Search results for ""liverpool university press""

Richly illustrated and boasting an array of distinguished artists, scholars and curators, thingworld is the catalogue of the International Triennial of New Media Art held at the National Art Museum of China. From metal balls ascending in an uncanny anti-­gravitational movement to a Victorian sofa standing precariously à l’attitude; from miniature instruments which require a magnifying glass to peek at their elegance to monumental inflatables that entwine and elongate to permeate 5,000 square feet of gallery space; from murmuring tweets from the virtual void to billions of algorithmically generated configurations of a mere 24 cards depicting an 18th-century genre painting; the exhibition unfolds its three themes: Monologue: Ding An Sich; Dialogue: Ding to Thing; and Ensemble: Parliament of Things in a reciprocal interrelation. In celebration of thingworld, there emerges an opportunity to reinvigorate the impasse of cultural production that is contingent solely on the premise of a human subject through a much-­expanded field of operation; there will be a newfound world of discussions, concerns giving rise to new forms of artistic experimentation and new vocabularies of aesthetic manifestation that resonate with a vision of equity molded by a renewed political ecology, that is the "Equality of All Things".

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This is the first book about the literature of the Irish in London. By examining over 30 novels, short stories and autobiographies set in London since the Second World War, London Irish Fictions investigates the complex psychological landscapes of belonging and cultural allegiance found in these unique and intensely personal perspectives on the Irish experience of migration. As well as bringing new research to bear on the work of established Irish writers such as Edna O’Brien, John McGahern, Emma Donoghue and Joseph O’Connor, this study reveals a fascinating and hitherto unexplored literature, diverse in form and content. By synthesising theories of narrative and diaspora into a new methodological approach to the study of migration, London Irish Fictions sheds new light on the ways in which migrant identities are negotiated, mediated and represented through literature. It also examines the specific role that the metropolis plays in literary portrayals of migrant experience as an arena for the performance of Irishness, as a catalyst in transformations of Irishness and as an intrinsic component of second-generation Irish identities. Furthermore, by analysing the central role of narrative in configuring migrant cultures and identities, it reassesses notions of exile, escape and return in Irish culture more generally. In this regard, it has particular relevance to current debates on migration and multiculturalism in both Britain and Ireland, especially in the wake of an emerging new phase of Irish migration in the post-‘Celtic Tiger’ era.

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This book sets a new agenda for mortuary archaeology. Applying explicit case studies based on a range of European sites (from Scandinavia to Britain, Southern France to the Black Sea), 'Mortuary Practices and Social Identities in the Middle Ages' fulfills the need for a volume that provides accessible material to students and engages with current debates in mortuary archaeology's methods and theories. The book builds upon Heinrich Härke’s influential research on burial archaeology and early medieval migrations, focusing in particular on his ground-breaking work on the relationship between the theory and practice of burial archaeology. Using diverse archaeological and historical data, the essays explore how mortuary practices have served in the make-up and expression of medieval social identities. Themes explored include masculinity, kinship, ethnicity, migration, burial rites, genetics and the perception of landscape.

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This casebook fills a major gap in our cultural knowledge of the Middle Ages. It gathers together for the first time the key historical and literary primary sources for the study of the Battle of Brunanburh (AD 937); a key moment in the history of the British Isles. Produced by an international team of experts, the volume offers the sources in their language of origin - Old English, Old Norse, Welsh, Irish, Latin, Anglo-Norman, Middle English, Early Modern English - with facing-page translations and explanatory notes. Many of the sources are translated here for the first time. In addition, the volume includes a substantial introduction from Michael Livingston and ten wide-ranging essays that provide cultural contexts and lay to rest many of the most controversial questions about the conflict - including the key matter of where the battle likely took place, identified here . The essays show the lasting significance of this nation-defining battle - both in terms of history and in terms of its impact across more than a thousand years of literature.

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Cleopatra has been dead for twenty centuries, but her name still resonates in the west. Her story has the status of a foundation myth. As such, artists of all periods have drawn on it in order to raise questions concerned with the world in which they found themselves living.This study chooses a number of key occasions from European history on which writers and painters re-imagined Cleopatra. In doing so Mary Hamer takes the reader on a pleasurable intellectual treasure hunt through the ages. In addition, by restoring these works to their original context – political, philosophical and aesthetic – the author opens up unexpected new readings of images and texts which had previously appeared to be self-explanatory.The purpose of this book is to raise questions about how these images of a dead Egyptian queen were read. Through careful analysis Hamer traces attempts to manipulate attitudes to women and power, women and sexuality and to desire itself. In the case of Tiepolo’s Cleopatra, for example, the Queen embodies the desire for knowledge; in post-Revolutionary France, she symbolises political freedom. In the new introductory essay we discover that Cleopatra’s role as a focus for cultural debate continues, and that, as previously, much is at stake: it is now the question of her race that is highly contested.

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Scholarly edition of Aelfric's Colloquy with supporting introduction and glossary.

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Aldred's Marginalia provides an introductory discussion to the explanatory comments in the Lindisfarne Gospels.

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Following the volume of six fragmentary Sophoclean tragedies published in this series in 2006, Alan Sommerstein and Thomas Talboy now present seven more. Three of these dramatise successive phases of the story of how a jealous and treacherous Odysseus brought about the judicial murder of the culture-hero Palamedes and of the terrible revenge taken by Palamedes' father Nauplius. The volume also includes dramas about the first day's fighting of the Trojan War ( The Shepherds ), about the foundation of the mystery-cult of Eleusis and the birth of agriculture ( Triptolemus , one of Sophocles' earliest plays), about a young woman who contrived the death of her father in order to save her beloved ( Oenomaus ) and about a young man who killed his mother in obedience to the last injunctions of his father ( The Epigoni or Eriphyle ). The volume includes the text and translation of all the surviving fragments (and of a selection of other texts that give us information about these plays), with full commentary and an introduction to each play discussing, among other things, the development of the myth and the likely content of the play so far as it can be reconstructed. The plays included are The Epigoni , Oenomaus , Palamedes , The Arrival of Nauplius , Nauplius and the Beacon , The Shepherds and Triptolemus . Greek text with facing-page translation.

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This edition of St Augustine's The City of God (De Civitate Dei) is the only one in English to provide a text and translation as well as a detailed commentary of this most influential document in the history of western Christianity. In these books, written in the aftermath of the sack of Rome in AD 410 by the Goths, Augustine replies to the pagans, who attributed the fall of Rome to the Christian religion and its prohibition of the worship of the pagan gods. Books VI and VII focus on the figure of Terentius Varro, a man revered by Augustine’s pagan contemporaries. By exploiting Varro’s learned researches on Roman religion, Augustine condemns Roman religious practices and beliefs in order to refute pagan claims that the Roman deities had guaranteed a blessed life in the hereafter for their devotees. These books are therefore not only an invaluable source for the study of early Christianity but also for any student of Classical Rome, who is provided here with a detailed account of one of the most learned figures of Roman antiquity, whose own works have not survived in the same state. Latin text with facing-page English translation, introduction and commentary.

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This edition of St Augustine's The City of God (De Civitate Dei) is the only one in English to provide a text and translation as well as a detailed commentary of this most influential document in the history of western Christianity. In these books, written in the aftermath of the sack of Rome in AD 410 by the Goths, Augustine replies to the pagans, who attributed the fall of Rome to the Christian religion and its prohibition of the worship of the pagan gods. Before his conversion to Christianity in 386, Augustine had devoted himself to the study of Platonism. In books VIII and IX of De Civitate Dei, Augustine renews his acquaintance with this philosophy, which had played such a fundamental role in his conversion. The main topic of these books is demonology, with Augustine using the De Deo Socratis of Apuleius, which places demons as the intermediaries between gods and men, as the foundation of his exploration into this theme. Augustine is keen to point out the similarities between Platonism and Christianity and therefore puts forward the theory that the ideal mediator between God and man is Christ - he who shares temporary mortality with humans and permanent blessedness with God and can therefore lead men from wretchedness to eternal bliss. Latin text with facing-page English translation, introduction and commentary.

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All four volumes in Donald Hill's Metamorphoses series, I-IV, V-VIII, IX-XII and XIII-XV plus indexes.

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This work is designed to make Aristotle's three essays on sleep and dreams (De Somno et Vigilia, De Insomniis and De Divinatione per Somnum) accessible in translation to modern readers, and to provide a commentary with a contemporary perspective. It considers Aristotle’s theory of dreams in historical context, especially in relation to Plato. It also discusses neo-Freudian interpretations of Aristotle and contemporary experimental psychology of dreaming. Aristotle’s account of dreaming as a function of the imagination is examined from a philosophical perspective. Greek text, with facing-page English translation, introduction, notes and commentary.

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What was it like to be in love in Rome? Th 22 poems of Sextus Propertius' first book of elegies (publisehed in 28 B.C.) offer an answer. Defiantly un-Roman in his devotion to love for his Cynthia and to his art, Propertius writes with a strangely modern voice - passionate, wry, self-scrutinising and ironic. But it is a voice that has been shaped and controlled by a literary tradition already centries old. This revised edition of Book I provides, in a verse translation which attempts to simulate the dicipline and contraints of the hetameter-pentameter alternation in the elegiac couplets of the original poems, a handily self-contained Augustan poetry book- the earliest extant book of Latin love-elegy - to a readership without Latin. The Introduction and Commentary furnish the reader with explanations of the literary, mythological, historical and geographical allusions necessary for an understanding of the poems.

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In the third and final book which he wrote about his campaigns in the Civil War, Julius Caesar tells the story of his fight with Pompey in 48 B.C. which ended in the rout of the latter at Pharsalus, perhaps Caesar's most notable military victory. The book ends with Caesar pursuing Pompey to Egypt. Here began Caesar's celebrated affair with Cleopatra. At this point the book, and the whole work, ends abruptly. J. M. Carter’s edition and commentary on Caesar's The Civil War Books I–III is the first complete commentary in English for a hundred years and is considerably more detailed than currently available annotated texts and translations in other languages. The main emphasis of the commentary is historical, but Caesar's literary technique is also scrutinised. The Latin text is newly constituted with a brief apparatus criticus. Latin text with facing-page English translation, introduction and commentary.

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P. J. Rhodes continues his edition of Thucydides’ books on the Archidamian War with his edition of Book III, providing an introduction (on Thucydides’ history and on the Peloponnesian War), Greek text with selective critical apparatus and facing translation, and a commentary which should be useful not only to specialists but also to readers who know little or no Greek, and which assumes no previous acquaintance with Thucydides. Matters of text and language are discussed when necessary, but the emphasis is on the war which formed Thucydides’ subject matter and on the way in which he has chosen to treat the subject.

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The Suenos is one of the most controversial, witty and fantastic works of early 17th century Spanish literature. The five Dreams minutely analyse stupidity, ignorance and evil, as these could be found in contemporary society. The work's serious moral intention, often masked by the author's pointed anger, scabrous wit, wide learning, love of verbal gymnastics and surreal flights of imaginative fantasy, has for 350 years presented a challenge to the translator and the student of Hispanic culture outside the Spanish speaking world. This first full English translation of the Suenos since 1688 is accompanied by the Spanish text, and Dr Britton's own introduction and notes help the modern reader to understand the numerous historical and literary references, to elucidate the various linguistic devices and to sketch in the intellectual, moral and religious background of the text. Spanish text with facing-page translation, introduction and notes.

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Cicero’s great polemic against Antony, a literary masterpiece, is here made available with full translation and notes. The introduction to this edition deals with the historical setting, Roman rhetoric and Cicero’s style while the notes are mainly literary, not historical. Attention is paid to Cicero’s use of the devices and techniques of rhetoric, and the variety of tones by which he sustains his attack on Antony without ever losing the reader’s interest. The notes also draw attention to the rhythms of the Latin and the clausulae. Latin text with facing-page English translation, introduction and commentary.

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Cicero’s first major triumph was the prosecution of Caius Verres for misgovernment in Sicily. This speech was given in the second part of the trial and shows the development of Cicero’s rhetoric. This edition communicates the literary flavour of the original and discusses the historical and political background to the trial, with examination of noteworthy textual cruces and problems of interpretation. [Latin text with facing-page English translation, introduction and commentary.]

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A second edition, with a completely new contextual introduction and other new material, of a superb selection (first published in 1973 and for long out of print) of some of the best science fiction from continental Europe. Included are stories by Stanislaw Lem (Poland), Vsevolod Ivanov (Russia), Eurocon-award winner Adrian Rogoz (Romania), Herbert W. Franke (Germany), Wolfgang Jeschke (Germany), Gerard Klein (France) and others.

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This volume contains six of Bede’s shorter biblical writings, most of which appear here in translation for the first time – On Tobias, On the Resting Places, Thirty Questions on the Book of Kings, On Eight Questions, On the Holy Places and the letter On What Isaiah Says. Taken together, they reveal his amazing versatility as a biblical exegete.

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This volume brings together many important historical texts, the majority of them (speeches of Themistius, the Passion of St Saba, and evidence relating to the life and work of Ulfila) not previously available in English translation.

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Female writers of the Gothic were hell-raisers in more than one sense: not only did they specialize in evoking scenes of horror, cruelty, and supernaturalism, but in doing so they exploded the literary conventions of the day, and laid claim to realms of the imagination hitherto reserved for men. They were rewarded with popular success, large profits, and even critical adulation. E.J. Clery’s acclaimed study tells the strange but true story of women’s gothic. She identifies contemporary fascination with the operation of the passions and the example of the great tragic actress Sarah Siddons as enabling factors, and then examines in depth the careers of two pioneers of the genre, Clara Reeve and Sophie Lee, its reigning queen, Ann Radcliffe, and the daring experimentalists Joanna Baillie and Charlotte Dacre. The account culminates with Mary Shelley, whose Frankenstein (1818) has attained mythical status. Students and scholars as well as general readers will find Women’s Gothic a stimulating introduction to an important literary mode.

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Professor Hammond's succinct yet wide-ranging account of the 'Golden Age' of satire, 1660-1750, critically explores its dominant literary forms and examines the work of its outstanding practitioners.

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Histoire des deux Indes, was arguably the first major example of a world history, exploring the ramifications of European colonialism from a global perspective. Frequently reprinted and translated into many languages, its readers included statesmen, historians, philosophers and writers throughout Europe and North America. Underpinning the encyclopedic scope of the work was an extensive transnational network of correspondents and informants assiduously cultivated by Raynal to obtain the latest expert knowledge. How these networks shaped Raynal’s writing and what they reveal about eighteenth-century intellectual sociability, trade and global interaction is the driving theme of this current volume.From text-based analyses of the anthropology that structures Raynal’s history of human society to articles that examine new archival material relating to his use of written and oral sources, contributors to this book explore among other topics: how the Histoire created a forum for intellectual interaction and collaboration; how Raynal created and manipulated his own image as a friend to humanity as a promotional strategy; Raynal’s intellectual debts to contemporary economic theorists; the transnational associations of booksellers involved in marketing the Histoire; the Histoire’s reception across Europe and North America and its long-lasting influence on colonial historiography and political debate well into the nineteenth century.

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Paris 1744: a royal official approaches a shopkeeper’s wife, proposing that she become an informant to the Crown and report on the conversations of foreign diplomats who take meals at her house. Her reports, housed today in the Bastille archives, are little more than a collection of wartime rumors gathered from clandestine, handwritten newspapers and everyday talk around the city, yet she comes to imagine herself a political agent on behalf of Louis XV. In this book Tabetha Ewing analyses different forms of everyday talk over the course of the War of Austrian Succession to explore how they led to new understandings of political identity.Royal policing and clandestine media shaped what Parisians knew and how they conceptualized events in a period of war. Responding to subversive political verses or to an official declaration hawked on the city streets, they experienced the pleasures and dangers of talking politics and exchanging opinions on matters of state, whether in the café or the wigmaker’s shop. Tabetha Ewing argues that this ephemeral expression of opinions on war and diplomacy, and its surveillance, transcription, and circulation shaped a distinctly early-modern form of political participation. Whilst the study of sedition has received much scholarly attention, Ewing explores the unexpectedly dynamic effect of loyalty to the French monarchy, spoken in the distinct voices of the common people and urban elites. One such effect was a sense of national identity, arising from the interplay of events, both everyday and extraordinary, and their representation in different media. Rumor, diplomacy and war in Enlightenment Paris rethinks the relationship of the oral and the written, the official and the unofficial, by revealing how gossip, fantasy, and uncertainty are deeply embedded in the emergent modern, public life of French society.

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The long eighteenth century was a period of major transformation for Europe and India as imperialism heralded a new global order. Eschewing the reductive perspectives of nation-state histories and postcolonial ‘east vs west’ oppositions, contributors to India and Europe in the global eighteenth century put forward a more nuanced and interdisciplinary analysis. Using eastern as well as western sources, authors present fresh insights into European and Indian relations and highlight: how anxieties over war and piracy shaped commercial activity; how French, British and Persian histories of India reveal the different geo-political issues at stake; the material legacy of India in European cultural life; how novels parodied popular views of the Orient and provided counter-narratives to images of India as the site of corruption; how social transformations, traditionally characterised as ‘Mughal decline’, in effect forged new global connections that informed political culture into the nineteenth century.

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The Fable of the bees and the Treatise of human nature were written to define and dissect the essential components of a ‘civil society’. How have early readings of the Fable skewed our understanding of the work and its author? To what extent did Mandeville’s celebrated work influence that of Hume? In this pioneering book, Mikko Tolonen extends current research at the intersection of philosophy and book history by analysing the two parts of the Fable in relation to the development of the Treatise.Focussing on the key themes of selfishness, pride, justice and politeness, Tolonen traces the evolution of Mandeville’s thinking on human nature and the origins of political society to explore the relationship between his Fable and Hume’s Treatise. Through a close examination of the publishing history of the Fable and F. B. Kaye’s seminal edition, Tolonen uncovers hitherto overlooked differences between Parts I and II to open up new approaches in Mandeville scholarship. As the question of social responsibility dominates the political agenda, the legacy of these key Enlightenment philosophers is as pertinent today as it was to our predecessors.

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The Encyclopaedia britannica is a familiar cultural icon, but what do we know about the early editions that helped shape it into the longest continuously published encyclopedia still in existence?This first examination of the three eighteenth-century editions traces the Britannica’s extraordinary development into a best seller and an exceptional book of knowledge, especially in biography and in the natural sciences. The combined expertise of the contributors to this volume allows an extensive exploration of each edition, covering its publication history and evolving editorial practices, its commentary on subjects that came in and out of fashion and its contemporary reception. The contributors also examine the cultural and intellectual milieu in which the Britannica flourished, discussing its role in the Scottish Enlightenment and comparing its pressrun, contents, reputation, and influence with those of the much more reform-minded Encyclopédie.

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Vikings plagued the coasts of Ireland and Britain in the 790s. By the mid-ninth century vikings had established a number of settlements in Ireland and Britain and had become heavily involved with local politics. A particularly successful viking leader named Ivarr campaigned on both sides of the Irish Sea in the 860s. His descendants dominated the major seaports of Ireland and challenged the power of kings in Britain during the later ninth and tenth centuries. This book provides a political analysis of the deeds of Ivarr's family from their first appearance in Insular records down to the year 1014. Such an account is necessary in light of the flurry of new work that has been done in other areas of Viking Studies. In line with these developments Clare Downham provides a reconsideration of events based on contemporary written accounts.

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No complete translation of the Latin text of the Book of Pontiffs—the Liber Pontificalis of the Roman Church—exists in any language, though the work is indispensable to students of late antiquity and the early middle ages; this book provides an english version of the first ninety papal biographies, from St Peter down to AD 715. These lives were first compiled in the sixth century and then regularly brought up to date. In them the reader will find the curious mixture of fact and legend which had come by the Ostrogothic period to be accepted as history by the Church in Rome, and also the subsequent records maintained through to the early eighth century while Rome was under Byzantine sovereignty. In no sense was the Liber Pontificalis an ‘official’ chronicle of these centuries, and there emerge throughout the interests and prejudices of compilers who belonged, it seems, to the lower levels of the papal administration. For this new edition the translation has been carefully emended, and in places the underlying text has been reconsidered. Vignoli section numbers have been added, as in the translator’s later volumes of the Liber Pontificalis (ttH 13 and 20). The translation has been reset to distinguish more clearly the status and value of additions to the standard Liber Pontificalis text by the use of different type. there have been revisions and extensions to both the glossary and the bibliography, and material has been added to Appendix 3.

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This is a comprehensive and nuanced historical survey of the death penalty in Ireland from the immediate post-civil war period through to its complete abolition. Using original archival material, this book sheds light on the various social, legal and political contexts in which the death penalty operated and was discussed.In Ireland the death penalty served a dual function: as an instrument of punishment in the civilian criminal justice system, and as a weapon to combat periodic threats to the security of the state posed by the Irish Republican Army (IRA). Through close examination of cases dealt with in the ordinary criminal courts, this study elucidates ideas of class, gender, community and sanity and explores their impact on the administration of justice. The application of the death penalty also had a strong political dimension, most evident in the enactment of emergency legislation and the setting up of military courts specifically aimed at the IRA. As the book demonstrates, the civilian and the political strands converged in the story of the abolition of the death penalty in Ireland. Long after decision-makers accepted that the death penalty was no longer an acceptable punishment for ‘ordinary’ cases of murder, lingering anxieties about the threat of subversives dictated the pace of abolition and the scope of the relevant legislation.

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This book examines the role of the United States of America in the Northern Ireland conflict and peace process. It begins by looking at how US figures engaged with Northern Ireland, as well as the wider issue of Irish partition, in the years before the outbreak of what became known as the ‘Troubles’. From there, it considers early interventions on the part of Congressional figures such as Senator Edward Kennedy and the Congressional hearings on Northern Ireland that took place in the aftermath of Bloody Sunday, 1972. The author then analyses the causes and consequences of the State Department decision to ban the sale of weapons to the Royal Ulster Constabulary, before considering the development of the US role in Northern Ireland through the Reagan administration and the onset of US financial support for conflict resolution in the form of the International Fund for Ireland. The study concludes by assessing the dynamics behind the role that President Clinton assumed following his election in 1992 and examining how Presidents Bush and Obama attempted to capitalize on the momentum of the 1998 Good Friday Agreement.

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Winner of the 2021 National University of Ireland’s Publication Prize in Irish History.Highly Commended, 2020 British Association for Irish Studies Book prize.This book provides the first detailed analysis of the influence of former Irish Parliamentary Party members and methods in independent Ireland and the place of the party’s leaders in public memory. Previous studies of the party have concluded with its dramatic fall in 1918 and shown little interest in the fate of its members thereafter. This study adopts a new approach, using biographical data to provide the first statistical analysis of the Irish Party heritage within each political party in the independent Irish state established in 1922. Utilising a wealth of archival material, as well as contemporary and critical writings, it explores how former Irish Party followers reacted to the changed circumstances of independent Ireland. One chapter undertakes a case study of the Irish National League, arguing that this organisation, founded and led by former MPs, effectively constituted a ‘legacy party’.Analysis of party politics is complemented by scrutiny of the practice of commemoration to ask how the Irish Party was remembered in a state founded on the sacrifice of the Easter Rising. This detailed study of the evolution of the party’s public memory sheds new and significant light on the way that figures such as Charles Stewart Parnell, John Redmond and Michael Davitt were remembered.

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William Klein’s Mr. Freedom (1969) is one of the most important American satirical films ever produced, the tale of an American superhero with disastrously misguided priorities. Although it was made in France and with a largely French cast, Klein was an American expatriate, and the film’s primary topic is American culture. That it is still so largely unseen seems to have something to do with a view of it as being, in the words of critic Jonathan Rosenbaum, “conceivably the most anti-American movie ever made”.In his contribution to the Constellations series, Tyler Sage argues that to call Mr. Freedom “anti-American” is to misunderstand not only the film but the satirical tradition of American arts and letters from which it descends. The film is challenging, Sage asserts, not because it is unpatriotic but because it lays bare the ideological nature of American films themselves. By interweaving a startling range of topics, including the cultural conditions surrounding the Vietnam War, the foundations of the American obsessions with race and violence, and our contemporary superhero film cycle, Sage explores the ways Mr. Freedom compels the viewer to come to terms with the fact that the stories we tell ourselves can never be separated from the larger forces of history, culture and film tradition.

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This book considers William Wordsworth’s use of iconography in his long poem The Excursion. Through the iconographical approach, the author steers a middle course between The Excursion’s two very different interpretive traditions, one focusing upon the poem’s philosophical abstraction, the other upon its touristic realism. Fresh readings are also offered of Wordsworth’s other major works, including The Prelude.Yen explores Wordsworth’s iconography in The Excursion by tracing allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s prose and poetry. He analyses how the iconographical images in The Excursion contribute to, and impose limitations on, the overarching preoccupations of Wordsworth’s writings, particularly the themes of paradise lost and paradise regained in the post-revolutionary context. Shedding light on a vital aspect of Wordsworth’s poetic method, this study reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of apparently ‘collateral’ images: envisioning, rooting, dwelling, flowing, and reflecting.

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This collection of essays addresses a very broad range of E. T. A. Hoffmann’s most significant works, examining them through the lens of “transgression.” Transgression bears relevance to Hoffmann’s life and professions in three ways. First, his official career path was that of jurisprudence; he was active as a lawyer, a judge and eventually as one of the most important magistrates in Berlin. Second, his personal life was marked by numerous conflicts with political and social authorities. Seemingly no matter where he went, he experienced much chaos, grief and impoverishment in leading his always precarious existence. Third, his works explore characters and concepts beyond the boundaries of what was considered aesthetically acceptable. “Normal” bourgeois existence was often juxtaposed to the lives of criminals, sinners, and other deviants, both within the spaces of the known world as well as in supernatural realms. He, perhaps more than any other author of the German Romantic movement, regularly portrayed the dark side of existence in his works, including unconscious psychological phenomena, nightmares, somnambulism, vampirism, mesmerism, Doppelgänger, and other forms of transgressive behavior. It is the intention of this volume to provide a new look at Hoffmann’s very diverse body of work from numerous perspectives, stimulating interest in Hoffmann in English language audiences.

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This is the first full-length study of the life and work of novelist Gerald O’Donovan (1871–1942), a Catholic priest and social and cultural activist who, having abandoned the priesthood, became a writer and publisher. As a priest in Loughrea, Co. Galway, he was a very public figure in Irish life in several different areas. He was friendly with W. B. Yeats, Lady Gregory and George Moore and actively promoted the ‘Celtic Revival’. He was also a friend of Douglas Hyde and Sir Horace Plunkett and, for a number of years, he was a national figure in their respective organizations, the Gaelic League and the Co-operative Movement. After his marriage to Beryl Verschoyle, he moved to England and subsequently published six novels, the best-known and most controversial of which was Father Ralph (1913), a portrait of the artist as a priest. He also spent time working in the British Department of Propaganda under Lord Northcliffe, where H.G. Wells was one of his colleagues. This biography of an important and strangely neglected figure allows us new insights into a whole range of interesting cultural moments in twentieth-century Irish life, including the beginnings of literary modernism, the flourishing of the Irish literary revival and the emergence of a dissident strand within the Catholic clergy. Based on a rich and previously untapped array of archival material in Ireland, Britain and the US, the book provides both a much-needed reassessment of O'Donovan's work and also a history of Irish writing during those early decades of the twentieth century that saw the development of a new and powerful national literature.

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The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.

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Celebrating its eightieth birthday since being rebuilt in 1938, Liverpool’s Royal Court Theatre is a vital part of the city’s cultural identity. There has been a theatre on the site for nearly two hundred years, since Cooke’s New Circus started life as the result of an argument about a broken sewer in 1826. Quickly renamed the Royal Amphitheatre (and affectionately known as the Amphi), the theatre went on to serve the city in a number of guises. From an establishment where horses were the entertainers, to the home of ‘Scouse’ comedy, by way of a music venue, the Royal Court has become a popular, people’s theatre. Over the years, it has hosted its share of world-class actors including the debut stage appearances of both Judi Dench and Richard Burton. Wonderfully illustrated, this fascinating book is the first to tell the story of the oldest surviving theatre in the city. The 1938 prospectus declared it to be “a brave venture” and courage has characterised its history. Full of surprises, this book challenges perceptions of the Royal Court celebrating and commemorating an institution that has endured, flourished and re-shaped itself, on its own terms.

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Spatial Ecologies takes a new look at the “spatial turn” in French cultural and critical theory since 1968. Verena Andermatt Conley examines how Henri Lefebvre, Michel de Certeau, Jean Baudrillard, Marc Augé, Paul Virilio, Bruno Latour and Etienne Balibar reconsider the experience of space in the midst of considerable political and economic turmoil. The book considers why French critical theorists turned away from questions of time and looked instead toward questions of space. It asks what writing about space can tell us about life in late capitalism. Conley links this question to the problematic of habitality, taking us back to Heidegger and showing how it informs much of French theory. Building on the author's acclaimed earlier study Ecopolitics, Spatial Ecologies argues, through the voices of the authors taken up the eight chapters, for recognition of the virtue of spatial theory and its pragmatic applications in the global milieu. It will be required reading for scholars of literary and cultural theory, and twentieth- and twenty-first century French culture.

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The first 2,500 million years of the geological history of Britain are stored in the gneisses of the Lewisian Complex of North West Scotland. This book explores the long journey of discovery in which this history has been gradually deciphered since the end of the 19th Century when these rocks were first investigated in detail. The usual tools of stratigraphic investigation were of no value in dealing with such a complex assemblage of highly deformed and metamorphosed rocks; there was no fossil evidence and few signs of recognisable sedimentary strata.This book charts the increasing sophistication of the geochronological and geochemical techniques used to decipher the complex. The first important breakthrough was the recognition that a set of intrusive metamorphosed dykes could be used, perhaps, to separate episodes of deformation and metamorphism that occurred before the dykes were intruded, from those that occurred subsequently.Geochronological dating methods evolved from the first relatively crude potassium-argon and uranium-lead dates in the 1950s to the present amazingly accurate lead isotope dates. Geochemical techniques have also advanced to the point when mafic igneous assemblages can be identified as having oceanic volcanic arc signatures or were the products of intra-continental magmatism. Thus, from a stratigraphy composed of three events, Scourian, dyke intrusion and Laxfordian, has grown a complex history covering many separate events of igneous, metamorphic and tectonic activity spanning 2,500 million years of Precambrian time.Much of the extensive literature on the Lewisian is highly specialised and not easily accessible to the general reader; this book is an attempt to distil the most important results of this research into a more user-friendly form. It will appeal to many geologists including students, geological visitors to the North West of Scotland and academics seeking a readable account of remarkable and significant advances in earth science.

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Volcanoes have an endless fascination. Their eruptions are a regular reminder of the power of nature and our vulnerability to this raw geological phenomenon, however volcanic activity, and its plumbing from beneath, is an essential element of the forces that shaped and constantly reshape our planet. Dougal Jerram answers the questions: What are volcanoes? What other volcanic activity is there? How do volcanoes relate to plate tectonics and the movement of continents? What are eruptions and why do they occur? How have volcanoes affected the earth's climate? Can we predict eruptions? He also describes the most notable eruptions in history and their effect. Copiously illustrated throughout Introducing Volcanology is a concise and accessible introduction to the science of hot rocks for those with an adult curiosity and for those contemplating a course of formal study. As with sister volumes, technical terms are kept to a minimum and a glossary is provided covering the whole subject from ash to zeolites.

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The island of Robert Graves, Joan Miro and Archduke Ludwig Salvador has become the most popular holiday destination in the Mediterranean with nearly 10 million visitors a year. Few, however, are aware of the 5000 year history of Mallorca and its resulting landscape featuring late Bronze Age navetes and talayots, Roman cities, and a major medieval trading port with one of Europe's largest cathedrals. Mallorca's landscape has been formed with a pattern of important country houses and enclosed fields, and the relics of major nineteenth century industries including textiles and shoe-making workshops. One hundred and twenty years of tourism, latterly on a massive scale, endangers much of what has gone before. Professor Buswell's pioneering work, based on more than ten years of local research, describes and analyses all these elements that together form the contemporary landscape. Written in an accessible style and well-illustrated with maps and photographs, this book will appeal to student and concerned reader alike and should be read by all who are inquisitive about what they see around them when they visit the island.

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Wace's "Brut" is an 1155 French verse rendering of Geoffrey of Monmouth's earlier Latin "history" of Britain, from the time of Brutus, the eponymous founder, to the 7th century. Wace uses Geoffrey's stories, such as those of King Lear and King Arthur, with a lively inventiveness and originality, drawing on oral sources and his own knowledge of parts of Britain, imaginatively re-interpreting the material. This is the first complete English translation and is presented in parallel with the French text, enabling those who wish to have access to the original to do so easily. This new reprint has been revised by Judith Weiss, taking account of comments in reviews, and includes a full introduction, footnotes and bibliography.

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