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THE INSTANT TOP 10 BESTSELLER Can YOU guess who killed Jamie Lawrence? 'Impossible to put down' HELEN FIELDING international bestselling author of Bridget Jones's Diary'I adored it' GILLIAN MCALLISTER Sunday Times bestselling author of That Night'Totally gripping . . . Nicole Kidman TV miniseries is written all over it' SUNDAY TELEGRAPH 'The final twist genuinely blindsided me' Reader Review'Immensely entertaining' LOUISE CANDLISH Sunday Times bestselling author of Our House'A runaway train ride of a thriller' SUN 'Cracking . . . [Payday] rips along, full of tension and drama' DAILY MAIL 'A must read' JANE CORRY Sunday Times bestselling author of My Husband's Wife'Prepare to be wrong-footed at every turn' CAZ FREAR Number One bestselling author of Sweet Little Lies'Highly recommended, I cannot fault it' Reader Review______________________Late one night, three women share secrets. They barely know each other, but they all know Jamie Lawrence. They know what he's guilty of. And they agree something must be done. But as their plan spirals out of control, they begin to doubt themselves . . . and each other. Then Jamie is found dead. And suddenly everything is at stake. As lies are unravelled and truths exposed, two urgent questions emerge: Who is really guilty? And who will have to pay? ______________________'This year's most electrifying ride' CHANDLER BAKER New York Times bestselling author of Whisper Network'Sensational' TONY PARSONS Number One bestselling author'Ratchets up the tension until the final couldn't-see-it-coming twist' ELLERY LLOYD author of People Like Her, a Richard & Judy bookclub pick'I absolutely loved it. It's unputdownable, a great mystery and a fantastic read' BARBARA TAYLOR BRADFORD international bestselling author 'An intelligent, thought-provoking story with some great twists' ALLIE REYNOLDS author of Shiver'Gripping from the start' Reader Review'I inhaled it' JESSICA FELLOWES international bestselling author of The Mitford Murders'Crackles with energy and the plot whipped me along' EMMA CURTIS bestselling author of One Little Mistake'I could not put it down' Reader Review'Really compelling . . . the characterisation is excellent' Reader Review'A page turner that will provoke many a debate' C.J. COOPER bestselling author of The Book Club

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Winner, Barbara Sudler Award, Colorado Historical Society, 2010It's no overstatement to say that the state of Texas is a republic of barbecue. Whether it's brisket, sausage, ribs, or chicken, barbecue feeds friends while they catch up, soothes tensions at political events, fuels community festivals, sustains workers of all classes, celebrates brides and grooms, and even supports churches. Recognizing just how central barbecue is to Texas's cultural life, Elizabeth Engelhardt and a team of eleven graduate students from the University of Texas at Austin set out to discover and describe what barbecue has meant to Texans ever since they first smoked a beef brisket.Republic of Barbecue presents a fascinating, multifaceted portrait of the world of barbecue in Central Texas. The authors look at everything from legendary barbecue joints in places such as Taylor and Lockhart to feedlots, ultra-modern sausage factories, and sustainable forests growing hardwoods for barbecue pits. They talk to pit masters and proprietors, who share the secrets of barbecue in their own words. Like side dishes to the first-person stories, short essays by the authors explore a myriad of barbecue's themes—food history, manliness and meat, technology, nostalgia, civil rights, small-town Texas identity, barbecue's connection to music, favorite drinks such as Big Red, Dr. Pepper, Shiner Bock, and Lone Star beer—to mention only a few. An ode to Texas barbecue in films, a celebration of sports and barbecue, and a pie chart of the desserts that accompany brisket all find homes in the sidebars of the book, while photographic portraits of people and places bring readers face-to-face with the culture of barbecue.

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An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched.This volume contributes to the vibrant, ongoing recuperative work on women’s writing by shedding new light on a group of authors commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The neologism ‘interfeminism’ – coined to partner Kristin Bluemel’s ‘intermodernism’ – locates this group chronologically and ideologically between two ‘waves’ of feminism, whilst also forging connections between the political and cultural monoliths that have traditionally overshadowed them. Drawing attention to the strengths of this ‘out-of-category’ writing in its own right, this volume also highlights how intersecting discourses of gender, class and society in the interwar and postwar periods pave the way for the bold reassessments of female subjectivity that characterise second and third wave feminism.The essays showcase the stylistic, cultural and political vitality of a substantial group of women authors of fiction, non-fiction, drama, poetry and journalism including Vera Brittain, Storm Jameson, Nancy Mitford, Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, Kamala Markandaya, Susan Ertz, Marghanita Laski, Elizabeth Bowen, Edith Pargeter, Eileen Bigland, Nancy Spain, Vera Laughton Matthews, Pamela Hansford Johnson, Dorothy Whipple, Elizabeth Taylor, Daphne du Maurier, Barbara Comyns, Shelagh Delaney, Stevie Smith and Penelope Mortimer. Additional exploration of the popular magazines Woman’s Weekly and Good Housekeeping and new material from the Vera Brittain archive add an innovative dimension to original readings of the literature of a transformative period of British social and cultural history.List of contributors: Natasha Periyan, Eleanor Reed, Maroula Joannou , Lola Serraf, Sue Kennedy, Ana Ashraf, Chris Hopkins, Gill Plain, Lucy Hall, Katherine Cooper, Nick Turner, Maria Elena Capitani, James Underwood, and Jane Thomas.

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From Daniel Silva, the No.1 New York Times bestselling author, comes a modern masterpiece of espionage, love, and betrayal. She was his best-kept secret … In an isolated village in the mountains of Andalusia, a mysterious Frenchwoman begins work on a dangerous memoir. It is the story of a man she once loved in the Beirut of old, and a child taken from her in treason’s name. The woman is the keeper of the Kremlin’s most closely guarded secret. Long ago, the KGB inserted a mole into the heart of the West – a mole who stands on the doorstep of ultimate power. Only one man can unravel the conspiracy: Gabriel Allon, the legendary art restorer and assassin who serves as the chief of Israel’s vaunted secret intelligence service. Gabriel has battled the dark forces of the new Russia before, at great personal cost. Now he and the Russians will engage in a final epic showdown, with the fate of the postwar global order hanging in the balance. Praise for Daniel Silva: ‘A tense, thrilling adventure’ Huffington Post ‘It is Silva’s creative genius that keeps it all moving, as well as his mastery of storytelling that keeps the intense momentum of the plot ever pushing forward’ Huffington Post ‘A fitting final mission for one of fiction’s greatest spies… A dark thriller for difficult times’ Kirkus Review ‘Fascinating, suspenseful, and bated-breath exciting’ Publishers Weekly ‘Silva builds suspense like a symphony conductor… A winner on all fronts’ Booklist ‘A truly talented writer’ Sun ‘Allon is the 21st century Bond – elegantly paced, subtle and well-informed.’ Daily Mail 'Sexily brooding Allon… must be the most famous superspy not played by Daniel Craig' Daily Telegraph ‘Silva builds tension with breathtaking double and triple turns of the plot’ People ‘A world class practitioner of spy fiction’ Washington Post ‘Silva is a master of suspense’ Barbara Taylor Bradford, The Week

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From Scarlett O'Hara to Thelma and Louise to Wonder Woman, a wide range of strong female leads have not only lit up the screen -- they've fired our inspiration with their courage, their independence, and their refusal to follow the rules. Some dynamic women are naughty and some are nice, but all of them buck the narrow confines of their expected gender role -- whether by taking small steps or revolutionary strides.Through engaging profiles and dozens of photographs, Dynamic Dames looks at fifty of the most empowered and inspiring female roles in film from the 1920s to today. The characters are discussed along with the exciting off-screen personalities and achievements of the actresses and, on occasion, female writers and directors, who brought them to vibrant life.Among the stars profiled in their most revolutionary roles are Bette Davis, Mae West, Barbara Stanwyck, Josephine Baker, Greta Garbo, Audrey Hepburn, Natalie Wood, Barbra Streisand, Julia Roberts, Meryl Streep, Joan Crawford, Vivien Leigh, Elizabeth Taylor, Dorothy Dandridge, Katharine Hepburn, Pam Grier, Jane Fonda, Gal Gadot, Emma Watson, Zhang Ziyi, Uma Thurman, and Jennifer Lawrence.

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Described by David Lodge as “the most gifted and innovative writer of her generation,” Muriel Spark had a literary career that spanned from the late 1940s until her death in 2006, and included poems, stories, plays, essays, and, most notably, novels. The extensive bibliography of her works included in this collection reveals the astonishing output of a powerful and sustained creative spirit. Hidden Possibilities gathers a distinguished group of writers from both sides of the Atlantic to offer an informed overview of Muriel Spark’s life and work. Critics have often read Spark in a somewhat narrow context—as a Catholic, a woman, or a Scottish writer. The essays in this volume, while making connections between these contexts, cumulatively situate her in a broader European tradition. The volume includes interviews with Spark that cast light both on the course of her professional life and on her notably distinctive personality. Contributors: Regina Barreca, Gerard Carruthers, Barbara Epler, John Glavin, Dan Gunn, Robert E. Hosmer Jr., Joseph Hynes, Gabriel Josipovici, Frank Kermode, John Lanchester, Doris Lessing, David Malcolm, John Mortimer, Alan Taylor, and John Updike.

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Written during a time of great political turmoil, social anxiety, and against the backdrop of the French Revolution, Wollstonecraft’s argument continues to challenge and inspire. This revised and expanded Third Edition is again based on the 1792 second-edition text and is accompanied by revised and expanded explanatory annotations. “Backgrounds and Contexts” is also significantly expanded and contains twenty-four works organized thematically into these groupings: “Legacies of English Radicalism,” “Education,” “Wollstonecraft’s Revolutionary Moment,” and “The Wollstonecraft Debate.” Opinions on a variety of reforms that may be compared and contrasted with Wollstonecraft’s include those by John Milton, John Locke, Mary Astell, Jean-Jacques Rousseau, Hannah More, Richard Price, Edmund Burke, Maria Edgeworth, and William Godwin, among others. “Criticism” includes six seminal essays on A Vindication of the Rights of Woman by Elissa S. Guralnick, Mitzi Myers, Cora Kaplan, Mary Poovey, Claudia L. Johnson, and Barbara Taylor. A Chronology of Wollstonecraft’s life and work and a Selected Bibliography are also included.

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NEW YORK TIMES BESTSELLER From living rooms to church basements, Sarah Bessey grew up amongst prayer circles filled with women from diverse backgrounds who prayed in diverse ways. In A Rhythm of Prayer she captures the spirit of those prayer circles, bringing together a range of faith leaders, including Barbara Brown Taylor, Amena Brown, Nadia Bolz-Weber and many more, to offer daily inspiration for connecting with God. With thirty one original prayers for every mood – tiredness, anger and sorrow as well as hope, love and reconciliation – and journaling pages to add your own prayers to the circle, this is not just a devotional book, but a celebration of unique voices. It is also a warm, inviting invitation to renew and revitalise your prayer life, ideal for anyone who is looking for fresh ideas for prayer or for those just starting to explore prayer for the first time. Filled with wisdom, compassion and words of poetic beauty, A Rhythm of Prayer is a Christian prayer book that provides spiritual nourishment and guidance. It will leave you feeling connected to others who also walk with God and less alone in difficult, uncertain times.

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Featuring a brand new introduction from bestselling author, Lindsey Kelk, talking about what Jackie and her books mean to her! ‘A roaring page-turner’ LINDSEY KELK 'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVER Hollywood - glittering premieres, dazzling movie sets, fabulous parties, plush love-nests hidden in Malibu and Beverly Hills. Behind the gorgeous playgrounds of the rich and renowned lies a jungle of lust and perversity, greed and ambition, love and danger - where survival is all and innocence is a role nobody plays for long. Jackie Collins uncovers all the sex, all the scandals, all the private obsessions of filmland's famous in the shocking, passionate world of sinners. There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Jackie’s heroines don’t take off their clothes to please a man, but to please themselves’ CLARE MACKINTOSH ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD

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'Funny, sexy and glamorous' JOJO MOYES 'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVERFeaturing a new introduction from bestselling author, Jo Thomas, talking about what Jackie and her books mean to her! ‘Jackie’s skill as a writer is enviable. Rereading Chances I was totally hooked in from the start, into all the lives that were playing out in front of me’ JO THOMAS The book that made Jackie Collins one of Britain's favourite authors sweeps you from the sophisticated playgrounds of Europe to the glittering gambling palaces of Las Vegas. It plunges you into the reckless, dangerous world of the Santangelo crime family. It introduces you to Gino Santangelo, the street kid who makes it all the way to the top. And then it brings you Lucky - his sensual and passionate daughter; a woman who dares to win her father's empire for herself; a woman unafraid of taking CHANCES. There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘Collins was saying that women didn’t have to centre round men, either in books or in life’ JESSIE BURTON ‘Jackie lived the Hollywood dream, but, she looked sideways at it, and then shared the dirt with her readers’ JULIET ASHTON ‘What radiates from her novels, is a sense that women are capable of great things’ ALEXANDRA HEMINSLEY

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The prequel to the million-copy bestseller, A Woman of Substance, where, high on the Yorkshire moors, the story of Blackie O’Neill and Emma Harte begins… Orphaned and alone, 13-year-old Blackie O’Neill must leave County Kerry to find work and put food in his mouth. His only chance of survival lies with his mother’s brother, far away in Leeds. There, amid the noise and bustle, the mills and manufactories of the clothing industry that have made Leeds one of England’s most prosperous cities, Blackie’s spark of ambition becomes a flame. Working in his Uncle’s business, he nurtures a dream of throwing off the impotence of poverty, of building houses and perhaps even of becoming a gentleman. And then, high on the Yorkshire moors, in the mists of a winter morning, he meets a kitchen maid called Emma Harte. And as the Victorian world gives way to the freedom of the Edwardian age, so a young man and a servant girl seize a chance, against the odds, to build a better life… ‘Heart-soaring and hopefuly, this is a story about love, courage and ambition. A true treat for anyone fell in love with the original novel’ Yours ‘This captivating read chronicles 13-year-old orphan Blackie O’Neill’s migration from Ireland . . . when he meets Emma Harte, it ignites a lifetime of friendship’ Woman Don’t miss this stunning new novel from Barbara Taylor Bradford!

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‘Allon is the 21st century Bond’ Daily Mail No. 1 New York Times bestselling author Daniel Silva delivers another stunning thriller in his latest tale of high-stakes international intrigue featuring the inimitable Gabriel Allon. Legendary spy and art restorer Gabriel Allon is poised to become the chief of Israel’s secret intelligence service. But on the eve of his promotion, events conspire to lure him into the field for one final operation. ISIS has detonated a massive bomb in the Marais district of Paris, and a desperate French government wants Gabriel to eliminate the man responsible before he can strike again. They call him Saladin … He is a terrorist mastermind whose ambition is as grandiose as his nom de guerre, a man so elusive that even his nationality is not known. Shielded by sophisticated encryption software, his network communicates in total secrecy, leaving the West blind to his planning – and leaving Gabriel no choice but to insert an agent into the most dangerous terrorist group the world has ever known. She is an extraordinary young doctor as brave as she is beautiful. At Gabriel’s behest, she will pose as an ISIS recruit in waiting, a ticking time bomb, a black widow out for blood. Praise for Daniel Silva: ‘It is Silva’s creative genius that keeps it all moving, as well as his mastery of storytelling that keeps the intense momentum of the plot ever pushing forward’ Huffington Post 'Sexily brooding Allon… must be the most famous superspy not played by Daniel Craig' Daily Telegraph ‘Fascinating, suspenseful, and bated-breath exciting’ Publishers Weekly ‘A fitting final mission for one of fiction’s greatest spies… A dark thriller for difficult times’ Kirkus Review ‘A truly talented writer’ Sun ‘elegantly paced, subtle and well-informed.’ Daily Mail ‘Silva builds tension with breathtaking double and triple turns of the plot’ People ‘A world class practitioner of spy fiction’ Washington Post ‘Silva is a master of suspense’ Barbara Taylor Bradford, The Week

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Despite the fact that most of jazz’s major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain’t But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain’t But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols. Contributors Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron Wynn

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Liberal Democracy and its Critics examines the contribution of eleven contemporary political social theorists to understanding democracy today. The theorists are prominent in political and philosophical debates in the 1990s, for example between neo-liberalism (Hayek) and social liberalism (Rawls), and between liberalism and republicanism (Arendt), communitarianism (Taylor and Walzer), 'anti-political politics' (Havel) and feminism (Pateman and Young). The book also explores how the philosophical defence of universalism (Habermas) or critiques of it (Foucault and Rorty) impinge on assessments of liberal democracy. The eleven theorists reflect varying approaches to key issues in democratic thought since 1945: liberal constitutionalism or popular sovereignty, elitism or participation and parliamentary or council democracy. Many also engage with more recent themes such as civil society, the politics of difference, deliberative democracy, and the nature of cosmopolitan democracy. Some focus on the justification of democracy, others make specific institutional proposals. The chapters set the thinkers within their intellectual and political contexts and explore the relationship between their philosophical positions and explicit or implicit views on democracy. They will be of interest both to students of contemporary social thought and of democracy. Contributors to the book include Margaret Canovan, April Carter, Don Fletcher, John Horton, Mark Kingwell, Chandran Kukathas, Martin Leet, Lois McNay, Barbara Sullivan, Katherine Welton and Jonathan Wolff.

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Liberal Democracy and its Critics examines the contribution of eleven contemporary political social theorists to understanding democracy today. The theorists are prominent in political and philosophical debates in the 1990s, for example between neo-liberalism (Hayek) and social liberalism (Rawls), and between liberalism and republicanism (Arendt), communitarianism (Taylor and Walzer), 'anti-political politics' (Havel) and feminism (Pateman and Young). The book also explores how the philosophical defence of universalism (Habermas) or critiques of it (Foucault and Rorty) impinge on assessments of liberal democracy. The eleven theorists reflect varying approaches to key issues in democratic thought since 1945: liberal constitutionalism or popular sovereignty, elitism or participation and parliamentary or council democracy. Many also engage with more recent themes such as civil society, the politics of difference, deliberative democracy, and the nature of cosmopolitan democracy. Some focus on the justification of democracy, others make specific institutional proposals. The chapters set the thinkers within their intellectual and political contexts and explore the relationship between their philosophical positions and explicit or implicit views on democracy. They will be of interest both to students of contemporary social thought and of democracy. Contributors to the book include Margaret Canovan, April Carter, Don Fletcher, John Horton, Mark Kingwell, Chandran Kukathas, Martin Leet, Lois McNay, Barbara Sullivan, Katherine Welton and Jonathan Wolff.

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Described by David Lodge as “the most gifted and innovative writer of her generation,” Muriel Spark had a literary career that spanned from the late 1940s until her death in 2006, and included poems, stories, plays, essays, and, most notably, novels. The extensive bibliography of her works included in this collection reveals the astonishing output of a powerful and sustained creative spirit. Hidden Possibilities gathers a distinguished group of writers from both sides of the Atlantic to offer an informed overview of Muriel Spark’s life and work. Critics have often read Spark in a somewhat narrow context—as a Catholic, a woman, or a Scottish writer. The essays in this volume, while making connections between these contexts, cumulatively situate her in a broader European tradition. The volume includes interviews with Spark that cast light both on the course of her professional life and on her notably distinctive personality. Contributors: Regina Barreca, Gerard Carruthers, Barbara Epler, John Glavin, Dan Gunn, Robert E. Hosmer Jr., Joseph Hynes, Gabriel Josipovici, Frank Kermode, John Lanchester, Doris Lessing, David Malcolm, John Mortimer, Alan Taylor, and John Updike.

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The legendary Emma Harte, heroine of A Woman of Substance, returns… At the centre of this sweeping saga stands Paula O'Neill, beloved granddaughter of Emma and the guardian of her vast business empire. Paula believes that all that Emma left to the family is secure. However, beneath the surface sibling rivalry and discontent are beginning to flare. Into this volatile mix walks Evan Hughes, a young American fashion designer. On her deathbed, Evan's grandmother told her to find Emma Harte. But Emma has been dead for thirty years; and Evan bears an uncanny resemblance to Paula O'Neill. Troubled by Evan's presence, Paula turns to Emma's recently discovered war-time diaries to find the truth… The decades fall away. It is London during The Blitz and Emma Harte comes vividly back to life. Working hard under war-time conditions, she is also holding her family together as bombs drop, sirens wail and her sons go off to war. As she struggles to cope, the indomitability, will power and strength that have forged Emma into the woman she is all come to the fore. As the pages unfurl, Paula discovers the secret Emma Harte took to the grave to protect others. Emma's Secret is vintage Barbara Taylor Bradford. Emotion, drama, intrigue and passion fill the pages in a spellbinding novel which only she could write.

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Though Easter (like Christmas) is often trivialized by the culture at large, it is still the high point of the religious calendar for millions of people around the world. And for most of them, there can be no Easter without Lent, the season that leads up to it. A time for self-denial, soul-searching, and spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes more than seventy Lenten and Easter readings by Alexander Stuart Baillie, Alfred Kazin, Alister E. McGrath, Amy Carmichael, Barbara Brown Taylor, Barbara Cawthorne Crafton, Blaise Pascal, Brennan Manning, C. S. Lewis, Christina Rossetti, Christoph Friedrich Blumhardt, Clarence Jordan, Dag Hammarskjöld, Dale Aukerman, Dietrich Bonhoeffer, Dorothee Soelle, Dorothy Day, Dorothy Sayers, Dylan Thomas, E. Stanley Jones, Eberhard Arnold, Edith Stein, Edna Hong, Emil Brunner, Ernesto Cardenal, Fleming Rutledge, Frederica Mathewes-Green, Frederick Buechner, Fyodor Dostoevsky, G. K. Chesterton, Geoffrey Hill, George MacDonald, Henri Nouwen, Henry Drummond, Howard Hageman, J. Heinrich Arnold, Jean-Pierre de Caussade, Johann Christoph Arnold, John Dear, John Donne, John Howard Yoder, John Masefield, John Stott, John Updike, Joyce Hollyday, Jürgen Moltmann, Kahlil Gibran, Karl Barth, Kathleen Norris, Leo Tolstoy, Madeleine L’Engle, Malcolm Muggeridge, Martin Luther, Meister Eckhart, Morton T. Kelsey, Mother Teresa, N. T. Wright, Oscar Wilde, Oswald Chambers, Paul Tillich, Peter Kreeft, Philip Berrigan, Philip Yancey, Romano Guardini, Sadhu Sundar Singh , Saint Augustine, Simone Weil, Søren Kierkegaard, Thomas à Kempis , Thomas Howard, Thomas Merton, Toyohiko Kagawa, Walter J. Ciszek, Walter Wangerin, Watchman Nee, Wendell Berry and William Willimon.

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This groundbreaking volume, written entirely by women, examines the vastly misunderstood and multilayered world of the veil. Veiling - of women, of men, and of sacred places and objects - has existed in countless cultures and religions from time immemorial. Today, veiling is a globally polarizing issue, a locus for the struggle between Islam and the West and between contemporary and traditional interpretations of Islam. But veiling was a practice long before Islam and still extends far beyond the Middle East. This book explores and examines the cultures, politics, and histories of veiling. Twenty-one gifted writers and scholars, representing a wide range of societies, religions, ages, locations, races, and accomplishments, here elucidate, challenge, and/or praise the practice. Expertly organized and introduced by Jennifer Heath, who also writes on male veiling, the essays are arranged in three parts: the veil as an expression of the sacred; the veil as it relates to the emotional and the sensual; and, the veil in its sociopolitical aspects. This unique, dynamic, and insightful volume is illustrated throughout. It brings together a multiplicity of thought and experience, much of it personal, to make readily accessible a difficult and controversial subject. The contributors include Kecia Ali, Michelle Auerbach, Sarah C. Bell, Barbara Goldman Carrel, Eve Grubin, Roxanne Kamayani Gupta, Jana M. Hawley, Jasbir Jain, Mohja Kahf, Laurene Lafontaine, Shireen Malik, Maliha Masood, Marjane Satrapi, Aisha Shaheed, Rita Stephan, Pamela K. Taylor, Ashraf Zahedi, Dinah Zeiger, and Sherifa Zuhur.

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Featuring a brand new introduction from bestselling author, Lucy Vine, talking about what Jackie and her books mean to her! ‘Only Jackie Collins gets to be a noun and a verb and an adjective’ LUCY VINE'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVER Five dynamic, powerful and famous couples are invited on the maiden voyage of a Russian billionaire's yacht. Could this be the trip of a lifetime? The Power Trip - take it if you dare. There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Jackie’s heroines don’t take off their clothes to please a man, but to please themselves’ CLARE MACKINTOSH ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘Jackie wrote with shameless ambition, ruthless passion and pure diamond-dusted sparkle’ CATHERINE STEADMAN ‘Here is a woman who not only wanted to entertain her readers, but also to teach them something; about the world and about themselves’ ISABELLE BROOM ‘There’s a lot a drag queen can learn from Jackie’ TOM RASMUSSEN ‘Lessons galore on every page… about feminism, equality, tolerance and love’ CARMEL HARRINGTON ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie bought a bit of glitter, sparkle and sunshine into our humdrum existence’ VERONICA HENRY ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘Jackie lived the Hollywood dream, but, she looked sideways at it, and then shared the dirt with her readers’ JULIET ASHTON ‘What radiates from her novels, is a sense that women are capable of great things’ ALEXANDRA HEMINSLEY

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From Miami to Beverly Hills, from Mexico City and Acapulco to Las Vegas, Lucky Santangelo is back! And so is the illegitimate son Anthony Bonar, of her one time Godfather and lethal enemy, Enzio Bonnati.Featuring a brand new introduction from bestselling author, Melanie Blake, talking about what Jackie and her books mean to her! 'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers' COLLEEN HOOVER 'There will never be another Jackie Collins, she’s the sassiest fairy godmother of all’ MELANIE BLAKE There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Jackie’s heroines don’t take off their clothes to please a man, but to please themselves’ CLARE MACKINTOSH ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘Here is a woman who not only wanted to entertain her readers, but also to teach them something; about the world and about themselves’ ISABELLE BROOM ‘There’s a lot a drag queen can learn from Jackie’ TOM RASMUSSEN ‘Lessons galore on every page… about feminism, equality, tolerance and love’ CARMEL HARRINGTON ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie bought a bit of glitter, sparkle and sunshine into our humdrum existence’ VERONICA HENRY ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘Collins was saying that women didn’t have to centre round men, either in books or in life’ JESSIE BURTON ‘What radiates from her novels, is a sense that women are capable of great things’ ALEXANDRA HEMINSLEY

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'Fascinating . . . a poignant book . . . an unusual and absolutely authentic view of those convulsive years' OBSERVER 'Each story in Wave Me Goodbye is a relic of the Second World War' SUNDAY TIMES 'This is as stark and acidic a collection of war stories as you will read . . . Stripped bare of the sentimentalism attached to love in wartime' SCOTSMAN This collection of wartime stories includes some of the finest writers of a generation. War had traditionally been seen as a masculine occupation, but these stories show how women were equal if different participants. Here, war is less about progress on the frontline of battle than about the daily struggle to keep homes, families and relationships alive; to snatch pleasure from danger, and strength from shared experience. The stories are about saying goodbye to husbands, lovers, brothers and sons - and sometimes years later trying to remake their lives anew.By turn comical, stoical, compassionate, angry and subversive, these intensely individual voices bring a human dimension to the momentous events that reverberated around them and each opens a window on to a hidden landscape of war.Writers include: Jean Rhys, Beryl Bainbridge, Elizabeth Bowen, Elizabeth Taylor, Stevie Smith, Rosamond Lehmann, Barbara Pym, Angela Thirkell, Sylvia Townsend Warner, Dorothy Parker, Doris Lessing, Olivia Manning, Rose Macaulay and Stevie Smith

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Gripping family drama from household name Prue Leith. Perfect for fans of Penny Vincenzi and Barbara Taylor Bradford.'An unmissable read packed with secrets and revelations' OK!The Angelotti family reels when the lost son, given up for adoption in the war, traces his birth family and returns to the fold, with devastating consequences. As poverty-stricken newlyweds, Laura and Giovanni Angelotti were forced to put their first child - a boy - up for adoption. They have had other children since, and their first little Italian cafe has become a restaurant empire, but Laura is still haunted by thoughts of the baby she lost.Tom is a successful businessman enjoying the fast-paced City lifestyle - until his best friend and business partner is killed in the 9/11 attacks and his world turns upside down. Searching for meaning in his life, he decides to track down his birth family: the Angelottis.But Laura has been keeping an explosive secret about Tom's parentage that means his reappearance in her life is bittersweet. She may have found her son, but will it be at the cost of everything it has taken her fifty years to build?

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'What happens when Black artists depict Black figures? What art does this produce, and what worlds of possibility does this reveal?' - Ekow Eshun Reframing the Black Figure showcases more than 20 of the most important Black figurative artists working in the UK and US today. This visual giftbook introduces readers to the field of Black figuration by highlighting a selection of key works from the National Portrait Gallery exhibition, The Time is Always Now: Artists Reframe the Black Figure. Readers will encounter contemporary Black artists producing beautiful, urgent artworks that presents the Black form with nuance and depth. Richly illustrated with artworks and visual details, alongside short biographies for all featured artists, this accessible publication offers an opportunity for readers to experience some of the most exciting artworks depicting the Black form. Within this context, they take on a dual role, as the accomplished work of individual artists on the one hand, and as a collective assertion of Black presence on the other. Featured artists include Hurvin Anderson, Michael Armitage, Jordan Casteel, Njideka Akunyili Crosby, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Toyin Ojih Odutola, Chris Ofili, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor and Barbara Walker.

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Featuring a brand new introduction from bestselling author, Rowan Coleman, talking about what Jackie and her books mean to her! ‘What Jackie Collins knew how to do so well, and what I think we miss a little bit in twenty-first century fiction, is to tell a thumping good story just for the sake of the story itself’ ROWAN COLEMAN'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVERThe Bitch is the sizzling sequel to The Stud. There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Jackie’s heroines don’t take off their clothes to please a man, but to please themselves’ CLARE MACKINTOSH ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘I read hundreds of books every year. But Jackie Collins’ novels are the only ones I can read over and over’ AMY ROWLAND ‘Jackie wrote with shameless ambition, ruthless passion and pure diamond-dusted sparkle’ CATHERINE STEADMAN ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie bought a bit of glitter, sparkle and sunshine into our humdrum existence’ VERONICA HENRY ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘Collins was saying that women didn’t have to centre round men, either in books or in life’ JESSIE BURTON ‘Jackie lived the Hollywood dream, but, she looked sideways at it, and then shared the dirt with her readers’ JULIET ASHTON ‘What radiates from her novels, is a sense that women are capable of great things’ ALEXANDRA HEMINSLEY

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*SHORTLISTED FOR THE BRITISH BOOK DESIGN AND PRODUCTION AWARDS 2023*'A fascinating, whistle-stop tour of LGBTQIA+ icons and allies from across the globe and throughout history... This will be a great LGBTQIA+ reference book for years to come.' Peter Tatchell - Human Rights CampaignerA fun and fascinating compendium of LGBTQ+ icons, one for every day of the year, and a celebration of queer history – or as RuPaul would say; Herstory! Discover your queer hero and learn something new every day with 365 Gays of the Year, an accessible and fun introduction to LGBTQ+ history through the people that made it.Carefully curated and thoughtfully researched, author Lewis Laney assigns a person or group of note to each day of the year to form the ultimate LGBTQ+ hall of fame. Legendary queer icons such as Marsha P Johnson and Freddie Mercury sit alongside lesser known but equally important names such as activist Renée Cafiero, blood donor Barbara Vick, and Sappho the lesbian poet (who was doing her thing in 570BC). All have contributed amazing achievements to the LGBTQ+ story. Each month also features one ally - inspiring heterosexual people who have all contributed something significant to the lives of the LGBTQ+ community. People like Elizabeth Taylor who “brought AIDS out of the closet and into the ballroom ­– where there was money to be raised”. Each entry comprises a short biography plus a brief explanation about why that celebratory date represents an important milestone. Lewis brings international figures to life (famous and lesser-known) with his witty and uplifting prose which are peppered with little-known facts and accompanied by bright illustrative portraits from the hugely talented Charlotte MacMillan-Scott. This witty, unique celebration of queer history promises to inspire and empower readers with its wealth of bright stars.

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From Daniel Silva, the No.1 New York Times bestselling author, comes a modern masterpiece of espionage, love, and betrayal. She was his best-kept secret … In an isolated village in the mountains of Andalusia, a mysterious Frenchwoman begins work on a dangerous memoir. It is the story of a man she once loved in the Beirut of old, and a child taken from her in treason’s name. The woman is the keeper of the Kremlin’s most closely guarded secret. Long ago, the KGB inserted a mole into the heart of the West – a mole who stands on the doorstep of ultimate power. Only one man can unravel the conspiracy: Gabriel Allon, the legendary art restorer and assassin who serves as the chief of Israel’s vaunted secret intelligence service. Gabriel has battled the dark forces of the new Russia before, at great personal cost. Now he and the Russians will engage in a final epic showdown, with the fate of the postwar global order hanging in the balance. Praise for Daniel Silva: ‘A tense, thrilling adventure’ Huffington Post ‘It is Silva’s creative genius that keeps it all moving, as well as his mastery of storytelling that keeps the intense momentum of the plot ever pushing forward’ Huffington Post ‘A fitting final mission for one of fiction’s greatest spies… A dark thriller for difficult times’ Kirkus Review ‘Fascinating, suspenseful, and bated-breath exciting’ Publishers Weekly ‘Silva builds suspense like a symphony conductor… A winner on all fronts’ Booklist ‘A truly talented writer’ Sun ‘Allon is the 21st century Bond – elegantly paced, subtle and well-informed.’ Daily Mail 'Sexily brooding Allon… must be the most famous superspy not played by Daniel Craig' Daily Telegraph ‘Silva builds tension with breathtaking double and triple turns of the plot’ People ‘A world class practitioner of spy fiction’ Washington Post ‘Silva is a master of suspense’ Barbara Taylor Bradford, The Week

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The great-grandaughters of Emma Harte, the heroine of A Woman of Substance and Emma’s Secret, follow in her legendary footsteps… Evan Hughes, Emma's American great-grandaughter, is trying to integrate into the powerful Harte family. She is caught between her estranged parents, her new family, and new love. Meanwhile a dangerous enemy hovers in the background. Tessa Longden, Evan's cousin, is battling her husband for custody of their daughter, Adele. When Adele suddenly goes missing, Tessa seeks her sister Linnet's help. Linnet O'Neill, the most brilliant businesswoman of the four great-granddaughters, shows that she is the natural heir to her mother, Paula. But her glittering future at the helm of the vast Harte empire means many sacrifices. India Standish, the traditionalist in the family, falls in love with a famous British artist from a working-class background. Madly in love, India is determined to marry him. When Evan discovers letters from Emma Harte to her grandmother, the story is swept back to the 1950s. In the post-war boom years Emma builds her business empire, using a combination of determination and sheer nerve, and she embarks on a relationship with a handsome acquaintance from the war years. But it is the revelations in Emma's letters to her grandmother that give Evan a new perspective and help to set her free from her own past. This latest dramatic story in the on-going saga of an extraordinary family dynasty is full of love, passion and jealousy and is Barbara Taylor Bradford at her inimitable best.

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From Knowledge to Beatitude is a collection of original essays on the intersection between Christian theology and spiritual life primarily in the twelfth and thirteenth centuries, especially in the Parisian School of St. Victor, which honors the influential work of Grover A. Zinn, Jr. Written by distinguished scholars from various fields of medieval studies, these essays range from the study of the exegetical school of twelfth-century St. Victor and medieval glossed Bibles to the medieval cultural reception of women visionaries, preachers, and crusaders. Although focused on St. Victor, they provide analyses of Christian themes up to the modern period. A common thread is Zinn’s careful attention to the connections between medieval spirituality and biblical studies, the origin of these ideas, and their lasting influence in Christian culture. The essays take us from Hugh of St. Victor’s foundation—material culture—to the “beatitude” of a wider understanding of Victorine culture and its lasting legacy. This volume is a fitting tribute to a generous scholar, teacher, and mentor. It will appeal to historians, scholars of religion and theology, and art historians. Contributors: Raymond Clemens, Catherine Delano-Smith, Walter Cahn, William Clark, Thomas Waldman, Franklin T. Harkins, Lesley Smith, Hugh Feiss, Boyd Taylor Coolman, Dale M. Coulter, Marcia L. Colish, Dominique Poirel, Barbara Newman, Rachel Fulton Brown, Jeremy Adams, Frans van Liere, E. Ann Matter

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In his new book, Saints As They Really Are, priest and scholar Michael Plekon traces the spiritual journeys of several American Christians, using their memoirs and other writings. These “saints-in-the-making” show all their doubts and imperfections as they reflect on their search for God and their efforts to lead holy lives. They are gifted yet ordinary women and men trying to follow Christ within their flawed and broken humanity—“saints as they really are,” as Dorothy Day put it. Saints As They Really Are is the third book in Plekon’s critically acclaimed series on saints and holiness in our time. He draws on the autobiographical work of Dorothy Day, Peter Berger, Thomas Merton, Kathleen Norris, and Barbara Brown Taylor, among others, as well as from his own experiences as a Carmelite seminarian and brother. Plekon shares the power of these individuals’ stories as they unfold. The book offers a strong argument that our failings and weaknesses are not disqualifications to holiness. Plekon further confronts the institutional church and its relationship to individuals seeking God, focusing on some of the challenges to this search—the destructive potential of religion and religious institutions, as well as our personal tendencies to extremism, overwork, pious obsessions, and legalism. But he also underscores the healing qualities of faith and the spiritual life. Plekon's insights will help readers better understand their own spiritual pilgrimages as they learn how others have dealt with the trials and joys of their path to everyday holiness.

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From No.1 New York Times bestselling author Daniel Silva comes a stunning new thriller of vengeance, deception, and betrayal. ‘Allon is the 21st century Bond’ Daily Mail What’s done cannot be undone… At an exclusive school in Switzerland, mystery surrounds the identity of the beautiful girl who arrives each morning in a motorcade fit for a head of state. She is said to be the daughter of a wealthy international businessman. In truth, her father is Khalid bin Mohammed, the crown prince of Saudi Arabia. Once celebrated for his daring reforms, he is now reviled for his role in the murder of a dissident journalist. And when his child is brutally kidnapped, he turns to the one man he can trust to find her before it is too late. Gabriel Allon, the legendary chief of Israeli intelligence, has spent his life fighting terrorists, including the murderous jihadists financed by Saudi Arabia. Prince Khalid has pledged to break the bond between the Kingdom and radical Islam. For that reason alone, Gabriel regards him as a valuable if flawed partner. Together they will become unlikely allies in a deadly secret war for control of the Middle East. Both men have made their share of enemies. And both have everything to lose. Praise for Daniel Silva: ‘A taut, intelligent thriller’ Sun ‘As enjoyable as ever. Allon is a smart creation’ Financial Times ‘A tense, thrilling adventure’ Huffington Post ‘Fascinating, suspenseful, and bated-breath exciting’ Publishers Weekly ‘It is Silva’s creative genius that keeps it all moving, as well as his mastery of storytelling that keeps the intense momentum of the plot ever pushing forward’ Huffington Post ‘A truly talented writer’ Sun ‘elegantly paced, subtle and well-informed.’ Daily Mail ‘Silva builds tension with breathtaking double and triple turns of the plot’ People ‘A world class practitioner of spy fiction’ Washington Post ‘Silva is a master of suspense’ Barbara Taylor Bradford, The Week

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Fragile is absolutely STUNNING' - Marian Keyes, author of Grown Ups 'Sarah Hilary has always known how to chill her readers – Fragile dials the chill factor up to 11' - Val McDermid, author of The Wire in the Blood Fragile is a modern Gothic psychological thriller with a contemporary twist on the classic novel Rebecca from award-winning and critically acclaimed writer Sarah Hilary. Everything she touches breaks . . . Nell Ballard is a runaway. A former foster child with a dark secret she is desperately trying to keep, all Nell wants is to find a place she can belong. So when a job comes up at Starling Villas, home to the enigmatic Robin Wilder, she seizes the opportunity with both hands. But her new lodgings may not be the safe haven that she was hoping for. Her employer lives by a set of rigid rules and she soon sees he is hiding secrets of his own. But is Nell's arrival at the Villas really the coincidence it seems? After all, she knows more than most how fragile people can be – and how easily they can be to break . . . Further praise for Fragile: 'Fragile is absolutely STUNNING, the dreamy atmosphere couples with Nell's carnal love for Joe put me in mind of Barbara Vine . . . [Sarah Hilary is] an astonishingly gifted writer, with an almost scalpel-like ability to dissect human motivation and convey it deliciously devoid of sentimentality. I was GRIPPED by Fragile, it took me into a whole other world and I was sorry to leave it' - Marian Keyes, author of Grown Ups 'Perfectly plotted, beautifully written modern Gothic. Timeless, tense and tender, Fragile will worm it's way deep into your heart, just as the characters insinuate themselves into each other's lives. I absolutely loved it' - Erin Kelly, author of He Said/She Said 'Beautifully crafted, smart and unsettling – a dark river of a book, with a chilling undertow' - Mick Herron, author of Slow Horses 'A dark, mesmeric fever-dream of a book' - Ruth Ware, author of The Woman in Cabin 10 'Beautifully written modern gothic. I took my time with this, savouring it – the tone of Sarah Hilary's writing is unique to her: exploring society and human nature in a sensitive, engrossing way. Ingenious, original and brilliant' - Will Dean, author of Red Snow 'Extraordinary . . . an immersive psychological thriller that plunges us into an underworld of emotional and physical exploitation. There are shades of Highsmith . . . Brilliant stuff' - Andrew Taylor, author of The American Boy and The Ashes of London 'Fragile is a fever dream. A nightmarish slant on the world delivered expertly and with heart. Tension like cold steel. Characters you won't forget. Sarah Hilary is a modern-day Highsmith.' - Steve Cavanagh, author of The Thirteen 'A beguiling thriller of considerable ambition and ingenuity, Fragile marks Sarah Hilary as a twenty-first century du Maurier, a writer who plunges the depths of human nature, finding the darkest, most deviant corners, but also the fleeting hopes and brittle aspirations. This is a truly outstanding work of modern gothic.' - Eva Dolan, author of Between Two Evils 'Highly original, beautifully written' - Sharon Bolton, author of Now You See Me 'Sarah Hilary has created a beautifully written modern Gothic masterpiece, so full of intrigue and mysteries layered upon mysteries that the unravelling may well shred your nerves, in the best way possible' - Liz Nugent, author of Skin Deep 'The writing is so elegant, so restrained, that it brings to mind Patricia Highsmith. Fragile is a very fine, and very creepy psychological thriller.' - Lucy Atkins, author of Magpie Lane 'A gorgeously written, tense and atmospheric novel. Sarah Hilary peels back the layers of mystery so skillfully that it was impossible to look away for a moment.' - Gytha Lodge, author of She Lies in Wait

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Women economists rarely feature in most textbooks on the history of economic thought before 1960, despite the many articles and theses produced by them in the period. Why is their work so little studied? What did they write about? Who listened to them, supported them or hindered them?Women of Value seeks to better understand the lives and work of the women who helped to build the economics profession. A number of these papers focus on the sociology of the economics discipline including the failure to cite the work of women economists, graduate work by women and the personal networks among women economists in the pre-war period. It also includes a personal memoir of the experience of one female graduate student studying in the 1930s. Later papers focus on specific women economists including Jane Marcet, Harriet Martineau, Harriet Taylor, Barbara Bodichon, Charlotte Perkins Gilman and Mary Paley Marshall. The final chapter in the book looks at two studies of the role of women in industry carried out in the early twentieth century.Women of Value reassesses the role of women economists by using biographical research to augment the standard tools of historical and bibliographical work. Combining intellectual rigour with biographical insights into the lives and experience of many determined and courageous women economists, this volume will be welcomed by historians of economic thought, feminist economists and and the those with an interest in women's history.

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Despite the fact that most of jazz’s major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain’t But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain’t But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols. Contributors Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron Wynn

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Gabriel Allon is back and out for revenge From the No.1 New York Times bestselling author of The Black Widow comes the thrilling new blockbuster featuring legendary spy, assassin and art restorer Gabriel Allon. Legendary spy, assassin, and art restorer Gabriel Allon is back and out for revenge – determined to hunt down the world’s most dangerous terrorist, a shadowy ISIS mastermind known only as Saladin. Four months after the deadliest attack on the American homeland since 9/11, terrorists leave a trail of carnage through London’s West End. The attack is a brilliant feat of planning and secrecy, but with one loose thread: the French-Moroccan street criminal and ISIS operative who supplied the combat assault rifles. The thread leads Gabriel Allon and his team to the south of France and to the doorstep of Jean-Luc Martel and Olivia Watson. A beautiful former fashion model, Olivia pretends not to know that the true source of Martel’s enormous wealth is drugs. And Martel, likewise, turns a blind eye to the fact he is doing business with a man whose objective is the very destruction of the West. Together, under Gabriel’s skilled hand, they will become an unlikely pair of heroes in the global war on terror. Praise for Daniel Silva: ‘A tense, thrilling adventure’ Huffington Post ‘A truly talented writer’ Sun ‘Fascinating, suspenseful, and bated-breath exciting’ Publishers Weekly ‘It is Silva’s creative genius that keeps it all moving, as well as his mastery of storytelling that keeps the intense momentum of the plot ever pushing forward’ Huffington Post ‘Allon is the 21st century Bond – elegantly paced, subtle and well-informed.’ Daily Mail 'Sexily brooding Allon… must be the most famous superspy not played by Daniel Craig' Daily Telegraph ‘Silva builds tension with breathtaking double and triple turns of the plot’ People ‘A world class practitioner of spy fiction’ Washington Post ‘Silva is a master of suspense’ Barbara Taylor Bradford, The Week

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Includes a new introduction from New York Times bestselling author, Catherine Steadman, where she talks about what this book and Jackie means to her. ‘Jackie wrote with shameless ambition, ruthless passion and pure diamond-dusted sparkle’ CATHERINE STEADMAN'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers' COLLEEN HOOVER London, 1969: a world of hedonists and pleasure-seekers living for the moment. One man at the centre of this decadent scene plays all the angles, never missing a chance to score with beautiful women. But now the woman he wants knows his number – and may just call his bluff. There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Jackie’s heroines don’t take off their clothes to please a man, but to please themselves’ CLARE MACKINTOSH ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘Here is a woman who not only wanted to entertain her readers, but also to teach them something; about the world and about themselves’ ISABELLE BROOM ‘Lessons galore on every page… about feminism, equality, tolerance and love’ CARMEL HARRINGTON ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie bought a bit of glitter, sparkle and sunshine into our humdrum existence’ VERONICA HENRY ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘Collins was saying that women didn’t have to centre round men, either in books or in life’ JESSIE BURTON ‘Jackie lived the Hollywood dream, but, she looked sideways at it, and then shared the dirt with her readers’ JULIET ASHTON

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Featuring a brand new introduction from Sunday Times bestselling author, Clare Mackintosh, talking about what Jackie and her books mean to her! 'Jackie's heroines don't take off their clothes to please a man, but to please themselves' CLARE MACKINTOSH'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVER Fashion designer Jamie Nova is celebrating her impending divorce in Las Vegas with her two best friends when she meets a billionaire playboy. Things heat up quickly and her friends receive a midnight phone call telling them he’s in Jamie’s bed. The only problem? He’s dead…Don't miss this dazzling page-turner, packed with desire, sex, revenge and love. There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘Jackie wrote with shameless ambition, ruthless passion and pure diamond-dusted sparkle’ CATHERINE STEADMAN ‘Here is a woman who not only wanted to entertain her readers, but also to teach them something; about the world and about themselves’ ISABELLE BROOM ‘Lessons galore on every page… about feminism, equality, tolerance and love’ CARMEL HARRINGTON ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘Collins was saying that women didn’t have to centre round men, either in books or in life’ JESSIE BURTON ‘Jackie lived the Hollywood dream, but, she looked sideways at it, and then shared the dirt with her readers’ JULIET ASHTON ‘What radiates from her novels, is a sense that women are capable of great things’ ALEXANDRA HEMINSLEY

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The preoccupation with “depth” and its relevance to cinema and media studiesFor decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies.The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.

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"A welcome addition" --School Library Journal"This rollicking, perfectly rhymed journey through the Jewish year . . . [is]a wonderful introduction to Jewish holidays for children of all backgrounds" --The Sydney Taylor ShmoozeA colorful year of Jewish holidays with apples as the central theme.

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The preoccupation with “depth” and its relevance to cinema and media studiesFor decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies.The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.

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This title is featuring whales, elephants, bears, wolves, monkeys, turtles, snakes, birds, bees, ants and many, many more. It includes fun facts in a lively and exciting format teach children all about animals and how they behave, including hunting, communication, migration, habitat and much more. It features over 1200 stunning pictures by top wildlife photographers, including close-up and habitat shots. Authoritative and informative text is presented in an attractive user-friendly format, including myths and legends boxes, "Did You Know?" features and bite-sized fun facts to keep children captivated. Supports school studies for 8 - 12 year olds on animal biology and is ideal for home study or school use. The comprehensive collection of facts was compiled by a team of experts on animal biology, including Rhonda Klevansky, Dr Jen Green, Michael Bright, Tom Jackson, Barbara Taylor, Robin Kerrod, Mark O'Shea and John Farndon. Children love animals, and enjoy learning about them. This stunning natural history book presents the information in the form of fun facts, focus features, folklore and myth boxes, "Did You Know?" spots, and bite-sized lessons of all kinds. It is illustrated with more than 1200 pictures by some of the world's best wildlife photographers and 750 specially commissioned illustrations and cross-sections. Examining a huge range of incredible animals from insects, beetles, bugs, spiders, moths and butterflies to snakes, birds of prey, wolves, dogs, horses, mighty bears, whales and elephants, this comprehensive book is a stimulating and accessible read for all 8 - 12 year olds.

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Steed and Dr Keel return to action in these three recreations of classic lost episodes. Dragonsfield, written by Ian Potter, from a script by Terence Feely. A man has been murdered in an experimental laboratory, and Steed is sent to investigate. Someone is working for the other side - and Steed will need to untangle a messy web of inter-personal relationships if he's to stand any chance of identifying who. The Far Distant Dead, written by Tom Mallaburn from a script by John Lucarotti. En route from Chile back to England, Dr Keel stops off to help the victims of a cyclone. Except not every fatality he encounters was caused by the disaster. It appears he's stumbled onto an international conspiracy of the most sinister kind...and the perpetrators will be found many miles away. The Deadly Air, written by John Dorney from a script by Lester Powell. When an experimental vaccine is destroyed Steed calls in Keel to join him on the scene as a medical expert. But it isn't long before the saboteur becomes a murderer. As the situation escalates, can the Avengers identify their foe before they become his victims?Episodes from the wiped first series of The Avengers recreated faithfully on audio - this set sees some real detective work piecing together the stories from the few clues remaining from before the episodes were lost. This full-cast audio drama is brought to life with eerily engrossing sound design and a brand new, cinematic music score and stars Anthony Howell (Foyle's War, Dirk Gently, Dracula) and Julian Wadham (The Iron Lady, War Horse, Downton Abbey).CAST: Anthony Howell (Dr Keel), Julian Wadham(John Steed), Lucy Briggs-Owen (Carol Wilson), Cate Debenham-Taylor (Lisa Strauss), Harriet Kershaw (Susan Summers / Secretary), Ramon Tikaram (Saunders), Richard Dixon (Redington / One-Fifteen), Christopher Taylor (Boris / Landlord), James Joyce (Jack Alford / Peters), Robert Fitch (Technician / Dr Philip Karswood), Karina Fernandez (Dr Ampara Alvarez Sandoval / Maria Alvarez), David Shaw-Parker (Hercule Zeebrugge / Luis Garcia), Andy Secombe (Inspector Gauvreau / Godoy / Jose Alvarez), Alex Blake (Rayner / Caron / Sergeant Delon), Tom Alexander (Mateos / Mario), Dan Starkey (One- Ten), Bettrys Jones (Barbara Anthony / Receptionist), Richard Atlee (Heneager / Herbert Truscott), Ewan Bailey (Dr Hugh Chalk / Armstrong), Glen McReady (Dr Owen Craxton / Professor Kilbride).

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Are the dynamics of contention changing? This is the question confronted by the contributors of this volume, among the most influential scholars in the field of social movements. The answers, arriving at a time of extraordinary worldwide turmoil, not only provide a wide-ranging and varied understanding of how social movements arise and persist, but also engender unanswered questions, pointing to new theoretical strands and fields of research. The Future of Social Movement Research asks: How are the dynamics of contention shaped by globalization? By societies that are becoming increasingly more individualized and diverse? By the spread of new communication technologies such as social media, cell phones, and the Internet? Why do some movements survive while others dissipate? Do local and global networks differ in nature? The authors’ essays explore such questions with reference to changes in three domains of contention: the demand of protest (changes in grievances and identities), the supply of protest (changes in organizations and networks), and how these changes affect the dynamics of mobilization. In doing so, they theorize and make empirically insightful how globalization, individualization, and virtualization create new grievances, new venues for action, new action forms, and new structures of contention. The resulting work—brought together through engaging discussions and debates between the contributors—is interdisciplinary and unusually broad in scope, constituting the most comprehensive overview of the dynamics of social movements available today. Contributors: Marije Boekkooi, VU-U, Amsterdam; Pang Ching Bobby Chen, U of California, Merced; Donatella della Porta, European U Institute; Mario Diani, U of Trento, Italy; Jan Willem Duyvendak, U of Amsterdam; Myra Marx Ferree, U of Wisconsin–Madison; Beth Gharrity Gardner; Ashley Gromis; Swen Hutter, U of Munich; Ruud Koopmans, WZB, Berlin; Hanspeter Kriesi, U of Zurich; Nonna Mayer, National Centre for European Studies; Doug McAdam, Stanford U; John D. McCarthy, Pennsylvania State U; Debra Minkoff, Barnard College, Columbia U; Alice Motes; Pamela E. Oliver, U of Wisconsin–Madison; Francesca Polletta, U of California, Irvine; Jacomijne Prins, VU-U, Amsterdam; Patrick Rafail, Tulane U; Christopher Rootes, U of Kent, Canterbury; Dieter Rucht, Free U of Berlin; David A. Snow, U of California, Irvine; Sarah A. Soule, Stanford U; Suzanne Staggenborg, U of Pittsburgh; Sidney Tarrow, Cornell U; Verta Taylor, U of California, Santa Barbara; Marjoka van Doorn; Martijn van Zomeren, U of Groningen; Stefaan Walgrave, U of Antwerp; Saskia Welschen.

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Featuring a brand new introduction from Eva Verde, talking about what Jackie and her books mean to her! ‘An assassin of gender stereotypes and patriarchal double-standards, Jackie made sure in her books that women like Lucky succeed in all the places a man can – and do things better, too’ EVA VERDE'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVER Owner of the luxurious and exclusive Keys complex in Las Vegas, Lucky Santangelo comes up against Armet Askarani, a ruthless billionaire middle-easterner potentate with three wives, who has little regard for women except as sexual playthings or breeding mares. Armet wishes to purchase the Keys, and is shocked when he hears that Lucky has no desire to sell – whatever the price. That a mere woman would turn him down is insulting and unthinkable. And so the battle for power begins… There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘Here is a woman who not only wanted to entertain her readers, but also to teach them something; about the world and about themselves’ ISABELLE BROOM ‘Lessons galore on every page… about feminism, equality, tolerance and love’ CARMEL HARRINGTON ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie bought a bit of glitter, sparkle and sunshine into our humdrum existence’ VERONICA HENRY ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD

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It all started with The World is Full of Married Men, the debut novel from global multi-million copy bestseller and literary superstar, Jackie Collins.Includes a brilliant introduction from Fanny Blake, talking about what this book and Jackie means to her! 'Jackie's books were like nothing else I'd read, showcasing a world a million miles away from my own' FANNY BLAKE'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVER There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Jackie’s heroines don’t take off their clothes to please a man, but to please themselves’ CLARE MACKINTOSH ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘Jackie wrote with shameless ambition, ruthless passion and pure diamond-dusted sparkle’ CATHERINE STEADMAN ‘Here is a woman who not only wanted to entertain her readers, but also to teach them something; about the world and about themselves’ ISABELLE BROOM ‘Lessons galore on every page… about feminism, equality, tolerance and love’ CARMEL HARRINGTON ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie bought a bit of glitter, sparkle and sunshine into our humdrum existence’ VERONICA HENRY ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘Collins was saying that women didn’t have to centre round men, either in books or in life’ JESSIE BURTON

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Includes a brilliant new introduction to this scintillating novel from Jade Beer! 'Get ready to meet a thrilling new generation of Hollywood wives - much like their creator and the novel itself, they are pretty balls out from the beginning' JADE BEER'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVER Power! Sex! Money! Fame! – the new Hollywood wives are back with a vengeance. Ambitious, young, smart and lethal. Whatever they don't have, they want – and whatever these women want, they get. There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Jackie’s heroines don’t take off their clothes to please a man, but to please themselves’ CLARE MACKINTOSH ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘I read hundreds of books every year. But Jackie Collins’ novels are the only ones I can read over and over’ AMY ROWLAND ‘Jackie wrote with shameless ambition, ruthless passion and pure diamond-dusted sparkle’ CATHERINE STEADMAN ‘Here is a woman who not only wanted to entertain her readers, but also to teach them something; about the world and about themselves’ ISABELLE BROOM ‘Lessons galore on every page… about feminism, equality, tolerance and love’ CARMEL HARRINGTON ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘What radiates from her novels, is a sense that women are capable of great things’ ALEXANDRA HEMINSLEY

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The Time is Always Now: Artists Reframe the Black Figure edited by Ekow Eshun celebrates flourishing Black artists whose work illuminates the richness, beauty and complexity of Black life. "There is never a time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now." - James Baldwin 'Angry, elegiac, critical and celebratory, The Time Is Always Now brings together 22 leading black artists working in the UK and US.' - The best art and architecture shows to visit in 2024, The Guardian The Time is Always Now: Artists Reframe the Black Figure assembles contemporary African diasporic artists working in the UK and US whose practice foregrounds the Black figure. Edited and with texts by Ekow Eshun, and original essays by Bernardine Evaristo, Esi Edugyan and Dorothy Price. Published to coincide with the exhibition at the National Portrait Gallery, London, this publication explores and celebrates contemporary Black artists internationally who work within Black figuration. This visual and beautifully produced book examines contemporary figurative artworks against a backdrop of heightened cultural visibility. Within this context, its collected paintings, drawings and sculptures take on a dual role as the accomplished work of individual artists and as a collective assertion of Black presence. Through a three-part structure containing detailed artist profiles and stunningly reproduced artworks, the publication examines Black figuration as a means to address the absence and distortion of Black presence within Western art history. Profiled artists include Hurvin Anderson, Michael Armitage, Jordan Casteel, Njideka Akunyili Crosby, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Toyin Ojih Odutola, Chris Ofili, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor and Barbara Walker.

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For the last three decades Brian Clough has been the most charismatic manager in football. Funny, outrageous, sentimental, he stands out sharply from the bland men in suits. Though his talent has earned him a fortune, he remains a working-class hero. As a player he was one of the most gifted forwards of his day. He scored 251 goals in 274 League appearances - and would have scored more had a cruel injury not forced him to retire.As a manager his record was full of superlatives. He took both Derby County and then Nottingham Forest out of the doldrums of the Second Division and made them world-beaters. Tactically brilliant, Clough had an unmatched ability to motivate players. He is the best manager England never had. Behind his back, they call him Old Big 'Ead. He has never been far from controversy, and some of his rows, particularly with his long-standing managerial partner Peter Taylor, are the stuff of tabloid legend. Not so long ago he was televised running onto the pitch to wallop some unruly supporters. More recently he has taken legal advice to counter rumours about illegal ticket deals. Dull he isn't. Despite his outgoing nature, Clough has always guarded his privacy. At last he has decided to tell his full story: from terraced council house in Middlesbrough, to luxurious mansion in an exclusive suburb of Derby; from fitter to socialist millionaire. He speaks of the influence of his strong, proud mother, his courtship and marriage to his glamorous wife Barbara, his children, particularly his goal-scoring son Nigel, and his health, which has been the subject of press speculation and concern. This is an extraordinary life, told by an extraordinary man.

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