Search results for ""Author Caroline"

"All art should become science and all science art; poetry and philosophy should be made one." Friedrich Schlegel's words perfectly capture the project of the German Romantics, who believed that the aesthetic approaches of art and literature could reveal patterns and meaning in nature that couldn't be uncovered through rationalistic philosophy and science alone. In this wide-ranging work, Robert J. Richards shows how the Romantic conception of the world influenced (and was influenced by) both the lives of the people who held it and the development of nineteenth-century science.Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved—from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling—Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations—all tempered by personal relationships—altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory.Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology.

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Winner of the Guild of Food Writers Food and Travel Award 2017'This is a book to delight food lovers, travel hounds and history buffs alike.' The Telegraph'As an armchair traveler, I was led by Caroline Eden's firsthand account of journeys to the Uzbek city of Samarkand and other exotic destinations, then lured into the kitchen by Eleanor Ford's fine recipes' New York Times'A particularly expansive and ambitious example of the genre. Imagine a Lonely Planet guide to Uzbekistan and beyond, with a hundred recipes.' LA Times'I am LOVING it! So interesting to see so many familiar but also lesser known recipes! Beautiful pictures too! Love the styling! Love it!' Sabrina GhayourOver hundreds of years, various ethnic groups have passed through Samarkand, sharing and influencing each other's cuisine and leaving their culinary stamp. This book is a love letter to Central Asia and the Caucasus, containing personal travel essays and recipes little known in the West that have been expertly adapted for the home cook. An array of delicious dishes will introduce the region and its different ethnic groups - Uzbek, Tajik, Russian, Turkish, Korean, Caucasian and Jewish - along with a detailed introduction on the Silk Road and a useful store cupboard of essential ingredients. Chapters are divided into Shared Table, Soups, Roast Meats & Kebabs, Warming Dishes, Pilavs & Plovs, Accompaniments, Breads & Doughs, Drinks and Desserts. 100 recipes are showcased, including Apricot & Red Lentil Soup, Chapli Kebabs with Tomato Relish, Rosh Hashanah Palov with Barberries, Pomegranate and Quince, Curd Pancakes with Red Berry Compote and the all-important breads of the region. And with evocative travel features like On the Road to Samarkand, A Banquet on the Caspian Sea and Shopping for Spices under Solomon's Throne, you will be charmed and enticed by this region and its cuisine, which has remained relatively untouched in centuries.

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As one of Miami’s most influential architects, Rene Gonzalez revolutionizes the way luxury buildings are equipped for climate change. Tactile, experiential, and holistic, the work of his namesake office demonstrates a belief in the inseparable connection between nature and architecture, creating spaces that are memorable and timeless. Surveying fourteen residential, commercial, and cultural projects in Florida, marking the first phase of his career, Rene Gonzalez Architects: Not Lost in Translation illustrates Gonzalez’s ability to distill the essence of place, distinguishing his work both in his home state of Florida and in the global landscape of contemporary architecture. Projects featured in the book include three Alchemist boutiques, the first of which won the 2011 National AIA Institute Honor Award; the Cisneros Fontanals Art Foundation, whose one million glass mosaic tiles create the illusion of a jungle oasis on the exterior; the eighteen-story GLASS Residential Tower in Miami Beach; the “pocket sanctuary” that is vegan restaurant Plant Food + Wine; and the North Beach Oceanfront Center, which serves as an inviting gathering ground to the North Miami Beach community. Gonzalez is especially attuned to environmental issues that are affecting the world, and which will drastically alter design practice in the coming years. RGA is receiving widespread attention for its efforts to respond to these emerging conditions, and these projects reveal Gonzalez’s commitment to embrace and celebrate the environment, seizing the opportunity to enhance our future. Rene Gonzalez Architects: Not Lost in Translation is a deeply personal book that illustrates Gonzalez’s fascination with the world that surrounds him. Featuring a conversation with Gonzalez’s colleagues Tod Williams and Billie Tsien, essays by journalists Caroline Roux and Beth Dunlop, as well as his own photographs of Miami’s vernacular architecture, this book documents Gonzalez’s progressive and responsive architecture that is of its place yet universally resonant.

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Economically challenged as we are again in 2012, this is the perfect way to reduce the family grocery bill and at the same time produce simple classic food. Over 300 classic recipes that you can’t find in modern cookery books such as Baked Eggs, Kedgeree, Steak and Kidney Pudding and Apple Dumplings sit easily alongside the author’s love of French and Italian cuisine. Pot-au-feu, Clafoutis, Risotto Milanese and Coffee Granita as well as many other international dishes make their appearance here. Practical information as to the most inexpensive cuts of meat, metric conversions, temperature charts, roasting tables and essential larder ingredients make this book a timely addition to every kitchen.

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Scarred by their pasts, Jenna and Luke fall in love, brimming with hope for a rosy future. But someone has been watching, with chilling plans for revenge … An emotive, twisty, disturbing new psychological thriller by the critically acclaimed author of A Suitable Lie and In the Absence of Miracles.‘Compelling, disturbing and engaging' Caro Ramsay‘Malone is the master of twists, turns and the unexpected, with the skill to keep things grounded … a master of his craft’ Herald Scotland‘Tense, pacey and lyrical … cements Malone in the firmament of Tartan Noir, marrying McIlvanney and Banks to a modern domestic noir that’ll have you reading into the wee sma’ hours’ Ed James______________________________________________The darker the memory, the deadlier the obsession… Jenna is trying to rebuild her life after a series of disastrous relationships. Luke is struggling to provide a safe, loving home for his deceased partner’s young son, following a devastating tragedy.When Jenna and Luke meet and fall in love, they are certain they can achieve the stability and happiness they both desperately need. And yet, someone is watching.Someone who has been scarred by past events.Someone who will stop at nothing to get revenge…Dark, unsettling and immensely moving, Quicksand of Memory is a chilling reminder that we are not only punished for our sins, but by them, and that memories left to blacken and sharpen over time are the perfect breeding ground for obsession, and murder…________________________________________________________‘Complex, human characters living in a page-turning world’ Douglas Skelton ‘Long-held secrets, complex relationships and an ever increasing sense of menace … fantastic’ Steph Broadribb ‘A fascinating exploration of damage, toxicity, trauma and love’ Sharon Bairden ‘Darkly compelling and provocative … from the outset, whiplike tendrils of disquiet creep their way into the story’ LoveReading‘Masterfully combines the dark, cruel elements of people’s lives and nature with a glimmer of light and hope’ Fiona Sharp ‘An almost perfect storm of circumstances that lead us to a dramatic and potentially deadly conclusion … an emotionally charged story’ Jen Med’s Book Reviews ‘I can genuinely say: Fiction doesn’t get any better than this’ Book Review Café Praise for Michael J. Malone‘A beautifully written tale, original, engrossing and scary … a dark joy’ The Times ‘A complex and multilayered story – perfect for a wintry night’ Sunday Express‘Vivid, visceral and compulsive’ Ian Rankin‘A terrific read … I read it in one sitting’ Martina Cole‘A deeply satisfying read’ Sunday Times‘A fine, page-turning thriller’ Daily Mail‘Malone’s latest is an unsettling, multi-layered and expertly paced domestic noir drama that delves into one family’s dark secrets, shame and lies’ CultureFly‘Engrossing, hard-hitting – even shocking – with a light poetic frosting. Another superb read!’ Douglas Skelton'A dark and unnerving psychological thriller that draws you deep into the lives of the characters and refuses to let go. This is a brilliantly written book; I could not put it down’ Caroline Mitchell‘A chilling tale of the unexpected that journeys right into the dark heart of domesticity’ Marnie Riches For fans of Jodie Picoult, Gillian McAllister, Cara Hunter, Shari Lapena, Liz Nugent and Mark Edward

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With a foreword by Iain Sinclair. London is an ancient city, whose foundation dates back literally thousands of years into the legendary prehistory of these islands. Not surprisingly it has accumulated a large number of stories, both historic and mythical, during this period, many of which, though faithfully recorded at the time, have lain almost forgotten in dusty libraries throughout the city. The Secret Lore of London is a guide to the legends, including a discussion of their importance as part of the oral tradition of Britain, combining Prehistoric, Celtic, Arthurian, Roman, Saxon and Norman levels - each of which has contributed to the many-layered life of the city. The first part contains a unique selection of essays (some printed here for the first time) by experts in their fields, each of whom possesses a unique interest in the legends of these islands, and who have written widely on associated themes. The second part of the book will consist of a Gazetteer of the sites mentioned which are still in existence, together with various other sites of associated interest, compiled by the Editor, the contributors, and members of the London Earth Mysteries Group. This part will be fully updated and extended to include many more sites. The result is a wide ranging and wholly fascinating book, with wide sales application possible. A series of appendixes will include William Stukley's extraordinary document The Brill, which relates to the ancient prehistoric sites around the area of present day St. Pancras, and excerpts from some of the best known 19th and early 20th century works on Legendary London by Lewis Spence and Harold BayleyContributors to the book are: Nigel PennickJohn MatthewsCaroline WiseCaitlín MatthewsCarol Clancy R.J. StewartBernard Nesfield-CooksonGareth KnightRobert StephensonGeraldine BeskinChesca PotterWilliam StukeleyLewis SpenceHarold BayleyAlan V. InsoleRoss Nichols

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A global reconsideration and broadening of the definition of art conservation through the lenses of theory, ethics, culture, and history Thought-provoking and timely, this volume challenges inherited thinking on art conservation practice and purposefully reconsiders the definition of the field. Scholars from around the world discuss topics including the conservation of global painting practices, cold storage and digitization, conservation within institutions, and the decolonization of art conservation. The authors seek to broaden the scope of conservation practice and challenge the boundaries that set it apart from art history and art making. They thoughtfully consider the implications of conservation beyond museum walls. This volume in the esteemed Clark Studies in the Visual Arts maintains the series’s tradition of providing a nuanced reckoning with vital themes in the field.Distributed for the Clark Art Institute

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VOLUME IV includes original Letters from India; containing a narrative of a journey through Egypt, and the author’s imprisonment at Calicut by Hyder Ali. To which is added an abstract of three subsequent voyages to India by Mrs Elizabeth Fay.

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Victorian London harbours many secrets: alien visitors, strange phenomena and unearthly powers. But a trio of investigators stands ready to delve into such mysteries - the Great Detective, Madame Vastra; her resourceful spouse, Jenny Flint; and their loyal valet, Strax. If an impossible puzzle needs solving, or a grave injustice needs righting, help can be found on Paternoster Row. But even heroes can never escape their past...Contains three new adventures - 1.Dining with Death by Dan Starkey. When negotiations between two warring alien races are sabotaged, Madame Vastra offers Paternoster Row as neutral ground upon which to continue their diplomacy – and the celebrate the treaty with a feast. While Strax frets about hosting two species with very different dietary needs, Jenny investigates the dissenters who want to halt the peace process. But a deadly plot is brewing, and the diners way not survive the cheese course...2.The Screaming Ceiling by Guy Adams. In one of the earliest cases of his illustrious career, Thomas Carnacki heads to the Highlands to embark upon the terrifying investigation of Castle Kraighten. On arrival, he finds that another party of sleuths has been engaged – surely these amateurs of Paternoster Row have nothing to teach the great Ghost Finder? But this is no ordinary haunting. A room in the castle has a mouth in the ceiling. And it screams...3. Spring-Heeled Jack by Gemma Arrowsmith. People are being stolen from the streets by a monster. By all accounts, it has burning eyes, breathes blue flames, and can leap the height of a building at a bound. While Vastra and Jenny fend off an over-eager member of the gutter press, Strax dives into dangerous waters. CAST: Neve McIntosh (Madame Vastra), Catrin Stewart (Jenny Flint), Dan Starkey (Strax), Hywel Morgan (Baron Gallos Flambo), Polly Kemp (Duchess Callys Flambo), Glen McCready (Auditor-General Otak Lame), Joe Jameson (Carnacki), David Shaw-Parker (John Campbell), Caroline Guthrie(Anna Campbell), Janet Henfrey (Dorothy), Isabella Inchbald (Elizabeth), Daniel Easton (Jimmy), Sophie Cotton (Gwendoline Platt), Joe Sims (Sergeant Grout). Other parts played by members of the cast.

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For those with mobility and communication challenges, arts therapies can be especially significant and rewarding as a means of self-expression and engaging with others. This book provides practical guidance on multimodal and archetypal arts therapy approaches adapted specifically for a physical disability context. Practical strategies and interventions are given, alongside case studies from individual and group arts therapy sessions. The author acknowledges the challenges of working with clients with physical disabilities, such as physical assistance in using resources, subtleties in communication of preferences and the need for extra members of staff, and gives clear guidance for accessible and effective sessions. This is essential reading for any arts therapist wanting a tailored approach to meeting the needs of people with physical disabilities, with a focus on person-centred and strengths-based methods. In addition, all frameworks covered are also adaptable for other client groups.

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'A genius writer' FABULOUS MAGAZINE· Explore your sensuality· Discover your inner power· Reclaim your sexuality with this gentle and mind-opening journal by sexual priestess and activist Lucy-Anne Holmes.When Lucy-Anne Holmes was in her mid-thirties, she had an epiphany about sex: she realised that she hadn't even skimmed the surface of how fulfilling it could be. So, she took herself on a sexual odyssey. Ten years on, after countless explorations, sex festivals and workshops, she was initiated as a sacred sexual priestess. She now shares everything she has learned about how liberating and empowering sexual self-knowledge can be.Guided by Lucy, on each day of the 28 days you'll be invited to read, to write and to do something around the following themes: Your Love, Your Body, Your Sex, Your Intimacy, Your Desire, Your Pleasure, Your Power, Your Playfulness, Your Surrender, Your Sacredness, Your Vision.This book features a host of activities to discover and play, including: activation mediations, touch practises, sex magic, self-pleasure experiments, sex audits, games to play with friends or lovers, plus opportunities to get creative and express your sexual self through various artforms, and much more.Consider this your own personal pleasure school. Prepare to be wowed and enlightened, inspired and excited as you acquaint yourself with the glorious uniqueness of your sexuality.Praise for Women on Top of the World'Searingly honest ... A beautiful and important work' VANITY FAIR'Holmes has done an admirable job' SUNDAY TIMES'The female gaze at its purest... An important read' SUNDAY INDEPENDENT Praise for Don't Hold My Head Down'Absolutely essential . . . So funny, hopeful, truthful and needed' Caitlin Moran'A must-read. . . will make you laugh yourself silly' Laura Bates'I can't express how much I loved this book. And how evangelical I feel about it. I want to rush out and buy copies for every woman, and actually every man, I know' Caroline Criado-Perez

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Many of today’s learning environments are dominated by technology or procedure-driven approaches that leave learners feeling alone and disconnected. The authors of Centring Human Connections in the Education of Health Professionals argue that educational processes in the health disciplines should model, integrate, and celebrate human connections because it is these connections that will foster the development of competent and caring health professionals.Centring Human Connections in the Education of Health Professionals equips educators working in clinical, classroom, and online settings with a variety of teaching strategies that facilitate essential human connections. Included is an overview of the educational theory that grounds the authors’ thinking, enabling the educators who employ the strategies included in the book to assess their fit within curriculum requirements and personal teaching philosophies and understand how and why they work.

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'Magisterial - an outstanding book that shines a bright light one of the most important, interesting and under-studied cities in European history. A masterpiece.' Peter Frankopan'A wonderful new history of the Mediterranean from the fifth to eighth centuries through a lens focussed on Ravenna, gracefully and clearly written, which reconceptualises what was 'East' and what was 'West'.' Caroline Goodson'A masterwork by one of our greatest historians of Byzantium and early Christianity. Judith Herrin tells a story that is at once gripping and authoritative and full of wonderful detail about every element in the life of Ravenna. Impossible to put down.' David FreedbergIn 402 AD, after invading tribes broke through the Alpine frontiers of Italy and threatened the imperial government in Milan, the young Emperor Honorius made the momentous decision to move his capital to a small, easy defendable city in the Po estuary - Ravenna. From then until 751 AD, Ravenna was first the capital of the Western Roman Empire, then that of the immense kingdom of Theoderic the Goth and finally the centre of Byzantine power in Italy.In this engrossing account Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the pivot between East and West; and the meeting place of Greek, Latin, Christian and barbarian cultures. The book offers a fresh account of the waning of Rome, the Gothic and Lombard invasions, the rise of Islam and the devastating divisions within Christianity. It argues that the fifth to eighth centuries should not be perceived as a time of decline from antiquity but rather, thanks to Byzantium, as one of great creativity - the period of 'Early Christendom'. These were the formative centuries of Europe.While Ravenna's palaces have crumbled, its churches have survived. In them, Catholic Romans and Arian Goths competed to produce an unrivalled concentration of spectacular mosaics, many of which still astonish visitors today. Beautifully illustrated with specially commissioned photographs, and drawing on the latest archaeological and documentary discoveries, Ravenna: Capital of Empire, Crucible of Europe brings the early Middle Ages to life through the history of this dazzling city.

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Discover the gripping and immersive historical thriller based on the legend of Captain Scott'Kelly is that rare combination, a brilliant storyteller, a sure-footed adventurer into the past and a really marvellous writer. With its new take on one of the most compelling episodes in our nation's narrative, The White Lie brings history to life without disturbing its delicate fabric' CHRISTOBEL KENT__________THE LEGEND1913. Captain Scott and his four companions reach the South Pole to find their Norwegian rival Roald Amundsen has won the race. Defeated, they set out on the 850-mile journey to their ship. Apsley Cherry-Garrard, the explorer sent out to meet them at One Ton depot, peering South through thick spectacles, sees only an infinity of white, and turns back. A year later Scott's pitched tent is found, just ten miles from the depot, and the bodies within speak of hunger, the unbearable strain of hauling the sledge, and the brutal winter cold. They lie in a tomb of ice. Cherry is left forever tormented by thoughts of what might have been.THE TRUTH? . . .1969. Ten years after Cherry's death, Falcon Grey - who as an orphan of the Blitz was brought up at the explorer's country estate - receives a bequest: a small red notebook that was found in Scott's tent. It is a diary: and it states that they were not victims of the cold, or hunger, but murder, in the coldest of blood. Suspects range from envious foreign powers - such as the Kaiser's Germany - to revolutionaries and even Scott's own men. Vital clues lie in the tent, so Falcon goes South to the ice to see it for himself, but someone is desperate to conceal the truth and will kill to keep the secrets under the ice.__________'Polar aficionados will enjoy this. It suggests alternative endings to legendary stories, casting fresh light on characters we think we know pretty well. An imaginative and compelling recasting, and a fine polar thriller to boot' SARA WHEELERPRAISE FOR J.G. KELLY'Deeply moving and beautifully written' ANN CLEEVES'Heart-breaking, beautiful and thrilling - a book that will stay with you for a very long time' ELLY GRIFFITHS'A tale of devastating secrets, brilliantly told' RORY CLEMENTS'Outstanding. Heartstopping. Brilliant.' KATE FURNIVALL'Thought-provoking and compelling' CAROLINE SCOTT

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Escape to the Spanish hills with this spellbinding story of passionate love, family secrets and betrayal'SHADOWS OVER THE SPANISH SUN is scorching. It was a joy to ride across the Andalusian hills and to be transported by parallel, truly heart wrenching love stories, past and present' Carl Hester, Olympic Gold Medalist in Dressage'Enthralling and wonderfully romantic, with gorgeous characters, this is perfect to curl up with and get lost in' Katie Fforde on A Paris Secret'A moving, sweeping saga of love and loss' Dinah Jefferies on A Paris Secret***A country in the shadow of war. A love that burns through the decades...Mia Ferris's heart has always belonged in Spain. Every childhood summer was spent at her grandfather's hacienda, riding together amongst the olive trees or listening to his stories of the past. So when she learns that he has fallen from his horse, she knows that she belongs by his bedside - even if it means leaving behind her life in London, and her new fiancé.But as Leonardo fights for his life, and Mia to save the family home from financial ruin, secrets begin to emerge that tell a different story of the past - a terrible history that begins with a boy running for his life over the Andalusian hills, and ends with a forbidden love that only war can destroy...As Mia untangles the passions and betrayals of the past, everything she thought she knew is turned upside down. Can she heal the wounds of the past, and face the truth of her own heart?A sweeping novel of passionate love, betrayal and redemption, set against the turmoil and tragedy of the Spanish Civil War. ***Praise for Caroline Montague:Enthralling... snared us in an ever-tightening circle of love and despair, secrets and forgiveness' Joanna Lumley'Thoroughly engrossing' Julian Fellowes, creator of Downton Abbey'Passionate characters with back stories laced with secrets and true historical events, set against the harsh beauty of Andalucía, guarantee hours of escape in this wonderful saga' Angela Petch

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Uncertain Swimmer is the second monograph on the work of British artist Jonathan Wateridge (b. 1972, Lusaka, Zambia), presenting around eighty paintings and works on paper made between 2019 and 2022. Following on from the bodies of work Enclave and Expatria (2016–18), Uncertain Swimmer develops the artist’s interest in modes of representation and the legacies of twentieth-century modernist painting through a visual and social exploration of the motif of the pool, depicting swimmers and sunbathers, often by night. Far from being an escapist environment of aspiration and privilege, Wateridge imbues the pool with a disquieting atmosphere, creating a cumulative feeling of unease and ennui among those present, now seemingly unsure of their world.The publication charts a marked evolution in the artist’s style from the realism of his earlier paintings with complex multi-figure compositions to more solitary, gestural and expressive works. His masterly application of paint takes new forms in the beautiful, curious and often haunting paintings and works on paper showcased here. Art historian and curator Marco Livingstone’s essay considers the change from Wateridge’s naturalistic paintings to the flattened, reduced shapes, forms and lines of the modernism- and abstraction-infused pieces he is making today. Francis Bacon, Edvard Munch and Paul Cézanne are among numerous art historical influences cited by Livingstone, who ruminates on the identity of the people in Wateridge’s portraits and the mercurial spaces they occupy, examining how Wateridge’s current critical preoccupations have transitioned from the autobiographical to more formal concerns.In the featured conversation between Wateridge and fellow painter Caroline Walker, the two artists discuss their overlapping experiences studying painting at Glasgow, as well as Wateridge’s fourteen-year break from painting until 2005. He eventually returned to the medium when he realised it excited him more than anything else. Wateridge elaborates on his fascinating painting process, staging shoots in studios with hired actors and using elements from the photographs in the paintings, often over a period of years. On his canvases, he will scrape back the paint and reapply it, frequently taking pictures of the paintings in their various stages; he will then print the photographs and draw over them to continue working out what he will do with the final paintings. For Wateridge, a painting works when it stops failing, and he embraces unforeseen conclusions.Jonathan Wateridge has recently exhibited with the Hayward Gallery, London; Nino Mier Gallery, Los Angeles, New York and Brussels; TJ Boulting, London; Galerie Haas, Zurich; Pace Gallery and HENI, London. Wateridge's art is in the collections of institutions worldwide, including Aïshti Foundation, Lebanon; Pinault Foundation, Venice; the Saatchi Collection, London; the Rennie Collection, Vancouver; and Simmons & Simmons, London. He has been featured in publications such as The Sunday Times, The Independent, Fad Magazine, Artforum and Artnet. Wateridge is represented by Nino Mier Gallery.

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A fabulous read for cozy winter evenings! - Sophie White, author of UnfilteredAn unexpected love story of magical moments, Christmas surprises and life-affirming decisions - Lexie Byrne is back!And life is wonderful, thank you very much. She has met The One, is still watching Dirty Dancing on repeat, and everything is perfect.Or is it?FaceTiming and flying visits aren't quite the happily ever after Lexie pictured. With her best friend Annemarie nagging her that she deserves more than a part-time lover with an ever-present ex-wife in his life, Lexie can't help wondering if life is as wonderful as she's telling herself it is.Will a surprise trip for Christmas bring the magic back to her relationship? In the city of her dreams, a miracle might just be round the corner . . .

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This popular and accessible introduction to mental health is written for students, mental health practitioners and non-qualified professionals. Fully revised, this second edition is up to date with the latest knowledge on mental health conditions, good practice and the law. The authors explain key concepts in easily understandable language, accessible even to those with no prior knowledge of the subject. They detail the major mental health disorders, the issues surrounding them, and provide detailed information on: * treatment and support * risk assessment and management * mental illness and the Criminal Justice System * the Mental Health Act and the Mental Capacity Act Featuring case studies and exercises to assist learning, this is an invaluable resource for anyone working with people who are experiencing mental illness, including students and professionals in health and social care, housing and criminal justice.

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In light of the innumerable interventions that characterise the transformation of Ireland over the last two decades, Spacing Ireland: Place, society and culture in a post-boom era explores questions of ‘space’ and ‘place’ to understand the nature of major social, cultural and economic change in contemporary Ireland. The authors explore the intersections between everyday life and global exchanges through the contexts of the ‘stuff’ of contemporary everyday encounters: food, housing, leisure, migration, music, shopping, travel and work. These are the multiple layers of space we now inhabit. Ireland is a turbulent place. It is fruitful to consider the contemporary geographies of the island through the various forms where change is expressed. The wide range of topics addressed in the collection and the plurality of spaces they represent make the book appealing not only to students and academics, but to anyone who follows social, cultural and economic developments in Ireland.

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In light of the innumerable interventions that characterise the transformation of Ireland over the last two decades, Spacing Ireland: Place, society and culture in a post-boom era explores questions of ‘space’ and ‘place’ to understand the nature of major social, cultural and economic change in contemporary Ireland. The authors explore the intersections between everyday life and global exchanges through the contexts of the ‘stuff’ of contemporary everyday encounters: food, housing, leisure, migration, music, shopping, travel and work. These are the multiple layers of space we now inhabit. Ireland is a turbulent place. It is fruitful to consider the contemporary geographies of the island through the various forms where change is expressed. The wide range of topics addressed in the collection and the plurality of spaces they represent make the book appealing not only to students and academics, but to anyone who follows social, cultural and economic developments in Ireland.

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A wide-ranging, multi-disciplinary collection of essays that decenter, critique, and problematize predominant notions of the meaning of mortality for human creativityThis issue of Alif explores the ways in which humans have come to confront their mortality across time and space. Contributions question the nature of loss, grief, and the possibility of an afterlife. Is death only an interlude? Perhaps simply the end? How have people used literature and the arts to conceptualize its relentless presence in our existence?The articles in this issue decenter, critique, and problematize predominant notions of the meaning of mortality for human creativity. They provide a wide scope of responses to mortality, anthropologically, philosophically, and psychologically. They shed light on different cultural receptions of loss, annihilation, and mortality, ranging from India to Yemen, Palestine to Iraq, the Island of Lampedusa to the war-ravished city of Beirut, among many other locales. Death is dealt with in an intimate fashion through the exploration and reinterpretation of modern and classical elegiac poetry, children’s picturebooks, fictional accounts of war, grief, and displacement, and dramatic treatments of dying and the afterlife.Contributors: Hajjaj Abu Jabr, Egyptian Academy of Arts, Cairo, EgyptKaram AbuSehly, Beni-Suef University, Beni Suef, EgyptHala Amin, Beni-Suef University, Beni Suef, EgyptShaimaa El-Ateek, Imam Mohammad Ibn Saud Islamic University, Riyadh, Saudi ArabiaMohamed Birairi, Beni-Suef University, Beni-Suef, Egypt, and American University in Cairo, Cairo, EgyptElliott Colla, Georgetown University, Washington, DC, USASaeed Elmasry, Cairo University, Cairo, EgyptShaimaa Gohar, Ain Shams University, Cairo, EgyptWalid El Khachab, York University, Toronto, CanadaYasmine Motawy, American University in Cairo, Cairo, EgyptDani Nassif, University of Münster, Münster, GermanyAndrea Maria Negri, Ludwig Maximilian University of Munich, Munich, GermanyMarwa Ramadan, Zagazig University, Zagazig, EgyptCaroline Rooney, University of Kent, Kent, United KingdomTania Al Saadi, Stockholm University, Stockholm, SwedenMay Telmissany, University of Ottawa, Ottawa, CanadaShahla Ujayli, American University of Madaba, Madaba, Jordan

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The Grimaldis of Monaco tells in full the remarkable history of the world’s oldest reigning dynasty. For nearly eight hundred years, from the elegant Genoese Rainier I to the current Prince Albert II, the Grimaldis—“an ambitious, hot-blooded, unscrupulous race, swift to revenge and furious in battle”—have ruled Monaco. Against all odds, they have proved themselves masterful survivors, still in possession of their lands and titles despite the upheavals of the French Revolution and the First and Second World Wars, when royal heads rolled and most small countries met their demise. With insufficient weaponry and military forces far too small to go into combat against their more powerful neighbors, France and Italy, the Grimaldis endured by their cunning and their shrewd choice of brides—rich women and high connections in the most influential courts of Europe, and often, strong sexual appetites. The French nobleman’s daughter who married Louis I later became the mistress of France Louis XIV. Her son, Antoine I was wed to an aristocratic wife who outdid her mother-in-law by having so many lovers her husband took to hanging them in effigy. The seafaring adventurer Prince Albert I was unfortunate enough to have two wives, one British, one American, who ran off with their lovers. His second wife, the American Alice Heine, a fabulously rich heiress from New Orleans and the widowed Duchesse de Richelieu, was the model for Proust’s Princess of Luxembourg. Heine used her own wealth to bring grandeur, culture, and sophistication to the palatial center of Monte Carlo; and with the introduction of gambling, an internationally celebrated resort was born, initially for the privileged few and later for raffish café society, The last section of the book is devoted to the most recent generations of the Grimaldis. Here, a new image of Rainier III emerges as both man and monarch, beginning with his blighted childhood as the son of divorced parents and of a mother scorned as illegitimate. And preceding the drama of his marriage to Grace Kelly, there is an account of his intense love affair with a French film start and reasons behind his sister’s lifelong malice and envy of him. The final note is necessarily tragic, detailing in full the deaths of both Princess Grace and Princess Caroline’s husband in sudden and shocking accidents

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Between March 1863 and July 1865, Confederate newlyweds Brigadier General Gabriel C. Wharton and Anne Radford Wharton wrote 524 letters, and all survived, unknown until now. Separated by twenty years in age and differing opinions on myriad subjects, these educated and articulate Confederates wrote frankly and perceptively on their Civil War world. Sharing opinions on generals and politicians, the course of the war, the fate of the Confederacy, life at home, and their wavering loyalties, the Whartons explored the shifting gender roles brought on by war, changing relations between slave owners and enslaved people, the challenges of life behind Confederate lines, the pain of familial loss, the definitions of duty and honor, and more.Featuring one of the fullest known sets of correspondence by a high-level officer and his wife, this volume reveals the Whartons' wartime experience from their courtship in the spring of 1863 to June 1865, when Gabriel Wharton swore loyalty to the United States and accepted parole before returning home. William C. Davis and Sue Heth Bell's thoughtful editing guides readers into this world of experience and its ongoing historical relevance.

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Alongside the usual wide-ranging lineup of research articles, volume 41 features an interview with Berliner Ensemble actor Annemone Haase and an extensive special section on teaching Brecht. Now published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Bertolt Brecht's life and work and of topics of particular interest to Brecht, especially the politics of literature and of theater in a global context. It includes a wide variety of perspectives and approaches, and, like Brecht himself, is committed to the concept of the use value of literature, theater, and theory. Volume 41 features an interview with longtime Berliner Ensemble actor Annemone Haase by Margaret Setje-Eilers. A special section on teaching Brecht, guest-edited by Per Urlaub and Kristopher Imbrigotta, includes articles on creative appropriation in the foreign-language classroom (Caroline Weist), satire in Arturo Ui and The Great Dictator (Ari Linden), performative discussion (Cohen Ambrose), Brecht for theater majors (Daniel Smith), teaching performance studies with the Lehrstück model (Ian Maxwell), Verfremdung and ethics (Elena Pnevmonidou), Brecht on the college stage (Julie Klassen and Ruth Weiner), and methods of teaching Brechtian Stückschreiben (Gerd Koch). Other research articles focus on Harry Smith's Mahagonny (Marc Silberman), inhabiting empathy in the contemporary piece Temping (James Ball), Brecht's appropriation of Kurt Lewin's psychology (Ines Langemeyer), and Brecht's collaborations with women, both across his career (Helen Fehervary) and in exile in Skovsbostrand (Katherine Hollander). Editor Theodore F. Rippey is Associate Professor of German at Bowling Green State University.

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Prussian-born cartographer Oscar Hinrichs was a key member of Stonewall Jackson's staff, collaborated on maps with Jedediah Hotchkiss, and worked alongside such prominent Confederate leaders as Joe Johnston, Richard H. Anderson, and Jubal Early. After being smuggled along the Rebel Secret Line in southern Maryland by John Surratt Sr., his wife Mary, and other Confederate sympathizers, Hinrichs saw action in key campaigns from the Shenandoah Valley and Antietam to Gettysburg, Petersburg, and Appomattox. After the Confederate surrender, Hinrichs was arrested alongside his friend Henry Kyd Douglas and imprisoned under suspicion of having played a role in the Booth conspiracy, though the charges were later dropped.Hinrichs's detailed wartime journals, published here for the first time, shed new light on mapmaking as a tool of war, illuminate Stonewall Jackson's notoriously superior strategic and tactical use of terrain, and offer unique perspectives on the lives of common soldiers, staff officers, and commanders in Lee's army. Impressively comprehensive, Hinrichs's writings constitute a valuable and revelatory primary source from the Civil War era.

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This is the first book to provide an introduction to contemporary cultural approaches to the study of religion. This book makes sophisticated ideas accessible at an introductory level, and examines the analytic tools of scholars in religious studies, as well as in related disciplines that have shaped the field including anthropology, history, literature, and critical studies in race, sexuality, and gender. Each chapter is written by a leading scholar and includes: · the biographical and historical context of each theorist · their approaches and key writings · analysis and evaluation of each theory · suggested further reading. Part One: Comparative Approaches considers how major features such as taboo, texts, myths and ritual work across religious traditions by exploring the work of Mary Douglas, Phyllis Trible, Wendy Doniger and Catherine Bell. Part Two: Examining Particularities analyzes the comparative approach through the work of Alice Walker, Charles Long and Caroline Walker Bynum, who all suggest that the specifics of race, body, place and time must be considered. Part Three: Expanding Boundaries examines Gloria Anzaldúa’s language of religion, as well as the work of Judith Butler on performative, queer theories of religion, and concludes with Saba Mahmood, whose work considers postcolonial religious encounters, secularism, and the relationship between “East” and “West.” Reflecting the cultural turn and challenging the existing canon, this is the anthology instructors have been waiting for. For primary texts by the theorists discussed, please consult The Bloomsbury Reader in Cultural Approaches to the Study of Religion, edited by Sarah J. Bloesch and Meredith Minister.

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Examining the analytic tools of scholars in religious studies, as well as in related disciplines that have shaped the field, this updated textbook includes cultural approaches from anthropology, history, literature, and critical studies in race, sexuality, and gender. Each chapter is written by a leading scholar and includes: the biographical and historical context of each theorist their approaches and key writings analysis and evaluation of each theory a list of key terms suggested further reading Part One: Comparative Approaches considers how major features such as taboo, texts, myths, and ritual work across religious traditions. This section explores the work of Mary Douglas, Phyllis Trible, Wendy Doniger, Catherine Bell and, new to this edition, Tomoko Masuzawa, whose contributions reveal the colonialist assumptions of the comparative, world religions model. Part Two: Examining Particularities analyzes the comparative approach through the work of Alice Walker, Charles Long, and Caroline Walker Bynum, who all suggest that the specifics of race, body, place and time must be considered. Part Three: Expanding Boundaries examines Gloria Anzaldúa’s language of religion, as well as the work of Judith Butler on performative, queer theories of religion, Saba Mahmood, whose work considers postcolonial religious encounters, secularism, and the relationship between “East” and “West”. New to this edition is Jasbir Puar’s work on work on affect, gender, sexuality, and disability. Along with a list of key terms, each section now includes an introduction highlighting the contributions of each thinker and their relation to previous theories that dominated the field.

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In twenty-four concussive, embodied, and nonlinear essays, Michael Ramos creates a challenging and complex portrait of what it means to be a warrior, civilian, veteran, father, husband, and teacher - he ultimately uses the skills he developed in the military to help others find meaning in their lives.

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In 2008, the Chinese government cracked down on protests throughout Tibet, and journalist Amy Yee found herself covering a press conference with the Dalai Lama in Dharamsala, his exile home in India. She never imagined a personal encounter with the spiritual leader would spark a global, fourteen-year journey to spotlight the stories of Tibetans in exile. As she documents how Tibetans live between worlds, Yee comes to know ordinary but extraordinary people like Topden, a monk and unlikely veterinary assistant; Norbu, a chef and political refugee; and Deckyi and Dhondup, a couple forced to leave their middle-class lives in Lhasa. Yee follows them to other parts of India and across oceans and four continents where they forge new lives while sustaining Tibetan identity and culture.Weaving a sweeping travel narrative with intimate on-the-ground reportage, Far from the Rooftop of the World tells these stories and others against the backdrop of milestones and events in Tibet's recent history – many memorable, too many tragic. The resulting portrait illuminates the humanity, strength, and perseverance of a people whose homeland is in crisis.

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For much of the twentieth and twenty-first centuries, public officials in cities like New York, Chicago, and Baltimore have criminalized uprisings—portending Black "thugs" throwing rocks at police and plundering private property—to undermine complaints of police violence. Liberal mayors like Fiorello H. La Guardia have often been the deftest practitioners of this strategy. As the depression and wartime conditions spurred youth crime, white New Yorkers' anxieties—about crime, the movement of Black people into white neighborhoods, and headlines featuring Black "hoodlums" emblazoned all over the white media—drove their support for the expansion of police patrols in the city, especially in Harlem and Bedford-Stuyvesant. Though Blacks also called for police protection and for La Guardia to provide equitable municipal resources, they primarily received more punishment. This set the stage for the Harlem uprising of 1943.Shannon King uncovers how Black activism for safety was a struggle against police brutality and crime, highlighting how the police withholding protection operated was a form of police violence and an abridgement of their civil rights. By decentering familiar narratives of riots, King places Black activism against harm at the center of the Black freedom struggle, revealing how Black neighborhoods became occupied territories in La Guardia's New York.

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Una coleccion de ensayos escogidos del critico John Beverley en el campo del Latinoamericanismo literario, atento a los conexiones entre literatura, hegemonia, y conflicto social. Abarca el periodo que va desde los ochenta del siglo pasado hasta hoy. Los temas incluyen el barroco colonial y su fuerza hegemonica en la cultura latinoamericana, el testimonio como genero emergente, la literatura militante, el postmodernismo, la relacion entre critica literaria y cultural y el desarrollo de la llamada Marea Rosada, y en general el impacto de los estudios postcoloniales y subalternos. La coleccion proporciona una vision critica de la ciudad letrada latinoamericana y una defensa del campo de la critica literaria como un lugar de constituir y reconstituir la hegemonia. En este sentido, se situa a la vez contra la llamada "crisis de las humanidades" inducida por los efectos ideologicos del neoliberalismo, pero tambien contra posiciones criticas, como la desconstruccion, que aspiran a una trascendencia de la critica literaria como tal, y del proyecto del Latinoamericanismo en terminos generales.

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Democracies do not die; they are killed. Democracy in Crisis explores how a democracy, grounded in fair elections, parliamentary institutions, and a liberal constitution, nonetheless can fall prey to extreme partisanship, ideological radicalism, procedural manipulation, and external pressures.Arguably the greatest failure of this democratic challenge came in Germany in the early twentieth century--a failure that led to the Third Reich. Here, all of the great ideologies of the modern West collided as roughly equal and viable contenders during the so-called Weimer Republic, 1919-1933. For over a decade since World War I, liberalism, nationalism, conservatism, social democracy, Christian democracy, communism, fascism, and every variant of these movements struggled for power. Although the constitutional framework boldly enshrined liberal democratic values, the political spectrum was so broad and fully represented that a stable parliamentary majority required constant compromises--compromises that alienated citizens embittered by national humiliation in the war and ensuing treaty, struggling to survive in economic turmoil, and confused by rapidly changing cultural norms. As positions hardened, the door was opened to radical alternatives. In the game, players, as delegates of the Reichstag (parliament), must contend with intense parliamentary wrangling, constant and uncontrollable world events, street fights, assassinations, and even insurrections. Our game begins in late 1929, just after the US Stock Market Crash as the Reichstag deliberates the Young Plan (a revision to the Treaty of Versailles that ended World War I). The players belong to various political parties and must debate these matters and more as the combination of economic stress, political gridlock, and foreign pressure turn Germany into a volcano on the verge of eruption.

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A Life with Colour is the first complete survey of Gerard Wagner's biography and his artistic intentions, featuring dozens of illustrations and more than 120 colour plates. The life and work of Gerard Wagner (1906-1999) were closely aligned to the artistic-spiritual stream connected with the Goetheanum in Dornach, Switzerland. He first heard of the Goetheanum - and of its destruction by fire at New Year 1922/23 - whilst still a youth. In 1926, he made his first visit to Dornach, but his intended stay of a week turned into a lifelong sojourn of over 73 years. He found there an active, striving community with which he felt intimately connected. From the start, Gerard Wagner immersed himself in the various artistic impulses that Rudolf Steiner had instigated. This, together with an intensive study of anthroposophy, formed the basis upon which he forged his own approach to painting. The many years he spent in colour experimentation led him to discover objective principles within the language of colour and form that are an inspiration to many today. His paintings, first shown at the Goetheanum in the early 1940s, were exhibited internationally, most notably at the Menshikov Palace, Hermitage Museum, St Petersburg, Russia, in 1997. '[Wagner's] whole being bowed before the mystery of colour in a loving, joyful yet serious way, full of devotion and dignity. His life and work itself became a living metaphor of the creative power of colour.' - Christian Hitsch 'Caroline Chanter has not only accomplished a great and seminal study that illuminates the life and work of Gerard Wagner, but has done a great service also to the Goetheanum and its School of Spiritual Science.' - Peter Selg '[Gerard Wagner was] a soul which on earth was devoted so selflessly and in such purity to the beings that are revealed... in forms and colours. He helped them to utterance and manifestation in this world of ours.' - Sergei O. Prokofieff

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Lonely Planet's new Wine Trails - Europe book is your guide to the perfect European wine getaway. Featuring Europe's most exciting and up-and-coming wine destinations, discover cult favourites and secret gems. Journey through 40 trails, from Vienna's urban vineyards to Portugal's Alentejo region, with the help of our regional wine experts who introduce you to each old world destination. In every region, expert writers - including Masters of Wine Caroline Gilby and Anne Krebiehl and critics and columnists Sarah Ahmed, Tara Q. Thomas and John Brunton - review the most rewarding wineries to visit and the most memorable and quaffable wines to taste. Whether it be a chilled glass of rosé in picturesque Provence or a savoury, dry Fino sherry in Andalucia, all bases are covered in this comprehensive guide to Europe's best wine-making regions. You'll venture into historic, world-famous wineries, through celebrated cellar doors and will discover some unsung heroes along the way. Bottoms up! About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, eBooks, and more.

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Maurice Blanchot is perhaps best known as a major French intellectual of the twentieth century: the man who countered Sartre's views on literature, who affirmed the work of Sade and Lautréamont, who gave eloquent voice to the generation of '68, and whose philosophical and literary work influenced the writing of, among others, Jacques Derrida, Gilles Deleuze, and Michel Foucault. He is also regarded as one of the most acute narrative writers in France since Marcel Proust. In Clandestine Encounters, Kevin Hart has gathered together major literary critics in Britain, France, and the United States to engage with Blanchot's immense, fascinating, and difficult body of creative work. Hart's substantial introduction usefully places Blanchot as a significant contributor to the tradition of the French philosophical novel, beginning with Voltaire's Candide in 1759, and best known through the works of Sartre. Clandestine Encounters considers a selection of Blanchot's narrative writings over the course of almost sixty years, from stories written in the mid-1930s to L'instant de ma mort (1994). Collectively, the contributors' close readings of Blanchot's novels, recits, and stories illuminate the close relationship between philosophy and narrative in his work while underscoring the variety and complexity of these narratives. Contributors: Christophe Bident, Arthur Cools, Thomas S. Davis, Christopher Fynsk, Rodolphe Gasché, Kevin Hart, Leslie Hill, Michael Holland, Stephen E. Lewis, Vivian Liska, Caroline Sheaffer-Jones, Christopher A. Strathman, Alain Toumayan

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For generations, enterprising people in the southern Appalachians have turned the region's extensive network of caves into a strange, fascinating genre of tourist attraction. Visitors pay admission to take a tour deep underground, learning a little about history and geology while puzzling over lit-up rock formations said to resemble anything from Niagara Falls to the Capitol dome. Then off go the lights, enveloping the travelers in total darkness--until the guide flips them back on and welcomes folks back into the safety of the inevitable gift shop. Show caves, as Douglas Reichert Powell explains in Endless Caverns, are at once predictable and astonishing, ancient and modern, eerie and sentimental. Their story sparks memories of a fleeting cool moment deep underground during a hot summer vacation, capturing in microcosm the history and culture of a region where a deeply rooted sense of place collides with constant change. Reichert Powell takes readers along on his journey through the past and present of Appalachia's show caves, highlighting the characters who have owned and operated them, the ways the attractions have developed and changed over the years, and the odd intrigue that still leads people to buy their ticket and head underground. Tourist tastes may shift as interstates whisk travelers past the backroads and on to trendier destinations, but the show cave--like Appalachia itself--endures.

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Personal reinvention, from relatively minor changes like a nickname to major transformations in gender identity, is a core part of the human condition. New identities can help people cast off an unappealing past, align with a group in which one seeks membership, or attain personal or professional goals. The second half of the twentieth century was marked by a startling number of religious conversions among American celebrities, becoming fodder —often critical—for newspapers and gossip columns. Rebecca L. Davis reveals how the contradictory pressures to conform to a specific vision of Americanism and to celebrate the freedom of religion made conversions both attractive and threatening to the American public. Through lively stories of individuals' conversions, we learn that the act of changing religions was often viewed as selfish, reckless, and nonconformist, but it also accomplished significant political work.

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From the late eighteenth century, the hinterlands of Northern Luzon and its Indigenous people were in the crosshairs of imperial and capitalist extraction. Combining the breadth of global history with the intimacy of biography, Adrian De Leon follows the people of Northern Luzon across space and time, advancing a new vision of the United States's Pacific empire that begins with the natives and migrants who were at the heart of colonialism and its everyday undoing. From the emergence of Luzon's eighteenth-century tobacco industry and the Hawaii Sugar Planters' Association's documentation of workers to the movement of people and ideas across the Suez Canal and the stories of Filipino farmworkers in the American West, De Leon traces "the Filipino" as a racial category emerging from the labor, subjugation, archiving, and resistance of native people. De Leon's imaginatively constructed archive yields a sweeping history that promises to reshape our understanding of race making in the Pacific world.

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In Athens, Georgia in the eighties, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow.

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Joan Marie Johnson examines an understudied dimension of women's history in the United States: how a group of affluent white women from the late nineteenth through the mid-twentieth centuries advanced the status of all women through acts of philanthropy. This cadre of activists included Phoebe Hearst, the mother of William Randolph Hearst; Grace Dodge, granddaughter of Wall Street "Merchant Prince" William Earle Dodge; and Ava Belmont, who married into the Vanderbilt family fortune. Motivated by their own experiences with sexism, and focusing on women's need for economic independence, these benefactors sought to expand women's access to higher education, promote suffrage, and champion reproductive rights, as well as to provide assistance to working-class women. In a time when women still wielded limited political power, philanthropy was perhaps the most potent tool they had. But even as these wealthy women exercised considerable influence, their activism had significant limits. As Johnson argues, restrictions tied to their giving engendered resentment and jeopardized efforts to establish coalitions across racial and class lines. As the struggle for full economic and political power and self-determination for women continues today, this history reveals how generous women helped shape the movement. And Johnson shows us that tensions over wealth and power that persist in the modern movement have deep historical roots.

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The Army of the Potomac was a hotbed of political activity during the Civil War. As a source of dissent widely understood as a frustration for Abraham Lincoln, its onetime commander, George B. McClellan, even secured the Democratic nomination for president in 1864. But in this comprehensive reassessment of the army's politics, Zachery A. Fry argues that the war was an intense political education for its common soldiers. Fry examines several key "crisis points" to show how enlisted men developed political awareness that went beyond personal loyalties. By studying the struggle between Republicans and Democrats for political allegiance among the army's rank and file, Fry reveals how captains, majors, and colonels spurred a pro-Republican political awakening among the enlisted men, culminating in the army's resounding Republican voice in state and national elections in 1864.For decades, historians have been content to view the Army of the Potomac primarily through the prism of its general officer corps, portraying it as an arm of the Democratic Party loyal to McClellan's leadership and legacy. Fry, in contrast, shifts the story's emphasis to resurrect the successful efforts of pro administration junior officers who educated their men on the war's political dynamics and laid the groundwork for Lincoln's victory in 1864.

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Paul Polgar recovers the racially inclusive vision of America's first abolition movement. In showcasing the activities of the Pennsylvania Abolition Society, the New York Manumission Society, and their African American allies during the post-Revolutionary and early national eras, he unearths this coalition's comprehensive agenda for black freedom and equality. By guarding and expanding the rights of people of African descent and demonstrating that black Americans could become virtuous citizens of the new Republic, these activists, whom Polgar names "first movement abolitionists," sought to end white prejudice and eliminate racial inequality. Beginning in the 1820s, however, colonization threatened to eclipse this racially inclusive movement. Colonizationists claimed that what they saw as permanent black inferiority and unconquerable white prejudice meant that slavery could end only if those freed were exiled from the United States. In pulling many reformers into their orbit, this radically different antislavery movement marginalized the activism of America's first abolitionists and obscured the racially progressive origins of American abolitionism that Polgar now recaptures. By reinterpreting the early history of American antislavery, Polgar illustrates that the late eighteenth and early nineteenth centuries are as integral to histories of race, rights, and reform in the United States as the mid-nineteenth century.

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America's community newspapers have entered an age of disruption. Towns and cities continue to need the journalism and advertising so essential to nurturing local identity and connection among citizens. But as the business of newspaper publishing collides with the digital revolution, and as technology redefines consumer habits and the very notion of community, how can newspapers survive and thrive? In Saving Community Journalism, veteran media executive Penelope Muse Abernathy draws on cutting-edge research and analysis to reveal pathways to transformation and long-term profitability. Offering practical guidance for editors and publishers, Abernathy shows how newspapers can build community online and identify new opportunities to generate revenue. Examining experiences at a wide variety of community papers--from a 7,000-circulation weekly in West Virginia to a 50,000-circulation daily in California and a 150,000-circulation Spanish-language weekly in the heart of Chicago--Saving Community Journalism is designed to help journalists and media-industry managers create and implement new strategies that will allow them to prosper in the twenty-first century. Abernathy's findings will interest everyone with a stake in the health and survival of local media.

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Over the course of his long career, legendary bluesman William ""Big Bill"" Broonzy (1893@–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century. Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.

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In February 1971, racial tension surrounding school desegregation in Wilmington, North Carolina, culminated in four days of violence and skirmishes between white vigilantes and black residents. The turmoil resulted in two deaths, six injuries, more than $500,000 in damage, and the firebombing of a white-owned store, before the National Guard restored uneasy peace. Despite glaring irregularities in the subsequent trial, ten young persons were convicted of arson and conspiracy and then sentenced to a total of 282 years in prison. They became known internationally as the Wilmington Ten. A powerful movement arose within North Carolina and beyond to demand their freedom, and after several witnesses admitted to perjury, a federal appeals court, also citing prosecutorial misconduct, overturned the convictions in 1980. Kenneth Janken narrates the dramatic story of the Ten, connecting their story to a larger arc of Black Power and the transformation of post-Civil Rights era political organizing. Grounded in extensive interviews, newly declassified government documents, and archival research, this book thoroughly examines the 1971 events and the subsequent movement for justice that strongly influenced the wider African American freedom struggle.

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At the close of the nineteenth century, the Democratic Party in North Carolina engineered a white supremacy revolution. Frustrated by decades of African American self-assertion and threatened by an interracial coalition advocating democratic reforms, white conservatives used violence, demagoguery, and fraud to seize political power and disenfranchise black citizens. The most notorious episode of the campaign was the Wilmington ""race riot"" of 1898, which claimed the lives of many black residents and rolled back decades of progress for African Americans in the state. Published on the centennial of the Wilmington race riot, Democracy Betrayed draws together the best new scholarship on the events of 1898 and their aftermath. Contributors to this important book hope to draw public attention to the tragedy, to honor its victims, and to bring a clear and timely historical voice to the debate over its legacy. The contributors are David S. Cecelski, William H. Chafe, Laura F. Edwards, Raymond Gavins, Glenda E. Gilmore, John Haley, Michael Honey, Stephen Kantrowitz, H. Leon Prather Sr., Timothy B. Tyson, LeeAnn Whites, and Richard Yarborough. |Twelve essays on the Wilmington ""race riot"" of 1898--the most notorious episode of a white supremacy campaign in which white conservatives used violence, demagoguery, and fraud to seize political power and disenfranchise black citizens.

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In Germans to the Front , David Large charts the path from Germany's total demilitarization immediately after World War II to the appearance of the Bundeswehr, the West German army, in 1956. The book is the first comprehensive study in English of West German rearmament during this critical period. Large's analysis of the complex interplay between the diplomatic and domestic facets of the rearmament debate illuminates key elements in the development of the Cold War and in Germany's ongoing difficulty in formulating a role for itself on the international scene. Rearmament severely tested West Germany's new parliamentary institutions, dramatically defined emerging power relationships in German politics, and posed a crucial challenge for the NATO alliance. Although the establishment of the Bundeswehr ultimately helped stabilize the nation, the acrimony surrounding its formation generated deep divisions in German society that persisted long after the army took the field. According to Large, the conflict was so bitter because rearmament forced a confrontation with fundamental questions of national identity and demanded a painful reckoning with the past. |Regarded as the primary textbook and sourcebook for the teaching and practice of local journalism and newspaper publishing in the U.S., this book addresses the issues a small-town newspaper writer or publisher is likely to face, from why community journalism is important and distinctive; to hints for reporting, news writing, and feature writing with a ""community spin""; to handling design, production, photojournalism, and staff management. This edition includes a new ""Best Practices"" chapter for community newspapers.

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THE INSTANT SUNDAY TIMES BESTSELLER!WOULD YOU KILL FOR A GOOD STORY?'A confident, sassy, pitch-black debut' CAROLINE KEPNES'Your new obsession' ERIN KELLY'Savage, witty and all-consuming' ABIGAIL DEAN'A dark masterpiece. It will work its way under your skin like a splinter' CATRIONA WARD ***** Roach - bookseller, loner and true crime fanatic- is not interested in making friends. She has all the company she needs in her serial killer books, murder podcasts and her pet snail, Bleep. That is, until Laura joins the bookshop. With her cute literary tote bags and sunny smile, she's everyone's favourite bookseller. But beneath the shiny veneer, Roach senses a darkness within Laura, the same darkness Roach possesses. And as curiosity blooms into morbid obsession, Roach becomes determined to be a part of Laura's story - whether Laura wants her in it or not.*****'A spectacularly creepy debut ... a tense and disturbing read' GUARDIAN'Tense, addictive and sticky underfoot' JULIA ARMFIELD'A sharp and creepy debut thriller' DAILY MAIL 'Utterly unforgettable' CATHERINE RYAN HOWARD'Delightfully dark' COSMOPOLITAN, Best New Books 'Engrossing, atmospheric and deliciously dark' WILL DEAN'Uncomfortable, claustrophobic, and you won't take your eyes off the pages' BELFAST TELEGRAPH 'Impossible to put down' ELIZA CLARK'A sinister and tense debut that will chill you to the core' PLATINUM MAGAZINE 'Relentlessly creepy and deeply compulsive' HEATHER DARWENT

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