Search results for ""author roberto"

As Director of Exhibitions and Publications at the Museum of Modern Art from 1939 to 1967, Monroe Wheeler heavily influenced typography, book design, and the development of the museum exhibition catalogue. During his tenure at MoMA, Wheeler developed close relationships with many of the artists he exhibited and published. Season's Greetings is a volume of over fifty handmade art objects and limited printings that were sent to Wheeler from artists, many of whom he knew intimately, including never-before-seen work by such luminaries as Jean Cocteau, Ben Shahn, Miguel Covarrubias, Rufino Tamayo, Robert Parker, Roberto Montenegro, Herbert Bayer, and Max Weber. Essays by Allen Ellenzweig, Joseph Scott IV and Vincent Cianni establish the importance of this vast archive of art, letters, and ephemera, and highlight Wheeler's wide influence within his field. Season's Greetings is a fitting tribute to a man whose life's work centered on and celebrated fine art publications. Vincent Cianni is a documentary photographer and archivist for the Estate of Anatole Pohorilenko and the Monroe Wheeler Archive. He teaches at Parsons, The New School for Design in New York City, and has authored two books, including Gays in the Military, published by Daylight Books in 2014. Joseph Scott IV, Philadelphia, PA, became caretaker of the Manhattan apartment of Monroe Wheeler in 1990 to assist with organizing and preserving this important archive. His work continues today, as executor for Anatole Pohorienko, to help finish cataloging the remaining material for Mr. Wheeler, Glenway Wescott and George Platt Lynes. Allen Ellenzweig, New york, NY, is an arts critic and cultural commentator currently preparing a biography of twentieth-century photographer George Platt Lynes for Oxford University Press. He is a contributing writer to the Gay & Lesbian Review Worldwide and has published in Art in America, PASSION: the Magazine of Paris, Studies in Gender and Sexuality, and the online magazine Tablet. He has also published works of short fiction. His landmark 1992 illustrated history, The Homoerotic Photograph: Male Images from Durieu/Delacroix to Mapplethorpe, was reissued in paperback by Columbia University Press in 2012. He teaches in the Writing Program at Rutgers University, New Brunswick, New Jersey. He is a founding board member of The Robert Giard Foundation which offers an annual fellowship to photographers, videographers, or filmmakers.

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This book by Roberto Esposito - a leading Italian political philosopher - is a highly original exploration of the relationship between human bodies and societies. The original function of law, even before it was codified, was to preserve peaceful cohabitation between people who were exposed to the risk of destructive conflict. Just as the human body's immune system protects the organism from deadly incursions by viruses and other threats, law also ensures the survival of the community in a life-threatening situation. It protects and prolongs life. But the function of law as a form of immunization points to a more disturbing consideration. Like the individual body, the collective body can be immunized from the perceived danger only by allowing a little of what threatens it to enter its protective boundaries. This means that in order to escape the clutches of death, life is forced to incorporate within itself the lethal principle. Starting from this reflection on the nature of immunization, Esposito offers a wide-ranging analysis of contemporary biopolitics. Never more than at present has the demand for immunization come to characterize all aspects of our existence. The more we feel at risk of being infiltrated and infected by foreign elements, the more the life of the individual and society closes off within its protective boundaries, forcing us to choose between a self-destructive outcome and a more radical alternative based on a new conception of community.

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This book by Roberto Esposito - a leading Italian political philosopher - is a highly original exploration of the relationship between human bodies and societies. The original function of law, even before it was codified, was to preserve peaceful cohabitation between people who were exposed to the risk of destructive conflict. Just as the human body's immune system protects the organism from deadly incursions by viruses and other threats, law also ensures the survival of the community in a life-threatening situation. It protects and prolongs life. But the function of law as a form of immunization points to a more disturbing consideration. Like the individual body, the collective body can be immunized from the perceived danger only by allowing a little of what threatens it to enter its protective boundaries. This means that in order to escape the clutches of death, life is forced to incorporate within itself the lethal principle. Starting from this reflection on the nature of immunization, Esposito offers a wide-ranging analysis of contemporary biopolitics. Never more than at present has the demand for immunization come to characterize all aspects of our existence. The more we feel at risk of being infiltrated and infected by foreign elements, the more the life of the individual and society closes off within its protective boundaries, forcing us to choose between a self-destructive outcome and a more radical alternative based on a new conception of community.

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The lives of 40 men and women behind some of the world’s most exciting gardens. Throughout history great gardeners have risen from all walks of life. Some have been aristocratic amateur gardeners, others professional designers with an international practice. Some have come to garden-making from sister arts such as sculpture or painting; others have been hands-on nurserymen or botanists. What they all have in common is the ability to take an idea and develop it in a new manner relevant to their times. The book contains four sections. ‘Gardens of Ideas’ moves from the politically allusive gardens of 18th-century England made by men such as William Kent, to Charles Jencks’s Scottish garden inspired by 21st-century cosmography. ‘Gardens of Straight Lines’ explores the lives of the great formalist gardeners, from Le Nôtre at Versailles to the rational English minimalism of contemporary designer Christopher Bradley-Hole. ‘Gardens of Curves’ begins with that great exponent of the English landscape garden, ‘Capability’ Brown, and leads to the extraordinary Brazilian designer Roberto Burle Marx. Finally, ‘Gardens of Plantsmanship’ moves from the father of naturalistic planting, William Robinson, to the sweeping prairies of New York’s favourite Dutch designer, Piet Oudolf.

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There are few football clubs in the world that attract as much interest in the modern game as Chelsea. Whether it is the latest observations from former coach Maurizio Sarri, his successor Frank Lampard, big-money transfer targets, the style of play or results in Europe, everybody thinks they know what's happening – or at least has an opinion on it. The arrival in 2003 of Russian billionaire tycoon Roman Abramovich as owner turned a glamorous club with a long history of under-achievement, into an international powerhouse. After one championship in 99 years, the Blues have, in a dozen years, won five Premier League titles, plus the UEFA Champions League, two UEFA Europa League titles, five FA Cups and three Football League Cups. The club always was a magnet for well-known names – vaudeville legend George Robey played for the Pensioners in the club's earliest days – and, in the modern era, Stamford Bridge has become home to a dazzling array of world stars. From Ron 'Chopper' Harris and Ken Bates through Ruud Gullit, Roberto Di Matteo and Glenn Hoddle to Jose Mourinho, John Terry, Zola, Diego Costa and Eden Hazard, there is no lack of characters to draw on for quotes.

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In this volume, Garnet C. Butchart shows how human communication can be understood as embodied relations and not merely as a mechanical process of transmission. Expanding on contemporary philosophies of speech and language, self and other, and community and immunity, this book challenges many common assumptions, constructs, and problems of communication theory while offering compelling new resources for future study.Human communication has long been characterized as a problem of transmitting information, or the “outward” sharing of “inner thought” through mediated channels of exchange. Butchart questions that model and the various theories to which it gives rise. Drawing from the work of Giorgio Agamben, Roberto Esposito, Jean-Luc Nancy, and Jacques Lacan—thinkers who, along with Martin Heidegger and Michel Foucault, have critiqued the modern notion of a rational subject—Butchart shows that the subject is shaped by language rather than preformed, and that humans embody, and not just use, the signs and contexts of interaction that form what he calls a “communication community.”Accessibly written and engagingly researched, Embodiment, Relation, Community is relevant for researchers and advanced students of communication, cultural studies, translation, and rhetorical studies, especially those who work with a humanistic or interpretive paradigm.

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A groundbreaking volume introduces the unique feminist thought of the longstanding Italian group known as Diotima Introducing Anglophone readers to a potent strain of Italian feminism known to French, Spanish, and German audiences but as yet unavailable in English, Another Mother argues that the question of the mother is essential to comprehend the matrix of contemporary culture and society and to pursue feminist political projects. Focusing on Diotima, a community of women philosophers deeply involved in feminist politics since the 1960s, this volume provides a multifaceted panorama of its engagement with currents of thought including structuralism, psychoanalysis, linguistics, and Marxism. Starting from the simple insight that the mother is the one who gives us both life and language, these thinkers develop concepts of the mother and sexual difference in contemporary society that differ in crucial ways from both French and U.S. feminisms. Arguing that Diotima anticipates many of the themes in contemporary philosophical discourses of biopolitics—exemplified by thinkers such as Giorgio Agamben, Antonio Negri, and Roberto Esposito—Another Mother opens an important space for reflections on the past history of feminism and on feminism’s future. Contributors: Anne Emmanuelle Berger, Paris 8 U–Vincennes Saint-Denis; Ida Dominijanni; Luisa Muraro; Diana Sartori, U of Verona; Chiara Zamboni, U of Verona.

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In 2001, Eduardo Costantini, the founder of the Museo de Arte Latinoamericano de Buenos Aires (MALBA), began collecting artworks from across Latin America. Today, the renowned Costantini Collection consists of more than two hundred works, encompassing drawings, paintings, sculptures, and objects by seventy-eight artists from various countries, including Argentina, Brazil, Colombia, Costa Rica, Cuba, Chile, Ecuador, Mexico, Uruguay, and Venezuela.In the spirit of cultural exchange, MALBA and the International Center for the Arts of the Americas (ICAA) at the Museum of Fine Arts, Houston, are joining together to exhibit fifty of these works, spanning from the beginning of the 20th century to the present day. Among the celebrated artists represented in this beautiful book are Frida Kahlo, Wifredo Lam, Roberto Matta, and Diego Rivera. Also of note are works by Tarsila do Amaral, Rafael Barradas, Antonio Berni, and Alfredo Guttero. An interview by Mari Carmen Ramírez with Costantini sheds light on his philosophy of collecting, and texts by Marcelo Pacheco offer insights into the broad range of modern and contemporary art created in Latin America.Distributed for the Museum of Fine Arts, HoustonExhibition Schedule:The Museum of Fine Arts, Houston (04/22/12–08/05/12)

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Tierra del Fuego, Patagonia, Atacama Desert and the Pacific Coast: even today the apperception of Chile remains remote and indistinct. There is no doubt that its geographical location - confined between the Pacific Ocean and the Andes mountain range - has had a role to play in the relative nescience, although it was the former political situation that led to the country's isolation for almost twenty years. In fact, it is only in these last fifteen years that Chilean architecture has appeared on the international stage, mostly owing to Mathias Klotz, Alejandro Aravena, Smiljan Radic and Pezo von Ellrichsausen , amongst others. Chile can take pride in having built some genuine Modern masterpieces whilst having preserved a close relationship with its culture. During the twentieth century Europe provided Chile with sources of inspiration. Le Corbusier had a great influence on Chilean architects despite never having visited the country; his followers, such as Emilio Duhart, Roberto Davila and the BVCH office, realised buildings which are today internalised deep in the Chilean psyche. The Bauhaus movement served as another influence for architects such as Sergio Larrain. Overall, this book aims to be a practicalreference source of the best architectural works of the twentieth and twenty-first centuries in Chile.

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A critical look at how the US military is weaponizing technology and data for new kinds of warfare—and why we must resist.War Virtually is the story of how scientists, programmers, and engineers are racing to develop data-driven technologies for fighting virtual wars, both at home and abroad. In this landmark book, Roberto J. González gives us a lucid and gripping account of what lies behind the autonomous weapons, robotic systems, predictive modeling software, advanced surveillance programs, and psyops techniques that are transforming the nature of military conflict. González, a cultural anthropologist, takes a critical approach to the techno-utopian view of these advancements and their dubious promise of a less deadly and more efficient warfare. With clear, accessible prose, this book exposes the high-tech underpinnings of contemporary military operations—and the cultural assumptions they're built on. Chapters cover automated battlefield robotics; social scientists' involvement in experimental defense research; the blurred line between political consulting and propaganda in the internet era; and the military's use of big data to craft new counterinsurgency methods based on predicting conflict. González also lays bare the processes by which the Pentagon and US intelligence agencies have quietly joined forces with Big Tech, raising an alarming prospect: that someday Google, Amazon, and other Silicon Valley firms might merge with some of the world's biggest defense contractors. War Virtually takes an unflinching look at an algorithmic future—where new military technologies threaten democratic governance and human survival.

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Chicago has long served as a symbol of urban pathology in the public imagination. The city’s staggering levels of violence and entrenched gang culture occupy a central place in the national discourse, yet remain poorly understood and are often stereotyped. Views from the Streets explains the dramatic transformation of black street gangs on Chicago’s South Side during the early twenty-first century, shedding new light on why gang violence persists and what might be done to address it.Drawing on years of community work and in-depth interviews with gang members, Roberto R. Aspholm describes in vivid detail the internal rebellions that shattered the city’s infamous corporate-style African American street gangs. He explores how, in the wake of these uprisings, young gang members have radically refashioned gang culture and organization on Chicago’s South Side, rejecting traditional hierarchies and ideologies and instead embracing a fierce ethos of personal autonomy that has made contemporary gang violence increasingly spontaneous and unregulated. In calling attention to the historical context of these issues and to the elements of resistance embedded in Chicago’s contemporary gang culture, Aspholm challenges conventional views of gang members as inherently pathological. He critically analyzes highly touted “universal” violence prevention strategies, depicting street-level realities to illuminate why they have ultimately failed to reduce levels of bloodshed. An unprecedented analysis of the nature and meaning of gang violence, Views from the Streets proposes an alternative framework for addressing the seemingly intractable issues of inequality, despair, and violence in Chicago.

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This anthology collects the texts that defined the concept of biopolitics, which has become so significant throughout the humanities and social sciences today. The far-reaching influence of the biopolitical—the relation of politics to life, or the state to the body—is not surprising given its centrality to matters such as healthcare, abortion, immigration, and the global distribution of essential medicines and medical technologies.Michel Foucault gave new and unprecedented meaning to the term "biopolitics" in his 1976 essay "Right of Death and Power over Life." In this anthology, that touchstone piece is followed by essays in which biopolitics is implicitly anticipated as a problem by Hannah Arendt and later altered, critiqued, deconstructed, and refined by major political and social theorists who explicitly engaged with Foucault's ideas. By focusing on the concept of biopolitics, rather than applying it to specific events and phenomena, this Reader provides an enduring framework for assessing the central problematics of modern political thought.Contributors. Giorgio Agamben, Hannah Arendt, Alain Badiou, Timothy Campbell, Gilles Deleuze, Roberto Esposito, Michel Foucault, Donna Haraway, Michael Hardt, Achille Mbembe, Warren Montag, Antonio Negri, Jacques Rancière, Adam Sitze, Peter Sloterdijk, Paolo Virno, Slavoj Žižek

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Fifteen centuries ago, the island of Saint Andrew (Isola di Sant’Andrea), located in the basin of Lake Loppio, drained in 1956, was the seat of a fortified settlement, and in the Middle Ages a church dedicated to St. Andrew was built on its top. After sporadic discoveries beginning in the 19th century, in 1998 the Archaeology Department of the Rovereto Civic Museum began a research and study project on the site, comprising a series of summer excavation campaigns. The archaeological investigations, completed in 2017, have brought to light a multi-layered archaeological site with finds ranging from the prehistoric age to Late Antiquity, medieval times and even until the First World War. While the first volume (published in 2016) was about the results of the research concerning the 5th-7th century castrum, this second work takes into consideration the results of the archaeological research in the area of the church (Sectors C and C1). Contains contributions by Milena Anesi, Maurizio Battisti, Cinzia Borchia, Roberto Cabella, Florence Caillaud, Sabrina Calzà, Claudio Capelli, Simone Cavalieri, Anna Maria Fioretti, Luca Gardumi, Stefano Marconi, Marco Morghen, Michele Piazza, Alberta Silvestri, Eleonora Tomasini, Fabiana Zandonai.

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A groundbreaking volume introduces the unique feminist thought of the longstanding Italian group known as Diotima Introducing Anglophone readers to a potent strain of Italian feminism known to French, Spanish, and German audiences but as yet unavailable in English, Another Mother argues that the question of the mother is essential to comprehend the matrix of contemporary culture and society and to pursue feminist political projects. Focusing on Diotima, a community of women philosophers deeply involved in feminist politics since the 1960s, this volume provides a multifaceted panorama of its engagement with currents of thought including structuralism, psychoanalysis, linguistics, and Marxism. Starting from the simple insight that the mother is the one who gives us both life and language, these thinkers develop concepts of the mother and sexual difference in contemporary society that differ in crucial ways from both French and U.S. feminisms. Arguing that Diotima anticipates many of the themes in contemporary philosophical discourses of biopolitics—exemplified by thinkers such as Giorgio Agamben, Antonio Negri, and Roberto Esposito—Another Mother opens an important space for reflections on the past history of feminism and on feminism’s future. Contributors: Anne Emmanuelle Berger, Paris 8 U–Vincennes Saint-Denis; Ida Dominijanni; Luisa Muraro; Diana Sartori, U of Verona; Chiara Zamboni, U of Verona.

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Microbes create medicines, filter waste water, and clean pollution. They give cheese funky flavors, wines complex aromas, and bread a nutty crumb. Life at the Edge of Sight is a stunning visual exploration of the inhabitants of an invisible world, from the pioneering findings of a seventeenth-century visionary to magnificent close-ups of the inner workings and cooperative communities of Earth’s most prolific organisms.Using cutting-edge imaging technologies, Scott Chimileski and Roberto Kolter lead readers through breakthroughs and unresolved questions scientists hope microbes will answer soon. They explain how microbial studies have clarified the origins of life on Earth, guided thinking about possible life on other planets, unlocked evolutionary mechanisms, and helped explain the functioning of complex ecosystems. Microbes have been harnessed to increase crop yields and promote human health.But equally impressive, Life at the Edge of Sight opens a beautiful new frontier for readers to explore through words and images. We learn that there is more microbial biodiversity on a single frond of duckweed floating in a Delft canal than the diversity of plants and animals that biologists find in tropical rainforests. Colonies with millions of microbes can produce an array of pigments that put an artist’s palette to shame. The microbial world is ancient and ever-changing, buried in fossils and driven by cellular reactions operating in quadrillionths of a second. All other organisms have evolved within this universe of microbes, yielding intricate beneficial symbioses. With two experts as guides, the invisible microbial world awaits in plain sight.

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"Masterminds of Programming" features exclusive interviews with the creators of several historic and highly influential programming languages. In this unique collection, you'll learn about the processes that led to specific design decisions, including the goals they had in mind, the trade-offs they had to make, and how their experiences have left an impact on programming today. "Masterminds of Programming" includes individual interviews with: Adin D. Falkoff: APL; Thomas E. Kurtz: BASIC; Charles H. Moore: FORTH; Robin Milner: ML; Donald D. Chamberlin: SQL; Alfred Aho, Peter Weinberger, and Brian Kernighan: AWK; Charles Geschke and John Warnock: PostScript; Bjarne Stroustrup: C++; Bertrand Meyer: Eiffel; Brad Cox and Tom Love: Objective-C; Larry Wall: Perl; Simon Peyton Jones, Paul Hudak, Philip Wadler, and John Hughes: Haskell; Guido van Rossum: Python; Luiz Henrique de Figueiredo and Roberto Ierusalimschy: Lua; James Gosling: Java; Grady Booch, Ivar Jacobson, and James Rumbaugh: UML; and, Anders Hejlsberg: Delphi inventor and lead developer of C#. If you're interested in the people whose vision and hard work helped shape the computer industry, you'll find "Masterminds of Programming" fascinating.

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Who hasn't, at one time or another, considered killing a billionaire?Following on the critical success of his novel Polyamorous Love Song (BookThug, 2014; finalist for the Fence Modern Prize in Prose and one of The Globe and Mail's 100 best books of 2014), Canadian writer and performer Jacob Wren picks up the mantle of the politically and economically disenfranchised in Rich and Poor--the story of a middle-class, immigrant pianist who has fallen on hard times, and now finds himself washing dishes to make ends meet.Wren capably balances personal reflections with real-time political events, as his protagonist awakens to the possibility of a solution to his troubles and begins to formulate a plan of attack, in which the only answer is to get rid of "the 1%."Rich and Poor is rare work of literary fiction that cuts into the psychology of politics in ways that are off-kilter, unexpected, and unnerving. In drawing comparisons to fiction that focuses on "the personal as political" (including Chris Kraus's Summer of Hate and Roberto Bolano's The Savage Detectives), Rich and Poor is a compelling, fast-paced, and energizing read for adventure-seeking, politically active and/or interested readers who rowdily question their position among "the 99%.

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After 1750 the Americas lived political and popular revolutions, the fall of European empires, and the rise of nations as the world faced a new industrial capitalism. Political revolution made the United States the first new nation; revolutionary slaves made Haiti the second, freeing themselves and destroying the leading Atlantic export economy. A decade later, Bajío insurgents took down the silver economy that fueled global trade and sustained Spain’s empire while Britain triumphed at war and pioneered industrial ways that led the U.S. South, still-Spanish Cuba, and a Brazilian empire to expand slavery to supply rising industrial centers. Meanwhile, the fall of silver left people from Mexico through the Andes searching for new states and economies. After 1870 the United States became an agro-industrial hegemon, and most American nations turned to commodity exports, while Haitians and diverse indigenous peoples struggled to retain independent ways. Contributors. Alfredo Ávila, Roberto Breña, Sarah C. Chambers, Jordana Dym, Carolyn Fick, Erick Langer, Adam Rothman, David Sartorius, Kirsten Schultz, John Tutino

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Although largely ignored by historians of both baseball in general and the Negro leagues in particular, Latinos have been a significant presence in organized baseball from the beginning. In this benchmark study on Latinos and professional baseball from the 1880s to the present, Adrian Burgos tells a compelling story of the men who negotiated the color line at every turn - passing as 'Spanish' in the major leagues or seeking respect and acceptance in the Negro leagues. Burgos draws on archival materials from the U.S., Cuba, and Puerto Rico, as well as Spanish- and English-language publications and interviews with Negro league and major league players. He demonstrates how the manipulation of racial distinctions that allowed management to recruit and sign Latino players provided a template for Brooklyn Dodgers' general manager Branch Rickey when he initiated the dismantling of the color line by signing Jackie Robinson in 1947. Burgos' extensive examination of Latino participation before and after Robinson's debut documents the ways in which inclusion did not signify equality and shows how notions of racialized difference have persisted for darker-skinned Latinos like Orestes ('Minnie') Minoso, Roberto Clemente, and Sammy Sosa.

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All in favor of improving meeting procedures, say Aye! Trying to keep your in-person and virtual meetings on track and running smoothly? You need Robert's Rules of Order! These rules for conducting meetings have stood the test of time as the gold standard for practical and effective procedure in group settings like corporate and nonprofit boards, councils, and more. And there's no better way to learn the latest version of the rules than with Robert's Rules For Dummies. This handy guide demystifies the Rules and offers readers a practical roadmap to applying efficient procedures to everything from conducting online and in-person meetings to voting by email. It also: Contains brand-new, updated content on the latest 12th Edition of Robert’s Rules Offers sample meeting agendas, minutes, scripts, and other material to show you how the pros keep meeting records Walks you through the basic—and not so basic—ways to nominate and elect officers and directors in organizations Ideal for board members, convention delegates, business owners, nonprofit executives, and anyone else trying to maintain an orderly flow of business—online or in person—Robert’s Rules For Dummies is a need-to-read resource that will make you wonder how you ever survived without it.

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A New York Times New & Noteworthy Book • "Strange and affectionate, like Almost Famous penned by Shakespeare. A love letter to music in all its myriad iterations."—Kirkus Reviews • "This book has no business being as good as it is."—Christian Wiman In the year 2063, on the edge of the Crater formerly known as Montréal, a middle-aged man and his ex’s daughter search for a cult hero: the leader of a short-lived band named after a forgotten work of poetry and known to fans through a forgotten work of music criticism. In this exuberantly plotted verse novel, Guriel follows an obsessive cult-following through the twenty-first century. Some things change (there’s metamorphic smart print for music mags; the Web is called the “Zuck”). Some things don’t (poetry readings are still, mostly, terrible). But the characters, including a robot butler who stands with Ishiguro’s Stevens as one of the great literary domestics, are unforgettable. Splicing William Gibson with Roberto Bolaño, Pale Fire with Thomas Pynchon, Forgotten Work is a time-tripping work of speculative fiction. It’s a love story about fandom, an ode to music snobs, a satire on the human need to value the possible over the actual—and a verse novel of Nabokovian virtuosity.

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This book presents the Gianfranco Luzzetti collection housed in the historic complex of the former convent of the Clarisse in Grosseto, a new museum in the city. The collection is the result of the donation to the Municipality, in 2018, of over 60 works from the personal heritage of Luzzetti, an antiquarian from Grosseto, deeply linked to his land. The paintings, of great quality, trace Italian art from the 14th to the 19th century, with particular attention to Florentine art of the 17th century. The collection includes masterpieces by Antonio Rossellino, Giambologna, Rutilio Manetti, Passignano, Niccolò di Pietro Lamberti, Corrado Giaquinto, Camillo Rusconi, Pier Dandini and Giovanni di Tano Fei, as well as important works by Donatello and Beccafumi and works already donated to the Municipality of Grosseto in past years, of Santi di Tito and Cigoli. This volume, with introductory texts regarding the history of the site, the birth of the Museum and the Collection, is complemented by an anthology of writings by Luzzetti and bibliographic apparatuses. Research and texts: Sandro Bellesi, Marco Ciampolini, Roberto Contini, Elena Dubaldo, Lucia Ferri, Claudia Ganci, Cecilia Luzzetti, Gianfranco Luzzetti, Andrea Marchi, Mauro Papa, Marcella Parisi, Francesca Perillo, Gianluca Sposato, Angelo Tartuferi. Italian edition, with English translation in the appendix.

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Chicago has long served as a symbol of urban pathology in the public imagination. The city’s staggering levels of violence and entrenched gang culture occupy a central place in the national discourse, yet remain poorly understood and are often stereotyped. Views from the Streets explains the dramatic transformation of black street gangs on Chicago’s South Side during the early twenty-first century, shedding new light on why gang violence persists and what might be done to address it.Drawing on years of community work and in-depth interviews with gang members, Roberto R. Aspholm describes in vivid detail the internal rebellions that shattered the city’s infamous corporate-style African American street gangs. He explores how, in the wake of these uprisings, young gang members have radically refashioned gang culture and organization on Chicago’s South Side, rejecting traditional hierarchies and ideologies and instead embracing a fierce ethos of personal autonomy that has made contemporary gang violence increasingly spontaneous and unregulated. In calling attention to the historical context of these issues and to the elements of resistance embedded in Chicago’s contemporary gang culture, Aspholm challenges conventional views of gang members as inherently pathological. He critically analyzes highly touted “universal” violence prevention strategies, depicting street-level realities to illuminate why they have ultimately failed to reduce levels of bloodshed. An unprecedented analysis of the nature and meaning of gang violence, Views from the Streets proposes an alternative framework for addressing the seemingly intractable issues of inequality, despair, and violence in Chicago.

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Sometimes crossing the finish line is only the first stepTess Barton is stuck in a rut. Her dream of becoming an artist has stalled as she works three jobs just trying to survive. She’s barely got time to sleep and now her sister, Emma, is signing her up for a marathon… But it’s not just any marathon. It’s the Barcelona marathon and they’d be running in memory of their late sister. When disaster strikes and Emma can’t make it, Tess finds herself facing a new city and daunting challenge all alone. That is, until an unexpected rendezvous in a little tapas bar with gorgeous local, Roberto.Soon Tess finds that the fast-paced city isn’t so intimidating – and the marathon not quite so terrifying – with someone by her side. As she races towards the finish line, Tess starts to realise all the things she’s been running away from. But is it too late for her to chase dreams after all this time heading in the wrong direction? Perfect for fans of T.A. Williams, Samantha Tonge and Sue Roberts.What readers are saying about Love in the City by the Sea:‘A lovely relaxing story, with fabulous characters, lots of romance, a beautiful city, and a wonderful storyline. This is the perfect escapism read and beach read. Fab’ Reader review'The book was so wonderful. Tess is a very relatable character... The books is beautifully written, nice and just wonderful. I would recommend it to everybody I know.' Unapologetic Geek‘This was so beautifully written, so atmospheric that I felt like I was experiencing the sights, smells, delicious food and wine that Tess did.’ Reader Review'A delightful few hours in Barcelona' Reader review'This is a beautiful story to read. It was lovely to picture wonderful Barcelona. The descriptions of the city made me want to go back. This is a lovely romantic story set in wonderful surroundings. A pleasure to read' Reader review'This is what the good memories are made of. Stars!... if you are looking for a few hours of escapism to a really great city with a romance playing out around its exploration then this is certainly a book to take a chance on.' Reader review'This is my first time reading a novel by this author and I can 100% say that it won't be my last... a fantastic read that I couldn't put down. I'm now on the search for more novels by Lilac Mills! ' Reader review

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The Mexican economy is a contemporary political flashpoint, and not just in Mexico, but in the United States, as well. Yet few people understand it in its full complexity, and fewer still understand the social, cultural, and historical factors that have helped to make it what it is today and that will continue to affect its future. In Understanding the Mexican Economy, Roy Boyd, Maria Eugenia Ibarrarán, and Roberto Vélez-Grajales offer a comprehensive overview of these factors. They provide a full, historical, economic, and political context through which to understand the actions of the people and government of Mexico, and they give insights into how those actions impinge -- and might continue to impinge -- on the United States. They conduct a wide-ranging examination of the Mexican economy and investigate the causes of persistent problems such as economic stagnation, high poverty levels, and emigration abroad. Stressing the critical role played by economic incentives as well as Mexico's geography and political institutions, they employ a number of modeling techniques, including a specially designed computer model, to discuss a variety of topics including international trade, regional inequality, the informal economy, natural resource extraction, Mexico's "war on drugs," and the economic impact of US trade and immigration policy on both Mexico and the US. For its comprehensive overview and the new insights it provides into these crucial and yet often tragically misunderstood issues, Understanding the Mexican Economy is essential reading not only for economists, but also for practitioners with a policy interest in Mexico, for students of Latin American studies, Development Studies, geography, and sociology, and for anyone with an interest in recent events and controversies around US-Mexican relations.

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The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. The only comprehensive collection of its type, Mafia Movies treats over fifty films and TV shows created since 1906, while introducing Italian and Italian-American mafia history and culture. The second edition includes new original essays on essential films and TV shows that have emerged since the publication of the first edition, such as Boardwalk Empire and Mob Wives, as well as a new roundtable section on Italy’s “other” mafias in film and television, written as a collaborative essay by more than ten scholars. The edition also introduces a new section called “Double Takes” that elaborates on some of the most popular mafia films and TV shows (e.g. The Godfather and The Sopranos) organized around themes such as adaptation, gender and politics, urban spaces, and performance and stardom.

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A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression-what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film-its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art-have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"?

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Through political and cultural analysis of representations of the so-called war on drugs, Oswaldo Zavala makes the case that the very terms we use to describe drug traffickers are a constructed subterfuge for the real narcos: politicians, corporations, and the military. Though Donald Trump's incendiary comments and monstrous policies on the border reveal the character of a deeply depraved leader, state violence on both sides of the border is nothing new. Immigration has endured as a prevailing news topic, but it is a fixture of modern society in the neoliberal era; the future will be one of exile brought on by state violence and the plundering of our natural resources to sate capitalist greed. Yet, the realities of violence in Mexico and along the border are obscured by the books, films, and TV series we consume. In truth, works like Sicario, The Queen of the South, and Narcos hide Mexico's political realities. Along with these examples, Zavala discusses Charles Bowden, 2666 by Roberto BolaÑo, and other important Latin American writers as examples of works that do capture the realities of the drug war.Drug Cartels Do Not Exist will be useful for journalists, political scientists, philosophers, and writers of any kind who wish to break down the constructed barriers—physical and mental—created by those in power around the reality of the Mexican drug trade.

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Through political and cultural analysis of representations of the so-called war on drugs, Oswaldo Zavala makes the case that the very terms we use to describe drug traffickers are a constructed subterfuge for the real narcos: politicians, corporations, and the military. Though Donald Trump's incendiary comments and monstrous policies on the border reveal the character of a deeply depraved leader, state violence on both sides of the border is nothing new. Immigration has endured as a prevailing news topic, but it is a fixture of modern society in the neoliberal era; the future will be one of exile brought on by state violence and the plundering of our natural resources to sate capitalist greed. Yet, the realities of violence in Mexico and along the border are obscured by the books, films, and TV series we consume. In truth, works like Sicario, The Queen of the South, and Narcos hide Mexico's political realities. Along with these examples, Zavala discusses Charles Bowden, 2666 by Roberto BolaÑo, and other important Latin American writers as examples of works that do capture the realities of the drug war.Drug Cartels Do Not Exist will be useful for journalists, political scientists, philosophers, and writers of any kind who wish to break down the constructed barriers—physical and mental—created by those in power around the reality of the Mexican drug trade.

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In the postdictatorial era, Latin American cultural production and criticism have been defined by a series of assumptions about politics and art—expecially the claim that political freedom can be achieved by promoting a more direct experience between the textual subject (often a victim) and the reader by eliminating the division between art and life. The Vanishing Frame argues against this conception of freedom, demonstrating how it is based on a politics of human rights complicit with economic injustices. Presenting a provocative counternarrative, Eugenio Claudio Di Stefano examines literary, visual, and interdisciplinary artists who insist on the autonomy of the work of art in order to think beyond the politics of human rights and neoliberalism in Latin American theory and culture.Di Stefano demonstrates that while artists such as Diamela Eltit, Ariel Dorfman, and Albertina Carri develop a concept of justice premised on recognizing victims’ experiences of torture or disappearance, they also ignore the injustice of economic inequality and exploitation. By examining how artists such as Roberto Bolaño, Alejandro Zambra, and Fernando Botero not only reject an aesthetics of experience (and the politics it entails) but also insist on the work of art as a point of departure for an anticapitalist politics, this new reading of Latin American cultural production offers an alternative understanding of recent developments in Latin American aesthetics and politics that puts art at its center and the postdictatorship at its end.

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The UNESCO headquarters in Paris. The Pirelli skyscraper in Milan. The Palazetto dello Sport in Rome. The "soaring beauty" of Pier Luigi Nervi's visionary designs and buildings changed cityscapes in the twentieth century. His uncanny ingenuity with reinforced concrete, combined with a gift for practical problem solving, revolutionized the use of open internal space in structures like arenas and concert halls. Aesthetics and Technology in Building: The Twenty-First-Century Edition introduces Nervi's ideas about architecture and engineering to a new generation of students and admirers. More than 200 photographs, details, drawings, and plans show how Nervi put his ideas into practice. Expanding on the seminal 1961 Norton Lectures at Harvard, Nervi analyzes various functional and construction problems. He also explains how precast and cast-in-place concrete can answer demands for economy, technical and functional soundness, and aesthetic perfection. Throughout, he uses his major projects to show how these now-iconic buildings emerged from structural truths and far-sighted construction processes. This new edition features dozens of added images, a new introduction, and essays by Joseph Abram, Roberto Einaudi, Alberto Bologna, Gabriele Neri, and Hans-Christian Schink on Nervi's life, work, and legacy.

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National league glory last visited Manchester City in 1968, when the likes of Bell, Lee and Summerbee lifted the English Football League Championship trophy. Fast forward forty-four years. The 2011/12 Premiership season belongs to Manchester City. It has been a long wait, but premiership glory has finally come to rest at the Ethiad Stadium. My Eyes Have Seen the Glory is a match-by-match, blow-by-blow, superbly illustrated account of the most memorable season of English football in recent years. The world has looked on as Man City has grown in strength under the steady leadership of Roberto Mancini. The chairman expected, the fans expected; Mancini has delivered. It has been a season of magnificent highs - the 6-1 trouncing of Manchester United, named by Sir Alex Ferguson as 'the worst result in my history' - and depressing lows - the infamous Carlos Tevez saga - but there has always been drama, passion and world-class football. Victory in the Premiership is to be cherished; My Eyes Have Seen the Glory is the book every Man City fan has been waiting to read. Read it, bask in the glory of long-awaited victory, and celebrate the birth of a new era in the Premiership - Manchester City's era.

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In this volume, Garnet C. Butchart shows how human communication can be understood as embodied relations and not merely as a mechanical process of transmission. Expanding on contemporary philosophies of speech and language, self and other, and community and immunity, this book challenges many common assumptions, constructs, and problems of communication theory while offering compelling new resources for future study.Human communication has long been characterized as a problem of transmitting information, or the “outward” sharing of “inner thought” through mediated channels of exchange. Butchart questions that model and the various theories to which it gives rise. Drawing from the work of Giorgio Agamben, Roberto Esposito, Jean-Luc Nancy, and Jacques Lacan—thinkers who, along with Martin Heidegger and Michel Foucault, have critiqued the modern notion of a rational subject—Butchart shows that the subject is shaped by language rather than preformed, and that humans embody, and not just use, the signs and contexts of interaction that form what he calls a “communication community.”Accessibly written and engagingly researched, Embodiment, Relation, Community is relevant for researchers and advanced students of communication, cultural studies, translation, and rhetorical studies, especially those who work with a humanistic or interpretive paradigm.

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The Posthuman is the new paradigm of architecture. Encompassing related topics such as the post-Anthropocene, more-than-human, non-human, trans-human, anti-human and meta-human, this AD presents a synthesis of the architectural Posthuman. Proliferating and diversifying, the Posthuman is now as planetary as it is everyday, and as disruptive, contested and contradictory as it is sublime. From the detail to the interplanetary, and from real and fictional designs and spaces to more proleptic universe-building futures, the issue describes and speculates on these spectacular and shocking new species. It envisions the Posthuman through the array of emerging technologies, and features original contributions from academics, professionals, design studios and related disciplines and domains. These new spaces include the full electromagnetic spectrum and present new entanglements of Posthuman theories and technologies. Contributors: Mario Carpo; Paul Dobraszczyk; Alberto Fernandez; Ariane Harrison; Sandra Häuplik-Meusburger and Olga Bannova; Steven Hutt; Xavier de Kestelier, Levent Ozruh and Jonathan Irwan; Sylvia Lavin; Jacopo Leveratto; Tyson Hosmer, Roberto Bottazzi and Mollie Claypool; Colbey Reid and Dennis Weiss; Andrew Witt; and Brent Sherwood. Featured designers and architects: Blue Origin, Christian Rex van Minnen, Harrison Atelier, and Hassell.

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A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression-what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film-its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art-have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"?

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In the postdictatorial era, Latin American cultural production and criticism have been defined by a series of assumptions about politics and art—expecially the claim that political freedom can be achieved by promoting a more direct experience between the textual subject (often a victim) and the reader by eliminating the division between art and life. The Vanishing Frame argues against this conception of freedom, demonstrating how it is based on a politics of human rights complicit with economic injustices. Presenting a provocative counternarrative, Eugenio Claudio Di Stefano examines literary, visual, and interdisciplinary artists who insist on the autonomy of the work of art in order to think beyond the politics of human rights and neoliberalism in Latin American theory and culture.Di Stefano demonstrates that while artists such as Diamela Eltit, Ariel Dorfman, and Albertina Carri develop a concept of justice premised on recognizing victims’ experiences of torture or disappearance, they also ignore the injustice of economic inequality and exploitation. By examining how artists such as Roberto Bolaño, Alejandro Zambra, and Fernando Botero not only reject an aesthetics of experience (and the politics it entails) but also insist on the work of art as a point of departure for an anticapitalist politics, this new reading of Latin American cultural production offers an alternative understanding of recent developments in Latin American aesthetics and politics that puts art at its center and the postdictatorship at its end.

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Free Trade Reimagined begins with a sustained criticism of the heart of the emerging world economy, the theory and practice of free trade. Roberto Mangabeira Unger does not, however, defend protectionism against free trade. Instead, he attacks and revises the terms on which the traditional debate between free traders and protectionists has been joined. Unger's intervention in this major contemporary debate serves as a point of departure for a proposal to rethink the basic ideas with which we explain economic activity. He suggests, by example as well as by theory, a way of understanding contemporary economies that is both more realistic and more revealing of hidden possibilities for transformation than are the established forms of economics. One message of the book is that we need not choose between accepting and rejecting globalization; we can have a different globalization. Traditional free trade doctrine rests on shaky empirical and theoretical ground. Unger takes a new approach to show when international trade is likely to be useful or harmful to the socially inclusive economic growth that every nation wants. Another message is that the movement of people and ideas is more important than the movement of things and money, and that freedom to change the institutions defining a market economy is just as important as freedom to exchange goods on the basis of those institutions. Free Trade Reimagined ranges broadly within and outside economics. Presenting technical issues in plain language, it appeals to the general reader. It puts a disciplined imagination in the service of rebellion against the dictatorship of no alternatives that characterizes life and thought today.

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Roberto Arlt, celebrated in Argentina for his tragicomic, punch-in-the-jaw writing during the 1920s and 1930s, was a forerunner of Latin American “boom” and “postboom” novelists such as Gabriel García Márquez and Isabel Allende. Mad Toy, acclaimed by many as Arlt’s best novel, is set against the chaotic background of Buenos Aires in the early twentieth century. Set in the badlands of adolescence, where acts of theft and betrayal become metaphors for creativity, Mad Toy is equal parts pulp fiction, realism, detective story, expressionist drama, and creative memoir. An immigrant son of a German father and an Italian mother, Arlt as a youth was a school dropout, poor and often hungry. In Mad Toy, he incorporates his personal experience into the lives of his characters. Published in 1926 as El juguete rabioso, the novel follows the adventures of Silvio Astier, a poverty-stricken and frustrated youth who is drawn to gangs and a life of petty crime. As Silvio struggles to bridge the gap between exuberant imagination and the sordid reality around him, he becomes fascinated with weapons, explosives, vandalism, and thievery, despite a desperate desire to rise above his origins. Flavored with a dash of romance, a hint of allegory, and a healthy dose of irony, the novel’s language varies from the cultured idiom of the narrator to the dialects and street slang of the novel’s many colorful characters. Mad Toy has appeared in numerous Spanish editions and has been adapted for the stage and for film. It is the second of Arlt’s novels to be translated into English.

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Tijuana Dreaming is an unprecedented introduction to the arts, culture, politics, and economics of contemporary Tijuana, Mexico. With many pieces translated from Spanish for the first time, the anthology features contributions by prominent scholars, journalists, bloggers, novelists, poets, curators, and photographers from Tijuana and greater Mexico. They explore urban planning in light of Tijuana's unique infrastructural, demographic, and environmental challenges. They delve into its musical countercultures, architectural ruins, cinema, and emergence as a hot spot on the international art scene. One contributor examines fictional representations of Tijuana's past as a Prohibition-era "city of sin" for U.S. pleasure seekers. Another reflects on the city's recent struggles with kidnappings and drug violence. In an interview, Néstor García Canclini revisits ideas that he advanced in Culturas híbridas (1990), his watershed book about Latin America and cultural hybridity. Taken together, the selections present a kaleidoscopic portrait of a major border city in the age of globalization.Contributors. Tito Alegría, Humberto Félix Berumen, Roberto Castillo Udiarte, Iain Chambers, Luis Humberto Crosthwaite, Teddy Cruz, Ejival, Tarek Elhaik, Guillermo Fadanelli, Néstor García Canclini, Ingrid Hernández, Jennifer Insley-Pruitt, Kathryn Kopinak, Josh Kun, Jesse Lerner, Fiamma Montezemolo, Rene Peralta, Rafa Saavedra, Lucía Sanromán, Santiago Vaquera-Vásquez, Heriberto Yépez

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An important new volume showcasing a wide range of faith-based responses to one of today’s most pressing social issues, challenging us to expand our ways of understanding. Land of Stark Contrasts brings together the work of social scientists, ethicists, and theologians exploring the profound role of religion in understanding and responding to homelessness and housing insecurity in all corners of the United States—from Seattle, San Francisco, and Silicon Valley to Dallas and San Antonio to Washington, D.C., and Boston. Together, the essays of Land of Stark Contrasts chart intriguing ways forward for future initiatives to address the root causes of homelessness. In this way they are essential reading for practical theologians, congregational leaders, and faith-based nonprofit organizers exploring how to combine spiritual and material care for homeless individuals and other vulnerable populations. Social workers, nonprofit managers, and policy specialists seeking to understand how to partner better with faith-based organizations will also find the chapters in this volume an invaluable resource. Contributors include James V. Spickard, Manuel Mejido Costoya and Margaret Breen, Michael R. Fisher Jr., Laura Stivers, Lauren Valk Lawson, Bruce Granville Miller, Nancy A. Khalil, John A. Coleman, S.J., Jeremy Phillip Brown, Paul Houston Blankenship, María Teresa Dávila, Roberto Mata, and Sathianathan Clarke. Co-published with Seattle University’s Center for Religious Wisdom and World Affairs

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From Pascal Gross's fantastic brace at Old Trafford and an unbelievable 5-2 victory over Leicester City, to a 6-0 demolition of Wolves, the 2022-23 campaign is quite possibly Brighton's best ever season. After a fantastic start to the Premier League campaign, Graham Potter left the Seagulls to join Chelsea leaving fans concerned. Enter Roberto De Zerbi. De Zerbi's first win came in a 4-1 thrashing of . . . that's right, Chelsea! Anyone who was at the AMEX that day will never forgot the incredible atmosphere produced by the Brighton faithful. Fast forward a few months and the Seagulls were walking out at Wembley for an FA Cup semi-final. A month later, Brighton had qualified for Europe for the first time in their 122-year history. Tony Noble, a lifelong Brighton fan and season ticket holder, has written The Seagulls Greatest Ever Season, a match-by match account of this amazing campaign. Written with passion, honesty and humour, Tony recalls Alexis Mac Allister's stellar performances during a year in which he became a World champion; Lewis Dunk's inspirational on-pitch leadership; Kauro Mitoma's wizardry down the left-hand side; the emergence of exciting young talent Evan Ferguson, and much more. The Seagulls Greatest Ever Season allows the reader to relive the games, the goals and the glory in what was - the greatest ever season.

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2003 — Julian Steward Award – Anthropology & Environment Section, American Anthropological Association2002 — A CHOICE Outstanding Academic BookHow Zapotec agricultural and dietary theories and practices constitute a valid local science. Zapotec farmers in the northern sierra of Oaxaca, Mexico, are highly successful in providing their families with abundant, nutritious food in an ecologically sustainable fashion, although the premises that guide their agricultural practices would be considered erroneous by the standards of most agronomists and botanists in the United States and Europe. In this book, Roberto González convincingly argues that in fact Zapotec agricultural and dietary theories and practices constitute a valid local science, which has had a reciprocally beneficial relationship with European and United States farming and food systems since the sixteenth century. González bases his analysis upon direct participant observation in the farms and fields of a Zapotec village. By using the ethnographic fieldwork approach, he is able to describe and analyze the rich meanings that campesino families attach to their crops, lands, and animals. González also reviews the history of maize, sugarcane, and coffee cultivation in the Zapotec region to show how campesino farmers have intelligently and scientifically adapted their farming practices to local conditions over the course of centuries. By setting his ethnographic study of the Talea de Castro community within a historical world systems perspective, he also skillfully weighs the local impact of national and global currents ranging from Spanish colonialism to the 1910 Mexican Revolution to NAFTA. At the same time, he shows how, at the turn of the twenty-first century, the sustainable practices of "traditional" subsistence agriculture are beginning to replace the failed, unsustainable techniques of modern industrial farming in some parts of the United States and Europe.

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Virtual War and Magical Death is a provocative examination of the relations between anthropology and contemporary global war. Several arguments unite the collected essays, which are based on ethnographic research in varied locations, including Guatemala, Uganda, and Tanzania, as well as Afghanistan, Pakistan, Iraq, and the United States. Foremost is the contention that modern high-tech warfare—as it is practiced and represented by the military, the media, and civilians—is analogous to rituals of magic and sorcery. Technologies of "virtual warfare," such as high-altitude bombing, remote drone attacks, night-vision goggles, and even music videoes and computer games that simulate battle, reproduce the imaginative worlds and subjective experiences of witchcraft, magic, and assault sorcery long studied by cultural anthropologists. Another significant focus of the collection is the U.S. military's exploitation of ethnographic research, particularly through its controversial Human Terrain Systems (HTS) Program, which embeds anthropologists as cultural experts in military units. Several pieces address the ethical dilemmas that HTS and other counterinsurgency projects pose for anthropologists. Other essays reveal the relatively small scale of those programs in relation to the military's broader use of, and ambitions for, social scientific data.Contributors. Robertson Allen, Brian Ferguson, Sverker Finnström, Roberto J. González, David H. Price, Antonius Robben, Victoria Sanford, Jeffrey Sluka, Koen Stroeken, Matthew Sumera, Neil L. Whitehead

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The History of Italian Cinema is the most comprehensive guide to Italian film ever published. Written by the foremost scholar of Italian cinema and presented here for the first time in English, this landmark book traces the complete history of filmmaking in Italy, from its origins in the silent era through its golden age in the 1940s, 1950s, and 1960s, and its subsequent decline to its resurgence today. Gian Piero Brunetta covers more than 1,500 films, discussing renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. He examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. Brunetta illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, he recreates the world of Italian cinema, giving readers rare insights into the actors, cinematographers, film critics, and producers that have made Italian cinema unique. Brunetta's passion as a true fan of Italian movies comes across on every page of this panoramic guide. A delight for film lovers everywhere, The History of Italian Cinema reveals the full artistry of Italian film.

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In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide.Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history.1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.

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The first collection to distinguish religion's role in the creation of race and ethnic categories Religion and the Creation of Race and Ethnicity is the first collection devoted to demonstrating the role that religion and myth have played in the creation of the categories of “race” and “ethnicity.” When scholars approach religion and race, they tend to focus on such issues as how African Americans have expressed Christianity, or how Japanese or Mexicans have lived “religiously.” This volume, meant specifically for those new to the field, brings together an ensemble of prominent scholars and illuminates instead the role religious myths have played in shaping those very social boundaries that we call “races” and “ethnicities.” It asks, what part did Christianity play in creating “Blackness”? To what extent was Japanese or Mexican identity itself the product of religious life? The text, comprised of all original material, introduces readers to the social construction of race and ethnicity and the ways in which these concepts are shaped by religious narratives. It offers examples from both the U.S. and around the world, exploring these themes in the context of places as diverse as Bosnia, India, Japan, Mexico, Zimbabwe, and the Middle East. The volume helps make the case that any account of the social construction of race and ethnicity will be incomplete if it fails to consider the influence of religious traditions and myths. Contributors include: Eddie S. Glaude, Jr., Joel Martin, Jacob Neusner, Roberto S. Goizueta, Laurie Patton, and Michael A. Sells.

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Renowned spine experts share recent advances on the management of spinal infections AOSpine Masters Series, Volume 10: Spinal Infections is a concise, state-of-the-art review covering all aspects of spinal infections – from basic science and epidemiology to fundamental surgical and nonsurgical approaches. Internationally renowned spine surgeons Luis Roberto Vialle, S. Rajasekaran, Rishi Kanna, Giuseppe Barbagallo, and many experts across the world, provide clinical pearls and insights gleaned from years of hands-on expertise. This book provides discussion of underlying pathologies, imaging and diagnosis, and surgical techniques, with a focus on issues specific to children, co-infection with HIV, postoperative problems, geriatric patients, and pseudoarthrosis. Key Highlights Overviews on the epidemiology, microbiology, and pathology of spinal infections Detailed review of imaging, and other investigations Treatment planning and surgical techniques Risk stratification and prevention of post-operative infection Pathogenesis, clinical features, diagnosis, and treatment of pyogenic spondylodiscitis in various regions of the spine Clinical pearls on the management of spinal tuberculosis, including drug therapy and surgery The AOSpine Masters series, a co-publication of Thieme and the AOSpine Foundation, addresses current clinical issues featuring international masters sharing their expertise in the core areas in the field. The goal of the series is to contribute to an evidence-based approach to spine care. This textbook is essential reading for all spine surgeons. Orthopaedic and neurosurgery residents, as well as veteran surgeons will find this a useful tool for daily practice.

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