Search results for ""Author Roy"

Sir Henry J. Wood (1869-1944), co-founder and chief conductor of the Proms, is often noted for his championing of the leading composers of the day, including Richard Strauss, Debussy, Rachmaninov, Ravel and Vaughan Williams. He also played pivotal role in advocating and performing the music of J.S. Bach. Sir Henry J. Wood (1869-1944), co-founder and chief conductor of the Proms for nearly half a century, is often noted for his championing of the leading composers of the day, including Richard Strauss, Debussy, Rachmaninoff, Ravel,Sibelius, and Vaughan Williams. Less known is the part Wood played in advocating and performing the music of J.S. Bach, much of which, incredibly, was unknown in England at the turn of the twentieth century. This book uncoversWood's pivotal role in the English Bach revival. Wood's performances of works such as the St Matthew Passion and B Minor Mass caused a stir; the Brandenburg Concertos and Orchestral Suites became staple fixtures in the musical calendar; and his orchestral arrangements of Bach's solo works and cantata arias were key to the popularisation of the composer in England. Largely untouched, the hundreds of Bach scores individually marked up by Wood, now preservedin his archive at the Royal Academy of Music, London, reveal the minutiae of his thoughts on performance and offer a fascinating parallel to his available recordings from the period. Illuminating a significant new aspect of the musical life of England before World War II, the book also demonstrates that Wood's advocacy continues to influence perceptions of Bach even today. DR HANNAH FRENCH is an academic, broadcaster, and Baroque flautist based in London. She broadcasts regularly on Radio 3 and has appeared as a TV presenter and commentator for the BBC Proms.

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Wilhelm II (27 January 1859 - 4 June 1941) was the last German Emperor (Kaiser) and King of Prussia, ruling the German Empire and the Kingdom of Prussia from 15 June 1888 to 9 November 1918. He was the eldest grandson of the British Queen Victoria and related to many monarchs and princes of Europe, three notable contemporary relations being his first cousins King George V of the United Kingdom, Marie of Romania, Queen consort of Romania and second cousin to Tsar Nicholas II of the House of Romanov, the last ruler of the Russian Empire before the Russian Revolution of 1917 which deposed the monarchy.He became monarch in 1888 and ruled in peace for twenty-five years. Wilhelm's father had been the hero of three wars and his mother the Princess Royal of Great Britain. When his father died prematurely of throat cancer, Wilhelm succeeded him at age twenty-nine and became the icon of the new 'Wilhelminian' age. Germany excelled in commerce, agriculture, trade, science, cars, the arts, and medicine. Already having Continental Europe's greatest army, Wilhelm set about winning world power via overseas colonies and the building of a vast Imperial High Seas Fleet that rivalled Britain's.Eventually, he was defeated by the combined forces of the UK, US, France and Russia, and driven into exile by the red revolution. He remained politically active in exile, pressing for a return to the monarchy up to the time of his death in 1941.This is a fresh look at a much maligned figure, including his relationships with Bismarck, Hindenburg, Tirpitz, King Edward VII and Tsar Nicholas II, all on the precipice of global change. Was Wilhelm a visionary, a fool, or both?

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Tony Harrison's v. was written during the Miners' Strike of 1984-85 when he visited his parents' grave in a Leeds cemetery and found it vandalised by obscene graffiti. In the book-length poem, he confronts the foul-mouthed skinhead thug responsible, who becomes a foil for his own anger and alienation. The political and media reaction to v. would make a book in itself. This is that book. As well as Tony Harrison's poem and Graham Sykes's photographs, this new edition of v. includes press articles, letters, reviews, a defence of the poem and film by director Richard Eyre, and a transcript of the phone calls logged by Channel Four on the night of the broadcast. Channel Four’s film of v. won the Royal Television Society’s Best Original Programme Award. The Star: 'A plan to televise a poem packed with obscenities caused outrage last night. ITV chiefs intend to screen a reading of Tony Harrison's verse v. which is full of four-letter words.' Daily Mail: A torrent of four-letter filth… the most explicitly sexual language yet beamed into the nation's living rooms… the crudest, most offensive word is used 17 times.' Gerald Howarth, MP: 'It is full of expletives and I can't see that it serves any artistic purpose whatsoever.' Mary Whitehouse: 'This work of singular nastiness.' Sir Harold Pinter: 'The criticism against the poem has been offensive, juvenile and, of course, philistine. It should certainly be broadcast.' Sir Richard Eyre: 'If I had the slightest influence over educational policy in this country, I'd see that v. was a set text in every school in the country, but of course if we lived in that sort of country, the poem wouldn't have needed to be written.'

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The Nazis’ dream of a world dominated by legions of Aryan ‘supermen’, forged in battle and absolutely loyal to Hitler, was epitomised by the Waffen-SS. Created as a supreme military élite, it grew to become Nazi Germany’s ‘second army’, an immense force totalling almost one million men by the end of the War.An astonishing fact about the SS is that thousands of its members were not German. Men stepped forward from almost every nation in Europe — for many, sometimes complex reasons — that included hatred of Bolshevism and nationalist sentiment or even straightforward anti-Semitism. Foremost amongst them were Scandinavians from Denmark, Norway, Sweden and Finland. Thousands were recruited from 1940 onwards and fought with distinction on the Russian Front. They served at first in national legions but were then brought together in the Wiking Panzer Division and the Nordland Panzer-grenadier Division. In Hitler’s Vikings, Jonathan Trigg details the battles these men fought and what inspired them to join the Waffen-SS, based wherever possible on interviews with surviving veterans. Many of the photographs reproduced here have never before been published. Hitler’s ‘Vikings’ were amongst the last men still fighting in the ruins of Berlin in 1945 — their story is truly remarkable. Jonathan Trigg served in the 1st Battalion The Royal Anglian Regiment, reaching the rank of Captain and completing tours in Northern Ireland, Bosnia and the Middle East. He is an established writer on military history, with a particular interest in foreign volunteer formations in the Second World War. Hitler’s Vikings is his fourth volume in Spellmount’s Hitler’s Legions series.

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How Astronomy contributed to the educational enlightenment of Glasgow, to its society and to its commerce. The words 'Astronomy' and 'Glasgow' seem an incongruous juxtaposition, and yet the two are closely linked over 500 years of history. This is a tale of enlightenment and scientific progress at both institutional and public levels. Combined with the ambitions of civic commerce, it is a story populated with noteworthy personalities and intense rivalries. It is remarkable to realise that the first Astronomy teaching in the Glasgow 'Colledge' presented an Earth-centred Universe, prior to the Copernican revolution of the mid sixteenth Century. Glasgow was later known astronomically for the telescope observations of sunspots made by Wilson in the 1760s, but less well known are the ideas related to mono-chromaticity within light, to dew point and hoar frost, and Herschel's discovery of infra-red energy in solar radiation by application of Glasgow-made thermometers. This engrossing and entertaining scientific history includes the story of Glasgow's 'Big Bang' of 1863, the controversy over 'Astronomer Royal for Scotland' and a historical survey of the eight observatories that once populated Glasgow. David Clarke brings us a complex weave of science and accompanying social history in this unique and fascinating work. It is a comprehensive narrative of 500+ years of Glasgow's connections with Astronomy. Contributions made to Astronomy directly by Glasgow University, and new ideas developed there and picked up by others outside its walls are related. It provides short biographies of colourful contributors to the Astronomical scene in Glasgow. It presents the history, architecture and structures of eight Glasgow observatories. It gives insight on social aspects of Astronomy within Glasgow, its relationships with commerce, and the upsurge of interests in Astronomy by the general public.

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A beautifully illustrated visual and cultural history of the color blue throughout the agesBlue has had a long and topsy-turvy history in the Western world. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now cite it as their favorite color. In this fascinating history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearance in prehistoric art to its international ubiquity today. Any history of color is, above all, a social history. Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Beginning with the almost total absence of blue from ancient Western art and language, the story moves to medieval Europe. As people began to associate blue with the Virgin Mary, the color became a powerful element in church decoration and symbolism. Blue gained new favor as a royal color in the twelfth century and became a formidable political and military force during the French Revolution. As blue triumphed in the modern era, new shades were created and blue became the color of romance and the blues. Finally, Pastoureau follows blue into contemporary times, when military clothing gave way to the everyday uniform of blue jeans and blue became the universal and unifying color of the Earth as seen from space.Beautifully illustrated, Blue tells the intriguing story of our favorite color and the cultures that have hated it, loved it, and made it essential to some of our greatest works of art.

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Hailed by the Washington Post as “a sure-footed and witty guide to slippery ethical terrain,” a philosophical exploration of AI and the future of the mind that Astronomer Royal Martin Rees calls “profound and entertaining”Humans may not be Earth’s most intelligent beings for much longer: the world champions of chess, Go, and Jeopardy! are now all AIs. Given the rapid pace of progress in AI, many predict that it could advance to human-level intelligence within the next several decades. From there, it could quickly outpace human intelligence. What do these developments mean for the future of the mind?In Artificial You, Susan Schneider says that it is inevitable that AI will take intelligence in new directions, but urges that it is up to us to carve out a sensible path forward. As AI technology turns inward, reshaping the brain, as well as outward, potentially creating machine minds, it is crucial to beware. Homo sapiens, as mind designers, will be playing with "tools" they do not understand how to use: the self, the mind, and consciousness. Schneider argues that an insufficient grasp of the nature of these entities could undermine the use of AI and brain enhancement technology, bringing about the demise or suffering of conscious beings. To flourish, we must grasp the philosophical issues lying beneath the algorithms.At the heart of her exploration is a sober-minded discussion of what AI can truly achieve: Can robots really be conscious? Can we merge with AI, as tech leaders like Elon Musk and Ray Kurzweil suggest? Is the mind just a program? Examining these thorny issues, Schneider proposes ways we can test for machine consciousness, questions whether consciousness is an unavoidable byproduct of sophisticated intelligence, and considers the overall dangers of creating machine minds.

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On May 19, 2010, the Royal Thai Army deployed tanks, snipers, and war weapons to disperse the thousands of Red Shirts protesters who had taken over the commercial center of Bangkok to demand democratic elections and an end to inequality. Key to this mobilization were motorcycle taxi drivers, who slowed down, filtered, and severed mobility in the area, claiming a prominent role in national politics and ownership over the city and challenging state hegemony. Four years later, on May 20, 2014, the same army general who directed the dispersal staged a military coup, unopposed by protesters. How could state power have been so fragile and open to challenge in 2010 and yet so seemingly sturdy only four years later? How could protesters who had once fearlessly resisted military attacks now remain silent? Owners of the Map provides answers to these questions-central to contemporary political mobilizations around the globe-through an ethnographic study of motorcycle taxi drivers in Bangkok. Claudio Sopranzetti explores the unresolved tensions in the drivers' everyday lives, their migration trajectories, consumer desires, and political demands amidst the restructuring of Thai capitalism after the 1997 economic crisis. Reconstructing the entanglements between their everyday mobility and political mobilization, Sopranzetti reveals mobility not just as a strength of contemporary capitalism but also as one of its fragile spots, always prone to disruption by the people who sustain its channels but remain excluded from their benefits. In so doing, Owners of the Map advances an analysis of power that focuses not on the sturdiness of hegemony or the ubiquity of everyday resistance but on its potential fragility as well as the work needed for its maintenance.

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Our traditional image of Chicago-as a gritty metropolis carved into ethnically defined enclaves where the game of machine politics overshadows its ends-is such a powerful shaper of the city's identity that many of its closest observers fail to notice that a new Chicago has emerged over the past two decades. Larry Bennett here tackles some of our more commonly held ideas about the Windy City-inherited from such icons as Theodore Dreiser, Carl Sandburg, Daniel Burnham, Robert Park, Sara Paretsky, and Mike Royko-with the goal of better understanding Chicago as it is now: the third city. Bennett calls contemporary Chicago the third city to distinguish it from its two predecessors: the first city, a sprawling industrial center whose historical arc ran from the Civil War to the Great Depression; and the second city, the Rustbelt exemplar of the period from around 1950 to 1990. The third city features a dramatically revitalized urban core, a shifting population mix that includes new immigrant streams, and a growing number of middle-class professionals working in new economy sectors. It is also a city utterly transformed by the top-to-bottom reconstruction of public housing developments and the ambitious provision of public works like Millennium Park. It is, according to Bennett, a work in progress spearheaded by Richard M. Daley, a self-consciously innovative mayor whose strategy of neighborhood revitalization and urban renewal is a prototype of city governance for the twenty-first century. The Third City ultimately contends that to understand Chicago under Daley's charge is to understand what metropolitan life across North America may well look like in the coming decades.

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An illustrated cultural guide to the archaeological site of Amarna, the best-preserved pharaonic city in Egypt, now in ArabicAround three thousand years ago, the pharaoh Akhenaten turned his back on Amun, and most of the great gods of Egypt. Abandoning Thebes, he quickly built a grand new city in Middle Egypt, Akhetaten—Horizon of the Aten—devoted exclusively to the sun god Aten.Huge open-air temples served the cult of Aten, while palaces were decorated with painted pavements and inlaid wall reliefs. Akhenaten created a new royal burial ground deep in a desert valley, and his officials built elaborate tombs decorated with scenes of the king and his city. As thousands of people moved to Akhetaten, it became the most important city in Egypt. But it was not to last. Akhenaten’s death brought the abandonment of his city and an end to one of the most startling episodes in Egyptian history.Today, Akhetaten is known as Amarna, a sprawling archaeological site in the province of Minya, halfway between Cairo and Luxor. With its beautifully decorated tombs and vast mud-brick ruins, it is the best-preserved pharaonic city in Egypt.This informed and richly illustrated guidebook brings the ancient city of Akhetaten alive with a keen insider’s eye, drawing on ongoing archaeological research and the knowledge and insight of Amarna’s modern-day communities and caretakers to explain key monuments and events, while offering invaluable practical advice for visiting the site. With over 150 illustrations, maps, and plans, Amarna is both an ideal introduction for visitors to Amarna and a window onto the extraordinary reign of Akhenaten.

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Opening with his award of Membership of the Royal College of Veterinary Surgeons, the book relates John's personal and family history from his English and Belgian parents and grandparents and their roles in two World Wars. His Belgian grandparents were evacuated to England in the first war: his father was shot at by the Germans during the liberation of Antwerp and his mother bombed in a pub in South London while serving in the London Auxiliary Ambulance Service in the second. Managing to get into veterinary college from a large comprehensive school in South London, John recounts tales from his studies and goes on to discuss various major debates which occurred during his career, including vaccinations and the anti-vaccine lobby. The role of badgers and TB is also discussed. The tale of his experience of meeting children with the drug-induced injury of thalidomide is both life-affirming and tear-jerking. His time in East Africa, including his experiences in Uganda under Idi Amin's dictatorship, is chilling but still funny and up-lifting. The tales of his experiences in general and specialist veterinary practice, with memorable farm, horse, dog and cat cases are enlightening, educational and sometimes sad but often very hilarious. The horrific experiences with foot-and-mouth disease will get any animal lover in tears and questioning what happened and why? But the option of a Vegan Utopia in a world without farm animals is dismissed as a sad alternative as demonstrated when large swathes of the United Kingdom were left without stock after the outbreak.

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Part memoir, part social history, Revolutionary Spirit is the poignant, often hilarious story of a cult Liverpool musician s scenic route to fame and artistic validation. If Morrissey was the Oscar Wilde of the 1980s indie scene, Simpson was its William Blake, a self-destructive genius so lost in mystical visions of a new arcadia that he couldn t meet the rent. Simpson s career begins alongside fellow Liverpool luminaries Julian Cope, Ian McCulloch, Bill Drummond, Ian Broudie, Will Sergeant, Pete Wylie, Pete Burns, and Pete de Freitas at the infamous Eric s club, where, in 1976, he finds himself at the birth of the city s second great musical explosion. Along the way, he co-founds and christens the neo-psychedelic pop group The Teardrop Explodes, shares a flat with a teenage Courtney Love, and forms The Wild Swans, the indie band of choice for literary-minded teens in the early 1980s, who burn bright and brief, in the process recording one of the all-time great cult hit singles, Revolutionary Spirit . Marriage, fatherhood, and tropical illness follow, interspersed with artistic collaborations with Bill Drummond and members of The Brian Jonestown Massacre, among others. Following an onstage reunion with Cope at the Royal Festival Hall, Simpson discovers that seven thousand miles away, in the Philippines, he is considered a musical god. Presidential suites, armed guards, police escorts . . . you couldn t make it up, and, incredibly, he doesn t need to. Revolutionary Spirit marks the arrival of an original literary voice. It is the story of a musician driven by an unerring belief that artistic integrity will bring its own rewards, and an elliptical elegy to the ways it does.

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Whether you’re applying for drama school, taking an exam, or auditioning for a professional role, it’s likely you’ll be required to perform one or more monologues, including a piece from a contemporary play. It’s vital to come up with something fresh that’s suited both to you – in order to allow you to express who you are as a performer – and to the specific purposes of the audition. In this book, you’ll find forty fantastic speeches featuring female roles, all written and premiered since the year 2014, by some of the most exciting dramatic voices writing today. Playwrights include Mike Bartlett, Andrew Bovell, Chris Bush, Jez Butterworth, Vivienne Franzmann, Ella Hickson, Lucy Kirkwood, Chinonyerem Odimba, Frances Poet and Stef Smith. The plays featured were premiered at leading venues including the National, the Royal Court, Soho and Hampstead in London, prestigious theatres in Cardiff, Chichester, Edinburgh and Sheffield, and by renowned companies including Clean Break, Frantic Assembly and HighTide. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James introduces each speech with a user-friendly, bullet-point list of ten essential things you need to know about the character, and then five inspiring ideas to help you perform the monologue. This book also features a step-by-step guide to the process of selecting and preparing your speech, and approaching the audition itself. ‘Easy-to-use… The guidance is perhaps the most thorough I have seen in a monologue book’ Teaching Drama on Trilby James’s first volume of Contemporary Monologues Please note that some of the speeches in this volume contain strong language and themes which some readers may find inappropriate.

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A MOST ANTICIPATED ROM-COM SELECTED BY * BUZZFEED * LGBTQ READS * BUSTLE * THE NERD DAILY * ENTERTAINMENT TONIGHT * FROLIC MEDIA * AND MORE!A BEST BOOK PICK BY * HARPER’​S BAZAAR * ENTERTAINMENT WEEKLY“The Charm Offensive will sweep you off your feet.” —PopSugar​​​​In this witty and heartwarming romantic comedy—reminiscent of Red, White & Royal Blue and One to Watch—an awkward tech wunderkind on a reality dating show goes off-script when sparks fly with his producer. Dev Deshpande has always believed in fairy tales. So it’s no wonder then that he’s spent his career crafting them on the long-running reality dating show Ever After. As the most successful producer in the franchise’s history, Dev always scripts the perfect love story for his contestants, even as his own love life crashes and burns. But then the show casts disgraced tech wunderkind Charlie Winshaw as its star. Charlie is far from the romantic Prince Charming Ever After expects. He doesn’t believe in true love, and only agreed to the show as a last-ditch effort to rehabilitate his image. In front of the cameras, he’s a stiff, anxious mess with no idea how to date twenty women on national television. Behind the scenes, he’s cold, awkward, and emotionally closed-off. As Dev fights to get Charlie to connect with the contestants on a whirlwind, worldwide tour, they begin to open up to each other, and Charlie realizes he has better chemistry with Dev than with any of his female co-stars. But even reality TV has a script, and in order to find to happily ever after, they’ll have to reconsider whose love story gets told.

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From sipping scotch and sampling haggis to touring castles and historic museums, make the most of your Scottish adventure with Moon Edinburgh, Glasgow & the Isle of Skye. Inside you'll find:*Flexible itineraries such as one to three days in Edinburgh and Glasgow, two days in the Highlands, and four days on the Isle of Skye that can be expanded or combined into a longer trip, including day trips to Loch Lomond, Ben Nevis, and more*Strategic advice for art lovers, history buffs, road trippers, and more*Explore the Cities: Walk along Edinburgh's historic Royal Mile from the Edinburgh Castle to the Queen's Scottish Palace or climb the Arthur's Seat peak. Sample authentic haggis and dine at innovative new restaurants. Catch a traditional music performance in Glasgow (the UNESCO City of Music!) or chat with locals at a corner pub over folk music and a pint*Escape the Crowds: Hike through wild moors and pine forests to deserted villages on Skye, sip your way through Islay's whisky distilleries, or take a seaplane over Loch Lomond for dramatic views of the Highlands*Valuable perspective from Scotland expert Sally Coffey*Full-colour photos and detailed maps throughout*Background information on the landscape, history, and cultural customs of Scotland*Handy tools such as a glossary and list of Scottish phrases, and helpful tips for seniors, disability access, families with children, LGBTQ visitors, and travellers of colorWith Moon Edinburgh, Glasgow & the Isle of Skye's practical tips and local insight, you can plan your trip your way.Exploring beyond Scotland? Check out Moon Ireland.

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Dictionary: A book with a Beginning, a Middle and an End - but not in that order.This Septic Isle is a dictionary that re-defines 21st Century Britain in the wickedest and wittiest way imaginable. In an age where Spin is King, this super-cynical, irreverant reference book finally tells it like it is, not like it isn't and never will be.With 2,000 entries, ranging from razor-sharp satire to the downright silly, This Septic Isle is the perfect antidote to our irascible era. Politics, pop culture, sport, the Internet, TV, food, the environment, journalism, sex, PR, consumerism, war, religion, Royalty, terrorism, traffic - no subject is safe. No sacred cow is spared a jaunt to the slaughterhouse.Conservation - Process by which dwindling areas of natural beauty are preserved for future generations to buildDead - Not answering one's mobile phone or responding to emailsEmpathy - The shared understanding between two people on the same pay gradeEpidemic - The rapid and uncontrollable spread of anything contagious through newspapers Part-time employee - Full-time employee with a smoking habit, a FaceBook page and an ebay accountRefrigerator - Device for keeping salad and vegetables chilled before throwing them away unusedThreatening letters - MRSA, ASBO, OHMS, GBH, HIV, etc.Wendy House - Play home now banned from schools for giving children unrealistic expectations of future home ownershipXenophobia - The Englishman's hatred of foreigners - from the Latin words 'xenos' and 'phobos'Mike Barfield's updated definitions put the spin in the bin and prove there's one area in which beleaguered Britons can still proudly claim to lead the world: laughing at their problems.

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_The Lost Samurai_ reveals the greatest untold story of Japan's legendary warrior class, which is that for almost a hundred years Japanese samurai were employed as mercenaries in the service of the kings of Siam, Cambodia, Burma, Spain and Portugal, as well as by the directors of the Dutch East India Company. The Japanese samurai were used in dramatic assault parties, as royal bodyguards, as staunch garrisons and as willing executioners. As a result, a stereotypical image of the fierce Japanese warrior developed that had a profound influence on the way they were regarded by their employers. Whilst the Southeast Asian kings tended to employ samurai on a long-term basis as palace guards, their European employers usually hired them on a temporary basis for specific campaigns. Also, whereas the Southeast Asian monarchs tended to trust their well-established units of Japanese mercenaries, the Europeans, whilst admiring them, also feared them. In every European example a progressive shift in attitude may be discerned from initial enthusiasm to great suspicion that the Japanese might one day turn against them, as illustrated by the long-standing Spanish fear of an invasion of the Philippines by Japan accompanied by a local uprising. It also suggested that if, during the 1630s, Japan had chosen engagement with Southeast Asia rather than isolation from it, the established presence of Japanese communities overseas may have had a profound influence on the subsequent development of international relations within the area, perhaps even seeing the early creation of an overseas Japanese empire that would have provided a rival to Great Britain. Instead Japan closed its doors, leaving these fierce mercenaries stranded in distant countries never to return: lost samurai indeed!

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Expected by his enemies to die the miserable death of a military slave, Kaladin survived to be given command of the royal bodyguards, a controversial first for a low-status "darkeyes." Now he must protect the king and Dalinar from every common peril as well as the distinctly uncommon threat of the Assassin, all while secretly struggling to master remarkable new powers that are somehow linked to his honorspren, Syl.The Assassin, Szeth, is active again, murdering rulers all over the world of Roshar, using his baffling powers to thwart every bodyguard and elude all pursuers. Among his prime targets is Highprince Dalinar, widely considered the power behind the Alethi throne. His leading role in the war would seem reason enough, but the Assassin's master has much deeper motives.Brilliant but troubled Shallan strives along a parallel path. Despite being broken in ways she refuses to acknowledge, she bears a terrible burden: to somehow prevent the return of the legendary Voidbringers and the civilization-ending Desolation that will follow. The secrets she needs can be found at the Shattered Plains, but just arriving there proves more difficult than she could have imagined.Meanwhile, at the heart of the Shattered Plains, the Parshendi are making an epochal decision. Hard pressed by years of Alethi attacks, their numbers ever shrinking, they are convinced by their war leader, Eshonai, to risk everything on a desperate gamble with the very supernatural forces they once fled. The possible consequences for Parshendi and humans alike, indeed, for Roshar itself, are as dangerous as they are incalculable.The story continues in Words of Radiance: Part Two.

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Charles II was thirty when he crossed the Channel in fine May weather in 1660. His Restoration was greeted with maypoles and bonfires, like spring after long years of Cromwell's rule. But there was no going back, no way he could 'restore' the old. Certainty had vanished. The divinity of kingship fled with his father's beheading. 'Honour' was now a word tossed around in duels. 'Providence' could no longer be trusted. As the country was rocked by plague, fire and war, people searched for new ideas by which to live. Exactly ten years later Charles II would stand again on the shore at Dover, laying the greatest bet of his life in a secret deal with his cousin, Louis XIV.The Restoration decade was one of experiment: from the science of the Royal Society to the startling role of credit and risk, from the shocking licence of the court to the failed attempts at toleration of different beliefs. Negotiating all these, Charles II, the 'slippery sovereign', played odds and took chances, dissembling and manipulating his followers. The theatres were restored, but the king was the supreme actor. Yet while his grandeur, his court and his colourful sex life were on display, his true intentions lay hidden.A Gambling Man is a portrait of Charles II, exploring his elusive nature through the lens of these ten vital years - and a portrait of a vibrant, violent, pulsing world, racked with plague, fire and war, in which the risks the king took forged the fate of the nation, on the brink of the modern world.

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Former British Army soldier Shaun Pinner's extraordinary first-hand account of the war in Ukraine.--------During nine years in the British Army, Shaun Pinner deployed on operations around the world, and trained in Survival, Evasion, Resistance and Escape. He never imagined that he would be one day draw deep on that training as a prisoner of the Russians ...But when Pinner fell in love with and married a Ukrainian woman, the couple made their home in Mariupol. Missing the camaraderie and purpose he'd relished in the Royal Anglian Regiment he joined his adopted country's military as a sniper instructor.Four years later, the section he led was on the frontline when Vladimir Putin's forces launched their invasion.Outnumbered and outgunned in the fiercest fighting seen in Europe since the end of the Second World War, Pinner's troops staged a fighting retreat back to Mariupol to join the remarkable, defiant last stand that captured the world's imagination. At the height of the battle, Pinner's wife urged him to 'Live. Fight. Survive.'He fought on. Until, ordered by President Zelensky to save themselves, his platoon made a break for it. The enemy was waiting. Pinner was captured.Over the months the followed, the former British soldier required every ounce of strength, resolve, ingenuity and dark humour to see him and his fellow prisoners of war through the savage mental and physical toll meted out by his ruthless captors. But he refused to be broken.Live. Fight. Survive. is the breathtaking story of a soldier fighting for his home and family: an unforgettable account of superhuman courage, resistance and defiance in the face of overwhelming odds. And a stirring testament to the power of the human spirit.

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The Burdur Archaeological Museum holds material from a mountainous area of southwest Turkey where Pisidians in antiquity mingled with Phrygians, Lycians and other ancient peoples, coming to terms first with Greek and then with Roman culture. This volume presents its rich holdings of ancient inscriptions, ranging from Hellenistic royal letters and Roman imperial regulations to the votive offerings and gravestones of rural people. Larger cities such as Sagalassos and Kibyra are close to or just beyond the boundaries of Burdur province. The Museum collection is particularly strong in votive reliefs related to local rural cults; the most prolific is that of a club-bearing rider variously named as Herakles or Kakasbos, to which an extensive and penetrating excursus is devoted. As well as inscribed texts relief iconography is presented and discussed - indeed several items never carried an inscription. The physical form of votives and gravestones is also fully described, with more than 360 plates illustrating the range of monuments produced by local masons. Of the 350 monuments collected here, over 150 have not previously been published, and many of the rest have never been illustrated, so that the volume presents a substantial body of new evidence relating to the history, religion and culture of the area. All texts are translated into English and Turkish.

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In the popular imagination, the notion of military medicine prior to the twentieth century is dominated by images of brutal ignorance, superstition and indifference. In an age before the introduction of anaesthetics, antibiotics and the sterilisation of instruments, it is perhaps unsurprising that such a stereotyped view has developed, but to what degree is it correct? Whilst it is undoubtedly true that by modern standards, the medical care provided in previous centuries was crude and parochial, it would be wrong to think that serious attempts were not made by national bodies to provide care for those injured in the military conflicts of the past. In this ground breaking study, it is argued that both sides involved in the civil wars that ravaged the British Isles during the mid seventeenth century made concerted efforts to provide medical care for their sick and wounded troops. Through the use of extensive archival sources, Dr Gruber von Arni has pieced together the history of the welfare provided by both Parliamentarian and Royalist causes, and analyses the effectiveness of the systems they set up.

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Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits.In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields, offering an invaluable insight into the lives of people who have made significant contributions to the wider cultural and creative life of the USA, Britain and Europe over the current and recent generations. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen’s many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards. ‘While all of these portraits may not be recognisably activist images’, asserts Watts, ‘they’re rooted in the belief of a micro-politics of everyday lives and relationships.’ Readers can discover more about the background, circumstances and dynamics of many of the shoots by means of notes prepared by Andersen herself to accompany each image, which are regularly entertaining and thought-provoking as well as informative.Beyond capturing the essence of these figures and of the times in which they are living, Andersen has a particular talent for entering into their private lives and private spaces, often being invited into her sitters’ own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always, somehow, a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them. It is also fascinating to note how Andersen is often keen to document the young children of celebrities, especially girls, and has made a substantial body of work of fathers and daughters. She is always interested to know what these young women grew up to be, and sometimes returns to photograph the same people years, if not decades, later.Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Independent, The Sunday Telegraph and The Economist, and has been commissioned by publishers such as Quadrille, Simon and Schuster, Oxford University Press, Hachette, Random House and Harper Collins. Her works have been exhibited internationally in venues including The Photographers’ Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; The Barber Institute of Fine Arts, University of Birmingham; Massachusetts Museum of Contemporary Art; Jehangir Art Gallery, Mumbai; and China Arts Museum, Shanghai. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University.Designed by Melanie Mues of Mues Design, London, with reprography by DPM, London, and printed by EBS, Verona, this stunning hardback monograph has been released in both a trade edition published by Anomie and as an artist’s limited edition of fifty signed and numbered copies, accompanied by an original print.The cover image is of the Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, in London in 1989.

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Lonely Planet's Pocket Sydney is your guide to the city’s best experiences and local life - neighbourhood by neighbourhood. Splash about at Bondi Beach, enjoy a concert at the famous Sydney Opera House and amble through the Royal Botanic Gardens; all with your trusted travel companion. Uncover the best of Sydney and make the most of your trip!Inside Lonely Planet's Pocket Sydney: Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020’s COVID-19 outbreak Full-colour maps and travel photography throughout Highlights and itineraries help you tailor a trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sightseeing, going out, shopping, hidden gems that most guidebooks miss Convenient pull-out map (included in print version), plus over 19 colour neighbourhood maps User-friendly layout with helpful icons, and organised by neighbourhood to help you pick the best spots to spend your time Covers Bondi, Coogee, Circular Quay, City Centre, Manly, Inner West, Pyrmont, Surry Hills, Darlinghurst, Potts Point, Kings Cross, Haymarket, Darling Harbour, the Rocks, and more The Perfect Choice: Lonely Planet's Pocket Sydney an easy-to-use guide filled with top experiences - neighbourhood by neighbourhood - that literally fits in your pocket. Make the most of a quick trip to Sydney with trusted travel advice to get you straight to the heart of the city.Looking for more extensive coverage? Check out Lonely Planet's Australia or East Coast Australia guides for an in-depth look at all the country has to offer.About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more.'Lonely Planet guides are, quite simply, like no other.' - New York Times'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia)

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Star Cops debuted on BBC2 in 1987, the brainchild of Doctor Who and Blake's 7 writer Chris Boucher, aimed as a police procedural set in the new frontier of commercialised space exploration. It's the near future, and mankind has expanded its presence in space. Maintaining law and order among this network of space stations, satellites and moon outposts is the responsibility of the International Space Police Force, known colloquially as the Star Cops. Their leader is Commander Nathan Spring. While dealing with crimes including drug smuggling and murder, the Star Cops find themselves facing a new and sustained threat. The activist group Mother Earth, ideologically opposed to humanity's presence in space, has been quiet for some time. But no longer. The group returns with a vengeance, prepared it seems to go to any lengths to achieve its aims. 1.1 One of Our Cops is Missing by Andrew Smith. As construction of the Vasco da Gama, the largest space station ever put into orbit, nears completion, Nathan is visited by an old friend, who asks for his help in tracking down a missing undercover officer. Meanwhile, Inspector Priya Basu is investigating a near-fatal spacewalk accident on the space station Rakesh Sharma that may be no accident at all.1.2 Tranquillity and Other Illusions by Ian Potter. A murder at the historic scene of the first Apollo moon landing offers few clues for the Star Cops. Why would anyone want to kill Philip Hughes, a property entrepreneur? And what has become of the mysterious woman who was with him at the time? The investigation leads to a moon outpost, where anyone may be the killer. 1.3 Lockdown by Christopher Hatherall. Tech Tower is a state of the art, high - security, high-technology building located in Paris. It seems the ideal venue for an international conference on how to counter the growing threat from the Mother Earth group. Nathan and Priya attend as representatives of space policing. Soon, they and everyone else in the building find themselves in danger as a disruptive attack by Mother Earth coincides with a plot by criminals to carry out a high stakes robbery. 1.4 The Thousand Ton Bomb by Guy Adams. A failed bombing of Moonbase provides the Star Cops with an opportunity to strike back at Mother Earth. Paul Bailey is called on to use his undercover skills once more. But Mother Earth is about to escalate its campaign of violence with a spectacular attack. And the Star Cops are among those in the firing line. The series hero Nathan Spring is played by David Calder, one of Britain's most regarded stage and screen actors. He is joined by several new characters created for these fresh Star Cops adventures, with Priya Basu played by Eastenders regular Rakhee Thakrar. CAST: David Calder (Nathan Spring / Box), Trevor Cooper (Colin Devis), Linda Newton (Pal Kenzy), Rakhee Thakrar (Priya Basu), Philip Olivier (Paul Bailey), Andrew Secombe (Brian Lincoln), Ewan Bailey (Martin Collyer), Nimmy March (Shayla Moss), Delroy Atkinson (Charles Hardin), Zora Bishop (Armina Hamid), Mandi Symonds (Caroline / Mother Earth), Tim Scragg (Ashton / Hughes), Amerjit Deu (Rez Varughese / Gish), Gabrielle Glaister (Joanne Stack / Janine), George Asprey (Alby Royle / Steven Moore), Andy Snowball (Danny Neal / Pan-Pacific President), Sophie-Louise Dann (Simone Babin).

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Readers and playgoers who are new to Shakespeare (and even more seasoned veterans who would like to appreciate him more than they do) often find themselves puzzled: what is going on? His characters speak in verse rather than in the patterns of everyday speech. They are figures that ordinary humans seldom encounter—kings, queens, dukes, cardinals, and generals. Some of the plays are set in places even the most seasoned traveler is unlikely to have visited—Bohemia, Illyria, and the ancient Greek cities of Asia Minor—and in times from the distant past—imperial Rome, medieval Venice, Homer's Troy. What's more, the plots pursue events that seemingly have little to do with the daily round of modern lives—contention for a royal crown, assassination, shipwreck, occult visitation. Robert Fallon's small book is designed to dispel some of this apparent strangeness. It shows readers that what may at first seem unfamiliar to them is in fact close to their own lives. Kings and queens emerge as recognizable fathers and mothers, dukes and earls as squabbling siblings of any era. Exotic locales might be any present-day village or city block. And the plots resemble stories to be found in the pages of our morning newspaper. Shakespeare's language takes some getting used to, but even a brief acquaintance with its cadence and imagery will offer a glimpse of its glories. In How to Enjoy Shakespeare, Mr. Fallon explores Shakespeare's familiarity in five sections dealing with language, theme, staging, character, and plot, each abundantly illustrated with episodes and quotations from the plays. He writes in easily accessible prose in a book designed to make modern readers and audiences feel comfortable with the Bard.

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First full-scale examination of the phenomenon of the English Vernacular minuscule, analysing the full corpus and giving an account of its history and development. A new, distinct script, English Vernacular minuscule, emerged in the 990s, used for writing in Old English. It appeared at a time of great political and social upheaval, with Danish incursions and conquest, continuing monastic reform, and an explosion of writing and copying in the vernacular, including the homilies of Ælfric and Wulfstan, two different recensions of the Anglo-Saxon Chronicle, two of the four major surviving manuscripts of Old English poetry (the "Beowulf" and "Junius" books), and many original royal and ecclesiastical diplomas, writs and wills. However, although these important manuscripts and documents have been studied extensively, this has tended to be in isolation or small groups, never before as a complete corpus, a gap which this volume aims to rectify. It opens with the historical context, followed by a thorough reexamination of the evidence for dating and localising examples of thescript. It then offers a full analysis of the complete corpus of surviving writing in English Vernacular minuscule, datable approximately from its inception in the 990s to the death of Cnut in 1035. While solidly grounded in palaeographical methodology, the book introduces more innovative approaches: by examining all of the approximately 500 surviving examples of the script as a whole rather than focussing on selected highlights, it presents a synthesis ofthe handwriting in order to identify local practices, new scribal connections, and chronological and stylistic developments in this important but surprisingly little-studied script. Peter Stokes is Senior Lecturer at King's College London.

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Annamaboe was the largest slave trading port on the eighteenth-century Gold Coast, and it was home to successful, wily African merchants whose unusual partnerships with their European counterparts made the town and its people an integral part of the Atlantic’s webs of exchange. Where the Negroes Are Masters brings to life the outpost’s feverish commercial bustle and continual brutality, recovering the experiences of the entrepreneurial black and white men who thrived on the lucrative traffic in human beings.Located in present-day Ghana, the port of Annamaboe brought the town’s Fante merchants into daily contact with diverse peoples: Englishmen of the Royal African Company, Rhode Island Rum Men, European slave traders, and captured Africans from neighboring nations. Operating on their own turf, Annamaboe’s African leaders could bend negotiations with Europeans to their own advantage, as they funneled imported goods from across the Atlantic deep into the African interior and shipped vast cargoes of enslaved Africans to labor in the Americas.Far from mere pawns in the hands of the colonial powers, African men and women were major players in the complex networks of the slave trade. Randy Sparks captures their collective experience in vivid detail, uncovering how the slave trade arose, how it functioned from day to day, and how it transformed life in Annamaboe and made the port itself a hub of Atlantic commerce. From the personal, commercial, and cultural encounters that unfolded along Annamaboe’s shore emerges a dynamic new vision of the early modern Atlantic world.

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Macclesfield Forest had long been a favourite hunting ground of royalty. But it was Edward III who first appreciated how skilled the town's longbowmen were. They helped win the battles of Crécy, Poiters and Agincourt, and were paid 6 pence per day, whereas the Welsh longbowmen received 3 pence per day. There is also a fascinating story of the town’s troops involved in the Battle of Flodden. Cheshire was treated differently from other counties and was a palatine where animals were kept for war service from the time of Edward I. It was an important centre for supplies during times of war in Ireland and Scotland, and to subdue revolts in Wales. Macclesfield's foresters, who administered the forest, provided troops for the sovereign up to the time of the Civil War, and were important commanders. The ancestral homes of those foresters are great tourist attractions today. For example Lyme Hall is famous for the scene in Pride and Prejudice, and Adlington Hall is where Handel completed his Messiah. The Fittons of Gawsworth Hall were particular favourites at the Tudor court, and held important military positions in Ireland. The Jodrells provided foresters on many occasions for military involvement and their presence in the area is remembered in the name of Jodrell Bank and its radio telescope. The Earl of Derby, steward of Macclesfield Forest, who organised troops when commanded by the king, held very important positions. Military Macclesfield follows the progress of these families and the men who accompanied them, many of whom were knighted on the battlefield, from 1066 to 1656.

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Ideal for use as a pew Bible, this revised and updated 2011 NIV Bible is a great value hardback edition. With over 400 million Bibles in print, the New International Version is the world's most popular modern English Bible. It is renowned for its combination of reliability and readability. Fully revised and updated for the first time in 25 years, the NIV is ideal for personal reading, public teaching and group study.This Bible also features- clear, readable 9pt text- easy-to-read layout - maps - shortcuts to key stories, events and people of the Bible - reading plan - timeline - book by book overview - quick links to find inspiration and help from the Bible in different life situations.British Text This edition uses British spelling, punctuation and grammar to allow the Bible to be read more naturally.More about the translationThis revised and updated edition of the NIV includes three main types of change, taking into account changes in the way we use language day to day; advances in biblical scholarship and understanding; and the need to ensure that gender accurate language is used, to faithfully reflect whether men and women are referred to in each instance. The translators have carefully assessed a huge body of scholarship, as well as inviting peer submissions, in order to review every word of the existing NIV to ensure it remains as clear and relevant today as when it was first published.Royalties from all sales of the NIV Bible help Biblica, formerly the International Bible Society, in their work of translating and distributing Bibles around the world.

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Supporting the work of Battersea Dogs and Cats Home.Enjoy a heartwarming dog to brighten every single day of the year. From Pickles, the dog who single-handedly saved the 1966 world cup, to Pal, who found silver screen fame as the original Lassie, Battersea's A Dog a Day contains 365 fascinating stories of dogs to enjoy throughout the year.Beautifully packaged and illustrated throughout with charming illustrations of cheeky puppies and hounds, this is the perfect book for any lover of our four-legged friends.Produced under license from Battersea Dogs Home Limited to go towards supporting the work of Battersea Dogs & Cats Home (registered charity no 206394). For all licensed products sold by Welbeck across their Battersea range, Welbeck will donate a minimum of £20,000 plus VAT in royalties to Battersea Dogs Home Limited, which gives its profits to Battersea Dogs & Cats Home. www.battersea.org.uk

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Amarna Sunset tells the story of the decline and fall of the pharaoh Akhenaten's religious revolution in the fourteenth century bc. Beginning at the regime's high point in his Year 12, it traces the subsequent collapse that saw the deaths of many of the king's loved ones, his attempts to guarantee the revolution through co-rulers, and the last frenzied assault on the god Amun. The book then outlines the events of the subsequent five decades that saw the extinction of the royal line, an attempt to place a foreigner on Egypt's throne, and the accession of three army officers in turn. Among its conclusions are that the mother of Tutankhamun was none other than Nefertiti, and that the queen was joint-pharaoh in turn with both her husband Akhenaten and her son. As such, she was herself instrumental in beginning the return to orthodoxy, undoing her erstwhile husband's life-work before her own mysterious disappearance. This fully updated and extensively revised paperback edition addresses new evidence and discussions that have appeared in the decade since the book was originally published. Amarna Sunset, together with its recently updated companion volume, Amarna Sunrise, accordingly provides readers with a comprehensive, up-to-date overview of Egyptian history during the golden years of the Late Bronze Age in the Eastern Mediterranean and the Near East.

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For centuries inventors have been dreaming up schemes to allow people to submerge beneath the waves, stay a while then return again unharmed. The Resurgam was designed for this purpose, as a stealthy underwater weapon which was the brainchild of an eccentric inventor realised in iron, timber, coal and steam. The inventor was George William Garrett, a curate from Manchester who designed and built the Resurgam submarine in 1879 using the limited technology available to a Victorian engineer on a small budget. This is not the story of Garrett himself as this story has already been told, instead this book tells the story how the Resurgam was built, how she may have worked and what happened to her. The book introduces Garrett the inventor then puts the creation of Resurgam in context by considering similar submarines being developed at the end of the 19th century. Garrett’s relationship with the Royal Navy is related here as they were his intended client and the tale continues with a description of how the submarine was built and how it may have worked. The end of the story relates how the Resurgam came to be lost in 1880 pieced together from documents and newspaper reports. Curiously, aspects of the tale do not fit with what was found by underwater archaeologists recording the wreck so other ideas are explored about how and why the submarine was lost.

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During the wars which followed the French Revolution, France’s armies turned on Britain’s last ally in Italy, the kingdom of Naples. The French chased out the Bourbon royal family and established a republic, governed by scholars and philosophers. It lasted six months before an Army of the Holy Faith, under Cardinal Ruffo, counter-attacked and reduced the republic to a handful of castles in Naples itself. In June 1799 their republican garrisons agreed to surrender when Ruffo promised to save them from his fanatical mob by offering them safe passage to France. That treaty of surrender was signed and sealed when Admiral Nelson arrived in the bay with his British fleet. The admiral, urged on by Lady Hamilton, objected to the treaty’s generous terms, then seemed to relent, permitting the republicans and their families to evacuate their forts. Once they were disarmed and had climbed aboard the waiting transports, Nelson struck and seized the would-be exiles. Hundreds of Neapolitan rebels now found themselves delivered up to a merciless court. This book asks whether Nelson was capable of such a betrayal. It makes use of accounts by Cardinal Ruffo, Lady Hamilton and Nelson himself, as well as by many others caught up in those brutal events, to tell the story of the atrocity committed in Naples in the summer of 1799. From all those experiences comes the drama. But to Naples alone belongs the tragedy.

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Jackie Robinson remains baseball's singular figure, the person who most profoundly extended the reach of the game. Beyond Ruth. Beyond Clemente. Beyond Aaron. Beyond the heroes of today. Now, a half-century since Robinson's death, letters come to his widow, Rachel, by the score. Robinson opened the door for Black Americans to participate in other sports, and was a national figure who spoke and wrote eloquently about inequality. True: The Four Seasons of Jackie Robinson by Kostya Kennedy is an unconventional biography, focusing on four transformative years in Robinson's life: 1946, his first year playing in the essentially all-white minor leagues for the Montreal Royals; 1949, when he won the MVP Award as a Brooklyn Dodger; 1956, his final season in major league baseball, when he played valiantly despite his increasing health struggles; and 1972, the year of his untimely death. Through it all, Robinson remained true to the effort and the mission, true to his convictions and contradictions. Kennedy brings each of these years to life in vivid prose and through interviews with fans and players who witnessed his impact, as well as with Robinson's surviving family. These four crucial years offer a unique vision of Robinson as a player, a father and husband, and a civil rights hero-a new window on a complex man, tied to the 50th anniversary of his passing and the 75th anniversary of his professional baseball debut.

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James Ravilious (1939-1999) trained as an artist, like his father Eric, but a Cartier-Bresson exhibition converted him to photography, which he taught himself. In 1972, a move to his wife Robin’s homeland - a very rural, unspoilt part of North Devon - inspired him. It also produced the perfect job: recording daily life in that traditional bit of old England before it was modernised. He devoted himself to this for more than seventeen years. The results, over 75,000 black and white negatives in the Beaford Archive, form what Barry Lane, Secretary General of the Royal Photographic Society, called `a unique body of work, unparalleled at least in this country for its scale and quality’ James was a friendly, modest man with a very unintrusive approach. Because of this, and because of the length of the project, he was able to make a uniquely detailed portrait, intimate and sympathetic, of a whole way of life in one small piece of countryside: its landscapes, its seasons, its people, their hardships and their pleasures. His respect for his subjects is manifest in his work. He never sentimentalised their lives. It was vital to him that his record should be completely honest. But it is not merely social history. It is also the work of someone who composed with the eye of an artist, and who often looked at his world with artists such as Breughel, Claude Lorrain, Thomas Bewick and Samuel Palmer in mind.

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Three defining elements of the collective wartime experience deserve full scrutiny: the challenges of building and maintaining coalitions and alliances; the paramount importance of defending the British mainland and its population; and the central role the African continent assumed in all British strategic planning. An introductory essay sets out how the British wartime experience was underpinned by these critical elements. Topics addressed include 1940 and the Defence of Britain; relations with the United States; the British Empire Air Training Plan; General Boy Browning and Operation Market Garden; the recall of General Alan Cunningham from Libya in 1941; plans for defending the Royal Family; Exercise Genesis, which turned west London into a battleground for a day in May 1942; and the role of the Eastern Fleet off Africa. Andrew Stewart provides a compelling chapter on the loss of the Tobruk garrison in June 1942 -- one of the worst military disasters suffered by the British Empire during the Second World War. The essay on Tobruk demonstrates how all three defining elements of wartime experience converged: the loss of public confidence about how the war was being conducted; its impact on the relationship with the Union of South Africa, a key partner in the Dominion wartime coalition; and the absolute necessity that existed for deep strategic planning on the African continent -- subsequently to be realized at the final battle at El Alamein.

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The Top 10 Sunday Times Bestseller'Hilarious, honest, heartwarming, like a hug from a friend, just perfect. I couldn't love this "mumoir" more' Mrs Hinch'An honest account of becoming a woman and mother... an engaging read' Giovanna FletcherMumLife; noun: the inescapable swirling vortex of love, guilt, joy, annoyance, laughter and boredom that makes up the life of a mum. Louise Pentland has been through a lot. From a traumatic birth with her first daughter, to single motherhood, to finding love again and having a second child, Louise's parenting journey has been full of surprises. Discussing the realities most working mums face, plus the impact of maternal mental health, Louise is on a mission to make other mums feel less alone, and very much heard. She beautifully reveals her own imperfect but perfect route to motherhood, as well as the loss of her mum so early in her life, how it shaped her and the mother she became. Reflective, uplifting and with her signature hilarious wit, MumLife will share Louise's ups and downs, reflecting on her route to motherhood and what she has learnt along the way. This is the honest truth, from someone who's been there and experienced it all. *****For each book sold Bonnier Books UK shall donate 1% of net receipts and Louise Pentland shall donate 100% of her royalties to the NSPCC.

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From Dr Annie Gray, presenter of BBC2's Victorian Bakers What does it mean to eat like a queen? Elizabeth gorged on sugar, Mary on chocolate and Anne was known as 'Brandy Nan'. Victoria ate all of this and more. The Greedy Queen celebrates Victoria's appetite, both for food and, indeed, for life. Born in May 1819, Victoria came 'as plump as a partridge'. In her early years she lived on milk and bread under the Kensington system; in her old age she suffered constant indigestion yet continued to over-eat. From intimate breakfasts with the King of France, to romping at tea-parties with her children, and from state balls to her last sip of milk, her life is examined through what she ate, when and with whom. In the royal household, Victoria was surrounded by ladies-in-waiting, secretaries, dressers and coachmen, but below stairs there was another category of servant: her cooks. More fundamental and yet completely hidden, they are now uncovered in their working environment for the first time. Voracious and adventurous in her tastes, Queen Victoria was head of state during a revolution in how we ate - from the highest tables to the most humble. Bursting with original research, The Greedy Queen considers Britain's most iconic monarch from a new perspective, telling the story of British food along the way.

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Explores the process of "becoming woman" through an analysis of the depiction of girls and young women in contemporary Anglo-American and German literary texts. What does it mean to "become woman" in the context of neoliberalism and postfeminism? What is the role of will in this process? Willful Girls explores these questions through an analysis of the depiction of girls and youngwomen in contemporary Anglo-American and German literary texts. It identifies four sets of concerns that are vital for an understanding of gendered subject formation in the contemporary context: agency and volition; body and beauty; sisterhood and identification; and sex and desire. The book examines numerous nonfiction feminist texts as well as novels by Helene Hegemann, Caitlin Moran, Charlotte Roche, Emma Jane Unsworth, Kate Zambreno, and Juli Zeh, among others. These texts illustrate the complex processes by which female subjects become women today. Failure, refusal, disgust, and anger are striking features of these becomings. Drawing on the work of Sara Ahmed (Willful Subjects) and thinkers including Simone de Beauvoir, Rosi Braidotti, and Elizabeth Grosz, the book demonstrates the significance of willfulness for understandings and assertions of female agency. In addition, it proposesa view of literary works themselves as instances of willfulness. The book will be of interest to scholars working in comparative literature, English, German studies, and feminist, gender, and queer studies. Emily Jeremiah is Senior Lecturer in German and Gender Studies at Royal Holloway, University of London.

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The last few decades have seen a gradual shift in Isaianic studies as scholars have begun to give greater attention to the book’s literary features rather than focusing predominantly on the question of its sources. Brittany Kim’s study takes a literary approach, exploring how the book portrays Israel and its capital city using five metaphors that arise from the realm of household relationships: sons/children, daughter(s), mother, wife, and servant(s).Drawing selectively on the resources of metaphor studies and rhetorical criticism, Kim examines each metaphor separately to determine its rhetorical import and, if possible, to trace its development throughout the book. From the beginning of Isaiah, in which Zion appears as a vulnerable but promiscuous daughter in need of both paternal protection and discipline, through the book’s end, when her marital relationship has been restored and Zion has been transformed into a radiant and caring mother, Kim follows the thread of these five themes, showing ultimately how and why only those among yhwh’s children who willingly take on the role of servant experience the joy and delight of Zion’s maternal care.Pulling together insights from individual studies, “Lengthen Your Tent-Cords” draws connections and highlights contrasts among the various metaphors. Kim concludes by examining how Israel and Zion fit into YHWH’s royal household.

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One book for the entire journey: How to digitally transform your organization Innovation in the face of major external change is critical for any organization’s success, but attempting to do so often leads to more questions than actions: Where do you start? How do you get the right resources? How should work be implemented? What data should you measure? For the first time, these questions are answered in a single book that covers the end-to-end execution of digital transformation – from leadership-level strategy, to on-the-ground team implementation. With the biggest revelation of all, Herbert argues, being that true digital transformation only needs to happen once because, at its core, it means becoming more adaptive to change itself. Featuring the ‘how to’ of digital transformation devised from successes across every sector, Herbert distils it into five actionable stages. These stages act as a repeatable framework for continual innovation, allowing you to produce results immediately and grow change incrementally across your organization. In Digital Transformation, Herbert draws on her own experiences in leading change and innovation programmes globally, as well as featuring insights from experts and leaders from organizations as diverse as the World Wildlife Fund, Morgan Stanley, Royal Caribbean Cruises, the United Nations High Commission for Refugees, the Rijksmuseum, the American Cancer Society, The Guardian, Harvard University, and many others.

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An examination of the mid-seventeenth century maritime battles between Ireland, England, and Scotland, showing them to have had a dramatic impact on the overall conflict. The conflict on the Irish seaboard between the years 1641 and 1653 was not some peripheral theatre in the Wars of the Three Kingdoms. As this first full-length study of the war at sea on the Irish coast from the outbreak of the Ulster rising in 1641 to the surrender of Inishbofin Island, the last major royalist maritime outpost, in April 1653, shows, it was instead the epicentre of naval conflict with important consequences for the nature and outcome of the land conflicts in Ireland and elsewhere. The book provides a clear and comprehensive narrative account of the war at sea, accompanied by careful contextualisation and a full analysis of its Irish, British and European dimensions. This includes the strategic importance of Irish ports, conflict between organised navies and formidable bands of privateers and pirates, the adoption of new naval technologies and tactics and the relationship between conflict onland and sea. Moving beyond traditional accounts of naval campaigns, it integrates warfare at sea into the wider dimension of political and economic developments in Ireland, England and Scotland. Extensive use is made of a wide range of archival material, in particular the High Court of Admiralty papers held in the National Archives at Kew. Dr Elaine Murphy is Lecturer in Maritime/Naval History, Plymouth University.

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Journals of the natural world reveal fascinating details of life at the time. These two journals, kept by Quakers in north-east and north-west England respectively, record in careful detail weather and agricultural events of their time and regions. But they also observe all manner of other things and events. The journal of John Chipchase, schoolmaster of Stockton-upon-Tees, recently came to light for the very first time in a Montreal university library. It has much to say about weather and crops, but also meteor showers and the aurora borealis, lightning strikes, fatal diseases, fishing and fishkills, the homing instincts of cats, the life cycle of snails, fierce gales and consequent shipwrecks, and both the causes and local reactions to the near-famine of 1795. Elihu Robinson's record of weather, crops and prices has only been known in manuscript form to a few specialists. Possessed of both a barometer and thermometer, his sometimes even daily observations are remarkably meticulous. As an active Quaker, he also offers a rich description of their life and organization in the Northwest. Taken together, these journals suggest something of the intellectual and cultural bent of two publicly engaged menof their time, both of middling status and informal education, living far from the cosmopolitan world of London and the universities. ROBERT TITTLER is Distinguished Professor of History Emeritus at Concordia University in Montreal, and a Fellow of the Royal Society of Canada.

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Now in paperback, the third novel of the Family Spies series, set in the bestselling world of Valdemar, where Heralds Mags and Amily's youngest child must follow in his parents' footsteps to protect both his family and the realm.Thirteen year old Prince Kyril and Mags and Amily's fourteen-year-old son Tory "share" the Gift of Farsight--although neither of them are Chosen. They are self-trained, though currently, their shared Gift only allows them to see what is happening with their immediate family members.After much debate, the Herald's Collegium has decided to test and train them anyway. That's when the surprises start. They do not share a single Gift; they have two complementary Gifts working together in a way that the Heralds have never seen before. Tory is the Farseer--Kee's Gift is to extend his range beyond a few dozen feet.Their Gifts become crucial when Mags gets a desperate message from his cousin Bey, the head of the enigmatic assassin-tribe, the Sleepgivers. Bey's eldest daughter has been kidnapped, but he doesn't know why or by whom. He's calling in the debt Mags owes him to find his daughter before it's too late.Tory is certain that if anyone can find her, he can. But that will mean traveling out of Valdemar into an unknown, dangerous country. And it will mean taking a Royal Prince with him.

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Mahatma Gandhi and Jawaharlal Nehru helped create the myth of a nonviolent ancient India while building a modern independence movement on the principle of nonviolence (ahimsa). But this myth obscures a troubled and complex heritage: a long struggle to reconcile the ethics of nonviolence with the need to use violence to rule. Upinder Singh documents the dynamic tension between violence and nonviolence in ancient Indian political thought and practice over twelve hundred years.Political Violence in Ancient India looks at representations of kingship and political violence in epics, religious texts, political treatises, plays, poems, inscriptions, and art from 600 BCE to 600 CE. As kings controlled their realms, fought battles, and meted out justice, intellectuals debated the boundary between the force required to sustain power and the excess that led to tyranny and oppression. Duty (dharma) and renunciation were important in this discussion, as were punishment, war, forest tribes, and the royal hunt. Singh reveals a range of perspectives that defy rigid religious categorization. Buddhists, Jainas, and even the pacifist Maurya emperor Ashoka recognized that absolute nonviolence was impossible for kings.By 600 CE religious thinkers, political theorists, and poets had justified and aestheticized political violence to a great extent. Nevertheless, questions, doubt, and dissent remained. These debates are as important for understanding political ideas in the ancient world as for thinking about the problem of political violence in our own time.

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In 1215 a group of English barons, dissatisfied with the weak and despicable King John, decided that they needed a new monarch. They wanted a strong, experienced man, of royal blood, and they found him on the other side of the Channel: Louis, eldest son and heir of the king of France. “Louis emerges as a nearly man: nearly King of England, nearly a successful military campaigner, and nearly the man who terminated the Albigensian crusades. But what he nearly did allows for Hanley’s biography to touch on some of the most complex issues of the early thirteenth century.”—Alice Taylor, TLS In this fascinating biography of England’s least-known “king”—and the first to be written in English—Catherine Hanley explores the life and times of “Louis the Lion” before, during, and beyond his quest for the English throne. She illuminates the national and international context of his 1216 invasion, and explains why and how after sixteen fruitless months he failed to make himself King Louis I of England. Hanley also explores Louis’s subsequent reign over France until his untimely death on the Albigensian Crusade. Published eight centuries after the creation of Magna Carta and on the 800th anniversary of Louis’s proclamation as king, this fascinating story is a colorful tale of national culture, power, and politics that brings a long-forgotten life out of the shadows of history.

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The perfect stocking filler for anyone who imagines themselves flying a spitfire . . . Drop your visiting cards, put aside your beer-lever, stop being a half-pint hero and discover the gloriously funny slang which was part of everyday life in two world wars. Passion-killers: Airwomen's service knickers, whether twilights (the lighter, summer-weight variety) or black-outs (the navy-blue winter-weights). A wise directive has purposely made them as unromantic in colour and in design as a wise directive could imagine. Thanks to the work of Eric Partridge in 1945, the hilarious slang of the Royal Air Force during the first two World Wars has been preserved for generations to come. While some phrases like 'chocks away!' have lasted to this day, others deserve to be rediscovered . . . Beer-lever: From pub-bars, meaning the 'Joystick' of an aircraft. Canteen cowboy: A ladies' man. Half-pint hero: A boaster. One who exemplifies the virtue of Dutch courage without having the trouble of going into action. Tin fish: A torpedo. Umbrella man: A parachutist. Visiting-card: A bomb. Wheels down: Get ready - especially to leave a bus, tram, train. From lowering the wheels, preparatory to landing. Whistled: In a state of intoxication wherein one tends to whistle cheerfully and perhaps discordantly. The Dictionary of RAF Slang is a funny and fascinating insight into the lives of our RAF heroes, in a time gone by.

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