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Venetian Disegno: New Frontiers circa 1420 to 1620 offers a fresh perspective on the art of Venice and the Veneto. The volume brings together the contributions of scholars and curators specialist on a wide variety of artists and art forms including drawing, painting, printmaking, sculpture and architecture. Venetian Disegno: New Frontiers circa 1420 to 1620 takes disegno as its central theme, that in its plurality of meaning allows for a consideration of the conceptual role of design and the act of drawing. The relationship between disegno and Renaissance Venetian art has historically been a problematic one, with emphasis instead being placed on the Venetian predilection for colore. This volume is reflective of an ongoing challenge to this perspective and draws attention to the importance of Venetian disegno and the study of drawings for understanding various art forms. The book commences with a critical study of what constitutes disegno in Venetian art. It does so through questioning the historiography of Venetian artistic scholarship and the restrictive framework and preconceptions that have emerged before setting out the merits of a broader, more inclusive approach. Disegno is applied in its multifaceted nature to address the physical act of drawing, the tangible drawn object and the role of design in artistic practice. The term 'Venetian' is taken to encompass both Venice and its mainland territories not least because of the mobility of artists across and beyond the region. Contributions are divided into five thematic sections. The first, entitled 'Peripheries', frames the art of Venice within a wider discourse on the movement of ideas across and beyond the Veneto in locations including Padua, Verona and Rome. A section on Media considers the origins and innovations that took place in the use of materials such as blue paper, oil and coloured chalks. In another, the theories that have developed on Venetian notions of disegno are brought under scrutiny, addressing topics such as the long upheld perspective that Venetian artists did not draw, the role of sculpture in Tintoretto's drawing practice and the interrelation between the written and drawn line in Palma Giovane's draftsmanship. The section on Invention reflects on the technical innovations that were facilitated through the uptake of printmaking and the intellectual freedom granted by humanist patrons. Finally, Function gets to the heart of the practical purpose of disegno. Contributions focus on the workshops of the Bellini family and Titian to consider the diverse ways they used drawing within their artistic practices with an emphasis on technical analysis. These sections are all preceded by introductions that provide an overview on each theme while the volume is bookended by two reflections on the state of research into Venetian disegno and the potential for further progress. Sumptuously illustrated with over 100 images with a comprehensive bibliography, Venetian Disegno: New Frontiers circa 1420 to 1620 represents a significant contribution to scholarship on the art of Venice, Renaissance workshops and drawing studies.

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Gun-slinging American student nurses and boozy New York--playwrights-turned-educational-filmmakers find themselves stuck in the Haiti of 1955 as part of a government plan to pump up tourism and turn the Magic Island into the next Hawaii. The story follows the travels of Culprit Clutch, who appears mostly through rumor and innuendo, and his strange encounters with a plane-hopping British spy, Haitian street magicians, and a Scandinavian zombie. Josie, Culprit's ghostly paramour with a morphine habit, may or may not have voodoo spirits flowing through her, but the power-mad doctor channeling Baron Samedi is sure as hell bent on Culprit's destruction. The novel's cascading epilogues include a legendary car race down the length of Mexico; street theatre in Golden Gate Park, circa 1968; a Skylab mutiny; origins of the musical comedy Godspell; and cameos by the Nation of Islam and early followers of Jim Jones.

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When Ben Targét was nominated for Best Newcomer at the 2012 Edinburgh Comedy Awards, he was set on the path to becoming a critically acclaimed, multi-award-winning performance artist. Eight years later, amidst a global pandemic, he gave it all up to become the live-in carer for his uncle: an irascible octogenarian prankster called Lorenzo Wong. LORENZO is their story, a show that confronts the messiness of ageing and dying through the medium of storytelling, servitude to the audience and live carpentry, a combination not seen on the world stage since Nazareth circa 30AD. This book is the full script of that life-affirming show, with illustrations by Targét himself. It was directed by Adam Brace, and was premiered at Summerhall, Edinburgh, during the 2023 Edinburgh Festival Fringe, where it was awarded a Fringe First. It subsequently transferred to Soho Theatre, London.

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This far-reaching and absorbing book is designed to help identify and value woodwind instruments made in Europe and the United States during the eighteenth and nineteenth centuries. Drawing upon the author's many years of research in the field, the book includes a brief history of European woodwind instruments made during the eighteenth and nineteenth centuries; biographies of important makers; a glossary of terms that will be a welcome help for the novice; a list of key systems; resources for obtaining further information from books, museums, societies, and online; and most importantly, information and nearly 300 images taken from over 20 trade catalogs printed between 1880 and 1930 in Europe and the United States. Featured among these is a complete translation of William Heckel's rare, circa 1930 catalog. This comprehensive volume is an outstanding resource for beginning and advanced collectors of musical instruments as well as for museum curators.

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Written circa 1894-95 but published posthumously in 1914, Frank Norris’s Vandover and the Brute presents an unflinching portrait of unconventional sexuality, moral dissolution, and physical degeneration. In the setting of turn-of-the-century San Francisco depicted in Vandover, disaster encompasses far more than the vivid accounts of shipwreck or earthquake that appear in the novel. The slow wasting away of characters who contract syphilis, the suicide of a young girl, and the murder of a man clinging to a lifeboat fascinate readers today as much as they did a century ago, when this scandalous novel was first published. The most complete wreck is Vandover himself, whose artistic talents and constitution collapse after orgies of drink and sexual abandon.Russ Castronovo’s new edition gathers historical materials on literary naturalism, gender and criminality, and the visual culture of the late nineteenth century.

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The famous Harrods Ltd. of London supplied home furnishings worldwide at the height of the British Empire, and this is furniture collection they offered their loyal customers circa 1905. Unique to this book are detailed lists to furnish an entire home for œ200, 300, 400 and 500 at that time. The furniture displayed in exact photographs and lithographs ranges from antique to modern and for each room in the house-formal halls, relaxed morning rooms, elegant or simple dining rooms, every type of bedroom, bathrooms, kitchens and porches. All forms of furniture for inside and outside use are shown here and are supplemented with lighting devices, metal wares, cutlery, linens, porcelain, and glassware. As the furniture of the early twentieth century gains renewed popularity today, this book will seen as an essential reference of good taste from Harrods.

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This volume explores the Roman invasions and military operations in two distinct yet related areas: Mesopotamia and Arabia. In these far-flung regions of the ancient known world, Rome achieved the greatest point of expansion in the history of her Empire. Under the reign of the Emperor Trajan, the Roman Empire reached the point of maximum expansion made famous by maps of the world circa AD 120\. Under the Severans, significant efforts were expended on a Roman dream of linking the two regions into one mighty provincial bulwark against Eastern enemies. Individual chapters detail the history of the conquest of these easternmost territories of the Empire, analysing the opposing armies involved (Roman, Parthian, Sassanian, Arab) and the reasons for success and failure. The story of how Rome won and lost her Far East offers a paradigm for the rise and fall of the greatest military empire of the ancient world.

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L atlante delle planimetrie residenziali analizza circa 160 edifici realizzati in un contesto internazionale nell arco di oltre 40 anni, con particolare attenzione agli esempi contemporanei. Opere di architetti più o meno noti provenienti da ogni parte del mondo illustrano la varietà di approcci di tipo funzionale, tipologico e sperimentale rispetto ad un ampio spettro di temi progettuali. Ogni progetto è rappresentato in scala 1:200. Planimetria generale, sezioni e immagini fotografiche illustrano il contesto e la costruzione dell edificio. I dati sistematici riguardo alle dimensioni e al numero degli alloggi, ai modelli di finanziamento ecc. sono corredati da una dettagliata descrizione della forma dell abitare. La struttura complessiva del manuale - dalla classificazione in tipologie urbanistiche attraverso le modalità di rappresentazione fino ai dettagli costruttivi – fanno di questo libro uno strumento progettuale irrinunciabile per gli architetti, per chi partecipa a concorsi di progettazione, per studenti e committenti.

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Luca Giordano (Naples, 1634–1705) was one of Italy’s most celebrated Baroque painters when he travelled to Florence, where his art was already appreciated and collected. He received many commissions, but certainly the most prestigious was that for the decoration of the vault of the new wing of Palazzo Medici Riccardi, the ancient house of Lorenzo the Magnificent which was then owned by the Marquis Francesco Riccardi. The Riccardi family was strictly connected to the Medicis and the decorative program of the great hall, known as Gallery of Mirrors, was centred upon the Apotheosis of the Medicis and several mythological scenes which illustrate the progress of humanity. The exhibition and its catalogue document this masterpiece through the ten painted sketches by Giordano (exhibited under the very frescoes) and circa 30 other paintings from his Florentine period (1682–1685) by the aptly named Luca “fa presto” (fare presto = to be fast).

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Un manoscritto unico, copiato intorno al 1900 nella regione di Urmia (attuale Iran), ci ha restituito una collezione di discorsi di Isacco di Ninive fino ad ora sconosciuta. Le fonti antiche informano circa l'esistenza di piA' collezioni di suoi discorsi, ma sino a qualche decennio fa solo la Prima collezione era nota. Negli anni ottanta del secolo scorso e stata ritrovata la Seconda collezione, in seguito parzialmente edita, ed ora con quest'opera di fornisce la Terza collezione. Il manoscritto di Teheran, che resta unico per l'insieme dei discorsi, ha consentito l'individuazione di altri testimoni parziali, in siriaco e in arabo, che sono stati cosi collazionati con il manoscritto principale. Qui si fornisce dunque l'edizione critica dell'insieme, che tiene conto di tutti i testimoni siriaci e, per alcuni passi, anche della versione araba. Il secondo volume contiene invece la traduzione dei testi, corredata di un apparato di note volto in primo luogo a mettere in luce i paralleli lessicali e concettuali con le altre due collezioni isacchiane.

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Natchez, Mississippi, attracts thousands of visitors annually. One look through these pages and it is easy to see why. Beautiful exterior shots, rare interior photographs, and moving descriptions capture the essence of one of the largest and best-preserved collections of antebellum architecture in the country. Natchez truly is a living museum. King's Tavern, circa 1789, is believed to be the oldest building in Natchez and still operates as a tavern and restaurant. The stately Greek Revival Stanton Hall occupies an entire city block and is considered one of America's finest house museums. Longwood, the largest octagonal house in the country, stands unfinished today because Northern workers stopped in their tracks and left for home at the outbreak of the Civil War. For those fortunate enough to experience this bastion of the Old South or for those who hope to visit one day, The Majesty of Natchez makes the perfect memento or gift book. It presents the grandeur of this quintessenti

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Double Exposure is a major new series based on the remarkable photography collection held by the Earl W. and Amanda Stafford Center for African American Media Arts at the NMAAHC. From pre-Civil War daguerreotype portraits to 21st-century digital prints, this is a striking record of the key historical events, the cultural touchstones and the private and communal moments of African American life. In addition to over fifty photographs, each volume includes an introduction by a leading historian, activist, photographer or writer, and a foreword by the NMAAHC's founding director Lonnie Bunch. Photographers include Spider Martin, Gordon Parks, Ernest C. Withers, Wayne F. Miller and Henri Cartier- Bresson. There are iconic images, such as McPherson and Oliver's Gordon under Medical Inspection (circa 1867) and Charles Moore's photographs of the 1963 Birmingham Children's Crusade, as well as unfamiliar or recently discovered images, including Henry Clay Anderson's postwar pictures of everyday life in the segregated black community in Greenville, Mississippi.

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The Aztecs of central Mexico had a rich philosophical tradition, recorded in Latin script by Spanish clergymen—one of the earliest transcripts being Huehuetlatolli, or Discourses of the Elders, compiled by Fr Andres de Olmos circa 1535. Novel in its form, the Discourses consists of short conversations between elders and young people on how to achieve a meaningful and morally sound life. These conversations bring to light the Aztec ethical landscape in brilliant clarity. Their core values relied on collective responsibility and group wisdom, not individual thought and action, focused on a person’s actions in this realm rather than expectations of an afterlife. Never before translated into English in its entirety, and one of the first works to be translated from the original Nahuatl, the Discourses proves that philosophy can be active, communal and grounded not in a “pursuit of happiness” but rather pursuit of a meaningful life.

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Focusing on provincial furniture of the early 1800s to early 1900s (late Qing Dynasty), this stunning book provides a detailed look at assorted chairs, benches, tables, storage pieces, beds, and screens originally created and used in eight Chinese provinces. Over 550 color photographs and accompanying text detail the construction and artistic differences characterizing these styles. Highly informative to collectors, dealers, and students of Asian furnishings, the book covers types of wood used, construction techniques, lacquer and other finishing processes, and original usage. Restoration and tips for care of antique furniture are also discussed. Descriptive captions include dimensions, circa dates, types of wood, and current market values for all pieces shown. Learning to authenticate classical antiques from China is becoming a necessity as facsimiles begin to appear in the marketplace. This book helps demystify the purchasing process and engenders an appreciation of lovely designs that blend wonderfully into contemporary homes.

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When Ferdinand Magellan first anchored off the island of Guam in 1521, the inhabitants of the small Chamorro village at Afetna Point on the southwest coast of Saipan were likely unaware. Archaeological investigations of the traditional village yielded Latte Period burials, ceramics, stone and shell tools, microfossils from food remains, and charcoal from cooking features dating between A.D. 1450 and 1700. No direct evidence of Spanish Contact before forced abandonment of the island circa 1730 was encountered, after which time Saipan remained virtually unpopulated until the arrival of Carolinian and Chamorro settlers from Guam nearly a century later. Spanish settlement in 1668, the German occupation from 1898-1914, and the Japanese sugarcane period from 1914-1944 left few traces at the site until WWII and subsequent American administration. Afetna Point and Saipan have therefore been a contested landscape for centuries, but the island’s prehistory has deep roots that tie the Mariana Islands and its modern culture to ancestral SE Asia.

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While on a visit to London, American genealogist Jefferson Tayte’s old friend and colleague dies in his arms. Before long, Tayte and a truth-seeking historian, Professor Jean Summer, find themselves following a corpse-ridden trail that takes them to the Royal Society of London, circa 1708. What to make of the story of five men of science, colleagues of Isaac Newton and Christopher Wren, who were mysteriously hanged for high treason? As they edge closer to the truth, Tayte and the professor find that death is once again in season. A new killer, bent on restoring what he sees as the true, royal bloodline, is on the loose...as is a Machiavellian heir-hunter who senses that the latest round of murder, kidnapping, and scandal represents an unmissable business opportunity. The Last Queen of England is a racing thriller with a heart-stopping conclusion. It is the third book in the Jefferson Tayte Genealogical Mystery series but can be enjoyed as a stand-alone story.

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Traveling back in time, from Oxford circa 2060 into the thick of World War II, was a routine excursion for three British historians eager to study firsthand the heroism and horrors of the Dunkirk evacuation and the London Blitz. But getting marooned in war-torn 1940 England has turned Michael Davies, Merope Ward, and Polly Churchill from temporal tourists into besieged citizens struggling to survive Hitler's devastating onslaught. And now there's more to worry about than just getting back home: The impossibility of altering past events has always been a core belief of time-travel theory - but it may be tragically wrong. When discrepancies in the historical record begin cropping up, it suggests that one or all of the future visitors have somehow changed the past - and, ultimately, the outcome of the war.Award-winning author Connie Willis returns with a stunning, enormously entertaining novel of time travel, war, and the deeds - great and small - of ordinary people who shape history.

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Donald Trump is unquestionably the most unique and charismatic figure in American politics in a generation. Yet despite his familiarity on the public stage, he remains an enigmatic, mysterious figure. Not since Lincoln has a man drawn such intensely opposite responses, of love and hate, and even in Lincoln’s case the intensity was over the issue of slavery. With Trump, the intensity is over the man.   How can the same man inspire such radically opposite reactions, to the point that there are some who would take a bullet for him, and others who celebrate the would-be assassin who actually attempted to take his life? This is the Trump enigma.   Then there are Republicans and moderates who seek to sidestep the enigma of Trump the man by saying, “I don’t like him, but I like his policies.”  Yet if Trump’s critics are right that he is an aspiring tyrant, a dictator, something akin to Hitler circa 1933, it is the man—not the

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In his newest book, silver expert Richard Osterberg guides readers on a colorful, yet practical tour of fine antique silver. The book’s first part deals with silver flatware made circa 1875-1885, with a broad representation of patterns and forms. Next, a myriad of serving pieces are displayed, with examples of each type and function. In the third part, place settings are covered in many different patterns, showing the wide variety of pieces that were used, from the common knives, forks, and spoons to more obscure forms like individual bird knives, bird forks, and cherry forks. Finally, individual place settings are shown, together with silver, china, linen, and crystal to suggest dining as a truly stimulating visual expereince. Throughout the text value ranges are given, making it easy to look up individual prices. Using this book can be both inspirational and educational. It is both a must for collectors wishing to identify pieces of old family silver and an essential aid to the modern host or hostess.

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Equipped with space suits, golf clubs and a flag, the Doctor and Rose are planning to live it up, Apollo mission-style, on the Moon. But the TARDIS has other plans, landing them instead in a village on the south coast of England; a picture-postcard sort of place where nothing much happens. Until now... An archaeological dig has turned up a Roman mosaic, circa AD 70, depicting mythical scenes, grapes and a Dalek. A few days later a young woman, rushing for work, is knocked over and killed by a bus, then comes back to life. It's not long before all hell breaks loose, and the Doctor and Rose must use all their courage and cunning against an alien enemy and a not-quite-alien accomplice who are intent on destroying humanity. Featuring the Doctor and Rose as played by David Tennant and Billie Piper in the hit Doctor Who series from BBC Television.

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When the deacons at Mark Beaver’s Bible Belt church cue up an evangelical horror flick aimed at dramatizing Hell, he figures he'd better get right with God, and soon. Convinced he could die at age seven and spend eternity roasting on a spit in the fiery furnace of Hades, he promptly gets Saved. But once adolescence hits, the Straight and Narrow becomes a tight squeeze. But Suburban Gospel offers more than a look inside Bible Belt suburbia, circa Jerry Falwell and the Moral Majority—it’s a tale of faith and flesh. Beaver invites us into a world filled with Daisy Duke fantasies and Prince posters, Nerf Hoops and Atari joysticks, raggedy Camaros and the neon light of strip malls. As much about the adolescent heart as the evangelical mind, the story explores similar emotional terrain as coming-of-age classics like Tobias Wolff's This Boy's Life and Mary Karr's Cherry. Suburban Gospel is a tale of growing up Baptist, all right—but also of just growing up.

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Splendid news for enquiring minds, and guaranteed salvation for humanity! Messrs. Steve and Alan Moore, current proprietors of the celebrated Moon & Serpent Grand Egyptian Theatre of Marvels (sorcery by appointment since circa 150 AD) are presently engaged in producing a clear and practical grimoire of the occult sciences that offers endless necromantic fun for all the family. Exquisitely illuminated by a host of adepts including Kevin O''Neill, John Coulthart, Steve Parkhouse, Rick Veitch and Ben Wickey, this marvellous and unprecedented tome promises to provide all that the reader could conceivably need in order to commence a fulfilling new career as a diabolist. Its contents include profusely illustrated instructional essays upon this ancient sect''s theories of magic, notably the key dissertation ''Adventures in Thinking,'' which gives reliable advice as to how entry into the world of magic may be readily achieved. Further to this, a number of ''Rainy Day'' activity pages present l

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Un manoscritto unico, copiato intorno al 1900 nella regione di Urmia (attuale Iran), ci ha restituito una collezione di discorsi di Isacco di Ninive fino ad ora sconosciuta. Le fonti antiche informano circa l'esistenza di piA' collezioni di suoi discorsi, ma sino a qualche decennio fa solo la Prima collezione era nota. Negli anni ottanta del secolo scorso e stata ritrovata la Seconda collezione, in seguito parzialmente edita, ed ora con quest'opera di fornisce la Terza collezione. Il manoscritto di Teheran, che resta unico per l'insieme dei discorsi, ha consentito l'individuazione di altri testimoni parziali, in siriaco e in arabo, che sono stati cosi collazionati con il manoscritto principale. Qui si fornisce dunque l'edizione critica dell'insieme, che tiene conto di tutti i testimoni siriaci e, per alcuni passi, anche della versione araba. Il secondo volume contiene invece la traduzione dei testi, corredata di un apparato di note volto in primo luogo a mettere in luce i paralleli lessicali e concettuali con le altre due collezioni isacchiane.

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Ein Leben mit RDS ist gut möglich!Das Reizdarmsyndrom (RDS) ist eine der häufigsten Volkskrankheiten. Circa 7-10% der Bevölkerung leiden an einem Reizdarmsyndrom. Das sind in Deutschland mehr als fünf Millionen Menschen. Das Reizdarmsyndrom (RDS, IBS) ist eine komplexe, funktionelle gastrointestinale Störung, gekennzeichnet durch chronische Bauchschmerzen und/oder veränderte Darmgewohnheiten. Obwohl das Reizdarmsyndrom so häufig ist, fühlen sich Patient:innen unzureichend informiert und behandelt. Die Lebensqualität der Betroffenen kann spürbar leiden. Ursachen und Auslöser des RDS sind noch nicht ausreichend geklärt. Das Buch erläutert das Krankheitsbild und die Diagnostik. Ausführlich werden mögliche Therapieoptionen erklärt und wann diese besonders wirksam sind. Einflussfaktoren, wie z.B. Ernährung, Darmbakterien, psychische Belastungen und Stress, die ein Reizdarmsyndrom begünstigen, werden vorgestellt, und Betroffene erhalten viele Hinweise für den Alltag mit einem Reizdarmsyndrom. Das Buch orientiert sich an der aktuellen S3-Leitlinie Reizdarmsyndrom der DGVS sowie den klinischen und wissenschaftlichen Erfahrungen der beiden Autor:innen. Es richtet sich an Patient:innen, Angehörige und beratend Tätige, die mit dieser Patientengruppe arbeiten.

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Claude McKay’s abandoned novel Romance in Marseille (circa 1929–1933), first published by Penguin Classics in February 2020, has been praised as a new-old text that transcends historical boundaries, resonating with both the present moment and the hundred-year-old era of the New Negro. This special issue offers the first-ever collection of academic essays on this novel, which arrived as an instant classic: both a benchmark of the Harlem Renaissance and a fresh statement that could have been written for twenty-first-century readers. Using McKay’s Romance as a critical compass point, the authors map new directions and historical territories in Black modernism, queer theory, disability studies, Marxist/materialist thought, and other established and emerging areas. Contributors Stephanie J. Brown, Nissa Ren Cannon, Zainab Cheema, Rich Cole, Michael J. Collins, David B. Hobbs, Gary Edward Holcomb, William J. Maxwell, Eric H. Newman, Laura Ryan, Jesse W. Schwartz, Agnieszka Tuszynska, Laura Winkiel

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Like many middle-class Boston girls of the late 19th century, Annie McFarlane kept an autograph album, in which her schoolmates, family, and neighbours wrote messages of friendship and scraps of sentimental verse. This keepsake, with its stamped and coloured binding, was passed down through McFarlane''s family to her great-grandson, the independent scholar Theodore Dawes. Fascinated by the faded inscriptions in so many varied hands - from the spiky script of Andrew McFarlane (Father) to the laboured cursive of young Flossie L. Law - Dawes undertook an arduous course of archival research aimed at uncovering the identity and biographical details of everyone who signed the album.The result is this book, in which each page of Annie McFarlane''s autograph album is reproduced in facsimile, along with the biography of the person who signed it. Together these brief yet telling portraits reveal the texture of life in Boston circa 1890, as well as in Vanceboro, Maine, where the McFarlan

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Tel Maresha is located in the foothills of Israel's Judaean Mountains. It was established in the Iron Age II (circa 700 BCE) and is mentioned in the Hebrew Bible (Josh 15:44; I Chron. 2:42). But it was mainly a Hellenistic-period town—a major Idumean political and administrative centre. One of the unique and fascinating aspects of Maresha is its subterranean city—hundreds of underground galleries and chambers filled to the gills with artifacts. This volume is a report of the excavations of one of these rich subterranean complexes—SC 169—which contained a full corpus of Hellenistic pottery forms, both local and exotic altars, figurines, amulets, seals and seal impressions, hundreds of inscriptions in Greek and Aramaic, coins, jewelry and much more. These finds tell the story of an affluent cosmopolitan society comprised of Idumeans, Phoenicians, Greeks, and Jews, who lived together in a vibrant urban setting until the city was destroyed, probably by the Jewish Hasmonean kingdom in 104 BCE.

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The charm of this remarkable book is overwhelming, in which antique boxes and tea caddies—along with the people who inspired, made, and used them—dance gracefully through the pages. The reader is guided through the aesthetic, cultural, and social influences of the years covered, accumulating a deep understanding of the form, decoration, and purpose of 18th- and 19th-century boxes. The extensive text covers wooden, tortoiseshell, ivory, papier-mâché, and lacquer boxes. There are chapters on Anglo-Indian, Scottish, Irish, Penwork, Straw work, and Tunbridge ware boxes, as well as on boxes made for special purposes. Captions include complete descriptions, values, and circa dates for all boxes shown. The 1,000 plus images include original drawings, magnificent photographs of complete pieces, and close-ups illustrating the structure and decoration of boxes. This is an indispensable companion for box collectors and reflects fascinating information about cultural forces that shaped the 18th and 19th centuries.

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This sumptuous catalogue provides an overview of French art circa 1500, a dynamic, transitional period when the country, resurgent after the dislocations of the Hundred Years' War, invaded Italy and all media flourished. What followed was the emergence of a unique art: the fusion of the Italian Renaissance with northern European Gothic styles. Outstanding examples of exquisite and revolutionary works are featured, including paintings, sculptures, illuminated manuscripts, stained glass, tapestries, and metalwork. Exciting new research brings to life court artists Jean Fouquet, Jean Bourdichon, Michel Colombe, Jean Poyer, and Jean Hey (The Master of Moulins), all of whose creations were used by kings and queens to assert power and prestige. Also detailed are the organization of workshops and the development of the influential art market in Paris and patronage in the Loire Valley.Distributed for the Art Institute of ChicagoExhibition Schedule:Grand Palais, Paris(10/06/10-01/10/11)The Art Institute of Chicago(02/27/11-05/30/11)

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A history of the world’s first democracy from its beginnings in Athens circa fifth century B.C. to its downfall 200 years later The first democracy, established in ancient Greece more than 2,500 years ago, has served as the foundation for every democratic system of government instituted down the centuries. In this lively history, author Thomas N. Mitchell tells the full and remarkable story of how a radical new political order was born out of the revolutionary movements that swept through the Greek world in the seventh and sixth centuries B.C., how it took firm hold and evolved over the next two hundred years, and how it was eventually undone by the invading Macedonian conquerors, a superior military power. Mitchell’s superb history addresses the most crucial issues surrounding this first paradigm of democratic governance, including what initially inspired the political beliefs underpinning it, the ways the system succeeded and failed, how it enabled both an empire and a cultural revolution that transformed the world of arts and philosophy, and the nature of the Achilles heel that hastened the demise of Athenian democracy.

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When we think about what home is, many of us would say a house that is soulful and welcoming, a place with an inviting porch and a lush garden, a welcoming entryway and well-crafted living spaces that will nurture our private moments and expand to welcome guests. In this alluring new book, Keith Summerour shares nine houses, exploring their architecture, interiors, and grounds, to illustrate a new idea of home. Reinterpreting and making new his own Southern legacy that speaks both of aristocratic charm and homespun appeal, these homes range from rustic retreats that draw their power from the land to elegant manor houses, but all share extraordinary character and charm that nod to history while reflecting the way people wish to live in the world today. Enriched by the work of some of the top interior decorators working today, including Beth Webb, Barbara Westbrook, Circa Interiors, and Liza Bryan, as well as world-renowned landscape designers Jeremy Smearman and John Howard, and beautifully illustrated with all-new photography, Creating Home is the ultimate dream book.

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Dr RB McDowell is a legend. To graduates of Trinity College, Dublin, he is a symbol of their years at university, the enduring source of endless amusing anecdotes and memories. Now, for the first time, reminiscences by graduates and friends, recording entertaining encounters with ‘RB’ over a period of some seventy years, appear in book form, enlivened by comments from Dr McDowell himself and illustrated with evocative sketches of College circa 1950 by Bryan de Grineau, archival photographs, many hitherto unseen, and a Derek Hill painting in full colour. The result is an intriguing portrait of the traditions and the way of life at Ireland’s oldest university during the greater part of the twentieth century and the part played by the charismatic and unique RB McDowell. RB MCDOWELL is an Emeritus Fellow of Trinity College, Dublin. His works include Irish Public Opinion 1750-1800, The Church of Ireland 1869-1969, Ireland in the Age of Imperialism and Revolution 1760-1801, Land and Learning: Two Irish Clubs, Crisis and Decline: The Fate of the Southern Unionists, and Grattan: A Life.

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In this provocative collaboration from two Egyptology outsiders, Robert M. Schoch, Ph.D., and Robert Bauval combine their decades of research to show how the Sphinx is thousands of years older than the conventional Egyptological timeline and was built by a long forgotten pre-Pharaonic civilization. They examine the known history of the Sphinx, contrasting what Egyptologists claim with prominent historical accounts and new research, including updates to Schoch’s geological water weathering research and reanalysis of seismic studies. Building on Bauval’s Orion Correlation Theory, they investigate the archaeoastronomical alignments of the monuments of the Giza Plateau and reveal how the pyramids and Sphinx were built to align with the constellations of Orion and Leo. Analyzing the evidence for a significantly older construction phase at Giza and the restoration and recarving of the Sphinx during the Old Kingdom era, they assert that the Sphinx was first built by an advanced pre-Pharaonic civilization that existed circa 12,000 years ago on the Giza Plateau, contemporaneous with the sophisticated Göbekli Tepe complex.

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Color cool with mid-century modern! Talented designer Robin Pickens presents 32 nostalgic drawings to color with markers, colored pencils, watercolors, or gel pens. Discover a modern world, circa the 1950s and 60s, of fresh, engaging illustrations that evoke the clean lines, geometric structures, and understated cool of mid-twentieth century style think Eames lounge chairs, Mad Men decor, and Eichler homes. Nestled somewhere within each design are special little icons and symbols for you to find (shown on the back of each page so you know what to look for). Have fun finding these tucked-away friends as you bring each image to life with glorious color! Robin gets you started with the basics of choosing and combining colors for beautiful results. You ll also learn how to color the same image in different ways to create a feeling or set a mood. Full-color examples of finished pieces will get you inspired to pick up your coloring tools. Printed on one side only of high-quality, extra-thick paper, each page is perforated for easy removal and display."

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A fabulously funny celestial crime caper, full of wit, warmth and heart.' Helen LedererHow do you solve your own murder when you're already dead?Purgatory (noun):1. Where the dead are sent to atone.2. A place of suffering or torment.3. A youth hostel where the occupants play Scrabble and the mattresses are paper thin.When Dave wakes up in his own personal purgatory (St Ives Youth Hostel circa 1992), he's shocked to discover he's dead. And worse he was murdered.Heaven doesn't know who did it so with the help of two rogue angels, Dave must uncover the truth.As divine forces from both sides start to play the game, can Dave get out of this alive? Or at the very least, with his soul intact?An utterly gripping and page-turning mystery for fans of Murder Before Evensong and The Appeal from the winner of the Comedy Women in Print Unpublished Prize!.Readers LOVE The Purgatory PoisoningVery original, very funny, and very well written. I loved it!' NetGalley reviewer ?????A hilarious story I li

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The Invention of the Colonial Americas is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain's pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain-spaces in which records about American history were stored together with records about European history-were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa. In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data-assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.

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The present volume offers a glimpse at one currently thriving expression of the distinguished history of religions school approach to the New Testament and early Christian literature. Begun circa 1884 at the University of Göttingen and pioneered by scholars such as Albert Eichhorn, Wilhelm Bousset, Johannes Weiss, and William Wrede, today applications of this approach are diverse. Scholars adapt the method, incorporating the latest technologies and insights, to optimize the school's original goal of accurate biblical interpretation. In North America, the University of Chicago has long been a hub of this type of investigation. Over the last century, many of these Chicago studies have produced groundbreaking results. Still, the approach has never been without its critics. Applying the history of religions school approach to a range of interesting topics and themes, the essays in this collection demonstrate against current opposition how the history of religions school continues to steer scholarly innovation in the field of New Testament studies by offering constructive new interpretations of early Christian and other writings and advancing discussion in key areas of research.

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This delightful book examines the graphics found on all kinds of children's alphabet ware, along with fascinating histories of the firms that produced it. Primarily made in nineteenth century Britain, America, and Germany, these ceramic plates, metal table and flatware, glass dishes, and mugs are considered a reflection of the technologies, values, and styles of the Victorian era. Alphabetically arranged, the twenty-six lettered chapters each tell part of the story: A begins the tale with a bit of American history, B tells of the early bonfires and nineteenth century bottle ovens, C discusses commercialism, D displays deep dishes, E reviews the role of the ware in educating the young … and so on, all the way to Z. The extensively researched text is accompanied by over 1000 stunning photographs of these historic pieces, with detailed captions providing measurements, information on manufacturers and marks, circa dates, and current values. A must for every enthusiast's library, this unique and comprehensive text guides readers through every aspect of collecting alphabet ware.

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Want to keep your brain active and in trim? Challenge your mind with The Penguin Book of Puzzles . . .From the riddles of the ancients to puzzles that perplex the greatest minds of today, The Penguin Book of Puzzles is a glorious compendium of conundrums from throughout history.These challenges will require all the reader's wits to solve, but range from the easy to the brain-bending and are suitable for novice and veteran puzzlers alike.There is something here to suit every taste, including crosswords, mathematical challenges, word games and logic conundrums, but also some intriguing types of puzzles that have been unearthed from centuries gone by.Hours of fun await you in this timeless and entertaining miscellany of puzzlement.____________A Sumerian Riddle (circa 18th Century)There is a house. The blind enter it and then come out seeing. What is that house?____________A CharadeI have wings, yet never fly -I have sails, yet never go -I cant keep still, if I try,Yet forever stand just so.____________

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Emerging from a richly diverse oral narrative tradition circa 1300, the heroic and dynamic tale of the young Cid eclipses the uninspired, matter-of-fact narration of the reign of Fernando I into which it is incorporated. In its analysis of the Mocedades de Rodrigo, the epic poem of Cid’s youth, Speaking Truth to Power identifies the narrative cohesion and the aesthetic principles that elevated the story of the young Cid to its place of prominence among the epic narratives of medieval Spain. Matthew Bailey highlights the various textual versions of the narrative that propelled the young Cid’s unparalleled popularity, tracing this vibrant narrative tradition from its earliest manifestation in the aftermath of Charlemagne’s imperial mission in Spain to the early modern drama of Guillén de Castro. The book convincingly discerns the leadership qualities and the social impact of its legendary protagonist, incorporating a wealth of previous scholarship in its innovative findings. Speaking Truth to Power provides readers with a heightened appreciation for the vibrancy of the poetic tradition that lives beyond the texts we study, the oral narratives that are continually refashioned for new audiences and contexts.

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Kecia Ali's Human in Death explores the best-selling futuristic suspense series In Death, written by romance legend Nora Roberts under the pseudonym J. D. Robb. Centering on troubled NYPSD Lieutenant Eve Dallas and her billionaire tycoon husband Roarke, the novels explore vital questions about human flourishing. Through close readings of more than fifty novels and novellas published over two decades, Ali analyzes the ethical world of Robb's New York circa 2060. Robb compellingly depicts egalitarian relationships, satisfying work, friendships built on trust, and an array of models of femininity and family. At the same time, the series' imagined future replicates some of the least admirable aspects of contemporary society. Sexual violence, police brutality, structural poverty and racism, and government surveillance persist in Robb's fictional universe, raising urgent moral challenges. So do ordinary ethical quandaries around trust, intimacy, and interdependence in marriage, family, and friendship. Ali celebrates the series' ethical successes, while questioning its critical moral omissions. She probes the limits of Robb's imagined world and tests its possibilities for fostering identity, meaning, and mattering of human relationships across social difference. Ali capitalizes on Robb's futuristic fiction to reveal how careful and critical reading is an ethical act.

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Le parole di una lingua non sono mai isolate ma si usano in combinazione e non con qualunque parola ma solo con alcune. Per parlare bene bisogna usare le combinazioni appropriate. In italiano si dice un tozzo di pane per indicare un pezzo di pane, ma si dice anche un tozzo di carne? E una discussione si solleva? O si solleva un’obiezione? Una discussione si affronta, ma un’obiezione? In italiano non si dice fare un appuntamento con qualcuno ma fissare o prendere un appuntamento. Ogni lingua preferisce combinazioni diverse e quindi è facile sbagliare quando si parla una lingua straniera. A volte però anche il parlante nativo sbaglia o non è sicuro. Questo dizionario ricostruisce l’ambiente linguistico di circa 3.000 entrate per aiutare ogni parlante a comunicare in italiano. È destinato al parlante straniero che ha una conoscenza avanzata della lingua italiana ma anche al parlante nativo che è in cerca della parola giusta. Un dizionario che si distingue dai normali dizionari monolingui e bilingui perché indica sistematicamente le combinazioni lessicali (circa 90.000), molto spesso spiegandole e/o accompagnandole con esempi per chiarirne l’uso.—Words are never used in isolation but in combination and not with any word but only with certain specific words. To use a language properly the appropriate combinations must be used. In Italian a piece of bread is a tozzo di pane, but is that the case for meat? Is a tozzo di carne an appropriate combination? If you want to make an appointment with somebody you should not say (as in English) fare un appuntamento but fissare un appuntamento. An Italian affronta una discussione (enters or tackles a discussion), but is it possible for him to say affrontare un’obiezione (to enter or tackle an objection)? Yes it is, as this dictionary shows. So every language has its own preferences in word combinations, misleading a non-native learner into making mistakes influenced by his own language.This dictionary reconstructs the frame to which 3,000 Italian entries belong and aims to help non-Italian speakers with an advanced linguistic competence to find the appropriate word combinations for communicating in Italian. Moreover, this dictionary can also be useful for native speakers who want to improve their lexical choices in writing and speaking Italian. The dictionary, contrary to ordinary monolingual and bilingual dictionaries, systematically lists word combinations (almost 90,000), explaining and/or exemplifying them.Also available: Dizionario Combinatorio Italiano, a more extensive, 2-volume hardcover edition with 6,500 entries listing over 200,000 word combinations.

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This is the first paperback edition of a classic anthology of Chinese poetry. Spanning two thousand years—from the Book of Songs (circa 600 B.C.) to the chü form of the Yuan Dynasty (1260–1368)—these 150 poems cover all major genres that students of Chinese poetry must learn. Newly designed, the unique format of this volume will enhance its reputation as the definitive introduction to Chinese poetry, while its introductory essay on issues of Chinese aesthetics will continue to be an essential text on the problems of translating such works into English. Each poem is printed with the original Chinese characters in calligraphic form, coordinated with word-for-word annotations, and followed by an English translation. Correcting more than a century of distortion of the classical Chinese by translators unconcerned with the intricacies and aesthetics of the Chinese language, these masterful translations by Wai-lim Yip, a noted and honored translator and scholar, allow English readers to enter more easily into the dynamic of the original poems. Each section of the volume is introduced by a short essay on the mode or genre of poem about to be presented and is followed by a comprehensive bibliography.

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A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book

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The first monograph on the Vita Humana cycle at Tre Fontane, this book includes an overview of the medieval history of the Roman Cistercian abbey and its architecture, as well as a consideration of the political and cultural standing of the abbey both within Papal Rome and within the Cistercian order. Furthermore, it considers the commission of the fresco cycle, the circumstances of its making, and its position within the art historical context of the Roman Duecento. Examining the unusual blend of images in the Vita Humana cycle, this study offers a more nuanced picture of the iconographic repertoire of medieval art. Since the discovery of the frescoes in the 1960s, the iconographic programme of the cycle has remained mysterious, and an adequate analysis of the Vita Humana cycle as a whole has so far been lacking. Kristin B. Aavitsland covers this gap in the scholarship on Roman art circa 1300, and also presents the first interpretative discussion of the frescoes that is up-to-date with the architectural investigations undertaken in the monastery around 2000. Aavitsland proposes a rationale behind the conception of the fresco cycle, thereby providing a key for understanding its iconography and shedding new light on thirteenth-century Cistercian culture.

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How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.

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How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.

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David Brodsky uses form and source criticism to date Massekhet Kallah and the first two chapters of Kallah Rabbati - which form a commentary on Massekhet Kallah - to the mid-amoraic period (circa late third and early fifth centuries CE respectively), and to locate their redaction in Babylonia. This makes these two sources the only known rabbinic texts whose final redaction took place in Babylonia during the amoraic period, and establishes them as the closest extant relatives of the Babylonian Talmud. Parallels between these two sources and the Babylonian Talmud elucidate the nature of oral transmission and of the redactional processes of Babylonian rabbinic material during this critical period, and, thereby, of the Babylonian Talmud itself. In addition, the author deciphers Massekhet Kallah's peculiar asceticism: a concern with men's inappropriate use of or interactions with their wives, charity, vows, and even with the group's own transmitted traditions. Massekhet Kallah fears the physical and at times cosmic effects of such inappropriate behavior. Brodsky finds that these items were all deemed consecrated, removed from the realm of normal interaction. To have mundane interaction with them was a powerful and dangerous act. Brodsky explores the fascinating gender and theological implications of this unique asceticism.

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