Search results for ""author daniel"

Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms? These and other questions are addressed in this volume that assembles contributions by artists, writers, scholars and editors such as Dene Grigar, Sandy Baldwin, Carlos Reis, and Frieder Nake. They offer a multiperspectival view on the way digital media have changed our notion of textuality.

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Discover Miller/Spoolman/Andrews-Brown''s ENVIRONMENTAL SCIENCE, 17th Ed., and get inspired to care for the planet. Written in collaboration with National Geographic Learning, this edition equips you with the tools and knowledge to make a difference in today''s environmental issues. Explore exclusive content featuring the important work of diverse National Geographic explorers and scientists, with vivid photos, maps and illustrations that are sure to bring course concepts to life. Focus on sustainability as you explore topics like natural capital, solutions, trade-offs and individual choices. Learn about nature, your role in it and how humanity can sustain its relationship with Earth. Be inspired to apply your knowledge and make a positive impact on the environment.

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Discover the nightmarish tale of a house that is bigger on the inside than the outside that still inspires devotion among an army of fans... Experimental in terms of design, typography, structure and content, this is a fully immersive and novel reading experience you won't be able to forget. Perfect for fans of Twin Peaks, Black Mirror, Stranger Things and IT.'House of Leaves has continued to reward readers prepared to navigate its labyrinth, with a community of fans ready to support them if they ever get lost in the dark' - Guardian'At once a genuinely scary chiller, a satire on the business of criticism and a meditation on the way we read' - Observer'Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent' - BRET EASTON ELLISWHAT READERS ARE SAYING:'I've never read anything like it' - 5 STARS'Strange, highly addictive and slowly creepy' - 5 STARS'A book like no other' - 5 STARS'The creativity and originality is astonishing' - 5 STARS'Unreservedly recommended' - 5 STARS'Buy it, read it, and explore it' - 5 STARS********************************************************************************************A young couple - Pulitzer Prize-winning journalist Will Navidson and his partner Karen Green - move into a small home on Ash Tree Lane.But something is terribly wrong - their house is bigger on the inside than it is on the outside.Neither Will nor Karen are prepared to face the consequences of this impossibility.What happens next is loosely recorded on videotapes and interviews, leading to a compilation of the definitive work on the events on Ash Tree Lane, unveiling a thrilling and terrifying history.Loose sheets, stained napkins and crammed notebooks prove to be far more than the ramblings of a crazy old man . . .___________________Winner of the New York Public Library's Young Lions Fiction Award

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A harrowing exploration of the expanding labyrinth of despair and the self. Paul Tremblay. A mindbending and visceral experimental horror about a young man trapped in an infinite Montreal subway station, perfect for readers of Mark Z. Danielewski and Susanna Clarke.

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When the Soviet Union dissolved, so did the easy credit, cheap oil, and subsidies it had provided to Cuba. The bottom fell out of the Cuban economy, and many expected that Castro’s revolution—the one that had inspired the Left throughout Latin America and elsewhere—would soon be gone as well. More than a decade later, the revolution lives on, albeit in a modified form. Following the collapse of Soviet communism, Castro legalized the dollar, opened the island to tourism, and allowed foreign investment, small-scale private enterprise, and remittances from exiles in Miami. Capitalism, God, and a Good Cigar describes what the changes implemented since the early 1990s have meant for ordinary Cubans: hotel workers, teachers, priests, factory workers, rap artists, writers, homemakers, and others.Based on reporting by journalists, writers, and documentary filmmakers since 2001, each of the essays collected here covers a particular dimension of contemporary Cuban society, revealing what it is like to have lived, for more than a decade, suspended between communism and capitalism. There are pieces on hip hop musicians, fiction writing and censorship, the state of ballet and the performing arts, and the role of computers and the Internet. Other essays address the shrinking yet still sizeable numbers of true believers in the promise of socialist revolution, the legendary cigar industry, the changing state of religion, the significance of the recent influx of money and people from Spain, and the tensions between recent Cuban emigrants and previous generations of exiles. Including more than seventy striking documentary photographs of Cuba’s people, countryside, and city streets, this richly illustrated collection offers keen, even-handed insights into the abundant ironies of life in Cuba today.Contributors. Juliana Barbassa, Ana Campoy, Mimi Chakarova, Lydia Chávez, John Coté, Julian Foley, Angel González, Megan Lardner, Ezequiel Minaya, Daniela Mohor, Archana Pyati, Alicia Roca, Olga R. Rodríguez, Bret Sigler, Annelise Wunderlich

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When the Soviet Union dissolved, so did the easy credit, cheap oil, and subsidies it had provided to Cuba. The bottom fell out of the Cuban economy, and many expected that Castro’s revolution—the one that had inspired the Left throughout Latin America and elsewhere—would soon be gone as well. More than a decade later, the revolution lives on, albeit in a modified form. Following the collapse of Soviet communism, Castro legalized the dollar, opened the island to tourism, and allowed foreign investment, small-scale private enterprise, and remittances from exiles in Miami. Capitalism, God, and a Good Cigar describes what the changes implemented since the early 1990s have meant for ordinary Cubans: hotel workers, teachers, priests, factory workers, rap artists, writers, homemakers, and others.Based on reporting by journalists, writers, and documentary filmmakers since 2001, each of the essays collected here covers a particular dimension of contemporary Cuban society, revealing what it is like to have lived, for more than a decade, suspended between communism and capitalism. There are pieces on hip hop musicians, fiction writing and censorship, the state of ballet and the performing arts, and the role of computers and the Internet. Other essays address the shrinking yet still sizeable numbers of true believers in the promise of socialist revolution, the legendary cigar industry, the changing state of religion, the significance of the recent influx of money and people from Spain, and the tensions between recent Cuban emigrants and previous generations of exiles. Including more than seventy striking documentary photographs of Cuba’s people, countryside, and city streets, this richly illustrated collection offers keen, even-handed insights into the abundant ironies of life in Cuba today.Contributors. Juliana Barbassa, Ana Campoy, Mimi Chakarova, Lydia Chávez, John Coté, Julian Foley, Angel González, Megan Lardner, Ezequiel Minaya, Daniela Mohor, Archana Pyati, Alicia Roca, Olga R. Rodríguez, Bret Sigler, Annelise Wunderlich

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Una periodista que busca la verdad. Un expresidiario que quiere redención. Un mafioso que no teme perderlo todo. Algo está a punto de volar por los aires.Dardo y Peyo comparten sus aventuras criminales desde el Madrid de los años 70 hasta nuestros días. A lo largo de los años, la amistad entre ambos se verá marcada por los conflictos personales y familiares, las traiciones, las decepciones y una constante puesta a prueba de su respectiva lealtad.La aparición de la periodista Daniela Lozano, que investiga la muerte de su novio en un sospechoso accidente, pondrá al descubierto, con la ayuda de Peyo, una gran trama criminal en la que estarán implicados policías, políticos, mafiosos y el propio Dardo, convertido en líder del crimen organizado internacional.Los perseguidos es una novela negra que recorre las vidas de unos personajes atrapados en un mundo violento, en el que aún pueden ganar quienes creen en la justicia. Siempre que logren mantenerse con vida.

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This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); Maria Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Remi Labrusse (Universite Paris Ouest Nanterre la Defense); Gulru Necipo?lu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaro?lu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).

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Excluded from the ranks of elite executive decision-makers for generations, women are now exercising power as chiefs of government and chiefs of state. As of April 2016, 112 women in 73 countries have served as presidents or prime ministers. The Gendered Executive is a critical examination of national executives, focusing on matters of identity, representation, and power. The editors and contributors to this volume address the impact of female executives through political mobilization and participation, policy- and decision-making, and institutional change. Other topics include party nomination processes, the intersectionality of race and gender, and women-centered U.S. foreign policy in southern Africa. In addition, case studies from Chile, India, Portugal, and the United States are presented, as are cross-national comparisons of women leaders in Latin America. The Gendered Executive will enhance our understanding of the complexity of gender in and comparative analyses of executive politics.Contributors include: Amy C. Alexander, Sheetal Chhabria, Georgia Duerst-Lahti, Maria C. Escobar-Lemmon, Cory Charles Gooding, Lilly Goren, Karen M. Hult, Farida Jalalzai, Daniela F. Melo, Catherine Reyes-Housholder, Ariella R. Rotramel, Leslie A. Schwindt-Bayer, Michelle M. Taylor-Robinson, and the editors

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