure of Arcadia, HBO's bankruptcy and Boohoo's issues with modern slavery, this book provides a full analysis of changes in contemporary risk areas including digital risk management, risk culture and appetite, supply chain and statutory risk reporting. Supporting online resources include lecture slides with figures, tables and key points from the book

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Effective risk management allows opportunities to be maximized and uncertainty to be minimized. This guide for emerging professionals provides a comprehensive understanding of risk management with tools, tips and tactics on how to offer expert insights and drive success in an ever-changing area, covering everything from Covid-19 and digitization to climate change. Fundamentals of Risk Management is a detailed and comprehensive introduction to commercial and business risk for students and risk professionals. Completely aligned with ISO 31000 and the COSO ERM Framework, this book covers the key principles of risk management and how to deal with the different types of risk organizations face. The frameworks of business continuity planning, enterprise risk management, and project risk management are covered alongside an overview of international risk management standards and frameworks, strategy and policy. The revised sixth edition includes brand new content on trends such as cyber risk, black swan events and climate risk. It has been fully updated to place the emphasis on seeing risk as 'positive' rather than a 'constant threat', and establishes that risk is different in a digital/VUCA age. Additionally, it considers in detail the impact of the climate crisis and its effect on risk management activities. Further updates from the previous edition include brand new case studies on the failure of Arcadia, HBO's bankruptcy and Boohoo's issues with modern slavery, this book provides a full analysis of changes in contemporary risk areas including digital risk management, risk culture and appetite, supply chain and statutory risk reporting. Supporting online resources include lecture slides with figures, tables and key points from the book

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'A fine and deeply affecting work of history and memoir' Philippe SandsDecades ago, the historian Bernard Wasserstein set out to uncover the hidden past of the town forty miles west of Lviv where his family originated: Krakowiec (Krah-KOV-yets). In this book he recounts its dramatic and traumatic history. 'I want to observe and understand how some of the great forces that determined the shape of our times affected ordinary people.' The result is an exceptional, often moving book.Wasserstein traces the arc of history across centuries of religious and political conflict, as armies of Cossacks, Turks, Swedes and Muscovites rampaged through the region. In the Age of Enlightenment, the Polish magnate Ignacy Cetner built his palace at Krakowiec and, with his vivacious daughter, Princess Anna, created an arcadia of refinement and serenity. Under the Habsburg emperors after 1772, Krakowiec developed into a typical shtetl, with a jostling population of Poles, Ukrainians and Jews.In 1914, disaster struck. 'Seven years of terror and carnage' left a legacy of ferocious national antagonisms. During the Second World War the Jews were murdered in circumstances harrowingly described by Wasserstein. After the war the Poles were expelled and the town dwindled into a border outpost. Today, the storm of history once again rains down on Krakowiec as refugees flee for their lives from Ukraine to Poland.At the beginning and end of the book we encounter Wasserstein's own family, especially his grandfather Berl. In their lives and the many others Wasserstein has rediscovered, the people of Krakowiec become a prism through which we can feel the shocking immediacy of history. Original in conception and brilliantly achieved, A Small Town in Ukraine is a masterpiece of recovery and insight.

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The Off-Comers of Windermere, Birth of a Vibrant Victorian Township fills a gap in the literature of the Lake District. It presents a comprehensive social history of the many off-comers who built their villas and mansions in a sylvan landscape, amongst the lakes and fells of Lakeland, creating the vibrant village we know today as Windermere. Who were these folk, wealthy and not, artisan and not, mostly strangers who came from off to shape a Northern Arcadia? All too often the memory of them and their contribution to the architecture, institutions and heritage of the place has faded, and been lost in the mists of time. This book seeks to revive their memory and assemble a definitive record, before the facts are lost forever. It also describes the many working people who provided labour and skill to fashion the fabric, services and infrastructure of a vibrant township for the enjoyment of residents and tourists alike, who increasingly visit today. Windermere was born in 1847, a product of the railway age, when a branch line opened from Kendal to carry tourists into central Lakeland. It was vigorously opposed by Wordsworth, who feared invasion of his homeland by uneducated masses from the industrial hinterland. So what was the plan, if any; who conceived it; and how was it accomplished? What linked a private church, a college for the sons of clergymen, a school for the poorer classes, and the elegant villas of gentlefolk? The narrative is rooted in records, building as far as possible on contemporaneous accounts of events, to weave a broad and colourful tapestry which stretches from a sylvan quietude in 1800, through the thrust of an iron way, to completion of a thriving township in 1900. A fascinating story emerges, supported by many colourful anecdotes, and original photographs taken in Victorian times by one of the founders.

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This volume of Studies in Eighteenth-Century Culture explores the revolutions in culture, politics, and art that took place throughout the eighteenth century. The first section of the book focuses on the role that women played in both the formation and the expression of culture, whether as manufacturers or consumers. The second group of essays studies images of the body in popular drama, literature, and art, while the third is devoted to politics and religion, dealing specifically with the questions of ethnicity and loyalty brought up by rebellion and revolution. The book concludes with two essays about landscape art and its implications for legitimizing slavery and constructing the colonial fantasy. Contents:Franca Barricelli, "Imperial Mythologies: Ethnicity and Rebellion on the Eighteenth-Century Venetian Stage"Jennie Batchelor, "Fashion and Frugality: Eighteenth-Century Pocket Books for Women"William Chew, "Yankees Caught in the Crossfire: The Trials and Travails of Americans in Revolutionary and Napoleonic France"John Crowley, "Picturing the Caribbean in the Global British Landscape"Paola Giuli, "Women Poets and Improvisers: Cultural Assumptions and Literary Values in Arcadia"D. B. Haley, "Was Dryden a 'Cryptopapist' in 1681?" Joyce MacDonald, "Public Wounds: Sexual Bodies and the Origins of State in Nathaniel Lee's Lucius Junius Brutus"Rebecca Messbarger, "Re-membering a Body of Work: Master Anatomist Anna Morandi Manzolini"Johann Reusch, "Exotic Islands and the Stranded Traveler in the Works of Caspar David Friedrich and Gotthard Ludwig Kosegarten"Leslie Richardson, "'Who Shall Restore My Lost Credit': Rape, Reputation, and the Marriage Market"Betty Schellenberg, "Making Good Use of History: Sarah Robinson Scott in the Republic of Letters"Geraldine Sheridan, "Views of Women at Work by the Royal Academicians: The Collection Descriptions des arts et metiers"Joanna Stalnaker, "Painting Life, Describing Death: Epistemology and Poetics of Description in Buffon's Histoire Naturelle"Candace Ward, "'Cruel Disorder': Female Bodies, Eighteenth-Century Fever Narratives, and the Novel of Sensibility"

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Northern Ireland is one hundred years old. Northern Ireland does not exist. Both of these statements are true. It just depends on who you ask. How do you write about a place like this? THE STRANGERS' HOUSE asks this question of the region's greatest writers, living and dead. What have they made of Northern Ireland - and what has Northern Ireland made of them?Northern Ireland is roughly the same size as the State of Connecticut, yet has produced an extraordinary number of celebrated poets and novelists. Louis MacNeice, too clever to be happy, formed by his childhood on the shores of Belfast Lough. C. S. Lewis, who discovered Narnia in the rolling drumlins and black rock of County Down. Anna Burns, chronicler of North Belfast and winner of the Booker Prize. And Seamus Heaney, the man of wry precision, the poet with the gift of surprise.As well as household names, Poots also examines writers who may be less familiar to an American readership. These include the dark and bawdy novels of Ian Cochrane, a celebrated raconteur obsessed with Columbo, and Forrest Reid, a man who saw Arcadia in the Irish countryside, and who was, perhaps, the North's first queer author. Reading the work of these writers together produces a testament to over one hundred years of literary endeavour and human struggle. THE STRANGERS' HOUSE is the story of how men and women have written about a home divided, and used their work to move, in the words of Seamus Heaney, "like a double agent among the big concepts."Authors and works discussed...C. S. Lewis - Surprised by JoySeamus Heaney - NorthAnna Burns - MilkmanLouis MacNeice - Autumn JournalForrest Reid - Brian WestbyDerek Mahon - A Disused Shed in Co. WexfordMichael Longley - KindertotenliederMedbh McGuckian - Drawing BallerinasPatrick Kavanagh - The Green FoolIan Cochrane - F for Ferg

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Part memoir, part social history, Revolutionary Spirit is the poignant, often hilarious story of a cult Liverpool musician s scenic route to fame and artistic validation. If Morrissey was the Oscar Wilde of the 1980s indie scene, Simpson was its William Blake, a self-destructive genius so lost in mystical visions of a new arcadia that he couldn t meet the rent. Simpson s career begins alongside fellow Liverpool luminaries Julian Cope, Ian McCulloch, Bill Drummond, Ian Broudie, Will Sergeant, Pete Wylie, Pete Burns, and Pete de Freitas at the infamous Eric s club, where, in 1976, he finds himself at the birth of the city s second great musical explosion. Along the way, he co-founds and christens the neo-psychedelic pop group The Teardrop Explodes, shares a flat with a teenage Courtney Love, and forms The Wild Swans, the indie band of choice for literary-minded teens in the early 1980s, who burn bright and brief, in the process recording one of the all-time great cult hit singles, Revolutionary Spirit . Marriage, fatherhood, and tropical illness follow, interspersed with artistic collaborations with Bill Drummond and members of The Brian Jonestown Massacre, among others. Following an onstage reunion with Cope at the Royal Festival Hall, Simpson discovers that seven thousand miles away, in the Philippines, he is considered a musical god. Presidential suites, armed guards, police escorts . . . you couldn t make it up, and, incredibly, he doesn t need to. Revolutionary Spirit marks the arrival of an original literary voice. It is the story of a musician driven by an unerring belief that artistic integrity will bring its own rewards, and an elliptical elegy to the ways it does.

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An inspiring book of poetry and prose by the celebrated author Yves Bonnefoy. Heralded as one of France’s greatest poets, Yves Bonnefoy has been dazzling readers since the publication of his first book in 1953. He remains influential and relevant, continuing to compose groundbreaking new work. Though Bonnefoy recently celebrated his ninetieth birthday, many are calling these past two decades his most impressive yet. His latest book of poetry and prose, The Digamma, fits wonderfully into his impressive oeuvre, offering his signature style of simple but powerful language with fresh new grace. A key passage of the title piece of the book depicts the figures of Nicolas Poussin’s The Shepherds of Arcadia, which Bonnefoy has identified as crucial to the artist’s evolution. The sustained reference to Poussin’s iconography serves to ground the text in the lost civilizations of antiquity. Subtly, it brings out the underlying theme of the entire collection—in the ambivalent world we inhabit, being and non-being is fundamentally one. As a leading translator of Shakespeare in France, Bonnefoy’s fascination with the master playwright is displayed in “God in Hamlet” and “For a Staging of Othello,” two poems in prose that belong to an ongoing series of meditations on the plays. The collection also includes haunting reflections on children, nature, the origins of art, and vanished cultures.

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'A fine and deeply affecting work of history and memoir' Philippe SandsDecades ago, the historian Bernard Wasserstein set out to uncover the hidden past of the town forty miles west of Lviv where his family originated: Krakowiec (Krah-KOV-yets). In this book he recounts its dramatic and traumatic history. 'I want to observe and understand how some of the great forces that determined the shape of our times affected ordinary people.' The result is an exceptional, often moving book.Wasserstein traces the arc of history across centuries of religious and political conflict, as armies of Cossacks, Turks, Swedes and Muscovites rampaged through the region. In the Age of Enlightenment, the Polish magnate Ignacy Cetner built his palace at Krakowiec and, with his vivacious daughter, Princess Anna, created an arcadia of refinement and serenity. Under the Habsburg emperors after 1772, Krakowiec developed into a typical shtetl, with a jostling population of Poles, Ukrainians and Jews.In 1914, disaster struck. 'Seven years of terror and carnage' left a legacy of ferocious national antagonisms. During the Second World War the Jews were murdered in circumstances harrowingly described by Wasserstein. After the war the Poles were expelled and the town dwindled into a border outpost. Today, the storm of history once again rains down on Krakowiec as refugees flee for their lives from Ukraine to Poland.At the beginning and end of the book we encounter Wasserstein's own family, especially his grandfather Berl. In their lives and the many others Wasserstein has rediscovered, the people of Krakowiec become a prism through which we can feel the shocking immediacy of history. Original in conception and brilliantly achieved, A Small Town in Ukraine is a masterpiece of recovery and insight.

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In 1886 Paul Cezanne let Paris permanently to settle in his native Aix-en-Provence. Nina M. Athanassoglou-Kallmyer argues that, far from an escapist venture like Gaugin's stay in Brittany or Monet's visits to Normandy, Cezanne's departure from Paris was a deliberate abandonment intimately connected with late-19th-century French regionalist politics. Like many of his childhood friends, Cezanne detested the homogenizing effects of modernism and bourgeois capitalism on the culture, people and landscapes of his beloved Provence. Turning away from the mainstream modernist aesthetic of his impressionist years, Cezanne sought instead to develop a new artistic tradition more evocative of his Provencal heritage. Athanassoglou-Kallmyer shows that Provence served as a distinct and defining cultural force that shaped all aspects of Cezanne's approach to representation, including subject matter, style, and technical treatment. For instance, his self-portraits and portraits of family members reflect a specifically Provencal sense of identity. And Cezanne's Provencal landscapes express an increasingly traditionalist style firmly grounded in details of local history and even geology. These landscapes, together with images of bathers, cardplayers and other figures, were key facets of Cezanne's imaginary reconstruction of Provence as primordial and idyllic - a modern French Arcadia. Highly original and lavishly illustrated, "Cezanne and Provence" gives us an entirely new Cezanne: no longer the quintessential icon of generic, depersonalized modernism, but instead a self-consciously provincial innovator of mainstream styles deeply influenced by Provencal culture, places and politics.

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Contemporary British composers talk about their music, with the emphasis on the aesthetic sensibilities and psychological processes behind composing rather than technique. This book features interviews with leading and upcoming British composers who use the same raw materials but produce classical music that takes very different forms. Uniquely, Andrew Palmer approaches the sometimes baffling worldof contemporary music from the point of view of the inquisitive, music-loving amateur rather than the professional critic or musicologist. Readers can eavesdrop on conversations in which composers are asked a number of questionsabout their professional lives and practices, with the emphasis on the aesthetic sensibilities and psychological processes behind composing rather than technique. Throughout, the book seeks to explore why composers write the kindof music they write, and what they want their music to do. Along the way, readers are confronted with an unspoken but equally important question: if some composers are writing music that the public doesn't want to engage with, who's to blame for that? Are composers out of touch with their public, or are we too lazy to give their music the attention it deserves? ANDREW PALMER is a freelance writer and photographer. He is editor of Composing in Words: William Alwyn on His Art (Toccata Press, 2009), author of Divas... In Their Own Words (Vernon Press, 2000) and co-author of A Voice Reborn (Arcadia Books, 1999). Since 1998 he has been a corresponding editor of Strings magazine (USA). Interviewees include: Julian Anderson, Simon Bainbridge, Sally Beamish, George Benjamin, Michael Berkeley, Judith Bingham, Harrison Birtwistle, Howard Blake, Gavin Bryars, Diana Burrell, Tom Coult, Gordon Crosse, Jonathan Dove, David Dubery, Michael Finnissy, Cheryl Frances-Hoad, Alexander Goehr, Howard Goodall, Christopher Gunning, Morgan Hayes, Robin Holloway, Oliver Knussen, James MacMillan, Colin Matthews, David Matthews, Peter Maxwell Davies, John McCabe, Thea Musgrave, Roxanna Panufnik, Anthony Payne, Elis Pehkonen, Joseph Phibbs, Gabriel Prokofiev, John Rutter, Robert Saxton, John Tavener, Judith Weir, Debbie Wiseman, Christopher Wright

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In a moonlit graveyard somewhere in southern Italy, a soldier removes his clothes in readiness to transform himself into a wolf. He depends upon the clothes to recover his human shape, and so he magically turns them to stone, but his secret is revealed when, back in human form, he is seen to carry a wound identical to that recently dealt to a marauding wolf. In Arcadia a man named Damarchus accidentally tastes the flesh of a human sacrifice and is transformed into a wolf for nine years. At Temesa Polites is stoned to death for raping a local girl, only to return to terrorize the people of the city in the form of a demon in a wolfskin. Tales of the werewolf are by now well established as a rich sub-strand of the popular horror genre; less widely known is just how far back in time their provenance lies. These are just some of the werewolf tales that survive from the Graeco-Roman world, and this is the first book in any language to be devoted to their study. It shows how in antiquity werewolves thrived in a story-world shared by witches, ghosts, demons, and soul-flyers, and argues for the primary role of story-telling-as opposed to rites of passage-in the ancient world's general conceptualization of the werewolf. It also seeks to demonstrate how the comparison of equally intriguing medieval tales can be used to fill in gaps in our knowledge of werewolf stories in the ancient world, thereby shedding new light on the origins of the modern phenomenon. All ancient texts bearing upon the subject have been integrated into the discussion in new English translations, so that the book provides not only an accessible overview for a broad readership of all levels of familiarity with ancient languages, but also a comprehensive sourcebook for the ancient werewolf for the purposes of research and study.

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Between December 1941 and July 1945 the Allied Heads of State met nine times to decide the ongoing strategy of World War II with their chiefs of staff. President Franklin Roosevelt and Prime Minister Winston Churchill decided the strategies for the Mediterranean and the Far East at the Arcadia conference in December 1941, reconvening in Casablanca for the symbol conference in 1943. They then considered the European campaign at the Trident Conference in May and the Quadrant conference in August. Generalissimo Chiang Kai-Shek joined them in Egypt for the Sextant Conference in November 1943, while Premier Joseph Stalin welcomed them to Tehran for the Eureka conference. The Octagon conference in September 1944 reaffirmed the Allied partnership's commitment to the European campaign. They then travelled to Yalta in the Crimea the following February to agree with Stalin how to end the war in Europe at the Argonaut conference. At the final conference in Potsdam, Berlin, in July 1945 President Harry S. Truman took the place of the recently deceased Roosevelt and the new PM Clement Atlee replaced Churchill part-way through the conference. They discussed the chaos of Europe and an end to the campaign against Japan; Truman also took Stalin aside to tell him about the atomic bomb. He affected indifference 0- but his spies had forwarned him of its existence. Discover what they discussed though the edited minutes of the meetings. Read the reasons and the compromises behind the decisions. follow the heated discussions as the war turned in favour of the Allies - and learn how the foundations for the post war world were laid. This is a history in the raw, unmediated: how would you, as President of the United States, reply to Stalin's formal suggestion that between 50,000 and 100,000 of the German High Command be liquidated at war's end? All the minutes are supported by footnotes containing extensive supplementary information?

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An investigation into the lost treasures of Jesse James and the Freemasons and their connections to the Templars, Rosicrucians, and the Founding Fathers Jesse James left behind secret diaries and coded treasure maps. Working to decrypt these maps, Daniel J. Duke--the great-great grandson of Jesse James--reveals hidden treasures yet to be recovered as well as connections between the infamous train robber and Freemasonry, the Knights Templar, the Founding Fathers, and Jewish mysticism. The author explains how Jesse James faked his death and lived out his final years under the name James L. Courtney. He uncovers James’ affiliation with the Knights of the Golden Circle, a secret society that buried Confederate gold across the United States, and shows how the hidden treasures coded into James’ maps were not affiliated with the KGC but with the Freemasons, the Knights Templar, and the treasure of the Temple Mount. Using sacred geometry, gematria, and the Kabbalistic Tree of Life symbol, the author explains the encoded map technique used by the Freemasons to hide and later recover treasures, an esoteric template known as the “Veil”. He shows how the Veil template confirms the locations of Jesse James’ recovered treasures in Texas as well as other suspected treasure locations, such as the Oak Island Money Pit and Victorio Peak in New Mexico. Tracing knowledge of the Veil template back through the centuries, the author reveals the Veil hidden on the cover of a 16th-century book that contains a secret map of the New World and the “hooked X” symbol of the Knights Templar. He shows how the template was used not only to hide treasures but also sacred knowledge and relics, such as within the Bruton Vault, which originally contained secrets tied to Francis Bacon, the Freemasons, the Rosicrucians, and the founding of the United States. Applying the Veil template alongside the esoteric secrets of Poussin’s famous painting, Et In Arcadia Ego, and Cassini’s Celestial Globe, Duke shows how the template reveals other Templar and Freemason treasure sites scattered throughout America and around the world.

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First full study of the use made by Renaissance writers of the past in their prose fiction. Davis's study could scarcely be more timely or invigorating. SEAN KEILEN, College of William and Mary. Williamsburg VA A majority of the fiction composed in England in the second half of the sixteenth century was set inthe past. All the major prose writers of the period (Thomas Lodge, Sir Philip Sidney, Thomas Nashe, Thomas Deloney, Robert Greene) produced historical fiction, with settings ranging from the ancient world (as in Sidney's Arcadia) to the time of Henry VIII (in Nashe's The Unfortunate Traveller). Yet while studies of the historical drama of the period abound, the historical bias of prose fiction has so far escaped any sort of sustained critical consideration. Renaissance Historical Fiction is the first book-length study of this important topic. It argues for the complex ways in which these prose fictions engage with an idea of the past, and of their power to destabilize some of our dominant models for understanding the period of 'the Renaissance'. The wide range of texts discussed includes Lodge's Robin the Devil; Greene's Ciceronis Amor; John Lyly's Euphues and his England; and the anonymous Famous History of Friar Bacon. In addition, a chapter apiece is devoted to three key authors (Sidney, Deloney and Nashe) whose work best represents the imaginative richness and thematic complexity of the historical fiction of the late sixteenth century. Alex Davis is Lecturer in English at the University of St Andrews.

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This volume contains the essays presented at the workshop 'Visualizing Utopia' held in May 2005, organized by Mary Kemperink and Willemien Roenhorst. The essays presented here discuss utopian thinking from 1890 until 1930. From the end of the eighteenth century, this utopian thinking developed from what can be called 'classic' utopianism into 'modern' utopianism. Utopianism unmarked by temporality made way for a tale situated in time - future time. Thus what was first regarded as merely a thought experiment gradually assumed the character of a real political programme. In their view of the new world and new people, writers, artists, architects, social reformers, cultural critics, politicians, etc., would often draw on representations already present in the culture. These could be biblical representations, such as those of the Apocalypse, Christ the Saviour and earthly paradise, or ancient myths, such as those of the Age of Gold, Arcadia, the sun-drenched world of Gnosticism and the Wagnerian mythological universe. The workshop concentrated on the following two aspects: the way in which the future Utopia and the path that would lead to its realization was given shape in the artistic field as well as in the non-artistic field, and the question to which culturally rooted concepts these representations were related. This double line of approach created the opportunity for specialized researchers from different disciplines - history, cultural history, art history, history of architecture, literary history - to discuss utopianism as it manifested itself in Europe and the United States at the end of the nineteenth and the beginning of the twentieth century.

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The entertaining story of four utopian writers—Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman—and their continuing influence todayFor readers reared on the dystopian visions of Nineteen Eighty-Four and The Handmaid's Tale, the idea of a perfect society may sound more sinister than enticing. In this lively literary history of a time before "Orwellian" entered the cultural lexicon, Michael Robertson reintroduces us to a vital strain of utopianism that seized the imaginations of late nineteenth-century American and British writers.The Last Utopians delves into the biographies of four key figures--Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman—who lived during an extraordinary period of literary and social experimentation. The publication of Bellamy's Looking Backward in 1888 opened the floodgates of an unprecedented wave of utopian writing. Morris, the Arts and Crafts pioneer, was a committed socialist whose News from Nowhere envisions a workers' Arcadia. Carpenter boldly argued that homosexuals constitute a utopian vanguard. Gilman, a women's rights activist and the author of "The Yellow Wallpaper," wrote numerous utopian fictions, including Herland, a visionary tale of an all-female society.These writers, Robertson shows, shared a belief in radical equality, imagining an end to class and gender hierarchies and envisioning new forms of familial and romantic relationships. They held liberal religious beliefs about a universal spirit uniting humanity. They believed in social transformation through nonviolent means and were committed to living a simple life rooted in a restored natural world. And their legacy remains with us today, as Robertson describes in entertaining firsthand accounts of contemporary utopianism, ranging from Occupy Wall Street to a Radical Faerie retreat.

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Gear Up and Throw Down! When sword and spell just won't be enough to win the day, it's time to power up your game with clockwork gears, lightning coils, and black powder! Guns & Gears, the latest hardcover rulebook for the Pathfinder Roleplaying Game (Second Edition), brings the excitement of firearms and fantasy technology to your tabletop!Unravel the secrets of clockworks with the new inventor class or blow away your opposition as a firearm-wielding gunslinger! In addition to new classes, a plethora of archetypes, backgrounds, vehicles, siege engines, gadgets, and the new automaton ancestry are all ready to expand your game with options for battlefields large and small.Guns & Gears features:Two new classes: the clever inventor and the sharpshooting gunslingerAutomaton ancestry for players who want to play a customizable constructFirearms of all stripes, from the simple and effective flintlock pistol to versatile gunbladesMore than a dozen new archetypesScores of new gadgets and vehiclesSiege engines and accompanying rulesA gazetteer of Golarion revealing how firearms and technology fit into the Age of Lost Omens, including a look at the technology of the continents of Arcadia and Tian Xia and never-before-revealed secrets of the rough-and-tumble, gritty city of AlkenstarWritten by: Michael Sayre, Mark Seifter, and Logan Bonner, Jessica Catalan, John Compton, Andrew D. Geels, Steven Hammond, Sen H.H.S., Brent Holtsberry, Jason Keeley, Dustin Knight, Luis Loza, Ron Lundeen, Chris Mastey, Liane Merciel, Jacob W. Michaels, Dave Nelson, Samantha Phelan, Mikhail Rekun, Stephen Radney-MacFarland, Sydney Meeker, Kendra Leigh Speedling, Andrew Stoeckle, Calliope Lee Taylor, Sara Thompson, Andrew White, and Scott D. Young

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With an Introduction by Rod Mengham. In The Silo, John Kinsella's fifth book of poems (and the second published by Arc), the poet examines the role of the artist in the landscape and the unique character of rural life. Using Beethoven's 6th ('Pastoral') Symphony as the framework for the collection, he explores the music of an Australian rural landscape and the European impact on a tenacious yet fragile environment. "Many of the poems are vintage Kinsella, suffused in the beautifully audacious language of his later pastorals -- the metonymical manipulations of time and place that set you down firmly in the Australian landscape-history, yet by the end of the poem leave you wondering how he ever arrived at such seamless transformations and transportations." Andy Brown, PQR "The Silo is a fine sequence of poems, giving us a tough, focused, loving picture of Kinsella's heartland." Peter Bland, The London Magazine "John Kinsella, in The Silo, shows himself to be an authentic poet, astonishingly individuated. There are only a handful (or fewer) English-language poets of his generation whose work is already so original, so fully formed, and so clearly destined to become part of the central tradition." Harold Bloom John Kinsella was born in Perth, Australia in 1963. He studied at the University of Western Australia and travelled extensively through Europe, the Middle East and Asia. He is a prolific writer and author of over 25 books, and has published poems in literary journals internationally and has received a number of literary awards. Since 1998, he has been International Editor for Arc Publications, with whom he has published four collections, the first of which, The Undertow: New and Selected Poems, was his first UK edition. His second collection for Arc, The Silo: A Pastoral Symphony (1997) was followed in 1999 by Landbridge: An Anthology of Contemporary Australian Poetry, which he edited. Lightning Tree was published in 2003, and America in 2006. His most recent collections include The Hunt, Peripheral Light: Selected and New Poems, The New Arcadia and Shades of the Sublime & Beautiful. He is a Fellow of Churchill College, Cambridge University, and a Research Fellow at the University of Western Australia.

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The River Thames is simply a fantastic place to paddle your canoe, kayak or paddleboard, whether touring, training, racing, expeditioning or just 'bimbling'. From its early reaches in the Cotswold Hills, through the Home Counties into London and far out beyond into the estuary, the river's surroundings are remarkably varied and diverse, yet always attractive and engaging. If your mental image of the Thames depicts an urban sewer, be prepared to be amazed; the water is clean, the banks are invariably green and naturalists describe the river's ecosystems as a 'wildlife superhighway'. This natural beauty is equalled by the human story which the Thames narrates; from locks, gardens and parks to mansions, abbeys, castles and palaces, the paddler is continuously immersed in what MP John Burns famously called 'liquid history'. The riverine Arcadia of willow-draped banks, back channels and islands celebrated in Three Men in a Boat and The Wind in the Willows was not a myth, and it still exists.Is a paddler's guidebook to the Thames needed? Britain's best-known river might actually be the least-known by paddlers.The huge paddling population and numerous canoe clubs based along it belie a surprising fact; many of these paddlers aren't sure what is found up- and down-stream from their patch. In a river stretching 347km, this is both understandable and forgivable. However, there are other reasons for the relatively low numbers of paddlers encountered whilst enjoying the Thames. Information about where and how to launch is hard to come by, existing guides and media give the impression that the Thames is the preserve of powerboats and rowers, and finally, the perception often lingers that it isn't actually very attractive or interesting. This book sets out to redress these major omissions and misconceptions, and to reclaim John 'Rob Roy' MacGregor's river for paddlers.Mark Rainsley has spent three decades using paddlesport as a means of avoiding adulthood and responsibility. He is a fanatical paddler who has descended challenging whitewater rivers worldwide, and who is dedicated to exploring every nook and cranny of the UK's coast by sea kayak. He created the UK Rivers and UK Sea Kayak websites and is a prolific contributor to paddlesport magazines and other media.Mark authored other Pesda Press titles.

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A group of kids must stop invaders before they take over Titus—and the rest of the universe—in this first book in a brand-new series from bestselling Pegasus author Kate O’Hearn, who masterfully blends mystery and mythology together.Fifteen years ago, Olympus was destroyed and the Olympians were resettled on Titus. Since then Earth has been declared a quarantined world. Neither Titans nor Olympians are allowed to visit and under no circumstances are humans allowed on Titus. The Titans and Olympians are keeping the peace. But the deep-seated mistrust still lingers, so when a human ends up on Titus, he could be the spark that reignites the war… Astraea is a Titan, granddaughter of Hyperion, and now a reluctant student at the brand-new school, Arcadia. She just knows that it’s going to be awful, and that there is no way that Titans and Olympians will ever get along! At least she’s got her best friend, a winged-horse named Zephyr, to keep her company. Then the night before the first day of school, Astraea hears her parents discussing something terrifying: a human has been spotted on Titus. But that’s not possible. All routes to Earth via the Solar Stream have been closed—no one can travel between the two worlds…or can they? When Astraea and Zephyr get detention on their first day—for fighting with a centaur—they’re sent to the orchards to harvest nectar. There they discover a human boy named Jake. How he got to Titus is a mystery even to him. But Astraea and Zephyr know they have to get Jake home before anyone else discovers him. But what the trio uncovers is something much bigger than one misplaced human boy. It’s a scheme to take down the rulers of this world, conquer it, and then do the same across the galaxy. Can a group of kids stop the invaders? Or is Titus, like Olympus before it, doomed?

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The go-to Southern Peloponnese travel guide for discovering the best walks and car tours. Strap on your boots and discover the Southern Peloponnese on foot with the Sunflower Southern Peloponnese travel guide. And on the days when your feet may have had enough, enjoy some spectacular scenery on one of our legendary car tours. The Sunflower Southern Peloponnese guide is indispensable for hiking in the Peloponnese or seeing the Peloponnese by car. There are hidden landscapes throughout mainland Greece, but the region which packs the most variety into the smallest space is the Peloponnese. From the beaches of Arcadia to the fir forests of Mt Parnon, from the olive groves of Kalamata to the pyramidal peak of Prophet Elijah, from classical Sparta to medieval Mani, this compact semi-island has it all. Though the ancients called it � 'the island of Pelops', after their mythical king, this three-fingered landmass is joined to the mainland by a narrow isthmus at Corinth. Only in the 19th century was a canal finally cut through the isthmus, but it retains the cultural diversity and spectacular scenery of the mainland. Because there's so much to discover, the author has drawn an east-west line roughly through the middle of the Peloponnese, and limited the book to the southern half. By good fortune, this contains its highest mountain range (Mt Taygetus), its finest Byzantine chapels and medieval forts (in the Mani), its wildest seascapes (Capes Tainaron and Maleas), its largest forest (Mt Parnon) and, arguably, some of its loveliest beaches (Pylos, Kiparissi and Elafonisos, to name just a few. Whatever your age or ability we've got some glorious walks and car tours to ensure you have a memorable holiday in the southern Peloponnese. Inside the Sunflower Southern Peloponnese guide book you'll find: * 50 long and short walks for all ages and abilities - each walk is graded so you can easily match your ability to the level of walk * Topographical walking maps - give you a clear sense of the surrounding terrain with a scale of 1:50 000 * Free downloadable gps tracks - for the techies * Satnav guidance to walk starts for motorists * 5 car tours and fold-out touring map - for easy reference on your tour * Strolls to idyllic picnic spots - enjoy our recommendations for where to picnic along the way * Timetables for public transport - ideal if you want to link two walks or avoid hiring a car on your holiday * Online update service for the latest information Whether you tour the islands by car or explore on foot, we look forward to showing you around.

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In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field.The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes.For the third edition of this volume a considerable number of changes have been made. Newly prepared, for example, is a substantial selection from Baldassare Castiglione’s The Courtier, presented in Thomas Hoby’s influential early modern English translation. Thomas Kyd’s The Spanish Tragedy is another major addition. Also new to the anthology are excerpts from Thomas Dekker’s plague pamphlets. We have considerably expanded our representation of Elizabeth I’s writings and speeches, as well as providing several more cantos from Edmund Spenser’s Faerie Queene and adding selections from Sir Philip Sidney’s Arcadia. We have broadened our coverage, too, to include substantial selections of Irish, Gaelic Scottish, and Welsh literature. (Perhaps most notable of the numerous authors in this section are two extraordinary Welsh poets, Dafydd ap Gwilym and Gwerful Mechain.) Mary Sidney Herbert’s writings now appear in the bound book instead of on the companion website. Margaret Cavendish, previously included in volume 3 of the full anthology, will now also be included in this volume; we have added a number of her poems, with an emphasis on those with scientific themes. The edition features two new Contexts sections: a sampling of “Tudor and Stuart Humor,” and a section on “Levellers, Diggers, Ranters, and Covenanters.” New materials on emblem books and on manuscript culture have also been added to the “Culture: A Portfolio” contexts section.There are many additions the website component as well—including Thomas Deloney’s Jack of Newbury also published as a stand-alone BABL edition). We are also expanding our online selection of transatlantic material, with the inclusion of writings by John Smith, William Bradford, and Anne Bradstreet.

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