Search results for ""lilliput press""

W. B. Yeats believed that a poet's life should be an experiment in living. His poems fashion into memorable words the sometimes puzzling emotions that hover over important life events. Yeats's remarkable work can clarify our own thinking about similar situations. Joseph M. Hassett's Yeats Now: Echoing into Life extracts and distils the rich harvest of Yeats's experiment. As Yeats's biographer Roy Foster comments, Yeats Now is 'a personal, quizzical, imaginative testament that ranges through Yeats's thought and writings, showcasing and discussing a series of ringing statements, suggestions and aphorisms that evolve into a kind of vade-mecum or guide to life. The subjects cover love, anger, friendship, politics, violence and the competing claims of perfecting the life, or the work'. This book is a wonderful companion to the work of this significant poet. Hassett's writing provides an excellent frame of context through which to explore one of Ireland's greatest poets.

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Skelligs Haul is a generous compilation of Michael Kirby's prose and poetry, appealing for his simple, elegant style, his knowledge of unique local lore, and his inimitable observations. Kirby, a man who spent nearly every day of his ninety-nine years on the beautiful Iveragh peninsula, apart from a brief period in the United States, knew better than most that survival demanded persistence, passion, civility and good humour. In the shadow of the World Heritage site of Skellig Michael, he eked out a living fishing and farming with intimate knowledge of every inch of sea and soil. This volume, organised thematically, demonstrates Kirby's great gift of expressing the artist's fresh, passionate insight in elegant, plain language and with the dispassionate slant of a scientist. His knowledge of local birds and fish was as encyclopaedic and forensic as his grasp of place names. Referred to as `one of the last authentic expressions of the Gaelic tradition, artlessly fusing the worlds of flesh and spirit', he was a mystic who found his God, his solace and serenity in every living thing in Iveragh. This book includes some dual texts of poems freely translated from Irish by Kirby, showing that his inward eye led to verse in both the romantic vein and the fine tradition of Irish-language religious verse. This collection also presents reproductions of his landscape paintings, an introduction by poet Paddy Bushe and an editor's preface and note.

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The annual exhibitions of the Royal Hibernian Academy of Arts, founded in 1823 and still active today, provided a bridge between the Irish artist and the public, including critics and collectors. The Academy also ran the main art school for aspiring artists in the nineteenth century. During the Easter Rising of 1916 its galleries and school in Lower Abbey Street were destroyed by fire. It survived in borrowed space, but faced major challenges from modernism in the visual arts. By the end of the twentieth century it had redefined its role in its new gallery in Ely Place, opened, still incomplete, in 1985. The narrative of this stunning compendium is one of change, conflict and adaption. The book is divided into two volumes that describe two different political, social and artistic worlds: Volume One (1823-1916), and Volume Two (1916-2010).

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Justin Keating, son of the artist Sean Keating, attended UCD and TCD. He was a Labour Party politician (Minister for Industry 1973-77), academic, journalist, veterinary surgeon, television pioneer (as Head of Agricultural Broadcasting at RTE) and award-winning documentary filmmaker. In later life he served as Member of the European Parliament and became president of the Humanist Association. President Michael D. Higgins called him ‘a man who saw socialism as both essential and adaptable to change’. Keating introduced the first substantial legislation for the development of Ireland's oil and gas, set up the National Film Studios of Ireland at Ardmore and gave impetus to Kilkenny Design. He wrote extensively – and with opinions well ahead of his time – on the natural world, including women’s health, animal welfare, sustainable energy and ecology. ‘A well made, fit thoroughbred really striding out seems to me one of the most beautiful things on earth, on a par with an orchid or porpoise.’ Edited posthumously by his wife, Barbara Hussey, Justin Keating’s notebooks offer an in-depth, often-impassioned account of the interests, musings and opinions of one of Ireland’s most wide-ranging intellectuals. His dealings with J.D Bernal, Noël Browne, Sean McBride, Charles Haughey, Gerry Fitt and Conor Cruise-O’Brien, form part of this absorbing chronicle, aside from myriad friendships with writers and artists. Nothing Is Written in Stone is a brilliant selfportrait of this multi-dimensional man, who did so much to shape twenty-first century Ireland.

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Remembered in his native Ireland primarily as a harpsichordist and interpreter of Bach’s music, and in the UK as a conductor of the ground-shaking early music group Musica Reservata, John Beckett also composed avant-garde incidental music, performed on several instruments and was an authoritative, if controversial, conductor. Music was not his only passion: he was interested in films, the theatre, art and pottery, and loved to travel. His varied career included devising music programmes for Radio Éireann, writing for The Bell magazine, working in Dublin’s Pike Theatre, presenting and performing for the BBC Third Programme, composing music for his famous cousin Samuel Beckett, founding Musica Reservata, conducting Bach cantata concerts in Dublin over a ten-year period, and working as a producer and presenter for BBC Radio 3. Despite his reputation as a gruff, confrontational individual with a fondness for Guinness, whiskey and garlic, he made many friends and was familiar with Dublin’s intellectual, musical and bohemian milieu, such as the writers Aidan Higgins, Anthony Cronin, Patrick Kavanagh, Brendan Behan and James Plunkett, composers E.J. Moeran and Frederick May, counter-tenor Alfred Deller, musician John O’Sullivan, Desmond MacNamara, Ralph Cusack, singer and sculptor Werner Schürmann, publisher John Calder and musician David Cairns. Complex, self-deprecating and private, John’s character and achievements are examined with detail garnered from information both published and in archival collections in Ireland and the UK. Recollections from those who knew him at different stages of his life enliven this fascinating biography. The book also examines the development of Musica Reservata, and contains excerpts from unpublished letters written by Samuel Beckett. Extracts from correspondence between John and James Plunkett, Aidan Higgins, Arland Ussher and music critic Charles Acton are also included.

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The Abode of Fancy tells the story of a young Dublin man, Simeon Collins – lonely and desperate for love – whose friendships with a loosely associated group of elderly, alcoholic men yield a grim picture of his own probable future life. It also tells the story of the Mad Monk, a mythical god-man, who returns to Ireland, eager to find his long-dead brother Elijah. And then there’s the lovesick hare, the ghostly skeletal bull, and the barmy banshee Maggie Nutmeg Devlin. As the stories progress, the two worlds draw closer and closer, interweaving to fuse reality and fantasy in an exhilarating extravaganza that explores the nature of loneliness, the impossibility of love, and the possible consolations of friendship. This is an elaborate literary novel, sure to garner a cult following, drawing together Irish traditions of linguistic whimsy and ironic fantasy, with a modern hysterical realist style. Coll has an unmistakably distinctive voice, and with unrivalled linguistic flair he expertly combines the tenderness and simplicity of a child with the cynicism and gloom of an old man. The Abode of Fancy is an auspicious debut and a hilarious, heartbreaking and jaw-dropping read. Extracts from the novel have been featured in Granta and The Stinging Fly

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‘Hendrik Fagel the Younger (1765–1838), Greffier or Chief Minister of Holland, had the misfortune to have his property seized by invading French forces in the winter of 1794–5, but managed to secure the release of his family art collection and library, which were shipped to him in London in 1798. Being in straitened circumstances he decided to sell them and negotiations took place for the purchase of the library for Trinity College.’ So begins Charles Benson’s introduction to Frozen in Time, a collection of the papers presented at the recent Fagel Symposium, held at Trinity College, Dublin, with the explicit purpose of making this astonishing resource better known outside College walls. During their two centuries of public service to the States-General and Holland, the Fagel family built up one of the most important private libraries in early modern Europe, with holdings in history, politics and law as well as every other area of human endeavour: belles lettres, philosophy and theology, geography and travel, natural history and the visual arts. This lavishly illustrated volume contains a selection of the papers presented at the symposium as well as new articles, covering subjects as diverse as early Dutch book collections and plans of the cosmos, botanical sales catalogues, pamphlets on the bloody 1641 Rebellion in Ireland, Italian Renaissance poetry and the vicissitudes of the Huguenots. As the first comprehensive study of this hugely important and hitherto relatively unknown collection – one of the most important private libraries in early modern Europe – the volume will be of immense value to scholars and general readers.

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A collection of twelve mint fresh stories from the award winning Irish author, described by Neil Jordan as 'the real thing - a writer of great originality, dramatic flair, linguistic invention - who remakes the world every time he puts pen to paper.' These tales lead the reader around the fringes of Irish society through the eyes of the marginalized.

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A memoir like no other, A Single Headstrong Heart passionately and intelligently reveals both the era and the individual. Funny, quirky and touching, this latest offering from Kevin Myers describes in a first-person narrative his childhood up to the early years of his career as a journalist and his departure from University College Dublin in the late 1960s. Related with a Rabelaisian verve, A Single Headstrong Heart is a prequel to Myers’ bestselling Watching the Door, set in Belfast at the height of the Troubles during the 1970s, and it has all the panache and particularity of that masterly book. As they grow up in Leicestershire, England, with regular holiday visits to Ireland, Kevin and his twin sister Maggie are sheltered by a mother’s domestic diligence and survive a father’s eccentricity and gradual disintegration. Being Irish and Catholic in an English provincial town brings fascinating tensions and analysis to bear on boarding school experiences, social status, sport and a burgeoning sexuality. The travails of puberty have rarely been so candidly depicted. Pop music, political awareness and modernity break in with the advent of the Sixties and modernity as this rare, ebullient personality undergoes social and political transformation. With a sometimes grotesque humour reminiscent of Roald Dahl, these recollections retain an authentic childlike sense of galloping self-importance in an adult re-casting. Broadly chronological, the main narrative arc is sustained by the author’s relationship with his father, with a startling denouement revealed after his father’s death that lends context to these vivid memories.

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The Strangled Impulse follows a young curate uprooted from a comfortable parish to serve the pastoral needs of working-class North Dublin. Set against the backdrop of the Church's dwindling influence in 1970s Ireland and an increased scrutiny of priests' personal lives, this is the story of Father O'Neill's battles between the demands of his vocation and his own desires. His loneliness leads him to an attractive yet wounded woman, and together they find a solace they once thought impossible. As O'Neill struggles with the promises he made on ordination day, their newfound intimacy threatens to destro them both.William King's daring first novel offers an insight into the conflicted, political, brotherly world of the priesthood. Re-issued for the first time since its publication in 1997, it is augmented with an afterword by the author reflecting on his work.

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HEADFORT SCHOOL has always been an idiosyncratic place. Beginning as an ‘outpost of Empire’ at a time when that empire was locally destitute and internationally disintegrating, it prepared the sons of the landed classes for the ‘great public schools’. Weaving its way around the Headfort family and its successors as landlord, the School has traced a rapidly evolving educational ethos. It has managed to protect its individuality and excellence, whilst staunchly refusing to adopt any of the more illogical conclusions of a changing society. Your Children are not your Children is more than a book about a school. It treats such universal issues as co-education, competition, bad language, bullying and homesickness. It reveals the development of Headfort through portraits of the colourful characters on its staff, anecdotes of pupils from every era and accounts of their lurid pranks. The story is augmented by extracts from the ‘Headmaster’s Newsletter’, revealing his thinking about children and education at different stages of his 24-year headmastership, and his startling hatred of political correctness. Told in the inimitable style of Lingard Goulding, whose voice sums up so well the School he served, this book is an engaging account of a living community.

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With Barry Flanagan is a vivid account of a friendship that evolved into a working relationship when Richard McNeff became ‘spontaneous fixer’ (Flanagan’s description) of the sculptor’s show held in June 1992 at the Museum of Contemporary Art on Ibiza, where they were both living. McNeff was to gain a privileged insight into the sculptor’s singular personality and eccentric working methods, learning to decipher his memorably surreal turns of phrase and to parry his fascinating, if at times unsettling, pranksteresque quirks. In September 1992 Flanagan and McNeff took the show to Majorca, resulting in a lively visit to the celebrated Spanish artist Miquel Barcelo. The following year McNeff was involved in Flanagan’s print-making venture in Barcelona and in his Madrid retrospective. Flanagan rescued him from a rough landing in England in 1994 by commissioning a tour of stone quarries there.Subsequently McNeff ran into a fourteen-year-old profoundly deaf girl who turned out to be his unknown daughter. She had a talent for art and the generous sculptor was instrumental in helping with her studies. Late in 2008 Barry was diagnosed with motor neurone disease. By June 2009 he was wheelchair-bound. Two months later he died, and McNeff read the lesson at his funeral. Fleshed out with biographical detail, much of it supplied by the sculptor himself, this touching memoir is the first retrospective of a major Welsh-born artist. Photographs of him as well as of his drawings and sculpture fully complement the text. With Barry Flanagan captures the spirit of this remarkable Merlinesque figure in a moving portrait that reveals a true original.

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Ernie O’Malley was a revolutionary republican and writer. One of the leading figures in the Irish independence and civil wars, he survived wounds, imprisonment and hunger strike, before going to the USA in 1928 to fundraise on de Valera’s behalf. Broken Landscapes tells of his subsequent journeys, through Europe and the Americas, where O’Malley moved in wide social circles that included Paul Strand, Edward Weston, Hart Crane and Jack B. Yeats. Back in Mayo he took up farming. In 1935 he married Helen Hooker, an American heiress, with whom he had three children, Cathal, Etain and Cormac, before a bitter separation. His literary reputation was established with a magnificent memoir, On Another Man’s Wound (1936). In later years he was close to John Ford, and worked on The Quiet Man (1952). This vibrant new collection of letters, diaries and fragments opens up the broad panorama of his life to readers. It enriches the history of Ireland’s troubled independence with reflections on loss and reconciliation. It links the old world to the new – O’Malley perched on the edge of the Atlantic, a folklore collector, art critic and radio broadcaster; autodidact, modernist and intellectual. It conducts a unique conversation with the past. In Broken Landscapes, we travel with O’Malley through Italy, the American Southwest, Mexico and points inbetween. In Taos, he mingled wiht the artistic set around D. H. Lawrence. In Ireland, he drank with Patrick Kavanagh, Liam O’Flaherty and Louis MacNiece. The young painter Louis le Brocquy was his guest on his farm in Burrishoole, Co. Mayo. These places and people remained with O’Malley in his private writing, assembled for the first time from family and institutional archives. Reading these letters, dairies and fragments is to see Ireland in the tumultuous world of the twentieth century, as if for the first time, allowing us to view the intellectual foundations of the State through the eyes of its leading chronicler.

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Part-time Writer guides the reader through all aspects of writing – from the embryonic stages of researching and planning, to the hard slog of the writing and editing, through to the presentation of the manuscript, and finally, approaching agents and publishers. At each stage, the author explains how she did it – and how the reader can do it too. * How can I write engaging dialogue? * What can I do to make my characters ‘live’ on the page? * Must I always ‘show and not tell’? * How can I transform a hobby into a book? * When is the right time to show my work to others? * How should I present my manuscript? * Do I need an agent? * Should I self-publish? * Where can I find the time to write a novel? In her inimitable style, Marjorie Quarton merges literary memoir, anecdotes and straight talking to provide invaluable insights into the realities of being a writer, while offering indispensable advice on the trade, making this book a must-have for any aspiring author.

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The Tyrone Guthrie Centre in Annaghmakerrig celebrates a quarter of a century this year and marks this important milestone with the launch of a beautiful volume, ‘Annaghmakerrig‘. The Centre is an artists’ retreat set amid the lakes and drumlins of County Monaghan. An eclectic and varied list of poets, musicians, actors, directors and visual artists use the space to develop what we see on stages, pages and gallery walls throughout the country. The book is a collection and a collage that captures the essence and history of the centre, as well as the stories of its fascinating and somewhat eccentric families, not to mention the creativity of the five thousand artists who have spent time there since it was opened by Brian Friel in 1981. In the book. Eugene McCabe remembers Tony Guthrie the theatre director, while Joseph Hone provides a touching and powerful childhood memoir. Other contributors include Colm Toibin, John Banville, Gerald Barry, Anne Enright, Joseph O’Connor, Paul Muldoon, Patrick Scott, Alice Maher, Rosita Boland, Tim Robinson and Claire Keegan. The book is edited by SHEILA PRATSCHKE, Director of Annaghmakerrig, with works selected by RUAIRI O CUIV (visual art) and EVELYN CONLON (literature).

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A powerful and authoritative selection of critical essays and reviews by poet Padraic Fallon. Skilfully compiled and edited by his son Brian Fallon, this book is published to mark the centenary of his father’s birth, and testifies to the enduring value of literature in the flux of the twenty-first century. Padraic Fallon (1905 – 1974), one of the foremost Irish poets of his generation and a prolific writer of radio plays, was also an active essay-reviewer in the leading periodicals of his day. His literary criticism was incisive and witty, his erudition lightly worn. Disinterred from old files of The Bell, The Dublin Magazine and The Irish Times, his work remains fresh and readable decades on. Fallon writes authoritatively about the key figures of the Literary Revival: Gregory, Yeats, Stephans, Synge, Shaw and O’Casey – he knew many of them – and also of his contemporaries F.R. Higgins and Austin Clarke, with whom he shared a dedicated engagement with the Irish tradition. He comines frank judgements of Eliot, Pound, Graves, Auden, Gunn, Lowell, Larkin, Kinsella and others with fascinating detours into an East Galway childhood and the folk memories of Antony Raftery. The book is built around a core of previously uncollected work, beginning with the controversial, highly influential ‘Poet’s Journal’ (The Bell, 1951-2) and closing with the wide-ranging ‘Verse Chronicles’ (Dublin Magazine, 1956-8).

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Narrator Noah Gilmore is researching the biography of William Belios, an ex-missionary and once famous photographer, and spends a week in his household at Oughterard, Co. Galway. Belios is Gilmore’s nemesis, his quarry, mirroring his own desires and uncertainties, as he determines to unearth family secrets: the dead wife buried in Africa and the blighted lives of three grown-up children. The eldest Medbh, an erotic illustrator, guides Gilmore down the labyrinth. Their futures demand an erasure of a troubled past as its layers are unpeeled and its perverse roots become exposed. This haunting tale concerns the unravelling of private lives; it offers a world in which the undertow of the imagination makes the reader complicit in its workings. Belios is a startlingly mature and exciting début.

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This new selected edition of Kearney’s writings on Ireland supplants his seminal text, The Irish Mind: Exploring Intellectual Traditions (a revised Introduction appears here), and extends Transitions: Narratives in Modern Irish Culture to which eight pieces are added comprising 50 per cent new material, and giving unique access to the state and status of Irish culture in the twenty-first century. Twentieth-century Ireland witnessed a crisis of culture. Experienced largely as a conflict between traditional aspiration and modern realism; transitions, however resisted, are inevitable. Navigations encompasses the notion of the intellectual circumnavigation of early medieval and ancient Irish scholars and exchanges, and the shallows and deeps of competing arguments that make up these texts.

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What is your problem if you are ringled to a flazzard? When is Chewidden Day? How might you get out of the langle? Why is going for a dacker a quite innocent activity in one place, but something rather more lewd elsewhere? Words, Words, Words probes lexicography, dialect, sexual practices, sport and social history to create a humorous and informative guide to some of the more bizarre byways of the English language. If you’ve ever had trouble telling your etymology from your entomology, this is the book for you.

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Franciscan Ireland tells the story of the arrival and spread of the Order of Friars Minor in Ireland from 1226 to present day. It encompasses the work of foreign missions, other Orders within the Franciscan family, and the rich legacy of Franciscan art and architecture inscribed in sculptures and buildings across the countryside. Gazetteers give descriptions of sites both in Ireland and on the Continent, complete with individual bibliographies, glossary and index. The result is a comprehensive and illuminating reference-guide. This book is illustrated by over thirty specially commissioned line-drawings. These include isometric views of friary sites and map-chronologies.

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The war of words between critics and writers is no paper conflict but affects daily life where literature and politics interact. The twentieth-century concern is nowhere more evident than in Ireland today where the growing 'Troubles' in Ulster gave critical debate particular focus. In this clear-eyed survey Bill McCormack assesses the alliances, the animosities, the factions, seeking to show the common ground they share even as they dispute its possession. In his analysis of individual writers, journals and larger enterprises, McCormack raises some unexpected possibilities: Is Conor Cruise O'Brien best understood as a Catholic mystic? Should Field Day be seen as a depoliticising force in Irish culture? What truly distinguishes the manoeuvres of Seamus Heaney, Terence Brown, Edna Longley and Denis Donhgue from each other? Have critics begun to learn from historians, or have historians begun to fight shy of culture? Is the British "Literary Left" imperialist? Is there a non-sectarian art? Underlying this polished and stimulating critique is a sombre awareness of literature's contribution to political malaise, and a call for an engagement with the real forces that govern people's lives.

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First published in Irish by An Gum in 1965, Seosamh Mac Grianna's magnificent autobiographical novel Mo Bhealach Fein is translated here for the first time into English by Micheal O hAodha. With notes of Dead as Doornails and The Ginger Man in its absurd comedy, Mac Grianna pens his reaction to an anglicised, urbanised, post-revolution Ireland, demonstrating his talents at their peak. This Road of Mine relates a humorous, picaresque journey through Wales en route for Scotland, an Irish counterpart to Three Men in a Boat with a twist of Down and Out in Paris and London. The protagonist follows his impulses, getting into various absurd situations: being caught on the Irish Sea in a stolen rowboat in a storm; feeling guilt and terror in the misplaced certainty that he had killed the likeable son of his landlady with a punch while fleeing the rent; sleeping outdoors in the rain and rejecting all aid on his journey. What lies behind his misanthropy is a reverence for beauty and art and a disgust that the world doesn't share his view, concerning itself instead with greed and pettiness. The prose is full of personality, and O hAodha has proved himself adept at capturing the life and spark of the writer's style. His full-spirited translation has given the English-reading world access to this charming and relentlessly entertaining bohemian poet, full of irrepressible energy for bringing trouble on himself. As well as the undoubted importance of this text culturally, Mac Grianna is able to make rank misanthropy enjoyable - making music out of misery. The voice is wonderful: hyperbolic but sincere.

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Maud Gonne was the beautiful and charismatic inspiration of Yeats’s love poetry, a leading activist in the Irish republican movement and the founder of Inghinidhe na hÉireann (Daughters of Ireland). One hundred and fifty years after her birth, everyone still knows her face, but her life remains something of a mystery. This biography pursues the story of what attracted Maud Gonne to a man like Lucien Millevoye, and what imprint the attachment left upon her. Once jilted by Millevoye, Gonne marched into a truly ill-starred marriage to Major John MacBride. The horrible truth of their mismatch is examined through the evidence entered by both parties in the divorce proceedings. The author uses the vast resources of newly digitised French newspapers and journals to track the celebrated Gonne and her beloved Lucien Millevoye through the sensational turmoil of the Third Republic in France and into the violent push for a republic in Ireland. The shifting levels of awareness, desire, and mutual complicity in self-deception on the part of W.B. Yeats and his muse are traced with subtlety. Ultimately, the effect of the group biography as a whole is to make Yeats’s early love poems, so long in the public eye, more visible than they have ever been.

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Nevill Johnson is better known as a painter and photographer than as a writer. Eoin O'Brien, close friend of Nevill Johnson and literary executor of his estate, has edited his writings in this volume for the first time. The resulting book, provides an intriguing insight into the life of one of the most innovative artists of the 20th century.

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Anarchy and Authorityfollows the Irish men and women who ventured forth into the Russian Empire during the long centuries from the reign of Peter the Great until the end of Romanov rule in the early twentieth century.

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Youth dives into the lives of four teenagers in Ireland's most diverse town, Balbriggan. Angel is about to finish school and discover if Drill music and YouTube fame can deliver on their promises. Princess is battling to escape her claustrophobic surroundings and go to university and Dean is ready to come out from under his famous father's shadow, while Tanya, struggling with the spotlight of internet infamy, is still posting her dream life for all of her faithful followers. Isolated and disorientated by the white noise and seemingly insurmountable expectations of adolescence, our protagonists are desperate to find anything that helps them belong. Oblivious to one another's presence, potential and struggles, they pass each other on the street as strangers. But when their paths cross, the connections they make will change the course of their lives. Twenty-first century life - hyper-sexualized, social media saturated, anxiety-plagued - is here. Living inside its characters' heads, and negotiating their interior landscape, this book is a love song to the possibilities of youth. Using insights gained from the young people he works with, Curran's evocative writing yields the authenticity this novel demands. With instinctive affection and admiration for his characters' strengths and complexities, Youth is a journey through streets less travelled.

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By 1848 all peaceful means of giving Ireland an equal place within the British Empire seemed exhausted and William Smith O’Brien found himself a reluctant revolutionary leader. An aristocratic Protestant landlord, O’Brien nevertheless commanded unrivalled respect amonst all Irish classes. This scion of an ancient dynasty and tireless campaigner for Catholic Emancipation and Repeal of the Union had advocated a host of improving laws and policies in a parliamentary and political career spanning more than twenty years. Disilllusioned by parliament, dismayed at Ireland’s imminent disintegration during the Great Famine, and pressured by Young Irelanders of the Irish Confederation, O’Brien strove to reunite with fellow-nationalists loyal to the memory of Daniel O’Connell. The first full biography of the leader of the 1848 Rebellion paints a convincing picture of O’Brien’s private nature and public personality. Davis provides an in-depth anlysis of his long and varied political career and argues that O’Brien was a far more consistent political thinker and active nationalist than previously understood.

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In 1800 Daniel O’Connell, a young Kerry barrister who had just made his first forays into national politics, began a clandestine correspondence with his distant cousin Mary O’Connell of Tralee. Two years later Daniel secretly married the dowerless Mary in Dublin, jeopardizing his inheritance and forging a bond that would last until Mary’s death in 1836. Husband and wife corresponded voluminously from the beginning of their courtship until Mary’s death, and over a thousand letters between them have survived. The World of Mary O’Connell, based on examination of these letters and of Mary’s correspondence with other family members and friends, is more than a portrait of the Liberator’s wife. Through the life and letters of Mary O’Connell, Erin I. Bishop has produced a fascinating study of social and domestic life in Ireland in the early nineteenth century. In chapters dealing with love and marriage, motherhood, domesticity, family and kin, sickness and health, and religion Bishop paints both an intimate picture of the life of one woman and a panoramic view of a time and a social stratum – the Catholic middle class – that have hitherto received inadequate scholarly attention.

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This is the first comprehensive study of the works of one of Ireland’s most significant contemporary poets. Thomas Kinsella, who first became well known in Ireland in the 1950s, now ranks among the most important of his generation of Irish poets. Although he is considered by many to be the most serious and the most experimental of the contemporary Irish poets, his work has received little critical attention. Kinsella is often credited with bringing the techniques of international modernism to Irish verse. Jackson presents a rounded critique of the later poems, whose art engages, analyses and morally restructures the content of the poet’s world. What emerges from The Whole Matter is a picture of Kinsella’s astonishingly far-reaching evolution, culminating in an art deeply engaged with the culture around it and with the entire human predicament.

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Riverdance exploded across the stage at Dublin's Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton's Wing, Noel Pearson, Sean O Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan's self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the 'Best Musical Show Album.' Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

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Judith Mok was born in the Netherlands, to Jewish survivors of the Holocaust. She trained as a classical singer and travelled the world performing as a soloist, while publishing a novel and poetry collection there. For the last twenty years she has been based in Ireland, where she has become the country's leading voice coach, working with classical singers and many international pop stars. In recent years she started to write in English, publishing a novel and poetry collection and contributing to publications like the Irish Times. The State of Dark is a memoir and detective story. Like many children of Holocaust survivors, she was raised with the emotional trauma of having no other family members, while her parents tried to rebuild their lives in postwar Europe. Despite the constant and occasionally intrusive presence of the past - Anne Frank's father Otto makes an emotional visit to her father to hand over some letters - she had little concrete information about the hundreds of members of her family who died. All the same, the Holocaust and its consequences continued to haunt her life. At one point in her career she worked with the great German soprano Elisabeth Schwarzkopf. It was only years later that she discovered the full extent of Schwarzkopf 's collaboration with the Nazi regime. Not only was she a full member of the National Socialist Party, but was also the mistress of Hans Frank, the notorious 'Butcher of Poland'. Later, Mok would discover that Schwarzkopf had entertained the German troops in Poland at around the same time her family were being murdered there. A chance phone call made from her Dublin home in search of more information unleashes a whole process whereby Mok disovers, in shocking and intimate detail, the terrible fate of her family. The State of Dark is a highly original, moving and beautifully written memoir of the so-called Second Generation trauma, which documents how the Holocaust continues to be a living issue in European life and culture, including in Ireland.

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In this slim, attractive collection of short stories, Harry Crosbie colourfully describes life in Dublin in the 1960s. These funny and poignant pieces are told from the perspective of a teenage boy working in Dublin’s docklands and illuminate an older Dublin that will be familiar to many readers. Written during the lockdown of 2020, writes from the heart and will charm and delight with tales of docklands life.

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Available for the first time in paperback, Robert O’Byrne’s landmark biography of Hugh Lane remains the essential work on this enigmatic art dealer and patron. From his birth in Cork in 1875, to London, South Africa and Dublin, Hugh Lane is primarily remembered for establishing Dublin’s Municipal Gallery of Modern Art, the first known public gallery of modern art in the world. He never married and, though rumoured to have been homosexual, never had a documented relationship with a man. He was also a person of great social energy who befriended and sometimes crossed swords with the leading cultural figures of his day: Yeats, Gregory, Orpen, Augustus John, Rodin, Beerbohm, and many others. Robert O’Byrne writes with clarity and insight about a man who, since his untimely death on R.M.S. Lusitania in 1915, has been something of a mystery.

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According to Thomas Kilroy, his captivating memoir materialized in response to a cataract operation in 2006, shocking his memory into being and imparting him with a uniquely tactile and sensuous perception of his own past. Over the Backyard Wall describes a coming of age embodied by escape, self-discovery and a struggle to contend with the rigid culture of a small Irish town in Co. Kilkenny during WWII, with parents representing both sides of the civil war conflict of the 1920s. He describes encounters with fellow Kilkenny artists Tony O’Malley and Hubert Butler, and writers such as Flannery O’Connor during his tour of the southern US states in the 1950s. In keeping with Kilroy’s previous works, Over the Backyard Wall utilizes the silences of the past to liberate the imagination, making use of social and political history to reinvigorate the shard-like nature of his own narrative memory.

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What is the sound of a voice that is alienated from itself? How can one truthfully represent the creative process of an artist? Oona, an artist-in-the-making, lives in an affluent suburban culture of first-generation immigrants in New Jersey where conspicuous consumption and white privilege prevail, and the denial of death is ubiquitous. The silence surrounding death extends to the family home where Oona is not told while her mother lies dying of cancer upstairs. Afterwards, a silence takes hold inside her: her inner life goes into a deep freeze. Emotionally hobbled, she has her first encounters with sex, drugs and other trials of adolescence. Lyons’ first novel gives voice to a female character on her fraught journey into adulthood and charts her evolution as an artist, as her adolescent dissociation is thawed through contact with the physical world, the materials of painting and her engagement with Irish community, culture and landscape. Set during the era of the Celtic Tiger and its aftermath, this is a resonant story conveyed in an innovative form. Written entirely without the letter ‘o’, the tone of the book reflects Oona’s inner damage and the destruction caused by hiding, omitting and obliterating parts of ourselves.

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This full-colour kaleidoscope of over 150 photographs by one of North America's leading photographers evokes a pre-Celtic Tiger Ireland, recording a world on the cusp of radical change: a time-capsule of personalities and landscapes, professions and activities, caught in the amber of the camera's eye. Beginning with an Irish assignment from British Vogue in 1969, Woods' interest deepened with marriages to two Irish husbands, and she developed an abiding love for the people and places documented in subsequent decades. This Valentine to Ireland is now gathered into one resonant volume of images and visual epiphanies. The work ranges across the Irish countryside. Departing from Dublin and Wicklow, it extends to Roscommon and the Shannon estuary, recording street scenes, Travellers, the hunt, cattle marts and pub, cottage and country-house interiors. Six of the eight photo-essays focus on leading personalities: Garech Brown of Luggala, founder of Claddagh Records; the late Desmond FitzGerald, last knight of Glin; Marina Guinness, chatelaine; the late J.P. Donleavy, novelist, at home in County Westmeath; Hector McDonnell, artist, at home in Glenarm; and Tim Pat Coogan, historian.

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Margaret Atwood, Derek Walcott, Seamus Heaney and Salman Rushdie feature in this collection of over forty interviews with award-winning authors. This is a genre-crossing collection of interviews and essays that recounts in intimate detail encounters with many of the world’s foremost writers. Interspersed are photos as well as a charismatic commentary, provided by editor and veteran journalist Ciaran Carty, revealing a surprising, often unexpected interconnectedness between these otherwise distinct figures. Individually, these pieces provide a rare glimpse inside some of the world’s most creative minds; collectively, they address topics such as history, politics, sexuality, and class, while also reflecting the distinguished and wide-ranging career of one of Ireland’s leading critics and broadcasters. Filled with laugh-out-loud anecdotes, personal confessions, and passionate declarations, this book is the definitive collection for literature enthusiasts and aspiring writers alike.

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The Tottenham family is falling apart. There is no money to maintain the crumbling house and farm in County Westmeath, so decisions have to be made. Brothers Nick and Tony, with no prospect of a future in rural Ireland, make the long journey to their uncle’s ranch in Australia. As World War Two looms, the entire family signs up to fight: mathematician mother Eleanor calculates flight paths; sister Rose repairs radar masts in Lincolnshire; Nick and Tony, like thousands of others, enlist in Australia; even their ageing father Gerald signs up for duty in the Far East. Little does each foresee what terror, starvation and heartache lay ahead, and what it would take to survive. In a gripping narrative that spans four generations and encompasses the battlefields of Syria and Egypt, the Australian outback, night sorties over Germany, English airfields and the horrors of a Sumatran prison camp, this is a harrowing story of hardship and heroism, based on an Irish family’s experience.

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Intimacy with Strangers offers a dazzlingly original, thought-provoking approach to celebrity interviewing. Ciaran Carty draws upon a career involving many of the world’s leading writers, artists, actors and directors as they explore intimate concerns, ranging from love and rejection to the smallest physical sensations of pleasure and pain, and to the great issues of politics and war, God and atheism – the big and small of the human condition. Interweaving recent cultural and social history, Carty exposes unexpected affinities shared by his eclectic cast of subjects. Through chains of happenstance and six-degrees-of-separation, Intimacy with Strangers mirrors the cinematic cuts, fades and dissolves of its author’s sensibility as film critic and writer. By creating this magical memoir, Ciaran Carty offers an idiosyncratic portrait of a kaleidoscopic Ireland in a global setting.

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After the French and Dutch electorates decisively rejected the EU Constitution at the polls in 2005, the Irish delivered a resounding 'Third No' in June 2008, triggering a political earthquake in the capitals of Europe. Forcing the Irish to vote again in 2009 having given the 'wrong' answer reveals divergent visions of Europe's future. In this defining moment Another Europe? comes as a timely stimulus to debate about the future of the EU. Just as The Federalist papers of 1788 lent the stage to Publius at an equally pivotal time in the history of the United States of America, so his sister 'Publia', with her friend 'Lydia', jointly address the peoples of Europe on the future of their Continent. Their inspired exchanges contain the ideas of over seventy distinguished thinkers and political actors across the European Union. They expose two logically consistent if irreconcilable routes towards a democratically legitimate Europe. Authoritative and highly readable, Another Europe? aims to bridge academic and popular discourse and open up all the key issues, from law to environment, identity, citizenship, finance and foreign policy. It is essential for anyone who wishes to engage in Ireland's – and Europe's – great debate.

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In 1961, MJ Galvin, an Irish building contractor in London, brings over his kid brother, Tom, to join the family business. Educated, sensitive and naive, and destined for the seminary, Tom witnesses a killing, learns about dead men and the start in Camden Town, experiences drunken brawls and the excitement of dancehall nights in the Galtymore. He faces a decision that will shape his future: will he join his successful brother and make a fortune, or follow an inner voice towards the priesthood? The inner voice prevails, Tom enrolls as a seminarian, goes to Rome, becomes a monsignor and is tipped for a bishopric, only to renounce power and prestige, and be relegated to a quiet country parish disillusioned by the betrayal of principles within his Church as a new century dawns. This powerful family saga evokes the tensions and transformations within a new Ireland as traditional values give way to consumerism and one man’s odyssey becomes everyman’s.

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This series of memoirs covers successive attempts by father and son to address the problem of building a rational, inclusive, national political superstructure on an all-Ireland basis, making use of the best of available European experience, and trying to counter the extremes of Catholic nationalism and Orange Protestant hegemonism.

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This biography charts the life of Paddy Moriarty, the Kerryborn Chief Executive of ESB, a man who revolutionized corporate life during his leadership of the largest semi-state company in Ireland in the 1980s and 1990s. Born in Dingle in 1926, he became one of Ireland's leading business people of the twentieth century as he transformed ESB into a world-class electricity provider and a highly efficient, commercially driven company. Having built the power infrastructure of the new State, ESB played a critical role in the revitalization of the Irish economy and, on Moriarty's watch, proceeded to assist in developing the foundations of the Celtic Tiger economy. His vision was to make ESB 'the best electricity utility in the whole world', developing the highest standards of infrastructure at home while developing an international business in the economies of North and Central America, Africa, the Middle East and the Far East. Moriarty joined ESB as a clerical officer in June 1945 at the age of nineteen and quickly gained a reputation as a young man with a determined view on how business should be run. He rose rapidly through the company ranks. He was head of Research and Audit in 1961, Assistant Chief Financial Officer in 1967 and Director Personnel in 1970, before becoming Chief Executive in 1981 and Chairman ESB in 1991. The man they called Paddy Mo conducted comprehensive and difficult industrial relations negotiations with the trade unions, ensuring harmony in the workplace during the 1980s – a decade of fast-moving change, massive technological reform and associated redundancies. His interpersonal skills, as well as his business instincts, became legendary. With Taoiseach Charles Haughey he helped pioneer the North-South Erne Waterways project in a bid to revitalize border communities. He was also a significant patron of the arts, encouraging sponsorship of painters, sculptors and musicians. His wide-ranging interests included sports and horse racing, with one of the Leopardstown classics being named in his honour. A sense of family, which included his younger brother Micheál Ó Muircheartaigh the renowned GAA broadcaster and commentator, was central to his world view.

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Writer, poet, lecturer, broadcaster and man-of -letters, John Jordan (1930-88) was a distinguished scholar-critic in the Dublin of his day, teaching English at University College Dublin (1955-66) and at the Memorial University of Newfoundland at St John’s (1966-7). A true cosmopolitan, and formidably read, his interests ranged from drama to literature in all its forms. This gathering of prose essays and reviews are taken from the columns of the Irish Press, Hibernia, The Crane Bag and Irish University Review and Poetry Ireland (a magazine he refounded in 1962), as well as from private unpublished papers. They focus on the mid-century canon of Irish and Anglo-American writing: Joyce, Yeats, Lawrence, Eliot, Kavanagh, O’Casey, Behan, Clarke, Stuart, Bowen, Gregory, Synge, Shaw and Wilde, as well as on the new voices of a succeeding generation: Kinsella, Cronin, Hutchinson, Heaney, and Durcan. With occasional literary detours to Russia, France and Spain, Jordan brings a continental sensibility to bear on his literary milieu.

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A gypsy king dies, and a group of villagers seek to save him from the dishonour of a pauper’s grave. The dispute over the inheritance of a well-field becomes a struggle between the ‘old stock’ and the ‘new people’ for the very ownership of their town. A terrier pup reveals the truth of the relationship between a poacher and gamekeeper. A seasoned drinker subverts the ‘dry’ policy of a train chartered by a Pioneer pilgrimage. An old man puts on his best suit for this own wake, telling his family he will be dead by nightfall. And a blind woman only truly realizes her blindness when forced to abandon her home. Stories of enduring friendships and close family ties form the heart of Death of a King. Often hilarious, and as fresh as the day they were written, these stories delicately but potently reveal their characters’ lives in all their toughness and tenderness

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