Search results for ""demeter press""

Many people have been victims of rape, but we are all victims of what has been called a “rape culture.” This topic deserves more attention towards education and prevention, and not just on the college campus. Rape culture is an idea that links rape and sexual violence to the culture of a society, and in which commonly-held beliefs, attitudes and practices normalize, excuse, tolerate, and even condone rape. This edited collection examines rape culture in the context of the current programming–attitudes, education, and awareness. Contributors explore changing the programming in terms of educational processes, practices and experiences associated with rape culture across diverse cultural, historical, and geographic locations. The complexity of rape culture is discussed from a variety of contexts and perspectives, as this volume contains interdisciplinary academic submissions from educators and students, as well as experiential accounts from members of various community settings who are doing work aimed at making a positive difference towards programming change.

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Abortion and Mothering: Research, Stories, and Artistic Expressions of a Common Intersection is a collection of academic research, personal narratives, and art that comments on different perspectives on abortion and mothering. Scholarly research is balanced with voices and experiences from outside of academia, through the inclusion of personal narratives, poetry, and art. The collection is rooted in the idea that there are not ‘women who have abortions’ and ‘women who have babies’, but that they are the same women at different points in their lives. By considering the intersection of abortion and mothering, and the liminal spaces in between, the reader is challenged to explore some of the culturally and socially constructed complexities that surround the decisions that people make about to their reproductive lives.

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Moving Meals and Migrating Mothers: Culinary cultures, diasporic dishes and familial foodways explores the complex interplay between the important global issues of food, families and migration. We have an introduction and twelve additional chapters which we have organised into three parts: Part I Moving Meals, Markets and Migrant Mothers; Part II Migrating Mothers Performing Identity through Moving Meals; Part III Meanings and Experiences of Migrant Maternal Meals. Although these parts are not mutually exclusive, they are meant to emphasize socio-cultural and economic considerations of migration (Part I), the food itself (Part II) and families (Part III). We have a wide geographic representation, including Europe (Ireland and France), the USA, Canada, New Zealand, and Korea. In addition, we have contributors from all stages of career, including full professors, as well recent doctoral graduates. Overall the contributions are interdisciplinary, and therefore use a variety of methodologies, although most make use of traditional social sciences methods, including interviews and ethnographic observations.

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The two phenomena highlighted in this edited volume ‘motherhood/mothering and masculinities’ are each recent areas of development in critical Feminist and Men’s Studies. In contributing to these areas of gender studies, this book draws attention to the fact that much can also be gained when we explore relationships between them, an idea that may not readily come to mind. While femininities and masculinities are co-constructed, motherhood and mothering bring additional perspectives to the study of femininity that affect the construction of masculinity in complex ways. The 12 chapters in this volume allow readers to ponder some of these complexities and may suggest other issues that require investigation. Spanning many continents, the essays have both a global and historical reach emphasising cultural differences and historical changes. Of import is the idea that mothers have agency and are active in constructions affecting their lives. They are able to bring motherhood out of the shadows as they strive to build, re-evaluate or alter their roles within families and communities. These have an impact on developments in masculinities. The book is divided into three parts and the chapters investigate a wide range of issues including cultural constructs, gender in parent/child, relationships, non-binary developments, the impact of war on mothering, decolonisation struggles, and much more.

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This collection presents diverse critical perspectives and discussion about the keeping or telling of children’s originstories as a part of contemporary mothering labor. The first two sections outline perspectives from mother authors about how they strategically craft complex origin stories for their child(ren), as well as how the telling and retelling of origin stories may be passed on as generational knowledge. The third section discusses mothering and origin stories from multiple perspectives: that of a father by adoption, of single mothers positioning stories of absent fathers, and a multi-perspective chapter that includes a mother by adoption, her adult child, and her child’s birthmother. Based within feminist scholarship with chapters written from the first person positionality of the authors, this anthology encourages dialogue about a mothering issue that is often unaddressed, in part due to remaining patriarchal expectations about what makes a family and/or a mother. This interdisciplinary work also embraces the complex and multi-actor worlds in which mothering takes place and includes both creative and scholarly works as well as illustrations that are included as a part of the mothers communicating origin stories.

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This collection broaches the intersections of critical motherhood studies and feminist geography. Contributors demonstrate that an important dimension of the social construction of motherhood is how mothering happens in space and place, leading to the articulation of diverse maternal geographies. Through 16 concise chapters divided into three thematic sections, the contributors provide an account of motherhood and mothering as spatial practices that are embedded in relations of power across time and place. While some contributors explore how dominant discourses of motherhood seek to keep mothers in their place, others take up the notion of maternal geographies as productive in their own right and follow their subjects as they create a new sense of place. Collectively, the authors demonstrate that mothers are produced and regulated as subjects in relation to space and place, and also that practices of mothering produce spatial relationships. The scholars gathered here bring interdisciplinary approaches from diverse fields including women’s and gender studies, sexuality studies, social geography, sociology, anthropology, fine arts, literary studies, and film studies. Chapters include submissions from authors who reference the geographical contexts of Aotearoa/New Zealand, Argentina, Australia, Brazil, Canada, the Eastern Caribbean, Great Britain, Japan and Samoa, and the United States.

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Each of the 8 chapters in this volume addresses menstruation and/or menstrual blood in various media sites with a view to answering the question, what does blood perform? Menstrual blood may be enduringly feminine but it is never just one thing. Menstruation Now contains a chapter on advertising: the shifting “conversation” of menstruation in contemporary advertising leads to youtube videos and other online sources. Fiction: The central character in Alice Munro’s short story, “Chance,” discovers her period while on a train ride. Menstrual blood metaphorically spills over to inform the leaky narrative, the shape of the story, and the “female complaint.” Legal Discourse: Both sides in the legal battle over whether Terry Schiavo (who had been in a persistent vegetative state) should live or have the right to die invoked the fact of her menstrual blood to signify what each wanted, i.e., different definitions of womanhood and life. Pornographic films: Menstrual blood in pornographic films is analyzed as a “para-text,” what happens off-scene but is still caught on camera and becomes part of the fluidity of desire. A media icon: Jacqueline Kennedy Onassis’s phantasized menstrual blood – her uterine utterance – is argued to take the place of the verbal utterances she wouldn’t emit (she was a witness to, but wholly silent about, the assassination and her marriage before that). Art: Contemporary menstrual art is examined with a view to understanding how it exposes, normalizes and aestheticizes the phenomenological experience of bleeding. Film: Menstrual blood in Ingmar Bergman’s film Cries and Whispers is seen as a liminal space of transition and ritual: both blood and liminality are charged with irrationality (and hence the potential for affirmation and re-performance). Television: Orange is the New Black (Netflix) contains comical plot-lines about menstruation and menstrual products in its prison setting. Unruly blood is analyzed in conjunction with characters – inmates – who are always-already unruly: they are in prison, i.e., in necessity of restraint. Feminine comedy itself is a challenge to discursive authority; menstrual blood in this context is positioned as a noisy disruption and reigned in by the small screen and the comedic apparatus. In sum, blood is performative and never means only one thing. It can thus, now as always, be performed again in the service of new meanings and experiences.

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This anthology is a collection of personal accounts, research, treatment approaches and policy commentary exploring women's experiences of mothering in the context of addiction. Individual chapters focus on a variety of addictions during pregnancy or mothering including misuse of substances, food and smartphones. A central theme of the book is the meaning of women's maternal identity as key to recovery. Part I focusses on women's lived experiences of mothering through their addiction and recovery. The chapters in part II report findings from studies that have prioritized the perspective of mothers living with addiction. In Part III of this collection, we expand our view of addiction and turn to approaches for supporting mothers of daughters with eating disorders and prevention of smartphone addiction. In part IV, contributors expand on the themes of harm reduction and restorative, healing approaches to the treatment of mothers' addictions that have echoed throughout the chapters of this book. The anthology concludes with a gendered analysis and critique of addiction programs and policy.

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Although motherhood writings are rich and emerging, the available literature on midlife motherhood and mothering is incomplete and often presented from a narrow perspective. Middle Grounds: Essays on Midlife Mothering fills this gap, widening the lens on a sociological phenomenon that is expanding in the twenty first century. It brings together scholarly and creative essays from diverse disciplines and cultural perspectives to reflect a more contemporary viewpoint — that motherhood and mothering is not limited by the stages of life or chronological age. It echoes distinct voices speaking about experiences that represent a global reality for midlife mothering practices. In essence, this collection demonstrates that everything can transpire in the middle period of a woman’s life. Thus, in midlife, we encounter a broad range of mothering experiences and practices, and ways of rep- resenting and expressing them.

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Parenting brings countless hopes and worries. But when external factors create fear and cast a shadow long and deep across motherhood, what happens to the act of mothering? Through personal and academic essays and poetry from Canada, the United States, and Palestine, these authors explore what it means to mother through times of struggle, uncertainty, danger, and change.

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In the year 2000, United Nations world leaders set out eight targets, the UN Millennium Development Goals, for achieving improved standards of living at the micro level in poorer nations around the globe, by the year 2015. The papers in this collection present fine-detailed ethnographic studies of cultures in Africa and Oceania, with a focus primarily on MDG 3, targeted to “promote gender equality and empower women” and MDG 5, targeted to “improve maternal health” to ascertain whether or not these goals have made or missed their mark. Ethnographic case studies located in Solomon Islands, Marshall Islands, Federated States of Micronesia, Papua New Guinea, Vanuatu, Ghana, Malawi, Cameroon, and South Ethiopia show that women in these cultures, regardless of nation state, face the same issues or problems—lack of empowerment, gender inequities, and inadequate access to cultural or state resources—to realize good health in general and good maternal and reproductive health, in particular.

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Listening to the Beat of Our Drum: Indigenous Parenting in a Contemporary Society ;is a collection of stories, inspired by a wealth of experiences across space and time from a kokum, an auntie, two-spirit parents, a Metis mother, a Tlinglit/Anishnabe Métis mother and an allied feminist mother. This book is born out of the need to share experiences and story. Storytelling is one of the most powerful forms of passing on teachings and values that we have in our Indigenous communities. This book weaves personal stories to explore mothering practices and examines historical contexts and underpinnings that contribute to contemporary parenting practices. We share our stories with the hope that it will resonate with readers whether they are in the classroom or in the community. Like our contributors, we are from all walks of life, sharing diverse perspectives about mothering whether it be as a mother, auntie, kokum or other adopted role.

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Traditional midwifery, culture, customs, understandings, and meanings surrounding pregnancy and birth are grounded in distinct epistemologies and worldviews that have sustained Indigenous women and their families since time immemorial. Years of colonization, however, have impacted the degree to which women have choice in the place and ways they carry and deliver their babies. As nations such as Canada became colonized, traditional gender roles were seen as an impediment. The forced rearrangement of these gender roles was highly disruptive to family structures. Indigenous women quickly lost their social and legal status as being dependent on fathers and then husbands. The traditional structures of communities became replaced with colonially informed governance, which reinforced patriarchy and paternalism. The authors in this book carefully consider these historic interactions and their impacts on Indigenous women’s experiences. As the first section of the book describes, pregnancy is a time when women reflect on their bodies as a space for the development of life. Foods prepared and consumed, ceremony and other activities engaged in are no longer a focus solely for the mother, but also for the child she is carrying. Authors from a variety of places and perspectives thoughtfully express the historical along with contemporary forces positively and negatively impacting prenatal behaviours and traditional practices. Place and culture in relation to birth are explored in the second half of the book from locations in Canada such as Manitoba, Ontario, British Columbia, the Northwest Territories, and Aotearoa. The reclaiming and revitalization of birthing practices along with rejuvenating forms of traditional knowledge form the foundation for exploration into these experiences from a political perspective. It is an important part of decolonization to acknowledge policies such as birth evacuation as being grounded in systemic racism. The act of returning birth to communities and revitalizing Indigenous prenatal practices are affirmation of sustained resilience and strength, instead of a one-sided process of reconciliation.

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Whereas biomedical and feminist literature treat abortion, miscarriage, and stillbirth as differently conceptualized events, this collection explores the connections between these three categories. How have feminist debates and strategies around reproductive choice invigorated the cultural conversation about miscarriage and stillbirth? How can we imagine more nuanced engagements with the spectrum of experiences that are at stake when a pregnancy ends? And how can we effectively create a space where pregnant people contend with the ways that loss makes meaning for those who grieve and/or celebrate the end of pregnancy? This collection centres pregnancy loss as an embodied and social phenomenon within a framework that understands pregnancy as a process with no guaranteed outcomes. Interrogating Pregnancy Loss considers pregnancy as an epistemic source, one that has the capacity to reveal the limits of our collective assumptions about temporality, expectation, narrative, and social legitimacy. By interrogating loss, this collection argues that the lessons learned from loss have the capacity to serve our collective understandings of both the expected and unexpected rhythms of social and reproductive life.

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This book includes a remarkably diverse range of voices and perspectives on the under-researched topic of mothers electing to stay at home to care for their children or returning home after being in the paid workforce. As the first international collection of its kind, it explores with sensitivity and insight some of the deep cultural

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The voices of Indigenous women world-wide have long been silenced by colonial oppression and institutions of patriarchal dominance. Recent generations of powerful Indigenous women have begun speaking out so that their positions of respect within their families and communities might be reclaimed. The book explores issues surrounding and impacting Indigenous mothering, family and community in a variety of contexts internationally. The book addresses diverse subjects, including child welfare, Indigenous mothering in curriculum, mothers and traditional foods, intergenerational mothering in the wake of residential schooling, mothering and HIV, urban Indigenous mothering, mothers working the sex trade, adoptive and other mothers, Indigenous midwifery, and more. In addressing these diverse subjects and peoples living in North America, Central America, Sub-Saharan Africa, the Philippines and Oceania, the authors provide a forum to understand the shared interests of Indigenous women across the globe.

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At twenty-seven years old, Robin Silbergleid decided to become a single mother. Not as a backup or “Plan B,” but as a first choice. In her memoir Texas Girl, she raises fundamental questions about the nature of family and maternity at the turn of the twenty-first century. At a moment when SMCs grace the covers of magazines and Hollywood films, Texas Girl adds the perspective of someone who boldly side-steps the social expectation for a woman to take a life-partner before she has a child. Beginning with a metaphorical conception, Texas Girl charts a long four-year journey, including infertility, miscarriage, and high-risk pregnancy, traveling from Indiana to Texas and back to the snowy north. In this compelling coming-of-age narrative, Silbergleid explores the notion of the chosen family, as close female friends provide perspective, support, and comic relief along the way. A must-read for anyone contemplating single motherhood, this bitingly honest memoir will resonate with anyone concerned with the vital feminist issue of what reproductive choice really means and the obstacles we face in pursuit of it.

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Marilyn Gear Pilling brilliantly displayed her competence in describing women in My Nose is a Gherkin Pickle Gone Wrong (1996). Showing them “in all their nakedness … the voice is neither sentimental nor fussy, the prose spare and fresh” (Quill & Quire). She continued her explorations of Canadian women in The Roseate Spoonbill of Happiness(2002), a collection of stories shortlisted for the Upper Canada writing award by Leon Rooke, Greg Gatenby and Sandra Martin: “Pilling has a confident, quirky voice and her stories range in tone from the heartwarming to the humorous. The domestic landscape is familiar, but this book unlocks the strangeness beneath the familiar. In every one of these stories, the unusual and the unexpected give a perspective that enlarges the understanding and leaves the reader wanting more.” Since 2002, Pilling has produced five books of poetry, and now, with On Huron’s Shore, she has returned to fiction with a collection of linked stories about mothers, daughters, and sisters, set in the landscape of the Huron County of the mid-fifties juxtaposed with the Huron County of today. Gear Pilling takes a humourous and sensual look at the female members of one family as it was then, as it is now.

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Feminist parenting creates unique challenges. As women experience the unique powerlessness of motherhood, they also hold the uncomfortable power of acting as advocates for and as agents of socialization and social control over their children. Fathers may feel the desire for feminist parenting whilst experiencing a backlash and a lack of sup- port, while some parents may attempt to resist the binaries of mothering and fathering in their feminist parenting journey. Feminist parents may attempt to resist gender binaries; they may submit to them while attempting to foster critical dialogue; they may struggle with the display of their own femininity and masculinity or, for some, its perceived lack. This book attempts to cast a lens on the messy and convoluted ways that feminist parents approach parenting their children in gender aware and gender fluid ways.

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In April 2011, a team of five people put together SlutWalk Toronto, a protest responding to slut shaming and victim blaming culture, exemplified by a recent event at Osgoode Hall Law School at York University. In the name of campus “safety,” Toronto Police Constable Michael Sanguinetti advised “women should avoid dressing like sluts in order to not be victimized.” The sentiment of those in the over 3000 person crowd that day were shared by folks around the globe — leading to over 200 SlutWalks internationally and the establishment of “SlutWalk” organizing groups. This collection engenders a critical engagement with the global phenomenon of the SlutWalk movement, considering both its strengths and limitations. The chapters take up SlutWalk through a feminist lens (broadly defined) considering SlutWalk as a successful social movement, a site of tremendous controversy, and an ongoing discussion among and between waves of feminists across the life cycle and across the globe. Through poetry, photography, scholarly articles, creative non-fiction, personal essays, the collection seeks to unpack the discursive performance of SlutWalk as well as explore the experiences of people who attended various and diverse SlutWalks marches/protests in North America and Asia.

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As the fastest growing prison population worldwide, more and more women are living in cages and most of them are mothers. This alarming trend has huge ramifications for women, children and communities across the globe. Empathy for mothers behind bars and concern for criminalized mothers in the community is in short supply. Mothers are criminalized for their vulnerabilities and for making unpopular but difficult choices under material and ideological conditions not of their own choosing. Criminalized Mothers, Criminalizing Mothering shines a spotlight on mothers who are, by law or social regulation, criminalized and examines their troubles and triumphs. This book offers a critical and compassionate lens on social (in)justice, mass incarceration, and collective miseries women experience (i.e., economic inequality, gendered violence, devalued care work, lone-parenting etc.). This book is also about mothers’ encounters with systems of control, confinement, and criminalization, but also their experiences of care.

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There has been little research on the specific impact of the COVID-19 pandemic on mothers and motherwork. This collection is the first to explore the impact of the pandemic on mothers’ care and wage labour in the context of employment, schooling, communities, families, and the relationships of parents and children. With a global perspective and from the standpoint of single, partnered, queer, racialized, Indigenous, economically disadvantaged, disabled, and birthing mothers, the volume examines the increasing complexity and demands of childcare, domestic labour, elder care, and home schooling under the pandemic protocols; the intricacies and difficulties of performing wage labour at home; the impact of the pandemic on mothers’ employment; and the strategies mothers have used to manage the competing demands of care and wage labour under COVID-19. By way of creative art, poetry, photography and creative writing along with scholarly research, the collection seeks to make visible what has been invisibilized and render audible what has been silenced: the care and crisis of motherwork through and after the COVID-19 pandemic.

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This interdisciplinary anthology contributes to the contemporary dialogues about motherhood/mothering drawing attention to the experiences of motherhood/mothering both within medical practice as physicians as well as highlight motherhood/mothering experiences of medicine, examining both mothers as patients themselves and with their children as patients. As medical schools steadily increase the number of women studying medicine, research on mothers in medical practice would add to a better understanding on the different values, expectations, institutions and events that shape and define the identities within medicine. How does the increase of women as mothers practicing medicine affect the outcomes of mothers as patients? Does birthing your own child impact your practice? Does knowing your physician or your child’s physician is a mother affect your experience as a patient or that of your child’s? The edited volume will explore how relationships between motherhood/mothering experiences in/of medicine are presently being theorized, re-examined, negotiated, and most importantly, debated. This is an interdisciplinary volume which unites essays as well as creative submissions that engage with the issue of motherhood experiences in/of medicine, including works of fiction, creative non-fiction, in addition to traditional academic writing, allowing an open and innovative space for critical discussion.

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The story of motherhood is told through many voices and in many contexts. When honoured with the task of composing a collective story from our authors’ experiences, we gestured toward the function and power of story to transform. The collection is organized in three movements that mirror the interdependent narrative acts of reflecting, re-imagining, and re-writing. By reflecting, we refer to conscious engagement with experience that makes meaningful connections between past, present, and potential futures, provides context for who we understand ourselves to be, and guides our awareness of the narratives shaping our lives. Only after we become conscious of tired narratives and ontological frameworks that no longer serve, can we be free to re-imagine our experiences: to re-create and reconstruct the very foundations of meaning on which the emplotment of our lives is based. Finally, by re-imagining, we create opportunities to re-write all dimensions of experience (temporal, personal, and cultural) in ways that reclaim and redeem the narrative composition of our lives. When these narrative acts are engaged, we write alternate realities and open futures into existence. Each narrative act is illustrated in the collection by stories that most exemplify its function and power. Stories in the first movement, demonstrate authors’ engagement with the process of reflecting through memory and over time to make sense of experience, in particular, the reality of change and trauma. In the second movement, the act of re-imagining is illustrated as writers challenge limited definitions of care and explore futures beyond convention. Finally, the third movement is dedicated to the act of re-writing in which our authors demonstrate how changes in perspective, and faith in possibility, can be written into our being in ways that transform both the meaning of experience and the evolution of self. As editors, we embarked upon this journey seeking answers, but we have come to realize that open questions and ongoing dialogue create the possibility for open futures. Our stories—those lived, those told, and those yet to be written—engage us in a quest to reclaim, to restore, and to transform our personal and social mothering spaces, leading us toward liberating social, cultural, and institutional narratives.

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Feminist Fathering/Fathering Feminists is a collection that interrogates several things at once. First, we have had to struggle with basic definitions. What is fathering practice, and who can be a father? Fathering in all its guises is in the process of transformation, as fathers are both more involved with their families than before, but also still largely considered inferior to mothers in most ways. And who is a father? At first glance this seems simple, but of course it is not. Transgender fathers, lesbian fathers, non-cishet fathers, nonbiological fathers, and fathers who fulfill the role without legally adopting their children are all at play in real families today. The expansion of fathers as involved, nurturing parents can benefit families as a whole as well as the individuals in the family, and could help lead us out of the gender role inequality our society has not been able to overcome. The realization that fathers can, do, and should provide carework in their families and with their children, will help free everyone from forced gender roles and the reproduction of traditional gender roles. However, while active fathering should help mothers ultimately have less of the burden of parenting, and while it most certainly helps children and fathers themselves, it does run the risk of reifying carework as feminized and private. If the work of parenting is solely the individual’s responsibility, then it will always be undervalued instead of being given appropriate societal supports for the important work that it is. For this reason, feminist theory must be a part of the formula for fathers and fathering practice that breaks out of patriarchal modes. While the feminisms being utilized and discussed by our contributors are not monolithic, we have given preference to intersectional feminism as a way to untangle and enlighten our analysis of fathers. In this collection we are committed to uncovering, analyzing, and transforming oppressions where we find them; we are also interested in the ways in which feminists, and feminist fathers in particular, commit to undoing the Patriarchy in not only their own homes, but in our shared communities and world. This is a tough job for all parents, and one in which, as will be explored, perfection is not possible. But in our imperfect ways, we, and the fathers we are, study, and emulate, are working toward gender equality in and through parenting practice. Each contributor, through either personal explorations or popular culture/literary examinations of fathers, is looking to define feminist fathering while showing us examples of fathers who meet, exceed, or fall short of their hopes and expectations. Several themes have emerged in the book, and one of those themes is the possibility found in transgression. If we look outside of the mainstream, to people bucking the status quo, we will often have a better chance of finding models of feminist fathering that should be held up and emulated. Examining these examples of single fathers, queer fathers, people of color, and people in the process of defining, redefining, and questioning assumptions about fathering in their lives are people who will help us to understand the possibilities for feminist fathering.

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This anthology seeks to explore the complex, varied, and sometimes contradictory intersections between mothers, mothering, and environmental activism in discourse and in lived experiences. It is intended to look critically, and yet hopefully, at the ways in which feminist, Indigenous, and environmentalist challenges to the western, capitalist moral imagination are linked. It explores the reach of rape culture and the ways in which a capitalist, patriarchal society interacts with the earth as a feminine-personified identity. It also shares the hope available to all women through raising a coming generation and the great power to effect change. This work endeavours to share lessons from the Earth in resistance to the continued assaults of anthropogenic capitalist industry, and to inspire new ways to course-correct, to resist, to rise up, to create differently, to foster evolution and revolution as mothers, as women, as hearts and minds. This volume is curated to be a space for critical discussion about representations linking environmental activism, maternality, and “mother earth” as well as a venue for creative expression and art. In keeping with its intention to provide a space for discussion of a complex and varied array of perspectives on mothers, mothering, and mother earth, this is an interdisciplinary anthology. Contributions included hail from a wide range of disciplines and fields including psychology, sociology, anthropology, women’s and gender studies, cultural studies, literary studies, as well as law and legal studies. Contributions from scholars working in the fields of social science are interwoven with creative contributions from academics, writers and artists working in fields in the humanities.

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Does Canada need any more collections about legal regulation of sex and sexuality? Volumes exist dealing with sex work and pornographies. Certainly, volumes abound dealing with emerging sexualities in Canada and new sexual freedoms. This book seeks to do more than tell a story of broad generalities about the law. It forges the links between the history of law and modern iterations of judgments pertaining to that law. Hence the uncomfortable line between Victorian morality (often) and modern regulation, is thematically explored through the book. More modern iterations of sexual regulation in Canada are being deployed and, in this book, the authors explore the interplay between emerging digital technologies and legal regulation. Newer laws in Canada have been drafted to recognize that sexual expression can be a means of violence inherently, and thus an exploration of modern sexual digital expression and its emerging jurisprudence represent a new frontier in the regulation of sex and sexuality in Canada. We explore how legal regulation has responded to these new crimes. This collection is founded upon the editors’ joint experiences in teaching in law and society programs in Canada. The authors have witnessed cobbled together curriculums which rely upon a potpourri of sources from law, criminology, criminal justice and law and society disciplines. There exists a growing interest from university students and legal scholars alike for a reader in the context of law reform and legal change in respect of sexual politics and movements in Canada, especially in the context of more modern iterations of crime and sexual politics. Furthermore, while this collection is intended to be educational in the main, it will foster broader discussions in the context of legal regulation of sex and sexuality in Canadian jurisprudence.

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Conceiving of and representing mothers without their children seems so paradoxical as to be almost impossible. How can we define a mother in the absence of her child? This compelling volume explores these and other questions from a range of interdisciplinary perspectives, examining experiences, representations, creative manifestations, and embodiments of mothers without their children. In her 1997 book, entitled Mother Without Child: Contemporary Fiction and the Crisis of Motherhood, the critic Elaine Tuttle Hansen urged for critical and feminist engagement with what she described as ‘the borders of motherhood and the women who really live there, neither fully inside nor fully outside some recognizable “family unit”, and often exiles from their children’. This book extends and expands this important enquiry, looking at maternal experience and mothering on the borders of motherhood in different historical and cultural contexts, thereby opening up the way in which we imagine and represent mothers without their children to reassessment and revision, and encouraging further dialogue about what it might mean to mother on the borders of motherhood.

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Mothers and mothering have been a long-time focus of research and study in various academic disciplines, and common topics of interest in mainstream press and popular culture, yet the experiences of mothers and mothering in the area of sport have been less explored. This innovative, interdisciplinary collection provides a space for exploration of the complex dimensions of intersections between mothers, mothering, and sport, as athletes, players, participants, parents, and discursive figures. Topics discussed are wide-ranging, from motherwork in sport, mothers as athletes, the athlete mother in sports, representations and expectations of motherhood and health, legal regulation of sports and parenting, as well as sexuality and gender in sports and gaming.

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This collection of essays explores the gamut of Toni Morrison’s novels from her earliest to her most recent. Each of the essays examines the various ways in which Morrison’s work delineates and interrogates Western culture’s ideological norms of mothers, motherhood, and mothering. The essays consider Morrison’s female, and in some cases male, characters as challenging the concept that mothering and motherhood is a stable notion. The essays reveal both that mothering is a central concept in Morrison’s work and that an examination of this pervasive notion illuminates her corpus as a whole. Toni Morrison on Mothers and Motherhood offers a wide range of scholarship that provides a compelling look at Morrison’s work through an array of interdisciplinary approaches that are grounded in feminist/gender studies. This interdisciplinary collection of essays will be of interest to scholars and critics concerned with the notions of how we define mother/motherhood/mothering and the problem of its interpretation within Western society, as well as those engaged in the interpretation of African-American literature, and Morrison’s work in particular.

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Mothers and Sons: Centering Mother Knowledge makes a case for the need to de-gender the framing and study of parental legacy. The actualization of an entire collection on this dyad foregrounding motherhood without particularizing the absence of fatherhood is in itself revolutionary. This assemblage of analytical, narrative and creative renderings offers cross-disciplinary conceptualizations of maternal experiences across difference and mothering sons at intersections. The authors’ mother knowledge, or that of their subjects, delivers new insights into the appellations mother, son, motherhood and sonhood.

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Mothers, Mothering and Motherhood across Cultural Differences, the first-ever Reader on the subject matter, examines the meaning and practice of mothering/motherhood from a multitude of maternal perspectives. The Reader includes 22 chapters on the following maternal identities: Aboriginal, Adoptive, At-Home, Birth, Black, Disabled, East-Asian, Feminist, Immigrant/Refuge, Latina/Chicana, Poor/Low Income, Migrant, Non-Residential, Older, Queer, Rural, Single, South-Asian, Stepmothers, Working, Young Mothers, and Mothers of Adult Children. Each chapter provides background and context, examines the challenges and possibilities of mothering/motherhood for each group of mothers and considers directions for future research. The first anthology to provide a comprehensive examination of mothers/mothering/ motherhood across diverse cultural locations and subject positions, the book is essential reading for maternal scholars and activists and serves as an ideal course text for a wide range of courses in Motherhood Studies.

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