Search results for ""s. fischer""

As debate rages over the widening and destructive gap between the rich and the rest of Americans, Claude Fischer and his colleagues present a comprehensive new treatment of inequality in America. They challenge arguments that expanding inequality is the natural, perhaps necessary, accompaniment of economic growth. They refute the claims of the incendiary bestseller The Bell Curve (1994) through a clear, rigorous re-analysis of the very data its authors, Richard Herrnstein and Charles Murray, used to contend that inherited differences in intelligence explain inequality. Inequality by Design offers a powerful alternative explanation, stressing that economic fortune depends more on social circumstances than on IQ, which is itself a product of society. More critical yet, patterns of inequality must be explained by looking beyond the attributes of individuals to the structure of society. Social policies set the "rules of the game" within which individual abilities and efforts matter. And recent policies have, on the whole, widened the gap between the rich and the rest of Americans since the 1970s. Not only does the wealth of individuals' parents shape their chances for a good life, so do national policies ranging from labor laws to investments in education to tax deductions. The authors explore the ways that America--the most economically unequal society in the industrialized world--unevenly distributes rewards through regulation of the market, taxes, and government spending. It attacks the myth that inequality fosters economic growth, that reducing economic inequality requires enormous welfare expenditures, and that there is little we can do to alter the extent of inequality. It also attacks the injurious myth of innate racial inequality, presenting powerful evidence that racial differences in achievement are the consequences, not the causes, of social inequality. By refusing to blame inequality on an unchangeable human nature and an inexorable market--an excuse that leads to resignation and passivity--Inequality by Design shows how we can advance policies that widen opportunity for all.

Read more less

Una recopilación inédita que nos habla del hombre, de las dificultades del artista, de sus miedos más profundos y de la vigencia de sus lecciones.En los cuadernos en octavo y en los diarios de Franz Kafka existe una gran variedad de textos dispersos, pensamientos condensados que fueron designados por el mismo autor como aforismos o que han sido considerados como tales en las diferentes ediciones de la obra del autor y, sobre todo, en la edición crítica y canónica que la editorial S. Fischer viene publicando desde 1982 y que es la que recoge la biblioteca Kafka en DeBols!llo. Este volumen, editado por Ignacio Echevarría y Jordi Llovet, ofrece al lector un cuidado compendio de aforismos que incluye, además del Legajo de los aforismos (1918), una serie de textos espigados de los cuadernos y legajos póstumos (1916 a 1923) y de los diarios (1920-1921). Una recopilación inédita que nos habla del hombre, de las dificultades del artista, de sus miedos más profundos y de la vigencia de s

Read more less

This path-breaking book explores the new European energy policy, highlighting the significance of environmental policy concerns, instruments, and objectives vis-a-vis competing security and market dimensions in order to achieve an all-embracing EU energy policy perspective for the future. While the past years have witnessed unprecedented development of EU energy policy, the understanding of this process has lagged behind. Alongside the scarce literature on this emergent policy, there is also a gap regarding the attention paid to its different components. The study stems from the perception of a mismatch between the valuable debate that certain dimensions of energy policy - namely, energy security and the market and competition framework - have triggered and the neglect of its environmental and climate change dimensions. European Energy Policy will prove to be insightful for academics and postgraduate students interested in European integration, political science, international relations, public policy and environmental science. Energy stakeholders and governmental policymakers will also find plenty of invaluable information in this enriching resource. Contributors: C. Adelle, M. Bechberger, P.-O. Busch, L. Carafa, A. Ciambra, M. Dobbins, G. Escribano-Frances, S. Fischer, A. Herranz-Surralles, H. Jorgens, J.K. Knudsen, F. Morata, M. Natorski, M. Pallemaerts, D. Russel, E. San Martín Gonzalez, I. Solorio Sandoval, J. Tosun, E. Zapater

Read more less

Selected by the preeminent Kafka biographer and scholar Reiner Stach and newly translated by the peerless Michael Hofmann, the seventy-four pieces gathered here have been lost to sight for decades and two of them have never been translated into English before. Some stories are several pages long; some run about a page; a handful are only a few lines long: all are marvels. Even the most fragmentary texts are revelations. These pieces were drawn from two large volumes of the S. Fischer Verlag edition Nachgelassene Schriften und Fragmente (totaling some 1100 pages). “Franz Kafka is the master of the literary fragment,” as Stach comments in his afterword: "In no other European author does the proportion of completed and published works loom quite so...small in the overall mass of his papers, which consist largely of broken-off beginnings.” In fact, as Hofmann recently added: “‘Finished' seems to me, in the context of Kafka, a dubious or ironic condition, anyway. The more finished, the less finished. The less finished, the more finished. Gregor Samsa’s sister Grete getting up to stretch in the streetcar. What kind of an ending is that?! There’s perhaps some distinction to be made between ‘finished' and ‘ended.' Everything continues to vibrate or unsettle, anyway. Reiner Stach points out that none of the three novels were ‘completed.' Some pieces break off, or are concluded, or stop—it doesn’t matter!—after two hundred pages, some after two lines. The gusto, the friendliness, the wit with which Kafka launches himself into these things is astonishing.”

Read more less