Search results for ""author walt whitman"

Selected by Joy Harjo as the winner of the Walt Whitman Award of the Academy of American Poets'Taut, ferocious . . . This is a book about survival, and a welcome, confident debut' New York Times Book ReviewEmily Skaja's debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom.Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. 'What am I supposed to say: I'm free?' the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.

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Produced in a numbered limited edition of 350, this is a full-sized facsimile of Wharton Esherick's prototype of Walt Whitman's Song of the Broad-Axe. Each page is as produced by the artist, with hand lettering and illumination. Esherick illustrated the work with eighteen woodblock images that represent the artist's vision and skill. Available for the first time to the public, this book is work of art, interpreting the power of Whitman''s words in Esherick''s unique and beautiful style. Each book is accompanied by a separate 8 x 11 restrike of his original woodcut Welcome are all the earth''s lands, suitable for framing. Also included is an illustrated essay by Paul Eisenhauer, Curator of the Wharton Esherick Museum in Paoli, Pennsylvania, which gives a brief biography of Esherick and the historical background the book. All is contained in a custom cloth case to ensure its longevity as a treasured keepsake.

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Poems for Travellers transports the reader to lands far and near in the company of some of our greatest poets such as Walt Whitman, John Keats and Christina Rossetti.Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.As internationally acclaimed author Paul Theroux writes in his introduction, ‘Here is a collection of travel poetry composed by real travellers, weekending tourists, feverish fantasists, bluffers, dreamers, brave adventurers and resolute stay-at-homes. It succeeds in what poetry does best – inspires and consoles, reminds us of who we are, where we’ve been, and where we might want to go next.’

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First published by Walt Whitman, in 1855, Leaves of Grass is the landmark poetry collection that introduced the world to a new and uniquely American form. Alive with the mythical strength and vitality that epitomized the American experience in the nineteenth century, and published here with rarely collected illustrative woodcuts by Rockwell Kent, Leaves of Grass continues to inspire, uplift, and unite those who read it. Failing to fetch me at first keep encouraged,Missing me one place search another,I stop some where waiting for you. —“Song of Myself”

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Poems of the Sea is an anthology of classic poetry that celebrates the sea; from the power of a stormy ocean to ships and sailors and beaches strewn with shells. Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by author Adam Nicolson.For generations, poets have taken inspiration from ocean mists and rugged coastlines to conjure up adventures on the high seas and joyous days at the seaside. From Emily Dickinson’s morning dog walks by the shore, to the river running through Sara Teasdale’s sunny valley, and from Walt Whitman’s fish-filled forests, to the silent ships passing in Paul Laurence Dunbar’s dark ocean, there are poems here for every reader to enjoy.

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In 1852, young Walt Whitman – a down-on-his-luck housebuilder in Brooklyn – was hard at work writing two books. One would become one of the most famous volumes of poetry in American history, a free-verse revelation beloved the world over, Leaves of Grass. The other, a novel, would be published under a pseudonym and serialized in a newspaper. A short, rollicking story of orphanhood, avarice, and adventure in New York City, Life and Adventures of Jack Engle appeared to little fanfare. Then it disappeared. No one laid eyes on it until 2016, when literary scholar Zachary Turpin, University of Houston, followed a paper trail deep into the Library of Congress, where the sole surviving copy of Jack Engle has lain waiting for generations. Now, after more than 160 years, the University of Iowa Press is honored to reprint this lost work, restoring a missing piece of American literature by one of the world's greatest authors, written as he verged on immortality.

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The countercultures that came to define bohemia spanned the Atlantic, encompassing Walt Whitman's Brooklyn and the Folies Bergère of Josephine Baker, Gertrude Stein's salons and the Manhattan clubs where Dizzy Gillespie made his name. Edited by Paul Buhle and David Berger, Bohemians is the graphic history of this movement and its illustrious figures. The stories collected here revisit the utopian ideas behind millennial communities, the rise of Greenwich Village and Harlem, the multiracial and radical jazz and dance worlds, and the West Coast, Southern, and Midwest bohemias of America, among other radical scenes.Drawn by an all-star cast of comic artists, Bohemians is a broad and entertaining account of the rebel impulse in American cultural history. Featuring work by Spain Rodriguez, Sharon Rudahl, Peter Kuper, Sabrina Jones, David Lasky, Afua Richardson, Lance Tooks, Milton Knight, and more.The ebook edition is expanded from the paperback edition, and includes additional chapters on the swing music scene, La Boheme and midwest bohemians, as well as expanded material on the Greenwich Village intellectuals, Walt Whitman and Harlem jazz club Minton's Playhouse.

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An unforgettable and transformative novel that explores race and gender with scorching insight from the Nobel-prize winning author of Beloved. Into a white millionaire's Caribbean mansion comes Jadine, a sophisticated graduate of the Sorbonne, art historian – a black American now living in Paris and Rome. Then there’s Son, a criminal on the run, uneducated, violent, contemptuous – a young American black of extreme beauty from small-town Florida. As Morrison follows their affair, she charts all the nuances of obligation and betrayal between blacks and whites, masters and servants, and men and women. Winner of the PEN/Saul Bellow award for achievement in American fiction‘Toni Morrison was a quintessential, unabashedly American writer. Like her fellow giant, Walt Whitman, her work was, above all, audacious. She seized the landscape with a flourish and wove it, unwove it and put it back together’ Bonnie Greer, Guardian

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Hand in Hand with Love is a celebration of queer voices throughout the ages. Spanning from Sappho and the Ancient Greeks to Edna St. Vincent Millay and the modernists, this luminous anthology champions and redefines the spectrum of queer poetry.Part of the Macmillan Collector’s Library; a series of stunning, cloth-bound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited by Dr Simon Avery, a specialist in queer history and culture at the University of Westminster.Featuring visionary writers whose only space to express their intimate thoughts was on the page, pioneering poets who battled prejudice to be bold and forthright, and an electrifying range of famous authors such as Walt Whitman, Emily Dickinson and Oscar Wilde, these dynamic voices paved the way for decades to come. Together, they offer a vivid archive of queer identity to be celebrated, discovered and treasured.

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In 1855, a small volume appeared, self-published by a failed Brooklyn journalist and carpenter: twelve untitled poems and a preface announcing the author's aims. A commercial failure, this book was the first stage of a massive, lifelong enterprise. Six editions and thirty-seven years later, Leaves of Grass had been recognized as one of the central masterworks of world poetry. This Library of America Paperback Classic includes two complete texts: the 1855 first edition and the magnificent culminating edition of 1891-1892. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes. The contents of this Paperback Classic are drawn from Walt Whitman: Poetry and Prose, edited by Justin Kaplan, volume #3 in the Library of America series.

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Not many people know that Walt Whitman—arguably the preeminent American poet of the nineteenth century—began his literary career as a novelist. Franklin Evans, or The Inebriate: A Tale of the Times was his first and only novel. Published in 1842, during a period of widespread temperance activity, it became Whitman’s most popular work during his lifetime, selling some twenty thousand copies.The novel tells the rags-to-riches story of Franklin Evans, an innocent young man from the Long Island countryside who seeks his fortune in New York City. Corrupted by music halls, theaters, and above all taverns, he gradually becomes a drunkard. Until the very end of the tale, Evans’s efforts to abstain fail, and each time he resumes drinking, another series of misadventures ensues. Along the way, Evans encounters a world of mores and conventions rapidly changing in response to the vicissitudes of slavery, investment capital, urban mass culture, and fervent reform. Although Evans finally signs a temperance pledge, his sobriety remains haunted by the often contradictory and unsettling changes in antebellum American culture.The editors’ substantial introduction situates Franklin Evans in relation to Whitman’s life and career, mid-nineteenth-century American print culture, and many of the developments and institutions the novel depicts, including urbanization, immigration, slavery, the temperance movement, and new understandings of class, race, gender, and sexuality. This edition includes a short temperance story Whitman published at about the same time as he did Franklin Evans, the surviving fragment of what appears to be another unfinished temperance novel by Whitman, and a temperance speech Abraham Lincoln gave the same year that Franklin Evans was published.

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Over the past few decades, a wave of immigration has turned New York into a microcosm of the Americas and enhanced its role as the crossroads of the English- and Spanish-speaking worlds. Yet far from being an alien group within a "mainstream" and supposedly pure "Anglo" America, people referred to as Hispanics or Latinos have been part and parcel of New York since the beginning of the city's history. They represent what Walt Whitman once celebrated as "the Spanish element of our nationality." Hispanic New York is the first anthology to offer a comprehensive view of this multifaceted heritage. Combining familiar materials with other selections that are either out of print or not easily accessible, Claudio Ivan Remeseira makes a compelling case for New York as a paradigm of the country's Latinoization. His anthology mixes primary sources with scholarly and journalistic essays on history, demography, racial and ethnic studies, music, art history, literature, linguistics, and religion, and the authors range from historical figures, such as Jose Marti, Bernardo Vega, or Whitman himself, to contemporary writers, such as Paul Berman, Ed Morales, Virginia Sanchez Korrol, Roberto Suro, and Ana Celia Zentella. This unique volume treats the reader to both the New York and the American experience, as reflected and transformed by its Hispanic and Latino components.

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Drawing inspiration from poets like Walt Whitman, Gwendolyn Brooks and Robert Hayden, Elizabeth Alexander wrote this poem which she read at the inauguration of Barack Obama. She is the fourth poet in US history to read at a presidential inauguration. Critics have praised the poem, calling it ''beautifully subversive''. This elegant commemorative edition is published in honour of the historic occasion and will serve as a cherished reminder of one of the most closely watched inaugurations in history.

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General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.

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General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.

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Norman Mailer at 100 celebrates the author's centenary in 2023 and the seventy-fifth anniversary of the publication of his bestselling debut novel, The Naked and the Dead, by illustrating how Mailer remains a provocative presence in American letters. Novelist and Mailer scholar Robert J. Begiebing lays out how this polymath author's work makes vital contributions to the larger American literary landscape, encompassing the debates of the nation's founders, the traditions of Western Romanticism, and the juggernaut of twentieth-century modernism. The book includes six critical essays, two creative dialogues featuring Walt Whitman and Ernest Hemingway, and Begiebing's own interview with Mailer from 1983. Each piece pairs Mailer with a critical interlocutor whose work offers telling revelations about his ideas and art, among them Ralph Waldo Emerson, Carl Jung, Kate Millett, and Joan Didion. By encouraging a reconsideration of his career from its beginnings to his final books in the early twenty-first century, Norman Mailer at 100 forges a new path toward appreciating the author's achievements that underscores the extent to which his work can help us confront the challenges of today.

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General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.

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Jack Kerouac's Great American Novel, now in a delightful new Clothbound Classics editionOn the Road swings to the rhythms of 1950s underground America, jazz, sex, generosity, chill dawns and drugs, with Sal Paradise and his hero Dean Moriarty, traveller and mystic, the living epitome of Beat. Now recognized as a modern classic, its American Dream is nearer that of Walt Whitman than Scott Fitzgerald, and it goes racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion.

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Take a walk in the woods with the inimitable companionship of Henry David Thoreau, Ralph Waldo Emerson, and Walt Whitman, three of America's greatest writers about the great outdoors. The Into the Woods 2025 deluxe wall calendar features deeply engaging photos, richly layered with colorful foliage, dappled sunlight, and the overarching canopy of trees. Each one beckons us to bring nature into our lives, while an insightful quotation every month helps us focus our thoughts.

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penas adolescente descubr? el presente eterno que nos ofrece la poes?a cuando la voz rotunda de Walt Whitman transform? la biblioteca del Instituto en una pradera salvaje; con Garc?a Lorca conoc? el tesoro de leer al poeta en su lengua materna y e

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Personalidad entusiasta, esperanzadora, desbordante, de excepcional sensibilidad hacia la naturaleza, nadie expresa como Walt Whitman y su obra " Hojas de hierba " la esperanza en el alba de lo que realmente, en sus orígenes, representaba el imaginario de los Estados Unidos de América: un estado nuevo en un mundo nuevo, una tierra virgen en la que todo parecía, aún, posible. Raza, condición sexual, capacidad económica..., nada de ello era obstáculo para el " nuevo hombre " que Whitman, aun con los altibajos inevitables que provocan la historia y la naturaleza humanas, quiso encarnar.Selección y traducción de Manuel Villar Raso

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This comprehensive volume celebrates the 150th anniversary of the 1855 edition of Walt Whitman’s Leaves of Grass with twenty essays by preeminent scholars representing a variety of critical perspectives that focus exclusively on the original edition. Once regarded as primarily a collector’s item, this edition is now viewed as the poet’s most bold and compelling articulation of the possibilities of American democracy. The essays weave a rich tapestry of the most current, innovative criticism on this foundational book of American poetry. The contributors treat Whitman’s poetry, his biography, his politics, his reception in the United States and abroad, race and ethnic issues, nineteenth-century America, and even the complex typographical history of the first edition of Leaves of Grass. The volume also includes a tribute from the renowned poet Galway Kinnell.

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Over the past few decades, a wave of immigration has turned New York into a microcosm of the Americas and enhanced its role as the crossroads of the English- and Spanish-speaking worlds. Yet far from being an alien group within a "mainstream" and supposedly pure "Anglo" America, people referred to as Hispanics or Latinos have been part and parcel of New York since the beginning of the city's history. They represent what Walt Whitman once celebrated as "the Spanish element of our nationality." Hispanic New York is the first anthology to offer a comprehensive view of this multifaceted heritage. Combining familiar materials with other selections that are either out of print or not easily accessible, Claudio Ivan Remeseira makes a compelling case for New York as a paradigm of the country's Latinoization. His anthology mixes primary sources with scholarly and journalistic essays on history, demography, racial and ethnic studies, music, art history, literature, linguistics, and religion, and the authors range from historical figures, such as Jose Marti, Bernardo Vega, or Whitman himself, to contemporary writers, such as Paul Berman, Ed Morales, Virginia Sanchez Korrol, Roberto Suro, and Ana Celia Zentella. This unique volume treats the reader to both the New York and the American experience, as reflected and transformed by its Hispanic and Latino components.

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In 1955, poet Lawrence Ferlinghetti began issuing small paperback books of poetry from City Lights Bookshop in San Francisco. Since then the press has published over 230 titles and 1,500 authors. Throughout its history, City Lights Books has reflected a broad range of ideas and fresh thought, publishing writers from every part of the world and cutting across lines of culture, age, and gender. Authors include Jack Kerouac, James Joyce, Ernest Hemingway, Robert Burns, Hilda Doolittle, Diane di Prima, Allen Ginsberg, Goethe, Walt Whitman, Gregory Corso, and Karl Marx. The Cooks provide complete information on all City Lights publications from 1955 through 1990, with full decriptions of title pages, collation, contents, bindings, dates published, and print run.

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On the Road swings to the rhythms of 1950s underground America, jazz, sex, generosity, chill dawns and drugs, with Sal Paradise and his hero Dean Moriarty, traveller and mystic, the living epitome of Beat. Now recognized as a modern classic, its American Dream is nearer that of Walt Whitman than Scott Fitzgerald, and it goes racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion.

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Representative works are interpreted in light of the two great political movements of the nineteenth century: the abolition of slavery and the women's rights movement. By reexamining Emerson, Poe, Melville, Douglass, Walt Whitman, Chopin, and Faulkner and others, Rowe assesses the degree to which major writers' attitudes toward race, class, and gender contribute to specific political reforms in nineteenth and twentieth-century American culture.

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Leaves of Grass is Walt Whitman’s glorious poetry collection, first published in 1855, which he revised and expanded throughout his lifetime. It was ground-breaking in its subject matter and in its direct, unembellished style. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by Professor Bridget Bennett.Whitman wrote about the United States and its people, its revolutionary spirit and about democracy. He wrote openly about the body and about desire in a way that completely broke with convention and which paved the way for a completely new kind of poetry. This new collection is taken from the final version, the Deathbed edition, and it includes his most famous poems such as ‘Song of Myself’ and ‘I Sing the Body Electric’.

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General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.

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Nurture your relationship with yourself with The Little Book of Self-Love.The Little Book of Self-Love will show you how to practise self-compassion and kindness with uplifting quotations, real-world tips and gentle exercises, teaching you how to love yourself a little bit more every day. The Little Book of series has sold 1 million copies worldwide, with titles like The Little Book of Courage, The Little Book of Gratitude and The Little Book of Kindness. “I celebrate myself and sing myself.” – Walt Whitman

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Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collection’s first appearance in 1855 through the posthumous “Old Age Echoes” annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole. Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of “When Lilacs Last in the Door-Yard Bloom’d” and “O Captain! my Captain!” Volume III features the poems 1870–1891, plus the “Old Ages Annex” and an index to the three-volume set.

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This is a rediscovery of the bold cosmopolitan activism and professional literary adventures of six antebellum writers. By looking beyond the familiar works of Henry Wadsworth Longfellow, Ralph Waldo Emerson, Walt Whitman, Grace Greenwood, Margaret Fuller and Frederick Douglass to their public commentaries in lectures, reviews, and newspaper columns, this study uncovers their startling contributions to transatlantic culture. Louise Eckel argues that writing American literature was only one among their many vocational pursuits and that their work was powerfully influenced by wide-ranging political engagements and transnational friendships. The book's chapters balance close readings of primary texts, both literary (poems, essays) and non-literary (newspaper articles, lectures) with critically informed discussions of writers' transatlantic experiences. While each focuses on a single author, each converses with other chapters on the subjects of nationalism, cosmopolitanism, creativity, and reform. It questions the 'American' identity of representative authors, even as they test the moral and geographical limits of American nationality. It demonstrates the political and commercial power of transatlantic networking. It illuminates literature's dependence upon other modes of professional creativity. It examines archival documents alongside familiar literary works.

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General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.

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Nine years in the making, award-winning poet Kevin Connolly’s new collection extends its author’s investigation of identity, authority, intention, and authenticity.What is public poetry? In an age of tweets and trolls, what should it even try to be? Through revision, redaction, ventriloquism, homage, self-sabotage, and outright plunder, the poems in Connolly’s Xiphoid Process interrogate the alleged futility and alleged insight of mid-life. Are we who we are simply because we’d otherwise be nothing? Or are we (more hopefully) something parked, for a time, in time, trying to make something useful out of the experience? Walt Whitman, Tom Petty, Alec Baldwin, Doug Stanhope, Journey, Judd Nelson, Billy Ripken, Johnny Weissmuller, Don Felder, Lindsay Lohan, Shiprock, NM, the police blotter at Point Reyes Station, California, and the moons of Saturn are all poised to make their case in the poet’s latest deliberations.

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Since the American Revolution, there has been broad cultural consensus that “the people” are the only legitimate ground of public authority in the United States. For just as long, there has been disagreement over who the people are and how they should be represented or institutionally embodied. In Constituent Moments, Jason Frank explores this dilemma of authorization: the grounding of democratic legitimacy in an elusive notion of the people. Frank argues that the people are not a coherent or sanctioned collective. Instead, the people exist as an effect of successful claims to speak on their behalf; the power to speak in their name can be vindicated only retrospectively. The people, and democratic politics more broadly, emerge from the dynamic tension between popular politics and representation. They spring from what Frank calls “constituent moments,” moments when claims to speak in the people’s name are politically felicitous, even though those making such claims break from established rules and procedures for representing popular voice.Elaborating his theory of constituent moments, Frank focuses on specific historical instances when under-authorized individuals or associations seized the mantle of authority, and, by doing so, changed the inherited rules of authorization and produced new spaces and conditions for political representation. He looks at crowd actions such as parades, riots, and protests; the Democratic-Republican Societies of the 1790s; and the writings of Walt Whitman and Frederick Douglass. Frank demonstrates that the revolutionary establishment of the people is not a solitary event, but rather a series of micropolitical enactments, small dramas of self-authorization that take place in the informal contexts of crowd actions, political oratory, and literature as well as in the more formal settings of constitutional conventions and political associations.

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Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collection’s first appearance in 1855 through the posthumous “Old Age Echoes” annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole. Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of “When Lilacs Last in the Door-Yard Bloom’d” and “O Captain! my Captain!” Volume III features the poems 1870–1891, plus the “Old Ages Annex” and an index to the three-volume set.

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Spanning across centuries and genres, this comprehensive collection of poetry and quotes celebrates the LGBT experience in all its varied, complex forms. This moving and evocative selection features writings from a wide range of voices, including Walt Whitman, Oscar Wilde, Virginia Woolf and many more. The words within this elegant anthology meditate on a variety of themes and subjects, including identity, love, and strength. Full of passion, wit, candour and vulnerability, Pride Parade is sure to inspire and resonate with readers everywhere.

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Max Nordau was a famous writer, a practicing physician, a bourgeois examplar of enterprise and energy when his Degeneration appeared in Germany in 1892. He argued that the spirit of the times was characterized by enervation, exhaustion, hysteria, egotism, and inability to adjust or to act. Culture had degenerated, he said, and if criminals, prostitutes, anarchists, and lunatics were degenerates, so were the authors and artists of the era. Degeneration, and the controversy it aroused, served to define the fine de siècle. Its targets included Nietzsche, Oscar Wilde, Ibsen, Tolstoy, Richard Wagner, Zola, and Walt Whitman. The book was enormously influential. Nordau anticipated Freud in describing art as a product of neurosis, and he set a precedent for psychological and sociological critiques of literature. You may wish to talk back to Degeneration, as George Bernard Shaw did, but you will be entertained by its vitality. Holbrook Jackson, in The Eighteen Nineties, called the book "an example of the very liveliness of a period which was equally lively in making or marring itself."

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“Sharp and funny. Gunderson taps into a buoyant spirit ... the touching 'barbaric yawp' (Whitman's phrase) of these two deeply engaging kids.” The Washington Post Housebound by illness, Caroline hasn’t been to school in months. Confined to her room, she has only social media for company. That is until classmate Anthony bursts in – uninvited and armed with waffle fries, a scruffy copy of Walt Whitman’s poetry and a school project due the next day… Caroline is unimpressed, but an unlikely friendship develops and a seemingly mundane piece of homework starts to reveal the pair’s hopes and dreams - as well as a deep and mysterious bond that connects them even further. Finalist for the Susan Smith Blackburn Prize, 2014. This new Modern Classics edition features an introduction by Julie Felise Dubiner.

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In Personal Identity and Literature, Hogan examines what makes an individual a particular, unique self. He draws on cognitive and affective science as well as literary works - from Walt Whitman and Frederick Douglass to Dorothy Richardson, Alice Munro, and J. M. Coetzee. His scholarly analyses are also intertwined with more personal reflections, on for example his mother’s memory loss. The result is a work that examines a complex topic by drawing on a unique range of resources, from empirical psychology and philosophy to novels, films, and biographical experiences. The book provides a clear, systematic account of personal identity that is theoretically strong, but also unique and engaging.

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A rich collection of poetry that celebrates the beauty and symbolism of flowers. Beautifully illustrated with nostalgic illustrations of a range of beautiful blooms, this book includes a diverse range of poems. From verses celebrating the beginning of spring with the emergence of the snowdrops, daffodils, and bluebells to poems that honour the summer colour of asters, the heady scent of jasmine, and the brazen sunflower. The classic poets are included, including Shakespeare, Tennyson, Thomas Hardy, Walt Whitman, Emily Dickinson and Seamus Heaney. There's also range of rich poetry from less-famous names which have stood the test of time and evoke nature’s beauty.

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A selection of meaningful and enjoyable poems to inspire and be enjoyed by everyoneHere is an anthology of poems, chosen by Garrison Keillor for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." Good Poems includes verse organized by theme about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.

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General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.

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Testigo de los muchos cambios socioeconómicos y políticos que continuaban erosionando los principios republicanos, y de los innumerables intentos por recomponer el imaginario colectivo democrático norteamericano a través de nuevas formas de intervención públicas, Whitman, fervoroso creyente en las posibilidades que encerraba la prensa como herramienta ideológica al servicio de la mejora social, elabora en estas narraciones una voz profundamente enraizada en las retóricas populares y sensacionalistas de preguerra, con el fin de restañar las heridas abiertas en la utópica comunidad republicana imaginada por los padres fundadores.La producción de relatos de Walt Whitman se concentra entre agosto de 1841 y junio de 1848, y se compone de veinticuatro textos, que aparecieron en muchas ocasiones con pseudónimo o sin firmar. Él mismo haría una selección que aparecería en " Specimen Days & Collect " (1882). Su ficción criticará los males derivados de la acumulación de capital, del poder y l

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A novel about a Jewish immigrant family at the turn of the century - from Czarist Russia to Brownsville, Brooklyn. This is poet Charles Reznikoff's finest fiction.By the Waters of Manhattan was Charles Reznikoff's first novel, published in 1930 by Charles Boni in New York. Part family saga, part bildungsroman, and part unrequited love story, the novel follows the lives of a Jewish family at the turn of the century from Elizavetgrad, Russia, to Brownsville, Brooklyn, birthplace of the novel's protagonist, Ezekiel, a young poet in search of ways to feed his stomach and his soul.Like Walt Whitman, Hart Crane, and Henry Roth, Reznikoff's subject is as much the great island of Manhattan, as it is its inhabitants, struggling for their place in a new world.Milton Hindus wrote, âœBoth Whitman and Reznikoff are singers and chroniclers of the American island, the name of which derives from the language (Manna-hatta) of its original inhabitan

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This study combines an interpretive history of culture and law, political philosophy and constitutional analysis to explain the background, development and growing impact of two challenging human rights movements: feminism and gay rights. The text argues that both movements are extensions of rights-based dissent, rooted in antebellum abolitionist feminism which condemns both American racism and sexism. It examines the role of dissident African Americans, Jews, women and homosexuals in forging alternative visions of rights-based democracy. The book draws attention to Walt Whitman's visionary poetry, exploring Whitman's impact on pro-gay advocates such as Havelock Ellis, Oscar Wilde and Andre Gide. It also discusses writers and reformers such as Margaret Sanger, Franz Boas, Elizabeth Stanton and Adrienne Rich. The study addresses recent controversies such as the exclusion of homosexuals from the military and from the right of marriage, and concludes with a defence of the struggle for such constitutional rights.

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In National Melancholy, Breitwieser offers close readings of important American writers (Anne Bradstreet, Thomas Jefferson, Walt Whitman, Henry David Thoreau, Sarah Orne Jewett, F. Scott Fitzgerald, and Jack Kerouac) who were struggling to understand mourning, both in their own experience and in the abstract. He draws attention to their inquiries into the way mourning gets blocked or diverted, especially into external social interferences with mourning designed to transform mournful emotions into feelings of solidarity with national causes, and into the depression that follows from such false mourning. Emphasizing their struggle to repossess mourning, he argues that for several of them reclaimed mourning opened a door onto a strange and fresh understanding of experience.

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Ten long poems that try to do for America what Shakespeare did for England: turn history and legend into poetry.American Cycle, a sequence of long poems inspired by our folklore and past, was written over forty-seven years. Its themes are love, local mythology, history, justice, memory, accomplishment, time. "The books are extraordinary, sustained explosions of authentic American language and energy. Each is entirely different from the others in style, voice, form and narrative content; each so rich in imagery and nuance and texture and event and so finely crafted. . . " —Paul Williams, author of Bob Dylan: Performing Artist. Its styles are connected to our speech: Spanish words loaned from Old California, rough colloquialisms in Paul Bunyan, the power of African-American vernacular English in John Henry, bare oratory in Chief Joseph, old west phrases in Wyatt Earp, circus ballyhoo in P. T. Barnum, aviation jargon in Amelia Earhart, backwoods dialect in Blue Ridge. As Walt Whitman says, "I hear America singing, the varied carols. . .”

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In following up his translation of Contracanto a Walt Whitman / Countersong to Walt Whitman, the publication of Jonathan Cohen’s translation of Poemas de buen amor... y a veces de fantasia, by the great national poet of the Dominican Republic, and an unquestionably major Caribbean poet, Pedro Mir, shows another side entirely of Mir’s work: intensely political in the Countersong, sensual and erotic in Poems of Good Love. There is a challenge that the translator rises to in making English language poems that are truthful to the deliberately opaquer language of this collection in comparison to the communicative clarity of Mir’s more overtly political collections. Here, Mir sets himself the task of writing about love in a way that is truthful to the Marxist historical materialism he embraced, in contrast to what he saw as the conventions of love poetry where love is seen as some kind of disembodied spiritual experience. As the introduction by Silvio Torres-Saillant makes clear, there were negatives as well as positives that followed from the task Mir set himself. It is obvious that fifty years ago (1969), feminism had not yet penetrated Mir’s Latin American Marxism and there are elements of the patriarchal, indeed of the religiously Catholic in Mir’s insistence that the chief purpose of love is procreation. What Mir triumphantly gives us, though, is a celebration of the carnality of love and the sheer joy of sex as the biological gift that (perhaps) ensures our continuance as a human species.With an introduction by Silvio Torres-Saillant

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