Search results for ""Author Black"

In April 2011, the newly created Royal Navy Response Force Task Group deployed to the Mediterranean to provide a range of military options in response to the Arab Spring. For the next six months the group planned and prepared for a range of potential operations including noncombatant evacuations from Libya, Yemen and Syria, maritime interdiction operations off the Libyan coast, and amphibious landings.On 3 June the group began launching attack helicopter strikes into Libya and in the nights that followed planned 47 and executed 22 strikes destroying a range of targets including: 54 vehicles, 2 rigid hull boats, 2 BM 21 rocket launchers, 4 main battle tanks, 1 zsu antiaircraft vehicle and 3 command and control nodes. The operation saw the first operational use of Apaches from the sea and the first embarkation of US Army combat search and rescue teams and Blackhawk helicopters in an RN warship.This is a personal account by the Group’s Commander, which brings to life the challenges of command – including authorizing strikes and mitigating risk to UK aircrew – in a complex and challenging environment. It reveals how closely the RN Group worked with its French counterpart, the support provided by the United States, together with the complexity of working alongside NATO and of simultaneously dealing with a range of UK authorities.This is a story of leadership under pressure and the remarkable professionalism of all involved and the bravery of Army aircrew. It was modern defence and joinery at its best – British Army and USAF helicopters operating from RN ships, supported by Fleet Air Arm aircraft and fixed wing jets as part of a largely air campaign.

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Giselle and her comrades fight to get Ao back, but they struggle to get past Flamme’s Albert and Pain’s fierce resistance. Meanwhile, Ao wanders the depths of his memories and the past he’d forgotten is finally restored to him. Lost beneath deep, stagnant waters, the black painting Ao created so long ago is trying to blot out the world.

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This book will be of importance in breast cancer diagnosis where cytology has become a mandatory procedure in the large number of cases where doubt remains. The book aims to provide the reader with up-to-date information on the techniques of breast cytologic sampling and interpretation. The text is accompanied by colour and black and white illustrations and includes practical procedures and pathological findings.

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'I could see that she was still terribly afraid, but I didn't soften anything; instead, seeing that she was afraid I deliberately intensified it.'In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

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Was there such a thing as a modern notion of race in the English Renaissance, and, if so, was skin color its necessary marker? In fact, early modern texts described human beings of various national origins—including English—as turning white, brown, tawny, black, green, or red for any number of reasons, from the effects of the sun's rays or imbalance of the bodily humors to sexual desire or the application of makeup. It is in this cultural environment that the seventeenth-century London Gazette used the term "black" to describe both dark-skinned African runaways and dark-haired Britons, such as Scots, who are now unquestioningly conceived of as "white." In Shades of Difference, Sujata Iyengar explores the cultural mythologies of skin color in a period during which colonial expansion and the slave trade introduced Britons to more dark-skinned persons than at any other time in their history. Looking to texts as divergent as sixteenth-century Elizabethan erotic verse, seventeenth-century lyrics, and Restoration prose romances, Iyengar considers the construction of race during the early modern period without oversimplifying the emergence of race as a color-coded classification or a black/white opposition. Rather, "race," embodiment, and skin color are examined in their multiple contexts—historical, geographical, and literary. Iyengar engages works that have not previously been incorporated into discussions of the formation of race, such as Marlowe's "Hero and Leander" and Shakespeare's "Venus and Adonis." By rethinking the emerging early modern connections between the notions of race, skin color, and gender, Shades of Difference furthers an ongoing discussion with originality and impeccable scholarship.

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Many people understand urban renewal projects and the power of eminent domain as two of the most widely despised, and even racist, tools for reshaping American cities in the postwar period. In A World More Concrete, N. D. B. Connolly unearths a far more complex story. Connolly scrutinizes nearly eighty years of history and reveals how real estate and land development in South Florida are expressions of political culture, racial power, and metropolitan transformation. He uses a materialist approach to offer a long view of urban redevelopment and the color line, following much of the money that made Jim Crow segregation a profitable and durable social process in cities throughout the twentieth century. Connolly argues that black and white landlords, entrepreneurs, and even liberal community leaders helped create a political culture that, through rents, took advantage of the poor to generate remarkable wealth and advance property rights at the expense of more inclusive visions of equality. For elite blacks, as for their white allies, uses of eminent domain helped to harden class and color lines. Yet confiscating certain kinds of real estate also promised to help improve housing conditions, to undermine the neighborhood influence of powerful slumlords, and to open new opportunities for suburban life for black Floridians. Concerned more with winners and losers than with heroes and villains, A World More Concrete offers a sober assessment of money and power in Jim Crow America. It shows how negotiations between powerful real estate interests on both sides of the color line gave racial segregation a remarkable capacity to evolve, revealing property owners' power to reshape American cities in ways that can still be seen and felt today.

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Seeking wisdom and guidance from the expansive energies of the Universe. This oracle captures the spiritual wisdom from the known universe: the individual energies, twinkling stars, greatest fiery suns,mysterious black holes, spinning galaxies, shining constellations and all the planets great and small. Humans have always been fascinated by the night sky and the spin of the planets. The earliest cave paintings feature the stars, the sun, the moon and constellations all woven into mythos, stories and lessons. Everyday we learn that little bit more about the vastness of space. Not only are we exploring constellations, stars, planets, black holes and even whole galaxies that we now know exist, but also energies such as dark matter and new space phenomena that are now being discovered and further understood. This oracle is created by the winning combination of Stacey Demarco and Kinga Britschgi, both of whom are obsessed by space and the mythos and beauty of the stars. This card deck is perfectly created for those who have always sought the cosmos for divine guidance and inspiration.

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BCALA 2023 Nonfiction Award Winner History of Education Society's Outstanding Book Award 2022 Semifinalist Named one of the top 25 books all students should read by Tuskegee University The untold story of a dynamic student movement on one of the nation’s most important historically Black campuses The Tuskegee Institute, one of the nation’s most important historically Black colleges, is primarily known for its World War II pilot training program, a fateful syphilis experiment, and the work of its founder, Booker T. Washington. In The Tuskegee Student Uprising, Brian Jones explores an important yet understudied aspect of the campus’s history: its radical student activism. Drawing upon years of archival research and interviews with former students, professors, and administrators, Brian Jones provides an in-depth account of one of the most dynamic student movements in United States history. The book takes the reader through Tuskegee students’ process of transformation and intellectual awakening as they stepped off campus to make unique contributions to southern movements for democracy and civil rights in the 1960s. In 1966, when one of their classmates was murdered by a white man in an off-campus incident, Tuskegee students began organizing under the banner of Black Power and fought for sweeping curricular and administrative reforms on campus. In 1968, hundreds of students took the Board of Trustees hostage and presented them with demands to transform Tuskegee Institute into a “Black University.” This explosive movement was thwarted by the arrival of the Alabama National Guard and the school’s temporary closure, but the students nevertheless claimed an impressive array of victories. Jones retells these and other events in relation to the broader landscape of social movements in those pivotal years, as well as in connection to the long pattern of dissent and protest within the Tuskegee Institute community, stretching back to the 19th century. A compelling work of scholarship, The Tuskegee Student Uprising is a must-read for anyone interested in student activism and the Black freedom movement.

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Illuminates how the Rastafari movement managed to evolve in the face of severe biases Misunderstood, misappropriated, belittled: though the Rastafari feature frequently in media and culture, they have most often been misrepresented, their political and religious significance minimized. But they have not been vanquished. Charles Price’s Rastafari: The Evolution of a People and Their Identity reclaims the rich history of this relatively new world religion. Charting its humble and rebellious roots in Jamaica’s backcountry in the late nineteenth century to the present day, Price explains how Jamaicans’ obsession with the Rastafari wavered from campaigns of violence to appeasement and cooptation. Indeed, he argues that the Rastafari as a political, religious, and cultural movement survived the biases and violence they faced through their race consciousness and uncanny ability to ride the waves of anti-colonialism and Black Power. This social movement traveled throughout the Caribbean, Africa, Central America, and the United States, capturing the heart and imagination of much of the African diaspora. Rastafari spans the movement’s struggle for autonomy, its multiple campaigns for repatriation to Africa, and its leading role in the Black consciousness movements of the twentieth century. Not satisfied with simply narrating the past, Rastafari also takes on the challenges of gender equality and the commodification of Rastafari culture in the twenty-first century without abandoning its message of equality and empowering the downpressed. Rastafari shows how this cultural and political context helped to shape the development of a Black collective identity, demonstrating how Rastafarians confronted society-wide ridicule and oppression and emerged prouder and more united, steadfast in their conviction that they were a chosen people.

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Illuminates how the Rastafari movement managed to evolve in the face of severe biases Misunderstood, misappropriated, belittled: though the Rastafari feature frequently in media and culture, they have most often been misrepresented, their political and religious significance minimized. But they have not been vanquished. Charles Price’s Rastafari: The Evolution of a People and Their Identity reclaims the rich history of this relatively new world religion. Charting its humble and rebellious roots in Jamaica’s backcountry in the late nineteenth century to the present day, Price explains how Jamaicans’ obsession with the Rastafari wavered from campaigns of violence to appeasement and cooptation. Indeed, he argues that the Rastafari as a political, religious, and cultural movement survived the biases and violence they faced through their race consciousness and uncanny ability to ride the waves of anti-colonialism and Black Power. This social movement traveled throughout the Caribbean, Africa, Central America, and the United States, capturing the heart and imagination of much of the African diaspora. Rastafari spans the movement’s struggle for autonomy, its multiple campaigns for repatriation to Africa, and its leading role in the Black consciousness movements of the twentieth century. Not satisfied with simply narrating the past, Rastafari also takes on the challenges of gender equality and the commodification of Rastafari culture in the twenty-first century without abandoning its message of equality and empowering the downpressed. Rastafari shows how this cultural and political context helped to shape the development of a Black collective identity, demonstrating how Rastafarians confronted society-wide ridicule and oppression and emerged prouder and more united, steadfast in their conviction that they were a chosen people.

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Patrick Manning refuses to divide the African diaspora into the experiences of separate regions and nations. Instead, he follows the multiple routes that brought Africans and people of African descent into contact with one another and with Europe, Asia, and the Americas. In weaving these stories together, Manning shows how the waters of the Atlantic Ocean, the Mediterranean Sea, and the Indian Ocean fueled dynamic interactions among black communities and cultures and how these patterns resembled those of a number of connected diasporas concurrently taking shape across the globe. Manning begins in 1400 and traces five central themes: the connections that enabled Africans to mutually identify and hold together as a global community; discourses on race; changes in economic circumstance; the character of family life; and the evolution of popular culture. His approach reveals links among seemingly disparate worlds. In the mid-nineteenth century, for example, slavery came under attack in North America, South America, southern Africa, West Africa, the Ottoman Empire, and India, with former slaves rising to positions of political prominence. Yet at the beginning of the twentieth century, the near-elimination of slavery brought new forms of discrimination that removed almost all blacks from government for half a century. Manning underscores the profound influence that the African diaspora had on world history, demonstrating the inextricable link between black migration and the rise of modernity, especially in regards to the processes of industrialization and urbanization. A remarkably inclusive and far-reaching work, The African Diaspora proves that the advent of modernity cannot be imaginatively or comprehensively engaged without taking the African peoples and the African continent as a whole into account.

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Longlisted for the 2022 International Booker Prize Winner of the 2023 Jabuti Prize in the Brazilian Book Published Abroad category Federico and Lourenco are brothers. Their father is black, a famed forensic pathologist for the police; their mother is white. Federico - distant, angry, analytical - has light skin, which means he's always been able to avoid the worst of the racism that Brazilian culture has to offer. He can 'pass' as white, and yet, because of this, he has devoted his life to racial justice. Lourenco, on the other hand, is dark-skinned, easy-going, and well-liked in the brothers' hometown of Porto Alegre - and has become a father himself. As Federico's fiftieth birthday looms, he joins a governmental committee in the capital. It is tasked with quelling the increasingly violent student protests rocking Brazil by overseeing the design of a software program that will adjudicate the degree to which each university applicant is sufficiently black to warrant admittance under new affirmative-action quotas. Before he can come to grips with his feelings about this initiative, not to mention a budding romance with one of his committee colleagues, Federico is called home: his niece has just been arrested at a protest carrying a concealed gun. And not just any gun. A stolen police service revolver that Federico and Lourenco hid for a friend decades before. A gun used in a killing. Paulo Scott here probes the old wounds of race in Brazil, and in particular the loss of a black identity independent from the history of slavery. Exploratory rather than didactic, a story of crime, street-life and regret as much as a satirical novel of ideas, Phenotypes is a seething masterpiece of rage and reconciliation.

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Is violent self-defense ethical? In the history of colonialism, racism, sexism, capitalism, there has long been a dividing line between bodies "worthy of defending" and those who have been disarmed and rendered defenseless. In 1685, for example, France's infamous "Code Noir" forbade slaves from carrying weapons, under penalty of the whip. In nineteenth-century Algeria, the colonial state outlawed the use of arms by Algerians, but granted French settlers the right to bear arms. Today, some lives are seen to be worth so little that Black teenagers can be shot in the back for appearing "threatening" while their killers are understood, by the state, to be justified. That those subject to the most violence have been forcibly made defenseless raises, for any movement of liberation, the question of using violence in the interest of self-defense.Here, philosopher Elsa Dorlin looks across the global history of the left - from slave revolts to the knitting women of the French Revolution and British suffragists' training in ju-jitsu, from the Warsaw Ghetto Uprising to the Black Panther Party, from queer neighborhood patrols to Black Lives Matter - to trace the politics, philosophy, and ethics of self defense. In this history she finds a "martial ethics of the self": a practice in which violent self defense is the only means for the oppressed to ensure survival and to build a liveable future. In this sparkling and provocative book, drawing on theorists from Thomas Hobbes to Fred Hampton, Frantz Fanon to Judith Butler, Michel Foucault to June Jordan, Dorlin has reworked the very idea of modern governance and political subjectivity.Translated from the French by Kieran Aarons.

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From Susan Wittig Albert, the New York Times bestselling author of A Plain Vanilla Murder, comes a tightly crafted novel that juxtaposes the disappearance of a rare, remarkably illustrated 18th-century herbal with the true and all-too-human story of its gifted creator, Elizabeth Blackwell. Herbalist China Bayles' latest adventure takes her to the mountains of North Carolina, where her friend Dorothea Harper serves as the director and curator of the Hemlock House Library, a priceless collection of rare gardening books housed in a haunted mountainside mansion that once belonged to Sunny Carswell, a reclusive heiress. But the most valuable book-A Curious Herbal, created by Elizabeth Blackwell in the 1730s-is missing and Dorothea is under suspicion. China's search for the thief takes on a new urgency when she discovers Miss Carswell's bookseller, the victim of an attempted murder. Is his shooting connected with the theft? And there are other urgent questions: What is the Hemlock Guild? Who owns Socrates.com? Did Sunny Carswell really kill herself, or does her ghost have a different story to tell? And what is the real truth behind the many tantalizing mysteries of A Curious Herbal? Hemlock is a compelling mix of mystery and herb lore, past secrets and present sins, and characters who are as real as your friends and neighbours-in an absorbing novel that only Susan Wittig Albert could create.

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How did beliefs about syphilis shape the kinds of treatment people with this disease received? The story of how a town in the Ozark hinterlands played a key role in determining standards of medical care around syphilis.During the late 1800s and early 1900s, the central Arkansas city of Hot Springs enjoyed a reputation as one of the United States' premier health resorts. Throughout this period, the vast majority of Americans who traveled there did so because they had (or thought they had) syphilis—a disease whose incidence was said to be dramatically on the rise all across the country. Boasting an impressive medical infrastructure that included private clinics, a military hospital, and a venereal disease clinic operated by the United States Public Health Service, Hot Springs extended a variety of treatment options. Until the antibiotic revolution of the 1940s, Hot Springs occupied a central position in the country's struggle with sexually transmitted disease.Drawing upon health-seekers' firsthand accounts, clinical case files, and the writings of the city's privately practicing specialists, In Search of Sexual Health examines the era's "venereal peril" from the standpoint of medical practice. How, Elliott Bowen asks, did people with VD understand their illnesses, and what therapeutic strategies did they employ? Highlighting the unique role that resident doctors, visiting patients, and local residents played in shaping Hot Springs' response to syphilis, Bowen argues that syphilis's status as a stigmatized disease of "others" (namely prostitutes, immigrants, and African Americans) had a direct impact on the kinds of treatment patients received, and translated into very different outcomes for the city's diverse clientele—which included men as well as women, blacks as well as whites, and the poor as well as the rich.Whereas much of the existing scholarship on the history of sexually transmitted diseases privileges the actions of medical elites and federal authorities, this study reveals Hot Springs, a remote and fairly obscure town, as a local node with a significant national impact on American medicine and public health. Providing a richer, more complex understanding of a critical chapter in the history of sexually transmitted diseases, In Search of Sexual Health will prove valuable to historians of medicine, public health, and the environment, in addition to scholars of race, gender, sexuality.

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Debut author Gillian Libby brings you a bright and hopeful story about friendship, self-discovery and acceptance, and fighting for your own happiness, even if it looks a little different than everyone else's. You'll love this funny and charming story that reminds you: You are capable of more than you think you are-don't give up on your happiness Your friends are your fiercest champions It's good to admit to your mistakes, but sometimes it's also okay to pretend your crush is really your Instagram Boyfriend The perfect dress can help you get through anythingMillie Ward has been fired. Again. She's tired of feeling like a failure, and she refuses to blame her ADHD the way her parents do every time she hits one of life's speed bumps. This time, she's going to let that speed bump actually slow her down, and jumps at the chance to visit her best friend-and Instagram influencer-Quincy in California. And she wouldn't mind if that invitation also involved getting closer with Quincy's brother, Pete.When her best friends Kate and Bree help her pack, they rediscover the little black dress they shared in college. This dress helped them during first dates, exams, and job interviews-bringing each woman who wore it a bit of luck and confidence. Whatever comes during Millie's next chapter, this dress will help.But Peacock Bay is full of mega influencers who have perfected the look of the surf lifestyle, and a minor misunderstanding has Millie and her magical dress joining their ranks. Now she has to convince her crush Pete Santana that pretending to be her Instagram Husband will help bring new business to his struggling hotel and help her launch her influencer career. But maybe posting all her failures isn't the best way to win Pete's heart, no matter how good it is for his business. When she reveals her biggest screw-up of all-their fake relationship-there's a good chance she could lose not only her new following, but Pete as well...

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_______________ 'For young people who are just beginning to be interested in politics, or any of us who want a better understanding of Hillary Clinton, this book is an excellent place to start.' - Bob Schieffer, CBS News _______________ First . . . student commencement speaker at Wellesley First . . . woman to become full partner at Rose Law Firm First . . . Lady of the United States First . . . First Lady to hold a postgraduate degree First . . . First Lady to win a Grammy Award First . . . elected female Senator of New York First . . . woman to be a presidential candidate in every primary in every state First . . . First Lady to seek the presidency _______________ "Always aim high, work hard, and care deeply about what you believe in. . . . And, when you're knocked down, get right back up and never listen to anyone who says you can't or shouldn't go on." - Hillary Rodham Clinton As a young girl growing up in the fifties, Hillary Diane Rodham had an unusual upbringing for the time: her parents told her, "You can do or be whatever you choose, as long as you're willing to work for it." Hillary took those words and ran. Whether it was campaigning at the age of thirteen in the 1964 presidential election, receiving a standing ovation and being featured in LIFE magazine as the first student commencement speaker at Wellesley, or graduating from Yale Law School, she was always one to stand out from the pack. And that was only the beginning. Today, we have seen Hillary in many roles, from First Lady of the United States to the first female Senator of New York, and most recently as the United States Secretary of State. An activist all her life, she has been devoted to healthcare reform, child care, and women's rights, among many other things. And she's still not done. Critically acclaimed author Karen Blumenthal gives us a sharp and intimate look at the life of Hillary Rodham Clinton, American politics, and what the future holds. Illustrated throughout with black and white photographs, this is the must-have biography on a woman who has always known her public responsibility, who continues to push boundaries, and who isn't afraid to stand up for what she believes in.

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'Back from the shouting floor and ceiling came the chorus of images that stormed and clamoured for expression. Jones lay still and listened; he let them come. There was nothing else to do.' Algernon Blackwood was one of the most influential writers of twentieth-century weird and supernatural fiction. He once told a correspondent that every story he wrote was based on either a personal experience or that of someone he knew, and thus the vast collection of short stories and novels published in his lifetime can be seen to form a kind of autobiography. In this collection of his most atmospheric and uneasy tales, Mike Ashley provides the facts of Blackwood's life which inspired each story - including experiences as an intelligence agent in the First World War and adventures in New York - to tell the parallel tale of the author's lifetime of the supernatural.

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Coming back home from the Far East after years serving in Burma, George returns to South Wales to deal with ferociously Communist self-appointed commissars of the local colliery, and getting enough black market coupons off Jack Bach the butcher's wife to buy a suit and marry beautiful, dark-haired Peggy the Papers.

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This exciting and comprehensive anthology—the first anthology of German women's fairy tales in English—presents a variety of published and archival fairy tales from 1780 to 1900. These authors of these stories used fairy tales to explain their own lives, to teach children, to examine history, and to critique society and the status quo. Powerful and conflicted females are queens, girls on quests, mothers, daughters, magical wisewomen, and midwives to the fairies; they love, hate, murder, save children, fight tyranny, overcome cannibals, and rescue the working poor. Jeannine Blackwell's introduction places the tales in their historical, social, and critical context, and Shawn C. Jarvis's afterword presents a thematic analysis of the texts and approaches to reading them in conjunction with other European and American tales.

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Understanding the explosive protests over police killings and the legacy of racism Following the high-profile deaths of eighteen-year-old Michael Brown in Ferguson, Missouri, and twenty-five-year-old Freddie Gray in Baltimore, Maryland, both cities erupted in protest over the unjustified homicides of unarmed black males at the hands of police officers. These local tragedies—and the protests surrounding them—assumed national significance, igniting fierce debate about the fairness and efficacy of the American criminal justice system. Yet, outside the gaze of mainstream attention, how do local residents and protestors in Ferguson and Baltimore understand their own experiences with race, place, and policing? In Hands Up, Don’t Shoot, Jennifer Cobbina draws on in-depth interviews with nearly two hundred residents of Ferguson and Baltimore, conducted within two months of the deaths of Brown and Gray. She examines how protestors in both cities understood their experiences with the police, how those experiences influenced their perceptions of policing, what galvanized Black Lives Matter as a social movement, and how policing tactics during demonstrations influenced subsequent mobilization decisions among protesters. Ultimately, she humanizes people’s deep and abiding anger, underscoring how a movement emerged to denounce both racial biases by police and the broader economic and social system that has stacked the deck against young black civilians. Hands Up, Don’t Shoot is a remarkably current, on-the-ground assessment of the powerful, protestor-driven movement around race, justice, and policing in America.

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Understanding the explosive protests over police killings and the legacy of racism Following the high-profile deaths of eighteen-year-old Michael Brown in Ferguson, Missouri, and twenty-five-year-old Freddie Gray in Baltimore, Maryland, both cities erupted in protest over the unjustified homicides of unarmed black males at the hands of police officers. These local tragedies—and the protests surrounding them—assumed national significance, igniting fierce debate about the fairness and efficacy of the American criminal justice system. Yet, outside the gaze of mainstream attention, how do local residents and protestors in Ferguson and Baltimore understand their own experiences with race, place, and policing? In Hands Up, Don’t Shoot, Jennifer Cobbina draws on in-depth interviews with nearly two hundred residents of Ferguson and Baltimore, conducted within two months of the deaths of Brown and Gray. She examines how protestors in both cities understood their experiences with the police, how those experiences influenced their perceptions of policing, what galvanized Black Lives Matter as a social movement, and how policing tactics during demonstrations influenced subsequent mobilization decisions among protesters. Ultimately, she humanizes people’s deep and abiding anger, underscoring how a movement emerged to denounce both racial biases by police and the broader economic and social system that has stacked the deck against young black civilians. Hands Up, Don’t Shoot is a remarkably current, on-the-ground assessment of the powerful, protestor-driven movement around race, justice, and policing in America.

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Race Horse Men recaptures the vivid sights, sensations, and illusions of nineteenth-century thoroughbred racing, America’s first mass spectator sport. Inviting readers into the pageantry of the racetrack, Katherine C. Mooney conveys the sport’s inherent drama while also revealing the significant intersections between horse racing and another quintessential institution of the antebellum South: slavery.A popular pastime across American society, horse racing was most closely identified with an elite class of southern owners who bred horses and bet large sums of money on these spirited animals. The central characters in this story are not privileged whites, however, but the black jockeys, grooms, and horse trainers who sometimes called themselves race horse men and who made the racetrack run. Mooney describes a world of patriarchal privilege and social prestige where blacks as well as whites could achieve status and recognition and where favored slaves endured an unusual form of bondage. For wealthy white men, the racetrack illustrated their cherished visions of a harmonious, modern society based on human slavery.After emancipation, a number of black horsemen went on to become sports celebrities, their success a potential threat to white supremacy and a source of pride for African Americans. The rise of Jim Crow in the early twentieth century drove many horsemen from their jobs, with devastating consequences for them and their families. Mooney illuminates the role these too often forgotten men played in Americans’ continuing struggle to define the meaning of freedom.

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In a climate where whites who criticize affirmative action risk being termed racist and blacks who do the same risk charges of treason and self hatred, a frank and open discussion of racial preference is difficult to achieve. But, in the first book on racial preference written from personal experience, Reflections of an Affirmative Action Baby, Stephen L. Carter, Cromwell Professor of Law at Yale University and self-described beneficiary (and, at times, victim) of affirmative action, does it.Using his own story of success and frustration as an affirmative action baby" as a point of departure, Carter, who has risen to the top of his profession, provides an incisive analysis of one of the most incendiary topics of our day,as well as an honest critique of the pressures on black professionals and intellectuals to conform to the politically correct" way of being black.Affirmative action as it is practiced today not only does little to promote racial equality, Carter argues, but also allows the nation to escape rather cheaply from its moral obligation to undo the legacy of slavery. Affirmative action, particularly in hiring often reinforces racist stereotypes by promoting the idea that the black professional cannot aspire to anything more than being the best black."Has the time come to abandon these programs? No- but affirmative action must return to its simpler roots, Carter argues: to provide educational opportunities for those who might not otherwise have them. Then the beneficiaries should demand to be held to the same standards as anyone else.

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'One of those books that straddles fantastic and modernist literature in that it seems to be set in our world, seems to be set maybe 100 years ago . . . And it's as magical as it is political and beautifully crafted' - Neil GaimanHalf fairy tale and half historical account of a revolution that never was, Owen King's The Curator is full of sly humor, sensuality, and strangeness - Holly BlackFrom Sunday Times bestselling author Owen King comes a Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers the most wonderful criminals.At first glance, the world has not changed: the trams on the boulevards, the grand hotels, the cafes abuzz with conversation. The street kids still play on the two great bridges that divide the city, and the smart set still venture down to the Morgue Ship for an evening's entertainment.Yet it only takes a spark to ignite a revolution.For young Dora, a maid at the university, the moment brings liberation. She finds herself walking out with one of the student radicals, Robert, free to investigate what her brother Ambrose may have seen at the Institute for Psykical Research before he died.But it is another establishment that Dora is given to look after, The Museum of the Worker. This strange, forgotten edifice is occupied by waxwork tableaux of miners, nurses, shopkeepers and other disturbingly lifelike figures.As the revolution and counter-revolution outside unleash forces of love, betrayal, magic and terrifying darkness, Dora's search for the truth behind a mystery that she has long concealed will unravel a monstrous conspiracy and bring her to the very edge of worlds.In The Curator, Owen King has created an extraordinary time and place - historical, fantastical, yet compellingly real, and a heroine who is courageous, curious and utterly memorable.'The Curator feels a little like Owen King somehow brought a curiosity cabinet to life. There are terrors here, but also marvels and delights, and a set of the most interesting characters I've met in some time. Put The Curator on the same shelf as other classics of the uncanny and uncategorisable, like Susanna Clarke's Piranesi and Mervyn Peake's Gormenghast. I loved it' - Kelly Link'Owen King's The Curator is a rich read. Language, characters, and a fascinating world combine to create an intensely satisfying experience' - Charlaine Harris

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Three weeks after Lyndon Johnson signed the Civil Rights Act of 1964, a New York City police officer shot and killed a fifteen-year-old black youth, inciting the first of almost a decade of black and Latino riots throughout the United States. In October 2005, French police chased three black and Arab teenagers into an electrical substation outside Paris, culminating in the fatal electrocution of two of them. Fires blazed in Parisian suburbs and housing projects throughout France for three consecutive weeks. Cathy Lisa Schneider explores the political, legal, and economic conditions that led to violent confrontations in neighborhoods on opposite sides of the Atlantic half a century apart. Police Power and Race Riots traces the history of urban upheaval in New York and greater Paris, focusing on the interaction between police and minority youth. Schneider shows that riots erupted when elites activated racial boundaries, police engaged in racialized violence, and racial minorities lacked alternative avenues of redress. She also demonstrates how local activists who cut their teeth on the American race riots painstakingly constructed social movement organizations with standard nonviolent repertoires for dealing with police violence. These efforts, along with the opening of access to courts of law for ethnic and racial minorities, have made riots a far less common response to police violence in the United States today. Rich in historical and ethnographic detail, Police Power and Race Riots offers a compelling account of the processes that fan the flames of urban unrest and the dynamics that subsequently quell the fires.

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Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr., dancing in the street with Martha and the Vandellas, and facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA.As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign.Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.

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Received the Distinction Honor for the 2016 C. Calvin Smith Book Award from the Southern Conference on African American Studies, Inc. In Hollywood, we hear, it’s all about the money. It’s a ready explanation for why so few black films get made—no crossover appeal, no promise of a big payoff. But what if the money itself is color-coded? What if the economics that governs film production is so skewed that no film by, about, or for people of color will ever look like a worthy investment unless it follows specific racial or gender patterns? This, Monica Ndounou shows us, is precisely the case. In a work as revealing about the culture of filmmaking as it is about the distorted economics of African American film, Ndounou clearly traces the insidious connections between history, content, and cash in black films. How does history come into it? Hollywood’s reliance on past performance as a measure of potential success virtually guarantees that historically underrepresented, underfunded, and undersold African American films devalue the future prospects of black films. So the cycle continues as it has for nearly a century. Behind the scenes, the numbers are far from neutral. Analyzing the onscreen narratives and off-screen circumstances behind nearly two thousand films featuring African Americans in leading and supporting roles, including such recent productions as Bamboozled, Beloved, and Tyler Perry’s Diary of a Mad Black Woman, Ndounou exposes the cultural and racial constraints that limit not just the production but also the expression and creative freedom of black films. Her wide-ranging analysis reaches into questions of literature, language, speech and dialect, film images and narrative, acting, theater and film business practices, production history and financing, and organizational history. By uncovering the ideology behind profit-driven industry practices that reshape narratives by, about, and for people of color, this provocative work brings to light existing limitations—and possibilities for reworking stories and business practices in theater, literature, and film.

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The 7th Dave Robicheaux novel from Sunday Times bestselling author James Lee BurkeWhen a Nazi submarine is discovered lying in sixty feet of water off the Louisiana coast some troubled ghosts are ready to be released. A local businessman is offering Detective Dave Robicheaux big money to bring the wreck to the surface, but he is not the only one after the submarine and its mysterious cargo. Neo-Nazis are on the march in New Orleans, a new spirit of hatred is abroad, and its terrifying embodiment, an icy psychopath called Will Buchalter, is stalking Robicheaux's wife.Robicheaux is about to find out how deep the new current of evil runs - and just how far the crazed Buchalter will go to get his hands on the Nazis' legacy.Praise for one of the great American crime writers, James Lee Burke:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael Connelly'A gorgeous prose stylist.' Stephen King'Richly deserves to be described now as one of the finest crime writers America has ever produced.' Daily MailFans of Dennis Lehane, Michael Connelly and Don Winslow will love James Lee Burke: Dave Robicheaux Series1. The Neon Rain 2. Heaven's Prisoners 3. Black Cherry Blues 4. A Morning for Flamingos 5. A Stained White Radiance 6. In the Electric Mist with Confederate Dead 7. Dixie City Jam 8. Burning Angel 9. Cadillac Jukebox 10. Sunset Limited 11. Purple Cane Road 12. Jolie Blon's Bounce 13. Last Car to Elysian Fields 14. Crusader's Cross 15. Pegasus Descending 16. The Tin Roof Blowdown 17. Swan Peak 18. The Glass Rainbow 19. Creole Belle 20. Light of the World 21. Robicheaux Hackberry Holland Series1. Lay Down My Sword and Shield 2. Rain Gods 3. Feast Day of Fools 4. House of the Rising SunBilly Bob Holland Series1. Cimarron Rose 2. Heartwood 3. Bitterroot 4. In The Moon of Red Ponies * Each James Lee Burke novel can be read as a standalone or in series order *

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Flowers are found in magic traditions around the world, from ancient Egypt, China, and India to the Norse and Native Americans. Yet many of today’s well-established flower traditions--like bridal bouquets--originated in the Druidic magical lore of Wales, Ireland, and Scotland. As fifth-generation Druid Jon G. Hughes explains, flowers hold a preeminent position in Druidic folk magic with their own special branch of magical workings. In this practical guide, Hughes details how to use flowers in magical practice, focusing on flowering plants with a long history of magical use going back to Druidic times yet many of which are commonly found throughout the world such as buttercup, blackberry, and dog rose. He discusses what type of flower and form of flower magic is best for specific enchantments and rituals in the areas of love and sex magic, healing and focusing, and protection. He looks at the magical use of fresh flowers and provides detailed instruction on every stage of the harvesting, crafting, and practical use of flower magic potions, including a comprehensive herbarium of all the flowers that may be used. Examining the complex relationship between flowers and bees, the author looks at the physical and spiritual gifts of bees, such as honey, propolis, and bee’s wax, and the importance of bee culture in Druidic flower magic, including the tradition of the honeymoon, the significance of the hexagram, and medieval beekeeper lore. Inviting you into the gentle yet powerful realm of Druidic flower magic, the author also details how to plan, plant, and take care of your own magical flower garden with all the botanicals you will need to pursue the path of flower magic.

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After successfully freeing Alliance POWs, 'Black Jack' Geary discovers that the Syndics plan to ambush the fleet with their powerful reserve flotilla in an attempt to annihilate it once and for all. And as Geary has the fleet jump from one star system to the next, hoping to avoid the inevitable confrontation, saboteurs contribute to the chaos.

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Hot Comb offers a poignant glimpse into black women s lives and coming-of-age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular Hot Comb is about a young girl s first perm a doomed ploy to look cool and stop seeming too white in the all-black neighborhood her family has just moved into. In Virgin Hair, taunts of tender-headed sting as much as the perm itself. My Lil Sister Lena shows the stress of being the only black player on a white softball team. Lena s hair is the team curio, an object to be touched, a subject to be discussed and debated at the will of her teammates, leading Lena to develop an anxiety disorder of pulling her own hair out. Throughout Hot Comb, Ebony Flowers re-creates classic magazine ads idealizing women s need for hair relaxers and products. Change your hair form to fit your life form and Kinks and Koils Forever call customers from the page. Realizations about race, class, and the imperfections of identity swirl through these stories and ads, which are by turns sweet, insightful, and heartbreaking. Flowers began drawing comics while earning her Ph.D., and her early mastery of sequential storytelling is nothing short of sublime. From her black-and-white drawings to her color construction-paper collages, Hot Comb is a propitious display of talent from a new cartoonist who has already made her mark.

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By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans.Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise.According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.

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Although countless books have been devoted to the life and work of Martin Luther King, Jr., few, if any, have focused on King's appropriation of, and contribution to, the intellectual tradition of personalism. Emerging as a philosophical movement in the early 1900s, personalism is a type of philosophical idealism that has a number of affinities with Christianity, such as a focus on a personal God and the sanctity of persons. Burrow points to similarities and dissimilarities between personalism and the social gospel movement with its call to churchgoers to involve themselves in the welfare of both individuals and society. He argues that King's adoption of personalism represented the fusion of his black Christian faith and his commitment not only to the social gospel of Rauschenbusch, but most especially to the social gospelism practiced by his grandfather, father, and black preacher-scholars at Morehouse College. Burrow devotes much-needed attention both to King's conviction that the universe is value-infused and to the implications of this ideology for King's views on human dignity and his concept of the "Beloved Community." Burrow also sheds light on King’s doctrine of God. He contends that King's view of God has been uncritically and erroneously relegated by black liberation theologians to the general category of "theistic absolutism" and he offers corrections to what he believes are misinterpretations of this and other aspects of King’s thought. He concludes with an application of King’s personalism to present-day social problems, particularly as they pertain to violence in the black community. This book is a useful and fresh contribution to our understanding of the life and thought of Martin Luther King, Jr. It will be read with interest by ethicists, theologians, philosophers, and social historians.

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How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembranceOne of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was—shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance.Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film—and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors.Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.

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A fun and informative book packed with 100 fascinating things to know about space, from how to escape a black hole to why astronauts learn wilderness survival skills. With bright, infographic-style illustrations, detailed facts on every page, a glossary and index, and internet links to specially selected websites for more information.

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Musical Ink is a portrait project from Toronto-based photographer Jon Blacker that spotlights 62 musicians and their tattoos. This exciting volume of imagery not only has something for every musical taste – featured artists range in genre from heavy metal to hip hop and opera – the tattoo styles include elaborate sleeves, creative one points, and traditional Japanese themes. Each portrait is photographed in black and white using a special infrared camera, which allows the tattoos to truly stand out from the skin because while infrared light largely reflects off of skin, it is absorbed by the tattoo ink, creating a great deal of contrast between the almost glowing, ethereal appearance of the skin and the deep blacks and greys of the tattoos. But Musical Ink goes more than skin deep and focuses on the personal meanings of the artists’ body art, be it a deep personal reflection or simply a great funny story. This outstanding collection of images, including artists like Dave Navarro, Chad Smith, and Sammy Hagar, is ideal for music lovers, tattoo aficionados and artists, and photographers.

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Sennitt Clough's twisty fen-Gothic narratives are filled with macabre imagery and sexual violence. imagine a monstrous fair that has arrived in deepest Cambridgshire, only to discover that the inhabitants are far more frightening than the carnival. Rich in symbolism and mythology, it's a thrilling read that will leave your mind as black as peat.

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Build your very own farmhouse and farmyard with this great activity book. Fold out the cover, add the press-out sides to the farmhouse and build your own hedges and walls. Colour in and cut out the black and white figures and animals for hours of farmyard fun.

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A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistanceThe Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.

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A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistanceThe Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.

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'A must read...!!!' will.i.am'Each encounter is framed and presented with enormous literary skill and grace' David OlusogaWITH A FOREWORD FROM BERNARDINE EVARISTOConversations with some of the most extraordinary Black minds of our age, discussing race, decolonisation, systemic inequalities, and the climate crisis.In a series of incisive and intimate encounters, Sarah Ladipo Manyika introduces some of the most distinguished Black thinkers of our times, including Nobel Laureates Toni Morrison and Wole Soyinka, and civic leaders first lady Michelle Obama and Senator Cory Booker.She searches for truth with poet Claudia Rankine and historian Henry Louis Gates, Jr. She discusses race and gender with South African filmmaker Xoliswa Sithole and American actor and playwright Anna Deavere Smith. She interrogates the world around us with pioneering publisher Margaret Busby, parliamentarian Lord Michael Hastings and civil rights activist Pastor Evan Mawarire - who dared to take on President Robert Mugabe and has lived to tell the tale. We also meet the living embodiment of the many threads, ideas and histories in this book through the profile of her fabulous 102-year-old friend, Mrs Willard Harris.In journeys that book-end the collection, Sarah Ladipo Manyika reflects on her own experience of being seen as 'oyinbo' in Nigeria, African in England, Arab in France, coloured in Southern Africa and Black in America, while feeling the least Black and most human among her fellow travellers, explorers all, against the sharp white relief of the South Pole.

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The famous detective returns in a thrilling anthology of 12 Sherlock short stories spanning Holmes's entire career, penned by Peter Swanson, Cara Black, James Lovegrove and more. A brand-new collection of twelve Sherlock Holmes short stories which spans Holmes's entire career, from the early days in Baker Street to retirement on the South Downs. Penned by masters of the genre, these Sherlock stories feature a woman haunted by the ghost of a rival actress, Moriarty's son looking for revenge, Oscar Wilde's lost manuscript, a woman framing her husband for murder, Mycroft's encounter with Moriarty and Colonel Moran, and many more! Featuring stories by: Peter Swanson Cara Black James Lovegrove Andrew Lane Philip Purser-Hallard David Stuart Davies Eric Brown Amy Thomas Derrick Belanger Cavan Scott Stuart Douglas David Marcum

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A monster has spawned on the (supposedly) safe Eighteenth-floor! A Black Goliath falls upon the Under Resort and it's unprepared inhabitants. Has it awoken because gods have dared trespassed in the Dungeon? Bell, Hestia, and their mismatched team of gods and adventurers prepare to fight this unexpected floor boss...!

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'Explosive' Belfast TelegraphChilling. Candid. Controversial.This is the voice of one man from within a dark scandal that nestled in the heart of London's Soho in the 1970s.Travelling to the big city to escape The Troubles in his native Northern Ireland, Anthony Daly accepted a job in Foyles Bookshop and began a new life in England. However, his naivety saw him quickly fall foul of predators, looking for young men to blackmail and sexually exploit.After years of hiding the secret of his abuse at the hands of some of the most influential men in the country, Anthony's trauma became harder to contain, as he witnessed revelations of historic abuse coming to light on TV and in newspapers.Then, finally, his lost voice ripped through the safe family life he had built over 40 years.With parallels to Joseph Conrad's Heart of Darkness, this is stylishly written and politically explosive. It is the haunting true story of a young man's decent into a hell designed to satisfy the powerful. A world that destroyed the lives of everyone involved.***Previously published as Playland (2018)***'Tony Daly's story goes to the very heart of a corrupt and perverted establishment.' Derry Journal'An extremely powerful and honest read that I just couldn't put down.' Waterstones staff review'A shattering memoir' Robin Jarossi, author of The Hunt for the 60s Ripper

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A revealing look at how negative biases against women of color are embedded in search engine results and algorithms Run a Google search for “black girls”—what will you find? “Big Booty” and other sexually explicit terms are likely to come up as top search terms. But, if you type in “white girls,” the results are radically different. The suggested porn sites and un-moderated discussions about “why black women are so sassy” or “why black women are so angry” presents a disturbing portrait of black womanhood in modern society. In Algorithms of Oppression, Safiya Umoja Noble challenges the idea that search engines like Google offer an equal playing field for all forms of ideas, identities, and activities. Data discrimination is a real social problem; Noble argues that the combination of private interests in promoting certain sites, along with the monopoly status of a relatively small number of Internet search engines, leads to a biased set of search algorithms that privilege whiteness and discriminate against people of color, specifically women of color. Through an analysis of textual and media searches as well as extensive research on paid online advertising, Noble exposes a culture of racism and sexism in the way discoverability is created online. As search engines and their related companies grow in importance—operating as a source for email, a major vehicle for primary and secondary school learning, and beyond—understanding and reversing these disquieting trends and discriminatory practices is of utmost importance. An original, surprising and, at times, disturbing account of bias on the internet, Algorithms of Oppression contributes to our understanding of how racism is created, maintained, and disseminated in the 21st century.

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Loved by millions of children around the world Pippi Longstocking is one of the most popular children's characters of all time. This story sees Pippi, Tommy and Annika go on their greatest adventure yet - to Koratuttutt Island, where Pippi's father is king. This new edition contains brand new black and white artwork by award-winning illustrator Mini Grey.

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worm dreaming dreaming root and branch and whale and ant and dinosaur and dreaming you and me Black smokers, glacier worms and tardigrades… arctic terns, snow leopards and the Aleppo cat… living in the Abyss, conquering Everest, marvelling at the Northern Lights. An exciting and thought-provoking celebration of all that is extraordinary in the natural world. Includes fascinating information about the creatures depicted.

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