Search results for ""syracuse university press""

November 1891, the heart of Gilded Age Manhattan. Thousands filled the streets surrounding Madison Square, fingers pointing, mouths agape. After countless struggles, Stanford White—the country's most celebrated architect was about to dedicate America's tallest tower, the final cap set atop his Madison Square Garden, the country's grandest new palace of pleasure. Amid a flood of electric light and fireworks, the gilded figure topping the tower was suddenly revealed—an eighteen-foot nude sculpture of Diana, the Roman Virgin Goddess of the Hunt, created by Augustus Saint-Gaudens, the country's finest sculptor and White's dearest pal.The Grandest Madison Square Garden tells the remarkable story behind the construction of the second, 1890, Madison Square Garden and the controversial sculpture that crowned it. Set amid the magnificent achievements of nineteenth-century American art and architecture, the book delves into the fascinating private lives of the era's most prominent architect and sculptor and the nature of their intimate relationship. Hinman shows how both men pushed the boundaries of America's parochial aesthetic, ushering in an era of art that embraced European styles with American vitality. Situating the Garden's seminal place in the history of New York City, as well as the entire country, The Grandest Madison Square Garden brings to life a tale of architecture, art, and spectacle amid the elegant yet scandal-ridden culture of Gotham's decadent era.

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On April 23, 1929, the second annual Transcontinental Foot Race across America, known as the Bunion Derby, was in its twenty-fifth day. Eddie "the Sheik" Gardner, an African American runner from Seattle, was leading the race across the Free Bridge over the Mississippi River. Along with the signature outfit that earned him his nickname—a white towel tied around his head, white shorts, and a white shirt—Gardner wore an American flag, a reminder to all who saw him run through the Jim Crow South that he was an American and the leader of the greatest footrace in the world.Kastner traces Gardner’s remarkable journey from his birth in 1897 in Birmingham, Alabama, to his success in Seattle, Washington, as one of the top long-distance runners in the region, and finally to his participation in two transcontinental footraces where he risked his life, facing a barrage of harassment for having the audacity to compete with white runners. Kastner shows how Gardner’s participation became a way to protest the endemic racism he faced, heralding the future of nonviolent efforts that would be instrumental to the civil rights movement. Shining a bright light on his extraordinary athletic accomplishments and his heroism on the dusty roads of America in the 1920s, Kastner gives Gardner and other black bunioneers the attention they so richly deserve.

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While the national narrative coming out of Ireland since the 2008 economic crisis has been relentlessly sanguine, fiction has offered a more nuanced perspective from both well-established and emerging authors. In Broken Irelands, McGlynn examines Irish novels of the post-crash era, addressing the proliferation of writing that downplays realistic and grammatical coherence in works of fiction. Noting that these traits have the effect of diminishing human agency, blurring questions of responsibility, and emphasizing emotion over rationality, McGlynn argues that they are reflecting and responding to social and economic conditions during the global economic crisis and its aftermath of recession, austerity, and precarity.Rather than focusing on overt discussions of the crash and recession, McGlynn explores how the dominance of an economic worldview, including a pervasive climate of financialized discourse, shapes the way stories are told. In the writing of such authors as Anne Enright, Colum McCann, Mike McCormack, and Lisa McInerney, McGlynn unpacks the ways that formal departures from realism through grammatical asymmetries like unconventional verb tenses, novel syntactic choices, and reliance on sentence fragments align with a cultural moment shaped by feelings of impotence and rhetorics of personal responsibility.

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Tony Soprano, Don Draper, and Walter White ushered in the era of the television antihero, with compelling narratives and complex characters. While critics and academics celebrated these characters, the antiheroines who populatedtelevision screens in the twenty-first century were pushed to the margins and dismissed as "chick TV."In this volume, Yael Levy advances antiheroines to the forefront of television criticism, revealing the varied and subtle ways in which they perform feminist resistance. Offering a retooling of gendered media analyses, Levy finds antiheroism not only in the morally questionable cop and tormented lawyer, but also in the housewife and nurse who inhabit more stereotypical feminine roles. By analyzing Girls, Desperate Housewives, Nurse Jackie, Being Mary Jane, Grey’s Anatomy, Six Feet Under, Sister Wives, and the Real Housewives franchise, Levy explores the narrative complexities of "chick TV" and the radical feminist potential of these shows.

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Commemoration is considered essential to any project of confronting a nation’s violent past. Opinions on commemoration tend to focus on representation and reception: how the commemoration narrates the violence and how the public responds to it. However, this focus ignores the reality of violence’s continuing presence, including in the very public spaces of commemoration. The urgency of rethinking this focus has been nowhere more salient than in the case of contemporary Turkey, whose image on the world stage has rapidly descended from a regional beacon of democratization and prosperity to a hotbed of conflict and oppression within the space of a few recent years.In Victims of Commemoration, Çayli explores both activist and official commemorations at sites of state-endorsed violence in Turkey. Çayli unpacks the reverberations of these commemorative acts and artifacts across the everyday life of the city where each site is located. The first comprehensive account of space’s centrality to confronting state-endorsed violence, this volume draws upon ethnographic research gathered throughout the first half of the 2010s, the period of Turkey’s quickly deteriorating global image. Victims of Commemoration challenges our tendency to understand the cultural practice of commemoration as distinct from violence, revealing the ways in which these memorial sites often exist alongside and at times exacerbate the violence itself.

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Latina Leadership focuses on the narratives, scholarly lives, pedagogies, and educational activism of established and emerging Latina leaders in K-16 educational environments. As the first edited collection foregrounding the voices of Latina educators who talk back to, with, and for themselves and the student communities with whom they work, this volume highlights the ways in which these leaders shape educational practices. Contributors illustrate, through their grounded stories, how they navigate institutionalized oppression while sustaining themselves and their communities both in and outside of the academy. The collection also outlines the many identities embedded within the term ""Latina,"" showcasing how Latina scholars grapple with various experiences while seeking to remain accountable to each other and to their families and communities. This book serves as a model and a source of support for emerging Latina leaders who can learn from the stories shared in this volume.

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In this volume, Brownson sheds new light on Palestinian Muslim women's agency in shari‘a courts from the British Mandate period to the present. Her extensive archival research on wife-initiated maintenance claims, divorce, and child custody cases deepens our understanding of women's position in the courts, demonstrating that Muslim women were and are active participants in their legal affairs. Using court registers and interviews, Brownson uncovers a variety of ways women have manipulated the system to their benefit despite its patriarchal bias. She also finds that few reforms were implemented during the Mandate period. The British were uninterested in improving colonized women's legal status and sought to avoid further antagonizing Palestinians. At the same time, Palestinians wished to uphold the one indigenous institution they still controlled while both British rule and Zionism threatened their nationalist aspirations. Although Palestinian women have had few alternatives to using this male privileged system to redress grievances with their husbands and in-laws, they continue to resist its injustices every day. Brownson finds that women's understanding of family law fundamentals has enabled some to deftly navigate the system; however, a unified, reformed law reflecting society's current needs is required so women can have full access to their rights.

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Amihay offers a pioneering study of the unique nexus between literature and photography in the works of Hebrew authors. Exploring the use of photography—both as a textual element and through the inclusion of actual images— Amihay shows how the presence of visual elements in a textual work of fiction has a powerful subversive function. Contemporary Hebrew authors have turned to photography as a tool to disrupt narratives and give voice to marginalized sectors in Israel, including women, immigrants, Mizrahi Israelis, LGBTQ+ individuals, second-generation Holocaust survivors, and traumatized army veterans.Amihay discusses standard novels alongside graphic novels, challenging the dominance of the written word in literature. In addition to providing a poetic analysis of imagetext pages, Amihay addresses the social and political issues authors are responding to, including gender roles, Zionism, the ethnic divide in Israel, and its Palestinian minority. In exploring these avant-garde novels and their authors, Amihay elevates their significance and calls for a more expansive definition of canonical Hebrew literature.

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Working Out Desire examines spor meraki as an object of desire shared by a broad and diverse group of Istanbulite women. Sehlikoglu follows the lat­est anthropological scholarship that defines desire beyond the moment it is felt, experienced, or even yearned for, and as something that is formed through a series of social and historical makings. She traces Istanbulite women's ever-increasing interest in exercise not merely to an interest in sport, but also to an interest in establishing a new self - one that attempts to escape from conventional feminine duties - and an investment in forming a more agentive, desiring, self. Working Out Desire develops a multilayered analysis of how women use spor meraki to take themselves out of the domestic zone physically, emotionally, and also imaginatively.Sehlikoglu pushes back against the conventional boundaries of scholarly interest in Muslim women as pious subjects. Instead, it places women's desiring subjectivity at its center and traces women's agentive aspirations in the way they bend the norms which are embedded in the multiple patriarchal ideologies (i.e. nationalism, religion, aesthetics) which operate on their selves. Working out Desire presents the ways in which women's changing habits, leisure, and self-formation in the Muslim world and the Middle East are connected to their agentive capacities to shift and transform their conditions and socio-cultural capabilities.

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During his more than fifty-year writing career, American Jewish philosopher Horace Kallen (1882–1974) incorporated a deep focus on science into his pragmatic philosophy of life. He exemplified the hope among Jews that science would pave the way to full and equal integration. In this intellectual biography, Kaufman explores Kallen's life and illumines how American scientific culture inspired not only Kallen's thought but that of an entire generation.Kaufman reveals the ways in which Kallen shaped the direction of discussions on race, ethnicity, modernism, and secularism that influenced the entire American Jewish community. An ardent secularist, Kallen was also a serious religious thinker whose Jewish identity, as unique and idiosyncratic as it was, exemplifies the modern responsiveness to the moral ideal of ""authenticity."" Kaufman shows how one man's quest for authenticity contributed to a gradual shift in Jewish self perception in America and how, in turn, his struggle led to America's embrace of Kallen's well-known term ""cultural pluralism.

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History books often weave tales of rising and falling empires, royal dynasties, and wars among powerful nations. Here, Maksudyan succeeds in making those who are farthest removed from power the lead actors in this history. Focusing on orphans and destitute youth of the late Ottoman Empire, the author gives voice to those children who have long been neglected. Their experiences and perspectives shed new light on many significant developments of the late Ottoman period, providing an alternative narrative that recognizes children as historical agents.Maksudyan takes the reader from the intimate world of infant foundlings to the larger international context of missionary orphanages, all while focusing on Ottoman modernization, urbanization, citizenship, and the maintenance of order and security. Drawing upon archival records, she explores the ways in which the treatment of orphans intersected with welfare, labor, and state building in the Empire. Throughout the book, she does not lose sight of her lead actors, and the influence of the children is always present if we simply listen and notice carefully as Maksudyan so convincingly argues.

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Dealing with the relationship between psychiatry and the law, this book looks at the federal and state procedures which render impotent the constitutional right to a speedy and public trial. Trial transcripts are used to support the author's arguments.

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He demonstrates that Ashkenazic Jewish culture was profoundly shaped and conditioned by life in an overwhelmingly Christian society. Drawing on diverse Christian documents, he portrays Christian beliefs about medieval Jews and Judaism with a degree of detail seldom found in Jewish historics. Emphasizing social, political, and economic history, but also duscussing religious topics, Glick describes the evolution of a complex, inherently unequal relationship. Because the Ashkenazic Jews of medieval Europe were ancestral to almost the entire Jewish population of eastern Europe, their historical experience played a major role in the heritage of most Jewish Americans.

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Shajar al-Durr, known as Tree of Pearls, was one of the most famous Arab queens and the only woman in the medieval Arab world to rule in her own name. Her narrative is one element of a much larger story of the unsettled political climate of thirteenth-century Egypt. In this eponymous novel, Zaydan charts the fall of the Ayyubid Dynasty and the rise of the Mamluke Dynasty through the adventures of Tree of Pearls and Rukn al- Din Baybars, a young Mamluke commander who eventually triumphs as the ruler of Egypt. War, political intrigue, murder, and a female ruler who was born a slave combine for an irresistible story, while Zaydan’s keen observations on royal politics and subverted gender roles offer readers a richly detailed glimpse of the cultural milieu of the time. Tree of Pearls, originally published in 1914, is the last in a famous series of historical novels written by Zaydan, an accomplished historian whose books continue to be read widely in the Arab world today. Selim’s fluid translation introduces an English audience to one of the Arab world’s influential writers.

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Mona Passage is the story of two neighbors in San Juan, Puerto Rico: Galán Betances, a Cuban emigrant, and Pat McAllister, a young Coast Guard officer. During long evenings spent together talking on their Calle Luna rooftop, a deep friendship develops based on shared traumas and a common desire to heal.When Galán learns that his sister, Gabriela, is going to be committed to a mental health facility in Cuba, he plans her escape to Puerto Rico. Pat, whose Coast Guard cutter patrols the Mona Passage for drug traffickers and migrants, warns Galán that such a journey will be treacherous—perhaps fatal. Aware of the dangers but determined for Gabriela to live a full life, Galán hands over all the money he has to a Dominican smuggler based out of a San Juan nightclub, and Gabriela begins her terrifying journey.Knowing that his cutter may be all that separates Galán and Gabriela—and haunted by the human suffering he has witnessed at sea—Pat must decide. Will he remain true to his oath, as his older brother had done in Iraq? Or will he risk his own future—and perhaps his freedom—for his closest friend?On a moonless night, two armed vessels converge in the Mona Passage, and three lives change forever.

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Twenty percent of Palestinians—1.57 million Israeli citizens and over seven hundred thousand exiles and immigrants around the world—live in Europe and the Americas, participating daily in languages and cultures other than Arabic. The dispersion of Palestinians and the consequent diversity of experiences running through three generations since the Nabka of 1948 have significantly dispelled a sense of cultural homogeneity. This cultural diversification is powerfully reflected in literature as an increasing number of Palestinians are writing in Hebrew, English, Spanish, Italian, and Danish, among other languages.In Being There, Being Here, Ebileeni calls for a renewed definition of Palestinian writing, one that includes Anglophone, Nordic, Latinate, and Hebrew language literary works into the national canon. The relevance of studying Palestinian writings composed in languages other than Arabic is grounded in the tension between the idea of remaining loyal to a more-or-less fixed national narrative and the desire to understand the ongoing lingual and cultural proliferations of the Palestinian story.The concept of "homeland" remains inextricable to Palestinian experiences notwithstanding generation and location, but, it may not necessarily connote to the notion of home for those who were born and raised in the West. Although most of the works discussed here are steeped in the historic injustices committed against Palestinians, Ebileeni’s intention is to unsettle this foundation for the purpose of yielding a richer and fuller understanding of Palestinian literary texts.

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Harriet Tubman's social activism as well as her efforts as a soldier, nurse, and spy have been retold in countless books and films and have justly elevated her to iconic status in American history. Given her fame and contributions, it is surprising how little is known of her later years and her continued efforts for social justice, women's rights, and care for the elderly. Tubman housed and cared for her extended family, parents, brothers, sisters, nieces, and nephews, as well as many other African Americans seeking refuge. Ultimately her house just outside of Auburn, New York, would become a focal point of Tubman's expanded efforts to provide care to those who came to her seeking shelter and support, in the form of the Harriet Tubman Home for the Aged.In this book, Armstrong reconstructs and interprets Tubman's public and private life in freedom through integrating his archaeological findings with historical research. The material record Tubman left behind sheds vital light on her life and the ways in which she interacted with local and national communities, giving readers a fuller understanding of her impact on the lives of African Americans. Armstrong's research is part of a wider effort to enhance public interpretation and engagement with the Harriet Tubman Home.

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Since the eighteenth century, landscape has played complex psychological and political roles in the narrative of Irishness, entailing questions of memory, family, home, exile, and forgiveness. In Stepping through Origins, Holdridge explores the interplay of these concepts in literature. For Irish writers from Swift to Heaney, the Irish landscape has remained not only a reflection of Irish troubles but, much like aesthetic experience, a space in which the bitterness of family or national life can be understood, if not entirely overcome. Through deft analysis of works by leading Irish writers including Lady Morgan, Yeats, Joyce, Louis MacNeice, and Elizabeth Bowen, Holdridge expands and enriches our understanding of how landscape has served as a palimpsest for both family and country, connecting personal with collective memory, localized places with their regions, and individual with national identity.

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People's Peace lays a solid foundation for the argument that global peace is possible because ordinary people are its architects. Saikia and Haines offer a unique and imaginative perspective on people’s daily lives across the world as they struggle to create peace despite escalating political violence. The volume’s focus on local and ordinary efforts highlights peace as a lived experience that goes beyond national and international peace efforts. In addition, the contributors’ emphasis on the role of religion as a catalyst for peace moves away from the usual depiction of religion as a source of divisiveness and conflict.Spanning a range of humanities disciplines, the essays in this volume provide case studies of individuals defying authority or overcoming cultural stigmas to create peaceful relations in their communities. From investigating how ancient Jews established communal justice to exploring how black and white citizens in Ferguson, Missouri, are working to achieve racial harmony, the contributors find that people are acting independently of governments and institutions to identify everyday methods of coexisting with others. In putting these various approaches in dialogue with each other, this volume produces a theoretical intervention that shifts the study of peace away from national and international organizations and institutions toward locating successful peaceful efforts in the everyday lives of individuals.

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The Palestinian Nakba (catastrophe) of 1948, devastated Palestinian lives and shattered Palestinian society, culture, and economy. It also nipped in the bud a nascent grassroots, binational alliance between Arab and Jewish citrus growers.This significant and unprecedented partnership was virtually erased from the collective memory of both Israelis and Palestinians when the Nakba decimated villages and populations in a matter of months. In The Lost Orchard, Kabha and Karlinsky tell the story of the Palestinian citrus industry from its inception until 1950, tracing the shifting relationship between Palestinian Arabs and Zionist Jews. Using rich archival and primary sources, as well as on a variety of theoretical approaches, Kabha and Karlinsky portray the industry's social fabric and stratification, detail its economic history, and analyze the conditions that enabled the formation of the unique binational organization that managed the country's industry from late 1940 until April 1948.

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The 1979 revolution fundamentally altered Iran’s political landscape as a generation of inexperienced clerics who did not hail from the ranks of the upper class—and were not tainted by association with the old regime—came to power. The actions and intentions of these truculent new leaders and their lay allies caused major international concern. Meanwhile, Iran’s domestic and foreign policy and its nuclear program have loomed large in daily news coverage. Despite global consternation, however, our knowledge about Iran’s political elite remains skeletal. Nearly four decades after the clergy became the state elite par excellence, there has been no empirical study of the recruitment, composition, and circulation of the Iranian ruling members after 1979.Postrevolutionary Iran: A Political Handbook provides the most comprehensive collection of data on political life in postrevolutionary Iran, including coverage of 36 national elections, more than 400 legal and outlawed political organizations, and family ties among the elite. It provides biographical sketches of more than 2,300 political personalities ranging from cabinet ministers and parliament deputies to clerical, judicial, and military leaders, much of this information previously unavailable in English.Providing a cartography of the complex structure of power in postrevolutionary Iran, this volume offers a window not only into the immediate years before and after the Iranian Revolution but also into what has happened during the last four turbulent decades. This volume and the data it contains will be invaluable to policymakers, researchers, and scholars of the Middle East alike.

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The early modern Ottoman poet Mihrî Hatun (1460–1515) succeeded in drawing an admiring audience and considerable renown during a time when few women were accepted into the male-dominated intellectual circles. Her poetry collection is among the earliest bodies of women’s writing in the Middle East and Islamicate literature, providing an exceptional vantage point on intellectual history. With this volume, Havliog?lu not only gives readers access to this rare text but also investigates the factors that allowed Hatun to survive and thrive despite her clear departure from the cultural norms of the time. Placing the poet in the context of her era and environment, Havliog?lu finds that the poet’s dramatic, masterful performance and subversiveness are the very reasons for her endurance and acclaim in intellectual history. Hatun performed in a way that embraced her marginal position as a woman and leveraged it to her advantage. Havliog?lu’s astute and nuanced portrait gives readers a fascinating glimpse into the life of a woman poet in a highly gendered society and suggests that women have been part of intellectual history long before the modern period.

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At the heart of this volume is the translation of a fourteenth-century Turkish version of the Joseph story, better known to Western readers from the version in Genesis, first book of the Hebrew Bible. Hickman provides us with a new lens: we see the drama of the Old Testament prophet Joseph, son of Jacob, through Muslim eyes. The poem’s author, Sheyyad Hamza, lived in Anatolia during the early days of the Ottoman Empire. Hamza’s composition is rooted in the recondite and little-studied tradition of oral performance—a unique corner of Turkish verbal arts, situated between minstrelsy and the ""divan"" tradition—combining the roles of preacher and storyteller. A cultural document as well as a literary text that reflects the prevailing values of the time, Hamza’s play reveals a picture of Ottoman sensibility, both aesthetic and religious, at the level of popular culture in premodern Turkey. To supplement and contextualise the story, Hickman includes an introduction, a historical-literary afterword, and notes to the translation, all ably assisting an unfamiliar reader’s entry into this world.

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The Road to the Spring is the first book publication of Mary Austin's (1868-1934) poems. Best known for her prose book The Land of Little Rain (1903), Austin was in fact a poet from the beginning of her career to the end, even though she never published a volume dedicated to her own original poetry. Instead, Austin's work came to light in collections of poetry and in prestigious journals such as Poetry, the Nation, the Forum, Harper's, and Saturday Review of Literature, among many others. The Road to the Spring contains more than 200 poems, most of which can only be found in out-of-print books, magazines, and periodicals, and her unpublished manuscripts archived at the Huntington Library. This singular publication includes her original work, poems she claimed to have written with her grammar school pupils at the end of the nineteenth century, and her translations and ""re-expressions"" of Native American songs, which often diverge greatly from any other known sources. Warren includes an introduction, laying out Austin's place in American literature and situating her writings in feminist, environmentalist, regionalist, and Native American contexts. He also includes notes for those new to Austin's work, glossing Native terms, geographical names, and the ethnological sources of the Native songs she re-creates.

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Becoming Turkish seeks to provide a better understanding of the modernist nation-building processes in post-Ottoman Turkey through a rare perspective in the field that stresses the social and cultural dimensions and everyday negotiations that occurred during the leadership of Mustafa Kemal.

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In the second volume of a series that will ultimately include four, the authors consider Irish diasporic memory and memory practices. While the Irish diaspora has become the subject of a wide range of scholarship, there has been little work focused on its relationship to memory. The first half of the volume asks how diasporic memory functions in different places and times, and what forms it takes on. As an island nation with a history of emigration, Ireland has developed a rich diasporic cultural memory, one that draws on multiple traditions and historiographies of both “home” and “away.” Native traditions are not imported wholesale, but instead develop their own curious hybridity, reflecting the nature of emigrant memory that absorbs new ways of thinking about home. How do immigrants remember their homeland? How do descendants of immigrants “remember” a land they rarely visit? How does diasporic memory pass through families, and how is it represented in cultural forms such as literature, festivals, and souvenirs? In its second half, this volume shifts its attention to the concept of “memory practices,” ways of cultural remembering that result from and are shaped by particular cultural forms. Many of these cultural forms embody memory materially through language, music, and photography and, because of their distinctive expressions of culture, give rise to distinctive memory practices. Gathering the leading voices in Irish studies, this volume opens new pathways into the body of Irish cultural memory, demonstrating time and again the ways in which memory is supported by the negotiations of individuals within wider cultural contexts.

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A woman not only needs a room of her own, as Virginia Woolf wrote, but also the freedom to leave it and return to it at will; for a room without that right becomes a prison cell. The privilege of self-directed movement, the power to pick up and go as one pleases, has not been a traditional ""right"" of Iranian women. This prerogative has been denied them in the name of piety, anatomy, chastity, class, safety, and even beauty. It is only during the last 160 years that the spell has been broken and Iranian women have emerged as a moderating, modernizing force. Women writers have been at the forefront of this desegregating movement and renegotiation of boundaries. Words, Not Swords explores the legacy of sex segregation and its manifestations in Iranian literature and film and in notions of beauty and the erotics of passivity. Milani expands her argument beyond Iranian culture, arguing that freedom of movement is a theme that crosses frontiers and dissolves conventional distinctions of geography, history, and religion. She makes bold connections between veiling and foot binding, between Cinderella and Barbie, between the figures of the female Gypsy and the witch. In so doing, she challenges cultural hierarchies that divert attention from key issues in the control of women across the globe.

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Modern Irish Drama: W. B. Yeats to Marina Carr presents a thorough the introduction to recent history of one of the greatest dramatic and theatrical traditions in Western culture. Originally published in 1988, this updated edition provides extensive new material, charting the path of modern and contemporary Irish drama from its roots in the Celtic Revival to its flowering in world theater. The lives and careers of more than fifty modern Irish playwrights are discussed along with summaries of their major plays and recommendations for further reading. Most significantly, Sternlicht treats the major themes of modern Irish drama: the struggle for independence; the suffering caused by extreme poverty and the resulting emigration; the decline of Anglo-Irish ascen­dency; the epic longing for and love of the land; the falling power of the clergy; generational conflicts; problems of the post-colonial transition; and the impact of feminism on a patriarchal society. Sternilicht brings well-deserved attention to such playwriters as Conor McPherson, Robert Massey, Ursala Rani Sarma, and Sean McLoughlin, among others. Including a selected bibliography and filmography, Modern Irish Drama is an indispensible resource for students of drama studies and production companies alike.

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At the close of the nineteenth century, modern ideas of democracy and equality were slowly beginning to take hold in Iran. Exposed to European ideas about law, equality, and education, upper- and middle-class men and women increasingly questioned traditional ideas about the role of women and their place in society. In apparent response to this emerging independence of women, an anonymous author penned The Education of Women, a small booklet published in 1889. This guide, aimed at husbands as much as wives, instructed women on how to behave toward their husbands, counseling them on proper dress, intimacy, and subservience. One woman, Bibi Khanom Astarabadi, took up the author’s chal­lenge and wrote a refutation of his arguments. An outspoken mother of seven, Astarabadi established the first school for girls in Tehran and often advocated for the rights of women. In The Vices of Men she details the flaws of men, offering a scathing diatribe on the nature of men’s behavior toward women. Astarabadi mixes the traditional florid style of the time with street Persian, slang words, and bawdy language. This new edition faith­fully preserves the style and irreverent tone of the essays. The two texts, together with an introduction and afterword situating both within the customs, language, and social life of Iran, offer a rare candid dialogue between men and women in late nineteenth-century Persia.

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In ""Militant Women of a Fragile Nation"", Malek Abisaab takes a gendered approach to labor conflicts, anticolonial struggles, and citizenship in modern Lebanon. The author traces the conditions and experiences of women workers at the French Tobacco Monopoly. Challenging the prevailing assumptions about culturally inscribed roles for Middle Eastern women, the book highlights traditions of public activism and militancy among rural women that are in turn adapted to the spaces of the factory. Women employed distinct strategies involving kinship, sectarian, gender, and class ties to enhance their work conditions and social benefits. Drawing on extensive ethnographic data, the author convincingly argues that the condition of women can only be explained by exploring the shifting relationship between culture, societal arrangements, and economic settings. Abisaab's richly detailed work illuminates the impact of class and gender in the transformation of modern Lebanon.

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This timely volume offers a compilation of twenty-four articles covering a wide spectrum of topics in Iroquoian archaeology. Culled from leading publications, these essays collectively represent the current state of knowledge and research in the field. A comprehensive research bibliography with more than 500 entries will be a key resource for specialists and nonspecialists alike. Both text and bibliography are structured in five sections: Origins; Precolumbian Dynamics; Postcolumbian Dynamics; Material Culture Studies; and Contemporary Iroquois Perspectives, Repatriation, and Collaborative Archaeology. Along with seminal essays by major figures in regional archaeology, the book includes responses by Haudenosaunee writers to the political context of contemporary archaeological work.

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At the age of twenty-three, Padraic Colum (1881-1972) was one of the founding fathers of the Abbey Theatre. His contribution to the development of Irish drama continued until his voluntary exile to America in 1914. His play, Broken Soil (1903), was the first commercial success at the Abbey, and it established the long-lived tradition of the peasant play on the Irish stage. This collection comprises the three major forms of his dramatic art: The Land (1905); Betrayal (1912); and two of his five Noh plays (a five-play cycle containing poetry and prose following the Yeats and Japanese Model), Glendalough (based on the career of Charles Stewart Parnell), and Monasterboice (based on the early life of Colum’s lifelong friend, James Joyce).

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In the first collection of a Native American orator's speeches, Granville Ganter presents the complete speeches of Red Jacket or Sagoyewatha (Shay-go-ye-watha), a formidable diplomat and one of the most famous Native American orators of the nineteenth century. As a representative of the Seneca and the Six Nations, Red Jacket negotiated with American presidents from George Washington to Andrew Jackson, establishing a legacy that continues to influence discussions of native sovereignty and cultural identity. In speeches spanning over forty years, he eloquently voiced the rights of Native Americans, opposing the encroachment of white man's religion and culture and the sale of native lands. Presenting more than fifty speeches of Red Jacket, some previously unpublished and others revised using modern standards of textual editing, this volume encourages a wider readership of Red Jacket's work. Ganter's accompanying essays offer a detailed historical framework, presenting archival research about the interpreters and the circumstances of each speech. The great majority of Red Jacket's speeches were interpreted by reliable translators who were often chosen by the Senecas for their accuracy. This edition spans Red Jacket's political career from 1790 to 1830 and includes major addresses to Presidents Washington, Adams, and Monroe. Additionally, it contains original versions of his speeches to evangelical missionaries and land speculators, which circulated for nearly 150 years after Red Jacket's death. This book will stand as the definitive critical edition of Red Jacket's speeches and as a remarkable record of Native American political history. It will be of crucial interest to historians and literary scholars of Native American studies.

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Tells the remarkable story of six young men and the organizations they founded between 1939 and 1948 that would set the stage for the militant Zionist activism of today. During and shortly after the Second World War, six young men - emissaries of the revisionist-Zionist ""Irgun"" military movement in Palestine - revolutionized the American-Jewish and Zionist scene. Judith Tydor Baumel provides the complete story of the role the Bergson group played in raising American public consciousness of Jewish and Zionist concerns. After founding a series of pro-Zionist and rescue organizations, they initiated a new form of fundraising that used the media to turn the spotlight on their activities, gaining adherents and supporters from both ends of the political and social spectrum. Long before the protest movements of the 1950s and 1960s, members of this group learned the art of courting the media in order to bring word of their existence to every part of the United States. Having energized politicians, gangsters, Hollywood moguls, and ultra-Orthodox rabbis, the handful of young men taught other Zionist and American-Jewish groups not only how the media was the message but how it could and should be used. A guiding force behind the creation of the War Refugee Board, the group served as a beacon for contemporary Zionist militancy while ultimately laying the groundwork for other organizations to utilize the media in future political campaigns.

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This book challenges prevailing assumptions about family, courts of law, and the nature of modernity in Muslim societies against the backdrop of Haifa and Jaffa during ""the long nineteenth century"". The popular image of the family and the court of law in Muslim societies is one of traditional, unchanging social frameworks. Iris Agmon suggests an entirely different view, grounded in a detailed study of nineteenth-century Ottoman court records from the flourishing Palestinian port cities of Haifa and Jaffa. She depicts the Sharia Muslim court of law as a dynamic institution, capable of adapting to rapid and profound social changes - indeed, of playing an active role in generating these changes. Court and family interact and transform themselves, each other, and the society of which they form part. Agmon's book is a significant contribution to scholarship on both family history and legal culture in the social history of the Middle East.

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The compelling and wide-ranging tale that examines the moral choices made by blacks and whites of New York State to aid the newly freed slaves to secure the promise of freedom. The North Star was both an astronomical reference guiding slaves north to freedom, and a symbol of the moral enterprise that sought to end slavery. This crusade for freedom in the north was born of the religious revivals of the 1820s and 1830s in central and western New York - known as the ""Burned-Over District,"" which lit the fires that eventually burst into the conflagration of the Civil War. Milton C. Sernett begins with a history of slavery in upstate New York and ends with John Brown's execution and burial in the Adirondacks. He includes great abolitionists - among them Harriet Tubman, Frederick Douglass, Gerrit Smith, Beriah Green, Jermain Lougen, and Samuel May - and many lesset-known characters who rescued fugitives from slave hunters, maintained safe houses along the Underground Railroad, and otherwise furthered the cause of freedom.

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This work covers the story of an important antebellum reform movement: ecclesiastical abolitionism. It covers the struggle among the most radical religions to purge their churches and society of sin, especially slavery, and their uncompromising efforts to force morality into political discourse.

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The second, revised edition of a classic, 19th-century work which captures the pleasures of camping and canoeing in the Adirondacks. The letters of George Washington Sears should interest not only the wilderness lover, but also the boater and craftsman who longs to own the perfect canoe.

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The one-word titles of Jules Gibbs’s Snakes and Babies are potentialities of immense expansion. These poems are incapable of being singular, inert, quiet. They are manifold, animated, agitated by energies of politics, dreams, and desires—systems of menace and pleasure. She obeys Celan’s advice to "speak, but keep yes and no unsplit," but in all other ways is disobedient to "love’s old patterns." The weather is rain. The ecology is woman. The time is violence. The angels are emus, flightless, and endangered. The voice talks back to our alienation and annihilation. In Gibbs’s hands, poems are a "voodoo that eats through paper," an alternate history that wounds as it cures.

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In Hassouna Mosbahi’s engrossing and keenly observed novel, he takes readers deep into one day in the life of Yunus, a Tunisian intellectual. A professor of French language and Flaubert specialist, Yunis is recently retired and separated from his wife, as he leaves the city to settle in the Tunisian coastal city of Nabeul. Searching for solitude, he hopes to spend the remainder of his life among the books he loves. On the day of his sixtieth birthday, Yunus plunges into a delayed midlife crisis as he reflects on the major moments in his life, from taking up writing as a young man to his career as a university professor to his failed marriage. Yunus’s identity crisis mirrors that of his Tunisian homeland with its tumultuous history of political and cultural upheaval. He meditates on the lives of his friends, drawing from his memory a colorful cast of characters whose experiences reflect the outsized influence of religion and tradition in their lives. Through the eyes of Yunus, Mosbahi’s elegiac, literary novel explores life and death, love and writing, and the relationship between puritanism and extremism in the Arab world today.

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From Uzbek author-in-exile Hamid Ismailov comes a dark new parable of power, corruption, fraud, and deception. Ismailov narrates an intimate clash of civilizations as he follows the lives of three expatriates living in England. Domrul is a young Turk with vague and painful memories of ethnic strife in the Uzbekistan of his childhood. His Irish girlfriend Emer struggles with her own adolescent trauma from growing up in war-torn Bosnia. Domrul is the caretaker for Gaia, the eighty-year-old, powerful wife of a Soviet party boss with a mysterious past.One of Ismailov’s few novels written in Uzbek, Gaia, Queen of Ants offers a rare portrait of a complex and little-known part of the world. A plot centered on political corruption and ethnic conflict is punctuated with Sufi philosophy and religious gullibility. As Ismailov’s characters grapple with questions of faith, power, sex, and family, Gaia, Queen of Ants presents a moving tale of universal themes set against a Central Asian backdrop in the twenty-first century.

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For over fifty years, Hazo’s poetry has meditated on themes of mortality and love, passion and art, and courage and grace in a style that is unmistakably his own. In this new collection, he offers his most candid reflections on the passage of time and the tenderness of the present moment.By turns convivial and introspective, these poems explore the complex synchronicity between life and art, and the connections between the personal and the political. With sharp clarity and deep emotion, Hazo continues his pursuitof wisdom and discovery through the act of expression.

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Why does a particular landscape move us? What is it that attaches us to a particular place? Tall’s From Where We Stand is an eloquent exploration of the connections we have with places—and the loss to us if there are no such connections. A typically rootless child of several American suburbs, Tall set out to make a true home for herself in the landscape that circumstance had brought her—the Finger Lakes region of upstate New York. In a mosaic of personal anecdotes, historical sketches, and lyrical meditations, she interweaves her own story with the story of this place and its people—from the Seneca Nation of the Iroquois, to European settlers, to the many utopians who sensed and were inspired by a spiritual resonance here. This edition includes an introduction by William Kittredge and a foreword by Stephen Kuusisto, both highlighting the book’s significance and Tall’s exquisite skill in tracing the relationship between homelands and storytelling.

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Described by theater critics as one of the twentieth century’s greatest talents, Benjamin Zuskin (1899–1952) was a star of the Moscow State Jewish Theater. In writing The Travels of Benjamin Zuskin, his daughter, Ala Zuskin Perelman, has rescued from oblivion his story and that of the theater in which he served as performer and, for a period, artistic director. Against the backdrop of the Soviet regime’s effort to stifle any expression of Jewish identity, the Moscow State Jewish Theater - throughout its thirty years of existence (1919–49) - maintained a high level of artistic excellence while also becoming a center of Jewish life and culture. A member of the Jewish Anti-Fascist Committee, Zuskin was arrested under fabricated charges and eventually executed on August 12, 1952, along with twelve other eminent Soviet Jews and committee members.Zuskin Perelman’s fascinating chronicle, more than just a personal memoir, conveys the vibrancy and energy of Jewish theater, celebrates the cultural achievements of Soviet Jews, and calls attention to the tragic fate that awaited them. The Travels of Benjamin Zuskin sheds light on Soviet Jewish history through the lens of one of the period’s most influential cultural icons.

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Over 100 colour photographs vividly portray the people and places of the southeastern Adirondacks as seen by a Glens Falls family physician who has spent over twenty years practicing rural medicine in such places as Bolton Landing, Warrensburg, North Creek, Indian Lake, Long Lake, Wells, and Speculator. The book is a breathtaking collection of Adirondack landscapes taken along Dr. Daniel Way's travels.

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Hussein’s starkly beautiful novel Beyond Love plunges us into the 1991 Gulf War and its aftermath. Huda, the young woman at the center of the story, experiences the deprivation and humiliation of life in sanctioned Iraq, working in the satirically named al-Amal factory (factory of hope) making men’s underwear. While surveillance and fear permeate daily life, Huda dares to vote ""no"" in the referendum for Saddam Hussein. This courageous act could have cost her her life had she not fled to the closest border, Jordan, where the novel begins. Huda is not alone: Iraqi exiles are legion there, all waiting to be relocated and start new lives. Unable to go home and to feel settled in a foreign city, she struggles to overcome her grief and haunting memories of the war and the Shi’ite uprising. In letters, diaries, and oral stories, Hussein’s characters viscerally portray the pain of war and the alienation of exile. Originally published in Arabic in 2003, Beyond Love introduces English-language readers to one of the leading voices in Iraqi fiction today.

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