Search results for ""RAND""

"Astute."—New York Times Ayn Rand’s complicated notoriety as popular writer, leader of a political and philosophical cult, reviled intellectual, and ostentatious public figure endured beyond her death in 1982. In the twenty-first century, she has been resurrected as a serious reference point for mainstream figures, especially those on the political right from Paul Ryan to Donald Trump. Mean Girl follows Rand’s trail through the twentieth century from the Russian Revolution to the Cold War and traces her posthumous appeal and the influence of her novels via her cruel, surly, sexy heroes. Outlining the impact of Rand’s philosophy of selfishness, Mean Girl illuminates the Randian shape of our neoliberal, contemporary culture of greed and the dilemmas we face in our political present.

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"Astute."—New York Times Ayn Rand’s complicated notoriety as popular writer, leader of a political and philosophical cult, reviled intellectual, and ostentatious public figure endured beyond her death in 1982. In the twenty-first century, she has been resurrected as a serious reference point for mainstream figures, especially those on the political right from Paul Ryan to Donald Trump. Mean Girl follows Rand’s trail through the twentieth century from the Russian Revolution to the Cold War and traces her posthumous appeal and the influence of her novels via her cruel, surly, sexy heroes. Outlining the impact of Rand’s philosophy of selfishness, Mean Girl illuminates the Randian shape of our neoliberal, contemporary culture of greed and the dilemmas we face in our political present.

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'The question Eilenberger sets out to answer in this ambitious, enthralling book: what use is philosophy in the middle of a war?' The Sunday TimesThe year is 1933. Hannah Arendt escapes Berlin, seeking refuge among the stateless gathering in Paris. Simone de Beauvoir reimagines the dance between consciousness and the world outside in a Rouen café. Ayn Rand labours in Hollywood exile on the novel she believes destined to reignite the flame of liberty in her adoptive nation. Simone Weil, disenchanted with the revolution's course in Russia, devotes her entire being to the plight of the oppressed. Over the next decade, one of the darkest in Europe's history, these four philosophers will conceive in parallel ideas that would circle the globe in the second half of the century, reshaping it. The Visionaries follows in its protagonists' footsteps from Leningrad to New York, Spain at civil war to France under occupation, as each is uprooted by totalitarianism's ascendence. It shows them facing the injustices, unfreedom and unfathomable violence of their time as women, refugees, activists, resistance fighters - but above all as thinkers. Wolfram Eilenberger expertly distils the radical philosophies each lived as well as created, showing the two to be part of the same story, all testament to the redemptive power of thought.

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In Accounts and Drawings from Underground, published in 2015, renowned artist William Kentridge and scholar Rosalind C. Morris brought us an unprecedented collaboration, taking pages of the 1906 Cash Book of the East Rand Proprietary Mines Corporation in South Africa and transforming them into something entirely new. While Kentridge contributed breathtaking landscape drawings in response to the transient terrain mining created, Morris plumbed the text of the cash book to generate a unique narrative account. Now, they revisit those ruined mines, with a visual and verbal addendum that provides an account of the ongoing metamorphosis of the world that gold mines created. Kentridge works on the threshold between the visible and the invisible, while Morris mines the unsaid in order to make it understandable. Together they’ve created a landmark book that chronicles the exploitation of African communities and sheds further light on global Black history. With fifteen stunning new color drawings by Kentridge and an additional coda, this revised edition of Accounts and Drawings from Underground continues its remarkable documentation of the stories of migrant laborers and the flows of capital and desire, providing us with a palpable sense of a vanished world.

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Over the last twenty years, William Kentridge has built a world-wide reputation as a contemporary artist, best known for his series of ten animated films created from charcoal drawings. The films introduced a significant character in contemporary fiction: Soho Eckstein, a Highveld mining magnate and Kentridge's alter ego. In The Soho Chronicles, Kentridge's brother, Matthew, shares a never-before-seen perspective on both William and Soho that sheds new light on the creator and his alter ego. Richly illustrated, the book includes a special feature that connects with smartphones and tablets. In Accounts and Drawings from Underground, William Kentridge and Rosalind C. Morris bring us an unprecedented collaboration using the pages of the 1906 Cash Book of the East Rand Proprietary Mines Corporation. Kentridge contributes forty landscape drawings in response to the transient terrain mining, while Morris plumbs the text of the cash book to generate a unique narrative account, drawing together the stories of migrant laborers and charting the flows of capital and desire.

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Why was the Navy ready to clear the skies over the Persian Gulf, yet surprised by the mines laid under it? Why is it that the Army is always prepared for war in Europe, but was caught off guard in Korea and Vietname? And why is the Air Force indifferent to "Star Wars"?In The Masks of War Carl H. Builder asks what motives lie behind the puzzling and often contradictory behavior of America's militay forces. The answer, he finds, has little to do with what party controls the White House or who writes the budget. Far more powerful-and glacially resistant to change-are the entrenched institutions and distinct "personalities" of the three armed services themselves.The Masks of War explains why things sometimes go wrong for the American military. It also explains why things will always go wrong for the military reformers. Changes in the military's strategic thinking have come only in the wake of full-blown disaster-Pearl Harbor, for instance. Today's nuclear world can't afford such lessons.

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Waarom spreken Franstaligen over de peripherie bruxelloise en over een carcan flamand rond Brussel en waarom willen de Vlamingen de Brusselse olievlek 'indijken' of 'indammen'? Waarom vragen de Franstalige partijen de territoriale uitbreiding van het Brussels Hoofdstedelijk Gewest en waarom wordt dit langs Vlaamse kant radicaal afgewezen? Deze tegenstellingen zijn te lapidair, maar maken duidelijk dat de twee grootste taalgemeenschappen in Belgie een andere visie hebben over de Vlaamse Rand en over de relatie van dit ommeland met de hoofdstad. Hoe komt dat? Welke historische evoluties liggen daaraan ten grondslag? Dit tweede nummer in de reeks 'Accenten uit de geschiedenis van Vlaams-Brabant' verschijnt in opdracht van de provincie Vlaams-Brabant en is een realisatie van het ADVN, archief-, documentatie- en onderzoekscentrum. In het boek zijn ook een aantal foto's opgenomen uit de reportage die persfotograaf Michiel Hendryckx speciaal voor deze gelegenheid maakte en die her en der in de provincie zal worden tentoongesteld. Zijn lens registreerde tot zijn eigen verwondering het nog sterk landelijk karakter van de streek.

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Before the Computer fully explores the data processing industry in the United States from its nineteenth-century inception down to the period when the computer became its primary tool. As James Cortada describes what was once called the "office appliance industry," he challenges our view of the digital computer as a revolutionary technology. Cortada interprets reliance on computers as a development within an important segment of the American economy that was earlier represented largely by such instruments as typewriters, tabulating machines, adding machines, and calculators. He also describes how many of the practices of the office appliance industry evolved into those of the computer world. Drawing on previously unavailable industry archives, the author adds to our understanding of IBM's early history and offers short corporate histories of firms that include NCR, Burroughs, and Remington Rand. Focusing on the United States but also including comparative material on Europe and Asia, Before the Computer will be a unique source of knowledge about the companies that built office equipment and their enormous impact on economic life. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Die Ränder der Welt sind mehr als die Kante am Rande einer scheibenförmigen Welt. Sie sind die Räume am Rande der Wahrnehmung, die der Mensch auf der Basis noch so geringen Wissens phantasievoll gestaltet. In der Vorstellungswelt der Griechen von Homer bis zu Alexander dem Großen spielten diese Ränder eine bedeutende Rolle. Auch noch als die Erde nicht mehr als Scheibe begriffen wurde, blieben sie als Ränder der Oikumene, der bewohnten und bekannten Welt, bestehen. Sie waren Projektionsflächen für Ängste und Wünsche und Reflexionsräume, in denen die Griechen über sich selbst und ihre Gesellschaft nachdachten. Was den Kosmos, die bewohnte und bekannte Welt, die griechische Kultur und das Menschsein für die Griechen ausmachte, zeigt sich besonders deutlich in ihren Vorstellungen von den Rändern.

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