Search results for ""author j. r. r. tolkien""

Begin your journey into Middle-earth. A New Legend Begins on Prime Video, in The Lord of the Rings: The Rings of Power. The third part of J.R.R. Tolkien’s epic adventure THE LORD OF THE RINGS. The Dark Lord has risen, and as he unleashes hordes of Orcs to conquer all Middle-earth, Frodo and Sam struggle deep into his realm in Mordor. To defeat Sauron, the One Ring must be destroyed in the fires of Mount Doom. But the way is impossibly hard, and Frodo is weakening. The Ring corrupts all who bear it and Frodo’s time is running out. Will Sam and Frodo succeed, or will the Dark Lord rule Middle-earth once more?

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This deluxe slipcased edition of The Hobbit, printed and bound using superior materials including a silk ribbon marker, features the definitive text, plus Tolkien’s paintings and drawings in full colour, and a special fold-out version of Thror’s Map. Bilbo Baggins enjoys a quiet and contented life, with no desire to travel far from the comforts of home; then one day the wizard Gandalf and a band of dwarves arrive unexpectedly and enlist his services – as a burglar – on a dangerous expedition to raid the treasure-hoard of Smaug the dragon. Bilbo’s life is never to be the same again. Seldom has any book been so widely read and loved as J.R.R. Tolkien’s classic tale, The Hobbit. Since its first publication in 1937 it has remained in print to delight each new generation of readers all over the world, and its hero, Bilbo Baggins, has taken his place among the ranks of the immortals: Alice, Pooh, Toad…

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The definitive edition of J.R.R. Tolkien’s most beloved book, sporting a facsimile of his original cover design and complete with colour plates of his own paintings, brand new reproductions of all his drawings, and colour versions of both maps. Bilbo Baggins enjoys a quiet and contented life, with no desire to travel far from the comforts of home; then one day the wizard Gandalf and a band of dwarves arrive unexpectedly and enlist his services – as a burglar – on a dangerous expedition to raid the treasure-hoard of Smaug the dragon. Bilbo’s life is never to be the same again. Seldom has any book been so widely read and loved as JRR Tolkien’s classic tale, The Hobbit. Since its first publication in 1937 it has remained in print to delight each new generation of readers all over the world, and its hero, Bilbo Baggins, has taken his place among the ranks of the immortals: Alice, Pooh, Toad…

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Concluding the story begun in The Hobbit, this is the final part of Tolkien’s epic masterpiece, The Lord of the Rings. Featuring a striking black cover based on Tolkien’s own design, the definitive text, and a detailed map of Middle-earth. The armies of the Dark Lord are massing as his evil shadow spreads ever wider. Men, Dwarves, Elves and Ents unite forces to do battle agains the Dark. Meanwhile, Frodo and Sam struggle further into Mordor in their heroic quest to destroy the One Ring. Impossible to describe in a few words, JRR Tolkien’s great work of imaginative fiction has been labelled both a heroic romance and a classic fantasy fiction. By turns comic and homely, epic and diabolic, the narrative moves through countless changes of scene and character in an imaginary world which is totally convincing in its detail. Tolkien created a vast new mythology in an invented world which has proved timeless in its appeal.

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Repackaged to feature Tolkien’s own painting of the Tree of Amalion, this collection includes his famous essay, ‘On Fairy-stories’ and the story that exemplifies this, ‘Leaf by Niggle’, together with the poem ‘Mythopoeia’ and the verse drama, ‘The Homecoming of Beorhtnoth’, which tells of the events following the disastrous Battle of Maldon. Fairy-stories are not just for children, as anyone who has read Tolkien will know. In his essay ‘On Fairy-Stories’, Tolkien discusses the nature of fairy-tales and fantasy and rescues the genre from those who would relegate it to juvenilia. The haunting short story, ‘Leaf by Niggle’, recounts the story of the artist, Niggle, who has ‘a long journey to make’ and is seen as an allegory of Tolkien’s life. The poem ‘Mythopoeia’ relates an argument between two unforgettable characters as they discuss the making of myths. Lastly, and published for the very first time, we are treated to the translation of Tolkien’s account of the Battle of Maldon, known as ‘The Homecoming of Beorhtnoth’. Tree and Leaf is an eclectic, amusing, provocative and entertaining collection of works which reveals the diversity of J.R.R. Tolkien’s imagination, the depth of his knowledge of English history, and the breadth of his talent as a creator of fantastic fiction.

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Continuing the story begun in The Hobbit, this is the first part of Tolkien’s epic masterpiece, The Lord of the Rings, featuring a striking black cover based on Tolkien’s own design, the definitive text, and a detailed map of Middle-earth. Sauron, the Dark Lord, has gathered to him all the Rings of Power – the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring – the ring that rules them all – which has fallen into the hands of the hobbit, Bilbo Baggins. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose. Part of a set of three paperbacks, this popular edition is once again available in its classic black livery designed by Tolkien himself.

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Begin your journey into Middle-earth. A New Legend Begins on Prime Video, in The Lord of the Rings: The Rings of Power. The third part of J.R.R. Tolkien’s epic adventure THE LORD OF THE RINGS. The Dark Lord has risen, and as he unleashes hordes of Orcs to conquer all Middle-earth, Frodo and Sam struggle deep into his realm in Mordor. To defeat Sauron, the One Ring must be destroyed in the fires of Mount Doom. But the way is impossibly hard, and Frodo is weakening. The Ring corrupts all who bear it and Frodo’s time is running out. Will Sam and Frodo succeed, or will the Dark Lord rule Middle-earth once more?

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Three-volume, deluxe slipcased hardback set of The Lord of the Rings, illustrated throughout by acclaimed Tolkien artist, Alan Lee. Features exclusive new paintings and dozens of pencil drawings appearing for the very first time, together with three removable art cards and two foldout maps.Since it was first published, The Lord of the Rings has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, this work of sweeping fantasy has touched the hearts of young and old alike. Across its many editions, in the region of 100 million copies have been sold around the world. And no edition has proved more popular than the Centenary edition illustrated by award-winning artist, Alan Lee.Now, for the first time since its publication in 1992, this illustrated edition has been revised and expanded, with a number of brand-new paintings and more than 50 illustrations added by the artist.Readers will be able to follow the complete story of the Hobbits and their part in th

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The forerunner to The Lord of the Rings, The Silmarillion tells the earlier history of Middle-earth, recounting the events of the First and Second Ages, and introducing some of the key characters, such as Galadriel, Elrond, Elendil and the Dark Lord, Sauron. The Silmarillion is an account of the Elder Days, of the First Age of Tolkien’s world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. This pivotal work features the revised, corrected text and includes, by way of an introduction, a fascinating letter written by Tolkien in 1951 in which he gives a full explanation of how he conceived the early Ages of Middle-earth.

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This popular paperback edition of the classic work of fantasy, with a striking new black cover based on JRR Tolkien’s own design and featuring brand new reproductions of all his drawings and maps. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey ‘there and back again’. They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon… The prelude to The Lord of the Rings, The Hobbit has sold many millions of copies since its publication in 1937, establishing itself as one of the most beloved and influential books of the twentieth century.

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This beautiful, deluxe slipcased edition of Tolkien’s famous illustrated letters from Father Christmas to his children includes for the first time every available letter, picture and envelope that he sent them, reproduced in glorious colour. The perfect Christmas gift for Tolkien lovers of all ages. This classic festive book of Tolkien’s amazing Father Christmas letters written to his children between the 1920s and the 1940s has been reworked into a sumptuous, new deluxe edition. It contains brand new high-quality digital reproductions of his wonderful letters and pictures, including a number of them that have never been printed before, a revised introduction by Baillie Tolkien, and a special full-colour, foldout frontispiece. ‘My dear children, I am more shaky than usual this year. The North Polar Bear’s fault. It was the biggest bang in the world, and the most monstrous firework there has ever been. It turned the North Pole black!’ Every December an envelope bearing a stamp from the North Pole would arrive for J. R. R. Tolkien’s children. Inside would be a letter in strange spidery handwriting and a beautiful coloured drawing or some sketches. The letters were from Father Christmas. They told wonderful tales of life at the North Pole:• How all the reindeer got loose and scattered presents all over the place.• How the accident-prone Polar Bear climbed the North Pole and fell through the roof of Father Christmas’s house into the dining-room• How he broke the Moon into four pieces and made the Man in it fall into the back garden• How there were wars with the troublesome horde of goblins who lived in the caves beneath the house! Sometimes the Polar Bear would scrawl a note, and sometimes Ilbereth the Elf would write in his elegant flowing script, adding yet more life and humour to the stories. From the first note to Tolkien’s eldest son in 1920 to the final poignant letter to his daughter in 1943, this book collects all the remarkable letters and pictures in one enchanting edition. No reader, young or old, can fail to be charmed by the inventiveness of Tolkien’s Letters from Father Christmas.

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This sumptuous gift set includes a replica of the very rare first edition of The Hobbit, the only edition where one can now read the original version of the story before Tolkien re-edited it to become the one enjoyed by readers since 1951. The Hobbit was published on 21 September 1937, with a print run of 1,500 copies. With a beautiful cover design, nearly a dozen black & white illustrations and two black & red maps by the author himself, the book proved to be popular and was reprinted shortly afterwards. History was already being made. The scarcity of the first edition has resulted in copies commanding huge prices, way beyond the reach of most Tolkien fans. In addition, subsequent changes to the text – particularly those to chapter 5, when Tolkien decided in 1947 to revise the text to bring it better into accord with events as they were developing in its ‘sequel’, The Lord of the Rings - mean that the opportunity to read the book in its original form and format has become quite difficult. This special printing reprints the first edition, so that readers of all ages – not just ‘children between the ages of 5 and 9’, as Rayner Unwin famously declared in his report on the original submission – can finally enjoy Tolkien’s story as it originally appeared.

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Boxed gift set of Tolkien's classic masterpieces, fully illustrated throughout in watercolour by the acclaimed and award-winning artist, Alan Lee, Conceptual Designer on Peter Jackson's THE HOBBIT films.Since they were first published, The Hobbit and The Lord of the Rings have been two books people have treasured. Steeped in unrivalled magic and otherworldliness, these works of sweeping fantasy have touched the hearts of young and old alike. Between them, nearly 150 million copies have been sold around the world. And no editions have proved more popular than the two that were illustrated by award-winning artist, Alan Lee the Centenary edition of The Lord of the Rings and the 60th Anniversary edition of The Hobbit.Now, the new hardback editions of these beautifully illustrated works have been collected together into one boxed set of four books. Readers will be able to follow the complete story of the Hobbits and their part in the quest for the Ring beginning with Bilbo's fateful visit

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For the first time ever, a beautiful slipcased edition of the enchanting prelude to The Lord of the Rings, illustrated throughout with over 50 sketches, drawings, paintings and maps by J.R.R. Tolkien himself, with the complete text printed in two colours and with many bonus features unique to this edition. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey ‘there and back again’. They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon… Written for J.R.R. Tolkien’s own children, The Hobbit was published on 21 September 1937. With a beautiful cover design, a handful of black & white drawings and two maps by the author himself, the book became an instant success and was reprinted shortly afterwards with five colour plates. Tolkien’s own selection of finished paintings and drawings have become inseparable from his text, adorning editions of The Hobbit for more than 85 years. But the published art has afforded only a glimpse of Tolkien’s creative process, and many additional sketches, coloured drawings and maps – although exhibited and published elsewhere – have never appeared within the pages of The Hobbit. In this unique enhanced edition of Tolkien’s enchanting classic tale, the full panoply of his art is reproduced for the first time, presenting more than 50 illustrations to accompany Bilbo Baggins on his adventure ‘there and back again’. Unique to this edition are two poster-size, fold-out maps revealing all the detail of Thror’s Map and Wilderland, an illustrated 88-page booklet, and a printed art card reproducing Tolkien’s original dustjacket painting. It is additionally quarterbound in green leather, with raised ribs on the spine, stamped in three foils on black cloth boards, and housed in a custom-built clothbound slipcase. The pages are edged in gold and include a ribbon marker.

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This elegant deluxe slipcased edition of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour, features a beautifully decorated text and includes as a bonus the complete text of Tolkien’s acclaimed lecture on Sir Gawain. Sir Gawain and the Green Knight and Pearl are two poems by an unknown author written in about 1400. Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social values. Pearl is apparently an elegy on the death of a child, a poem pervaded with a sense of great personal loss: but, like Gawain it is also a sophisticated and moving debate on much less tangible matters. Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien’s. The three translations represent the complete rhyme and alliterative schemes of the originals, and are uniquely accompanied in this special deluxe slipcased edition with the complete text of Tolkien’s acclaimed 1953 W.P. Ker Memorial Lecture that he delivered on Sir Gawain.

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This sumptuous gift set includes a replica of the very rare first edition of The Hobbit, the only edition where one can now read the original version of the story before Tolkien re-edited it to become the one enjoyed by readers since 1951. The Hobbit was published on 21 September 1937, with a print run of 1,500 copies. With a beautiful cover design, nearly a dozen black & white illustrations and two black & red maps by the author himself, the book proved to be popular and was reprinted shortly afterwards. History was already being made. The scarcity of the first edition has resulted in copies commanding huge prices, way beyond the reach of most Tolkien fans. In addition, subsequent changes to the text – particularly those to chapter 5, when Tolkien decided in 1947 to revise the text to bring it better into accord with events as they were developing in its ‘sequel’, The Lord of the Rings – mean that the opportunity to read the book in its original form and format has become quite difficult. This special commemorative gift set includes the first edition, so that readers of all ages – not just ‘children between the ages of 5 and 9’, as Rayner Unwin famously declared in his report on the original submission – can finally enjoy Tolkien’s story as it originally appeared. It also includes an exclusive CD of archive recordings that capture Tolkien reading from The Hobbit, a special copy of Thror’s map which reveals the secret moon-runes when held to the light, and an accompanying booklet that relates the history of The Hobbit, and includes connected writings by JRR Tolkien.

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To celebrate the 30th anniversary of first publication, a new de luxe edition of The Silmarillion, featuring the revised, reset text, a colour frontispiece illustration, bound in special materials and presented in a matching slipcase. The Silmarillion is an account of the Elder Days, of the First Age of Tolkien’s world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. For the first time, we are publishing a deluxe edition of this pivotal work, featuring the revised, corrected text and including, by way of an introduction, a fascinating letter written by Tolkien in 1951 in which he gives a full explanation of how he conceived the early Ages of Middle-earth. Quarter-bound, and set in a matching slipcase, this attractive edition will prove a fine addition to any Tolkien collection.

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Deluxe collector’s edition featuring the first edition text and containing a facsimile page of Tolkien’s original manuscript. The book is quarterbound with a gold motif stamped on the front board and is presented in a matching slipcase. The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur’s expedition overseas into distant heathen lands, of Guinevere’s flight from Camelot, of the great sea-battle on Arthur’s return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle. Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him ‘You simply must finish it!’ But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that ‘he hoped to finish a long poem on The Fall of Arthur’; but that day never came. Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem’s structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written.

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A brand new revised edition of the best-selling graphic novel based on the enchanting prelude to The Lord of the Rings. First published in 1990, David Wenzel’s comic book adaptation of J.R.R. Tolkien’s The Hobbit was an immediate success and has become one of the best-loved graphic novels of the last 25 years. The Hobbit is the story of Bilbo Baggins, a quiet and contented hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim their stolen treasure. It is a journey fraught with danger – and in the end it is Bilbo alone who must face the guardian of this treasure, the most-dreaded dragon, Smaug. Illustrated and hand painted in full colour throughout, and accompanied by the carefully abridged text of the original novel, this handsome authorised edition will introduce new generations to a magical masterpiece – and be treasured by Hobbit fans of all ages, everywhere. This new edition has been completely re-scanned from the original paintings to achieve more accurate and vibrant colours, with David Wenzel revisiting the work to provide sensitive improvements and additions to the original edition. The book includes a magnificent and completely new cover design by Wenzel himself.

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The second part of The History of The Lord of the Rings, an enthralling account of the writing of the Book of the Century which contains many additional scenes and includes the unpublished Epilogue in its entirety. The Treason of Isengard continues the account of the creation of The Lord of the Rings started in the earlier volume, The Return of the Shadow. It races the great expansion of the tale into new lands and peoples south and east of the Misty Mountains: the emerence of Lothlorien, of Ents, of the Riders of Rohan, and of Saruman the White in the fortress of Isengard. In brief outlines and pencilled drafts dashed down on scraps of paper are seen the first entry of Galadriel, the earliest ideas of the history of Gondor, and the original meeting of Aragorn and Eowyn, its significance destined to be wholly transformed. The book also contains a full account of the original map which was to be the basis of the emerging geography of Middle-earth. This series of fascinating books has now been repackaged to complement the distinctive and classic style of the ‘black cover’ A-format paperbacks of The Hobbit, The Lord of the Rings, The Silmarillion and Unfinished Tales.

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First ever standalone edition of one of J.R.R. Tolkien’s most important poetic dramas, that explores timely themes such as the nature of heroism and chivalry during war, and which features unpublished and never-before-seen texts and drafts. In 991 AD, vikings attacked an Anglo-Saxon defence-force led by their duke, Beorhtnoth, resulting in brutal fighting along the banks of the river Blackwater, near Maldon in Essex. The attack is widely considered one of the defining conflicts of tenth-century England, due to it being immortalised in the poem, The Battle of Maldon. Written shortly after the battle, the poem now survives only as a 325-line fragment, but its value to today is incalculable, not just as an heroic tale but in vividly expressing the lost language of our ancestors and celebrating ideals of loyalty and friendship. J.R.R. Tolkien considered The Battle of Maldon ‘the last surviving fragment of ancient English heroic minstrelsy’. It would inspire him to compose, during the 1930s, his own dramatic verse-dialogue, The Homecoming of Beorhtnoth Beorhthelm’s Son, which imagines the aftermath of the great battle when two of Beorhtnoth’s retainers come to retrieve their duke’s body. Leading Tolkien scholar, Peter Grybauskas, presents for the very first time J.R.R. Tolkien’s own prose translation of The Battle of Maldon together with the definitive treatment of The Homecoming of Beorhtnoth and its accompanying essays; also included and never before published is Tolkien’s bravura lecture, ‘The Tradition of Versification in Old English’, a wide-ranging essay on the nature of poetic tradition. Illuminated with insightful notes and commentary, he has produced a definitive critical edition of these works, and argues compellingly that, Beowulf excepted, The Battle of Maldon may well have been ‘the Old English poem that most influenced Tolkien’s fiction’, most dramatically within the pages of The Lord of the Rings.

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Painstakingly restored from Tolkien’s manuscripts and presented for the first time as a fully continuous and standalone story, this paperback of the epic tale of The Children of Húrin will reunite fans of The Hobbit and The Lord of the Rings with Elves, dragons, Dwarves and Orcs, and the rich landscape and characters unique to Tolkien. It is a legendary time long before The Lord of the Rings, and Morgoth, the first Dark Lord, dwells in the vast fortress of Angband in the North; and within the shadow of the fear of Angband, and the war waged by Morgoth against the Elves, the fates of Túrin and his sister Niënor will be tragically entwined. Their brief and passionate lives are dominated by the elemental hatred that Morgoth bears them as the children of Húrin, the man who dared to defy him to his face. Against them Morgoth sends his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire, in an attempt to fulfil the curse of Morgoth, and destroy the children of Húrin. Begun by J.R.R. Tolkien at the end of the First World War, The Children of Húrin became the dominant story in his later work on Middle-earth. But he could not bring it to a final and finished form. In this book Christopher Tolkien has constructed, after long study of the manuscripts, a coherent narrative without any editorial invention.

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The translation of Beowulf by J.R.R. Tolkien was an early work, very distinctive in its mode, completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book. From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel’s terrible hand set under the roof of Heorot. But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf ‘snuffling in baffled rage and injured greed when he discovers the theft of the cup’; but he rebuts the notion that this is ‘a mere treasure story’, ‘just another dragon tale’. He turns to the lines that tell of the burying of the golden things long ago, and observes that it is ‘the feeling for the treasure itself, this sad history’ that raises it to another level. ‘The whole thing is sombre, tragic, sinister, curiously real. The “treasure” is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination.’ Sellic Spell, a ‘marvellous tale’, is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the ‘historical legends’ of the Northern kingdoms.

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The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the extraordinary story of the final days of England’s legendary hero, King Arthur. The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur’s expedition overseas into distant heathen lands, of Guinevere’s flight from Camelot, of the great sea-battle on Arthur’s return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle. Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him ‘You simply must finish it!’ But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that ‘he hoped to finish a long poem on The Fall of Arthur’; but that day never came. Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem’s structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written.

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The final part of The History of The Lord of the Rings, an enthralling account of the writing of the Book of the Century which contains many additional scenes and includes the unpublished Epilogue in its entirety. In the first section of Sauron Defeated Christopher Tolkien completes his fascinating study of The Lord of the Rings. Beginning with Sam’s rescue of Frodo from the Tower of Cirith Ungol, and giving a very different account of the Scouring of the Shire, this section ends with versions of the hitherto unpublished Epilogue, in which, years after the departure of Bilbo and Frodo from the Grey Havens, Sam attempts to answer his children’s questions. The second section is an edition of The Notion Club Papers. These mysterious papers, discovered in the early years of the twenty-first century, report the discussions of an Oxford club in the years 1986-7, in which after a number of topics, the centre of interest turns to the legend of Atlantis, the strange communications received by other members of the club from the past, and the violent irruption of the legend into the North-west of Europe. This series of fascinating books has now been repackaged to complement the distinctive and classic style of the ‘black cover’ A-format paperbacks of The Hobbit, The Lord of the Rings, The Silmarillion and Unfinished Tales.

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The fifth volume of the History of Middle-earth, containing the early myths and legends which led to the writing of Tolkien’s epic tale of war, The Silmarillion. At the end of 1937, J R R Tolkien reluctantly set aside his work on the myths and heroic legends of Valinor and Middle-earth and began The Lord of the Rings.This fifth volume of The History of Middle-earth completes the examination of his writing up to that time. Later forms of The Annals of Valinor and The Annals of Beleriand had been composed, The Silmarillion was nearing completion in a greatly amplified form, and a new Map had been made. The legend of the Downfall of Numenor had entered the work, including those central ideas: the World Made Round and the Straight Path into the vanished West. Closely associated with this was the abandoned ‘time-travel’ story The Lost Road, linking the world of Numenor and Middle-earth with the legends of many other times and peoples. Also included in this volume is the The Lhammas, as essay on the complex languages and dialects of Middle-earth, and an ‘etymological dictionary’ containing an extensive account of Elvish vocabularies.

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The fourth volume that contains the early myths and legends which led to the writing of Tolkien’s epic tale of war, The Silmarillion. In this fourth volume of The History of Middle-earth, the shaping of the chronological and geographical structure of the legends of Middle-earth and Valinor is spread before us.We are introduced to the hitherto unknown Ambarkanta or “Shape of the World”, the only account ever given of the nature of the imagined Universe, ccompanied by maps and diagrams of the world before and after the cataclyusms of The War of the Gods and the Downfall of Numenor. The first map of Beleriend is also reproduced and discussed.In The Annals of Valinor and The Annals of Beleriend we are shown how the chronology of the First Age was moulded: and the tale is told of Aelfwine, the Englishman who voyaged into the True West and came to Tol Eressea, Lonely Isle, where he learned the ancient history of Elves and Men.Also included are the original ‘Silmarillion’ of 1926, and the Quenta Noldorinwa of 1930 – the only version of the myths and legends of the First Age that J R R Tolkien completed to their end.

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Collector’s slipcased edition of the first ever standalone presentation of one of J.R.R. Tolkien’s most important poetic dramas, that explores timely themes such as the nature of heroism and chivalry during war, and which features unpublished and never-before-seen texts and drafts. In 991 AD, vikings attacked an Anglo-Saxon defence-force led by their duke, Beorhtnoth, resulting in brutal fighting along the river Blackwater, near Maldon in Essex. The attack is widely considered one of the defining conflicts of tenth-century England, and is immortalised in the poem, The Battle of Maldon. Written shortly after the battle, the poem survives only as a 325-line fragment, but its value to today is incalculable. J.R.R. Tolkien considered The Battle of Maldon ‘the last surviving fragment of ancient English heroic minstrelsy’. It would inspire him to compose, during the 1930s, his own dramatic verse-dialogue, The Homecoming of Beorhtnoth Beorhthelm’s Son, which imagines the aftermath of the great battle when two of Beorhtnoth’s retainers come to retrieve their duke’s body. Leading Tolkien scholar, Peter Grybauskas, presents for the first time Tolkien’s own prose translation of The Battle of Maldon together with the definitive treatment of The Homecoming of Beorhtnoth and its accompanying essays; also included and never before published is the lecture, ‘The Tradition of Versification in Old English’. Illuminated with insightful notes and commentary, he offers a definitive critical edition of these works, and argues compellingly that, Beowulf excepted, The Battle of Maldon may well have been ‘the Old English poem that most influenced Tolkien’s fiction’, most dramatically within the pages of The Lord of the Rings. This slipcased edition includes a colour frontispiece reproducing a page of Tolkien’s original manuscript of The Homecoming, and is printed on acid-free paper with a ribbon marker. It is quarterbound with a unique illustration by Bill Sanderson gold-foiled on grey boards and is housed in a custom-built slipcase. It also includes a digitally remastered recording of The Homecoming of Beorhtnoth read by J.R.R. Tolkien & Christopher Tolkien, which is available on CD for the first time.

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This smart new paperback edition contains the fully-reset text of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour. It features a beautifully decorated text and includes as a bonus the complete version of Tolkien’s acclaimed lecture on Sir Gawain. Sir Gawain and the Green Knight and Pearl are two poems by an unknown author written in about 1400. Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social values. Pearl is apparently an elegy on the death of a child, a poem pervaded with a sense of great personal loss: but, like Gawain it is also a sophisticated and moving debate on much less tangible matters. Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien’s. The three translations represent the complete rhyme and alliterative schemes of the originals, and are uniquely accompanied with the complete text of Tolkien’s acclaimed 1953 W.P. Ker Memorial Lecture that he delivered on Sir Gawain.

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Complete integrated indices of History of Middle-earth volumes to complement new series. For the first time every index from each of the twelve volumes of The History Of Middle-earth has been published together in a single volume – to create a supreme index charting the writing of Tolkien’s masterpieces The Lord of The Rings and The Silmarillion. This stunning work of reference complements the fascinating History of Middle-earth series, now repackaged to complement the distinctive and classic style of the ‘black cover’ A-format paperbacks of The Hobbit, The Lord of the Rings, The Silmarillion and Unfinished Tales.

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