Search results for ""author david"

Throughout his international career spanning more than thirty years, artist and writer David Batchelor has long been preoccupied with colour. ‘Colour is not just a feature of [my] sculpture or painting,’ he notes, ‘but its central and overriding subject.’ This new publication is devoted to an ongoing series of sculptures titled Concretos. First made in 2011, Concretos combine concrete with a variety of brightly coloured – and often found – materials.The publication features a text by Batchelor charting the origins and development of Concretos. He reveals that the first Concreto was made after encountering coloured glass shards embedded in a concrete wall in the back streets of Palermo. Over time these Concretos, their title a nod to the Latin American art movement to which Batchelor’s work is much indebted, have become more complex adventures in layering, pattern and process. Elements such as acrylic plastic, spray and household gloss paint, steel, fabric and found objects all find themselves set in a concrete base. The most recent works, titled Extra-Concretos (2019–) retain much of the simplicity of the early pieces while working on a much larger scale.In an essay commissioned for the publication, curator Eleanor Nairne considers Concretos in light of their material possibilities. Nairne’s vivid text draws connections between the sculptures and a wide range of art historical and literary references. Some of the playful and sensual characteristics of Batchelor’s artistic vocabulary are considered in relation to floral bouquets, sewing-machines, ice cream and poetry.Architectural historian Adrian Forty’s essay discusses concrete’s physical qualities and relationship with modernity. He notes that the imperfect nature and apparent neutrality of the material is key to its enduring place within architecture, design and in Batchelor’s case, contemporary sculpture. ‘In the Concretos,’ asserts Forty, ‘concrete plays a necessary part in allowing colour to be itself. Present, but at the same time part of the barely noticed, half-invisible infrastructure of the city, concrete’s very neutrality performs an unexpectedly active part in these works.’The publication is edited by David Batchelor and Matt Price, designed by Hyperkit, printed by Park, London, and published by Anomie, London. The publication coincides with the first large-scale survey exhibition of Batchelor’s work taking place at Compton Verney, Warwickshire in 2022. The publication has been supported by Goldsmiths’ College, University of London, and Arts Council England.David Batchelor was born in Dundee in 1955 and lives and works in London. In 2013, a major solo exhibition of Batchelor’s two-dimensional work, ‘Flatlands’, was displayed at Fruitmarket Gallery, Edinburgh and toured to Spike Island, Bristol. Batchelor’s work was included in the landmark group exhibition ‘Adventures of the Black Square: Abstract Art and Society 1915–2015’ at Whitechapel Gallery, London. ‘My Own Private Bauhaus’, a solo exhibition of sculptures and paintings by Batchelor was presented by Ingleby Gallery during the Edinburgh Art Festival, 2019. Between 2017 and 2020 a large-scale work by Batchelor was displayed in the collection of Tate Modern. He is represented by Ingleby Gallery, Edinburgh, and Galeria Leme, São Paulo. Batchelor’s portfolio also includes a number of major temporary and permanent artworks in the public realm including a chromatic clock titled ‘Sixty Minute Spectrum’ installed in the roof of the Hayward Gallery, London.‘Chromophobia’, Batchelor’s book on colour and the fear of colour in the West, was published by Reaktion Books (2000), and is now available in ten languages. His more recent book, 'The Luminous and the Grey' (2014), is also published by Reaktion. In 2008 he was commissioned to edit ‘Colour’ an anthology of writings on colour from 1850 to the present published by Whitechapel/MIT Press.

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David is invited to a sleepover at King Saul's palace. But will David and the king's son ever become friends? David and the Lonely Prince shows us that for many children, learning to make friends can be a challenge. It is a tale which encourages us to read between the lines of what the Bible tells us about David’s early years. The light-hearted and beautifully illustrated pictures will delight parents and children alike, regardless of religious conviction.

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David Bailey was part of a new generation who revolutionized fashion photography in the 1960s and made stars of models such as Jean Shrimpton. He was also among the first photographers to become a celebrity in his own right, socializing with and photographing many of the cultural icons of the 1960s and 1970s, such as Catherine Deneuve, The Beatles, Rolling Stones, Michael Caine and Andy Warhol. He has held contracts with British, American and Italian Vogue and contributed to many other major magazines and newspapers over more than 40 years. His simple and direct style is accompanied by an intimacy that reveals the personality and sensuality of his subjects. Over the course of his successful career, Bailey has produced books, paintings, commercials, documentaries and feature films and remains a high profile figure in photography and filmmaking. This book delves into the photographer's archive and provides an engaging overview of his career, including early and previously unpublished work alongside his iconic portraits from London and New York in the 1960s.

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Whenever a young David Beckham was asked what he wanted to be when he grew up, he’d always answer with the same response: I want to be a footballer. This English native got his wish when he joined the Manchester United team in 1991. Since then, he has been crossing, bending, and free-kicking his way to stardom. In his twenty-year career as a professional soccer player, he has won nineteen major trophies, and appeared at three FIFA World Cup tournaments. David Beckham has become an international cultural icon for his soccer skills, his charity work, and his fashionable wife and family. Young soccer fans are in for a treat with this Who HQ book.

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Considered one of the most important figures in German art of the nineteenth century, Caspar David Friedrich is best known for his dramatic and emotional paintings, which often feature contemplative figures, sweeping landscapes, and an emphasis on the sublime and the spiritual. This book takes a chronological approach to Friedrich’s career, beginning with his early years producing traditional religious and historical scenes. It explores his innovative use of light and color, and his unprecedented treatment of the landscape as a living, dynamic entity, rather than simply as a backdrop or setting for other subjects. The beautifully reproduced works and details in this volume help readers appreciate the astounding qualities of Friedrich’s works: his palette of muted, atmospheric colors; swirling clouds, dramatic mountains, and turbulent seas; and subtle changes in light and shadow that occur throughout the day. Readers will come away with a renewed appreciation for Friedrich’s portrayals of the natural world and the unique and provocatively emotive qualities of his work.

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For the past half-century, David Noel Freedman has had an enormous impact on the study of the Bible, both as an author and as an editor of the writings of others. As his colleagues note in their comments at the beginning of this volume, “You are quintessentially the man of the book. And perhaps what impresses us most is that your bibliography of hundreds of books is not limited to the extraordinary number of important books that you’ve written yourself. It also contains the books that you’ve edited for others. And we know what it means to have David Noel Freedman as one’s editor. For every page of manuscript that the author sends you, you send back almost an equal number of pages of advice, criticism, corrections, and improvements. You can make a bad book good, and a good book better. And you can make its author a better scholar and a better writer.” In this volume, his compatriots at the University of California, San Diego, contribute eight varied essays in celebration of his impact on them and in honor of his varied contributions to biblical studies.

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"One day I blew my nose and half my brains came out." Los Angeles, 1976. David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge. There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled "Station To Station" (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on "Low", his own expressionist mood-piece.

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ON THE CONTEMPLATION OF NATURE One of his generation's most popular artists, German Romantic painter Caspar David Friedrich is known for his allegorical landscapes that convey a deep sense of contemplation and melancholy. 2024 marks the 250th anniversary of the birth of this outstanding artist, whose paintings continue to gain in topicality - hardly a discussion on climate change without one of his iconic paintings, such as The Sea of Ice, being invoked as a silent witness. Barbara Hess examines the painter's work and his life, from its lasting poignancy to the great themes of Romanticism and drawing. In the playful format of an AZ book, the author takes us on a timely journey, showing how new views and perspectives can be gained from what has long been thought familiar.

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Mundialmente aclamado como el artista más innovador de su generación, David Bowie destacó como músico y compositor, pero también mostró su talento como pintor, actor y productor. Lesley-Ann Jones lo conoció desde su infancia, en la pequeña localidad de Bromley, al sur de Londres. Ya entonces era un joven desesperado por expresar su talento, frustrado por un entorno que lo ahogaba y determinado a conseguir el reconocimiento y la fortuna que sin duda merecía. Con el trasfondo de la evolución del pop y del rock en los últimos cincuenta años, y a través de entrevistas con amigos íntimos y con colaboradores que lo trataron a lo largo de su carrera, y que nunca antes habían contado sus experiencias personales, la autora nos ofrece una biografía única que refleja al mismo tiempo la vida pública y privada de un artista que marcó una época.

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When David agrees to spend a holiday with his best friend Jonathan, he never imagines he will have to run away from a spear-throwing king. In this age-appropriate retelling of the Bible story of when Saul tries to kill David with a spear, children learn about the faithfulness of God, the value of friendship and the need to forgive our enemies. It is a tale which encourages us to read between the lines of what the Bible tells us about David’s early years. The light-hearted and beautifully illustrated pictures will delight parents and children alike, regardless of religious conviction.

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The studies collected in this volume are the outcome of papers presented at the workshop “David in Cultural Memory,” held at the Pázmány Péter Catholic University Budapest, 9-10 October, 2013. The person of king David of biblical history have long ago been the object of persistent scholarly interest. The present volume aims at offering an assemblage of the diversified memories constructed about David in various collections and communities. Narratives in the Deuteronomistic historiography reflect Ancient Near Eastern social and legal customs, and are added by literary topoi bearing specific meaning, customary motifs of royal biographies. Persian period Chronicles offer a substantially different picture of David. The Psalms’ religious poetry memorized him as an author and example, while prophetic literature and its exegesis refer to him in messianic terms. David is one of the rare figures of biblical history remembered also in visual memory, in the synagogue of Dura Europos.

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'For me, it's really the joy of looking out into the world and getting this positive energy... It's opening up our vision, and how we look'—David HockneyWhen David Hockney discovered the iPhone as an artistic medium, it opened up entirely new possibilities for his art. He made his first digital drawings in spring 2009, describing the morning landscape in broad lines and dazzling colors directly on a display that offered subtle hues as unmixed expressions of pure light. Then in 2010, Hockney started working with an iPad, and the larger screen expanded his artistic repertoire and enabled an even more complex interplay of color, light, and line. Each image in this book captures a fleeting moment seen through a window in Hockney’s Yorkshire home: from vibrant sunrise and lilac morning sky to peaceful night-time impressions or the sudden arrival of spring. Fascinating details reveal drops on window panes, distant lights in the night, reflections on vases or an abundance of varied window-sill vegetation. In 120 drawings made between 2009 and 2012, selected and arranged by the artist himself, we experience the passage of time through the eyes of David Hockney. This artist’s book, which first appeared in an exclusive signed edition, now returns as an unlimited run, whose still generous XL format presents Hockney’s impressions in brilliant resolution. So now is the perfect occasion to heed the advice of the Times critic regarding this book: “If you would like to be given a bouquet by David Hockney, here is your chance.”

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Volume Two in the Complete Technic Civilization series, Star Trader continues the further adventures of Nicholas Van Rijn and his resourceful assistant, David Falkayn. Includes the novel Satan's World.

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An illustrated adaptation of Charles Dickens's Victorian classic – at an easy-to-read level for readers of all ages! David’s life isn’t easy. His father is dead and his mother is getting married to the meanest man in the country. And when he is sent off to a truly terrible school, David discovers punishments more terrible than he can imagine. Surely life can’t get any worse! The only happy ever afters David knows are in the pages of his favourite books. Can he rewrite his own ending? About The Charles Dickens Children's Collection: Bah humbug! Who says the classics are just for adults? Join Ebenezer Scrooge on his ghostly Christmas adventure, or follow orphaned Oliver Twist from rags to riches in some of literature's most famous tales from the foggy streets of Victorian London.

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"Fully illustrated, the charm of his English Roses comes across on every page, even if the reader has to imagine their scent." - The Irish Garden "Experts will appreciate the notes on each rose's breeding." - Historic Gardens Foundation Informative, accessible and stunningly illustrated, David Austin's English Roses introduces the reader to the world of rose propagation and care. The book focuses on English Roses, bred by David Austin to combine the sumptuousness of Old Roses with the strength and practical virtues of Modern Roses. It will be greatly prized by rose-growers and rose-lovers everywhere, whether professional or amateur. Also available: Climbing and Rambler Roses ISBN: 9781870673655 Modern, Shrub and Species Roses ISBN: 9781870673716 Old Roses ISBN: 9781870673693

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From his theatrical early canvases to his more recent photographic collages and operatic set designs, Hockney has tackled the challenge of space on a grand scale. At the same time, much of his work has been devoted to the things most dear to him-friends, family, home, and studio. An intellectual of wide-ranging erudition and a world traveller who makes his home in Hollywood, he still cherishes his roots in Bradford, the northern British town where he was born in 1937. Invention, the driving force behind Hockney's art, is in good part play: "If art isn't playful," he once commented, "it's nothing." This illuminating, colour-rich volume conveys with vivid clarity Hockney's serious delight in making art that gives pleasure to both its creator and its audience. About the Modern Masters series: With informative, enjoyable texts and over 100 illustrations - approximately 48 in full colour - this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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David Mitchell, who you may know for his inappropriate anger on every TV panel show except Never Mind the Buzzcocks, his look of permanent discomfort on C4 sex comedy Peep Show, his online commenter-baiting in The Observer or just for wearing a stick-on moustache in That Mitchell and Webb Look, has written a book about his life. As well as giving a specific account of every single time he's scored some smack, this disgusting memoir also details: the singular, pitbull-infested charm of the FRP (‘Flat Roofed Pub’) the curious French habit of injecting everyone in the arse rather than the arm why, by the time he got to Cambridge, he really, really needed a drink the pain of being denied a childhood birthday party at McDonalds the satisfaction of writing jokes about suicide how doing quite a lot of walking around London helps with his sciatica trying to pretend he isn’t a total **** at Robert Webb’s wedding that he has fallen in love at LOT, but rarely done anything about it why it would be worse to bump into Michael Palin than Hitler on holiday that he’s not David Mitchell the novelist. Despite what David Miliband might think

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This story from the acclaimed author of The Closest I’ve Come unflinchingly examines steroid abuse and male body dysmorphia. Perfect for fans of Jason Reynolds and Matt de la Peña.David Espinoza is tired of being messed with. When a video of him getting knocked down by a bully’s slap goes viral at the end of junior year, David vows to use the summer to bulk up— do what it takes to become a man—and wow everyone when school starts again the fall.Soon David is spending all his time and money at Iron Life, a nearby gym that’s full of bodybuilders. Frustrated with his slow progress, his life eventually becomes all about his muscle gains. As it says on the Iron Life wall, What does not kill me makes me stronger.As David falls into the dark side of the bodybuilding world, pursuing his ideal body at all costs, he’ll have to grapple with the fact that it could actually cost him everything. A Chicago Public Library Best Teen Fiction SelectionA Banks Street Best Children's Book of the Year

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Rolling Stone magazine called him the greatest rock and roll star ever. David Bowie gave us over a hundred singles - twenty seven studio albums - eleven live albums - fifty seven compilations and four soundtracks during the course of his musical career constantly changing his image and music throughout to fit the artistic mood he was in at the time. This book pays homage to David Bowie from his early childhood to his untimely death who really was the most extraordinarily gifted innovative Star Man of his time. The title of this book is not the title of his song, but a play on the words of that song and a tribute to the great star and man that he was.

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"Everyone who loves good food will welcome this reprint in one volume, hardback and durable, of the three classics of the kitchen which first made us familiar with the name Elizabeth David. They have been necessary to my generation, they will be necessary to our children and grand children." These are the opening lines from Jane Grigson's Preface to the original edition of Elizabeth David Classics published by Jill Norman in 1980 and her words are as relevant today as they were nearly twenty years ago.

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Read about God's promise to Abraham, Joseph the favourite son, David and Goliath, Naaman, who was made well, and stories of Jesus and his friends. Choose the matching stickers to complete the picture.

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Howl with laughter and squeal with delight at this monstrously funny picture book and audio CD from number one bestselling author David Walliams, illustrated by the awesome Adam Stower! Performed by David Walliams perfect for sharing at Halloween!Howler is a SMALL werewolf with a BIG problem.He is just not SCARY! And that makes him the odd one out at Monster SchoolBut when Howler finds some new friends, he discovers that being the ODD one out might just make him the COOLEST one of allWith giggles on every page, this hilarious new picture book is perfect for ALL little monsters.

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With a rich, immersive design, this clothbound monograph reveals the fault lines of race, colonialism and empire that haunt the present Borrowing its title from Herodotus’ fifth-century work, this publication documents a cycle of three works collectively titled The Histories, by artist David Hartt (born 1967). Focusing on the Americas and the Caribbean during the 19th century, Hartt explores real and imagined landscapes informed by the work of Martin Johnson Heade, Robert S. Duncanson, Michel-Jean Cazabon and Frederic Church. His contemporary interpretations use video, tapestry and sculpture alongside musical collaborations with Girma Yifrashewa, Van Dyke Parks and Stefan Betke. The first work, Le Mancenillier, sited in the Frank Lloyd Wright–designed Beth Sholom Synagogue, was filmed and photographed in Haiti and New Orleans. The second, Old Black Joe, in Trinidad and Ohio, and the final work, Crépuscule, commissioned by the Philadelphia Museum of Art, was made in Jamaica and Newfoundland. The Histories reveals the complex entanglement of peoples and cultures as place is explored.

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Todd McGowan launches a provocative exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world. Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel. By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.

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Material representations of electrical and chemical interventions David Goldes (born 1947) uses chemical and electrical transformations of graphite and silver to form the basis of this latest body of work. Electrified, the drawings yield material evidence—burns, holes and surface scarring—while the chemically altered silver leaf shows unplanned swaths of color.

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David Fincher: Mind Games is the definitive critical and visual survey of the Academy Award– and Golden Globe–nominated works of director David Fincher. From feature films Alien 3, Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network, The Girl With the Dragon Tattoo, Gone Girl, and Mank through his MTV clips for Madonna and the Rolling Stones and the Netflix series House of Cards and Mindhunter, each chapter weaves production history with original critical analysis, as well as with behind the scenes photography, still-frames, and original illustrations from Little White Lies' international team of artists and graphic designers. Mind Games also features interviews with Fincher's frequent collaborators, including Jeff Cronenweth, Angus Wall, Laray Mayfield, Holt McCallany, Howard Shore and Erik Messerschmidt. Grouping Fincher's work around themes of procedure, imprisonment, paranoia, prestige and relationship dynamics, Mind Games is styled as an investigation into a filmmaker obsessed with investigation, and the design will shift to echo case files within a larger psychological profile.

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In A Companion to David Lewis, Barry Loewer and Jonathan Schaffer bring together top philosophers to explain, discuss, and critically extend Lewis's seminal work in original ways. Students and scholars will discover the underlying themes and complex interconnections woven through the diverse range of his work in metaphysics, philosophy of language, logic, epistemology, philosophy of science, philosophy of mind, ethics, and aesthetics. The first and only comprehensive study of the work of David Lewis, one of the most systematic and influential philosophers of the latter half of the 20th century Contributions shed light on the underlying themes and complex interconnections woven through Lewis's work across his enormous range of influence, including metaphysics, language, logic, epistemology, science, mind, ethics, and aesthetics Outstanding Lewis scholars and leading philosophers working in the fields Lewis influenced explain, discuss, and critically extend Lewis's work in original ways An essential resource for students and researchers across analytic philosophy that covers the major themes of Lewis's work

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The perfect gift for Hockney fans and dog lovers everywhere, David Hockney's Dog Days, now in a gift edition, is an album devoted to two of the artist's closest friends, his dachshunds Stanley and Boodgie. This beautiful and engaging book includes almost all of Hockney's paintings and drawings of his two companions, dozens of new illustrations created specially for this book, and a text by the artist himself.

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David Attenborough: explorer, broadcaster, natural historian. Explore the beauty of the world we inhabit with national treasure, David Attenborough. A Life Story: This gripping series throws the reader directly into the lives of modern society's most influential figures. With striking black-and-white illustration along with timelines and never-heard-before facts. Also in A LIFE STORY series: Alan Turing Andy Murray Captain Tom Moore Emma Raducanu Kamala Harris Katherine Johnson Queen Elizabeth Rosalind Franklin Serena Williams Stephen Hawking Tom Daley

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In this book from the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the incredible life of David Hockney, the inspirational British artist. Little David loved to draw and looked at the world in his own unique way. He always knew what his path in life would be… he would be an artist! He went to art school and worked day and night to hone his drawing skills. He sold his first painting as a student, and in just five years he had a sell-out solo show of his work. When he moved from the UK to sunny California, he became known for creating bright, bold paintings. From the Grand Canyon to the Yorkshire hills of home, David painted fantastic landscapes, including one made of 50 canvases all stitched together. An artist who delights in constantly reinventing himself, to this day David is eager to share his colourful work, and himself, with the whole world. This inspiring book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the incredible young poet and activist’s life so far. Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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From his time as Captain of England's cricket team to his pioneering work as Bishop of Liverpool, David Sheppard led a remarkable life. Now his story is told in full for the first time in this fascinating and insightful biography. Batting for the Poor draws on the papers left by Sheppard in the Liverpool Central Library as well as other archival material and more than 150 interviews conducted by Andrew Bradstock, all brought together to create a picture of a diligent and passionate man who helped break down divisions and turn Liverpool's fortunes around. Batting for the Poor is a vivid, entertaining biography that will be enjoyed by cricket fans, those interested in twentieth century history or the history of Liverpool and those interested in man that inspired so many as the Bishop of Liverpool. You will discover the story of an exceptional leader, and learn about the history of some of the divisions and struggles in the second half of the twentieth century that still impact society and culture in England today.

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This generously illustrated volume is the first comprehensive publication devoted to the powerfully expressive work of David Park (1911–60). Best known as the founder of Bay Area Figurative art, Park moved from Boston to California at the age of seventeen and spent most of his adult life in and around San Francisco. In the immediate postwar years, like many avant-garde American artists, he engaged with Abstract Expressionism and painted non-objectively. In a moment of passion in 1949, he made the radical decision to abandon nearly all of his abstract canvases at the Berkeley city dump and return to the human figure, in so doing marking the beginning of the Bay Area Figurative movement. The astonishingly powerful paintings he made in the decade that followed brought together his long-held interest in classic subjects such as portraiture, domestic interiors, musicians, rowers, and bathers with lush, gestural paint handling and an extraordinary sense of color. In 1958–59 Park reached his expressive peak, reveling in the sensuous qualities of paint to create intensely physical, psychologically charged, and deeply felt canvases. This fertile period cut short by illness in 1960, Park transferred his creative energy to other mediums when he could no longer work on canvas. In the last months of his life, bedridden, he produced an extraordinary thirty-foot-long felt-tip-pen scroll and a poignant series of gouaches. Published to accompany the first major museum exhibition of Park’s work in more than thirty years, David Park: A Retrospective traces the full arc of the artist’s career, from his early social realist and cubist-inspired efforts of the 1930s to his mature figurative paintings of the 1950s and his astounding final works on paper. An overview of Park’s full body of work by Janet Bishop, SFMOMA’s Thomas Weisel Family Curator of Painting and Sculpture, will be joined by approximately ninety full-color plates of paintings and works on paper; an essay by Tara McDowell on the figure drawing sessions held by Park, Richard Diebenkorn, Elmer Bischoff, Frank Lobdell, and others in their studios starting in 1953; short essays on Park’s scroll, his gouaches, and the portraits that Imogen Cunningham and Park made of each other; and an illustrated chronology. Published in association with the San Francisco Museum of Modern Art. Exhibition schedule: Modern Art Museum of Fort Worth: June 2–September 8, 2019 Kalamazoo Institute of Arts: December 21, 2019–March 15, 2020 San Francisco Museum of Modern Art: October 4, 2020–January 18, 2021

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This volume on Hume's politics brings together essays that have been formative of the scholarly and more general debate about Hume's political thought. Unlike many theorists who express their thought in terms of system, Hume uses the incidental genre of the essay as the vehicle for his writing and his mode of presentation is a reflection, indeed an expression, of his belief in the limited power of reason to give any over-all shape to human life. Hume's politics are particularly suited for discussion of a wide range of view-points. The possibilities of seeing in Hume both the conservative and the liberal are pursued along with Hume's sophisticated analysis of party-politics. His acute and pioneering theorisation of perhaps the most central issue for 18th-century political observers, that of commerce and politics, is brought out in the context of his ideas of the international order. His fundamental theory of justice is discussed in its connection with law, property and government.

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First collected by his devoted family and colleagues as a 75th birthday present, The Unpublished David Ogilvy collects a career's worth of public and private communications - memos, letters, speeches, notes and interviews - from the 'Father of Advertising' and founder of Ogilvy & Mather. Still fizzing with energy and freshness more than 25 years after it was first published, its success outside the private circle of friends and colleagues it was created for was, in the words of one of its editors: 'because so often he spoke out on important matters long before the crowd caught up to him; because all of what he says, he says so well; because so little of what he says in the book had ever before appeared in print'. It includes The Theory and Practice of Selling the AGA Cooker, described by Fortune magazine as 'the finest sales instruction manual ever written', and an interview in which he makes disclosures that even long-standing associates had never heard before. This is a business book unlike any other: a straightforward and incisive look at subjects such as salesmanship, management and creativity, presented in his trademark crisp prose. Whether carefully prepared for a lecture or as a private joke to a friend, his writing always underlines the importance of the rule, 'it pays an agency to be imaginative and unorthodox'.

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