Search results for ""and publishing""

Let a swirl of turquoise amid gilt embellishment inspire you to write your chronicles. This cover design is based on a binding originally published by Salel Binder in Paris in 1514. The tome, Chroniques, was created at a time when books were evolving and binders were using smaller formats that were easier to bind. Pasteboards replaced wood covers and gold tooling grew in popularity.The exuberance of the Chroniques design reflects the sheer splendour of the Renaissance approach to decoration that influenced architecture, art and all facets of cultural life. In the glittering green-blue of this cover you may well see the intricacies of your own stories or the infinite possibilities of the written word. At minimum, we hope that Turquoise Chronicles will make you think of Paris, which has for centuries been a centre for art and publishing and a beacon of culture.

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A four-color journey through a complete Tableau visualization Tableau is a popular data visualization tool that’s easy for individual desktop use as well as enterprise. Used by financial analysts, marketers, statisticians, business and sales leadership, and many other job roles to present data visually for easy understanding, it’s no surprise that Tableau is an essential tool in our data-driven economy. Visual Analytics with Tableau is a complete journey in Tableau visualization for a non-technical business user. You can start from zero, connect your first data, and get right into creating and publishing awesome visualizations and insightful dashboards. • Learn the different types of charts you can create • Use aggregation, calculated fields, and parameters • Create insightful maps • Share interactive dashboards Geared toward beginners looking to get their feet wet with Tableau, this book makes it easy and approachable to get started right away.

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This landmark study explores the cultural and literary history of unemployment in Canada from the 1920s to the 1970s, which were crucial decades in the formation of our current conception of Canada as a nation. Writing Unemployment asks how writers with diverse political affiliations participated in and protested against the discursive framing of unemployment. It argues that Depression-era conceptions of unemployment shaped later twentieth-century understandings of both worklessness and citizenship. By examining novels, short stories, poetry, manifestos, and agitprop, Jody Mason situates the literary history of the cultural left in a broader context, challenges the dominant literary-historical narrative of the pioneer settler, and contributes to new scholarship on Canada's modern period. By bridging close textual readings with book and publishing history, economic and sociological analysis, and original archival research, Writing Unemployment offers new ideas on work by many of Canada's most important writers.

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Offering guidance on writing poetry, nonfiction, and fiction, Environmental and Nature Writing is a complete introduction to the art and craft of writing about the environment in a wide range of genres. With discussion questions and writing prompts throughout, Environmental and Nature Writing: A Writers' Guide and Anthology covers such topics as: · The history of writing about the environment · Image, description and metaphor · Environmental journalism, poetry, and fiction · Researching, revising and publishing · Styles of nature writing, from discovery to memoir to polemic The book also includes an anthology, offering inspiring examples of nature writing in all of the genres covered by the book, including work by: John Daniel, Camille T. Dungy, David Gessner, Jennifer Lunden, Erik Reece, David Treuer, Bonnie Jo Campbell, Alyson Hagy, Bonnie Nadzam, Lydia Peelle, Benjamin Percy, Gabrielle Calvocoressi, Nikky Finney, Juan Felipe Herrera, Major Jackson, Aimee Nezhukumatathil, G.E. Patterson, Natasha Trethewey, and many more.

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Ethnography and Virtual Worlds is the only book of its kind--a concise, comprehensive, and practical guide for students, teachers, designers, and scholars interested in using ethnographic methods to study online virtual worlds, including both game and nongame environments. Written by leading ethnographers of virtual worlds, and focusing on the key method of participant observation, the book provides invaluable advice, tips, guidelines, and principles to aid researchers through every stage of a project, from choosing an online fieldsite to writing and publishing the results. * Provides practical and detailed techniques for ethnographic research customized to reflect the specific issues of online virtual worlds, both game and nongame * Draws on research in a range of virtual worlds, including Everquest, Second Life, There.com, and World of Warcraft * Provides suggestions for dealing with institutional review boards, human subjects protocols, and ethical issues * Guides the reader through the full trajectory of ethnographic research, from research design to data collection, data analysis, and writing up and publishing research results * Addresses myths and misunderstandings about ethnographic research, and argues for the scientific value of ethnography

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Ulrich Wüst (*1949) trained as an urban planner and began photographing East German cities in the late 1970s. Today, his early work is widely recognised as a subtly formulated critique of social conditions in the GDR and one of the most important photographic records of the socialist state. Since the 1990s, he has expanded his practice to focus on the memory landscape of reunified Germany and the transformations of both city and countryside, particularly the villages and farming culture of Uckermark and other rural regions. In this first monograph on Wüst, Van Zante provides a context for his work in American and German urban photography and photography of place. Over 200 photographs are published here, many for the first time, including a selection of Wüst’s distinctive leporellos of titled series. An interview with the photographer and an exhibition and publishing history are included. Gary Van Zante is curator of the photography, design and architecture collections at the MIT Museum, Massachusetts Institute of Technology, Cambridge, MA, USA

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At the end of almost every day of their fifty-five years of married life, the publicity-shy author Margaret Forster would ask the naturally gregarious and outgoing Hunter Davies to describe to her the highlights of his day in the worlds of journalism and publishing. In the six years that have elapsed since Margaret''s death, Hunter has continued these conversations with his wife, regaling her with accounts of the events and developments in his life domestic, social, romantic, book-related, health-related and others through a sequence of ''Letters to Margaret''. The letters are pure Hunter Davies: a feast of gossipy stream-of-consciousness that weaves together strands of confession, self-mockery, anecdote and touching remembrance of married happiness with Margaret. Entertaining, informative, irreverent and indiscreet and sometimes very touching Letters to Margaret reveals an eighty-seven-year-old Hunter still raging against the dying of the light, and seeking consolation

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Scientific progress depends on good research, and good research needs good statistics. But statistical analysis is tricky to get right, even for the best and brightest of us. You'd be surprised how many scientists are doing it wrong. Statistics Done Wrong is a pithy, essential guide to statistical blunders in modern science that will show you how to keep your research blunder-free. You'll examine embarrassing errors and omissions in recent research, learn about the misconceptions and scientific politics that allow these mistakes to happen, and begin your quest to reform the way you and your peers do statistics. You'll find advice on: Asking the right question, designing the right experiment, choosing the right statistical analysis, and sticking to the plan How to think about p values, significance, insignificance, confidence intervals, and regression Choosing the right sample size and avoiding false positives Reporting your analysis and publishing your data and source code Proced

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This book argues for a deconstructive approach to the practice and writing of history at a moment when available forms for writing and publishing history are undergoing radical transformation. To do so, it explores the legacy and impact of deconstruction on American historical work; the current fetishization of lived experience, materialism, and the "real;" new trends in philosophy of history; and the persistence of ontological realism as the dominant mode of thought for conventional historians. Arguing that this ontological realist mode of thinking is reinforced by current analog publishing practices, Ethan Kleinberg advocates for a hauntological approach to history that follows the work of Jacques Derrida and embraces a past that is at once present and absent, available and restricted, rather than a fixed and static snapshot of a moment in time. This polysemic understanding of the past as multiple and conflicting, he maintains, is what makes the deconstructive approach to the past particularly well suited to new digital forms of historical writing and presentation.

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Threatened by the proliferation of cheap, mass-produced publications, the Religious Tract Society issued a series of publications on popular science during the 1840s. The books were intended to counter the developing notion that science and faith were mutually exclusive, and the Society's authors employed a full repertoire of evangelical techniques—low prices, simple language, carefully structured narratives—to convert their readers. The application of such techniques to popular science resulted in one of the most widely available sources of information on the sciences in the Victorian era.A fascinating study of the tenuous relationship between science and religion in evangelical publishing, Science and Salvation examines questions of practice and faith from a fresh perspective. Rather than highlighting works by expert men of science, Aileen Fyfe instead considers a group of relatively undistinguished authors who used thinly veiled Christian rhetoric to educate first, but to convert as well. This important volume is destined to become essential reading for historians of science, religion, and publishing alike.

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Peter Gregory (1887-1959), Director and then Chairman of Lund Humphries, was at the heart of the avant-garde British art world for nearly thirty years of major change in society, politics, and culture. A pioneering art publisher who produced scholarly and richly illustrated monographs on living artists, he was also a discerning patron and collector, the founder of new arts organisations, and a loyal supporter of young artists. Valerie Holman's new book is the first to situate Gregory's life and career within the wider context of printing and publishing history, war, and changing perceptions of modern and contemporary art. Gregory's intimate circle included many leading artists, architects and writers: Henry Moore considered him his closest friend, Kenneth Clark sought out his committee expertise, Ben Nicholson and Barbara Hepworth respected his professionalism and invited him into their family circle, and he had a warm friendship with Edward McKnight Kauffer, Herbert Read, Jane Drew

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Taking the Risk is Hilary Bradt''s engaging, insightful, amusing and sometimes alarming memoir about serendipitous adventures in travel and publishing. A travel industry trail-blazer who co-founded Bradt Guides, Hilary looks back on 50 years of escapades, surprises, mishaps, disasters. and success. From her first solo trip aged three (on a British beach), she revisits six decades of hitchhiking, feeding the travel habit by working abroad, and starting a successful travel publishing company where knowing nothing proved a surprising asset. Barely into her twenties, Hilary Bradt thumbed lifts around the Middle East for three months before spending four years working and travelling in the US. Between 1973 and 1976 Hilary explored, and worked in, South America and Africa with her then husband George, often journeying through literally uncharted territory in their quest to find new hiking routes. The discovery of an ancient trail to Machu Picchu unexpectedly inspired their first guidebook.

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_________________________How to Write It: Tell Your StoryThis book is a masterclass in the craft of writing and poetry from one of Britain's most celebrated poets and educators, T.S. Eliot Prize nominee Anthony Anaxagorou. Taking readers on a personal journey through his early life and school years, through to his relationship with literature, education poetry and writing, this book is filled with tips, anecdotes and publishing advice for anyone interested in getting their work seen. From Anthony's first slam win to the evolving British poetry scene, this book will provoke readers into thinking about their writing more carefully - be it a poem, short story or novel - and help them finally get their book out into the world. This book is essential reading for taking your work to the next level, and is introduced with an inspirational foreword by Sunday Times bestselling author, Candice Carty-Williams. _________________________'This brilliant little book [...] a guide to writing pra

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Now in its second edition, A Textbook of Cultural Economics is an established resource for many courses, including economics of the arts, the cultural and media industries, and the digital creative economy. Authored by Ruth Towse, a widely recognised expert in cultural economics, the book offers a comprehensive, up-to-date overview and analysis of the field in the digital era. Written in an accessible style, and with suggestions for further reading, it covers a range of topics, from the more traditional arts to the creative industries (such as music, film, games, broadcasting, and publishing), as well as the economics of artists' labour, markets and copyright. This second edition considers the creative economy up to the present, emphasising the role of digitisation across the creative industries. It will appeal to students taking courses in the economics of art and culture, and can also be used in courses on arts management and cultural policy.

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For introductory courses in Web Design Provide a strong foundation for web design and web development Basics of Web Design: HTML5, is a foundational introduction to beginning web design and web development. The text provides a balance of “hard” skills such as HTML 5, CSS, and “soft” skills such as web design and publishing to the Web, giving students a well-rounded foundation as they pursue careers as web professionals. Students will leave an introductory design course with the tools they need to build their skills in the fields of web design, web graphics, and web development. The 5th Edition features a major change from previous edition. Although classic page layout methods using CSS float are still introduced, there is a new emphasis on Responsive Page Layout utilizing the new CSS Flexible Box Layout (Flexbox) and CSS Grid Layout techniques. Therefore, the new 5th Edition features new content, updated topics, hands-on practice exercises, and case studies.

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From New York Times-bestselling, three-time National Book Award finalist Gail Godwin, a consideration of what makes for a life well livedfor readers of Oliver Sacks's Gratitude and Deborah Levy's Cost of Living.I can''t see a way out of this. Things will not necessarily get better. This is my life, but I may not get to do what I want in it.Ingmar Bergman once said that an artist should always have one work between himself and death. When renowned author Gail Godwin tripped and broke her neck while watering the dogwood tree in her garden at age eighty-five, a lifetime of writing and publishing behind her and a half-finished novel in tow, Bergman's idea quickly unfurled in front of her, forcing her to confront a creative life interrupted. In Getting to Know Death, Godwin shares what spoke to her while in a desperate place. Remembering those she has loved and survived, including a broth

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A heartwarming picture book based on the incredible true story of social media sensation and round-the-world-cyclist Dean Nicholson and his trusty cat companion, Nala.When Dean Nicholson found an abandoned kitten by the side of the road one day, he hadn't bargained on the lessons he'd learn from his unlikely companion, Nala. Both curious, independent, resilient and adventurous, they were a perfect match - and so together, they set off to travel around the world. This inspirational true story, with an underlying message about loving and caring for animals, will show young readers everywhere that you can find friendship in the most unlikely places. With gorgeous illustrations from winner of the Waterstones Gift of the Year, Frann Preston-Gannon, and also featuring photos of Dean and Nala's real-world adventures.Dean and Nala's story has become a social media and publishing phenomenon. Dean's book for adults, Nala's World, spent two weeks on the Sunday Times' bestseller list and has been translated into twenty-five languages.

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Bringing together interdisciplinary leaders in methodology and arts-based research (ABR), this comprehensive handbook explores the synergies between artistic and research practices and addresses issues in designing, implementing, evaluating, and publishing ABR studies. Coverage includes the full range of ABR genres, including those based in literature (such as narrative and poetic inquiry); performance (music, dance, playbuilding); visual arts (drawing and painting, collage, installation art, comics); and audiovisual and multimethod approaches. Each genre is described in detail and brought to life with robust research examples. Team approaches, ethics, and public scholarship are discussed, as are innovative ways that ABR is used within creative arts therapies, psychology, education, sociology, health sciences, business, and other disciplines. The companion website includes selected figures from the book in full color, additional online-only figures, and links to online videos of performance pieces. See also Dr. Leavy's authored book, Method Meets Art, Third Edition, an ideal course text that provides an accessible introduction to ABR.

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Narrative research is an increasingly popular way of carrying out qualitative research by analysing the stories or experience. The findings of this type of qualitative research can be used to improve nursing education, nursing practice and patient care and to explore the experience of illness and the interaction between professionals. Narrative Research in Nursing provides a comprehensive yet straightforward introduction to narrative research which examines the skills needed to perform narrative interviews, analyse data, and publish results and enables nurse researchers to use the method systematically and rigorously. Narrative Research in Nursing examines the nature of narratives and their role in the development of nursing and health care. Strategies and procedures are identified, including the practicalities of sampling, data collection, analysis and presentation of findings. The authors discuss authenticity of evidence and ethical issues while also exploring problems and practicalities inherent in narrative inquiry and its dissemination. Narrative Research in Nursing is a valuable resource for nurses interested in writing and publishing narrative research.

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New Grub Street is the only one of George Gissing’s two dozen novels never to have gone out of print, and has long been recognized as the most important novel of the nineteenth century on the subject of the writing professions. Indeed, no novel in the English tradition even remotely approximates the thoroughness, sophistication, and clear-sightedness with which New Grub Street explores the social and economic contexts in which writing, publishing, and reading take place. The critical introduction to this edition gives an account of Gissing’s life and times and an overview of the most important stylistic and thematic features of New Grub Street; special attention is given to the writing and publishing professions in late-Victorian England, emphasizing the range of social and economic positions that writers occupied during the period.This Broadview edition also includes a rich selection of historical material on the literary world of London through the centuries, authorship as a profession, and Gissing’s life and work.

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The Greece Notebook, by Michael McGregor, is a collection of point and click drawings each made in a flash to emulate the candidness of shooting snapshots on a disposable camera while on holiday. Each rendering was created during a 3 month journey around Greece in 2022. By no means a flashy trip to Mykonos or an influencer's paid holiday in Santorini, The Greece Notebook dives into the mundane, the daily details of every day life in Greece. From the Ionian islands to Athens; from the port city of Piraeus to the Aegean Sea and the Cyclades, McGregor's impressionist travelogue is an observational examination of Greece through the eyes of an outsider. Well known for his lively still-life paintings and drawings, Michael McGregor is an artist living and working in Los Angeles. He has exhibited in the US, the UK, Italy and Mexico, as well as contributed to various international magazines and periodicals. Founded in 2021, Hyper Hypo is an Athens-based independent bookshop and publishing

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Now a major motion picture starring Dylan O'Brien (Maze Runner), Taylor Kitsch (True Detective) and Michael Keaton. Tensions in the Middle East are simmering when Central Intelligence Agency Director Irene Kennedy pays a visit to Syracuse University, where she hopes to recruit none other than Mitch Rapp, a student who has quickly climbed up the academic and athletic ranks. At first glance, he appears like any other smart, good-looking American college kid. Under the surface, however, a tempest rages. Nine months later, after gruelling training, Mitch finds himself in Istanbul on his first assignment. He hits his target but quickly sees, for the first time, what revenge means ...Praise for the Mitch Rapp series:'Sizzles with inside information and CIA secrets' Dan Brown 'A cracking, uncompromising yarn that literally takes no prisoners' The Times 'Flynn perfectly measures all the ingredients for a fast and furious read' Publishers Weekly 'Fast-paced and pulse-pounding' Crime and Publishing

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'The ever-witty McPherson has outdone herself' Scottish Field'All the wit and clever plotting fans of Christie could want' My Weekly Special*Winner of Left Coast Crime's Lefty Award for Best Historical Mystery Novel*Something sinister is afoot in the streets of Dundee, when a puppeteer is found murdered behind his striped Punch and Judy stand, as children sit cross-legged drinking ginger beer. At once, Dandy Gilver's seemingly-innocuous investigation into plagiarism takes a darker turn. The gruesome death seems to be inextricably bound to the gloomy offices of Doig's Publishers, its secrets hidden in the real stories behind their girls' magazines The Rosie Cheek and The Freckle. On meeting a mysterious professor from St Andrews, Dandy and her faithful colleague Alex Osbourne are flung into the worlds of academia, the theatre and publishing. Nothing is quite as it seems, and behind the cheerful facades of puppets and comic books, is a troubled history has begun to repeat itself.

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In No More How Long Does it Have to Be?: Fostering Independent Writers in Grades 3-8, author Jennifer Jacobson provides the inspiration and tools to shift from a teacher-directed writing program to a student-propelled workshop model. Drawing on a wealth of Writer's Workshop experience in upper elementary and middle school classrooms, Jacobson provides strategies to help you engage and support writers as they discover their voices and take charge of their own learning. Jacobson shares tips on how to establish the spaces, routines, and tone to run a highly productive writing time: Building classroom spaces conducive to practicing thoughtful, engaging writing Rolling out a streamlined sequence of varied writing activities Leading creative explorations of mentor texts Integrating the riches of mini-lessons, conferring, sharing, and publishing Building a workshop curriculum that aligns with your goals and rubrics As she clarifies misconceptions about writing and workshops, she serves up an immensely readable blend of activities, anecdotes, and advice that will energize and inspire your students.

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This book argues for a deconstructive approach to the practice and writing of history at a moment when available forms for writing and publishing history are undergoing radical transformation. To do so, it explores the legacy and impact of deconstruction on American historical work; the current fetishization of lived experience, materialism, and the "real;" new trends in philosophy of history; and the persistence of ontological realism as the dominant mode of thought for conventional historians. Arguing that this ontological realist mode of thinking is reinforced by current analog publishing practices, Ethan Kleinberg advocates for a hauntological approach to history that follows the work of Jacques Derrida and embraces a past that is at once present and absent, available and restricted, rather than a fixed and static snapshot of a moment in time. This polysemic understanding of the past as multiple and conflicting, he maintains, is what makes the deconstructive approach to the past particularly well suited to new digital forms of historical writing and presentation.

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Elisabetta Caminer Turra (1751-96) was one of the most prominent women in eighteenth-century Italy and a central figure in the international "Republic of Letters." A journalist and publisher, Caminer participated in important debates on capital punishment, freedom of the press, and the abuse of clerical power. She also helped spread Enlightenment ideas into Italy by promoting and publishing Voltaire's latest works and translating new European plays-plays she herself directed, to great applause, on Venetian stages.Bringing together Caminer's letters, poems, and journalistic writings, nearly all published for the first time here, Selected Writings offers readers an intellectual biography of this remarkable figure as well as a glimpse into her intimate correspondence with the most prominent thinkers of her day. But more important, Selected Writings provides insight into the passion that animated Caminer's fervent reflections on the complex and shifting condition of women in her society-the same passion that pushed her to succeed in the male-dominated literary professions.

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This book provides up-to-date knowledge on almost all aspects of the multidisciplinary approach to pulmonary rehabilitation. The book advises on how to open a pulmonary rehabilitation program, how to evaluate the chronic lung patients for their fitness level, to prescribe exercises, how to tackle aspects like end-of-life care and provides information about telemedicine rehabilitation in the COVID-19 era. The book also covers subjects of interest like the history and future of pulmonary rehabilitation, smoking cessation, physiology of the skeletal muscle, airways clearing, medication, oxygenotherapy and special consideration for elderly patients with co-morbidities. There are evidence-based explanations regarding all these aspects that will benefit respirologists who have an interest in pulmonary rehabilitation, physiotherapists, occupational therapists, doctors in training, respiratory nurses, and family medicine physicians. Furthermore, the contributors are professionals with experience in pulmonary rehabilitation in major rehabilitation centres around the world who are known for their research, teaching and publishing on the international arena.

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A heartwarming picture book based on the incredible true story of social media sensation and round-the-world-cyclist Dean Nicholson and his trusty cat companion, Nala. When Dean Nicholson found an abandoned kitten by the side of the road one day, he hadn't bargained on the lessons he'd learn from his unlikely companion, Nala. Both curious, independent, resilient and adventurous, they were a perfect match - and so together, they set off to travel around the world. This inspirational true story, with an underlying message about loving and caring for animals, will show young readers everywhere that you can find friendship in the most unlikely places. With gorgeous illustrations from winner of the Waterstones Gift of the Year, Frann Preston-Gannon, and also featuring photos of Dean and Nala's real-world adventures.Dean and Nala's story has become a social media and publishing phenomenon. Dean's book for adults, Nala's World, spent two weeks on the Sunday Times' bestseller list and has been translated into twenty-five languages.

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What is the Internet? Is it an information technology, broadcast and publishing medium, communication, or social technology? How does the Internet fit with the everyday professional and personal lives of people living in a modern democracy? Government, business, the education sector, and the media are consistently promoting the view that the Internet represents the cutting edge for human communication and access to information. In light of this, it is surprising that very little has been written about the people who are using the network and how it is being used. In fact, we know very little about the citizens of this so-called global village. This is due, in part, to the complexities of Internet use. The sheer numbers of people now using the Internet defy the writer and researcher trying to define, systematically observe, theorize, generalize, and recommend policy. Existing studies of Internet users have tended to focus on particular groups like academics, lawyers, and managers because these groups are discrete and definable. The problem is that the Internet user in 2002 and beyond is not necessarily affiliated with an institution, organization, or profession. These new users are the consumer users, casual users, local library users, and school users who surfaced in the late 1990s with broaderbased public access to the Internet. The story of the Internet is a story about research, technology and innovation, information, and communication, but most of all, the Internet is a story about people. It is about people buying and selling, learning and teaching. It is a story about innovative and creative thinkers and the ideas and values of individuals and groups of people. This book answers the question, 'What is the Internet?' by focusing on who is the Internet. The User's View of the Internet provides the first comprehensive analysis of public access to the Internet. It considers the evolution of the Internet through the lens of use and using. It will appeal to Internet stakeholders who need to know more about the impact of the network on their audience, market, clients, users, or constituencies. These stakeholders include business, government, Internet service providers, digital service/product developers, librarians, media and publishing professionals, educators, academics, and students.

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This new and necessary book—a collection of author profiles, literary journalism and speculative pieces about the Southland's writing and publishing scene—aims to capture the Southern California of here and now. We want to get at the Los Angeles that came after the gumshoes, the wisecracking Englishmen, after the Boosters, the Beats, and the boozers, after the despairing heroines of Joan Didion and the coked-up rich kids of Bret Easton Ellis.

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‘A definitive guide, in here you’ll find everything you need’ S. J. Watson With over 4,000 industry contacts and over eighty articles from a wide range of leading authors and publishing industry professionals, the latest edition of this bestselling Yearbook is packed with all of the practical information, inspiration and guidance you need at every stage of your writing and publishing journey. Designed for authors and illustrators across all genres and markets, it is relevant for those looking for a traditional, hybrid or self-publishing route to publication; writers of fiction and non-fiction, poets and playwrights, writers for TV, radio and videogames. If you want to find a literary or illustration agent or publisher, would like to self-publish or crowdfund your creative idea then this Yearbook will help you. As well as sections on publishers and agents, newspapers and magazines, illustration and photography, theatre and screen, there is a wealth of detail on the legal and financial aspects of being a writer or illustrator. Includes advice from writers such as Peter James, Cathy Rentzenbrink, S.J. Watson, Kerry Hudson, and Samantha Shannon. Additional articles, free advice, events information and editorial services at www.writersandartists.co.uk

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Explores the relationship between magazine culture and the development of the modern short story form in Britain Foregrounds the role of magazine culture in the development of the modern short story form Analyses a wide range of publications, from standard illustrated popular magazines to avant-garde little magazines Sheds new light on well-known publications and examines others that are as yet obscure or understudied Explores the impact of social and publishing networks on the production, dissemination and reception of short stories Helps recover neglected writers/editors and cast new light on more canonical ones This collection of original essays highlights the intertwined fates of the modern short story and periodical culture in the period 1880 1950, the heyday of magazine short fiction in Britain. Through case studies that focus on particular magazines, short stories and authors, chapters investigate the presence, status and functioning of short stories within a variety of periodical publications highbrow and popular, mainstream and specialised, middlebrow and avant-garde. Examining the impact of social and publishing networks on the production, dissemination and reception of short stories, it foregrounds the ways in which magazines and periodicals shaped conversations about the short story form and prompted or provoked writers into developing the genre.

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This book presents the latest research into CSS methods, uses, and results, as presented at the 2019 annual conference of the CSSSA. This conference was held in Santa Fe, New Mexico, October 24 – 27, 2019, at the Drury Plaza Hotel. What follows is a diverse representation of new results and approaches for using the tools of CSS and agent-based modeling (ABM) for exploring complex phenomena across many different domains. Readers will therefore not only have the results of these specific projects on which to build, but will also gain a greater appreciation for the broad scope of CSS, and have a wealth of case-study examples that can serve as meaningful exemplars for new research projects and activities. The Computational Social Science Society of the Americas (CSSSA) is a professional society that aims to advance the field of CSS in all its areas, from fundamental principles to real-world applications, by holding conferences and workshops, promoting standards of scientific excellence in research and teaching, and publishing novel research findings.

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This new and expanded volume of The Compleat Academic is filled with practical and valuable advice to help new academics set the best course for a lasting and vibrant career. A new career in academia can be a challenge. While academia's formal rules are published in faculty handbooks, its implicit rules are often difficult to discern. This volume guides readers through academia's informal rules and describes the problems beginning social scientists will face. With humor and insight, leading academics share the lessons they have learned through their own hard experience. Individual chapters present the ins and outs of the hiring process; the advantages of a postdoctoral fellowship; expert strategies for managing a teaching load; insider and applicant advice for winning a research grant; detailed instructions for writing and publishing a journal article; and a straightforward explanation about intellectual property issues. The book also addresses the latter stages of a career. It offers thoughtful suggestions for keeping one's career dynamic. Chapters that provide specific information for minorities, women, and clinical psychologists are also included. The volume even presents options for working outside of academia.

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The Migrant Canon in Twenty-First-Century France explains the causes of twenty-first-century global migrations and their impact on French literature and the French literary establishment. A marginal genre in 1980s France, since the turn of the century “migrant literature” has become central to criticism and publishing. Oana Sabo addresses previously unanswered questions about the proliferation of contemporary migrant texts and their shifting themes and forms, mechanisms of literary legitimation, and notions of critical and commercial achievement. Through close readings of novels (by Mathias Énard, Milan Kundera, Dany Laferrière, Henri Lopès, Andreï Makine, Éric-Emmanuel Schmitt, Alice Zeniter, and others) and sociological analyses of their consecrating authorities (including the Prix littéraire de la Porte Dorée, the Académie française, publishing houses, and online reviewers), Sabo argues that these texts are best understood as cultural commodities that mediate between literary and economic forms of value, academic and mass readerships, and national and global literary markets. By examining the latest literary texts and cultural agents not yet subjected to sufficient critical study, Sabo contributes to contemporary literature, cultural history, migration studies, and literary sociology.

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'WAYB remains an indispensable companion for anyone seriously committed to the profession of author, whether full-time or part-time; and as always it is particularly valued by those who are setting out hopefully on that vocational path.' - David Lodge Revised and updated annually, this bestselling guide includes over 3,500 industry contacts across 12 sections and 80 plus articles from writers across all forms and genres, including award-winning novelists, poets, screenwriters and bloggers. The Yearbook provides up-to-date advice, practical information and inspiration for writers at every stage of their writing and publishing journey. If you want to find a literary or illustration agent or publisher, would like to self-publish or crowdfund your creative idea then this Yearbook will help you. As well as sections on publishers and agents, newspapers and magazines, illustration and photography, theatre and screen, there is a wealth of detail on the legal and financial aspects of being a writer or illustrator. Additional articles, free advice, events information and editorial services at www.writersandartists.co.uk

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In 1789, French revolutionaries initiated a cultural experiment that radically transformed the three basic elements of French literary civilization—authorship, printing, and publishing. In a panoramic analysis, Carla Hesse tells how the Revolution shook the Parisian printing and publishing world from top to bottom, liberating the trade from absolutist institutions and inaugurating a free-market exchange of ideas. Historians and literary critics have traditionally viewed the French Revolution as a catastrophe for French literary culture. Combing through extensive archival sources, Hesse finds instead that revolutionaries intentionally dismantled the elite literary civilization of the Old Regime to create unprecedented access to the printed word. Exploring the uncharted terrains of popular fiction, authors' rights, and literary life under the Terror, Hesse offers a new perspective on the relationship between democratic revolutions and modern cultural life. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

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Creativity isn't all about individual inspiration and work. It sparks from the cross-fertilisation of energy and imaginations and ideas, and thrives in institutional, social and cultural places that recognise the worth of cultural activity and creative expression, and that make room for and foster it. Over 119 years (and counting) Victoria University has made huge contributions to the cultural and creative life of Wellington and New Zealand, and beyond-in music, art, theatre, film, architecture, creative literature and publishing. It has actively sought to encourage creative thinking and creative expression-in a diversity of forms, across a diversity of fields-and to establish the creative arts as not only a legitimate but a vital part of the institution and its work. This is a story not only of the creative activity that has come out of Victoria, but also of the university's role as a custodian of cultural treasures, and of its engagement with creative and cultural life beyond its doors. It is a rich and distinctive history, one of which the University of Wellington can be proud.

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In the second half of the twentieth century, the Italian historical novel provided an unrivalled number of best sellers and publishing 'phenomena'. The success of the genre is closely related to a more general interest in revisiting the past in the light of a changed understanding of the nature, or philosophy, of history. This study aims to explore the particularly marked increase in the production and popularity of the historical novel in the period between the mid-1960s and the early 1990s, with reference to current debates on the nature of history. It presents a theoretical framework which establishes the centrality of philosophy of history to the development of the genre. The employment of this framework opens out the discussion of literary change to the consideration of historiographical developments and wider critical debate. The theoretical insights gained inform the close textual analysis provided in the chapters dealing with novels written by five of Italy's foremost contemporary writers: Leonardo Sciascia, Vincenzo Consolo, Sebastiano Vassalli, Umberto Eco, and Luigi Malerba.

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The story of a foundational aspect of publishing, from Gutenberg’s press to today’s digital type. It’s common knowledge that the name Gutenberg and the words “moveable type” go together. What’s far less known is that Garamond, Baskerville, and Bodoni aren’t just font options in a word processing dropdown menu, but the names of some of the real punchcutters and type designers who raised the essential work of typography to the level of art. ​One Hundred Books Famous in Typography, the latest entry in the Grolier Club’s prestigious Grolier Hundred series, is the story of art and technology working in harmony with each other, all the way from Johannes Gutenberg’s ingenious development of a system for reproducing texts through the introduction of newer technologies like hot-metal line casting, phototype, and digital type. Featuring scholarly yet accessible context for the works discussed and their typographical significance, and illustrated with more than two hundred images, Jerry Kelly’s book is the most comprehensive exploration yet of this essential facet of bookmaking and publishing.

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This book is the first comprehensive study of the theatre of contemporary Manitoba, Saskatchewan, and Alberta to appear in thirty years. It raises the curtain on western theatre and the accomplishments of the many facets of theatre: educators, writers, performers, and more. West-words gives the reader a bird's-eye view of the contemporary theatre scene across the prairies. Eighteen essays written by scholars, educators, dramaturges, publishers, designers, directors, and playwrights--all actively involved in the Canadian prairie theatre--explore the professional, cultural, and aesthetic complexities of creating, producing, performing, and publishing dramatic "words" in the Canadian "west." While acknowledging the role of older, established theatres--like Prairie Theatre Exchange in Manitoba, The Globe Theatre and Persephone in Saskatchewan, and Alberta Theatre Projects, Theatre Network, Workshop West, and the Citadel in Alberta in generating new work outside conventional theatre spaces. Finally the collection also looks at how smaller theatres like Sarasvati, La Troupe du Jour, and the Saskatchewan Native Theatre Company give women, francophones, and aboriginals their own dramatic voice.

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This essential and highly acclaimed guide, now updated and revised in its eighth edition, explains the business of the British music industry.Drawing on her extensive experience as a media lawyer, Ann Harrison offers a unique, expert opinion on the deals, the contracts and the business as a whole. She examines in detail the changing face of the music industry and provides absorbing and up-to-date case studies.Whether you're a recording artist, songwriter, music business manager, industry executive, publisher, journalist, media student, accountant or lawyer, this practical and comprehensive guide is indispensable reading.Fully revised and updated. Includes:· The current types of record and publishing deals, and what you can expect to see in the contracts· A guide to making a record, manufacture, distribution, branding, marketing, merchandising, sponsorship, band arrangements and touring· Information on music streaming, digital downloads and piracy· The most up-to-date insights on how the COVID-19 crisis has affected marketing· An in-depth look at copyright law and related rights· Case studies illustrating key developments and legal jargon explained.

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Unpacking the Personal Library: The Public and Private Life of Books is an edited collection of essays that ponders the cultural meaning and significance of private book collections in relation to public libraries. Contributors explore libraries at particular moments in their history across a wide range of cases, and includes Alberto Manguel’s account of the Library of Alexandria as well as chapters on library collecting in the middle ages, the libraries of prime ministers and foreign embassies, protest libraries and the slow transformation of university libraries, and the stories of the personal libraries of Virginia Woolf, Robert Duncan, Sheila Watson, Al Purdy and others. The book shows how the history of the library is really a history of collection, consolidation, migration, dispersal, and integration, where each story negotiates private and public spaces.Unpacking the Personal Library builds on and interrogates theories and approaches from library and archive studies, the history of the book, reading, authorship and publishing. Collectively, the chapters articulate a critical poetics of the personal library within its extended social, aesthetic and cultural contexts.

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This authoritative reference work examines literary and artistic responses to the war's upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 27 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.

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First published in 2002. Volume 3 of the Text on the Notebooks of Samuel Taylor Coleridge, spanning from 1808 to 1819. The volume is in two parts, text and notes. During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social and psychological matters, plans for and fragments of works and many other items of great interest. Shortly after World War II, Kathleen Coburn, formerly of Victoria College in Toronto, rediscovered this great collection of unpublished manuscripts. With the support of the Coleridge estate, she embarked on a career of editing and publishing these volumes and was awarded with many honours for her work, including: a Leverhulme Award (1948), a Guggenheim Fellowship (1953), a Fellowship in the Royal Society of Canada (1958), the Order of Canada (1974) and an honorary doctorate from her own university. Originally projected as a five volume set (each volume consisting of a book of text and a book of notes).

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Writing Short Stories: A Writers' and Artists' Companion is an essential guide to writing short fiction successfully. PART 1 explores the nature and history of the form, personal reflections by the editors, and help getting started with ideas, planning and research. PART 2 includes tips by leading short story writers, including: Alison Moore, Jane Rogers, Edith Pearlman, David Vann, Anthony Doerr, Vanessa Gebbie, Alexander MacLeod, Adam Thorpe and Elspeth Sandys. PART 3 contains practical advice - from shaping plots and exploring your characters to beating writers' block, rewriting and publishing your stories.

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This scrupulously edited volume is the first edition of letters specifically related to the important British journal the Quarterly Review. Included are letters by notable literary and political figures such as Sir Walter Scott, George Canning, William Gifford, John Gibson Lockhart, and John Wilson Croker. The product of rigorous scholarship and careful attention to researchers’ requirements, the edition will interest students across all academic levels. The selection is comprehensive enough to provide valuable insights into Romantic and early Victorian literary and political history, but selective enough to be pertinent to a specialised readership interested in periodical journalism and publishing history. Informed by up-to-date scholarship and fresh research, the volume’s substantive introduction discusses the sources and dimensions of the Quarterly Review’s commercial success and cultural authority. It also provides a compelling account of tensions between the publisher’s commercial and his editors’ political and literary motivations. Students of reading and reception history will be interested in the discussion of press responses and the sociological make-up of the journal’s readership. The authoritative notes to the volume provide supporting information on the cultural and historical context.

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Interdisciplinary perspectives on the life and work of the esteemed "ultra-modern" American composer and pioneering folk music activist, Ruth Crawford Seeger (1901-1953). Ruth Crawford Seeger's Worlds offers new perspectives on the life and pioneering musical activities of American composer and folk music activist Ruth Crawford Seeger (1901-1953). Ruth Crawford developed a unique modernist style with such now-esteemed works as her String Quartet 1931. In 1933, after marrying Charles Seeger, she turned to the work of teaching music to children and of transcribing, arranging, and publishing folk songs. Thiscollection of studies by musicologists, music theorists, folklorists, historians, music educators, and women's studies scholars reveals how innovation and tradition have intertwined in surprising ways to shape the cultural landscape of twentieth-century America. Contributors: Lyn Ellen Burkett, Melissa J. De Graaf, Taylor A. Greer, Lydia Hamessley, Bess Lomax Hawes, Jerrold Hirsch, Roberta Lamb, Carol J. Oja, Nancy Yunhwa Rao, Joseph N. Straus,Judith Tick. Ray Allen (Brooklyn College) is author of Singing in the Spirit: African-American Sacred Quartets in New York City. Ellie M. Hisama (Columbia University) is author of Gendering Musical Modernism: The Music of Ruth Crawford Seeger, Marion Bauer, and Miriam Gideon.

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