Search results for ""mcfarland co inc""

Georges Simenon (1903-1989) was one of the most successful 20th-century authors of crime fiction. His 75 Maigret novels and 28 Maigret short stories published between 1931 and 1972 found international success, (he is the only non-anglophone crime writer who has found such international renown). His Maigret stories are regarded by many as having established a new direction in crime fiction, emphasising social and psychological portraiture rather than focussing on a puzzle to be solved or on ""action."" This book examines the importance of social class and social change in the Maigret stories, with a particular emphasis on the early formative novels, and the development of plot, characterization and settings. The work seeks to establish the extent to which Simenon's portrait of French society is historically accurate and the nature of the influence of the author's own class position and ideology on his fiction.

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Although Charles Lindbergh's 1927 solo flight across the Atlantic Ocean is considered by many to be the first step to today's space program, 91 men had crossed the Atlantic by air before him. Walter Hinton was a pilot on the first plane, a four-engine, Navy-Curtiss flying boat with a crew of six, in May 1919. Based on more than 40 hours of personal interviews with Hinton, this volume chronicles that first flight and Hinton's other remarkable adventures in aviation--which include being lost in the Canadian Arctic and believed dead, the first flight to Rio de Janeiro from New York, the first aerial exploration of the Amazon, and a nationwide promotion of aviation and airports for the Exchange Clubs in the United States. The story of Hinton uncovers a lost chapter in the history of flight in America.

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No body of water was more vital to the Confederacy’s efforts in the Civil War than the Mississippi River and its tributaries. Though the Confederate Congress declared the Mississippi free and open to all states north and south, the Union launched plans for an effective blockade of the 1700 miles of Southern coastline, coupled with a strong naval and army thrust down the Mississippi Valley from Cairo, Illinois, to the Gulf of Mexico. To defend the river and to prevent Union forces from advancing, the South would require a strong naval force. There was only one problem with the strategy: The Confederacy had no navy.On February 25, 1861, Confederate president Jefferson Davis nominated Stephen R. Mallory to be secretary of the newly formed Confederate States Navy. Mallory faced significant obstacles—no shipyards, few skilled craftsmen and machinists, and a lack of production facilities to process raw materials. Mallory was able to overcome the many shortcomings to build a formidable navy, but the efforts in the Mississippi theatre were hamstrung by a disjointed command structure and inter-service bickering. Despite these problems, the Confederate Navy contested the Union forces at every turn. The history of Confederate naval forces on the western waters is a story of desperation, intrigue, ineptitude, and humiliating defeats, interspersed with moments of courage, innovation, resourcefulness, and a few hard-earned victories.

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Although not yet 40, two-time Pulitzer finalist Sarah Ruhl has established herself as one of America's most innovative and productive playwrights. She is known for charting complex currents of desire and broaching weighty topics such as bereavement with a light, whimsical touch. This critical volume represents the first book-length treatment of her work. The text tracks the evolution of her style and aesthetic, situates her body of work within the American theatre scene, investigates her influences, and provides in-depth analyses of her plays, including Euridyce, The Clean House, Passion Play, and In the Next Room.

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Although he is most remembered for his vast collection of science fiction memorabilia; his influential magazine, Famous Monsters of Filmland; and his frequent sci-fi convention appearances, Forrest J Ackerman (1916-2008) also left a sizeable body of work in print. An introductory biographical section traces Ackerman's early enthusiasm for pulp magazines and film productions of a fantastic nature, his rise to prominence in ""fandom,"" his acquisition of memorabilia, his work as a literary agent, the founding of his landmark magazine in 1958, and his friendship with a number of performers and personnel from genre films. The extensive bibliography includes listings of books, published letters, articles, fiction, verse, speeches, screenplays, comics, discography, liner notes, and periodicals edited and published by Ackerman. A thorough filmography, a selected listing of nationally televised appearances, and rare photographs of Ackerman throughout his lifetime complete this definitive catalog of one of science fiction's most interesting personalities.

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Though animal stories and fables stretch back into the antiquity of ancient India, Persia, Greece and Rome, the reasons for writing them and their resonance for readers (and listeners) remain consistent to the present. This work argues for their essential roles as sources of amusement and instruction, as well as being profoundly unsettling. Authors as diverse as Tolkien, Freud, Voltaire, Bakhtin, Cordwainer Smith, Karel Capek, Vladimir Propp, and many more are discussed in relation to their work in the realm of the animal fable.

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While the American Revolution is often associated with New England and names like Boston, Concord, and Lexington, the Southern Colonies and names like Kings Mountain, Cowpens, and Charleston were also crucial to the war that established the United States of America. This analysis of the role of the Southern Colonies in the Revolution covers the origin of these five colonies - Maryland, Virginia, North Carolina, South Carolina, and Georgia - and their participation in the cause of American independence. Crucial Southern battles, from the coast to the mountains, are examined in detail, with attention to the larger context of the war and its significance, as well as to the role of the ordinary Southerner, both patriot and Tory.

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This is the history of air racing from its beginnings in 1909 at Reims, France, to the end of the 2008 racing season at Reno, Nevada. The history of air racing is very much the history of aviation, with glamorous pilots, some of military fame (e.g., Jimmy Doolittle) and builders (e.g., Glenn Curtiss), machines that captivated the national imagination, and many relatively unknown tinkerers and designers. This book follows air racing from pre-World War I European races, through the interwar years when popular air races stimulated military design, and the booms and struggles of the postwar years before racing found a permanent home in the Nevada desert.

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The life of Karl Dane was a Cinderella story gone horribly wrong. The immigrant from Copenhagen was rapidly transformed from a machinist to a Hollywood star after his turn as the tobacco-chewing Slim in ""The Big Parade"" in 1925. After that, Dane appeared in more than 40 films with such luminaries as Lillian Gish, John Gilbert and William Haines until development of talkies virtually ruined his career. The most famous casualty of the transition from silent to sound film, Dane reportedly lost his career because of his accent, finding himself broke at the height of the Depression. He reportedly operated a hot dog stand outside the studio where he earned his fame, then committed suicide in 1934. This biography tells the tale of a daring yet tragic man who aimed for his wildest dreams and succeeded, if only for a short time.

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The 1900 Olympic Games have been termed ""The Farcical Games."" The events were poorly organized and years later many of the competitors had no idea that they had actually competed in the Olympics. They only knew that they had competed in an international sporting event in Paris in 1900. No official records of the 1900 Olympics exist.Based primarily on 1,900 sources, the sites, dates, events, competitors, and nations as well as the event, the results are compiled herein for all of the 1,900 Olympic events, including archery, track and field, cricket, equestrian, fencing, soccer, pelota basque, water polo, and rowing, among other sports.

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A compilation of research into War Department files, pretrial and trial testimony, newspaper accounts and manuscript collections.

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Between 1917 and 1941, Hollywood film studios, gossip columnists, and novelists featured an unprecedented number of homosexuals, cross-dressers, and adulterers in their depictions of the glamorous Hollywood lifestyle. During this era, actress Greta Garbo defined herself as the ultimate serial bachelorette, screenwriter Mercedes De Acosta wore mannish attire and began numerous lesbian relationships with Hollywood elite (including Greta Garbo herself), and countless homosexual designers brazenly picked up men in the hottest Hollywood nightclubs. These personalities, along with many others, played an important role in establishing Hollywood's image as a place of sexual abandon, enhancing the movie capital's mystique and selling Hollywood as a ""must-see"" destination.This significant contribution to gay, lesbian, and film studies demonstrates that the Hollywood studios and mass media used images of these sexually adventurous characters to promote the movie industry and appeal to the prurient interests of a more conservative audience. Each chapter examines the happenings in one segment of important Hollywood locales, ranging from the stars' private homes to the hippest restaurants and public nightclubs. Focusing on the media coverage of each location in nationally distributed newspapers and local publications, tabloids or fan magazines, this book reveals how such media images indelibly altered the world's fascination with old Hollywood.

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From its beginnings in the 1920s, Columbia Pictures Corporation has churned out an enormous variety of material, wide ranging in quality, subject matter and length. It has also served as a major distributor for foreign and domestically produced independent works. This thorough reference documents the studio's 2,371 feature length films, 57 serials, 596 cartoons and 76 miscellaneous short subjects. Release date, running time, major technical personnel, cast, and brief synopsis, when available, are given for each. Appendices list Columbia's movie series, Western series and stars, Academy Awards, and the studio's comedy shorts and their main stars. It includes a complete name index. Replacement volumes can be obtained individually under ISBN 0-7864-3122-9 (for Volume 1) and ISBN 0-7864-3123-7 (for Volume 2).

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This collection of 13 critical essays examines short comedic tales from the 13th and 14th centuries, commonly known as the medieval French fabliaux. Each essay focuses on a different aspect of common fabliaux humor, as illustrated by a scholarly analysis of one or several original texts. This title covers topics such as: the frequent use of bacon as humorous symbolism; the use of comedic rhyme; and the common ""virgin miracle"" tale. Throughout, contributors attempt to provide a serious analysis of the fabliaux without losing sight of the tales' original comedic content and appeal.

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With a career in films spanning nearly fifty years, Burt Lancaster brought his unique charisma and energy to roles in films ranging from the adventurous to the bittersweet. This comprehensive filmography of Lancaster's career is accompanied by a biography that provides the background for his immense range of work on the screen. Production information, a synopsis, and commentary is provided for each of Lancaster's 85 films, from the first - The Killers - to the last - Separate But Equal. Photographs from nearly all of Lancaster's films accompany the text, and an index and bibliography are also included.

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This book discusses the definition and types of FGM and explores the common justifications for the practice, along with the incidence in Africa, global laws, legal issues, rights and religion. Ethical considerations are examined, as are progress and the role of culture. Personal interviews help to expand and enrich the discussion. The book concludes with thoughts on the movement from tradition to cultural evolution.

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This volume presents a comprehensive annotated bibliography of Kinnamon's essays, books, and articles from 1983 through 2003. Arranged alphabetically by author within years are some 8,320 entries ranging from unpublished dissertations to book-length studies of African American literature and literary criticism.

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Many playwrights, authors, poets and historians have used images, metaphors and references to and from Greek tragedy, myth and epic to describe the African experience in the New World. The complex relationship between ancient Greek tragedy and modern African American theatre is primarily rooted in America, where the connection between ancient Greece and ancient Africa is explored and debated the most. The different ways in which Greek tragedy has been used by playwrights, directors and others to represent and define African American history and identity are explored in this work. Two models are offered for an Afro-Greek connection: Black Orpheus, in which the Greek connection is metaphorical, expressing the African in terms of the European; and Black Athena, in which ancient Greek culture is ""reclaimed"" as part of an Afrocentric tradition. African American adaptations of Greek tragedy on the continuum of these two models are then discussed, and plays by Peter Sellars, Adrienne Kennedy, Lee Breuer, Rita Dove, Jim Magnuson, Ernest Ferlita, Steve Carter, Silas Jones, Rhodessa Jones and Derek Walcott are analyzed. The concepts of colorblind and nontraditional casting and how such practices can shape the reception and meaning of Greek tragedy in modern American productions are also covered.

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In 1970, an LA Times headline called Monte Hellman ""Hollywood's Best Kept Secret."" More than thirty years later, Hellman and his work are still secrets, his genius recognized only by a small but passionate fan base - folks willing to slip into dark alleys to purchase old copies of his film Back Door to Hell. This work is a biography of Hellman and an extensive study of his films and films he has worked on, including The Wild Ride, The Intruder, Ski Troop Attack, Creature from the Haunted Sea, Last Woman on Earth, The Terror, Dementia 13, Bus Riley's Back in Town, Flight to Fury, Beach Ball, and lguana, to name just a few. It covers his youth (when he directed his first theatrical performance at the age of ten), his development as a stage actor and director, his break into the film industry after receiving the screenplay for Beast from Haunted Cave, and his involvement with other films and filmmakers. Attention is focused on the hallmarks of Hellman's work, including his dominant themes; his characters, who always seem to be involved in undefined or questionable activity; and his fusion of form and content to such a degree that they become inseparable.

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The experience of going to the movies, be it a single screen theater, twin, multiplex or drive-in, is affected by many different factors that have shifted over the years. Just as movies emerged from silent to talking, black and white to color, there has invariably been change in the way movies are made, copied, distributed and viewed. This change in the moviegoing experience, for better or for worse, is worth studying. This work examines the American moviegoing experience from 1968 to 2001 - the way in which movies are made and regulated (including the demise of the Production Code and the emergence of the ratings system) as well as changes in lighting, cinematography and coloring techniques. The projection practices of the past and present, during and after the presence of the Projectionists Union, and the advent of the ""platter,"" which allowed for automated projection, are discussed. How home video and cable affected the content of films after the eighties and the history of computerized special effects leading to the development of digital cinema projection are included. The work also covers the changing types of venues over the last third of a century and other aspects that affect, positively or negatively, the entire moviegoing experience.

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Albert J. Luxford has long been known as “The Gimmick Man” in the film and television industry, but he has remained one of its unsung and unknown geniuses despite his well-known work. He equipped James Bond with some of his most memorable gadgets; made possible many of the effects and sequences in the Carry On series. He worked on such shows and movies as Are You Being Served?, The Muppets, Highlander, and Chitty Chitty Bang Bang among many others.In this memoir, Luxford reminisces with great good humour about his life and work and shares some tricks of the trade. He left school at 16 to attend the Institute of Automobile Engineers in West London and began in the film industry as an engineer at Pinewood Studios. The bulk of this work is made up of Luxford’s recollections about his experiences in special effects. This is a genuine tour behind the scenes by an incomparable master of movie magic.

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In 1966, U.S. Army Special Forces were pushed out of the A Shau Valley by the North Vietnamese Army. In 1967, Douglas Coulter, serving with the Fifth Special Forces Group, led five-man reconnaissance teams into A Shau to discover whether NVA and Viet Cong troops were marshalling for an attack on the ancient city of Hue. His clear-eyed memoir recalls nighttime helicopter insertions and deep-jungle patrols miles behind enemy lines, and reflects on the cruel narcissism of U.S. moral and military superiority as the underlying cause of the Vietnam War.

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This book examines adaptations of G.K. Chesterton's Father Brown stories in film, radio and television. Part One covers adaptations prior to 2013, including portrayals by Alec Guiness, Kenneth More, and others, as well as German and Italian versions. Part Two focuses on the BBC series Father Brown, launched in 2013 with Mark Williams starring in the title role. It provides information about the series' creation and production along with a helpful episode guide, and analyzes critical and audience responses to the show.

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Horror films have been around for more than 100 years, and they continue to make a large impact on popular culture as they reflect their contemporary zeitgeist. Between the mid-1950s and mid-1980s, drive-in theaters were at their peak of popularity, and each decade brought forward new challenges and themes. This book explores 60 B horror films, divided into 12 fun and uniquely-themed categories. Chapters discuss how the Atomic Age, the Vietnam War, the women''s liberation movement and other current events and social issues affected these films. Films covered include Willard, The Fly, Santa Sangre and many more.

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This work demonstrates that not everything that Disney touched turned to gold. In its first 100 years, the company had major successes that transformed filmmaking and culture, but it also had its share of unfinished projects, unmet expectations, and box-office misses. Some works failed but nevertheless led to other more stunning and lucrative ones; others shed light on periods when the Disney Company was struggling to establish or re-establish its brand. In addition, many Disney properties, popular in their time but lost to modern audiences, emerge as forgotten gems. By exploring the studio's missteps, this book provides a more complex portrayal of the history of the company than one would gain from a simple recounting of its many hits. With essays by writers from across the globe, it also asserts that what endures or is forgotten varies from person to person, place to place, or generation to generation. What one dismisses, someone else recalls with deep fondness as a magical Disney memory.

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This is a biography of Dan Levenson, an old-time banjo and fiddle player from Pittsburgh, Pennsylvania. Between 1987 and 1991, Dan worked for Goose Acres Folk Music Center in Cleveland, Ohio, where he dove deeply into old-time music. In the late 1980s, he formed the Boiled Buzzards; they recorded four albums between 1989 and 1994 and were a consistently active presence at old-time music festivals. During that time, he also played with Bob Frank as one-half of the Hotfoot Duo. In 1995, he teamed up with Kim Murley and recorded New Frontier: Instrumentals from China and America. Levenson undertook his first cross-country trip as a solo performer in 1996. His traveling program, "Meet the Banjo," ran as a workshop with the sponsorship of Deering Banjos from the late 1990s to the early 2000s. Dan recorded three projects in the first five years of the 2000s and began editing the quarterly "Old Time Way" section for Banjo Newsletter in 2005. He continues performing old-time music, teaching fiddle and banjo, writing instructional and repertoire books featuring banjo and fiddle tunes for Mel Bay, and making plans for more old-time music projects.

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Shakespeare's comedy Love's Labour's Lost has perplexed scholars and theatergoers alike for over 400 years due to its linguistic complexity, obscure topical allusions and decidedly non-comedic ending. According to traditional scholarly interpretations, it is Shakespeare's "French" play, based on events and characters from the French Wars of Religion.This work argues that the play's French surface conceals a Russian core. It outlines a comprehensive interpretation of Love's Labour's Lost that is rooted in diplomatic and trade relations between Russia and Elizabethan England during the dramatic decades following England's discovery of a northern trade route to Muscovy in 1553. Drawing on original research of 16th-century sources in English, Latin and French, the text also surveys Russian sources that have been previously unavailable in translation. This analysis provides new explanations for some of the play's previously most enigmatic elements, such as its unconventional ending, the significance of its secondary characters, linguistic anomalies and the Masque of the Muscovites itself.

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This is the story of how the hapless Chicago White Sox, decimated by the banning of players after the 1919 Black Sox Scandal, floundered until the 1950s when they were finally rebuilt and had their first success in 40 years. The culminating event was the capture of the 1959 American League pennant, made possible by aging pitcher Early Wynn. Wynn, nearly 40, was the best pitcher in the game that season, winning 22 games and the Cy Young Award. He was the last piece in the puzzle that put the Sox over the top and, in addition to the team's historic season, the book tracks his life before, during and after baseball.

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This detailed study of the career of Anthony Mann argues Mann's prominence and influence alongside contemporaries like John Ford. Mann (1906-1967), who was active in Hollywood and Europe, directed or produced more than 40 films, including ""The Fall of the Roman Empire"" and ""God's Little Acre"". He was best known for his film noir and westerns and his work starring Jimmy Stewart, but Mann later moved into Cold War and epic films. The book features a filmography and 50 movie stills and photographs.

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The 1970s were both successful and tragic for the Pittsburgh Pirates. They won five NL Eastern Division crowns and the 1971 World Championship, but lost the great Roberto Clemente in a plane crash and pitcher Bob Mosse in a car accident during this time. By the end of the 1970s, the Pirates were a good team, but no longer were considered favorites to win a World Series. Thanks to a fantastic finish in 1978, the Pittsburghers gained new hope for the 1979 season. As intriguing as the season was, it wasn't until the evening of August 25th that the Pirate fans really started to believe ""it"" could truly happen. The history of that magical ball club is covered here, from how the 1979 world champion team was built, to a thorough look at the season and post season, to how ""The Family"" finally fell. Also included are biographical sketches of each player who appeared on the team's roster that year and a section of complete statistics.

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Homelessness in America's cities remains a growing problem. The homeless today face the same challenges as in years past: poverty, tenuous or no ties to family and friends, physical and mental health issues, and substance abuse. Compared to the 1950s to 1970s, more homeless are now sleeping on city streets versus in shelters or single room hotels. Homelessness rates are affected by economic trends, lack of equitable and inclusive healthcare and housing, decline in public assistance programs, and natural and man-made disasters. This collection of essays covers case studies, innovations, practices and policies of municipalities coping with homelessness in the 21st century.

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Long recognized as the definitive reference work on the hundreds of science fiction movies that from 1950 through 1962 terrified and fascinated a generation with zombified teenagers, robots, invading aliens and monsters of every kind, Bill Warren's Keep Watching the Skies! is greatly expanded in this 21st Century Edition. With new entries on several films, it also revisits, revises and expands the commentary on every film in the 1982 and 1986 two-volume edition.In addition to a detailed plot synopsis, cast and credit listings, and an overview of each film's critical reception, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making, often drawing on remarks by the filmmakers that have emerged in the quarter century since the original edition. The book is arranged by film title, contains 273 photographs, has seven useful appendices, and concludes with an enormous index.

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Drawing on new research, this biography of William Steinitz (1836-1900), the first World Chess Champion, covers his early life and career, with a fully-sourced collection of his known games until he left London in 1882. A portrait of mid-Victorian British chess is provided, including a history of the famous Simpson's Divan. Born to a poor Jewish family in Prague, Steinitz studied in Vienna, where his career really began, before moving to London in 1862, bent on conquering the chess world. During the next 20 years, he became its strongest and most innovative player, as well as an influential writer on the game. A foreigner with a quarrelsome nature, he suffered mockery and discrimination from British amateur players and journalists, which eventually drove him to immigrate to America. The final chapters cover his subsequent visits to England and the last three tournaments he played there.

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Over the final twenty years of his life, Mark Twain was an incredibly controversial figure. He evolved from the "clown prince of American literature" into a biting social critic and political observer. While some pundits hailed him as a satirist equal to Cervantes and Jonathan Swift, others excoriated him as a "degenerate literary freak" who wielded a "scurrilous and venomous pen."This volume traces the evolution of Mark Twain's public image between 1891 and his death in 1910. It features hundreds of reviews and other critical notices printed in magazines and newspapers across the U.S. and other English-speaking countries. This selected sample represents the full range of critical opinion, whether favorable or hostile, about Mark Twain's late writings. Sources reflect geographical differences in Twain's contemporary reputation, such as the conflicted responses in the British colonies towards Mark Twain's anti-imperialism and the pious disapproval in the American heartland for his attacks on foreign missions.

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Stephen King's fiction has formed the basis of more motion picture adaptations than any other living author. His earliest short stories, collected in the Night Shift anthology, have been adapted into hit features including Creepshow, Children of the Corn, Cat's Eye, Maximum Overdrive, Graveyard Shift, Sometimes They Come Back, and The Mangler. Through his "Dollar Baby" program, King licensed several Night Shift stories to aspiring filmmakers for just one dollar each, resulting in numerous student film adaptations.This book critically examines and contextualizes adaptations of the Night Shift short stories, from big box office features to relatively unknown student films. It illuminates how each film is a uniquely and intricately collaborative endeavor, and charts the development of each adaptation from first option to final cut. Through old and new interviews with the creators, the work explores how filmmakers continue to reinvent, reimagine, remake and reboot King's stories.

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From the earliest accounts of contact with Europeans, Polynesians have been perceived as sensual and sexual beings. By the late 1800s, publications, lectures and stage plays about the Pacific became popular across Europe, and often contained exotic and erotic components. This book details the fusion of truth and fiction in the representation of Pacific Islanders, focusing on the sexualization of Polynesians in American cinema and other forms of mass communications and commercial entertainment. With messaging almost subliminal to American audiences, the Hollywood media machine produced hundreds of tropical film titles with images of revealing grass skirts, scanty sarongs, female toplessness and glistening exposed male pectorals. This critical filmography demonstrates how the concept of "sex sells," especially when applied on a large scale, shaped American social views on Polynesian people and their culture. Chapters document this phenomenon and an annotated filmography of sexualized tropes and several appendices conclude the book, including a glossary of Polynesian terms and a film index.

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In 1948, the Australian government banned the production, importation and exhibition of horror films in a move to appease religious communities and entertainment watchdogs. Drawing upon previously unseen government documents, private letters and contemporary newspaper accounts, this book is the first to extensively cover the history of censorship and the early production of horror movies in Australia. Beginning its examination in the late 19th century, the book documents the earliest horror films like Georges Melies' The Haunted Castle (1896), and how Australians enjoyed such films before the ban. The book then explains how certain imports, like 1954's Creature from the Black Lagoon, were able to circumvent the ban while others were not. It also reveals how Australian television, though similarly impacted by government censorship, was occasionally able to broadcast films technically banned from cinematic release. The work concludes with a look at the first Australian horror films produced after the ban was formally lifted in 1969, like Terry Bourke's Night of Fear (1973).

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In a new and updated second edition, this book--first published in 1983--provides a detailed review of the end of the Vietnam War. Drawing on the author's eyewitness reporting and extensive research, the book relies on carefully reported facts, not partisan myths, to reconstruct the war's last years and harrowing final months. The catastrophic suffering those events brought to ordinary Vietnamese civilians and soldiers is vividly portrayed. The largely unremembered wars in Cambodia and Laos are examined as well, while new material in an updated final chapter points out troubling parallels between the Vietnam War and America's wars in Iraq and Afghanistan.

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Part memoir, part primer, part cautionary tale, this book takes the reader along on a filmmaker's 12-year journey through Hollywood Hell, culminating in the movie Angels In Stardust (2016), starring Alicia Silverstone, AJ Michalka and Billy Burke. Describing meetings with producers, agents, managers, hustlers, wannabes and famous celebrities, and how he overcame the host of problems encountered while trying to produce a movie, William Robert Carey's humorous and confessional narrative illustrates why it takes a minor miracle, a cabinet of liquor and plenty of Pepto-Bismol to complete a film. Copies of his option agreement, script sales contract and director's contract, crafted by LA entertainment attorneys, are included as a valuable guide for beginners.

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The presentation of technology as a response to human want or need is a defining aspect of Black Mirror, a series that centers the transhumanist conviction that ontological deficiency is a solvable problem. The articles in this collection continue Black Mirror's examination of the transhuman need for plentitude, addressing the convergence of fantasy, the posthuman, and the dramatization of fear. The contributors contend that Black Mirror reveals both the cracks of the posthuman self and the formation of anxiety within fantasy's empty, yet necessary, economy of desire.The strength of the series lies in its ability to disrupt the visibility of technology, no longer portraying it as a naturalized, unseen background, affecting our very being at the ontological level without many of us realizing it. This volume of essays argues that this negative lesson is Black Mirror's most successful approach. It examines how Black Mirror demonstrates the Janus-like structure of fantasy, as well as how it teaches, unteaches, and reteaches us about desire in a technological world.

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In a career that spanned 57 years, Dan Mason (1853-1929) went from performing German dialect routines in variety halls to appearing in Broadway musicals to playing character roles in silent films. Along the way he also wrote, produced, directed and starred in his own plays. Best remembered for his role as the irascible "Skipper" in the Toonerville Trolley silent comedies, Mason created dozens of unique and colorful characters on stage and screen. This first-ever biography of the American comedian explores the roots of his craft and the challenges he faced navigating the rapidly changing world of popular entertainment in the late 19th and early 20th centuries.

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While many people think true crime is a new phenomenon, Americans have been obsessed with the genre for over a century, and popular culture continuously tries to cash in. The names of infamous serial killers are well-known, but the identities of their often-female victims are frequently lost to history. This text flips the script and focuses on the women to keep their identities known and remembered.This is the first book to examine how popular culture has mistreated women as both perpetrators and victims of crime, covering a hundred-year span from 1920 to 2020. Detailed is popular culture's interest in true crime and how women in true crime documentation have largely been sexualized and victim-blamed over the decades.

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A farm boy from the mountains of North Carolina, Rufus Edmisten could not have been prepared for the halls of power in Washington, D.C., during the Vietnam War era, as young men burned their draft cards and pro-cannabis factions held “smoke-ins” in the capital.A University of North Carolina Chapel Hill graduate, he got a law degree at George Washington University and landed a job as counsel to U.S. senator Samuel J. Ervin, Jr. This led to Edmisten’s appointment as Deputy Chief Counsel for the Senate Watergate Committee—he personally served Richard Nixon the first ever subpoena of a sitting president by Congress. Returning to North Carolina, he served as Secretary of State and Attorney General before retiring from public life to lead charitable organizations. Written with humor and candor, his memoir recalls the cultural contrasts of American life in the 1970s and 1980s, and affirms that the business of government is to enable us to live together peacefully.

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Anything is possible in the world of Latin American folklore: Aunt Misery traps Death in a pear tree; Lucia Zenteno carries away a river in her hair; shapeshifting Amazonian dolphins lure young girls to their underwater city; the Feathered Snake brings the first musicians to Earth; and a farmer discovers that doing favors for the Lord of Creation can lead to disaster.One in a series of folklore reference guides (""...an invaluable resource..."" - School Library Journal), this book features 470 tales told in Mexico, Central America and South America, a region underrepresented in collections of world folklore. Gathered from 21 countries, this volume includes English translations of stories from the Inca, Maya, and Aztec civilizations, Spanish and Portuguese missionaries and colonists, African slave cultures and more than 75 indigenous tribes. The tales are numbered and grouped into themed sections.

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We are made up of 100 trillion cells all of which communicate with each other via chemical and electrical systems. We truly are masterpieces and consciousness is a miracle, something that is shown in Essays on Consciousness: Towards a New paradigm in Science which certainly is a new paradigm.

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This is the story of the wonders of refrigeration. For thousands of years, humans coped with heat by devising natural cooling systems of ventilation and evaporation. They harvested and stored natural ice and snow for summer usage. By the mid 1800s, men began to develop huge machines to make artificial ice using scientific and mechanical principles. By the early 1900s engineers developed electric domestic refrigerators, which by 1927 became affordable and convenient household appliances.By then, a more sophisticated public demanded more modern looking appliances than engineers could produce, and a new breed of designers entered the manufacturing world to provide them. During the Depression, such modern designs not only significantly increased falling sales, but resulted in the modern appliances and kitchens we now enjoy.Today refrigeration enables the preservation of perishable food for distribution around the world, makes tropical climates habitable for millions, saves lives with medical applications, and powers space flight.

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The five directors studied here embody postmodernism-the erosion of the earlier 20th century distinction between ""high culture"" and the so-called mass or popular culture that had its beginnings in the 1950s and 1960s. Comprised of repetition, pastiche, parody and homage, their postmodern films borrowed from high and low, from directors like Lean, Kurosawa, Hitchcock, Ford and Godard. The personal history and childhood interests of each director are studied, along with their apprenticeship in film school and early directorial efforts. This shared film school background and their familiarity with the films of Hollywood's classic period, of the entire ouevres of certain directors, have allowed them mastery of a wide range of film styles, genres and techniques.

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Today the United States is plagued with cultural and political polarization--the Reds and the Blues. Because religion has been of great significance in America right from the first colonists who believed themselves to be God's chosen nation, it is not surprising that religion constitutes the basis of today's dichotomy. The recent resurgence of Christian fundamentalism is significant for the future of America as a nation ""under God."" This book examines the history of conservative American Christianity as it interacts with liberal beliefs. With the Enlightenment, the Puritan sense of mission faded, but was rekindled with the Great Awakening. This religious movement unified the colonies and provided an animating ideal which led to revolution against Britain. But soon after, the forces of liberalism made inroads, and the seeds of division were planted. This balanced account favors neither conservative nor liberal. It is history with a human touch, emphasizing personalities from Jonathan Edwards and William Jennings Bryan to David Koresh and Jim Jones.

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