Search results for ""WW Norton Co""

How basic existential and developmental issues underlie the severe pathology of personality disorders and symptoms of neurosis in character styles.

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From fake news to conspiracy theories, from inflammatory memes to misleading headlines, misinformation has swiftly become the defining problem of our era. The crisis threatens the integrity of our democracies, our ability to cultivate trusting relationships, even our physical and psychological well-being—yet most attempts to combat it have proven insufficient. In Foolproof, one of the world’s leading experts on misinformation lays out a crucial new paradigm for understanding and defending ourselves against the worldwide infodemic. With remarkable clarity, Sander van der Linden explains why our brains are so vulnerable to misinformation, how it spreads across social networks, and what we can do to protect ourselves and others. Like a virus, misinformation infects our minds, exploiting shortcuts in how we see and process information to alter our beliefs, modify our memories, and replicate at astonishing rates. Once the virus takes hold, it’s very hard to cure. Strategies like fact-checking and debunking can leave a falsehood still festering or, at worst, even strengthen its hold. But we aren’t helpless. As van der Linden shows based on award-winning original research, we can cultivate immunity through the innovative science of “prebunking”: inoculating people against false information by preemptively exposing them to a weakened dose, thus empowering them to identify and fend off its manipulative tactics. Deconstructing the characteristic techniques of conspiracies and misinformation, van der Linden gives readers practical tools to defend themselves and others against nefarious persuasion—whether at scale or around their own dinner table.

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A vibrant, kaleidoscopic improvisation on the broken body and questing spirit, from one of the wisest and most insightful poets in the country (Ron Charles, The Washington Post Book Club)

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Growing up on the Upper West Side of New York City in the 1970s, in an apartment filled with dazzling literary and artistic characters, Priscilla Gilman worshiped her brilliant, adoring, and mercurial father, the writer, theater critic, and Yale School of Drama professor Richard Gilman. But when Priscilla was ten years old, her mother, renowned literary agent Lynn Nesbit, abruptly announced that she was ending the marriage. The resulting cascade of disturbing revelations—about her parents’ hollow marriage, her father’s double life and tortured sexual identity—fundamentally changed Priscilla’s perception of her father, as she attempted to protect him from the depression that had long shadowed him. A wrenching story about what it means to be the daughter of a demanding parent, a revelatory window into the impact of divorce, and a searching reflection on the nature of art and criticism, The Critic’s Daughter is an unflinching account of loss and grief—and a radiant testament of forgiveness and love.

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Control is a book about eugenics, what geneticist Adam Rutherford calls “a defining idea of the twentieth century.” Inspired by Darwin’s ideas about evolution, eugenics arose in Victorian England as a theory for improving the British population, and quickly spread to America, where it was embraced by presidents, funded by Gilded Age monopolists, and enshrined into racist American laws that became the ideological cornerstone of the Third Reich. Despite this horrific legacy, eugenics looms large today as the advances in genetics in the last thirty years—from the sequencing of the human genome to modern gene editing techniques—have brought the idea of population purification back into the mainstream. Eugenics has “a short history, but a long past,” Rutherford writes. The first half of Control is the history of an idea, from its roots in key philosophical texts of the classical world all the way into their genocidal enactment in the twentieth century. The second part of the book explores how eugenics operates today, as part of our language and culture, as part of current political and racial discussions, and as an eternal temptation to powerful people who wish to improve society through reproductive control. With disarming wit and scientific precision, Rutherford explains why eugenics still figures prominently in the twenty-first century, despite its genocidal past. And he confronts insidious recurring questions—did eugenics work in Nazi Germany? And could it work today?—revealing the intellectual bankruptcy of the idea, and the scientific impossibility of its realization.

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Winner of the Nobel Prize in Literature, T.S. Eliot was considered the greatest English-language poet of his generation. His poems The Waste Land and Four Quartets are classics of the modernist canon, while his essays influenced a school of literary criticism. Raised in St. Louis, shaped by his youth in Boston, he reinvented himself as an Englishman after converting to the Anglican Church. Like the authoritative yet restrained voice in his prose, he was the epitome of reserve. But there was another side to Eliot, as acclaimed biographer Lyndall Gordon reveals in her new biography, The Hyacinth Girl. While married twice, Eliot had an almost lifelong love for Emily Hale, an American drama teacher to whom he wrote extensive, illuminating, deeply personal letters. She was the source of “memory and desire” in The Waste Land. She was his hidden muse. That correspondence—some 1,131 letters—released by Princeton University’s Firestone Library only in 2020—shows us in exquisite detail the hidden Eliot. Gordon plumbs the archive to recast Hale’s role as the first and foremost woman of the poet’s life, tracing the ways in which their ardor and his idealization of her figured in his art. For Eliot’s relationships, as Gordon explains, were inextricable from his poetry, and Emily Hale was not the sole woman who entered his work. Gordon sheds new light on Eliot’s first marriage to the flamboyant Vivienne; re-creates his relationship with Mary Trevelyan, a wartime woman of action; and finally, explores his marriage to the young Valerie Fletcher, whose devotion to Eliot and whose physical ease transformed him into a man “made for love.” This stunning portrait of Eliot will compel not only a reassessment of the man—judgmental, duplicitous, intensely conflicted, and indubitably brilliant—but of the role of the choice women in his life and his writings. And at the center was Emily Hale in a love drama that Eliot conceived and the inspiration for the poetry he wrote that would last beyond their time. She was his “Hyacinth Girl."

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The Narwhal has a simple mission: to find the remains—human and material—of a disappeared ship. But its rash and obsessive young commander, Zeke Voorhees, has ulterior motives that may spell doom for the Narwhal and its crew. His soon-to-be brother-in-law, scholar-naturalist Erasmus Darwin Wells, may be the only one aboard who can alter their fate. Back in Philadelphia, the women left behind make journeys of the imagination as they await the Narwhal’s return. Wielding her signature lyrical and precise style, Andrea Barrett unravels the mid-nineteenth-century American romance with the Arctic in a "genuine page turner that long lingers in the mind" (Philip Graham, Chicago Tribune).

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Virtuosic in his use of literary forms, nurtured and unbounded by his identities as a Black man, a gay man, an intellectual, and a Southerner, Randall Kenan was known for his groundbreaking fiction. Less visible were his extraordinary nonfiction essays, published as introductions to anthologies and in small journals, revealing countless facets of Kenan’s life and work. Flying under the radar, these writings were his most personal and autobiographical: memories of the three women who raised him—a grandmother, a schoolteacher great-aunt, and the great-aunt’s best friend; recollections of his boyhood fear of snakes and his rapturous discoveries in books; sensual evocations of the land, seasons, and crops—the labor of tobacco picking and hog killing—of the eastern North Carolina lowlands where he grew up; and the food (oh the deliriously delectable Southern foods!) that sustained him. Here too is his intellectual coming of age; his passionate appreciations of kindred spirits as far-flung as Eartha Kitt, Gordon Parks, Ingmar Bergman, and James Baldwin. This powerful collection is a testament to a great mind, a great soul, and a great writer from whom readers will always wish to have more to read.

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A sweeping revision that speaks to how English literature is taught today. From the Middle Ages to the twenty-first century, The Norton Anthology of English Literature, Shorter Eleventh Edition, showcases exciting new authors, works, and textual clusters that demonstrate the relevance of literature to contemporary students and trace the creative arc that has yielded the ever-changing and ever-fascinating body of material called English literature. This anthology offers the experience of literature as part of the worldnot apart from it. It is also now available in ebook format for the complete anthology. The Norton Ebook Reader platform provides an active reading environment that equips students with tools for placing works within their social and historical contexts.

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Ever since Precious Perez was a child, she has loved to sing. Born and raised outside Boston, her family joked that she’d eventually study at Berklee College of Music. But when a high school music teacher advocated for Precious’s talent, her dream became a reality. Precious was born two-and-a-half months premature and weighed just one pound. Her eyes did not develop fully, and she is blind. Growing up, most people focused on what Precious could not do because of her disability. With her teacher’s support, Precious realized all the things she could do with her disability—starting with attending Berklee. With a voice that is both accessible and engaging, Vision brings forward an empowering first-person account of a woman finding strength and purpose in her disability. The I, Witness series delivers compelling narrative nonfiction by young people, for young people.

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As a girl and as part of an ethnic minority in Afghanistan, Freshta Tori Jan was persecuted relentlessly. Her family faced kidnappings and daily murder attempts on the bus, on the way to school, in the workplace, and beyond. Freshta’s school was shut down by the Taliban, and many of her friends were murdered and shot. Her journey through poverty, terrorism, and other forms of injustice has enabled her to be a voice for those unable to share their stories and those unable to receive the opportunities she has sought. She believes in empowering youth in order to bring about change and be the leaders of today and tomorrow. With a voice that is both accessible and engaging, Freshta brings forward a captivating first-person account of strength, resilience, and determination, and delivers compelling narrative nonfiction by young people, for young people.

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In this astonishing volume of poems and lyric prose, Whiting Award–winner A. Van Jordan draws comparisons to Black characters in Shakespearean plays—Caliban and Sycorax from?The Tempest, Aaron the Moor from?Titus Andronicus, and the eponymous antihero of?Othello—to mourn the deaths of Black people, particularly Black children, at the hands of police officers. What do these characters, and the ways they are defined by the white figures who surround them, have in common with Tamir Rice, Trayvon Martin, and other Black people killed in the twenty-first century? Balancing anger and grief with celebration, Jordan employs an elastic variety of poetic forms, including ekphrastic sestinas inspired by the photography of Malick Sidibé, fictional dialogues, and his signature definition poems that break down the insidious power of words like “fair,” “suspect,” and “juvenile.” He invents a new form of window poems, based on a characterization exercise, to see Shakespeare’s Black characters in three dimensions, and finds contemporary parallels in the way these characters are othered, rendered at once undesirable and hypersexualized, a threat and a joke. At once a stunning inquiry into the roots of racist violence and a moving recognition of the joy of Black youth before the world takes hold, When I Waked, I Cried to Dream Again expresses the preciousness and precarity of life.

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Set in Soweto, the urban heartbeat of South Africa, Innards tells the intimate stories of everyday black folks processing the savagery of apartheid with grit, wit, and their own distinctive bewildering humor. Rich with the thrilling textures of township language and life, it braids the voices and perspectives of an indelible cast of characters into a breathtaking collection flush with forgiveness, rage, ugliness, and beauty. Meet a fake PhD and ex-freedom fighter who remains unbothered by his own duplicity, a girl who goes mute after stumbling upon a burning body, twin siblings nursing a scorching feud, and a woman unraveling under the weight of a brutal encounter with the police. At the heart of these stories about deceit and ambition, appalling violence, familial turmoil, and love is South Africa’s history of slavery, colonization, and apartheid. Like many Americans today, Innards’ characters must navigate the shadows of the recent past alongside the uncertain opportunities of the promised land. Full to bursting with life, in all its complexities and vagaries, Innards is an uncompromising depiction of black South Africa. Visceral and tender, it heralds the arrival of a major new voice in contemporary fiction.

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As the sun sets on a feverishly hot July evening, a young woman spies on her teenage neighbor, transfixed by what looks like an occult ritual intended to banish an ex-boyfriend. Alone in a new town and desperate to expel the claustrophobic memories of her own ex, the narrator decides to try to hex herself free from her past. But when the creaks and hums of her apartment escalate into something more violent, she realizes that she may have brought her boyfriend’s presence—whether psychological or paranormal—back to haunt her. With astonishing emotional depth and clarity, Disturbance explores the fallout of abuse. Propulsive and wry, this razor-sharp debut twists witchcraft and horror into a powerful narrative of one woman’s struggle to return to herself.

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How do we take stock of a life—by what means, and by what measure? This is the question that preoccupies Alice, a Taiwanese immigrant in her late thirties. In the off-hours from her day job, Alice struggles to create a project about the enigmatic downtown performance artist Tehching Hsieh and his monumental, yearlong 1980s performance pieces. Meanwhile, she becomes the caretaker for her aging stepfather, a Vietnam vet whose dream of making traditional Chinese furniture dissolved in alcoholism and dementia. As Alice roots deeper into Hsieh’s radical use of time—in one piece, the artist confined himself to a cell for a year; in the next, he punched a time clock every hour, on the hour, for a year—and his mysterious disappearance from the art world, her project starts metabolizing events from her own life. She wanders from subway rides to street protests, loses touch with a friend, and tenderly observes her father’s slow decline. Moving between present-day and 1980s New York City, with detours to Silicon Valley and the Venice Biennale, this vivid debut announces Lisa Hsiao Chen as an audacious new talent. Activities of Daily Living is a lucid, intimate examination of the creative life and the passage of time.

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Churchill is generally considered one of the greatest leaders of the twentieth century, if not the greatest of all, revered for his opposition to appeasement, his defiance in the face of German bombing of England, his political prowess, his deft aphorisms, and his memorable speeches. He became the savior of his country, as prime minister during the most perilous period in British history, World War II, and is now perhaps even more beloved in America than in England. And yet Churchill was also very often in the wrong: he brazenly contradicted his own previous political stances, was a disastrous military strategist, and inspired dislike and distrust through much of his life. Before 1939 he doubted the efficacy of tank and submarine warfare, opposed the bombing of cities only to reverse his position, shamelessly exploited the researchers and ghostwriters who wrote much of the journalism and the books published so lucratively under his name, and had an inordinate fondness for alcohol that once found him drinking whisky before breakfast. When he was appointed to the cabinet for the first time in 1908, a perceptive journalist called him “the most interesting problem of personal speculation in English politics.” More than a hundred years later, he remains a source of adulation, as well as misunderstanding. This revelatory new book takes on Churchill in his entirety, separating the man from the myth that he so carefully cultivated, and scrutinizing his legacy on both sides of the Atlantic. In effervescent prose, shot through with sly wit, Geoffrey Wheatcroft illuminates key moments and controversies in Churchill’s career—from the tragedy of Gallipoli, to his shocking imperialist and racist attitudes, dealings with Ireland, support for Zionism, and complicated engagement with European integration. Charting the evolution and appropriation of Churchill’s reputation through to the present day, Churchill’s Shadow colorfully renders the nuance and complexity of this giant of modern politics.

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By 2016, it was impossible to ignore an international resurgence of xenophobia. What had happened? Looking for clues, psychiatrist and historian George Makari started out in search of the idea’s origins. To his astonishment, he discovered an unfolding series of never-told stories. While a fear and hatred of strangers may be ancient, he found that the notion of a dangerous bias called "xenophobia" arose not so long ago. Coined by late-nineteenth-century doctors and political commentators and popularized by an eccentric stenographer, xenophobia emerged alongside Western nationalism, colonialism, mass migration, and genocide. Makari chronicles the concept’s rise, from its popularization and perverse misuse to its spread as an ethical principle in the wake of a series of calamites that culminated in the Holocaust, and its sudden reappearance in the twenty-first century. He investigates xenophobia’s evolution through the writings of figures such as Joseph Conrad, Albert Camus, and Richard Wright, and innovators like Walter Lippmann, Sigmund Freud, Jean-Paul Sartre, Simone de Beauvoir, and Frantz Fanon. Weaving together history, philosophy, and psychology, Makari offers insights into varied, related ideas such as the conditioned response, the stereotype, projection, the Authoritarian Personality, the Other, and institutional bias. Masterful, original, and elegantly written, Of Fear and Strangers offers us a unifying paradigm by which we might more clearly comprehend how irrational anxiety and contests over identity sweep up groups and lead to the dark headlines of division so prevalent today.

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Leah Myers may be the last member of the Jamestown S’Klallam Tribe in her family line, due to her tribe’s strict blood quantum laws. In this unflinching and intimate memoir, Myers, determined to leave a record of her family history, excavates the stories of four generations of women. Beginning with her great-grandmother, the last full-blooded Native member in their lineage, she connects each woman with her totem to construct her family’s totem pole: protective Bear, defiant Salmon, compassionate Hummingbird and perched on top, Raven. As she pieces together their stories, Myers weaves in tribal folktales, the history of the Native genocide, and the larger story of how, as she puts it, her “culture is being bleached out”, offering sharp vignettes of her own life between White and Native worlds. Crisp and powerful, Thinning Blood is a bold reclamation of one woman’s identity that raises urgent questions about heritage, family and what it means to belong.

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Beginning with a poem about the teenage dawning of sexuality, Vertigo & Ghost pitches quickly into a fierce, electrifying, riveting sequence that exposes Zeus as a serial rapist, for whom women are prey and sex is weaponized. As unflinching, devastating poems of vulnerability and anger confront Zeus with aggressions both personal and historical, his house comes crumbling down. In its place, acclaimed poet Fiona Benson reveals a disturbing contemporary world in which violent acts against women continue to be perpetrated on a daily, even hourly, basis. In the volume’s second half, Benson shifts to an intimate and lyrical document of depression and family life. These moving poems probe the ambivalent terrain of early motherhood—its anxieties and claustrophobias as well as its gifts of tenderness and love—reclaiming the sanctuary of domestic private life and the right to raise children in peace and safety. Together, these two halves form a complex portrait of modern womanhood. Dynamic in its range and risk, Vertigo & Ghost introduces an important British voice to an American audience, a voice that speaks out with clarity, grace, and bravery against abuse of power.

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From a suspiciously cheap Hell’s Kitchen walk-up, Nigerian editor and winner of a Toni Morrison Publishing Fellowship Ekong Udousoro is about to begin the opportunity of a lifetime: to learn the ins and outs of the publishing industry from its incandescent epicenter. While his sophisticated colleagues meet him with kindness and hospitality, he is soon exposed to a colder, ruthlessly commercial underbelly—callous agents, greedy landlords, boorish and hostile neighbors, and, beneath a superficial cosmopolitanism, a bedrock of white cultural superiority and racist assumptions about Africa, its peoples, and worst of all, its food. Reckoning, at the same time, with the recent history of the devastating and brutal Biafran War, in which Ekong’s people were a minority of a minority caught up in the mutual slaughter of majority tribes, Ekong’s life in New York becomes a saga of unanticipated strife. The great apartment deal wrangled by his editor turns out to be an illegal sublet crawling with bedbugs. The lights of Times Square slide off the hardened veneer of New Yorkers plowing past the tourists. A collective antagonism toward the “other” consumes Ekong’s daily life. Yet in overcoming misunderstandings with his neighbors, Chinese and Latino and African American, and in bonding with his true allies at work and advocating for healing back home, Ekong proves that there is still hope in sharing our stories. Akpan’s prose melds humor, tenderness, and pain to explore the myriad ways that tribalisms define life everywhere, from the villages of Nigeria to the villages within New York City. New York, My Village is a triumph of storytelling and a testament to the life-sustaining power of community across borders and across boroughs.

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Born Deaf into an ASL-speaking family and blind by adolescence, John Lee Clark learned to embrace the possibilities of his tactile world. He is on the frontlines of the Protactile movement, which gave birth to an unprecedented tactile language and a way of life based on physical connection. In a series of paradigm-shifting essays, Clark reports on seismic developments within the DeafBlind community. In “Against Access”, he interrogates the prevailing advocacy for “accessibility” that re-creates a shadow of a hearing-sighted experience. In the National Magazine Award–winning “Tactile Art”, he describes his relationship to visual art and encounters with tactile sculpture. He advocates for “Co-Navigation”, a new way of guiding that respects DeafBlind agency, and offers a brief history of the term “DeafBlind”. As warm and witty as he is radical and inspiring, Clark welcomes readers into the exciting Protactile landscape and celebrates the hidden knowledge that can be gained through touch.

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An impassioned homage to the divas who shake up our world and transform it with their bold, dazzling artistry

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In the aftermath of World War One, everyone in the small town of Barton is rebuilding their lives. Ben needs to find his brother, Sam—who was wounded in action and is now missing—if he wants to avoid being sent to the orphanage. Lotti’s horrible aunt and uncle want to send her away from her beloved home to boarding school, just when she has successfully managed to get expelled from her last one. When a chance encounter brings the two children together, each recognizes the other as a kindred spirit. But just as they’ve found their feet, disaster strikes, and Ben and Lotti must run away. They hatch a plan to cross the English Channel on Ben’s narrowboat, the Sparrowhawk, and track down Sam in France. But there’s something in France that Lotti is looking for, too. . . . Funny, heartwarming, and wise, Voyage of the Sparrowhawk is full of high stakes, twists and connections, and—most of all—adventure.

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Nicki’s favorite aunt is getting married, and Nicki is excited to be the Flower Girl: she is all in for love and pretty petals. But when the family goes shopping to find outfits for the wedding, Nicki doesn’t feel like herself in any of the dresses her mom and aunt pick out for her, and all her happiness and excitement for the wedding evaporates. Nicki must find her voice—and her own style of expression to match it—to make Aunt Carmela’s big day absolutely perfect. Infused with intelligence and charm and complemented by art by Jameela Wahlgren that’s as warm and tender as a hug, Flower Girl celebrates the magic of finding the clothes that help us shine.

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Joy Harjo, the first Native American to serve as US poet laureate, invites us to travel along the heartaches, losses, and humble realisations of her “poet-warrior” road. A musical, kaleidoscopic and wise follow-up to Crazy Brave (ISBN 978 0 393 34543 8), Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice. Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child and the messengers of a changing earth—owls heralding grief, resilient desert plants and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland and sheds light on the rituals that nourish her as an artist, mother, wife and community member. Moving fluidly between prose, song and poetry, Harjo recounts a luminous journey of becoming, a spiritual map that will help us all find home. Poet Warrior sings with the jazz, blues, tenderness and bravery that we know as distinctly Joy Harjo.

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What would happen if you quit your life for a year? In a pre–COVID-19 world, the Wheelan family decided to find out; leaving behind work, school, and even the family dogs to travel the world on a modest budget. Equal parts "how-to" and "how-not-to"—and with an eye toward a world emerging from a pandemic—We Came, We Saw, We Left is the insightful and often hilarious account of one family’s gap-year experiment. Wheelan paints a picture of adventure and connectivity, juggling themes of local politics, global economics, and family dynamics while exploring answers to questions like: How do you sneak out of a Peruvian town that has been barricaded by the local army? And where can you get treatment for a flesh-eating bacteria your daughter picked up two continents ago? From Colombia to Cambodia, We Came, We Saw, We Left chronicles nine months across six continents with three teenagers. What could go wrong?

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For Mark Solms, one of the boldest thinkers in contemporary neuroscience, discovering how consciousness comes about has been a lifetime’s quest. Scientists consider it the "hard problem" because it seems an impossible task to understand why we feel a subjective sense of self and how it arises in the brain. Venturing into the elementary physics of life, Solms has now arrived at an astonishing answer. In The Hidden Spring, he brings forward his discovery in accessible language and graspable analogies. Solms is a frank and fearless guide on an extraordinary voyage from the dawn of neuropsychology and psychoanalysis to the cutting edge of contemporary neuroscience, adhering to the medically provable. But he goes beyond other neuroscientists by paying close attention to the subjective experiences of hundreds of neurological patients, many of whom he treated, whose uncanny conversations expose much about the brain’s obscure reaches. Most importantly, you will be able to recognize the workings of your own mind for what they really are, including every stray thought, pulse of emotion, and shift of attention. The Hidden Spring will profoundly alter your understanding of your own subjective experience.

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With irony, in mourning tinged with eros, one of our most extraordinary poets blends the personal and the political to meditate on damage, aging, and injustice. The poems in So Forth surge back in memory, pondering guilt and forgiveness. Consciousness flows from singular to plural; identity in these poems does a round dance with other personae, with formidable women artists of the past in the powerful sequence “Legende of Good Women,” with pre-Socratic philosophers, and with lovers, children, and strangers—the strangest of whom is the face in the mirror. In response to griefs both historical and contemporary, So Forth contemplates the quest for the holy and traditions of the sacred.

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In the aftermath of World War One, everyone in the small town of Barton is rebuilding their lives. Ben needs to find his brother, Sam—who was wounded in action and is now missing—if he wants to avoid being sent to the orphanage. Lotti’s horrible aunt and uncle want to send her away from her beloved home to boarding school, just when she has successfully managed to get expelled from her last one. When a chance encounter brings the two children together, each recognizes the other as a kindred spirit. But just as they’ve found their feet, disaster strikes, and Ben and Lotti must run away. They hatch a plan to cross the English Channel on Ben’s narrowboat, the Sparrowhawk, and track down Sam in France. But there’s something in France that Lotti is looking for, too. . . . Funny, heartwarming, and wise, Voyage of the Sparrowhawk is full of high stakes, twists and connections, and—most of all—adventure.

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Everyone knows what coming of age in America is supposed to look like. Then came 2020. Instead of proms and championship games and all-night hangouts with friends, there was school on Zoom from bed. In this book, teenagers from across the country show how they coped with a world on fire, as a pandemic raged, political divides hardened and the Black Lives Matter movement galvanised millions. Via diary entries, comics, photos, poems, paintings, charts, lists, Lego sculptures, songs, recipes and rants, they tell the story of the year that will define their generation. The pieces in this collection, chosen from more than 5,500 submitted to a contest on The New York Times Learning Network, provide an arresting documentation of how ordinary teenagers experienced extraordinary events. But for every creative expression of terror, frustration, loneliness and anxiety, there is another of meaning, joy, resilience and hope.

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Arthur and Maudie Brightstorm receive devastating news: their famous explorer father has died in a failed attempt to reach South Polaris. To make matters worse, the Lontown Geographical Society finds Ernest Brightstorm guilty of sabotaging the expedition of his competitor, Eudora Vane. But a mysterious clue leads the twins to question the story they’ve been told—and to uncover the truth, they must undertake the journey of a lifetime. Joining the ragtag crew of a homemade sky-ship captained by the intrepid Harriet Culpepper, Arthur and Maudie race to South Polaris to salvage their family’s reputation and find out what really happened on their father’s doomed expedition. Brightstorm is a propulsive and compelling fantasy adventure set among the vibrant landscapes and dynamic characters of Vashti Hardy’s vividly imagined world.

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Ash arrives in Snowflake, Arizona, and finds a small community of people who are sick, including Ash’s stepbrother, Bly. But it isn’t any ordinary sickness: modern life is poisoning them, and when Ash too falls ill, the doctor’s response is, “It’s all in your mind.” Meanwhile, the world beyond is succumbing to a breakdown of civilization only distantly perceived by Ash and the isolated residents of Snowflake, from which there may or may not be a chance for recovery. This humane and thoughtful novel explores the resilience of love and community in the face of crisis.

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Kay and Thea are half-sisters, separated in age by almost twenty years, but deeply attached. When their stern father dies, Thea travels to Nova Scotia for her long-promised marriage to the captain of the Morning Light. But she cannot abandon her orphaned young sister, so Kay too embarks on a life-changing journey to the other side of the world. At the heart of The Voyage of the Morning Light is a crystallizing moment in Micronesia: Thea, still mourning a miscarriage, forms a bond with a young boy from a remote island and takes him on board as her own son. Over time, the repercussions of this act force Kay, who considers the boy her brother, to examine her own assumptions—which are increasingly at odds with those of society around her—about what is forgivable and what is right. Inspired by a true story, Marina Endicott shows us a now-vanished world in all its wonder, and in its darkness, prejudice, and difficulty, too. She also brilliantly illuminates our present time through Kay’s examination of the idea of “difference”—between people, classes, continents, cultures, customs and species. The Voyage of the Morning Light is a breathtaking novel by a writer who has an astonishing ability to bring past worlds vividly to life while revealing the moral complexity of our own.

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In this forceful call to action, acclaimed poet John Kinsella explores deeply felt and ever more insistent ecological concerns in his signature lyrical and experimental activist poetry. Here Kinsella turns his restless, unblinking gaze to a world where art, music, and philosophy—the highest creations of the human imagination and empathy—suddenly find themselves in a time and place that not only deny their importance, but can seem to have no use for them at all. In answer, Insomnia offers poems of self-accusation and angry protest, meditations on the nature of loss and trauma, and full-throated celebrations of the natural world. Kinsella attempts to find a still point from which we might reconfigure our perspective and examine the paradoxes of our contemporary experience. Ranging sleeplessly from Jam Tree Gully, Western Australia, to the coast of West Cork, Ireland, and haunted by historical and literary figures from Dante to Emily Brontë, Insomnia may be Kinsella’s most varied, concentrated, and powerful collection to date.

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From ants scurrying under leaf litter to bees able to fly higher than Mount Kilimanjaro, insects are everywhere. Three out of every four of our planet’s known animal species are insects. In The Insect Crisis, acclaimed journalist Oliver Milman dives into the torrent of recent evidence that suggests this kaleidoscopic group of creatures is suffering the greatest existential crisis in its remarkable 400-million-year history. What is causing the collapse of the insect world? Why does this alarming decline pose such a threat to us? And what can be done to stem the loss of the miniature empires that hold aloft life as we know it? With urgency and great clarity, Milman explores this hidden emergency, arguing that its consequences could even rival climate change. He joins the scientists tracking the decline of insect populations across the globe, including the soaring mountains of Mexico that host an epic, yet dwindling, migration of monarch butterflies; the verdant countryside of England that has been emptied of insect life; the gargantuan fields of U.S. agriculture that have proved a killing ground for bees; and an offbeat experiment in Denmark that shows there aren’t that many bugs splattering into your car windshield these days. These losses not only further tear at the tapestry of life on our degraded planet; they imperil everything we hold dear, from the food on our supermarket shelves to the medicines in our cabinets to the riot of nature that thrills and enlivens us. Even insects we may dread, including the hated cockroach, or the stinging wasp, play crucial ecological roles, and their decline would profoundly shape our own story. By connecting butterfly and bee, moth and beetle from across the globe, the full scope of loss renders a portrait of a crisis that threatens to upend the workings of our collective history. Part warning, part celebration of the incredible variety of insects, The Insect Crisis is a wake-up call for us all.

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Birth is one of the most fraught and polarized issues of our time, at the center of debates on abortion, gender, work, and medicine. But birth is not solely an issue; it is a fundamental part of the human condition, and, alongside death, the most consequential event in human life. Yet it remains dramatically unexplored. Although we have long intellectual traditions of wrestling with mortality, few have ever heard of natality, the term political theorist Hannah Arendt used to describe birth’s active role in our lives. In this ambitious, revelatory book, Jennifer Banks begins with Arendt’s definition of natality as the “miracle that saves the world” to develop an expansive framework for birth’s philosophical, political, spiritual, and aesthetic significance. Banks focuses on seven renowned western thinkers—Arendt, Friedrich Nietzsche, Mary Wollstonecraft, Mary Shelley, Sojourner Truth, Adrienne Rich, and Toni Morrison—to reveal a provocative countertradition of birth. She narrates these writers’ own experiences alongside the generative ways they contended with natality in their work. Passionately intelligent and wide-ranging, Natality invites readers to attend to birth as a challenging and life-affirming reminder of our shared humanity and our capacity for creative renewal.

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Arthur and Maudie Brightstorm are devastated to learn that their famous explorer father has died in a failed attempt to reach South Polaris, the southernmost point in the world. To make matters worse, the Lontown Geographical Society finds Ernest Brightstorm guilty of sabotaging the expedition of his competitor, Eudora Vane, a respected and powerful member of the Society. But then a mysterious clue leads the twins to question the story they’ve been told. Joining the ragtag crew of the Aurora, a homemade sky-ship captained by the intrepid Harriet Culpepper, Arthur and Maudie race to South Polaris to salvage their family’s reputation. As the sky-ship sets sail, the twins must keep their wits about them if they are to uncover the truth about what happened on their father’s doomed expedition, and to prove themselves worthy explorers. Brightstorm is a propulsive, vividly imagined fantasy adventure set among vibrant landscapes and peopled with dynamic and unforgettable characters.

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Inspired by her encounter with Dr. Chevalier Jackson’s collection of ingested curiosities at Philadelphia’s Mütter Museum, Kimiko Hahn’s tenth collection investigates the grip that seemingly insignificant objects exert on our lives. Itself a cabinet of curiosities, the collection provokes the same surprise, wonder, and pangs of recognition Hahn felt upon opening drawer after drawer of these swallowed, and retrieved, objects—a radiator key, a child’s perfect attendance pin, a mother-of-pearl button. The speaker of these moving poems sees reflections of these items in the heartbreaking detritus of her family home, and in her long-dead mother’s Japanese jewelry. As Hahn remakes the lyric sequence in chains reminiscent of the Japanese tanka, the foreign bodies of the title expand to include the immigrant woman’s trafficked body, fossilized remains, a grandmother’s Japanese body. She explores the relationship between our innermost selves and the relics of our vanished past, making room for meditation on grief and the ephemeral nature of the material world, for the account of a nineteenth-century female fossil hunter, and for a celebration of the nautilus. Foreign Bodies investigates the power of possession, replete with Hahn’s electric originality and thrilling mastery of ever-changing forms.

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Loud and rowdy girls, quiet and nerdy girls, girls who rock naturals, girls who wear weave, outspoken and opinionated girls, girls still finding their voice, queer girls, trans girls, and gender nonbinary young people who want to make the world better: Feminist AF uses the insights of feminism to address issues relevant to today’s young womxn. What do you do when you feel like your natural hair is ugly, or when classmates keep touching it? How do you handle your self-confidence if your family or culture prizes fair-skinned womxn over darker-skinned ones? How do you balance your identities if you’re an immigrant or the child of immigrants? How do you dress and present yourself in ways that feel good when society condemns anything outside of the norm? Covering colorism and politics, romance and pleasure, code switching, and sexual violence, Feminist AF is the empowering guide to living your feminism out loud.

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With irony, in mourning tinged with eros, one of our most extraordinary poets blends the personal and the political to meditate on damage, aging, and injustice. The poems in So Forth surge back in memory, pondering guilt and forgiveness. Consciousness flows from singular to plural; identity in these poems does a round dance with other personae, with formidable women artists of the past in the powerful sequence “Legende of Good Women,” with pre-Socratic philosophers, and with lovers, children, and strangers—the strangest of whom is the face in the mirror. In response to griefs both historical and contemporary, So Forth contemplates the quest for the holy and traditions of the sacred.

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Who’s really behind America’s appetite for foods from around the globe? This group biography from an electric new voice in food writing honours seven extraordinary women, all immigrants, who left an indelible mark on the way Americans eat today. Taste Makers stretches from the Second World War to the present, with absorbing and deeply researched portraits of figures including Mexican-born Elena Zelayeta, a blind chef; Marcella Hazan, the deity of Italian cuisine and Norma Shirley, a champion of Jamaican dishes. In imaginative, lively prose, Mayukh Sen—a queer, brown child of immigrants—reconstructs the lives of these women in vivid and empathetic detail, daring to ask why some were famous in their own time but not in ours and why others shine brightly even today. Weaving together histories of food, immigration and gender, Taste Makers challenges the way readers look at what’s on their plate—and the women whose labour, overlooked for so long, makes those meals possible.

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“Houston spread like a glass of milk spilled on the wobbling table of Texan plains,” Micah Fields writes in this unique and poetic blend of reportage, history, and memoir. Developed as the commercial hub of the Texas cotton and sugarcane industries, Houston was designed for profit, not stability. Its first residents razed swamplands into submission to construct a maze of highways and suburbs, giving the city a sprawling, centerless energy where feral cats, alligators, and poisonous snakes flourished in the bayous as storms and floods rattled coastal Texas. When Hurricane Harvey made landfall in 2017, Fields set off from his home in Iowa back to the battered city of his childhood to rescue his mother who was hell-bent on staying no matter how many feet of rain surged in from the Gulf. Along the way, he traded a Jeep for a small boat and floated among the storm’s detritus in search of solid ground. With precision and eloquence, Fields tracks the devastation of Hurricane Harvey, one storm in a long lineage that threatens the fourth largest city in America. Fields depicts the history of Houston with reverence and lyrical certainty, investigating the conflicting facets of Texan identity that are as resilient as they are catastrophic, steeped in racial subjugation, environmental collapse, and capitalist greed. He writes of the development of the modern city in the wake of the destruction of Galveston in 1900; of the wealthy Menil family and self-taught abstract painter Forrest Bess, a queer artist and fisherman born in 1911 who hardly ever left the Gulf Coast; of the oil booms and busts that shaped the city; of the unchecked lust for growth that makes Houston so expressive of the American dream. We Hold Our Breath is a portrait of a city that exists despite it all, a city whose story has always been one of war waged relentlessly against water.

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In Ayse Papatya Bucak’s dreamlike narratives, dead girls recount the effects of an earthquake and a chess-playing automaton falls in love. A student stops eating and no one knows whether her act is personal or political. A Turkish wrestler, a hero in the East, is seen as a brute in the West. The anguish of an Armenian refugee is “performed” at an American fund-raiser. An Ottoman ambassador in Paris amasses a tantalizing collection of erotic art. And in the masterful title story, the Greek god Apollo confronts his personal history and bewails his Homeric reputation as he tries to memorialize, and make sense of, generations of war. A joy and a provocation, Bucak’s stories confront the nature of historical memory with humor and humanity. Surreal and poignant, they examine the tension between myth and history, cultural categories and personal identity, performance and authenticity.

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If the United States couldn’t catch up to the Soviets in space, how could it compete with them on Earth? That was the question facing John F. Kennedy at the height of the Cold War—a perilous time when the Soviet Union built the wall in Berlin, tested nuclear bombs more destructive than any in history, and beat the United States to every major milestone in space. The race to the heavens seemed a race for survival—and America was losing. On February 20, 1962, when John Glenn blasted into orbit aboard Friendship 7, his mission was not only to circle the planet; it was to calm the fears of the free world and renew America’s sense of self-belief. Mercury Rising re-creates the tension and excitement of a flight that shifted the momentum of the space race and put the United States on the path to the moon. Drawing on new archival sources, personal interviews, and previously unpublished notes by Glenn himself, Mercury Rising reveals how the astronaut’s heroics lifted the nation’s hopes in what Kennedy called the "hour of maximum danger."

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In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. A poem strong in the dimension of voice is an animate thing of shifting balances, tones, and temperatures, by turns confiding, vulgar, bossy, or cunning—but above all, alive. The twelve short chapters of The Art of Voice explore ways to create a distinctive poetic voice, including vernacular, authoritative statement, material imagination, speech register, tone-shifting, and using secondary voices as an enriching source of texture in the poem. A comprehensive appendix contains thirty stimulating models and exercises that will help poets cultivate their craft. Mining his personal experience as a poet and analyzing a wide range of examples from Catullus to Marie Howe, Hoagland provides a lively introduction to contemporary poetry and an invaluable guide for any practicing writer.

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In this meditative and incisive collection, Stephen Dunn draws on themes of morality and mortality to explore the innermost machinations of human nature. Shifting in tone but never wavering in their essential honesty, these poems reflect on desire, restraint, and the roles we play in an ever-evolving society. In Pagan Virtues, Dunn reminds us of his penetrating eye for the universal and the specific, and his ability to highlight our contradictions with tenderness and wit. Two poems dedicated to Dunn’s eulogist, in advance, bookend the collection. The first introduces us to the poet’s sardonic candor and unflinching gaze at his own mortality, while the latter, written nineteen years later, reflects on what it means to continue to live in the “despoiled and radiant now.” A stunning sequence on the relationship between the speaker and “Mrs. Cavendish” examines an intimacy sustained and repelled by politics, philosophy, and attraction. Wry, observational, and wide-reaching, Pagan Virtues offers indispensable truths from a master of contemporary poetry.

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Acclaimed historian Jane Kamensky chronicles an indelible twentieth-century American lifeand offers an entirely new understanding of the so-called sexual revolution.

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