Search results for ""Author "George"""

An innovative exploration of the intersection of graphic design and American art of the 1960s and 1970s This fascinating study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha’s brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects—some of which have never been discussed before—combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.

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Volume 12 of the Revolutionary War Series documents Washington's unsuccessful efforts to capitalize on the American victory at Saratoga and his decision to encamp the Continental army for the winter at Valley Forge. The volume opens with the British forces at Philadelphia, where they had returned following the Battle of Germantown, and the Continental army, in Washington's words, ""hovering round them, to distress and retard their operations as much as possible."" Recognizing the importance of restricting communication between General William Howe and the British fleet, Washington dispatched a brigade to New Jersey to assist in the defense of Forts Mifflin and Mercer, key components in the American effort to obstruct the Delaware River. Upon receiving news of the surrender of British general John Burgoyne's army to Major General Horatio Gates at Saratoga, Washington called a council of war to consider his army's options. Although his generals advised against an immediate assault on Philadelphia, Washington perceived an opportunity to defeat Howe and dispatched his aide-de-camp Alexander Hamilton to the northern department to urge upon General Gates the ""absolute necessity"" of sending a ""very considerable"" reinforcement to the main army. If those troops arrived before the British could open a supply route on the Delaware or be reinforced from New York, then the American forces could ""in all probability reduce Genl Howe to the same situation in which Genl Burgoine now is."" There was little further that Washington could do to strengthen the Delaware River defenses, however, and despite the determined efforts of Fort Mifflin's defenders, the Americans were forced to evacuate the fort in mid-November following a sustained bombardment from British land and naval artillery. Moreover, British and Hessian troops from New York arrived before Washington's reinforcement and joined in the British occupation of Fort Mercer a few days later. After the fall of the Delaware River forts, Washington and his generals began extensive deliberations about the related questions of a possible winter campaign and where to quarter the troops for the winter. The generals were nearly unanimous that a winter campaign was not feasible, but they were divided between quartering the troops at Wilmington, Delaware, or in Pennsylvania along a line from Bethlehem to Lancaster. Washington settled on the third option discussed: hutting in the Great Valley of Pennsylvania. Consequently, the volume closes in December with Washington establishing his headquarters at Valley Forge, about twenty miles northwest of Philadelphia.

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This volume presents documents written during the final sessions of the First Congress. Congress passed legislation that established a national bank and federal excise, and increased the size of the army. Washington also gave a lot of time to the new federal city on the Potomac.

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The highlight events of the months from October 1794 through March 1795, the period documented by Volume 17 of the Presidential Series, were the suppression of the Whiskey Insurrection in western Pennsylvania and the negotiation of the Jay Treaty with Great Britain.The volume opens with Washington, believing that his constitutional duty as commander in chief required his presence, en route to rendezvous with the troops called out to suppress the insurrection. After meeting with representatives from the insurgent counties and reviewing the troops, he concluded that serious resistance was unlikely, and, after penning a letter to Henry Lee on 20 October commending the troops and reminding them to support the laws, he returned to the capital. Still, regular letters from Alexander Hamilton, who remained with the expedition, kept him apprised of troop movements and activities. Washington devoted more than half of his annual address to discussion of the rebellion. After the submission of the rebellious counties, he also had to consider requests for pardons for the few individuals not included in a general pardon issued in November. Other domestic issues included a transition in Washington’s cabinet, as Hamilton and Henry Knox resigned the Treasury and War departments; supervision of the Federal City, where the commissioners sent a comprehensive statement of the affairs of the City to Washington in early 1795; and Indian affairs, which in the north involved the aftermath of the Battle of Fallen Timbers and treaty negotiations with the Iroquois and Oneida, and in the south involved news of the destruction of the Cherokee towns of Nickajack and Running Water as well as continuing concerns about Creek hostility in Georgia and the Southwest Territory. Washington also received an early report that the Yazoo land scheme threatened to increase tensions with the Creeks in Georgia. In addition to writing the State Department, John Jay kept Washington apprised of the progress of negotiations. Of particular note are his letters of 19 November, announcing the signing of the treaty, and 25 February, justifying his efforts. However, although notice of the treaty was received, the official copy did not arrive at Philadelphia by the adjournment of Congress, so consideration of the treaty would await a special session of the Senate. Meanwhile, Samuel Bayard had been dispatched to London to prosecute American claims in the British admiralty courts. Elsewhere, Thomas Pinckney was sent to Madrid as a special envoy to revive stalled negotiations with Spain. David Humphreys returned to the United States to discuss negotiations with the Barbary States, prompting Washington to ask Congress to authorise consuls for those states and to appoint Humphreys as minister plenipotentiary to negotiate with them. James Monroe sent one optimistic letter discussing his reception as minister to France. As for private concerns, Washington’s weekly correspondence with his Mount Vernon farm manager, largely suspended during his time with the troops, resumed upon his return to Philadelphia. He entertained offers about his lands in western Pennsylvania, on the Ohio River, and on Difficult Run in Virginia, and he paid taxes on and sought information about his land in Kentucky. Washington also corresponded with Tobias Lear about the Potomac Company’s development of the Potomac River.

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The importance of George Brown's sustained contribution to medical sociology through his longitudinal studies of psychiatric disorder and its relationship to social context is widely recognised. This collection of seventeen chapters exemplifies a particular way of working as a medical sociologist which focuses on the understanding of the meaning of social experiences as the key to an individual's health status. It combines the biographical richness of qualitative analysis and thus reach conclusions on the basis of statistical significance. The contributors mainly focus on conditions of depression and anxiety, relating these to the meanings including both demographic aspects such as gender, parity, lifestyle, employment, refugee/immigration status, humiliation, entrapment, loss and also more interpersonal stresses such as neglect, abuse and critical or unsupportive relationships. This is a book which offers a rich treasury of information for all researchers interested in understanding the complex relationship between our inner and outer worlds; it captures the essence of George Brown's unique way of working.

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George Clayton Johnson was an up-and-coming short story writer who broke into Hollywood in a big way when he co-wrote the screenplay for Ocean’s Eleven. More legendary works followed, including Logan’s Run and classic scripts for shows like The Twilight Zone and Star Trek. In the meantime, he forged friendships with some of the era’s most visionary science fiction writers, including Ray Bradbury, Theodore Sturgeon, Richard Matheson, and Rod Serling. Later in life, Johnson befriended comics journalist and artist Henry Chamberlain, and the two had long chats about his amazing life and career. Now Chamberlain pays tribute to his late friend in the graphic novel George’s Run, which brings Johnson’s creative milieu to life in vividly illustrated color panels. The result feels less like reading a conventional biography and more like sitting in on an intimate conversation between friends as they recollect key moments in pop culture history, as well as the colorful band of writers known as the “Rat Pack of Science Fiction.”

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If you don’t have the time to read all the novels of George MacDonald, the great Scottish storyteller who inspired C. S. Lewis, G. K. Chesterton, Mark Twain, W. H. Auden, and J. R. R. Tolkien, this anthology is a great place to start. These selections from MacDonald’s novels, fairy tales, and sermons reveal the profound and hopeful Christian vision that infuses his fantasy worlds and other fiction. Newcomers will find in these pages a rich, accessible sampling. George MacDonald enthusiasts will be pleased to find some of the writer’s most compelling stories and wisdom in one volume. Drawn from books including Sir Gibbie, The Princess and the Goblin, Lilith, and At the Back of the North Wind, the selections are followed by reflections from G. K. Chesterton and C. S. Lewis and accompanied by classic illustrations of Maurice Sendak (print edition only).

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'If you want to tell people the truth, make them laugh, otherwise they'll kill you.' One of the most prolific and respected playwrights of the twentieth century, Bernard Shaw's legacy shows no signs of waning, and his beautifully written plays, laced with wry wit and invective alike, have seen countless performances over the years, their finest lines paraded in literary conversation and review. Meticulously selected by Simon Mundy, the Wit and Acid series collects the sharpest lines from Shaw’s oeuvre in small neat volumes, allowing the reader to sample some of the very best barbs and one-liners the twentieth century has to offer, and this, the first volume, covers lines from the great writer’s works published before 1911.

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On September 1, 1939, the day World War II broke out in Europe, Gen. George Marshall was sworn in as chief of staff of the U.S. Army. Ten months later, Roosevelt appointed Henry Stimson secretary of war. For the next five years, from adjoining offices in the Pentagon, Marshall and Stimson headed the army machine that ground down the Axis. Theirs was one of the most consequential collaborations of the twentieth century. A dual biography of these two remarkable Americans, The Partnership tells the story of how they worked together to win World War II and reshape not only the United States, but the world.The general and the secretary traveled very different paths to power. Educated at Yale, where he was Skull and Bones, and at Harvard Law, Henry Stimson joined the Wall Street law firm of Elihu Root, future secretary of war and state himself, and married the descendant of a Founding Father. He went on to serve as secretary of war under Taft, governor-general of the Philippines, and secretary of state under Hoover. An internationalist Republican with a track record, Stimson ticked the boxes for FDR, who was in the middle of a reelection campaign at the time. Thirteen years younger, George Marshall graduated in the middle of his class from the Virginia Military Institute (not West Point), then began the standard, and very slow, climb up the army ranks. During World War I he performed brilliant staff work for General Pershing. After a string of postings, Marshall ended up in Washington in the 1930s and impressed FDR with his honesty, securing his appointment as chief of staff.Marshall and Stimson were two very different men who combined with a dazzling synergy to lead the American military effort in World War II, in roles that blended politics, diplomacy, and bureaucracy in addition to warfighting. They transformed an outdated, poorly equipped army into a modern fighting force of millions of men capable of fighting around the globe. They, and Marshall in particular, identified the soldiers, from Patton and Eisenhower to Bradley and McNair, best suited for high command. They helped develop worldwide strategy and logistics for battles like D-Day and the Bulge. They collaborated with Allies like Winston Churchill. They worked well with their cagey commander-in-chief. They planned for the postwar world. They made decisions, from the atomic bombs to the division of Europe, that would echo for decades. There were mistakes and disagreements, but the partnership of Marshall and Stimson was, all in all, a bravura performance, a master class in leadership and teamwork.In the tradition of group biographies like the classic The Wise Men, The Partnership shines a spotlight on two giants, telling the fascinating stories of each man, the dramatic story of their collaboration, and the epic story of the United States in World War II.

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It's one of the hallmarks of American democracy: on inauguration day, the departing president heeds the will of the people and hands the keys to power to a successor. The transition from one administration to the next sounds simple, even ceremonial. But in 2009, as President George W. Bush briefed President-elect Barack Obama about the ongoing wars and plummeting economy he'd soon inherit, the Bush team revealed that they were grappling with a late-breaking threat to the presidency: U.S. intelligence sources believed that a terror group with links to Al Qaeda planned to attack the National Mall during the inaugural festivities. Although this violence never materialized, its possibility made it clear that well-laid contingency plans were essential. Political scientist Martha Joynt Kumar uncovered this secret peril while interviewing senior Bush and Obama advisers for her latest book. In Before the Oath, Kumar documents how two presidential teams - one outgoing, the other incoming - must forge trusting alliances in order to help the new president succeed in his or her first term. Kumar enjoyed unprecedented access to several incumbent and candidate transition team members, and she combines in-depth scholarship with one-on-one interviews to put readers squarely behind the scenes. Using the Bush-Obama handoff as a lens through which to examine the presidential transition process, Kumar interweaves examples from previous administrations as far back as Truman-Eisenhower. Her subjects describe in vivid detail the challenges of sowing campaign ideals across a sprawling executive branch as Congress, the media, and external events press in. Kumar's lively account of lessons learned and pitfalls encountered during past presidential transitions provides an essential road map for presidential aspirants and their advisers, as well as campaign workers, federal employees, and political appointees.

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George G. Higgins and the Quest for Worker Justice: The Evolution of Catholic Social Thought in America is a comprehensive and fascinating examination of the Catholic Church's involvement in social issues from the late 19th to the end of the 20th century through the lens of the life, career, writings, and ministry of the legendary Monsignor Higgins. Inspiring to both the clergy and laity, Msgr. George G. Higgins put a human face on the institutional commitments of the Church, advocated the role of the laity, remained loyal to the vision of the Second Vatican Council, and took the side of the working poor in his movement with organized labor. Much more than a limited biography, author John O' Brien offers a sweeping history of the 'social questions' facing America over the past 100 years, the thought behind one of the leading figures in the worker justice movement, and a moving application of the rich heritage of Catholic Social Thought.

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South Dakota senator George McGovern’s 1972 presidential bid was one of the most memorable campaigns in American political history. Despite McGovern’s landslide loss to the incumbent Richard Nixon, McGovern’s campaign attracted widespread grassroots support, and his campaign posters represent a landmark in the history of U.S. campaign memorabilia in terms of the sheer number and quality of posters produced in support of the candidate. Like Barack Obama’s run for the presidency in 2008, McGovern’s campaign stoked the imagination of the artistic community. World-famous artists—including Andy Warhol, Alexander Calder, Larry Rivers, Sam Francis, Thomas W. Benton, Sister Corita, and Paul Davis—produced posters in support of McGovern that captured a generation’s efforts to bring about major political change. George McGovern and the Democratic Insurgents, with nearly three hundred stunning images, provides an illustrated journey through the protest and psychedelic rock posters of the 1960s, the posters of Eugene McCarthy’s 1968 presidential campaign, the poster explosion of George McGovern’s 1972 campaign, and the best campaign posters from 1976 to 2012. A historical examination of the graphic precedents for this politicized art form, Hal Elliott Wert’s collection offers readers a singular insight into artistic invention and activism in the United States.

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This is the ninth volume of George Washington's presidential papers, covering the period September 1791 to February 1792. Over 40 letters concern the problems arising from Pierre L'Enfant's high-handedness as designer of the Federal City.

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Volume 30 of the Revolutionary War series opens in January 1781 with a mutiny in the Continental army’s Pennsylvania regiments, presenting Gen. George Washington with one of the most formidable crises of the war.

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In recent years, our constitutional order has increasingly come under attack as irredeemably undemocratic, racist, and oppressive. At the same time, it is increasingly obvious that political practices in the United States have strayed very far from the founders' designs and become deeply dysfunctional. The time is thus ripe for renewed reflection about the American political tradition.This volume reintroduces readers to the conservative tradition of political and constitutional discourse. It brings together prominent political scientists and legal scholars, all of whom were deeply influenced by the life and work of the eminent constitutional scholar George W. Carey. For over 40 years, Carey strove mightily to explain the nature and requirements of our political tradition. How it fostered meaningful, virtuous self-government, and how our constitutional tradition has been derailed by progressivist ideology. He is perhaps best known for his concept of "constitutional morality," the understanding that our republican constitutional order can be sustained only by a combination of formal mechanisms (e.g., separation of powers) and unwritten norms ("standards of behavior") that act to foster deliberation and consensus, as well as keep political actors within the boundaries of their constitutional offices.

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On September 6, 1892, a diminutive Black prizefighter brutally dispatched an overmatched white hope in the New Orleans Carnival of Champions boxing tournament. That victory sparked celebrations across Black communities nationwide but fostered unease among sporting fans and officials, delaying public acceptance of mixed-race fighting for half a century. This turn echoed the nation’s disintegrating relations between whites and Blacks and foreshadowed America’s embrace of racial segregation.In this work of sporting and social history we have a biography of Canadian-born, Boston-raised boxer George Dixon (1870–1908), the first Black world champion of any sport and the first Black world boxing champion in any division. George Dixon: The Short Life of Boxing’s First Black World Champion, 1870–1908 chronicles the life of the most consequential Black athlete of the nineteenth century and details for the first time his Carnival appearance, perhaps the most significant bout involving a Black fighter until Jack Johnson began his reign in 1908. Yet despite his triumphs, Dixon has been lost to history, overshadowed by Black athletes whose activism against white supremacy far exceeded his own.George Dixon reveals the story of a man trapped between the white world he served and the Black world that worshipped him. By ceding control to a manipulative white promoter, Dixon was steered through the white power structure of Gilded Age prizefighting, becoming world famous and one of North America’s richest Black men. Unable to hold on to his wealth, however, and battered by his vices, a depleted Dixon was abandoned by his white supporters just as the rising tide of Jim Crow limited both his prospects and the freedom of Blacks nationwide.

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This book contains all of Gary Gianni's artwork for George R.R. Martin's A Song of Ice and Fire series.Over 300 pages of beautifully illustrated scenes from the five novels in the series — A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast For Crows and A Dance With Dragons — are featured alongside passages from the books themselves. Also included are illustrations from the two prequels of the series, A Knight of the Seven Kingdoms and Fire and Blood. All together, the paintings and hundreds of drawings in pencil and pen-and-ink provide a unique view of the Seven Kingdoms of Westeros as seen through the eyes of the award-winning illustrator. Describing Gianni's artwork, George R.R. Martin says it's 'as if I am looking through a window into Westeros, that I am there with Tyrion and Daenerys, with Ned and Arya, with Dunk and Egg.'All of Gary Gianni's previously shown pencil sketches and paintings have been tightened up and polished for this collection, making them appear as new works. In addition, over 35 pencil drawings appear for the first time. The artist draws on his longtime experience in comics and illustration to offer a unique perspective into Martin's universe. The book also includes an introduction by Cullen Murphy, who discusses the art of illustration and adds context to the pictures by providing an overview of Gianni's career. Notes from the artist reveal insight concerning his methods and the creative process of working with Martin, a relationship that has spanned five years to date.'In this new collection, Gary has put together all of his Westeros art, including some work never before published. It's a beautiful book, one to delight my own readers and fans of fine art both.' — George R. R. Martin

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Volume three of the Presidential Series continues the fourth chronological series of ""The Papers of George Washington"". The Presidential Series when complete, will aim to cover the eight precedent-setting years of Washington's presidency and his brief retirement at Mount Vernon until his death in 1799. These volumes deal with the public papers either written by Washington or presented to him during both of his administrations. Among the documents are Washington's messages to Congress, addresses to him from public office and documents concerned with diplomatic and Indian affairs as well as Washington's private papers which include family letters, farm reports, political letters from friends and acquaintances, and documents relating to the administration of the Mount Vernon plantation. Volume three covers most of the summer of 1789 and focuses primarily on the problems facing the new administration. Because of the president's serious illness during this period, a larger proportion of the documents than previously are letters and papers sent to Washington, including massive reports from the Board of Treasury describing the financial status of the new nation, detailed descriptions of Indian and military affairs from Henry Knox, and a plethora of applications for public office. The letters to Washington come from a cross section of Americans and present a resource on such diverse topics as foreign affairs, overseas trade and public attitudes toward the new government. Washington in these months was establishing the great departments of the federal government, and he devoted a considerable amount of his time to appointments and to the staffing of the new civil service.

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A compact biography of one of nineteenth-century England’s most renowned illustrators. George Cruikshank (1792–1878) was a key transitional figure in the changing world of nineteenth-century London’s graphic humor. He carried his eighteenth-century-trained wit from the field of political satire during the Regency years into the Victorian era of journals and books. His witty drawings of boisterous London streets in 1820–1836 made him a household name, and in 1836, his masterful etchings were key to the positive reception of Charles Dickens’s first novel. Illustrated throughout by his one-of-a-kind drawings, “The Great George” traces Cruikshank’s career from his ascent, by 1820, as the preeminent political satirist to the end of his career. During the 1840s and 50s, with the rising popularity of Dickens, the arrival of Punch, and his adoption of the temperance movement as his work’s focus, Cruikshank was eventually eclipsed by new generations of artists. Using as her launchpad the argument that drawing with humor takes both great draftsmanship and a highly perceptive sense of humanity, Josephine Lea Iselin not only details the trajectory of Cruikshank’s art but also provides valuable context for his work, placing his drawings alongside pieces from his artistic predecessors and principal contemporaries.

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Volume 4 of the ""Presidential Series"" continues the fourth chronological series of ""The Papers of George Washington"". The ""Presidential Series"", when complete, will cover the eight precedent-setting years of Washington's presidency and his brief retirement at Mount Vernon until his death in 1799. These volumes deal with the public papers either written by Washington or presented to him during both of his administrations. Among the documents are Washington's messages to Congress, addresses to him from public and private bodies, applications for public office, and documents concerned with diplomatic and Indian affairs as well as Washington's private papers, which include family letters, farm reports, political letters from friends and acquaintances, and documents relating to the administration of Mount Vernon plantation. Volume 4 covers the fall and early winter of 1789-90 and focuses on the problems facing the new administration. Many documents in this volume deal with the difficulties Washington encountered in his attempt to staff the federal judiciary and his fears that failure to attract viable candidates for the Supreme Court and the federal courts would damage the reputation of the new government. There is extensive correspondence dealing with the administration's unsuccessful attempt to negotiate a treaty with the Creek chief Alexander McGillivray and with the growing threat from Indian tribes in the Northwest. Applications for office continued to pour in, often illustrating the private difficulties and public aspirations of the Revolutionary generation. Letters to Washington come from a cross section of Americans and foreign dignitaries and present a rich resource on such diverse topics as foreign affairs, overseas trade and public attitudes toward the new government. In October 1789, Washington undertook a trip through the New England states to attract support for his administration. His triumphal journey is richly documented by the numerous letters of private and public support. Private letters deal with topics ranging from his attempts to furnish his new greenhouse at Mount Vernon with exotic plants and his acquisition of mares to stock the plantation's paddocks to the settlement of the financial affairs of his stepson's estate and his gift of a bit of chintz to the young daughters of a Connecticut innkeeper.

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Volume 18 of the ""Revolutionary War"" series covers the period 1 November 1778 through 14 January 1779. It begins with George Washington at Fredericksburg, New York, watching New York City for signs that the British were about to evacuate North America. The British had very different intentions, however, dispatching the first of several amphibious expeditions to invade and conquer the Deep South. Congress meanwhile mulled plans for the formation of a Franco-American army and the invasion of Canada. Washington worked hard to quash these plans, which he considered both impractical and dangerous. On 11 November, he wrote a long letter to Congress laying out the military reasons why the invasion could never succeed.Three days later, he wrote another, private letter to the President of Congress, warning that a French army in Canada might attempt to reestablish France's North American empire, transforming allies into oppressors. While Congress reconsidered and ultimately scrapped its plans, Washington oversaw the transfer of the captive Convention Army from Boston to Charlottesville, Virginia; planned for the dispersal of his own army to winter cantonments across New Jersey; and rode to Philadelphia in late December to open crucial discussions with Congress about the reorganization of the Continental Army and American strategy for the 1779 campaign.

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'Fire Cannot Kill a Dragon has it all. An amazing read.'GEORGE R.R. MARTINTHE UNTOLD STORY OF A GLOBAL OBSESSION DIRECT FROM THE SHOW'S CAST AND CREATORS...This official, complete history of HBO's Game of Thrones will draw on the author's many long days and nights spent on GOT sets all over the world and his countless interviews with cast and crew, many of which have never been published before. Packed with stunning photographs from the show and from behind the scenes, this is the only book that will be absolutely essential reading for every Game of Thrones fan.Game of Thrones is the biggest television drama ever to have graced our screens. The epic saga of warring families, huge battles, arduous journeys and dying heroes has captured the hearts and attention of millions of fans across the world. But its conclusion isn't necessarily the end of the story...James Hibberd has extensively covered the show since breaking the news of its pilot in 2008 and has had more access to the show's top-secret set than any other member of the media. He was in Croatia when Joffrey Baratheon perished; he was in Northern Ireland when Jon Snow desperately fought in the Battle of the Bastards. He has documented every part of the making of the show and has had exclusive access to cast members, writers and directors.

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George Clayton Johnson was an up-and-coming short story writer who broke into Hollywood in a big way when he co-wrote the screenplay for Ocean’s Eleven. More legendary works followed, including Logan’s Run and classic scripts for shows like The Twilight Zone and Star Trek. In the meantime, he forged friendships with some of the era’s most visionary science fiction writers, including Ray Bradbury, Theodore Sturgeon, Richard Matheson, and Rod Serling. Later in life, Johnson befriended comics journalist and artist Henry Chamberlain, and the two had long chats about his amazing life and career. Now Chamberlain pays tribute to his late friend in the graphic novel George’s Run, which brings Johnson’s creative milieu to life in vividly illustrated color panels. The result feels less like reading a conventional biography and more like sitting in on an intimate conversation between friends as they recollect key moments in pop culture history, as well as the colorful band of writers known as the “Rat Pack of Science Fiction.”

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Two new series from the great champion of European figurative painting During 2020, German artist Georg Baselitz (born 1938) created two bodies of work, documented here: the first series is a tribute to his departed friend and Italian icon of Arte Informale, Emilio Vedova; the other is dedicated to, and named for, his wife, Elke.

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Transformation processes are the focus of Georg Aerni’s new photographs. The Swiss photographer and artist shows plastic greenhouses that have annexed whole swathes of land for agricultural mass production, residential houses that have been built overnight on the city outskirts without construction machines and literally noiselessly. He points his lens at olive trees that have grown over centuries into figures full of character, at creepers that conquer leftover spaces between high-rises and motorways, and at mighty rock faces that are being gnawed by erosion. With the merging of art and documentation that is typical of Aerni’s work, Georg Aerni—Silent Transition makes the signs of change the object of a contemplative observation and at the same time asks challenging questions: about our handling of natural resources, about the social backgrounds to cities growing out of control, about the regenerative force of nature. A decade after Aerni’s first monograph, Sites & Signs, this new book showcases the artist’s ongoing continuation of his photographic work through numerous individual images as well as new series. 166 beautiful colour and black-and-white plates are introduced through texts by Peter Pfrunder and Nadine Olonetzky and commented on with an essay by Sabine von Fischer. Text in English and German.

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