Search results for ""author margaret atwood""

By the author of The Handmaid's Tale and Alias GraceZenia is beautiful, smart and greedy, by turns manipulative and vulnerable, needy and ruthless; a man's dream and a woman''s nightmare. She is also dead. Just to make sure Tony, Roz andd Charis are there for the funeral. But five years on, as the three women share an indulgent, sisterly lunch, the unthinkable happens; 'with waves of ill will flowing out of her like cosmic radiation', Zenia is back...

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From her days as a child reader in the 1940s, through her time at Harvard, where she studied the Victorian ancestors of the form, and later as a writer and reviewer, Margaret Atwood has always been fascinated with science fiction. Here she brings together three Ellmann lectures: 'Flying Rabbits' begins with her early rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos and Things with Wings; 'Burning Bushes' travels into Victorian otherlands and beyond; and 'Dire Cartographies' investigates Utopias and Dystopias, including Atwood's own ventures into those constructions. In further essays Atwood explores and critiques the form, and elucidates the differences - as she sees them - between 'science fiction' proper, and 'speculative fiction', not to mention 'sword and sorcery', 'fantasy' and 'slipstream fiction'. In Other Worlds is a must.

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By the author of The Handmaid's Tale and Alias GraceThe sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. the air smells faintly of burning. The waterless flood - a man-made plague - has ended the world.But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden. Is anyone else out there?

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Atwood's first new fiction publication since The Testaments, this deeply personal collection includes a stunning sequence that follows a married couple as they travel the road together, the moments big and small that make up a long life of love -- and what comes afterThe stories explore the full warp and weft of experience, from two best friends disagreeing about their shared past, to the right way to stop someone from choking; from a daughter determining if her mother really is a witch, to what to do with inherited relics such as World War II parade swords.They feature beloved cats, a confused snail, Martha Gellhorn, George Orwell, philosopher-astronomer-mathematician Hypatia of Alexandria, a cabal of elderly female academics, and an alien tasked with retelling human fairy tales.The glorious range of Atwood's creativity and humanity is on full beam in these tales, which by turns delight, illuminate and quietly devastate.'Gripping... a writer in full possession of her powers' Financial Times'These reflections on marriage, mortality and many-tentacled aliens show Atwood's mastery of the short form' Guardian'She's Margaret Atwood, and she can do anything' Ann Patchett'There is no greater living writer' Daily Telegraph'The outstanding novelist of our age' Sunday Times 'A living legend' New York Times Book Review

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In The Edge of the Sea Rachel Carson introduces us to the 'strange and beautiful place' where the sea meets the land. She explores a tide pool, an inaccessible cave, and watches a lone crab on the shore at midnight. From these, and other, encounters she offers us not just a scientifically accurate study of the ecology of the seashore, but also a hauntingly beautiful account of the fragile balance of life found at the edge of the sea.The Edge of the Sea, like all her writing, sounds a prophetic alarm for the damage mankind is doing to the natural world, but also offers us inspiration: here is beauty, here is something worth saving.

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‘Compelling' Marie Claire * 'Immensely enjoyable' Observer * 'Fascinating' Red *One week into lockdown, the tenants of a Manhattan apartment building have begun to gather on the rooftop each evening and tell stories in this exciting new twist on the novel.With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned buckets. Gradually the tenants – some of whom have barely spoken to each other before now – become real neighbours.With each character secretly written by a different, major literary voice - from Margaret Atwood to John Grisham and Celeste Ng, Fourteen Days is a heart-warming ode to the power of storytelling and human connection.‘An immensely enjoyable product of an immensely unenjoyable time, Fourteen Days is lively, freewheeling… An impressive achievement’ Observer‘Fourteen Days serves as a valuable reminder that stories can teach, console, provide a place of acceptance and perhaps even change their readers (or listeners)’ Financial TimesIncludes writing from: Margaret Atwood, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Erica Jong, Celeste Ng, Tommy Orange, Doug Preston, R.L. Stine, Nafissa Thompson-Spires, Meg Wolitzer and many more.

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Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely-crafted literature. The magazine has spoken with most of the world's leading novelists, poets and playwrights, and the interviews themselves have come to be recognised as classic words of literature in their own right. The series as a whole is indispensable for all writers and readers.This new volume in the series builds on the success and acclaim of the first two editions. The interviews:Ralph Ellison (1955)Georges Simenon (1955)Isak Dineson (1956)Evelyn Waugh (1963)William Carlos Williams (1964)Harold Pinter (1966)John Cheever (1976)Joyce Carol Oates (1978)Jean Rhys (1979)Raymond Carver (1983)Chinua Achebe (1994)Ted Hughes (1995)Jan Morris (1997)Martin Amis (1998)Salman Rushdie (2005)Norman Mailer (2007)

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Provocative, startling, prophetic, and more relevant than ever, The Handmaid's Tale has become a global phenomenon. Now, in this stunning graphic novel edition of Margaret Atwood's modern classic, the terrifying reality of Gilead is brought to vivid life like never before."Everything Handmaids wear is red: the colour of blood, which defines us." Offred is a Handmaid in the Republic of Gilead, where women are prohibited from holding jobs, reading, and forming friendships. She serves in the household of the Commander and his wife, and under the new social order she has only one purpose: once a month, she must lie on her back and pray that the Commander makes her pregnant, ecause in an age of declining births, Offred and the other Handmaids are valued only if they are fertile. But Offred remembers the years before Gilead, when she was an independent woman who had a job, a family, and a name of her own. Now, her memories and her will to survive are acts of rebellion.The Handmaid's Tale and its iconic images - the red of the Handmaids, the blue of the Wives, the looming Gileadean Eye - have been adapted into a film, an opera, a ballet, and multi-award-winning TV series. This groundbreaking new graphic novel edition, adapted and featuring arresting artwork by Renée Nault, is destined to become a classic in its own right.

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“Farley and Claire is a love story, a biography, a Tale of Two Farleys, or perhaps three: the public one, the private one, and the secret one.”—Margaret AtwoodThe tumultuous, enduring love story between iconic writer Farley Mowat and his wife Claire, including excerpts from their passionate letters, published here for the first time.When Farley Mowat met Claire Wheeler in August 1960, the attraction was immediate, and within days they were lovers, despite the fact that Farley was already married. Their affair—partly aided and abetted by publisher Jack McClelland—included an extended correspondence until several years later, when Farley finally obtained a Mexican divorce and the two were married in Texas. They were together until Farley’s death 54 years later.Claire, a brilliant diarist, has given author Michael Harris complete access to her journals and letters, as well as Farley’s letters, and Harris has conducted extensive interviews with her and original research. The result is a literary love story for the ages, complete with photos of the couple who defied conventions of their time to be together.Published in partnership with the David Suzuki Institute.

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‘Compelling' Marie Claire * 'Immensely enjoyable' Observer * 'Fascinating' Red *One week into lockdown, the tenants of a Manhattan apartment building have begun to gather on the rooftop each evening and tell stories in this exciting new twist on the novel.With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned buckets. Gradually the tenants – some of whom have barely spoken to each other before now – become real neighbours.With each character secretly written by a different, major literary voice - from Margaret Atwood to John Grisham and Celeste Ng, Fourteen Days is a heart-warming ode to the power of storytelling and human connection.‘An immensely enjoyable product of an immensely unenjoyable time, Fourteen Days is lively, freewheeling… An impressive achievement’ Observer‘Fourteen Days serves as a valuable reminder that stories can teach, console, provide a place of acceptance and perhaps even change their readers (or listeners)’ Financial TimesIncludes writing from: Margaret Atwood, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Erica Jong, Celeste Ng, Tommy Orange, Doug Preston, R.L. Stine, Nafissa Thompson-Spires, Meg Wolitzer and many more.

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The Republic of Gilead offers Offred only one function: to breed . If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs...

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For centuries, cats have been worshipped, adored and mistrusted in equal measure. This beautiful gift book contains a selection of essays, stories, and poems on cats by writers from across the ages. In these pages, writers reflect on the curious feline qualities that inspire such devotion in their owners, even when it seems one-sided. Cats' affections are hard-won and often fickle. Freud considered his cat an embodiment of true egoism; Hilaire Belloc found peace in his feline companion's complacency; and Hemingway-a famous cat-lover-wrote of drinking with his eleven cats and the pleasant distraction they gave him. Edward Gorey can't turn down a stray despite the trouble they cause him, and admits he has no idea what they're thinking about; Muriel Spark gives practical advice on how to teach a cat to play ping-pong; Nikola Tesla, who helped design the modern electricity supply system, describes a seminal experience with a cat that first sparked his fascination with electricity; and Caitlin Moran considers the unexpected feelings of loss after the death of her family cat. These writers, and many others (including Mary Gaitskill, Alice Walker, Ursula K. Le Guin, John Keats, James Bowen, Lynne Truss, and more), paint a joyful portrait of cats and their mysterious and loveable ways. As Hemingway wrote, "one cat leads to another." The book features six black-and-white cat portraits by photographer Elliot Ross.

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The One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And D-503, the Builder, is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex and freedom.A foundational work of dystopian fiction, inspiration for both Orwell's Nineteen Eighty-Four and Huxley's Brave New World, WE is a book of radical imaginings - of control and rebellion, surveillance and power, machine intelligence and human inventiveness, sexuality and desire. In this brilliant new translation, it is both a warning and a hope for a better world.

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Celebrating 30 years of Tori Amos' breakout album: Little Earthquakes!The official graphic novel celebrating 30 years of Tori Amos's breakout album: Little Earthquakes. The landmark release that established her iconic thematic voice, as well as her live intensity behind the keys with unflinching lyrics and songs that would inspire generations of artists and musicians. This graphic novel demonstrates the lasting influence of this defining work with 24 stories inspired by the 12 songs on the album, as well as the 12 ‘B-sides’ that accompanied the album and its associated singles. With star writers such as Neil Gaiman and Margaret Atwood being assembled by Z2 editor Rantz Hoseley, who previously edited the multi-award-winning Comic Book Tattoo, and who painted the cover for her recent Christmastide EP.

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The One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And D-503, the Builder, is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex and freedom.A foundational work of dystopian fiction, inspiration for both Orwell's Nineteen Eighty-Four and Huxley's Brave New World, WE is a book of radical imaginings - of control and rebellion, surveillance and power, machine intelligence and human inventiveness, sexuality and desire. It is both a warning and a hope for a better world.This new edition also includes Ursula K. Le Guin's essay 'The Stalin in the Soul' on the enduring influence of Zamyatin's masterpiece, and George Orwell's 1946 review of WE.

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The Women's Liberation Movement held a foundational belief in the written word's power to incite social change. In this new collection, Jaime Harker and Cecilia Konchar Farr curate essays that reveal how second-wave feminists embraced this potential with a vengeance. The authors in This Book Is an Action investigate the dynamic print culture that emerged as the feminist movement reawakened in the late 1960s. The works created by women shined a light on taboo topics and offered inspiring accounts of personal transformation. Yet, as the essayists reveal, the texts represented something far greater: a distinct and influential American literary renaissance. On the one hand, feminists took control of the process by building a network of publishers and distributors owned and operated by women. On the other, women writers threw off convention to venture into radical and experimental forms, poetry, and genre storytelling, and in so doing created works that raised the consciousness of a generation. Examining feminist print culture from its structures and systems to defining texts by Margaret Atwood and Alice Walker, This Book Is an Action suggests untapped possibilities for the critical and aesthetic analysis of the diverse range of literary production during feminism's second wave.

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The Women's Liberation Movement held a foundational belief in the written word's power to incite social change. In this new collection, Jaime Harker and Cecilia Konchar Farr curate essays that reveal how second-wave feminists embraced this potential with a vengeance. The authors in This Book Is an Action investigate the dynamic print culture that emerged as the feminist movement reawakened in the late 1960s. The works created by women shined a light on taboo topics and offered inspiring accounts of personal transformation. Yet, as the essayists reveal, the texts represented something far greater: a distinct and influential American literary renaissance. On the one hand, feminists took control of the process by building a network of publishers and distributors owned and operated by women. On the other, women writers threw off convention to venture into radical and experimental forms, poetry, and genre storytelling, and in so doing created works that raised the consciousness of a generation. Examining feminist print culture from its structures and systems to defining texts by Margaret Atwood and Alice Walker, This Book Is an Action suggests untapped possibilities for the critical and aesthetic analysis of the diverse range of literary production during feminism's second wave.

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