Search results for ""author honoré de balzac""

His elegantly-crafted tale of sibling rivalry, Honoré de Balzac's The Black Sheep is translated from the French with an introduction by Donald Adamson in Penguin Classics.Philippe and Joseph Bridau are two extremely different brothers. The elder, Philippe, is a superficially heroic soldier and adored by their mother Agathe. He is nonetheless a bitter figure, secretly gambling away her savings after a brief but glorious career as Napoleon's aide-de-camp at the battle of Montereau. His younger brother Joseph, meanwhile, is fundamentally virtuous - but their mother is blinded to his kindness by her disapproval of his life as an artist. Foolish and prejudiced, Agathe lives on unaware that she is being cynically manipulated by her own favourite child - but will she ever discover which of her sons is truly the black sheep of the family? A dazzling depiction of the power of money and the cruelty of life in nineteenth-century France, The Black Sheep compellingly explores is a compelling exploration of the nature of deceit.Donald Adamson's translation captures the radical modernity of Balzac's style, while his introduction places The Black Sheep in its context as one of the great novels of Balzac's renowned Comédie humaine.Honoré De Balzac (1799-1850) failed at being a lawyer, publisher, printer, businessman, critic and politician before, at the age of thirty, turning his hand to writing. His life's work, La Comédie humaine, is a series of ninety novels and short stories which offer a magnificent panorama of nineteenth-century life after the French Revolution. Balzac was an influence on innumerable writers who followed him, including Marcel Proust, Émile Zola, Charles Dickens, and Edgar Allan Poe.If you enjoyed The Black Sheep, you might like Balzac's Eugénie Grandet, also available in Penguin Classics.

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Handsome would-be poet Lucien Chardon is poor and naive, but highly ambitious. Failing to make his name in his dull provincial hometown, he is taken up by a patroness, the captivating married woman Madame de Bargeton, and prepares to forge his way in the glamorous beau monde of Paris. But Lucien has entered a world far more dangerous than he realized, as Madame de Bargeton's reputation becomes compromised and the fickle, venomous denizens of the courts and salons conspire to keep him out of their ranks. Lucien eventually learns that, wherever he goes, talent counts for nothing in comparison to money, intrigue and unscrupulousness. Lost Illusions is one of the greatest novels in the rich procession of the Comedie humaine, Balzac's panoramic social and moral history of his times.

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An old man arrives at the offices of the lawyer Derville, claiming to be Colonel Chabert, a hero of the Napoleonic Wars who was left for dead on the battlefield, but in fact managed to survive under a pile of corpses before spending years as a recovering amnesiac. Having returned to Paris and discovered that his wife has married an aristocrat who has liquidated all his assets, Chabert enlists the help of Derville to recover both his name and his fortune. Part of Balzac’s La Comédie humaine cycle, Colonel Chabert is a poignant tale about the pursuit of justice, as well as a portrait of France’s transition from the Napoleonic Empire to the Restoration. Inspired by actual events, the novella has captured the imagination of generations of readers and has been adapted for the stage and screen numerous times.

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In 1842, eight years before his death, Balzac described Ursule Mirouet as the masterpiece of all the studies of human society that he had written; he regarded the book as 'a remarkable tour de force'.An essentially simple tale about the struggle and triumph of innocence reviled, Ursule Mirouet is characterized by that wealth of penetrating observation so readily associated with Balzac's work. The twin themes of redemption and rebirth are illuminated by a consistently passionate rejection of both philosophic and practical materialism in favour of love. In this case love is aided by supernatural intervention, which itself effectively illustrates Balzac's life-long fascination with the occult.

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Handsome would-be poet Lucien Chardon is poor and naïve, but highly ambitious. Failing to make his name in his dull provincial hometown, he is taken up by a patroness, the captivating married woman Madame de Bargeton, and prepares to forge his way in the glamorous beau monde of Paris. But Lucien has entered a world far more dangerous than he realized, as Madame de Bargeton's reputation becomes compromised and the fickle, venomous denizens of the courts and salons conspire to keep him out of their ranks. Lucien eventually learns that, wherever he goes, talent counts for nothing in comparison to money, intrigue and unscrupulousness. Lost Illusions is one of the greatest novels in the rich procession of the Comédie humaine, Balzac's panoramic social and moral history of his times.

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A new annotated translation of the keystone of Balzac’s Comédie Humaine—a sweeping narrative of corrupted idealism in a cynical urban milieu Lost Illusions is an essential text within Balzac’s Comédie Humaine, his sprawling, interconnected fictional portrait of French society in the 1820s and 1830s comprising nearly one hundred novels and short stories. This novel, published in three parts between 1837 and 1843, tells the story of Lucien de Rubempré, a talented young poet who leaves behind a scandalous provincial life for the shallow, corrupt, and cynical vortex of modernity that was nineteenth-century Paris—where his artistic idealism slowly dissipates until he eventually decides to return home. Balzac poured many of his thematic preoccupations and narrative elaborations into Lost Illusions, from the contrast between life in the provinces and the all-consuming world of Paris to the idealism of poets, the commodification of art, the crushing burden of poverty and debt, and the triumphant cynicism of hack journalists and social climbers. The novel teems with characters, incidents, and settings, though perhaps none so vivid as its panoramic and despairing view of Paris as the nexus of modernity’s cultural, social, and moral infection. For Balzac, no institution better illustrates the new reality than Parisian journalism: “amoral, hypocritical, brazen, dishonest, and murderous,” he writes. In this new translation, Raymond N. MacKenzie brilliantly captures the tone of Balzac’s incomparable prose—a style that is alternatingly impassioned, overheated, angry, moving, tender, wistful, digressive, chatty, intrusive, and hectoring. His informative annotations guide the modern reader through the labyrinth of Balzac’s allusions.

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The first new translation of Balzac’s 1847 novel Splendeurs et misères des courtisanes in half a century, fully annotated and with an extensive introduction In Lost Souls, Honoré de Balzac’s brilliant evocation of nineteenth-century Paris, we enter a world of glittering wealth and grinding poverty, teeming with strivers, poseurs, and pleasure seekers along with those who struggle merely to survive. Between the heights of Parisian society and the criminal world lurking underneath, fate is about to catch up with Lucien de Rubempré, last seen in Lost Illusions, as his literary aspirations, his love for the courtesan Esther van Gobseck, and his scheme to marry the wealthy Clotilde become entangled in the cunning and ultimately disastrous ambitions of the Abbé Herrera, a villain for the ages. An extraordinary volume in Balzac’s vast Human Comedy (in which he endeavored to capture all of society), Lost Souls appears here in its first new English translation in half a century. Keenly attuned to the acerbic charm and subtleties of Balzac’s prose, this edition also includes an introduction presenting thorough biographical, literary, and historical context, as well as extensive notes throughout the text—an invaluable resource for today’s readers as they navigate Balzac’s copious allusions to classical and contemporaneous politics and literature.

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One of the greatest French novelists, Balzac was also an accomplished writer of shorter fiction. This volume includes twelve of his finest short stories - many of which feature characters from his epic series of novels the Comédie Humaine. Compelling tales of acute social and psychological insight, they fully demonstrate the mastery of suspense and revelation that were the hallmarks of Balzac's genius. In The Atheist's Mass, we learn the true reason for a distinguished atheist surgeon's attendance at religious services; La Grande Breteche describes the horrific truth behind the locked doors of a decaying country mansion, while The Red Inn relates a brutal tale of murder and betrayal. A fascinating counterpoint to the renowned novels, all the stories collected here stand by themselves as mesmerizing works by one of the finest writers of nineteenth-century France.

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Passionate and perceptive, the three short novels that make up Balzac's History of the Thirteen are concerned in part with the activities of a rich, powerful, sinister and unscrupulous secret society in nineteenth-century France. While the deeds of 'The Thirteen' remain frequently in the background, however, the individual novels are concerned with exploring various forms of desire. A tragic love story, Ferragus depicts a marriage destroyed by suspicion, revelation and misunderstanding. The Duchess de Langeais explores the anguish that results when a society coquette tries to seduce a heroic ex-soldier, while The Girl with the Golden Eyes offers a frank consideration of desire and sexuality. Together, these works provide a firm and fascinating foundation for Balzac's many later portrayals of Parisian life in his great novel-cycle The Human Comedy.

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A gripping tale of violent jealousy, sexual passion and treachery, Honoré de Balzac's Cousin Bette is translated from the French with an introduction by Marion Ayton Crawford in Penguin Classics.Poor, plain spinster Bette is compelled to survive on the condescending patronage of her socially superior relatives in Paris: her beautiful, saintly cousin Adeline, the philandering Baron Hulot and their daughter Hortense. Already deeply resentful of their wealth, when Bette learns that the man she is in love with plans to marry Hortense, she becomes consumed by the desire to exact her revenge and dedicates herself to the destruction of the Hulot family, plotting their ruin with patient, silent malice. The culmination of the Comédie humaine, and a brilliant portrayal of the grasping, bourgeois society of 1840s Paris, Cousin Bette is one of Balzac's greatest triumphs as a novelist.Marion Ayton Crawford's lively translation is accompanied by an introduction discussing the novel's portrayal of rapidly changing times, as the new, ambitious middle classes replaced France's old imperial ways.Honoré De Balzac (1799-1850) failed at being a lawyer, publisher, printer, businessman, critic and politician before, at the age of thirty, turning his hand to writing. His life's work, La Comédie humaine, is a series of ninety novels and short stories which offer a magnificent panorama of nineteenth-century life after the French Revolution. Balzac was an influence on innumerable writers who followed him, including Marcel Proust, Émile Zola, Charles Dickens, and Edgar Allan Poe.If you enjoyed Cousin Bette, you might like Balzac's Old Goriot, also available in Penguin Classics.

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'What holds sway over this country without morals, beliefs, or feelings? Gold and pleasure.' Sexual attraction, artistic insight, and the often ironic relationship between them is the dominant theme in the three short works collected in this volume. In Sarrasine an impetuous young sculptor falls in love with a diva of the Roman stage, but rapture turns to rage when he discovers the reality behind the seductiveness of the singer's voice. The ageing artist in The Unknown Masterpiece, obsessed with his creation of the perfect image of an ideal woman, tries to hide it from the jealous young student who is desperate for a glimpse of it. And in The Girl with the Golden Eyes, the hero is a dandy whose attractiveness for the mysterious Paquita has an unexpected origin. These enigmatic and disturbing forays into the margins of madness, sexuality, and creativity show Balzac spinning fantastic tales as profound as any of his longer fictions. His mastery of the seductions of storytelling places these novellas among the nineteenth-century's richest explorations of art and desire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This is the tragic story of a father whose obsessive love for his two daughters leads to his financial and personal ruin. It is set against the background of a whole society driven by social ambition and lust for money. The detailed descriptions of both affluence and squalor in the Paris of 1819 are an integral part of the drama played out by a wide range of characters, including the sinister but fascinating Vautrin. Unquestionably one of Balzac's finest novels, Père Goriot still has the power to move the modern reader. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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If Honoré de Balzac's Treatise on Elegant Living addressed one crucial pillar of modernity--the "mode" itself, fashion--his Physiology of the Employee examines another equally potent cornerstone to the modern era: bureaucracy, and all of the cogs and wheels of which it is composed. Long before Franz Kafka described the nightmarish metaphysics of office bureaucracy, Balzac had undertaken his own exploration of the dust-laden, stifling environment of the paper-pusher in all of his roles and guises. "Bureaucracy," as he defined it: "a gigantic power set in motion by dwarfs." In this guidebook, published for mass consumption in 1841, Balzac's classic theme of melodramatic ambition plays itself out within the confined, unbreathable space of the proto-cubicle, filtered through the restricted scale of the pocket handbook. The template for such later novels such as The Bureaucrats, and one of the first significant texts to grapple with the growing role of the bureaucrat, this physiology reads like a birding field guide in its presentation of the various classifications of the office employee, from the Intern to the Clerk (all ten species, from Dapper to Bootlicker to Drudger) to Office Manager, Department Head, Office Boy and Pensioner. The job titles may change over the years, and paper-pushing has perhaps evolved into email-forwarding, but the taxonomy remains the same. In our twenty-first-century crisis of employment, jobs continue to be themselves a form of currency, and the question continues to loom: when will it be quitting time?

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'Who possesses me will possess all things, But his life will belong to me...' Raphael de Valentin, a young aristocrat, has lost all his money in the gaming parlours of the Palais Royal in Paris, and contemplates ending his life by throwing himself into the Seine. He is distracted by the bizarre array of objects in a chaotic antique shop, among them a strange animal skin, a piece of shagreen with magical properties. It will grant its possessor his every wish, but each time a wish is bestowed the skin shrinks, hastening its owner's death. Around this fantastic premise Balzac weaves a compelling psychological portrait of his hero, a prisoner of his own Promethean imagination, and explores profound ideas about the human will, vice and virtue, love and death. Helen Constantine's new translation captures the energy and exuberance of Balzac's novel, one of the most engaging of his 'Études philosophiques' from the Comédie humaine. The accompanying introduction and notes offer fresh insights into this remarkable work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Cousin Bette (1846) is considered to be Balzac's last great novel, and a key work in his Human Comedy. Set in the Paris of the 1830s and 1840s, it is a complex tale of the devastating effect of violent jealousy and sexual passion. Against a meticulously detailed backdrop of a post-Napoleonic France struggling with massive industrial and economic change, Balzac's characters span many classes of society, from impoverished workers and wealthy courtesans to successful businessmen and official dignitaries. The tragic outcome of the novel is relieved by occasional flashes of ironic comedy and the emergence of a younger generation which has come to terms with the new political and econimic climate. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Monsieur Goriot is one of a disparate group of lodgers at Mademe Vauquer's dingy Parisian boarding house. At first his wealth inspires respect, but as his circumstances are mysteriously reduced he becomes shunned by those around him, and soon his only remaining visitors are his two beautifully dressed daughters. Goriot's fate is intertwined with two other fellow boarders: the young social climber Eugene Rastignac, who sees a way to gain the acceptance and wealth he craves, and the enigmatic figure of Vautrin, who is hiding darker secrets than anyone. Weaving a compelling and panoramic story of love, money, self-sacrifice, corruption, greed and ambition, Old Man Goriot is Balzac's acknowledged masterpiece. A key novel in his Comédie Humaine series, it is a vividly realized portrait of bourgeois Parisian society in the years following the French Revolution.

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The text is accompanied by an introduction, textual annotations by the editor, and a map of Paris. "Responses: Contemporaries and Other Novelists" illustrates Balzac’s immense influence on other writers, among them Charles Baudelaire, Hippolyte Taine, Émile Zola, and Marcel Proust. "Twentieth-Century Criticism" presents a superb selection of critical writing about the novel. The critics include Ernst Robert Curtius, Albert Béguin, Erich Auerback, Georges Poulet, Michel Butor, Louis Chevalier, Pierre Barbéris, Peter Brooks, Sandy Petrey, Nicole Mozet, and Janet L. Beizer.

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'Who is going to marry Eugénie Grandet?' This is the question that fills the minds of the inhabitants of Saumur, the setting for Eugénie Grandet (1833), one of the the earliest and most famous novels in Balzac's Comédie humaine. The Grandet household, oppressed by the exacting miserliness of Grandet himself, is jerked violently out of routine by the sudden arrival of Eugénie's cousin Charles, recently orphaned and penniless. Eugénie's emotional awakening, stimulated by her love for her cousin, brings her into direct conflict with her father, whose cunning and financial success are matched against her determination to rebel. Eugénie's moving story is set against the backdrop of provincial oppression, the vicissitudes of the wine trade, and the workings of the financial system in the aftermath of the French Revolution. It is both a poignant portrayal of private life and a vigorous fictional document of its age. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Mastering the Marketplace examines the origins of modern mass-media culture through developments in the new literary marketplace of nineteenth-century France and how literature itself reveals the broader social and material conditions in which it is produced. Anne O’Neil-Henry examines how French authors of the nineteenth century navigated the growing publishing and marketing industry, as well as the dramatic rise in literacy rates, libraries, reading rooms, literary journals, political newspapers, and the advent of the serial novel. O’Neil-Henry places the work of canonical author Honoré de Balzac alongside then-popular writers such as Paul de Kock and Eugène Sue, acknowledging the importance of “low” authors in the wider literary tradition. By reading literary texts alongside associated advertisements, book reviews, publication histories, sales tactics, and promotional tools, O’Neil-Henry presents a nuanced picture of the relationship between “high” and “low” literature, one in which critics and authors alike grappled with the common problem of commercial versus cultural capital. Through new literary readings and original archival research from holdings in the United States and France, O’Neil-Henry revises existing understandings of a crucial moment in the development of industrialized culture. In the process, she discloses links between this formative period and our own, in which mobile electronic devices, internet-based bookstores, and massive publishing conglomerates alter—once again—the way literature is written, sold, and read.

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