Search results for ""liverpool university press""

God is dead,' Nietzsche famously declared in The Gay Science; but this book will investigate God's surprising persistence and resurrection in the works of even the most seemingly atheistic of writers, who continue to deploy Judaic and Christian narratives and tropes even as they radically rewrite them in the face of new cultural, political and scientific imperatives. Contributors explore the range, power and implication of Christian and Jewish heresies in canonical Anglo-American writers -- including Edgar Allan Poe, Thomas Hardy, Robert Louis Stevenson, T S Eliot, John Steinbeck and Jim Crace -- as well as in some less familiar texts: the Mormon Scriptures of Joseph Smith and various Victorian rewritings of the Book of Esther. A polemical essay by Michelene Wandor reflects on conceptions of Jewishness, which she finds in need of heretical renewal. Valentine Cunningham's provocative introduction argues that the acts of literary writing and reading are necessarily heretical. A coda to the book, Between Heresy and Superstition', takes as its motto Thomas Huxley's observation in 1881 that It is the customary fate of new truths to begin as heresies and to end as superstitions.' Contributions offer readers a rare opportunity of witnessing an extended academic exchange -- exploring the process by which former heresies may indeed risk ossification as new kinds of doctrinal conformity. Bryan Cheyette's critique of the Christian Albums' of Bob Dylan is answered by Kevin Mills's essay which uncovers heretical possibility even in this most seemingly orthodox part of Dylan's work. The revitalisation of heresy in literary interpretations, as well as in our religious thinking, forms the guiding objective of this exciting critical book.

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Twenty years after its release, Stanley Kubrick's Eyes Wide Shut remains a complex, visually arresting film about marriage, jealousy, domesticity, adultery, sexual disturbance, and dreams. This was the final enigmatic work from its equally enigmatic creator. It has left an indelible mark on our popular culture and remains as relevant as ever. Much maligned and much misunderstood when it first came out, Eyes Wide Shut has since been the subject of an animated debate and discussion among critics, fans and academics. It has been explored from a wide variety of disciplines and methodological perspectives. This collection brings scholars from diverse disciplinary backgrounds together with those who worked on the film to explore Eyes Wide Shut’s legacy, discuss its impact, and consider its position within Kubrick’s oeuvre and the wider visual and socio-political culture.

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Commenting on the Bible was the principal way in which early medieval Christians conducted the work of theology; commentaries also open a window for modern readers onto the way in which these people strove to understand humanity, the world and history through complex acts of layered winterpretation and cross-referencing within the sacred text. Bede's commentary on Luke, composed in the first half of the 710s, is a turning point in his career as an exegete. It is ambitious in its length, but also in its subject-matter, because the life of Christ is the key to the meaning of the entire Bible. To expound a Gospel also entails engaging with a formidable body of commentary by the Church Fathers. In Bede's case, the Luke commentary marks as well the moment when he publically asserts his own intellectual authority by displaying his mastery of the Patristic tradition, and by deftly confronting criticisms of his earlier works. Finally, Bede's treatment of Luke was highly influential in the Carolingian Renaissance, and in the compilation of the Glossa Ordinaria in the twelfth century. This translation is thus an important resource for historians, as well as scholars interested in the role of the Bible in medieval culture.

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Cutting across academic boundaries, this volume brings together scholars from different disciplines who have explored together the richness and complexity of colonial-era Caribbean theatre. The volume offers a series of original essays that showcase individual expertise in light of broader group discussions. Asking how we can research effectively and write responsibly about colonial-era Caribbean theatre today, our primary concern is methodology. Key questions are examined via new research into individual case studies on topics ranging from Cuban blackface, commedia dell’arte in Suriname and Jamaican oratorio to travelling performers and the influence of the military and of enslaved people on theatre in Saint-Domingue. Specifically, we ask what particular methodological challenges we as scholars of colonial-era Caribbean theatre face and what methodological solutions we can find to meet those challenges. Areas addressed include our linguistic limitations in the face of Caribbean multilingualism; issues raised by national, geographical or imperial approaches to the field; the vexed relationship between metropole and colony; and, crucially, gaps in the archive. We also ask what implications our findings have for theatre performance today – a question that has led to the creation of a new work set in a colonial theatre and outlined in the volume’s concluding chapter.

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Cold War Negritude is the first book-length study of francophone Caribbean literature to foreground the political context of the global Cold War. It focuses on three canonical francophone Caribbean writers—René Depestre, Aimé Césaire, and Jacques-Stephen Alexis—whose literary careers and political alignments spanned all three “worlds” of the 1950s Cold War order. As black Caribbean authors who wrote in French, who participated directly in the global communist movement, and whose engagements with Marxist thought and practice were mediated by their colonial relationship to France, these writers expressed unique insight into this bipolar system as it was taking shape. The book shows how, over the course of the 1950s, French Caribbean Marxist authors re-evaluated the literary aesthetics of Negritude and sought to develop alternatives that would be adequate to the radically changed world system of the Cold War. Through close readings of literary, theoretical, and political texts by Depestre, Césaire, and Alexis, I show that this formal shift reflected a strikingly changed understanding of what it meant to write engaged literature in the new, bipolar world order. Debates about literary aesthetics became the proxy battlefield on which Antillean writers promoted and fought for their different visions of an emancipated Caribbean modernity. Consequent to their complicated Cold War alignments, these Antillean authors developed original and unorthodox Marxist literary aesthetics that syncretized an array of socialist literary tendencies from around the globe.

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Many fans of Robin Hardy’s The Wicker Man (1973) may know that this classic is considered a fine sample of folk horror. Few will consider that it’s also a prime example of holiday horror. Holiday horror draws its energy from the featured festive day, here May Day. Sergeant Neil Howie (Edward Woodward), a “Christian copper,” is lured to the remote Scottish island Summerisle where, hidden from the eyes of all, a thriving Celtic, pagan religion holds sway. His arrival at the start of the May Day celebration is no accident. The clash between religions, fought on the landscape of the holiday, drives the story to its famous conclusion. In this Devil’s Advocate, Steve A. Wiggins delineates what holiday horror is and surveys various aspects of “the Citizen Kane of horror movies” that utilize the holiday. Beginning with a brief overview of Beltane and how May Day has been celebrated, this study considers the role of sexuality and fertility in the film. Conflicting with Howie’s Christian principles, this leads to an exploration of his theology as contrasted with that of Lord Summerisle (Christopher Lee) and his tenants. Such differences in belief make the fiery ending practically inevitable.

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Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative. Middlebrow 2.0 and the Digital Affect investigates the material conditions of producing, distributing and consuming the postcolonial in the Internet era. Bridging the gap between postcolonial and middlebrow studies, the digital humanities and the history of emotions, it employs corpus linguistics software to scrutinise more than 15,000 online responses to 20 new Nigerian novels, unearthing the patterns of affect that characterise the contemporary digital milieu of literary transmission. Building on materialist, social constructionist and linguistic approaches to community and emotion, the study illustrates how Amazon, Goodreads and YouTube capitalise on socially oriented cross-border reading practices by creating empathic communities of ethnically diverse yet socially balanced readers who use social media to fashion themselves as emotionally receptive members of a globalising middle-class formation. Offering a reproducible method for exploring new forms of postcolonial reader engagement that strengthens the postcolonial analysis of inclusion and exclusion, the book shows that the digital mediation of postcolonial literatures functions to appropriate various markers of identity and difference to the standards of bourgeois literary culture. The results highlight that the digital literary economy proves inclusive of the postcolonial Other, but only with full reserve to middle-class norms and values.

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Don Paterson is one of Britain’s leading contemporary poets. A popular writer as well as a formidably intelligent one, he has won both a dedicated readership and most of Britain's major poetry prizes, including the T. S. Eliot Prize on two occasions, the Forward Prize in every category, and the Queen’s Gold Medal for Poetry. In this first comprehensive study of Paterson’s poetry, Ben Wilkinson presents him as a modern-day metaphysical, whose work is characterised by guileful use of form, musicality, colloquial diction and playful wit, in pursuit of poetry as a moral and philosophical project. Drawing on a wide range of commentators, Wilkinson traces Paterson’s development from collection to collection, providing detailed close readings of the poems framed by theoretical and literary contexts. An essential guide for students, specialists, and the general reader of contemporary poetry, it presents Paterson as a major lyric poet.

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The Mediterranean island of Corsica, a French territory, experiences mobility in the form of locals’ mass exodus to the Continent, the arrival of immigrants at rates similar to Paris, and a booming tourist industry with millions of visitors each year. What, then, are the multilingual dynamics on the island—languages emerging from above (French), a middle ground (Corsican), and sideways (languages of immigrants and tourists)? What multilingual subjectivities are articulated? Mendes analyzes competing conceptualizations of linguistic multiplicity, what he calls countervocalities, in which languages are constantly rearranging in variously imagined hierarchies. Countervocalities explores different dimensions of institutional multilingualism, namely those related to policies, practices, and ideologies within and extending from education settings. The chapters address reclamation, imposition, and erasure of different languages on Corsica, moving from inside the school, to artefacts from the schoolscape, to discourses about language teaching. The study fruitfully analyzes an array of interactional and artefactual data types. This productive alternation offers a cross-section of attitudes toward and representations of multilingual dynamics while foregrounding the role of mobility and language in understandings of place and what counts as local.

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Included in the TLS Books of the Year 2023 Written by an author brought up in working-class Liverpool in the 1960s and 1970s, Liverpool: A Memoir of Words is a work of creative non-fiction that combines the study of language in Liverpool with social history, the history of the English language and personal memoir. A beautifully written book, based on a lifetime’s academic research, it explores the relationship between language and memory, and demonstrates the ways in which words are enmeshed in history and history in words. Starting with ‘Ace’ and weaving its way alphabetically to ‘Z-Cars’, the work illustrates the deep relationship that has been forged in the past two hundred years or so between a form of language, a place and a social identity. The account is funny, sad, full of surprises and always illuminating. It tells the real history of ‘Scouse’, details the multicultural complexity of Liverpool English, examines the common use of ‘plazzymorphs’, and shows how Liverpudlian words exemplify standard processes of change and development. Neither a memoir, dictionary or history book, this work crosses different fields of knowledge in order to weave an engaging and fascinating story. It is a book that will educate and delight Liverpudlians, students of language and social historians alike.

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Shortlisted for the University English Book Prize 2022Shelley’s Broken World is a provocative and profound reassessment of Shelley’s poetic art and thought. Bysshe Inigo Coffey returns to a peculiarity of Shelley’s expressive repertoire first noticed by his Victorian readers and editors: his innovatory use of pauses, which registered as irregularities in ears untuned to his innovations. But his pauses are more than a quirk; various intermittences are at the centre of Shelley’s artistry and his thought. This book aims to transform the philosophical, scientific, and aesthetic contexts in which Shelley is positioned. It offers a ground-breaking analysis of his reading, and is the first study to refer to and include images of the unpublished ‘Marlow List’, a record of the books Shelley left behind him on his departure for Italy in 1818. Shelley’s prosody grew to articulate his sense that actuality is experienced as ruptured and fractured with gaps and limit-points. He shows us the weakness of the actual. As we approach the bicentenary of the poet’s death, Shelley’s Broken World provides an exciting new beginning for the study of a major Romantic poet, the history of materialism, and prosody.

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Thomas Hoccleve produced the first author-curated 'collected poems' in the English language, preserved in two complementary manuscripts: Huntington Library, MSS HM 111 and HM 744 (copied 1422-26). This is the first full modern edition of these poems. The twenty-eight pieces span Hoccleve's entire career: they range from stirring devotional verse, to playful autobiography, deft translations of Latin and French texts, and timely political verse. The collection comprises the entirety of Hoccleve's poetic corpus, save his two longer works, the Regiment of Princes and the Series. It includes some of Hoccleve's most celebrated and widely studied poems, including 'The Epistle of Cupid', 'La Male Regle', 'To Sir John Oldcastle', 'Complaint Paramount', 'Learn to Die', and 'The Court of Good Company'. This edition engages for the first time with newly identified sources of poems; it also offers comprehensive textual variants for the poems, a full up-to-date chronology, and explanatory notes that engage with the wealth of recent scholarship on Hoccleve – including newly discovered details about Hoccleve's life and the dates of his poems, his relationship with heresy and orthodox reform movements, and his positioning within London scribal circles and coterie readerships.

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Beyond Trawlertown takes a journey through the British distant-water fishery and its port-city connections in an era of disruption. In 1976, defeat in the Anglo-Icelandic Cod Wars saw the British trawling fleet excluded from their traditional hunting grounds. Combining with wider global factors, the move brought an end to long-established trawling practices, with profound social, economic and cultural repercussions. Through a case study of the port of Hull, oral history and archival research explore the challenges, responses and legacy of rapid change. Although the emphasis is on Hull, this is far from a local history. Hull’s position among the world leading distant-water pioneers gives the story international significance. Focusing on memory, lived experience and place, the book goes beyond established narratives. Personal acts of remembering offer cultural perspectives on how global events and marine policy impact upon the seafaring communities that live with the consequences. The Cod Wars signaled an end, yet amid the disruption there were also new beginnings. And in the wake of an active fishery, the rhythms of the past continue to resonate in the negotiation of fishing heritage within the contemporary city. Through the convergence of time, place and memory, this holistic narrative of interweaving stories reveals the intricacies of our human interaction with the marine environment and the aftermath when its threads are broken.

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Stirring the Pot of Haitian History is the first-ever translation of Ti dife boule sou istoua Ayiti (1977), the earliest book written by Haitian anthropologist Michel-Rolph Trouillot. Challenging understandings of two centuries of Haitian history, Trouillot analyzes the pivotal role of formerly enslaved Haitian revolutionaries in the Revolution and War of Independence (1791–1804), a generation of people who became the founders of the modern Haitian state and advanced the vibrant culture that flourishes in Haiti. This book confronts Haiti’s political culture and the racial mythologizing of historical figures such as Jean-Jacques Dessalines, Toussaint Louverture, Andre Rigaud, and Alexandre Petion. Trouillot examines the socio-economic and political contradictions and inequalities within the French colony of Saint-Domingue, traces the unraveling of the racist class system after 1790, and argues that Vodou and the Haitian Creole language provided the underlying cultural cohesion and resistance that led Haiti to independence.This groundbreaking book blends Marxist criticism with Haiti’s rich oral storytelling traditions to provide a playful yet incisive account of Haitian political thought that is rooted in the style and culture of Haitian Creole speakers. Proverbs, wordplay, and songs from popular culture and Vodou religion are interspersed with explorations of complex social and political realities and historical hypotheses; readers are thus drawn into a captivating oral performance.In a nation where the Haitian Creole majority language is still marginalized in government and education, Ti dife boule leaps out as a major contribution in the effort to expand Haitian Creole scholarship. Stirring the Pot of Haitian History holds a significant place in the expanding canon of Caribbean literature. The English translation of Trouillot’s first book—showing how historical problems continue to reverberate within the contemporary moment—provides readers with a one-of-a-kind Haitian perspective on Haitian revolutionary history and its legacies.This book received Honorable Mentions for both the Modern Languages Association's Lois Roth Award for a Translation of a Literary Work and the Latin American Studies Association's Isis Duarte Book Prize.

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The Mandaeans of Iraq and Iran are adherents of the last surviving Gnostic tradition from the period of Late Antiquity, and the Book of Kings is the capstone to one of their most sacred scriptures. A universal history in four parts, it concisely outlines the entire 480,000 year span of the material world, from its creation to its destruction in the maw of the great Leviathan, with details including a succession of antediluvian cataclysms that have previously wiped out all human life, the reigns of the kings who have reigned over humanity and are still yet to reign, a lament on the end of pagan antiquity under the reign of the Arabs, and the apocalyptic drama attending those who have the misfortune to live at the end of the world era. For the first time ever, this work appears in English in its entirety, complete and unabridged, and directly translated from original Mandaic manuscripts, with the events mentioned within it coordinated with our calendar. It also includes an extensive commentary illustrating its relationship to contemporary historical writing and with the sacred literature of Zoroastrians, Jews, Christians, Muslims, and other neighbouring religious communities living under Sasanian rule.

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Zoroastrianism was the religion of the ancient Persian kings and following the Arab conquest, it remained the religion of a significant portion of the population in Iran and parts of Central Asia.

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The ambition of the book is therefore twofold: on the one hand, it aims to offer new readings of the three poets, demonstrating their continued relevance for contemporary debates, putting them into dialogue with a philosophical corpus that has not yet played a role in the study of nineteenth century French poetry;

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Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore.

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This is the complete collection of six paperback volumes on the history of the Transport & General Workers’ Union (now called UNITE), from 1880 to 2010. The history of the TGWU is the core of this collection, with a significant emphasis on the union’s regions, as well as several key themes, such as equality, internationalism, the wider labour movement, and its attitude to the conflict between capital and labour.

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Comedy and Crisis contains the first ever scholarly English translation of Pieter Langendijk’s Quincampoix, or the Wind Traders [Quincampoix of de Windhandelaars], and Harlequin Stock-Jobber [Arlequin Actionist]. The first play is a full-length satirical comedy, and the second is a short, comic harlequinade; both were written in Dutch in response to the speculative financial crisis or bubble of 1720 and were performed in Amsterdam in the fall of 1720, as the bubble in the Netherlands was bursting. Comedy and Crisis also contains our translation of the extensive apparatus prepared by C.H.P. Meijer (Introduction and notes) for his 1892 edition of these plays. The current editors have updated the footnotes and added six new critical essays by contemporary literary and historical scholars that contextualize the two plays historically and culturally. The book includes an extensive bibliography and index. The materials assembled in Comedy and Crisis are a rich resource for cultural, historical, and literary students of the history of finance and of eighteenth-century studies.

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I had a dream that women, all women, will hold their heads high, that women will work, that in their eyes we will no longer see fear or defeat or humiliation.

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Ottomans in Eighteenth-Century Prussia: Delegates to Diplomats is the first overarching study of Ottomans in Prussia. It examines the embassies of Ahmed Resmi Efendi (1763/4), Ahmed Azmi Efendi (1791/2), and Ali Aziz Efendi (1797/98), including their second-ranked diplomatic personnel such as secretaries and dragomans (interpreters), as well as the experiences of five Ottoman chargés d’affaires who remained in Berlin until 1808. Unpacking the history of official diplomacy, daily interactions, and the exchange of information and knowledge in late-Enlightenment Berlin, the study sheds light on the role of the individual in the formation and institutionalisation of Ottoman-European relations. It demonstrates how over the course of administrative, fiscal, and diplomatic reform initiatives within the Ottoman and Prussian governments, the role of delegate gradually changed from ad hoc representative to member of the diplomatic corps. The book further argues that the arrival of Ottoman delegates coincided with the transformation of the Prussian capital into an intellectual and cultural centre. Profoundly influenced by the spirit of reform and Enlightenment, early modern Ottomans and Prussians negotiated and renegotiated diplomatic conventions and Orientalist ideas.

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Zoroastrianism was the religion of the ancient Persian kings and following the Arab conquest, it remained the religion of a significant portion of the population in Iran and parts of Central Asia. This book investigates the most important polemical treatise in the Zoroastrian tradition, the Škand Gumānīg-Wizār (“The Doubt-Dispelling Disquisition”), which was written by the theologian and philosopher Mardānfarrox son of Ohrmazddād. The text was composed in the ninth or tenth centuries in a language known as Middle Persian. A sophisticated work of rationalist theology, the Škand Gumānīg-Wizār systematically critiques several rival religions of the late antique and early medieval Middle East, including Islam. The critique of Islam found in chapters 11 and 12 is the only sustained, systematic polemic against Islam in premodern Zoroastrian literature, one that attacks monotheism by focusing on the problem of evil. The text is of fundamental importance for understanding Iran’s transformation from a predominantly Zoroastrian society to a predominantly Muslim one during the Early Middle Ages. This is the first book devoted to the Islamic sections of the Škand Gumānīg-Wizār. It provides a new translation and commentary of these important sections along with introductory chapters that explore Zoroastrians’ relationship with other religions in Late Antiquity and the early Islamic period; Mardānfarrox’s intellectual milieu (especially the influence of Islamic theology and interreligious debates); and the history of Zoroastrian polemics against Islam.

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Themistius and Valens offers the first complete English translation and analysis of Themistius’ speeches for or on behalf of the emperor Valens (r. 364-378). As a westerner and a Latin speaker, Valens had a tough job to convince the aristocracies of Constantinople and the East that he shared their expectations and knew how to preserve their wealth and security. By 364 Themistius already enjoyed huge influence. He was famous as a philosopher who was ‘an exceptional citizen’, and his leadership of the dramatic expansion of the senate in 359 gave him the best address book in town. His ambition and political sense made him a perfect ally for communicating imperial policy and action. These speeches present the major issues Valens faced: his right to rule alongside the western emperor, his brother Valentinian, his handling of the revolt of Procopius, his ability to manage the empire’s economy and borders, his wars against the Goths and the Persians, his controversial religious and judicial policies, and the clever diplomatic work Themistius undertook for him in the lead up to his death in battle in 378.

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The 10th-century treatise on the military provinces (the ‘themes’) of the medieval East Roman (Byzantine) empire is one of the most enigmatic of the works ascribed to the emperor Constantine VII Porphyrogennetos. A mix of historical geography, imperial propaganda, historical information and legend or myth drawn from ancient, Hellenistic as well as Roman and late Roman sources, it was one of the emperor’s earliest works, although the extent to which he was its author remains debated. Its purpose, and the emperor’s aims in commissioning or writing it, are equally unclear, since it offers neither an accurate historical account of the evolution of the themata nor does it appear to draw on available administrative material that would have been available to its writer. It has remained until now untranslated into English and thus inaccessible to many, in particular to students at all levels both within and outside the field of Byzantine Studies, as well as non-specialist readers. This volume is intended to rectify this situation with a translation into English, accompanying detailed notes, and three introductory chapters providing context and background to the history of the text, Byzantine ideas about geography, and the debate over the themata themselves.

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This dictionary is the most comprehensive work of reference on the ship portraitists and marine artists who worked in Liverpool between the late eighteenth century and the present day. It includes 65 known portraitists and marine artists and an appendix of over a dozen other locally-based painters who produced an occasional marine work and about half a dozen possible marine artists who may have worked, visited or have been temporarily resident in the port. It is organised alphabetically by surname. Each entry includes a full biography of the artist; a summary of their main subjects, style and range of work; details of the main UK and US museums holding their paintings; and the principal published sources. The dictionary includes 70 illustrations which are typical examples of the work of each of the main artists. These included: Samuel and Miles Walters, Joseph Heard, Robert Salmon, Francis Hustwick, William Jackson, John Jenkinson, Sam Brown, Odin Rosenvinge, Thomas Dove, William G Yorke and William H Yorke.

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Economic Warfare and the Sea examines the relationship between trade, maritime warfare, and strategic thought between the early modern period and the late-twentieth century. Featuring contributions from renown historians and rising scholars, this volume forwards an international perspective upon the intersection of maritime history, strategy, and diplomacy. Core themes include the role of ‘economic warfare’ in maritime strategic thought, prevalence of economic competition below the threshold of open conflict, and the role non-state actors have played in the prosecution of economic warfare. Using unique material from 18 different archives across six countries, this volume explores critical moments in the development of economic warfare, naval technology, and international law, including the Anglo-Dutch Wars, the French Revolutionary and Napoleonic Wars, the First World War, and the Second World War. Distinct chapters also analyse the role of economic warfare in theories of maritime strategy, and what the future holds for the changing role of navies in the floating global economy of the twenty-first century.

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Longlisted for Laurel Prize 2023. Set in a technicolour world of dreams, ghosts, classical music, and Key West storms, Jodie Hollander’s compelling second collection charts the emotional journey of the daughter of a professional classical pianist. These bold and arresting poems, rich with musicality, and fierce in their emotional honesty, chart the complicated repercussions of family dysfunction and musical obsession while traversing the landscape of the human condition and exploring the need for refuge in the natural world.

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Fables of Development: Capitalism and Social Imaginaries in Spain (1950-1967) focuses on a basic paradox: why is it that the so-called “Spanish economic miracle” —a purportedly secular, rational, and technocratic process— was fictionally portrayed through providential narratives in which supernatural and extraordinary elements were often involved? In order to answer this question, this book examines cultural fictions and social life at the time when Spain turned from autarchy to the project of industrial and tourist development. Beyond the narratives about progress, modernity, and consumer satisfaction on a global and national level, the cultural archives of the period offer intellectual findings about the expectations of a social majority who lived in the precariousness and who did not have sufficient income to acquire the consumer goods that were advertised. Through the scrutiny of interdisciplinary archives (literary texts, cinema, newsreels, comics, and journalistic sources, among other cultural artifacts), each chapter offers an analysis of the social imaginaries about the circulation and distribution of capital and resources in the period from 1950, when General Franco’s government began to integrate into international markets and institutions following its agreements with the United States, to 1967, when the implementation of the First Development Plan (1964-1967) was completed.

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We are all now entering into a new region of the world, which designates its sites on all the given and imaginable expanses, and of which only a few had been able to foresee in the distance its wanderings and obscurities. [] This region itself, we soon foresee, as difficult as it may seem to formulate its partition, is mixed in time as much as in space, a common site which hides another gap. Time has changed and space has changed. A steep separation of time and space, overwhelming one another. A new region that is an epoch, mixing all times and all durations, an epoch also which is an inexhaustible country, accumulating expanses, which are looking for other limits, in incalculable but always finite number, as has been said of atoms. [] we are entering into this new region of the world, of totalized space, of relativized time, where everyone already admits that differences are determinant, but most often they refuse to recognize that their sum, their realized quantity, sketches another

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This book examines Diderot’s and d’Holbach’s views on determinism to illuminate some of the most important debates taking place in eighteenth-century Europe. Insisting on aspects of Diderot’s and d’Holbach’s thought that, to date, have been given scant, if any, scholarly attention, it proposes to restore both thinkers to their rightful position in the history of philosophy. The book problematises Diderot’s and d’Holbach’s atheism by showing their philosophy to be deeply rooted in the Christian tradition and offers a more nuanced and historicised interpretation of the so-called “Radical Enlightenment”, challenging the notions that this movement can be taken to be a perfectly coherent set of ideas and that it represents a complete break with “the old”. By examining Diderot’s and d’Holbach’s works in tandem and without post-romantic assumptions about originality and single authorship, it argues that the two philosophers’ texts should be taken as the product of a fascinating collaborative form of philosophical enquiry that perfectly reflects the sociable nature of intellectual production during the Enlightenment. The book further proposes a fresh interpretation of such crucial texts as the Système de la nature and Jacques le fataliste et son maître and unveils a key web of concepts that will help researchers to better understand Enlightenment philosophy and literature as a whole.

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Winner of the Australia and New Zealand Law and History Society (ANZLHS) Prize for 2023 Maritime workers occupy a central place in global labour history. This new and compelling account from Australia, shows seafaring and waterside unions engaged in a shared history of activism for legally regulated wages and safe liveable conditions for all who go to sea. Maritime Men of the Asia-Pacific provides a corrective to studies which overlook this region’s significance as a provider of the world’s maritime labour force and where unions have a rich history of reaching across their differences to forge connections in solidarity. From the ‘militant young Australian’ Harry Bridges whose progressive unionism transformed the San Francisco waterfront, to Australia’s successful implementation of the Maritime Labour Convention 2006, this is a story of vision and leadership on the international stage. Unionists who saw themselves as internationalists were also operating within a national and imperial framework where conflicting interests and differences of race and ideology had to be overcome. Union activists in India, China and Japan struggled against indentured labour and ‘coolie’ standards. They linked with their fellow-unionists in pursuing an ideal of international labour rights against the power of shipowners and anti-union governments. This is a complex story of endurance, cooperation and conflict and its empowering legacy.

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The four selected speeches were composed by a professional speechwriter, Isaeus, for litigants contesting inheritance claims in the Athenian courts of the fourth century BC. They offer some intriguing glimpses into the domestic life of (mainly wealthy) Athenian families, with sometimes scandalous stories of forged wills, family quarrels, illegitimate children, divorce, and prostitution. The narratives feature positive and negative Athenian stereotypes of women (dutiful wife or deceitful seductress). In the first comprehensive English language commentaries on these speeches for over 100 years. the main focus is on legal issues as the key to understanding Isaeus’s rhetorical strategy. The aim is to show that he did not, as modern scholars have sometimes argued, ignore the law and seek to win cases for his clients on purely moral grounds. Rather, through carefully constructed narratives and persuasive but sometimes convoluted argumentation, he sought to convince the judges that the law was on his clients’ side. The combination of translations and commentaries makes the selected speeches accessible to readers with little or no knowledge of classical Greek. No familiarity with Athenian law is assumed, but the book will also be useful to specialists seeking to explore Isaeus’s work in greater depth.

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There are deep black nationalist roots for many of the images and ideologies of contemporary racial justice efforts. This collection reconsiders the Black Aesthetic and the revolutionary art of the Black Arts Movement (BAM), forging connections between the recent past and contemporary social justice activism. Focusing on black literary and visual art of the Black Arts Movement, this collection highlights artists whose work diverged from narrow definitions of the Black Aesthetic and black nationalism. Adding to the reanimation of discourses surrounding BAM, this collection comes at a time when today’s racial justice efforts are mining earlier eras for their iconography, ideology, and implementation. As numerous contemporary activists ground their work in the legacies of mid-twentieth century activism and adopt many of the grassroots techniques it fostered, this collection remembers and re-envisions the art that both supported and shaped that earlier era. It furthers contemporary conversations by exploring BAM’s implications for cultural and literary studies and its legacy for current social justice work and the multiple arts that support it.

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An analysis of the political and ecological consequences of charting the Amazon River basin in narrative ?ction, Mapping the Amazon examines how widely read novels from twentieth-century South America attempted to map the region for readers.

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This book explores traditional and contemporary concerns surrounding gender and ethnicity in Chile through a textual analysis of historical novels depicting seventeenth-century figure, Catalina de los Ríos y Lisperguer.

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The present study is the first monograph dedicated to Jonathan Swift's sermons. As critics have noted, the sermons are the least examined area within (the) least examined area of Swift studies (Weinbrot 2008). While Swift's own disparaging comment on his homilies (the idlest trifling stuff that ever was writ) might partly account for this critical disaffection, we suggest that his sermons may be fruitfully apprehended with a new approach of Swift as preacher of his homiletic language, as well as his use of language at large. This study presents a radically new perspective on the sermons, demonstrating that linguistic pragmatics reveals that they are characterised by a silent rhetoric, which complexifies the vision of the sermons as characterised by narrow and shallow orthodoxy (Nokes, 1985, p. 278). While this study leans toward the textual, the theory of language which underpins it is inclusive and makes it possible to reconcile text and context. Consequently, the overall approach is

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To address this void, this book offers an interdisciplinary approach to survey the role of space in animation, including in creating humorous moments in early cartoon shorts, generating action and suspense in Japanese anime, and even stimulating erotic pleasure in pornographic Hentai.

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Addressing diverse topics like these, the essays in this volume showcase exciting new research about the revolutionary era. Written to honor the historian Lynn Hunt, the essays rethink our understanding of the French Revolution by exploring three central themes: the multifaceted nature of grassroots politics;

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As publishers in private printing presses, as writers of dissident texts and as political campaigners against censorship and for intellectual freedom, a radical group of twentieth-century Irish women formed a female-only coterie to foster women’s writing and maintain a public space for professional writers. This book documents the activities of the Women Writers’ Club (1933–1958), exploring its ethos, social and political struggles, and the body of works created and celebrated by its members. Examining the period through a history of the book approach, it covers social events, reading committees, literary prizes, publishing histories, modernist printing presses, book fairs, reading practices, and the various political philosophies shared by members of the Club. It reveals how professional women writers deployed their networks and influence to carve out a space for their writing in the cultural marketplace, collaborating with other artistic groups to fight for creative freedoms and the right to earn a living by the pen. The book paints a vivid portrait of the Women Writers’ Club, showcasing their achievements and challenging existing orthodoxy on the role of women in Irish literary life.

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Sir George Beaumont is a key figure in the history of British art. As well as being a respected amateur landscape painter, he was a prominent patron, a collector, and co-founder of the National Gallery. William Wordsworth described Beaumont’s friendship as one of the chief blessings of his life, and this edition reveals that the two men became collaborators as well as companions. In addition to documenting unique perspectives on social, political, and cultural events of the early nineteenth century (providing new contexts for reading Wordsworth’s mature poetry), the letters collected here chart the progress of an increasingly intimate inter-familial relationship. The picture that emerges is of a coterie that – in influence, creativity, and affection – rivals Wordsworth’s more famous exchange with Coleridge at Nether Stowey in the 1790s. The edition includes an extended study of how Wordsworth and Beaumont helped shape one another’s work, tracing processes of mutual artistic development that involved not only a meeting of aristocratic refinement and rural simplicity, of a socialite and a lover of retirement, of a painter and a poet, but also an aesthetic rapprochement between neoclassical and romantic values, between the impulse to idealize and the desire to particularize.

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The first women’s football book on Latin America centring the perspectives of players brings rare interview material that cuts through the clichés to uncover the lived reality of women footballers. It includes the first large-scale survey of South American women footballers’ views into dialogue with institutional and media perspectives. The early chapters consider the backdrop Latin American women footballers operate in, a media and institutional panorama that privileges a heteronormative athletic femininity whilst ensuring women’s football is never portrayed as anything other than an inferior version of the hegemonic (men’s) game. Following this, drawing on nine months of ethnographic fieldwork in which 33 semi-structured interviews were carried out with players and institutional figures, this pioneering book foregrounds the lived reality of women’s football in three strategic locations. Firstly, three months were spent in the Amazon region of Brazil where Esporte Clube Iranduba provides a fascinating alternative model for the growth of women’s football. This is contrasted with Santos FC, where women’s football tends to be constantly overshadowed by the presence of banal patriarchy, and finally with another fleeting glimpse of how another model is possible at Atlético Huila of Colombia, the surprise winner of the women’s Copa Libertadores in 2018.

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