Search results for ""bloomsbury publishing plc""

In this volume, tragedy in antiquity is examined synoptically, from its misty origins in archaic Greece, through its central position in the civic life of ancient Athens and its performances across the Greek-speaking world, to its new and very different instantiations in Republican and Imperial Roman contexts. Lively, original essays by eminent scholars trace the shifting dramatic forms, performance environments, and social meanings of tragedy as it was repeatedly reinvented. Tragedy was consistently seen as the most serious of all dramatic genres; these essays trace a sequence of different visions of what the most serious kind of dramatic story might be, and the most appropriate ways of telling those stories on stage. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual, and myth; politics of city and nation; society and family, and gender and sexuality.

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A NEW SCIENTIST BOOK OF THE YEAR From adrenaline to dopamine, our lives are shaped by the chemicals that control us. They are the hormones and neurotransmitters that our brains run on, and Overloaded looks at the roles they play in all aspects of our experiences, from how we make decisions, who we love, what we remember to basic survival drives such as hunger, fear and sleep. Author Ginny Smith explores what these tiny molecules do: what roles do cortisol and adrenaline play in memory formation? How do hormones and neurotransmitters affect the trajectory of our romantic relationships? Ginny meets scientists at the cutting-edge of brain chemistry research who are uncovering unexpected connections between these crucial chemicals. An eye-opening route through the remarkable world of neuro-transmitters, Overloaded unveils the chemicals inside each of us that touch every facet of our lives.

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You ask what the Jackals do in the Zaharets. I ask you, what happens if they do nothing? – Nawsi Namar of Orsem Honess, speaking to the Sar of Ameena Noani The Fall of the Children of Bronze is a grand campaign for Jackals, and includes 14 adventures spanning 9 years. Players will explore the ancient myths and legends of the War Road, from the bustling streets of Ameena Noani in the north and Sentem in the south, to abandoned temples in the wastes and mansions deep within the earth. They will encounter beings and powers from the past – ancient but far from dormant – and come face to face with the hidden hand that would the Law of Men torn down and chaos brought to the Zaharets.

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The original Blackfriars closed its doors in the 1640s, ending over half-a-century of performances by men and boys. In 2001, in the Shenandoah Valley of Virginia, it opened once again. The reconstructed Blackfriars, home to the American Shakespeare Center, represents an old playhouse for the new millennium and therefore symbolically registers the permanent revolution in the performance of Shakespeare. Time and again, the industry refreshes its practices by rediscovering its own history. This book assesses how one American company has capitalised on history and in so doing has forged one of its own to become a major influence in contemporary Shakespearean theatre.

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This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic.

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Introducing the topics, themes and arguments of the most influential Hindu and Buddhist Indian philosophers, An Introduction to Indian Philosophy leads the reader through the main schools of Indian thought from the origins of Buddhism to the Saiva Philosophies of Kashmir. By covering Buddhist philosophies before the Brahmanical schools, this engaging introduction shows how philosophers from the Brahmanical schools—including Samkhya, Yoga, Nyaya, Vaisheshika, and Mimamsa, as well as Vedanta—were to some extent responding to Buddhist viewpoints. Together with clear translations of primary texts, this fully-updated edition features: • A glossary of Sanskrit terms • A guide to pronunciation • Chronological list of philosophers & works With study tools and constant reference to original texts, An Introduction to Indian Philosophy provides students with deeper understanding of the foundations of Indian philosophy.

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For his 2007 critically acclaimed 33 1/3 series title, Let’s Talk About Love, Carl Wilson went on a quest to find his inner Céline Dion fan and explore how we define ourselves by what we call good and bad, what we love and what we hate. At once among the most widely beloved and most reviled and lampooned pop stars of the past few decades, Céline Dion’s critics call her mawkish and overblown while millions of fans around the world adore her “huge pipes” and even bigger feelings. How can anyone say which side is right? This new, expanded edition goes even further, calling on thirteen prominent writers and musicians to respond to themes ranging from sentiment and kitsch to cultural capital and musical snobbery. The original text is followed by lively arguments and stories from Nick Hornby, Krist Novoselic, Ann Powers, Mary Gaitskill, James Franco, Sheila Heti and others. In a new afterword, Carl Wilson examines recent cultural changes in love and hate, including the impact of technology and social media on how taste works (or doesn’t) in the 21st century.

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This is the first comprehensive, annotated biography of John Scopes, the famed defendant in the Scopes Monkey Trial. This biography uses new, never-before-published sources, photographs, and stories from untapped sources—John Scopes's family and friends. In 1967, John Scopes published his memoirs, which focused overwhelmingly on his eight-day trial and not on the rest of his life, ignoring several important events, such as his divorce and remarriage, his run for the U.S. Congress, and his challenges with his family. This volume is the first complete, annotated biography of John Scopes. It details his entire life and, where appropriate, those of his parents, siblings, wife, and children, all supported by hundreds of cited sources, quotations, and family stories. Ideal for readers with an interest in academic freedom, free speech, or the evolution-creationism controversy, this book uncovers the facts of Scopes's post-trial life, including the challenges that Scopes faced in his personal life, his conversion from a socialist to a political conservative, and his final years and death. Readers will be surprised to learn that John Scopes's life differed significantly from what has often been presented in the media.

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The ninth edition of this popular overview of the various programs and services offered by libraries offers best practice and useful tips for implementing them effectively. Building on the strong foundation of the previous editions, award-winning author G. Edward Evans returns with a new co-author, Stacey Greenwell, for this update that combines their signature style of textbook readability, informality, and sometimes humor, as well as their knack for balancing foundational topics and new trends. A new feature in this edition is the incorporation of the concept of "library social work" through "Social Work Connections" sidebars in each chapter. Anecdotes throughout the text and "Career Connections" sidebars offer practical advice and specific current examples. Greenwell and Evans have combined several chapters from the previous edition and expanded discussions of new trends while retaining and updating the fundamentals. The ninth edition is a welcome update for library and information science courses and a valuable handbook for public services librarians.

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Comprehensive and accessible, this one-stop resource examines the history, development, and present state of free speech issues on college campuses, including a range of political perspectives and viewpoints. It explains such concepts and forces as academic freedom, intellectual benefits of open debate, using speech as a weapon of hate and harassment, and the history of campus social protest. It also presents a broad survey of the arguments and rhetoric—as well as actual record—of America's two major parties on campus free speech and academic freedom issues. Other focuses of coverage include major laws and commonly employed college and university policies governing free speech and civil liberties for students, faculty, and other employees on campuses and classrooms across the country. This book accomplishes all of the above via a combination of informative resources—tables, primary documents, biographical profiles, illuminating essays, a chronology, and more—that are the trademark of the Contemporary World Issues series.

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This book examines the evolution of global terrorism, including the people and groups who have perpetuated the worst attacks and the people and agencies working to stop them. Although it was 9/11 that first awakened many Americans to the very real threat of global terrorism, global terrorism has been a reality for millions of people around the world for many years, with both foreign and "home-grown" terrorists striking fear in their hearts. Whether driven by fanatical religious beliefs or radical political ideologies, the threat of global terrorism has been and will continue to be a serious issue, warranting vigilance from governments around the world. This one-stop resource highlights key points about global terrorism. Furthermore, it discusses the social, economic, religious, and cultural issues that are connected to terrorist activities. It also examines the history of global terrorism more broadly in order to contextualize current events, using tables, primary documents, personal essays, and other illuminating resources.

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Featuring children's voices describing the trauma and suffering they feel when their parents leave, Abandoned explores psychological theories of mothers' and fathers' roles in children's lives and offers practical advice to those who care for children traumatized by parental abandonment. Parents leave their children for many reasons, including divorce, work, imprisonment, mental health, and domestic violence. While children may appear to understand these reasons, their hearts are often broken; they are traumatized and grieve their parent's absence. Their pain shows itself in a variety of maladaptive behaviors and emotions, such as anxiety, panic attacks, self-injury, low self-efficacy, anger, and excessive or inappropriate online use. In Abandoned, counseling psychologist Andrea Francis draws on classic and current research to describe the critical roles of mothers and fathers in their child's development. Stories told by children and family members are woven throughout the book to demonstrate the social, emotional, and psychological impact of parental abandonment. The children represent different ethnicities and socioeconomic and cultural backgrounds, highlighting that the pain of parental abandonment is felt keenly by all children regardless of race, ethnicity, gender, or culture. Francis's theory of "twoness" helps explain how children often cope. Along with its study of children's trauma, this book offers interventions derived from the author's experience, including multicultural activities that offer hope, resilience, and healing for abandoned children.

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This essential resource brings recognition to scrupulosity and moral perfectionism, an often overlooked and misunderstood subtype of Obsessive Compulsive Disorder (OCD). Two to three percent of the global population suffer from OCD. Of that number, approximately five percent of OCD sufferers report having religious or moral obsessions. Scrupulosity, an often under-recognized subtype of OCD, leads those affected to mistake clinical OCD symptoms for committing sins, offending God, or being morally corrupt. Many people with scrupulosity or moral perfectionism turn to clergy for help rather than a mental health professional. This book, authored by a therapist among the most experienced in the world in dealing with this disorder, covers the symptoms, diagnosis, history, development, causes, and treatment of scrupulosity. Intended for students, mental health professionals, and clergy, this essential resource includes the latest theory, research, treatments, and case studies necessary to recognize and destigmatize scrupulosity as well as encourage optimal treatment outcomes and relapse prevention.

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This book examines the controversies surrounding gun control, which are less about whether it "works" and more about whether the nation should prioritize traditional values of rugged independence or newer values of communitarian interdependence. America's Gun Wars contends that an understanding of America's gun controversy cannot be found in statistics documenting the rise (or fall) of violent crime, or in examining trade-offs between societal needs and personal safety, or in following the political maneuvering of advocacy groups such as the National Rifle Association or Everytown for Gun Safety. At heart, the gun controversy is a values conflict involving how people see themselves and how they make sense of the world they live in. Understanding this controversy requires a deep analysis of the profoundly different cultures inhabited by pro- and anti-gun activists, lawmakers, and voters. Written by a social scientist who has spent his life exploring how values and self-perceptions impact behavior, this book explores the origins and evolution of cultures in American society; the beliefs, experiences, and principles that guide the behavior of members in both camps; and the triumphs and failures that the two sides have experienced from colonial times to the present day.

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From Flint, Michigan, to Standing Rock, North Dakota, minorities have found themselves losing the battle for clean resources and a healthy environment. This book provides a modern history of such environmental injustices in the United States and Canada. From the 19th-century extermination of the buffalo in the American West to Alaska's Project Chariot (a Cold War initiative that planned to use atomic bombs to blast out a harbor on Eskimo land) to the struggle for recovery and justice in Puerto Rico following Hurricane Maria in 2017, this book provides readers with an enhanced understanding of how poor and minority people are affected by natural and manmade environmental crises. Written for students as well as the general reader with an interest in social justice and environmental issues, this book traces the relationship between environmental discrimination, race, and class through a comprehensive case history of environmental injustices. Environmental Racism in the United States and Canada: Seeking Justice and Sustainability includes 50 such case studies that range from local to national to international crises.

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Now available in paperback, Shakespeare and Postcolonial Theory is an up-to-date guide to contemporary debates in postcolonial studies and how these shape our understanding of Shakespeare’s politics and poetics. Taking a historical perspective, it covers early modern discourses of colonialism, ‘race’, gender and globalization, through to contemporary intercultural appropriations and global adaptations of Shakespeare. Showing how the dialogue between Shakespeare criticism and postcolonial studies has evolved, this book offers a critical vocabulary that connects contemporary and early modern cultural struggles. Shakespeare and Postcolonial Theory also provides guides to further reading and online resources which make this an essential resource for students and scholars of Shakespeare.

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This is a wonderful cherry-picked collection of humiliating misadventures from the enduringly popular Confessional column of Yachting Monthly magazine. For over 25 years, yachtsmen have clamoured to tell the world about their most embarrassing exploits and their most shameful blunders, and the cream of the crop are collected together here in the hope that the rest of us can learn from their mistakes instead of our own - or at least have a good laugh at their expense! Shipwrecks, strandings, mutiny, getting locked in the lavatory...you couldn't make them up. Counted among the contributors are no less than four former editors of Yachting Monthly, which goes to prove that worse things really do happen at sea! Accompanied by cartoons from the inimitable Mike Peyton, this collection deserves a place at every bunkside.

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Invaluable for experienced sailors as an aide-memoire, as well as for beginners and students, this essential quick-reference guide covers a wide range of topics such as seamarks, buoyage, pilotage, lights, boat handling, anchoring and mooring, ropes and knots, heavy weather sailing, man overboard, grounding, fire aboard, distress signals and VHF radio. This North American edition covers the IALA-B Buoyage System. This guide has been a favorite with skippers around the world for many years, as shown by these reviews: ‘A brilliant aide-memoire or instant revision for exams' Kelvin Hughes 'An ideal companion above or below decks' Practical Boat Owner ‘A handy reference... one of the most comprehensive guides that I have seen' Lifeboat ‘A lot of good information... a useful aid to have on board' Gaffers Log This is the first edition of this popular guide for boaters in the US and Canada.

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Offering an accessible introduction to both the historical roots and the contemporary dynamics of today’s world economy, the extensively revised sixth edition of this bestselling textbook continues to lead the way in equipping students with the knowledge required to make sense of the fast-paced discipline of Global Political Economy. Illustrating the breadth of the subject, the book’s authors – both highly regarded experts in the field – show how the national and international interact, while also placing an emphasis on the historical evolution of the world economy in order to appreciate the nuances of today’s economic structures. The global economy is traced from the Industrial Revolution through each phase of a shifting world order to the modern day. Then follows an engaging exploration of the dynamics of today’s economy, including: trade, production, finance, labour, gender, development, the environment, security and governance. This takes into account the latest developments in the global economy, from automation and the challenges posed to the labour force, to artificial intelligence and the increasing complex, global supply chains of modern transnational firms. This is the most authoritative and accessible textbook on global political economy, making it the ideal companion for students at undergraduate and postgraduate levels, on politics, international relations and related degrees. New to this Edition: - Extensively updated to feature the latest empirical developments, including rising economic nationalism, US trade wars with China, and populism. - Brand new boxed features illustrate the latest dynamics, including the impact of digital technologies, artificial intelligence and automation, and the growth and consequences of increasing inequality. - Greater coverage of the sustained threats to the liberal international order and likely future scenarios. Accompanying online resources for this title can be found at bloomsburyonlineresources.com/global-political-economy-6e. These resources are designed to support teaching and learning when using this textbook and are available at no extra cost.

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You can’t live your life thinking everything you text will become public knowledge. Censoring yourself is no way to live. Everyone needs Jim. His mother. His best friend. His brother. A hopeful future President. But can Jim really help anyone, when he isn’t sure who he is any more, or what he actually believes? An expert in electoral strategy, he’s forged a successful career by advising politicians how to communicate with voters. But following seismic shifts in the political landscape, he’s disillusioned. And his marriage is in crisis. As he juggles the demands on his life through his smartphone, will the lure of success and fame prove irresistible? The Narcissist is a gripping, inventive and witty take on personal and political communication in the internet age by celebrated US playwright Christopher Shinn. This edition was published to coincide with the premiere at Chichester Festival Theatre in August 2022.

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Why Athena? I guess just like the goddess of strategic warfare and all that. In a New York City fencing club two warriors are ready to battle. Athena and Mary Wallace are training for the Junior Olympics. They practice together. They compete against each other. They spend their lives together. They wish they were friends. From award-winning playwright Gracie Gardner, following an acclaimed extended run in New York, comes a fierce coming-of-age comedy where two teenagers parry class, competition and power as they practice fencing and life. But only one will win - en garde. This edition was published to coincide with the UK premiere at The Yard in London in October 2022.

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When we oppose or disagree with something important, do we ever really do it dispassionately? Isn't setting the world to rights or condemning a political opponent always done with a hint of relish, or at least enthusiasm? This book's challenging essays explore the modes in which that transgressive pleasure of political jouissance' operates.Rather than delegitimizing or depoliticising, the tacit enjoyment of outrage can in fact facilitate different forms of engagement. The tendency for groups to be bonded by a common enemy, for example, brings with it a protection from censure or persecution, and a way of alleviating guilt. In this collection, the authors seek out jouissance in the battle against patriarchy, in social revolts, in the age of mechanical surveillance, in the necrosociety of neoliberalism, or the proliferation of conspiracy theories. Drawing on Lacan's insistence that jouissance is intrinsically political by its nature, we can understand how readily psycho

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We know that conflict, and people's memory of it, profoundly shapes both individual selfhoods and social identities. War and the British explores key ideas of British collective nationhood and personal identity, and in particular shines an important spotlight on the impact of gender on Britain's national consciousness, from the outbreak of World War II in 1939 to the end of the Gulf War in 1991. This book builds on current historiography by examining how notions about gender shaped the experiences of the war and how it was remembered in the collective public consciousness. It argues that, despite women's wartime role in 'total war', men in the armed forces were encouraged to regard themselves as being bound together in unity by masculinity and common experience, while women remained individuals with prime responsibilities to home and family. As Lucy Noakes shows, during the Second World War, the British government ensured that lipstick and corsets were never scarce, so that less soldiers returned from war disappointed by the ‘unfeminine’ women who greeted them. Thus, Noakes demonstrates how the conflicts strengthened gender boundaries by grouping men together in a masculine experience of combat from which women were strictly excluded. The 'People’s War' it was not. Now with a new preface, revised introduction and foreword by Penny Summerfield, War and the British provides an incisive analysis of public and private ideas of national identity in times of war and how they were shaped by gender. The result is a valuable addition to scholarly debates, which will be of interest to students and scholars studying the intersection of gender and war in Britain.

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Few institutions have as profound an impact on the American theatrical landscape as the Tony Award-winning Williamstown Theatre Festival, located in Williamstown, Massachusetts. New Plays from Williamstown Theatre Festival 2015-2021 provides a sample of the dozens of plays that have been created and/or premiered at the Festival during the Artistic Directorship of Mandy Greenfield. In addition to stories that shine a light into new or underexplored corners of the human condition, these plays frequently feature complex and boundary-pushing central roles for women actors. These six plays are manifestations of living, American playwrights grappling with and breathing dramatic life into the conflicts and questions at the heart of who we were, who we are, and who we will become. These plays imagine and interrogate pieces of the human experience we are still in the midst of unpacking and understanding. Complete with introductions by each of the authors reflecting on their work, these historic, award-winning, and groundbreaking plays now live in conversation with one another in this unique collection.

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This book uncovers the history of The Volunteers, a Spanish loyalist militia who were committed to upholding Spanish imperial interests and influence in Cuba, Puerto Rico, Santa Domingo and The Philippines as the age of empire came to a close. Unpicking the relationship between local and imperial administrations and highlighting the contribution of voluntary units to colonial warfare, Padilla Angulo shows how Spanish loyalism persevered in the colonies even as the last bastions of empire were dismantled. Revealing the complexity and diversity of The Volunteers themselves in various colonies, Volunteers of the Empire shows how thousands of young men of Spanish, African and Asian descent were united in the defence of Spanish sovereignty in times of anti-colonial struggle that were civil wars in all but name. It uncovers a fascinating history of a militia that became an essential element of Spanish imperialism and the armed wing of Spanish loyalism during the second half of the 19th century. Through their fluctuating relationship with the authorities in Spain, The Volunteers provide a fresh perspective into the global and local complexities of nation building, nationalism and citizenship.

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Featuring contributions from a range of significant voices in the field, this volume renews the conversation around what it means to speak of the ‘queer’ in the context of architecture, and offers a fresh take on the methodological and epistemological challenges this poses to the discipline of architectural theory. Architecture as a discipline, a profession and an applied practice is always subordinate to its own conceptual framework, which is one of orderliness. It refers to buildings, but also to infrastructures of thought and knowledge, to conventions and taxonomies, to structures of governance, hierarchies of power and systems of administration. How, then, can one look at queering architectural discourse when the very term ‘queer’, celebrated for its elusive nature, resists and attacks such order? Divided into four subsections, the essays in this anthology each pursue a distinct line of inquiry – methods, practices, spaces and pedagogies – in order to help particularize the proposed queering of architecture. They demonstrate the paradoxical nature of the endeavour from a diverse range of perspectives – from questions of mapping queer theory in architecture; to issues of queer architectural archives, or lack thereof; to non-Western challenges to the very term queer, and the queering of basic assumptions across affiliated disciplines. Queering Architecture not only provides a bold challenge to the normative methods employed in architectural discourse but also addresses how establishing ‘queer’ methodologies is a paradox in itself.

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In The City as Subject, Carolyn S. Loeb examines distinctive bodies of public art in Berlin: legal and illegal murals painted in West Berlin in the 1970s and 1980s, post-reunification public sculptures, and images and sites from the street art scene. Her careful analyses show how these developed new architectural and spatial vocabularies that drew on the city’s infrastructure and daily urban experience. These works challenged mainstream urban development practices and engaged with citizen activism and with a wider civic discourse about what a city can be. Loeb extends this urban focus to her examination of the extensive outdoor installation of the Berlin Wall Memorial and its mandate to represent the history of the city’s division. She studies its surrounding neighborhoods to show that, while the Memorial adopts many of the urban-oriented vocabularies established by the earlier works of public art she examines, it truncates the story of urban division, which stretches beyond the Wall’s existence. Loeb suggests that, by embracing more multi-vocal perspectives, the Memorial could encourage the kind of participatory and heterogeneous construction of the city championed by the earlier works of public art.

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Since her early break-through at the Royal Court Theatre in 1995, where she won the George Devine award and was joint winner of the Verity Bargate Award, Judy Upton has proven herself to be one of Britain's most prolific and diverse writers. In this, her second collection, we see work ranging from 1995 through to the 2000s and a collection of short work created during the 2020 Coronavirus pandemic. Bruises (1995) Royal Court Theatre, London - "This is no angry polemic but a subtly atmospheric piece ... Neither writer nor director seeks easy answers in this coolly disturbing view of an issue usually hammered home with both fists." (Evening Standard) The Girlz (1998) Orange Tree, London - "Judy Upton's ever-promising career takes another small leap forward with this tantalising foray into characteristic Upton territory, the febrile world of foul-mouthed, disadvantaged young females from the south-east." (Time Out) Sliding With Suzanne (2001) Royal Court Theatre, London - "Judy Upton probably won't thank me for saying so, but her new play, Sliding with Suzanne, comes over as that rarest of phenomena - a contemporary play with a Right-wing agenda. If Margaret Thatcher went to see it she would be appalled by the language and much of the action but would, I suspect, end up applauding its sentiments." (Telegraph) Gaby Goes Global (2009) New Wimbledon Theatre, London - A wry and mischievous look at the benefits system, and the world of fine art. Gaby is a downtrodden employment advisor at the Benefit Delivery Centre. She tries to get rich by promoting the struggling artists who sign on. But it is Gaby who grabs all the attention - with the sort of exposure she hadn't bargained for... Lockdown Tales (2020) - "a story of struggle, hope, even more struggle and then hope which provides a sensitive and sincere insight into the mind of a key worker during lockdown … a must watch and is the epitome of the type of work that should be produced during lockdown." (A Younger Theatre)

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The city of Homs, like so many places in Syria, has suffered mass destruction since the war began in 2011. So far, the architectural response to the crisis has focused on ‘cultural heritage’, ancient architecture, and the external displacement of refugees, often neglecting the everyday lives of Syrians and the buildings that make up their homes and communities. In Domicide, Ammar Azzouz uses the notion of the ‘home’ to address the destruction in cities like Homs, the displacement of Syrian people both externally and internally, and to explore how cities can be rebuilt without causing further damage to the communities that live there. Drawing on interviews with those working in the built environment professions, both inside and outside of Syria, but also Syrians from other backgrounds who have become ‘architects’ in their own way as they were forced to repair and rebuild their homes by themselves, Domicide offers fresh insight into the role of the architect during time of war, and explores how the future reconstruction of cities should mirror the wants and needs, the traditions and ways of living, of local communities. Focusing on Homs but offering a blueprint for other urban areas of conflict across Syria and the wider world, the book is essential reading for researchers in architecture, urban planning, heritage studies and conflict studies.

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Material Modernity explores creative innovation in German art, design, and architecture during the Weimar Republic, charting both the rise of new media and the re-fashioning of old media. Weimar became famous for the explosion of creative ingenuity across the arts in Germany, due to experiments with new techniques (including the move towards abstraction in painting and sculpture) and inventive work in such new media as paper and plastic, which utilized both new and old methods of art production. Individual chapters in this book consider inventions such as the camera and materials like celluloid, examine the role of new materials including concrete composites in opening up fresh avenues in the plastic arts, and relate advances in the understanding of color perception and psychology to an increased interest in visual perception and the latent potential of color as both architectural ornament and carrier of emotional force in space. While art historians usually argue that experimentation in the Weimar Republic was the result of an intentional rejection of traditional modes of expression in the conscious attempt to invent a modern art and architecture unshackled from historic media and methods, this volume shows that the drivers for innovation were often far more complex and nuanced. It first of all describes how the material shortages precipitated by the First World War, along with the devastation to industrial infrastructure and disruption of historic trade routes, affected art, as did a spirit of experimentation that permeated interwar German culture. It then analyzes new challenges in the 1920s to artistic conventions in traditional art modes like painting, sculpture, drawing, architecture, textiles, and print-making and simultaneously probes the likely causes of innovative new methods of artistic production that appeared, such as photomontage, assemblage, mechanical art, and multi-media art. In doing so, Material Modernity fills a significant gap in Weimar scholarship and art history literature.

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In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow—art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art—offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).

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This essential reference text on the life, thought and writings of Plato uses over 160 short, accessible articles to cover a complete range of topics for both the first-time student and seasoned scholar of Plato and ancient philosophy. It is organized into five parts illuminating Plato’s life, the whole of the Dialogues attributed to him, the Dialogues’ literary features, the concepts and themes explored within them and Plato’s reception via his influence on subsequent philosophers and the various interpretations of his work. This fully updated 2nd edition includes 19 newly commissioned entries on topics ranging across comedy, tragedy, Xenophon, metatheatre, gender, musical theory, animals, Orphism, political theory, religion, time, Hellenistic philosophy and post-Platonic ancient commentaries. It also features revisions to the majority of articles from the 1st edition, including 8 which have been completely re-written, and 12 which have had the references substantially revised. Reflecting the growing diversity of Plato scholarship across the world, this edition includes contributions from a wide range of scholars who enrich the field and provide students and scholars with a vital resource for study and reference.

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Through a richly detailed account of fan cultures and media over the over fifty-year history of the show, Watching Doctor Who explores fandom’s changing attitudes towards this much-loved TV series. Why do fans love an episode one year but deride it a decade later? How do fans’ values of Doctor Who change over time? As a show that's featured as part of the shared landscape of home entertainment since the 1960s, Doctor Who helps us understand the changing nature of notions of ‘value’ and ‘quality’ in popular television. Through a series of in-depth case studies of fan polls and debates, Paul Booth and Craig Owen Jones interrogate the way Doctor Who fans and audiences re-interpret the value of particular episodes, Doctors, companions, and eras of Who. With a foreword by Paul Cornell.

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What is the relationship between the soul, or inner life, and what we wear in the making of identity and belief? What bearing do religious and political belonging, respectability, and resistance have on the way in which we dress? Why have more traditional religious practices been so prescriptive about body adornment? Historically, fashionable dress and religion have been positioned as polar opposites. Silhouettes of the Soul brings them together, placing them in conversation with each other. By moving beyond traditional, social scientific, and historical analysis of religious attire and adornment the book presents a variety of disciplinary approaches from across regional, social, and religious locations. Contentious and challenging, as well as academically rigorous, the book's diverse range of contributors - from fashion and religious studies scholars, to designers, activists, monastics, and journalists - explore the relationship between religion and fashion, extending the meanings and possibilities of both dress and spirituality. Combining interviews and personal stories with more traditional theoretical analysis, Silhouettes of the Soul offers new ways of looking at the relationship between religion, personal convictions, and self-expression - our sense of self and our sense of fashion.

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This unique and comprehensive study reviews the practice of leading American directors of Shakespeare from the late 19th to the end of the 20th century. Charles Ney examines rehearsal and production records, as well as evidence from diaries, letters, autobiographies, reviews and photographs to consider each director’s point of view when approaching Shakespeare and the differing directorial tools and techniques employed in significant productions in their careers. Directors covered include Augustin Daly, David Belasco, Arthur Hopkins, Orson Welles, Margaret Webster, B. Iden Payne, Angus Bowmer, Craig Noel, Jack O’Brien, Tyronne Guthrie, John Houseman, Allen Fletcher, Michael Kahn, Gerald Freedman, Joseph Papp, Stuart Vaughan, A. J. Antoon, JoAnne Akalaitis, Paul Barry, Tina Packer, Barbara Gaines, William Ball, Liviu Ciulei, Garland Wright, Mark Lamos, Ellis Rabb and Julie Taymor. Directing Shakespeare in America: Historical Perspectives offers readers an understanding of the context from which contemporary practitioners operate, the aesthetic philosophies to which they subscribe and a description of their rehearsal methods.

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Scholars in architectural and urban history have, over the last decade, been trying to come to terms with architecture’s ‘neoliberal turn’ and its various impacts - from municipal policy to the artistic imagination. However most scholarship has focussed on generalizations, with very little work to date focussing on specific cases. Architecture and Retrenchment brings one such case to the fore – investigating the relation between architecture and the Swedish Model of the welfare state. It tracks the response of architecture to the gradual retrenchment and ultimate dismantling of the Swedish welfare state – which was, in its heyday, world-famous for its integration of architecture and the built environment into the welfare system. Ultimately, neoliberal economics prevailed, yet this book reveals how new architectural strategies and techniques were developed in order to protect the agency of architecture in the newly reorganised society of the 1980s and 1990s. Through eight in-depth case-studies, the book situates the often abstract, generalised discourse of neoliberalism and privatisation in specific architectural sites, and provides an original interpretation of how architecture, space, aesthetics, and politics converged at the end of the twentieth century.

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Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women’s lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women’s theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.

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Information may be beautiful, but our decisions about the data we choose to represent and how we represent it are never neutral. This insightful history traces how data visualization accompanied modern technologies of war, colonialism and the management of social issues of poverty, health and crime. The discussion is based around examples of visualization, from the ancient Andean information technology of the quipu to contemporary projects that show the fate of our rubbish and take a participatory approach to visualizing cities. This analysis places visualization in its theoretical and cultural contexts, and provides a critical framework for understanding the history of information design with new directions for contemporary practice.

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This book highlights a range of individuals and groups in UK society who experience exclusion or marginalisation, including Roma, young carers and people with Autism Spectrum Disorders. It takes a unique practice-based focus, designed to encourage discussion about diversity in society and to debunk myths about 'the others'.

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Learning through practice lies at the heart of social work education, providing the opportunity for students to develop and employ the skills, experience and knowledge they need to become effective social workers. This exciting new addition to Palgrave's Practical Social Work series provides an integrated and user-friendly approach to practice learning by putting placements within a broader learning framework. Rather than treating placements as an isolated aspect of the social work degree, Practice Learning in Social Work shows how they are relevant to all aspects of the social work experience. Divided in to three parts, this book's pragmatic approach mirrors students' own journey as they progress from preparation for practice, through to actual experience, and then beyond this to support personal and professional development right up to qualification as a Newly Qualified Social Worker. With a strong emphasis on service users and carers as central stake holders, Practice Learning in Social Work illustrates the practical nature of the profession with realistic case scenarios based on real life learning experiences, reflective learning exercises and practice led research references throughout. Progress checklists, linked to the Professional Capabilities Framework, also provide readers with the opportunity to assess their own strengths and learning needs.

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Shortlisted for the 1992 Commonwealth Best First Book Award. Orimili is the profound story of a father desperate to deepen his cultural roots and find identity within his community. Despite the respect and wealth Orimili has accumulated over the years, there remains one last barrier to his recognition – the title of Ozo. The most important symbol of nobility and honour, he is desperate to finally have the status he deserves. But gaining the town elders' respect proves more difficult than he ever could have imagined. Writing with remarkable poise, Amechi Akwanya charts Orimili's difficult journey to citizenship, offering a compelling insight into the customs of mid-twentieth century Nigeria.

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Winner of the 2019 John Collier Jr Award Street style blogging has experienced a meteoric rise in popularity over the last decade. Amateur photographers, often with no formal training in fashion, have become critical arbiters of taste and trends, influencing the representations that appear in magazines and on runways, and putting new cities on the fashion world map. This cutting-edge book documents the evolution of street style photography, from the fieldwork photos of early anthropology to the glamorized snapshots that appear on blogs today, and explores the structural shifts in the global fashion industry that street style has helped bring about. Chronicling author and anthropologist Brent Luvaas’ experience over three years of blogging through vivid street imagery and rich ethnographic detail, this book turns the lens of street style photography back onto anthropology itself, arguing that the phenomenon is a powerful mode of amateur ethnography. Bloggers blur the distinction between professional and amateur, insider and outsider, self and brand. This book documents that blur from the ground level—from the streets of Philadelphia to the sidewalks of New York Fashion Week. Street Style is an essential read for students and scholars of fashion, anthropology, sociology, media and cultural studies, and fans of street style photography alike.

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The eleventh century marked a turning point in the history of the Byzantine Empire. At its start Byzantium was the paramount power in the Mediterranean world, by turns feared, respected and admired. By the century’s close the empire had lost half of its territory and had managed only a partial recovery under the leadership of the Komnenos family. How did a powerful and famously wealthy empire collapse so quickly? The contemporary accounts of this turbulent ‘long’ century (taken here as c. 950–1100) attribute the empire’s decline to the emperors’ reckless and self-serving favouring of civilian bureaucrats and, while these sources are today widely acknowledged as biased and unreliable, modern assessments of the century have hitherto failed to suggest any tangible alternatives. To circumvent this dearth of archival material, Jonathan Shea has meticulously analysed 2,200 unpublished seals from the period (more than a third of the known total extant today) to uncover exactly whom the emperors were favouring and promoting, as well as developing a nuanced and revealing picture of the makeup of the much-chastised civilian bureaucracy. The sigillographic evidence is throughout measured against the written material to give a fresh account of this key transitional century and a rare insight into Byzantine politics.

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Featuring over 100 colour images, this book explores the photographic self-representations of the urban middle classes in Turkey in the 1920s and the 1930s. Examining the relationship between photography and gender, body, space as well as materiality and language, its six chapters explore how the production and circulation of vernacular photographs contributed to the making of the modern Turkish citizen in the formative years of the Turkish Republic, when nation-building, secularization and modernization reforms took centre stage. Based on an extensive photographic archive, the book shows that individuals actively reproduced, circulated and negotiated the ideal citizen-image imposed by the Kemalist regime, reflecting not only state-imposed directives but also their class aspirations and other, wider social and cultural developments of the period, from Western fashion trends and movies to the increasing availability of modern consumer items. Calafato also reveals that the freedom from state control afforded by personal cameras allowed the desired image to be sometimes tweaked by incorporating elements from Ottoman and Turkic traditions, by pushing the boundaries of gender norms or by introducing playfulness. Making the Modern Turkish Citizen offers a valuable portrait of the ongoing political and social changes on the lives of the Turkish middle class, and of how they saw and wanted to present themselves, privately and publicly.

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