Search results for ""author sergei""

Este libro consta de dos partes, la primera Prokofieff nos demuestra cómo Rudolf Steiner, siendo un iniciado de tan alto nivel espiritual, fue capaz por primera vez en la historia, de actuar públicamente entre los seres humanos, e investigar y describir el mundo espiritual con la misma exactitud y claridad que se aplica a la investigación de la naturaleza.En la otra parte del libro vemos cómo la substancia de Amor con la que se creó la Piedra de Fundación será la base de un nuevo Cosmos de Amor en el que los seres humanos podrán colaborar a través de ella.Es preocupante y enriquecedora la visión que nos da Rudolf Steiner ya en su época, sobre los efectos destructivos en el cuerpo etéreo que pueden tener ciertas manifestaciones de la vida cultural, como el cine y los ordenadores.SERGEJ O. PROKOFIEFF nació en 1954 en Moscú.Se licenció en Historia del Arte y Pintura en la Escuela Superior de Arte. En su juventud encontró la Antroposofía y decidió dedicarle su vida.

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Unlike other works on this theme, Sergei Prokofieff's short book is not a straightforward introduction. Presupposing an acquaintance with the basic principles of anthroposophy, it focuses instead on the central Christological insights which form the core of Rudolf Steiner's philosophy. "What is Anthroposophy?" is a personal work in the sense that it reflects an individual's own endeavors to build a connection to anthroposophy. As the author states in his Preface: '...as soon as we comprehend anthroposophy as something living, we are concerned not merely with defining it intellectually but, rather, with developing a real relationship to it...' He elaborates: 'The content [of this book] will probably reveal more about the author and his relationship to anthroposophy than about it itself, for its nature is basically beyond description and consequently evades any purely intellectual definition.' This is a valuable addition to the introductory literature on anthroposophy from an established and well-respected author.

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This major work comprises a comprehensive study of Eastern and Western esoteric streams and the occult powers that stand behind them. In Part 1 Prokofieff discusses the spiritual movement of Agni Yoga, presented to the world by Helena Roerich and her husband, the painter Nicholas Roerich. Part 2 focuses on the teachings developed by Alice Bailey, whilst Part 3 considers the relationship between Eastern and Western spiritual masters and the occult streams they represent. The first two Parts of the book give descriptions of both the Roerichs' and Alice Bailey's philosophy, based on their own perspective, together with anthroposophical commentaries that give an understanding of these two streams in the light of modern Christian esotericism. As Prokofieff points out, both the Roerichs and Bailey were convinced that the occult teachers who inspired them were the same as those referred to by the founder of Theosophy, Helena Blavatsky. Part 3 deals directly with the mystery of the Eastern teachers, or mahatmas, and their relationship to Christian esotericism. On the basis of extensive research, Prokofieff comes to the startling conclusion that the occultists whom both the Roerichs and Alice Bailey named as their leaders actually have nothing in common with Blavatsky's Eastern mahatmas. In Prokofieff's words: 'Hence...one has to do not with the Eastern mahatmas but with quite different occultists who had illicitly appropriated their names and then tried - while deliberately misleading their followers - to attain their highly dubious occult political aims with the help of the occult movements which had already been initiated.' Prokofieff argues that this appropriation led to a distortion of the age-old Eastern philosophies, giving them an anti-Christian character, and led to phenomena such as 'occult materialism', insidious political goals, and prophecies of a physically incarnating 'Messiah'. Previously available only in German as three separate books, with just an early version of Part 1 published in English, this long-awaited translation of Prokofieff's incisive study offers a fine schooling in discernment, judgement and spiritual insight.

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The rise of post-truth politics marks the most serious crisis of Western liberal democracy since the end of the Cold War. The decline of trust in expert knowledge and mainstream media, the rise of social media devoid of a gatekeeping function and the growth of covert external interference in electoral processes have led to fragmentation, polarization and destabilization of Western democratic systems. What makes post-truth politics so difficult to resist is its apparently democratic character that claims to challenge bureaucratic depoliticisation, the rule of experts and the disappearance of alternatives to the hegemonic policy. Biopolitics after Truth refutes this interpretation, arguing that the post-truth ideology leads to the degradation of the public sphere that is essential to democratic governance. Rather than enable resistance to expertise-based biopolitical governmentalities, truth denialism dissolves the only framework where their contestation and transformation could take place. In contrast, Biopolitics after Truth argues for a positive role of truth-telling in the democratization of biopolitical governance.

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The field of charge conduction in disordered materials is a rapidly evolving area owing to current and potential applications of these materials in various electronic devices This text aims to cover conduction in disordered solids from fundamental physical principles and theories, through practical material development with an emphasis on applications in all areas of electronic materials. International group of contributors Presents basic physical concepts developed in this field in recent years in a uniform manner Brings up-to-date, in a one-stop source, a key evolving area in the field of electronic materials

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Nikita Khrushchev’s proclamation from the floor of the United Nations that "we will bury you" is one of the most chilling and memorable moments in the history of the Cold War, but from the Cuban Missile Crisis to his criticism of the Soviet ruling structure late in his career the motivation for Khrushchev’s actions wasn’t always clear. Many Americans regarded him as a monster, while in the USSR he was viewed at various times as either hero or traitor. But what was he really like, and what did he really think? Readers of Khrushchev’s memoirs will now be able to answer these questions for themselves (and will discover that what Khrushchev really said at the UN was "we will bury colonialism"). This is the first volume of three in the only complete and fully reliable version of the memoirs available in English. In this volume, Khrushchev recounts how he became politically active as a young worker in Ukraine, how he climbed the ladder of power under Stalin to occupy leading positions in Ukraine and then Moscow, and how as a military commissar he experienced the war against the Nazi invaders. He vividly portrays life in Stalin's inner circle and among the generals who commanded the Soviet armies. Khrushchev’s sincere reflections upon his own thoughts and feelings add to the value of this unique personal and historical document. Included among the Appendixes is Sergei Khrushchev’s account of how the memoirs were created and smuggled abroad during his father’s retirement.

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More is known about Nikita Khrushchev than about many former Soviet leaders, partly because of his own efforts to communicate through speeches, interviews, and memoirs. (A partial version of his memoirs was published in three volumes in 1970, 1974, and 1990, and a complete version was published in Russia in 1999 and will appear in an English translation to be published by Penn State Press.) But even with the opening of party and state archives in 1991, as William Taubman points out in his Foreword, many questions remain unanswered. "How did Khrushchev manage not only to survive Stalin but to succeed him? What led him to denounce his former master [an event that some interpreters herald as the first act in the drama that led to the end of the USSR]? How could a man of minimal formal education direct the affairs of a vast intercontinental empire in the nuclear age? Why did Khrushchev’s attempt to ease East-West tensions result in two of the worst crises of the Cold War in Berlin and Cuba? To resolve these and other contradictions, we need more than policy documents from archives and memoirs from associates. We need firsthand testimony by family members who knew Khrushchev best, especially by his only surviving son, Sergei, in whom he often confided."As Sergei says, "During the Cold War our nations lived on opposite sides of the Iron Curtain, and not only was it an Iron Curtain but it was also a mirror: one side perceived the other as the 'evil empire,' and vice versa; so, too, each side feared the other would start a nuclear war. Neither side could understand the real reasons behind many decisions because Americans and Russians, representing different cultures, think differently. The result was a Cold War filled with misperceptions that could easily have led to tragedy, and we are lucky it never happened. And still, after the Cold War, American-Russian relations are based on many misunderstandings." In this book Sergei tells the story of how the Cold War happened in reality from the Russian side, not from the American side, and this is his most important contribution.Sergei N. Khrushchev was born in 1935 when his father was Moscow party chief. He accompanied his father on major foreign trips—to Great Britain in 1956, East Germany in 1958, the United States in 1959, Egypt in 1964, among many others. After he became a control systems engineer and went to work for leading Soviet missile designer Vladimir Chelomei, Sergei attended many meetings at which his father transacted business with key leaders in the Soviet defense establishment. He has received many awards and honors for his work in computer science, missile design, and space research. Besides his many technical publications, he has published widely on political and economic issues. In 1991 Little Brown published his memoir about his father’s last years, Khrushchev on Khrushchev. In that same year he received an appointment to the Center for Foreign Policy Development of the Thomas J. Watson Institute for International Studies at Brown University, where he is today. He and his wife, Valentina Nikolayevna, applied for U. S. citizenship in 1999, an event widely covered in the media.

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This book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky's writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky's studios (the First Studio in 1910s, the Second Studio and Opera Studio of the Bolshoi Theatre in 1920s, Opera-Dramatic Studio in 1930s) are provided.The focus of Tcherkasski's research consists of a comparative reading of the Stanislavsky System and Yogi Ramacharaka's books, which were a main source for Stanislavsky. Accordingly, Tcherkasski analyzes elements of the System based on Yoga principles. Among them are: relaxation of muscles (muscular release), communication and prana, emission of rays and reception of rays, beaming of aura, sending of prana, attention, visualizations (mental images). Special attention is paid to the idea of the superconscious in Yoga, and in Ramacharaka's and Stanislavsky's theories.Tcherkasski's wide-ranging analysis has resulted in new and intriguing discoveries about the Russian master. Furthermore, he reveals the extent to which Stanislavsky anticipated modern discoveries in neurobiology and cognitive science.In this book Tcherkasski acts as a researcher, historian, theatre director, and experienced acting teacher. He argues that some forty per cent of basic exercises in any Stanislavsky based actor training program of today are rooted in Yoga. Actors, teachers, and students will find it interesting to discover that they are following in the footsteps of Yoga in their everyday Stanislavsky based training and rehearsals.

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This practically-oriented textbook presents an accessible introduction to discrete mathematics through a substantial collection of classroom-tested exercises. Each chapter opens with concise coverage of the theory underlying the topic, reviewing the basic concepts and establishing the terminology, as well as providing the key formulae and instructions on their use. This is then followed by a detailed account of the most common problems in the area, before the reader is invited to practice solving such problems for themselves through a varied series of questions and assignments.Topics and features: provides an extensive set of exercises and examples of varying levels of complexity, suitable for both laboratory practical training and self-study; offers detailed solutions to many problems, applying commonly-used methods and computational schemes; introduces the fundamentals of mathematical logic, the theory of algorithms, Boolean algebra, graph theory, sets, relations, functions, a

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A Russian novel about poisons of all kinds - physical, moral, political - all rooted in the recent history of Russia's state assassinations and Putin's continuation of the most degraded traditions of his country's history.

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With more than 3 million fans, TheDadLab has quickly become an online sensation by creating a solution for parents when they hear the dreaded 'I'm bored' complaint, and now, for the first time, Sergei Urban has transferred his most popular experiments to print in this beautifully illustrated and mind-blowing book! Using everyday ingredients that you can find in your kitchen cupboard, Sergei shows experiments that are not only fun for children, but fun for adults too! With 40 wonderful activities, including 15-never-before-posted, TheDadLab includes additional information not found on his online posts: each activity will feature a detailed explanation simplifying the information that stems from the fields of Science, Technology, engineering, and Mathematics (STEM) for a parent to help explain their curious child and answer the questions 'how' and 'why.'

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In this timely and incisive book, Sergei Medvedev argues that Russia’s war in Ukraine was not merely a whim of Putin’s obsession: rather, it was the result of two decades of authoritarian degradation and post-imperial ressentiment, a culmination of Putin’s regime and of Russia’s entire imperial history. Building on his prize-winning book The Return of the Russian Leviathan, Medvedev argues that it was not only Putin that started this war, but Russia itself, which, by and large, has imagined and embraced it with enthusiasm, seeking to relive its own military glory and colonial past.

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Sharing Our Knowledge brings together Native elders, tradition bearers, educators, cultural activists, anthropologists, linguists, historians, and museum professionals to explore the culture, history, and language of the Tlingit people of southeast Alaska and their coastal neighbors. These interdisciplinary, collaborative essays present Tlingit culture, as well as the culture of their coastal neighbors, not as an object of study but rather as a living heritage that continues to inspire and guide the lives of communities and individuals throughout southeast Alaska and northwest British Columbia. This volume focuses on the preservation and dissemination of Tlingit language, traditional cultural knowledge, and history from an activist Tlingit perspective. Sharing Our Knowledge also highlights a variety of collaborations between Native groups and individuals and non-Native researchers, emphasizing a long history of respectful, cooperative, and productive working relations aimed at recording and transmitting cultural knowledge for tribal use and promoting Native agency in preserving heritage. By focusing on these collaborations, the contributors demonstrate how such alliances have benefited the Tlingit and neighboring groups in preserving and protecting their heritage while advancing scholarship at the same time.

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Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October, and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. Seagull Books is embarking on a series of translations of key works by Eisenstein into English. On the Detective Story presents Eisenstein's elaborate study, in four essays and fragments, of the use of dialectical thinking in the creation of art and literature. Drawing on major works from Shakespeare, Tolstoy, Balzac, Gogol, Mayakovsky, Dostoevsky, and more, and ranging from folk tales to contemporary detective stories, it shows the keenly analytic quality of Eisenstein's mind when it turned to questions of creative work.

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Russian architect and draughtsman Sergei Tchoban has always striven to understand the laws which govern the development of cities such as his native St Petersburg and the great prototypes in whose image it was created. But is it possible to preserve such cities’ outstanding quality today? Can we pursue this quality now, at the current stage of development of architecture? This catalogue poses these central questions. It accompanies an exhibition of Tchoban’s work at the Istituto Centrale per la Grafica in Rome, scheduled to take place from October 2020 to January 2021. It also marks the 300th anniversary of the birth of Giovanni Battista Piranesi: Tschoban inserts emphatically futuristic structures into the Italian artist’s eighteenth-century Roman street scenes. Do such works constitute ruined masterpieces or imprints of the future? Is harmony being destroyed or is a fundamentally new type of harmony being created? Tchoban believes that a similar transformation of the European city has been happening for at least a century and that society must finally work out how to relate to this process. Essentially, Piranesi’s true legacy is a call to an honest conversation regarding the layers and parts that constitute the European city as both a highly important piece of our heritage and a space for future development.

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Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October, and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. Seagull Books is embarking on a series of translations of key works by Eisenstein into English. The Short-Fiction Scenario presents a master-class on turning a short story into an effective film. Delivered as a series of lectures at the State Institute of Cinematography, it details two parallel scripts drawn from the same story; at each point of difference, Eisenstein explains why one works better.

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A New Yorker Best Book of the YearA Foreign Affairs Best Book of the YearAn Atlantic Best Book of the YearA Financial Times Best Politics Book of the YearHow a new breed of dictators holds power by manipulating information and faking democracyHitler, Stalin, and Mao ruled through violence, fear, and ideology. But in recent decades a new breed of media-savvy strongmen has been redesigning authoritarian rule for a more sophisticated, globally connected world. In place of overt, mass repression, rulers such as Vladimir Putin, Recep Tayyip Erdogan, and Viktor Orbán control their citizens by distorting information and simulating democratic procedures. Like spin doctors in democracies, they spin the news to engineer support. Uncovering this new brand of authoritarianism, Sergei Guriev and Daniel Treisman explain the rise of such “spin dictators,” describing how they emerge and operate, the new threats they pose, and how democracies should respond.Spin Dictators traces how leaders such as Singapore’s Lee Kuan Yew and Peru’s Alberto Fujimori pioneered less violent, more covert, and more effective methods of monopolizing power. They cultivated an image of competence, concealed censorship, and used democratic institutions to undermine democracy, all while increasing international engagement for financial and reputational benefits. The book reveals why most of today’s authoritarians are spin dictators—and how they differ from the remaining “fear dictators” such as Kim Jong-un and Bashar al-Assad, as well as from masters of high-tech repression like Xi Jinping.Offering incisive portraits of today’s authoritarian leaders, Spin Dictators explains some of the great political puzzles of our time—from how dictators can survive in an age of growing modernity to the disturbing convergence and mutual sympathy between dictators and populists like Donald Trump.

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Prokofiev, a compulsive diarist, gifted and idiosyncratic writer, possessed an incorrigibly sardonic curiosity about individuals and events. When he left Russia following the 1917 Revolution, his diaries were recovered from the family flat in Petrograd, and Prokofiev smuggled them out of the country after his first return to the Soviet Union in 1927. The later diaries, written in the West, were brought back by legal decree after the composer's death, to be kept in a special, closed section of the Russian State Archive. Eventually Prokofiev's son Svyatoslav was allowed to copy the voluminous contents; when he and his son Serge Jr moved to Paris they undertook the gigantic task of reproducing the partially encoded manuscript in an intelligible form.Volume I covers the bulk of Prokofiev's years at the St Petersburg Conservatoire, ending with his triumphant graduation. Simultaneously attached to and exasperated by the traditions exemplified at this time by such famous men as Rimsky-Korsakov, Glazunov, Lyadov and Tcherepnin, the relentlessly brash young genius relishes the power of his talent to irritate, challenge and finally overcome the establishment, alongside unusually candid revelations of the all-too-normal preoccupations of a young man flexing his muscles in society.Taken as a whole, the diaries represent an inexhaustibly rich portrait of one of the most vibrant periods in the whole of Western art, peopled by virtually every musician and artist of note. They constitute both an indispensable and an entertaining source of reference for all scholars and lovers of Prokofiev's music.

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Builders have never been so prolific as they are today. And never have there been so many technical and design-related options available to architects. Yet contemporary architecture often creates a sense of unease. In their book, Sergei Tchoban and Wladimir Sedow show how the balance between prominent buildings and the buildings around them in the background has been lost in the modern era. Every building strives to assert itself over others – to drown out its peers. At the same time, contemporary architects are capable of developing “a sense of harmony full of contrasts”. They have a wealth of options at their disposal to this end. After prowling through 2,500 years of architectural history, the authors arrive at what makes modern buildings so particular. They show what contemporary architects must consider in order to create buildings with a satisfactory, harmonious appearance in a new way. “Sergei Tchoban and Wladimir Sedow do not write about beauty in this essay – certainly not in the sense of defining the term or putting forth a conceptual history. Rather, they write about the relationship between prominent buildings and the nameless buildings around them – the buildings in the background. Or to put it another way, they write about the relationship between architectural monuments and ordinary buildings.” (from the preface by Bernhard Schulz)

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Walking the streets of Moscow, indistinguishable from the rest of its population, are The Others. Possessors of supernatural powers and capable of entering the Twilight, a shadowy world that exists in parallel to our own, each owes allegiance either to The Dark or The Light.In The Day Watch, second book of the Night Watch trilogy, Alice, a young but powerful Dark Other, attends a planning meeting with her comrades in the Day Watch. The team is on a mission to apprehend an uninitiated Other, a practicing Dark witch who has so far eluded the bureaux responsible for finding and initiating unlicensed practitioners of magic. It seems a routine operation. But when they arrive, the Night Watch team has already made the arrest. A fierce battle ensues, during which Alice almost dies. Drained of her powers, she is sent to recuperate at a youth camp near the Black Sea. There she meets Igor; the chemistry between them is instant and irresistible. But then comes a shattering realisation: Igor is a Light Mage. Suddenly Alice remembers him as one of those involved in the battle that left her crippled. Now that they know, there is no alternative to a magical duel, a battle that neither of them wants to win...

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The main goal of these lectures is to get students acquainted with a glossary of nonlinear physics. I try to present the material of the lectures (delivered at SNS Pisa in April -- June 1999) in such a way that the students do not need to use additional literature during the first reading. The lectures focus on the following arguments: discussion of nonlinear problems in classical physics; the use of the multiple time scale expansion method to solve problems of nonlinear oscillations; description of nonlinear wave steepening and shock wave formation using the Lagrange variables; solution of nonlinear elliptic equations considering the Liouville equation; soliton solutions of the Korteweg de Vries, Sine-Gordon and Nonlinear Schrödinger equations; the use of the Backlund transformation; self-similarity of nonlinear systems.

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"The anthroposophical community seeks to lift human souls into supersensible realms so that they may enter the company of Angels." - Rudolf Steiner. Prokofieff traces the three stages of heavenly preparation of anthroposophy: the 'spiritual thunderstorm', the Michael School in the Sun sphere, and the 'imagination-based cultus' in the spiritual word nearest to the Earth. These events involved the nine spiritual hierarchies, associating them with the karma of the anthroposophical movement. Prokofieff elaborates the tasks of the Anthroposophical Society and indicates how these are connected with the spiritual hierarchies, the Michael movement, the Grail mysteries, the work of new Group Souls, and the Foundation Stone Meditation. He shows that the General Anthroposophical Society was, in an esoteric sense, created in order that human beings might learn to work with the Gods themselves. This is a vital booklet for anybody who cares deeply about the future of the Anthroposophical Society, or the future of mankind itself.

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Meditative reflection - the strengthening of thinking and feeling through the will - is one of the main methods of experiencing Anthroposophy. 'The best path to this goal', says Sergei Prokofieff, 'is inner work with the Foundation Stone Meditation, because this meditation is the quintessence of the whole of Anthroposophy, given in meditatively inspired form by means of earthly words.' Rudolf Steiner characterized the content of the Foundation Stone Meditation as having been spoken by him 'out of the will of the spiritual world', as 'verses heard from the Cosmic Word'. Due to its spiritual-mantric form, its text represents the characteristics of an archetype, and for that reason is a key to the most diverse areas of world and human existence. Depending on 'which spiritual portal is opened with this key', explains Sergei Prokofieff, 'one arrives at one result or another, and one and the same line of the meditation becomes a reply to the most varied questions'. Prokofieff applies the above method in this impressive work, illuminating various dimensions of spiritual science in the process. His research embraces, among other aspects, the relationship of the Foundation Stone Meditation to the being Anthroposophia, the spiritual hierarchies, human karma, the Rosicrucian, Michaelic and Grail streams, the Mystery of Golgotha, the two Jesus boys, the three spiritual sources of Anthroposophy, and even the Constitution of the Anthroposophical Society.

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A survey of recent history reveals a gloomy picture: an ongoing series of conflicts, wars and general turmoil. As a result of all this, the human emotional landscape has become littered with angry, bitter and vengeful feelings. The modern justice system, preoccupied as it is with finding and proving guilt, does little to remedy this tragic situation. However, many individuals and groups are seeking ways to break the never-ending cycle of recrimination. When faced with the question of what we can do to change and improve the world, one of the most radical and challenging answers is to learn to begin forgiving others for what they have done to us. In this powerful and moving book, Prokofieff shows how the forces which lead to forgiveness can be consciously and freely developed. Without preaching a morality of forgiveness, he sets before us the spiritual facts which speak for themselves. From Tsarist Russia to the concentration camps of Nazi Germany, to the battles taking place in the early history of the Anthroposophical Society, the author gives striking examples of people who have been able to forgive often terrible crimes.He provides multilayered analysis, pointing to the beneficial consequences of every single act of forgiveness. As he develops his theme, the importance of forgiving, not simply for personal salvation, but for the furtherance of humanity's evolution, is revealed in all its healing truth.

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Radical Protestant Christianity became widespread in rural parts of southern Russia and Ukraine in the nineteenth and early twentieth centuries. Russia's Lost Reformation: Peasants, Millennialism, and Radical Sects in Southern Russia and Ukraine, 1830-1917, studies the origins and evolution of the theology and practices of these radicals and their contribution to an alternative culture in the region. Arising from a confluence of immigrant Anabaptists from central Europe and native Russian religious dissident movements, the new sects shared characteristics with both their antecedents in Europe and their contemporaries in the Shaker and Quaker movements on the American frontier. The radicals' lives showed energy and initiative reminiscent of Max Weber's famous paradigm in The Protestant Ethic and the Spirit of Capitalism. And women participated in congregations no less than men and often led them. The radicals criticized the existing social and political order, created their own educational system, and in some cases engaged in radical politics. Their contributions, argues Zhuk, help explain the receptiveness of peasants in this region to the revolutions of 1905 and 1917.

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