Search results for ""lilliput press""

At the age of twenty-seven, married, living in New York, and working in book design, Mary Cregan gives birth to her first child, a daughter she names Anna. But it's apparent that something is terribly wrong and two days later, Anna dies, plunging Cregan into suicidal despair. Decades later, sustained by her work, a second marriage, and a son, Cregan reflects on and attempts to make sense of this pivotal experience. Weaving together literature and research with details from her long-buried medical records, she writes of her own ordeal and the still-visible scar of a suicide attempt- while considering it as part of a larger history of our understanding of depression. She investigates the treatments she underwent, from hospitalization and shock therapy to psychotherapy and antidepressants. At once intimate and scholarly, The Scar illuminates a too often stigmatised affliction with compassion and intelligence and offers hope to all those who are still struggling.

Read more less

Rise above!: Letters from Tyrone Guthrie details the life of the celebrated theatrical director whose influence on international theatre lives on. Here, in a stunning volume of letters, we are offered a glimpse into the vision of this extraordinary figure as well as a view of the intimacies of his relationships with his mother, sister, wife and friends. During the 1940s and 1950s Guthrie was renowned for liberating the plays of Shakespeare from declamatory delivery and excessive staging. His most enduring legacy was in inspiring the creation of modern theatre buildings where the plays of antiquity could be brought closer to the audience, such as at Stratford, Canada, and the theatre that bears his name in Minneapolis, USA. Of Scots-Irish parentage, he identified most closely with his mother’s home at Annaghmakerrig, Co. Monaghan, which he made his professional headquarters after her death, hosting producers, designers, playwrights and composers there while planning worldwide productions. Guthrie’s letters to his mother, Norah, his wife, Judith, and his sister, Peggy, give a balanced account of his professional and domestic life, and it was on the advice of his sister and her husband, Hubert Butler, that he left his mother’s house to the Irish nation as a workplace for writers and artists. Faced with often seemingly insurmountable financial and personal disaster, his celebrated mantra ‘Rise above!’ was testament to a life lived in the wings of an operatic opening night or a Shakespearean tragedy. Guthrie’s vivid descriptions of places visited are matched by the observational skills of his remarks on the people he worked with, among them well-known figures such as Benjamin Britten, Alec Guinness, Charles Laughton, Siobhán McKenna, Micheál MacLíammóir, the Oliviers and others. Family members come in for as many amused comments as do the famous and distinguished: Cousin Molly is no more spared than Sir Winston Churchill. Fitz-Simon has gathered an important, and entrancing, collection of Tyrone Guthrie’s letters, raising a curtain on the life of Ireland’s leading theatre director of the twentieth-century

Read more less

A Lost Tribe is a novel that charts the role of the priest in Ireland, from his exalted position to one of an endangered species. The seminarians at St Paul’s are granted permission to watch the opening of Vatican II, transfixed by the procession of bishops ‘vested in flowing robes’. Seduced by the power emanating from Rome and inspired by the vision of the Vatican Council, these young men sacrifice their instincts to a life in the priesthood. The dream collapses when the Irish Church becomes unwilling to evolve with a rapidly mutating world and unable to wield the power it once had. Unable to cope with the pressures of ministry and no longer fulfilled by their call, many abandon their vocation to seek a new life. Mac, a spirited young student, is disillusioned with the inadequacy of his seminary training and is expelled for a tryst, while timid fellow priests share remedies for the collective loneliness of their vocation. King’s daring novel offers an insight into the conflicted life of the priest struggling with the demands of a self-selected lifestyle and the isolation of clerical celibacy. A Lost Tribe is a poignant study of an altered society.

Read more less

Originally published in 1992, this childhood memoir, revised and augmented, now has the status of a modern Irish classic. On his first trip abroad, Adrian Kenny observes that the signs are in one language only. There is no need for translation: there is nothing behind. Not so in his suburban childhood and adolescence, where Mayo is behind Dublin, poor fields behind the bourgeois drawing rooms of Rathmines, wildness behind authority. Attached to both, his attempts to reconcile them take him from close certainty to total collapse in the year of change – America, 1968. ‘What was it all for?’ his father asks. ‘It's like the end of the Aeneid,’ whispers his friend. ‘You came at the end of that world,’ Father Wilmot says. The end of Latin Mass, maids, floggings and charcoal suits. The author's keen eye and clear style lends this portrayal of an individual and a generation the truth and elegance of an enduring work of art.

Read more less

In a great Irish tradition of autobiographical fiction that includes James Joyce’s A Portrait of the Artist as a Young Man and Seamus Deane’s Reading in the Dark, Parker’s poignant novel depicts events surrounding the amputation of his left leg as a nineteen-year-old university student. Masterful vignettes present the callow protagonist’s life before, during and after this ordeal. Belfast, drear locus of rain and despond, contributes to the heaviness at the novel’s heart, as its characters strive to rise above the pervasive melancholy of the city and find some human happiness that they can share. Tosh, Parker’s alter-ego, is drifting through life before his cancer diagnosis, plagued by the twin ‘cankers’ of a puzzling pain in the leg and a crippling loneliness. The amputation forces him into a more authentic relationship with life, which ‘Starts with the wound. Ends with the kiss. For the lucky ones.’ This remarkable, posthumously edited work, largely written in the early 1970s, prefigures the skills Parker would demonstrate in his plays: plainspoken and stoical in tone, the emotion seeps through a membrane of numb reserve. The writing is impressionistically vivid, the descriptions of pain and discomfort wholly authoritative. Hopdance is a beautiful, sincere, personal testament by a true artist, a wondrous ‘lost treasure’ of literature now presented to its reading public.

Read more less

Like its three predecessors, this fourth instalment of Trinity Tales gathers together recollections of a decade at Trinity College Dublin. This time, the story is taken up by 1990s graduates– those who passed through its gates as the twentieth century drew to a close–and, through the forty individual voices assembled here, a vivid portrait emerges of student life during those transformative years. Trinity students at the decade’s end had email, mobile phones and the vast resources of the Internet at their disposal. In addition, they were relatively debt-free (undergraduate tuition fees having been abolished in 1996) and every bit as likely to stay and find work in Ireland as to get on the first flight to London or New York. Reflecting this sense of rapid growth, new buildings started springing up around campus, most notably the Samuel Beckett Centre and Goldsmith Hall, and as the millennium approached, the college was expanding in all directions. Contributors encompass the worlds of science, the arts and everything in between, and include actors Dominic West and Mario Rosenstock, writers and journalists Turtle Bunbury, Claire Kilroy and Belinda McKeon, eminent scientists such as Austin Duffy, and sportsman Mark Pollock. Those who arrived at Trinity in the nineties are the generation that came of age in an Ireland caught between the grim, recession-ridden 1980s and the brash, moneyed millenials, an almost unfathomable transition eclipsed only by that between the analogue and digital eras. As with previous volumes, royalties from the book go to the Long Room Library fund.

Read more less

‘Despite his deep sense of privacy, Beckett’s persona has been so widely written about that it has become unavoidably mixed up in our imagination with what Bernold calls his “creatures”. Whether or not Barthes and Foucault were right to dismiss the figure of the author, when confronted with Vladimir wincing or Krapp hunched over his tape recorder or Molloy resting on his bicycle, one’s mind always seems to turn to the “gentle mask” placed over the “severe ossature” that has been immortalized in John Minihan’s photographs, surely among the most iconic images of the twentieth century. We simply cannot help it.’ (From the translator’s preface) Meeting in the cafés and streets of Paris, with conversations noted and hesitancies observed, the gradual exfoliation of a personality is revealed across the last decade of Beckett’s life as one intellectual appraises another. This is a charming and sympathetic study of one of literature’s most opaque writers and of his interests in music, philosophy, visual arts and the spoken arts. In shedding sympathetic light on a famously private Irishman abroad, these verbal exposures complement John Minihan’s contemporaneous and intimate black-and-white photographs, taken in the same environs.

Read more less

Ben Contini, a disenchanted painter of considerable talent, has just buried his mother. Rifling through the attic of her Kilkenny house he stumbles across a Modigliani nude, worth millions. Determined to learn the provenance of the painting, he and Elsa, a disturbed and secretive woman who accosts him at the funeral, become embroiled in the sinister world of Nazi art theft. But they are not the only one with an interest in the painting… Together they set off on a frantic journey that leads them from Dublin to France via the Cotswolds, down the Canal du Midi into Italy. The intrigue surrounding the shadowy half-truths about their exotic families becomes increasingly sinister as Ben and Elsa are forced to confront their pasts and their buried demons. Set in the 1980s, this is a fantastic new book from established thriller writer Joseph Hone, who weaves a breathless, galloping intrigue packed with narrative twists and sumptuous evocations of Europe’s forgotten past.

Read more less

Kilkenny, 1324. Alice Kyteler, outspoken daughter of a wealthy Flemish banker, has survived four husbands and is beset by the gossip and rivalry of a medieval Anglo-Norman town. Her beautiful maid is Petronilla, child of an itinerant shoemaker, her lover Sir Arnaud le Poer is seneschal and lord of south Leinster. Her nemesis is Richard de Ledrede, English Fransciscan, scholar, poet and now bishop of Ossory, determined to reassert clerical power and restore the dilapidated cathedral. To him Alice embodies the moral laxity of the age, her irreverence and knowlege of healing feeding his anger and obsession with witchcraft. Outside the city walls the native Irish are resurgent after 150 years of dispossession. In the streets of Kilkenny, crowds gather around the stake. In The Devil to Pay, HUGH RYAN tells the true story of Alice and Petronilla – portrayed against a backdrop of the struggles between Norman and Gael – bringing to life a remarkable tapestry of this pivotal era in Irish history.

Read more less

Professor J. Valentine Rice, erstwhile Chair of Education at Trinity College Dublin (1966-2005) to whom this volume of essays is dedicated in memoriam, engaged in the richness and diversity of education debate during the thirty-nine years that he held his academic post. His interests in the philosophy of education, Catholic education, human growth and guidance and the Irish language and culture are reflected in the essays by his former colleagues and students presented here. Whether it is the teaching of Irish, the involvement of the churches in education, the points system or the managerialism and "edunomics" of the universities, educational debate is vigorous and often passionate. The diversity of the themes of the contributions seems, on a first viewing, to indicate the lack of a common theme. On closer reflection, however, Val Rice's lifelong commitment to a view of education that must always be broad enough to encompass the many ways in which it aids genuine human flourishing, shines through. These essays are examples of the ways in which colleagues and students have responded to his influence as teacher, mentor, advocate and friend as they continue to work and engage in the broad field of education.

Read more less

Cathal Gannon (1910-1999) revived the art of harpsichord making in Dublin in the early 1950s after a lull of some 150 years. His story is one not of rags to riches but of obscurity to recognition. Despite a modest start in life, he became hugely respected for his skills and was awarded two honorary MA degrees (TCD 1978, Maynooth 1989) for his contribution to music in Ireland. This richly documented biography charts Cathal’s life from his Dublin childhood through his career in the Guinness Brewery, begun at the age of fifteen, to an active and prolific retirement, during which he continued to make harpsichords and restore antique pianos. Although the seeds of interest were sown in early life, his harpsichord-making career only began in 1951, and his first harpsichord was played in public in 1959 – an occasion lauded in the national press. A few years later, his employers set up a special workshop in the Brewery where Cathal would work exclusively on instrument making. With his impish sense of fun, he became well known as a prankster by his colleagues. This book also offers fascinating behind-the-scene glimpses of the ‘unofficial ‘ goings-on in the Guinness Brewery. Many people were drawn to Cathal through his liveliness and quick mind. He befriended the likes of Grace Plunkett (widow of Joseph Mary Plunkett), Carl Hardebeck, a noted arranger of Irish music, and Desmond and Mariga Guinness, founders of the Irish Georgian Society. He was the subject of several RTE radio and television programmes, including The Late Late Show. This intimate account of a man who was, in his own words, ‘interested in everything’ (amongst other hobbies, he was a keen amateur horologist), reveals a storyteller who delighted in the colourful characters he encountered. The work is further enriched by its lively evocation of Dublin and its environs in bygone times, from a rustic Dolphin’s Barn in the 1920s to the bookstalls and antique shops of the city centre during the 1930s and 1940s, giving a real sense of time’s passing and the social change that has since occurred.

Read more less

‘Each time we lay down together, I thought of pounding fetlocks, the flex of tendons, the press of horse shoe against my chest, the ring of purple flesh it would leave on my stomach, his galloping, galloping into me … Each night, after, I filled the space we’d made with the whine and later the voice of the violin, my voice, coming quicker and quicker, my fingers finding the notes through his hair, quicker and quicker through my bow arm sweeping across the strings, down the flutes of muscle on his back. It came mellow and low then quicker and harder and pizzicato and striking each note, forcing it from the wood and into the still sycamores, pin oaks, maples. Always, the violin called between the spaces.’ In this stunning fictional début Kelly Sullivan explores of the inner life of Grace: mother, wife, and talented violinist. Finding release only in her music, Grace exists in a state of profound emotional paralysis, until the storm. 18 August 1969 – Hurricane Camille ravages all that lies in her path; at a party in Mississippi drunken revellers eagerly await her arrival. As they sway to the sound of a stereo hi-fi, outside ‘the trees whip by and the rain whips down’. Twenty-four people die inside the beachfront building when it’s razed ‘flatter than a winter bayou’. Speeding over drifting sand, Grace, her husband and his newly acquired lover make a last-minute dash to safety. In the days that follow, Grace surveys the destruction wrought by the tempest. Like the wood of her beloved violin, her fractured ego risks crumpling under the pressure: ‘Too much moisture and you’re gonna warp her, but too little and you’ll have more cracks,’ the violin repairman had warned. In Winter Bayou, Grace journeys through the past, from the heady rush of teenage love to a marriage ‘ripped apart too … shredded and pushed beyond our boundaries’ – her meditations forming a perfectly poised novella as lyrically tender as it is viscerally sensuous.

Read more less

Riverdance exploded across the stage at Dublin’s Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton’s Wing, Noel Pearson, Seán Ó Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan’s self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the ‘Best Musical Show Album.’ Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

Read more less

In this reflective and enriching memoir, John Tuomey navigates the places and memories of his life over the scope of twenty-five years. First recognised for the urban regeneration of Dublin’s Temple Bar, which included the construction of the Irish Film Institute, the National Photographic Archive and Gallery of Photography, his life in architecture led him to design social and cultural spaces such as the Lyric Theatre in Belfast, the Glucksman Gallery in UCC and the Victoria & Albert East Museum in London. Imbued with many inter-textual references to poetry, drama and literature and written in limpid prose, this memoir is inherently literary in nature. Tuomey looks back to his early life where he was born in Tralee and lived in different counties around Ireland, from small towns to country landscapes, from schooldays in Dundalk to student activism at University College Dublin. He traces the pathways that led to his formation as an architect, reflecting on the many cultural and social influences on his life. He excels in capturing the social landscape of Dublin in the 1980s and pays particular attention to the many buildings and social hubs of the inner city. His transient years of moving from Dublin to London, and subsequently working in places like Nairobi and Milan, chronicle the international influences on his outlook. The key relationships in his life, including meeting his future wife, Sheila – a fellow student of architecture in UCD – and his pivotal employment by James Stirling in 1976, form the backbone of his personal and professional life. Tuomey’s expertise in his field is unsurpassed, with meticulous detail given to the finer aspects of design and architecture. His thoughts on the challenges facing the encroaching erasure of city life in Dublin are essential reading for anyone with an interest in the future of building in the city.

Read more less

The Great Spotted Woodpecker first bred in Ireland in 2009. Since then the author has followed the daily lives of this species, a family of whom had taken up residence in a windtorn Spanish chestnut tree near his home in the depths of County Wicklow. This unique and personal account of a family of woodpeckers raising their young brings the reader deep into the world of this fascinating species: a world of hope, love, death, new life and ultimately success. It explores the richness and diversity of the natural wonders found in County Wicklow against a backdrop of a more general overview of the species in Ireland. It includes a foreword by filmmaker John Boorman, and features illustrations by Killian Mullarney and Flemming Christoffersen with stunning colour photographs by Dick Coombes. This book is to be treasured by everyone – not just ornithologists, but those with an interest in the natural world around them.

Read more less

These are just a few samples from an eighteenth-century Commonplace Book, passed down the generations from Mary Cannon’s kitchen to her many times great-granddaughter Marjorie Quarton. A Commonplace Book was a scrapbook for sayings, letters, prayers, measurements, or, as in this instance, of recipes. Mary Cannon lived in Dunleary (now Dun Laoghaire) and collected over 120 recipes between 1700 and 1707. They are presented here in sections such as ffishe, ffleshe, Puddings and Deserts, Pickles and Preserves. The visceral vocabulary and archaic spellings of these dishes will refresh our word hoard, while imparting a sumptuous flavour to Ireland’s gastronomic repertoire. Unopened and untried for over 300 years, they form a unique resource for food historians and knights of the dining table. Marjorie Quarton has edited these recipes, commenting on the significance and usage of certain ingredients. She has added fragments of family history, from Jacobite leaders and Huguenot refugees to tales of the Indian Mutiny. The recipes are illustrated by Alice Bouilliez, also a descendent of Mary Cannon.

Read more less

Desmond Hogan is one of most remarkable literary talents to have come out of Ireland in the past half-century. Larks’ Eggs affirms that stature. Here, with twenty-two classic stories taken from earlier collections and twelve fresh narratives, Hogan displays anew his lyricism, compassion and sheer prismatic brilliance. His subject is exile and self-image, explored through isolates and eccentrics, brittle lives trapped by poverty, personal histories and restless identities, giving a voice to those on the margins – travellers, the misplaced, the dispossessed. Larks’ Eggs‘ compelling tales of diaspora are both global and local, telling of subsumed identity and allurement, of past merging with present through landscape and mindscape. Desmond Hogan’s fragmented personas are repositories for childhood memory and a collective unconscious that is distinctly Irish and history-burdened, while exhilaratingly and wholly universal and modern. ‘Here’s to the storytellers. They made sense of these lonely and driven lives of ours.’ The Lilliput Press is proud to reintroduce one of Ireland’s most evocative prose writers. Desmond Hogan takes his place alongside Joyce, Plunkett, Trevor, O’Faolain, Kiely and McGahern.

Read more less

Archipelago is one of the most important and influential literary magazines of the last twenty years. Running to twelve editions, it was edited by scholar-poet Andrew McNeillie, with the assistance later of James McDonald Lockhart, and began as an attempt to reimagine the relationships between the islands of Ireland and Britain. Archipelago has brought together established and emerging artists in creative conversations that have transformed the study of islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from the Aran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through some of the best in contemporary writing about place and people. This collection gathers poetry, prose and visual art in clusters grouped around the Irish and British archipelago, with contributions from an array of significant artists. With fifty contributors, Archipelago: A Reader includes: Moya Cannon is an Irish poet with seven published collections, the most recent being Collected Poems (2021). Deirdre Ni Chonghaile is a graduate of the University of Oxford and University College Cork. She is associated with NUI, Galway, and the University of Notre Dame, and is known for her work in music studies. Tim Dee is a naturalist, BBC radio producer and author of The Running Sky (2018). Seamus Heaney (1939-2013) was born in Northern Ireland. His career included teaching at Harvard and Oxford. He received many awards including the Nobel Prize in Literature, 1995. Kathleen Jamie is a Scottish writer whose work has appeared internationally. She has taught poetry at the University of Stirling since 2010. Michael Longley is a Northern Irish poet, and winner of the Whitbread Poetry Prize, the Hawthornden Prize, and the PEN Pinter Prize in 2017. Robert Macfarlane is a Writing Fellow of Emmanuel College, Cambridge. He has won the EM Forster Award for Literature. Derek Mahon (1941-2020) was a Northern Irish poet. He won the David Cohen Prize for Literature and the Poetry Now Award. Andrew McNeillie is a Welsh poet and current Literature Editor at Oxford University Press. His memoir An Aran Keening was published by The Lilliput Press, and he is founder of the Clutag Press and publisher of the Archipelago series. Sinead Morrisey is a Northern Irish winner of the T.S. Eliot Prize and the Forward Poetry Prize. She has taught in Belfast and Newcastle. 'Archipelago met and extended my own strong sense that there was a need to turn the compass-rose of some storytelling and art in Britain and Ireland away from the south and east and towards the north and west; away from the metropolis and towards the margins.' -Robert Macfarlane

Read more less

Anarchy and Authorityfollows the Irish men and women who ventured forth into the Russian Empire during the long centuries from the reign of Peter the Great until the end of Romanov rule in the early twentieth century.

Read more less

Youth dives into the lives of four teenagers in Ireland's most diverse town, Balbriggan. Angel is about to finish school and discover if Drill music and YouTube fame can deliver on their promises. Princess is battling to escape her claustrophobic surroundings and go to university and Dean is ready to come out from under his famous father's shadow, while Tanya, struggling with the spotlight of internet infamy, is still posting her dream life for all of her faithful followers. Isolated and disorientated by the white noise and seemingly insurmountable expectations of adolescence, our protagonists are desperate to find anything that helps them belong. Oblivious to one another's presence, potential and struggles, they pass each other on the street as strangers. But when their paths cross, the connections they make will change the course of their lives. Twenty-first century life - hyper-sexualized, social media saturated, anxiety-plagued - is here. Living inside its characters' heads, and negotiating their interior landscape, this book is a love song to the possibilities of youth. Using insights gained from the young people he works with, Curran's evocative writing yields the authenticity this novel demands. With instinctive affection and admiration for his characters' strengths and complexities, Youth is a journey through streets less travelled.

Read more less

By 1848 all peaceful means of giving Ireland an equal place within the British Empire seemed exhausted and William Smith O’Brien found himself a reluctant revolutionary leader. An aristocratic Protestant landlord, O’Brien nevertheless commanded unrivalled respect amonst all Irish classes. This scion of an ancient dynasty and tireless campaigner for Catholic Emancipation and Repeal of the Union had advocated a host of improving laws and policies in a parliamentary and political career spanning more than twenty years. Disilllusioned by parliament, dismayed at Ireland’s imminent disintegration during the Great Famine, and pressured by Young Irelanders of the Irish Confederation, O’Brien strove to reunite with fellow-nationalists loyal to the memory of Daniel O’Connell. The first full biography of the leader of the 1848 Rebellion paints a convincing picture of O’Brien’s private nature and public personality. Davis provides an in-depth anlysis of his long and varied political career and argues that O’Brien was a far more consistent political thinker and active nationalist than previously understood.

Read more less

In 1800 Daniel O’Connell, a young Kerry barrister who had just made his first forays into national politics, began a clandestine correspondence with his distant cousin Mary O’Connell of Tralee. Two years later Daniel secretly married the dowerless Mary in Dublin, jeopardizing his inheritance and forging a bond that would last until Mary’s death in 1836. Husband and wife corresponded voluminously from the beginning of their courtship until Mary’s death, and over a thousand letters between them have survived. The World of Mary O’Connell, based on examination of these letters and of Mary’s correspondence with other family members and friends, is more than a portrait of the Liberator’s wife. Through the life and letters of Mary O’Connell, Erin I. Bishop has produced a fascinating study of social and domestic life in Ireland in the early nineteenth century. In chapters dealing with love and marriage, motherhood, domesticity, family and kin, sickness and health, and religion Bishop paints both an intimate picture of the life of one woman and a panoramic view of a time and a social stratum – the Catholic middle class – that have hitherto received inadequate scholarly attention.

Read more less

This is the first comprehensive study of the works of one of Ireland’s most significant contemporary poets. Thomas Kinsella, who first became well known in Ireland in the 1950s, now ranks among the most important of his generation of Irish poets. Although he is considered by many to be the most serious and the most experimental of the contemporary Irish poets, his work has received little critical attention. Kinsella is often credited with bringing the techniques of international modernism to Irish verse. Jackson presents a rounded critique of the later poems, whose art engages, analyses and morally restructures the content of the poet’s world. What emerges from The Whole Matter is a picture of Kinsella’s astonishingly far-reaching evolution, culminating in an art deeply engaged with the culture around it and with the entire human predicament.

Read more less

Riverdance exploded across the stage at Dublin's Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton's Wing, Noel Pearson, Sean O Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan's self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the 'Best Musical Show Album.' Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

Read more less

Judith Mok was born in the Netherlands, to Jewish survivors of the Holocaust. She trained as a classical singer and travelled the world performing as a soloist, while publishing a novel and poetry collection there. For the last twenty years she has been based in Ireland, where she has become the country's leading voice coach, working with classical singers and many international pop stars. In recent years she started to write in English, publishing a novel and poetry collection and contributing to publications like the Irish Times. The State of Dark is a memoir and detective story. Like many children of Holocaust survivors, she was raised with the emotional trauma of having no other family members, while her parents tried to rebuild their lives in postwar Europe. Despite the constant and occasionally intrusive presence of the past - Anne Frank's father Otto makes an emotional visit to her father to hand over some letters - she had little concrete information about the hundreds of members of her family who died. All the same, the Holocaust and its consequences continued to haunt her life. At one point in her career she worked with the great German soprano Elisabeth Schwarzkopf. It was only years later that she discovered the full extent of Schwarzkopf 's collaboration with the Nazi regime. Not only was she a full member of the National Socialist Party, but was also the mistress of Hans Frank, the notorious 'Butcher of Poland'. Later, Mok would discover that Schwarzkopf had entertained the German troops in Poland at around the same time her family were being murdered there. A chance phone call made from her Dublin home in search of more information unleashes a whole process whereby Mok disovers, in shocking and intimate detail, the terrible fate of her family. The State of Dark is a highly original, moving and beautifully written memoir of the so-called Second Generation trauma, which documents how the Holocaust continues to be a living issue in European life and culture, including in Ireland.

Read more less

In this slim, attractive collection of short stories, Harry Crosbie colourfully describes life in Dublin in the 1960s. These funny and poignant pieces are told from the perspective of a teenage boy working in Dublin’s docklands and illuminate an older Dublin that will be familiar to many readers. Written during the lockdown of 2020, writes from the heart and will charm and delight with tales of docklands life.

Read more less

Available for the first time in paperback, Robert O’Byrne’s landmark biography of Hugh Lane remains the essential work on this enigmatic art dealer and patron. From his birth in Cork in 1875, to London, South Africa and Dublin, Hugh Lane is primarily remembered for establishing Dublin’s Municipal Gallery of Modern Art, the first known public gallery of modern art in the world. He never married and, though rumoured to have been homosexual, never had a documented relationship with a man. He was also a person of great social energy who befriended and sometimes crossed swords with the leading cultural figures of his day: Yeats, Gregory, Orpen, Augustus John, Rodin, Beerbohm, and many others. Robert O’Byrne writes with clarity and insight about a man who, since his untimely death on R.M.S. Lusitania in 1915, has been something of a mystery.

Read more less

According to Thomas Kilroy, his captivating memoir materialized in response to a cataract operation in 2006, shocking his memory into being and imparting him with a uniquely tactile and sensuous perception of his own past. Over the Backyard Wall describes a coming of age embodied by escape, self-discovery and a struggle to contend with the rigid culture of a small Irish town in Co. Kilkenny during WWII, with parents representing both sides of the civil war conflict of the 1920s. He describes encounters with fellow Kilkenny artists Tony O’Malley and Hubert Butler, and writers such as Flannery O’Connor during his tour of the southern US states in the 1950s. In keeping with Kilroy’s previous works, Over the Backyard Wall utilizes the silences of the past to liberate the imagination, making use of social and political history to reinvigorate the shard-like nature of his own narrative memory.

Read more less

What is the sound of a voice that is alienated from itself? How can one truthfully represent the creative process of an artist? Oona, an artist-in-the-making, lives in an affluent suburban culture of first-generation immigrants in New Jersey where conspicuous consumption and white privilege prevail, and the denial of death is ubiquitous. The silence surrounding death extends to the family home where Oona is not told while her mother lies dying of cancer upstairs. Afterwards, a silence takes hold inside her: her inner life goes into a deep freeze. Emotionally hobbled, she has her first encounters with sex, drugs and other trials of adolescence. Lyons’ first novel gives voice to a female character on her fraught journey into adulthood and charts her evolution as an artist, as her adolescent dissociation is thawed through contact with the physical world, the materials of painting and her engagement with Irish community, culture and landscape. Set during the era of the Celtic Tiger and its aftermath, this is a resonant story conveyed in an innovative form. Written entirely without the letter ‘o’, the tone of the book reflects Oona’s inner damage and the destruction caused by hiding, omitting and obliterating parts of ourselves.

Read more less

This full-colour kaleidoscope of over 150 photographs by one of North America's leading photographers evokes a pre-Celtic Tiger Ireland, recording a world on the cusp of radical change: a time-capsule of personalities and landscapes, professions and activities, caught in the amber of the camera's eye. Beginning with an Irish assignment from British Vogue in 1969, Woods' interest deepened with marriages to two Irish husbands, and she developed an abiding love for the people and places documented in subsequent decades. This Valentine to Ireland is now gathered into one resonant volume of images and visual epiphanies. The work ranges across the Irish countryside. Departing from Dublin and Wicklow, it extends to Roscommon and the Shannon estuary, recording street scenes, Travellers, the hunt, cattle marts and pub, cottage and country-house interiors. Six of the eight photo-essays focus on leading personalities: Garech Brown of Luggala, founder of Claddagh Records; the late Desmond FitzGerald, last knight of Glin; Marina Guinness, chatelaine; the late J.P. Donleavy, novelist, at home in County Westmeath; Hector McDonnell, artist, at home in Glenarm; and Tim Pat Coogan, historian.

Read more less

Margaret Atwood, Derek Walcott, Seamus Heaney and Salman Rushdie feature in this collection of over forty interviews with award-winning authors. This is a genre-crossing collection of interviews and essays that recounts in intimate detail encounters with many of the world’s foremost writers. Interspersed are photos as well as a charismatic commentary, provided by editor and veteran journalist Ciaran Carty, revealing a surprising, often unexpected interconnectedness between these otherwise distinct figures. Individually, these pieces provide a rare glimpse inside some of the world’s most creative minds; collectively, they address topics such as history, politics, sexuality, and class, while also reflecting the distinguished and wide-ranging career of one of Ireland’s leading critics and broadcasters. Filled with laugh-out-loud anecdotes, personal confessions, and passionate declarations, this book is the definitive collection for literature enthusiasts and aspiring writers alike.

Read more less

The Tottenham family is falling apart. There is no money to maintain the crumbling house and farm in County Westmeath, so decisions have to be made. Brothers Nick and Tony, with no prospect of a future in rural Ireland, make the long journey to their uncle’s ranch in Australia. As World War Two looms, the entire family signs up to fight: mathematician mother Eleanor calculates flight paths; sister Rose repairs radar masts in Lincolnshire; Nick and Tony, like thousands of others, enlist in Australia; even their ageing father Gerald signs up for duty in the Far East. Little does each foresee what terror, starvation and heartache lay ahead, and what it would take to survive. In a gripping narrative that spans four generations and encompasses the battlefields of Syria and Egypt, the Australian outback, night sorties over Germany, English airfields and the horrors of a Sumatran prison camp, this is a harrowing story of hardship and heroism, based on an Irish family’s experience.

Read more less

Intimacy with Strangers offers a dazzlingly original, thought-provoking approach to celebrity interviewing. Ciaran Carty draws upon a career involving many of the world’s leading writers, artists, actors and directors as they explore intimate concerns, ranging from love and rejection to the smallest physical sensations of pleasure and pain, and to the great issues of politics and war, God and atheism – the big and small of the human condition. Interweaving recent cultural and social history, Carty exposes unexpected affinities shared by his eclectic cast of subjects. Through chains of happenstance and six-degrees-of-separation, Intimacy with Strangers mirrors the cinematic cuts, fades and dissolves of its author’s sensibility as film critic and writer. By creating this magical memoir, Ciaran Carty offers an idiosyncratic portrait of a kaleidoscopic Ireland in a global setting.

Read more less

After the French and Dutch electorates decisively rejected the EU Constitution at the polls in 2005, the Irish delivered a resounding 'Third No' in June 2008, triggering a political earthquake in the capitals of Europe. Forcing the Irish to vote again in 2009 having given the 'wrong' answer reveals divergent visions of Europe's future. In this defining moment Another Europe? comes as a timely stimulus to debate about the future of the EU. Just as The Federalist papers of 1788 lent the stage to Publius at an equally pivotal time in the history of the United States of America, so his sister 'Publia', with her friend 'Lydia', jointly address the peoples of Europe on the future of their Continent. Their inspired exchanges contain the ideas of over seventy distinguished thinkers and political actors across the European Union. They expose two logically consistent if irreconcilable routes towards a democratically legitimate Europe. Authoritative and highly readable, Another Europe? aims to bridge academic and popular discourse and open up all the key issues, from law to environment, identity, citizenship, finance and foreign policy. It is essential for anyone who wishes to engage in Ireland's – and Europe's – great debate.

Read more less

In 1961, MJ Galvin, an Irish building contractor in London, brings over his kid brother, Tom, to join the family business. Educated, sensitive and naive, and destined for the seminary, Tom witnesses a killing, learns about dead men and the start in Camden Town, experiences drunken brawls and the excitement of dancehall nights in the Galtymore. He faces a decision that will shape his future: will he join his successful brother and make a fortune, or follow an inner voice towards the priesthood? The inner voice prevails, Tom enrolls as a seminarian, goes to Rome, becomes a monsignor and is tipped for a bishopric, only to renounce power and prestige, and be relegated to a quiet country parish disillusioned by the betrayal of principles within his Church as a new century dawns. This powerful family saga evokes the tensions and transformations within a new Ireland as traditional values give way to consumerism and one man’s odyssey becomes everyman’s.

Read more less

This series of memoirs covers successive attempts by father and son to address the problem of building a rational, inclusive, national political superstructure on an all-Ireland basis, making use of the best of available European experience, and trying to counter the extremes of Catholic nationalism and Orange Protestant hegemonism.

Read more less

This biography charts the life of Paddy Moriarty, the Kerryborn Chief Executive of ESB, a man who revolutionized corporate life during his leadership of the largest semi-state company in Ireland in the 1980s and 1990s. Born in Dingle in 1926, he became one of Ireland's leading business people of the twentieth century as he transformed ESB into a world-class electricity provider and a highly efficient, commercially driven company. Having built the power infrastructure of the new State, ESB played a critical role in the revitalization of the Irish economy and, on Moriarty's watch, proceeded to assist in developing the foundations of the Celtic Tiger economy. His vision was to make ESB 'the best electricity utility in the whole world', developing the highest standards of infrastructure at home while developing an international business in the economies of North and Central America, Africa, the Middle East and the Far East. Moriarty joined ESB as a clerical officer in June 1945 at the age of nineteen and quickly gained a reputation as a young man with a determined view on how business should be run. He rose rapidly through the company ranks. He was head of Research and Audit in 1961, Assistant Chief Financial Officer in 1967 and Director Personnel in 1970, before becoming Chief Executive in 1981 and Chairman ESB in 1991. The man they called Paddy Mo conducted comprehensive and difficult industrial relations negotiations with the trade unions, ensuring harmony in the workplace during the 1980s – a decade of fast-moving change, massive technological reform and associated redundancies. His interpersonal skills, as well as his business instincts, became legendary. With Taoiseach Charles Haughey he helped pioneer the North-South Erne Waterways project in a bid to revitalize border communities. He was also a significant patron of the arts, encouraging sponsorship of painters, sculptors and musicians. His wide-ranging interests included sports and horse racing, with one of the Leopardstown classics being named in his honour. A sense of family, which included his younger brother Micheál Ó Muircheartaigh the renowned GAA broadcaster and commentator, was central to his world view.

Read more less

Writer, poet, lecturer, broadcaster and man-of -letters, John Jordan (1930-88) was a distinguished scholar-critic in the Dublin of his day, teaching English at University College Dublin (1955-66) and at the Memorial University of Newfoundland at St John’s (1966-7). A true cosmopolitan, and formidably read, his interests ranged from drama to literature in all its forms. This gathering of prose essays and reviews are taken from the columns of the Irish Press, Hibernia, The Crane Bag and Irish University Review and Poetry Ireland (a magazine he refounded in 1962), as well as from private unpublished papers. They focus on the mid-century canon of Irish and Anglo-American writing: Joyce, Yeats, Lawrence, Eliot, Kavanagh, O’Casey, Behan, Clarke, Stuart, Bowen, Gregory, Synge, Shaw and Wilde, as well as on the new voices of a succeeding generation: Kinsella, Cronin, Hutchinson, Heaney, and Durcan. With occasional literary detours to Russia, France and Spain, Jordan brings a continental sensibility to bear on his literary milieu.

Read more less

A gypsy king dies, and a group of villagers seek to save him from the dishonour of a pauper’s grave. The dispute over the inheritance of a well-field becomes a struggle between the ‘old stock’ and the ‘new people’ for the very ownership of their town. A terrier pup reveals the truth of the relationship between a poacher and gamekeeper. A seasoned drinker subverts the ‘dry’ policy of a train chartered by a Pioneer pilgrimage. An old man puts on his best suit for this own wake, telling his family he will be dead by nightfall. And a blind woman only truly realizes her blindness when forced to abandon her home. Stories of enduring friendships and close family ties form the heart of Death of a King. Often hilarious, and as fresh as the day they were written, these stories delicately but potently reveal their characters’ lives in all their toughness and tenderness

Read more less

This miscellany gathers together essays and papers written over a span of sixty-odd years. Some are hitherto unpublished, others disinterred from rare and learned periodicals: Together they form a scholarly and diverting mosaic of political and social life in Ireland over the past half-millennium. They take for subjects both individuals and institutions. McDowell examines Swift as a political thinker, Burke and the law, John Hely-Hutchinson, provost and controversialist, and the Ulster leader Edward Carson. More minor characters and events are linked to his lively sketches of Trinity College, from its foundation in the sixteenth century to the Second World War; of Dublin Castle and the viceregal court in its glory and decline; of the Dublin Society of the United Irishmen; of the Anglican episcopate. A nuanced and fascinating portrait of an era, and of Irish-English affairs, emerges, drawn with an unerring eye for human foible and idiosyncrasy. Historical Essays is testimony to the enduring energy and wit of one of Ireland’s most distinguished historians.

Read more less

This book brings together a series of essays which unfold and illuminate the history of the Irish flour milling industry from the medieval period to the present day. Milling was one of Ireland’s foremost industries, playing a critically important role in the local economy of many districts, servicing farmers needs and processing some of the key components in the Irish food supply. Despite being the most widely dispersed industry in the country, with bread and other milling components playing a central role in the Irish diet, the topic has not received the attention it deserves from social or economic historians, who’ve focused more on the potato. This book addresses that lacunae and incorporates a range of new research to form a compre-hensive overview. Attractively illustrated by a large collection of photographs and drawings, Irish Flour milling will be of particular interest to social, economic and local historians, industrial archaeologists, ethnologists and anthropologists, and the many people with family connections to the industry: Bolands, Hallinans and Hughes; Pollexfens, Russells, Odlums and Shackletons. Contributors include: Dr Colin Rynne (NUI, Cork), on the industrial archaeology of Irish flour milling from the medieval period to 1880; Professor Louis Cullen (Trinity College, Dublin), on eighteenth-century flour milling; Dr Andy Bielenberg (NUI, Cork), on flour milling during the Union; Dr Richard Harrison (historian), on the Quakers and Irish flour milling 1790-1930; Glynn Jones (author of The Millers), on the introduction of rollers into flour milling 1880-1925; Dr Akihiro Takei (Osaka Gakuin University), on the political economy of Irish flour milling 1922-45; and Norman Campion (milling consultant), on Irish milling since the Second World War.

Read more less

On a Ledge, New and Selected Poems stems from six previous collections, the first published in 1931, and includes work composed shortly before the writer’s death in 1992. These thirty-three poems are a celebration of Bryan Guinness’s joie de vivre, exploration of love, dedication to family, and delight in music, painting and the natural world. They draw inspiration from settings in Ireland and southern England, and disclose a voice which expresses a richly contoured inner landscape. His writings, with their paradoxical charm, soft colourings and ease of language, address themes both deeply personal and common to humanity, and they form a distinctive contribution to over sixty years of English and Irish letters.

Read more less

Showcasing for the first time 250 of renowned author J.P. Donleavy's most intimate letters, this scrupulously edited collection throws an extraordinary light on the composition, publication and afterlife of The Ginger Man.

Read more less

'An original, radical and vital new voice in Irish writing ... [The Cruelty Men] should propel an already proven and prodigious talent to the forefront of contemporary Irish letters.' THE IRISH TIMES 'This is savagely compelling ... There's an incandescent rage at the heart of The Cruelty Men that burns so brightly, it will sear itself into the consciousness of all who read this powerful and moving novel.' THE SUNDAY BUSINESS POST `Emer Martin has written a beautiful alternative history of Ireland ... a book that traces the meaning of storytelling, mislaid culture and the boundless quest for belonging. The prose is captivating and seductive, it left me exhilarated and breathless, with new eyes on what it means to be Irish.' - JUNE CALDWELL *** Abandoned by her parents when they resettle in Meath, Mary O Conaill faces the task of raising her younger siblings alone. Padraig is disappeared, Sean joins the Christian Brothers, Bridget escapes and her brother Seamus inherits the farm. Maeve is sent to serve a family of shopkeepers in the local town. Later, pregnant and unwed, she is placed in a Magdalene Laundry where her twins are forcibly removed. Spanning the 1930s to the 70s, this sweeping multi-generational family saga follows the psychic and physical displacement of a society in freefall after independence. Wit, poetic nuance, vitality and authenticity inhabit this remarkable novel. The Cruelty Men tells an unsentimental tale of survival in a country proclaimed as independent but subjugated by silence.

Read more less