Search results for ""Norma""

Marc Held entered history in 1965 with his famous Culbuto armchair, followed in 1966 by his furniture manufactured by Prisunic. Over a period of fifty years, he created some 150 furniture pieces, notably participating in 1983 in the interior design of the apartments in the Élysée Palace. Beginning in the 1970s, he also designed singular works of architecture, for individuals and for corporate clients such as IBM. At the end of the 1980s he chose to focus entirely on this passion of his when he settled on the Greek island of Skopelos. Interested in vernacular architecture, he dedicated a widely acknowledged book on Greece, Maisons de Skopelos, précis d'architecture vernaculaire published by Éditions Skopelos.net, in 1994, to it. It was also on Skopelos where over a period of thirty years he built eight exceptional villas: Lemonia, Maistros, Nina, Loukas, The Temple, Mourtia, Myrto and Kapsari. Each house is an architectural manifesto in its own right. These eight villas, in spectacular sites beside the sea, built with local materials and in accordance with the construction techniques of the island - all the artisans were from there - with the magical landscapes in which they are integrated, are eight lessons on the notion of genius loci, which so inspired Marc Held's architecture. Photographed by Deidi von Schaewen - with spectacular shots taken via drone-mounted cameras - his eight beautiful villas are also presented with his drawings and plans developed during their conception phases. Text in English and French.

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This book traces the history of an encounter between a remarkable invention, half-industrial half-design object, and one of the most famous architects of the 20th century. Created in 1921, the Gras lamp holds a unique place in the history of lighting. A revolutionary design of marvellous simplicity, its original purpose was to meet the needs of the booming manufacturing and retail sectors. The young Le Corbusier, passionate about the challenges of interior lighting, adopted it as his own from the early 1920s on. Thanks to its remarkable functionality, this lamp also perfectly corresponded to his desire to break with decoration and ornament, and the architect went on to utilise it in his studio in the rue de Sevres in Paris as well as his home. He also placed it in many of the interiors of the houses he designed: the Villa Le Lac (Switzerland), the Villa La Roche (Paris), the Guiette House (Antwerp), the Villa Savoye (Poissy), and the villa belonging to his friend Eileen Gray in Roquebrune-Cap-Martin. Relying on rich photographic documentation from the period, the book goes through the history of the Gras lamp, its patents and various models, but it also enables the reader to rediscover Le Corbusier's interior designs through the prism of this icon of design, as he was one of this lamp's main promoters in modern times. Text in English and French. AUTHOR: Didier Teissonniere opened Galerie Teisso in 1999 in the Marais district of Paris. There, he has been living his passion for the great icons of modernity, whether in the form of anonymous objects or those designed by Jean Prouve, Charlotte Perriand, Le Corbusier, and Charles and Ray Eames. Arthur Ruegg, a professor at the Swiss Federal Institute of Technology, Switzerland, is a specialist on Le Corbusier and the author of the Le Corbusier. Furniture and Interiors 1905-1965, Scheidegger & Spiess, 2012. Antoine Picon teaches the history of architecture at Harvard. Educated as an engineer, he is also the director of research at the Ecole nationale des ponts et chaussees and president of the Fondation Le Corbusier. 56 colour and 39 b/w illustrations

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This beautifully illustrated book, with over 300 colour reproductions, showcases many of the greatest masterpieces of 19th century Orientalist art. During this period, colonization, and a revolution in means of transportation allowed artists to visit countries from North Africa to the Middle East that had previously been relatively inaccessible. The patterns, colours, and light of this region influenced artists such as Delacroix, Decamps, Berchère, Bridgman, Ziem, Gérôme, Corrodi, Dinet, Matisse, Majorelle and many others. Upon returning to Europe, these artists captured the atmosphere of these distant and exotic lands in painted scenes of daily life and wrote memoirs of their travels. Some returned to settle there, including painters like Dinet, who spent a large part of his life in Algeria, and Majorelle, known as the “painter of Marrakech.” This book offers insight into the Orientalist aesthetic that inspired the movement, and lays the groundwork for a deeper understanding of these vibrant works of art. Text in English and French.

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Nudity, lasciviousness, sensuality, provocation, shamelessness, or obscenity. During the 19th century, eroticism takes on a new place in Western visual culture, in particular thanks to the development of reproduction such as photography, press or lithography. Result of long and meticulous research, this book reviews the major reflections carried out on the theme of nudity in the field of art history and the history of sensibilities. It studies the reception of nudity in France, based on documentary and iconographic sources renewed (little-known works, drawings and photographs, newspapers, archives, texts of laws) and allows us to better understand this history of erotic art of the nineteenth century, long perpetuated by the sole taste of description. By placing the works in their context, by comparing expressions and aesthetics, and studying visual culture of time, Claire Maingon opens up new fields of reflection, while allowing to discover unknown or forgotten artists such as Broc, Gavarni, Dubufe, Galimard, Ranft, Eakins, alongside the big names in the history of 19th century, David, Ingres, Delacroix, Courbet, Manet, Rodin. Text in French.

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Pierre Guariche (1926-1995) was a leading interior architect, furniture, and lighting designer in postwar France. He created a prolific body of work during what is known as the Thirty Glorious Years (1945-1975), a period of economic prosperity and high growth in France. He was an early adopter of industrial materials and production techniques that emerged during the 1950s, and is known for his remarkable lighting fixtures and simple, elegant furniture designs that could be manufactured on a large scale. He worked with innovative companies like Airborne, Steiner, and Pierre Disderot; he co-founded a design collective (Atelier de Recherche Plastique- ARP); and was the artistic director for the Meurop furniture company in Belgium. In advance of Charlotte Perriand in Les Arcs and Marcel Breuer in Flaine, he worked with the architect Michel Bezançon on the creation of La Plagne, the first comprehensive winter sports resort in France. Making use of unpublished archives, this book looks back on a rich itinerary of over 200 interior architecture and design projects, almost as many pieces of furniture, and a series of remarkable lighting fixtures (reissued today by Sammode) which shed light on the modernity and timeless elegance of this remarkable creator. Text in English and French.

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This exceptional anthology, which proposes a panorama of the evolution of crafts from 1945 to the present day, brings together a selection of over 70 texts from five continents. These texts are chosen and commented on by Chloe Braustein-Kriegel, a design specialist and critic, and Fabien Petiot, an art historian and designer. This new research is a genuine theoretical and practical tool for specialists and amateurs alike throughout the world. Calling on a huge network of experts, writers, critics, academics, journalists and artists, whose articles have been published in reviews such as Crafts Magazine, The Journal of Modern Art and The Journal of Design History, the authors present a diversity of viewpoints that permit the reader to go into depth on all the aspects of this multiform subject: the relationship between crafts and the many creation fields such as design and architecture, and the place of know-how in today's society. This anthology also makes it possible to place these contemporary questions in a historical perspective. A selection of authors: Charlotte Benton, Andrea Branzi, Alberto Cavalli, Garth Clark, Edmund Wim Delvoye, De Waal, Marie Douglas, Enzo Mari Stefano Micelli, Louise Schouwenberg, Patricia Woods.

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Pierre-Emile Legrain (1889-1929) was a French bookbinder, framer, landscape designer, furniture designer, and interior architect. This is the first full-length monograph about him, exploring his life and his creations in every genre, and highlighting the formal links between his work as an ensemblier, bookbinder, and draftsman. Pierre Legrain is credited with revolutionising bookbinding in the early 20th century. In 1916 he was commissioned by the French bibliophile, couturier, and collector Jacques Doucet to design bindings for his extensive library. He created nearly 400 unique bindings for him, and numerous frames for Doucet's exceptional modern art collection - including a steel frame for Les Demoiselles d'Avignon - as well as a series of African-inspired furniture. He was a member of the UAM, whose logo he designed, and he associated with Andre Breton, Paul Eluard, Jean Cocteau, the sculptors Gustave Miklos and Henri Laurens, the painter Francis Picabia, and the milliner Jeanne Tachard for whom he designed a garden. His rare body of work - a hundred or so pieces of furniture and a few interiors - is dispersed today in museums and private collections throughout the world. Text in French.

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An artist-designer who defies classification, Pucci de Rossi (1947-2013) was a pillar of the European art scene in the 1980s. Originally from Verona, and trained by the American sculptor H. B. Walker, Pucci de Rossi created his first pieces by assembling wooden furniture to make some rather odd-looking and unstable forms, somewhere between thrones and time machines. "My profession was a game to me," he once remarked. "I was cutting, I was making, I was inventing." His first designs, steeped in poetry and humour, recalled the minimalism of Arte Povera as much as Studio Memphis' neobaroque. Jewellery, furniture, sculpture, painting: Pucci's universe knew no limits except those of his own imagination. In his hands, even the most modest materials transcended themselves to become works of great visual and functional power. This was soon recognised; after 1985 he regularly exhibited in Paris, and in New York at the gallery Neotu, founded by Pierre Staudenmeyer. Some of his most notable accomplishments involve designing the layout for the Barbara Bui boutique in Paris, and the palace of the auctioneer Jean-Claude Binoche in Venice. In the 1990s his work was on display at the Downtown Gallery, and in 1994-1995 he collaborated with the CIRVA in Marseille. Shortly prior to his death, Jacques-Antoine Granjon, one of his most faithful collectors, commissioned a sketch for the frontage of the VentePrivee.com building in La Plaine-Saint-Denis. Baptized 'Verona', the metallic skin covering the facade, which was inspired by that drawing, pays tribute to him today. Pucci de Rossi created more than 900 pieces during his lifetime; this book gives him the commemoration he deserves.

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Born into the American aristocracy, Elizabeth Eyre de Lanux abandoned high society to pursue an artistic career. Starting her training with Constantin Brancusi, she then arrived in Paris in 1919, following her marriage to French diplomat and writer Pierre de Lanux. She soon met the designer Eileen Gray. Eyre took over Gray's research on laquer and continued experimenting with innovative materials not previously used in furniture, namely cork, amber and linoleum. With Evelyn Wyld, she created a literary universe in which the poetry of her rugs, blended with furniture and lamps in totally new ways, all in an environment of muted shades and modern comfort. An ambitious artist in the Surrealist Paris of the interwar years, she wanted to believe in a peaceful future. But the crash of 1929 and World War II sounded the death knell for the career of this fresh new talent, ensuring that her creations became the rarest of objects. A bridge between the pioneering Eileen Gray and the rational Charlotte Perriand, like them, Eyre de Lanux drew inspiration from Japonism. Neither poor, nor stripped bare, her rare architectured interiors have remained secret until now.Elizabeth Eyre de Lanux is a recognised name but a forgotten talent. With Eileen Gray, Eyre de Lanux, Charlotte Perriand and Maria Pergay, the four cardinal points have now been identified.

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From the 1950s, Beirut and Lebanon have been a veritable laboratory of architectural modernity in the Middle East, calling on the greatest national and international architects. Institutions and large Lebanese companies have turned to concrete and so-called brutalist forms, participating fully to the renewal of world architecture. If Lebanon gave birth to a flowering of exemplary buildings of this period, this work is an invitation to discover more than thirty, often unknown and admirably captured by the gaze by Matthieu Salvaing. By their selection, the authors invite the reader to follow in their footsteps at the heart of the various modernist experiences who crossed Lebanon as so many testimonies of an international and generous vision. Public commissions, such as the emblematic Tripoli International Fair built by Oscar Niemeyer or the Ministry of Defense of André Wogenscky, with private villas such as those created by Henri Edde, passing by the Interdesign building of Khalil Khoury, this work is the celebration of a history happy with Lebanon, rooted in modernity and open to the world. Text in English and French.

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A real mirror of 20th century creation, Chess Design presents an exceptional documentation on chess games made by artists, designers, architects, and craftsmen: chessboards themselves, but also artist's drawings, execution plans and photographs of archives. By presenting nearly 300 of these chessboards chronologically, the author offers a new perspective on the history of art and its evolution. Art Nouveau, Secession, Surrealism, Fluxus, Pop Art, most of the great movements that are born and follow one another in the Fine Arts find an echo with these chessboards and the 16 pieces that animate them. These chess games also reflect the evolution of techniques and materials used during this period: wood, glass, ceramics will give way, from the 1950s, to steel, plastic and composite materials. At the border between the plastic arts and the decorative arts, these chessboards are made by big names in the art scene, design or architecture – Alexandre Rodchenko, Jean-Michel Frank, Man Ray, Marcel Duchamp, Alexander Calder, or, more recently, Yoko Ono, Robert Filliou, Yayo Kusama, Victor Vasarely, Zaha Hadid, Frank Gehry or Damien Hirst – as by anonymous people. The synthesis offered by the author constitutes a valuable and innovative historian's work, supported by iconography that is both rich and mostly unpublished. Text in English and French.

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In line with the works on decorators of the 1940s, '50s, '60s, and '70s, this book plunges us into the world of '80s and '90s. These have witnessed unprecedented experiments in the world of design and architecture. Composed of a rich introduction which gives a synoptic vision and 38 monographs that describe its many faces, this book makes and exceptionally creative period intelligible, and reveals through an abundant iconography, often unpublished, its formidable aesthetic richness. A new generation of designers stands out; among them Shiro Kuramata, Philippe Starck, Ron Arad, Bob Wilson, Elizabeth Garouste and Mattia Bonetti. All regenerate creation by refusing the elitism of their predecessors and by favouring the use of new materials. Some turn to recovery, such as the Creative Salvage group, and offer inventive and provocative furniture thanks to welding and assembly. Others, gathered in Italy around Ettore Sottsass and Memphis, combine unexpected colours and patterns to the playful use of plastic laminate. Sliding until the end of the '90s, the achievements presented in this book mark the desire for a dialogue between artistic references with a new relationship to the industrial aspect, at the dawn of the 21st century and its technological innovations. Text in English and French.

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Nicolas Eekman (1889-1973) is the heir of the great creators of his native Flanders, from Jérôme Bosh to James Ensor, as well as one of the representatives of the School of Paris. Born in Brussels where he studied architecture, he turned to painting and exhibited for a few years in Holland before settling in Paris in 1921. Close to his compatriot Mondrian with whom he exhibited at the Jeanne Bucher gallery (1928), he is also closely linked to the artists Jean Lurçat, Marcoussis, Max Jacob, Lipchitz, and later with Moïse Kisling and Frans Masereel. Influenced by Cubism to which he devoted a few outstanding years, he gradually returned, in the 1930s, to realism and then from the 1950s turned to the fantastic, reviving the Flemish painting of the fifteenth and sixteenth century. Author of an abundant painted work, he is also a renowned draftsman, illustrator and engraver whose works have been collected by numerous print studios (Brussels, Hanover, Berlin, Hamburg, Basel, Budapest). Text in English and French.

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A census conducted in 1901 indicated the existence of some 209 producers of pottery in France, employing a total of around 5,800 full-time labourers. This great activity stimulated a parallel development in the arts, including the search for new expressions in art pottery, giving birth to l'art nouveau, a great and eclectic synthesis of a number of other art styles. Largely through British arts and crafts, and the work of artists like the Manxman Archibald Knox, it reached far back into the prehistory of Celtic art. To this were added later medieval elements, through the gothic revival championed by William Morris. The need for renewal, breaking away from the neo-Classical and academia, which was the realm of the upper-class culture, was largely theorised by John Ruskin, who searched elsewhere for inspiration. Thus did British art nouveau also partake of Chinese and Japanese styles, though never in so forceful a manner as did the French aesthetic. France, on the one side, looked back to the swirling and frivolous eighteenth century Rococo, primarily through the influence of the Goncourt brothers, Edmond and Jules, influential aesthetes of the mid-nineteenth century. The book focuses especially on artists working stoneware or gres, faience, and terracotta. It aims to provide a general survey of the many artists working in these areas, and includes brief accounts of the ceramics work of sculptors and painters whose wider output is already well known.

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From imperial Russia to the Rome of the 1960s, the work of architect, painter and scenographer André Beloborodoff (1886-1965) expresses his unique vision of the history of modernity. An enlightened Palladian, Beloborodoff designed palaces, châteaux and villas for Café Society patrons using modern construction techniques, such as reinforced concrete. The interior design of the Yusupov palace in Saint Petersburg, the Caulaincourt château in Picardy, and the Villa Pepoli for Maurice Sandoz in Rome - built at the same time as Le Corbusier's Cité radieuse - are witnesses to his timeless, stripped-down and refined classicism. He won the Prix de Rome in 1934, and subsequently spent many years living and working in Italy. Many of his architectural ideals are found in his metaphysical and surrealist paintings and watercolors, highly praised by Paul Valéry, Mario Praz, Henri de Régnier, and Jean-Louis Vaudoyer. His atmospheric vistas of sunken or vanished worlds recall the edifices that Beloborodoff, eternally rootless, was never able to build. Text in French.

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A key figure in the Art Deco movement, artist Jean Dunand (1877-1942) stands out for his multiple talents as a sculptor, goldsmith, copper maker, but also lacquerer, bookbinder and decorator. After having excelled in finishing hammer-mounted vases and brassware, he met Seizo Sugawara in 1912 who led him to become passionate about lacquer, which he made his signature on both his vases and his panels, furniture and bindings. At the head of an important workshop, he participated in the major international exhibitions of his time, in Paris in 1925, 1931 and 1937, in New York in 1939, and was regularly exhibited at the Georges Petit gallery and at the Salon des Artistes Décorateurs. His singularity and the quality of his creations lead him to become one of the most sought-after portrait painters, immortalising personalities in fashion and the arts such as Jeanne Lanvin, Louise Boulanger, Joséphine Baker as well as from the world of finance such as the Lazards, Carnegie or Louis-Dreyfus. Jean Dunand also worked on remarkable sets in France and the United States such as the music salons of Solomon R. Guggenheim, the apartments of Madame Agnès or Templeton Croker, as well as on the shipyards of the Atlantic and Normandy liners which will crown a rich career of more than two thousand works, presented in a repertoire at the end of the book. Text in French.

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Dominique Perrault is recognised as one of the outstanding architects of the 21st century. In 2015 he was awarded the prestigious Praemium Imperiale prize. The general public knows him as the architect of the BnF François Mitterrand. He has authored major projects around the world, such as the Ewha Womans University in Seoul, Velodrome in Berlin, the Court of Justice of the European Union in Luxembourg (2008), and the Albi Grand Theater. Recently, the DPA office was selected to create a new hippodrome for Longchamp and to transform the former central office of La Poste rue du Louvre, in Paris. In 2016, the public will discover his transformation of the Dufour Pavilion in the Château of Versailles where the new ticket office, restaurant, conference rooms and bookstore will be located. Metal mesh tapestries and light fixtures here will evoke the majesty of the "Grand Siècle" in a modern language of design. For over twenty years now, Gaëlle Lauriot-Prévost, in her role as architect-designer associate of Dominique Perrault's, has been designing the interiors for his architectural projects: seating, light fixtures, partitions composed of metal mesh, etc. The work of these two designers creates environments in which architecture and furniture blend together. The objects designed by Gaëlle Lauriot-Prévost are edited by manufacturers around the globe: Fontana Arte, DCW, Silvera, Poltrona Frau, Alessi, Baccarrat, Chevalier, Sawaya & Moroni, Galerie Kréo, FSB, etc. The book offers an analysis of the influences underpinning the design of these furniture pieces and light fixtures, enabling the reader to understand the reflection preceding behind conception. It also presents possible variations in the paths they are likely to take from one project to the next. For the first time, this work presents, thanks to over 600 illustrations - plans, models and photographs - the complete range of objects Gaëlle Lauriot-Prévost has created, some of which, such as the seats for the BnF, have already become emblematic. Text in English and French.

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"Building in Lebanon is my way of taking a position with regard to the war." This statement by the French-Lebanese architect Youssef Tohme is key to getting into and grasping Intensive Beirut. This illustrated essay blends reflections on the urban development of the Lebanese capital with the experience gained on the projects of this architect-contractor, engaged in the effort to reopen the debate on architecture in his country. In a place where every situation is never more than a temporary state, the analysis of space is fundamental. The first part of the book examines Youssef Tohme's ideas, illustrated with 25 photos by Ziad Antar, a Lebanese visual artist-photographer. Equipped with a Holga and a Rollefleix, Antar has captured the architect's key projects - St. Joseph University in Beirut (designed with the office of 109 architects), the Villa T and the Villa M in Kornet Chehouane, and the Villa SC in Akoura. The second part, authored by Karine Dana, facilitated exchanges of ideas between Youssef Tohme and important figures of the Lebanese cultural scene such as the architect Tony Chakar, the artist Ziad Abilama and the singer Ahmed de Maschrou. Text in English and French.

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Jean Fautrier (1989-1964) was a major 20th century artist. Trained at the Royal Academy of Arts and influenced by J.M.W. Turner, he was quickly noticed by the collector Jeanne Castel in 1923. At first, his style was figurative and played on contrasts of light. He expertly harnessed the essence of reality in order to transfigure it, redefining the genres of landscape painting, still lifes and nudes (especially in his series of dark works) during the inter-war period. A few years later, his approach underwent a radical shift and became much more abstract. He launched the “Informalist” art movement, playing with pictorial materials and combining different substances to create visions of an extraordinary material quality. Close to the great intellectual figures of his time, including Jean Paulhan, Paul Éluard, Francis Ponge, René Char and André Malraux, Fautrier never ceased producing remarkably powerful and politically resonant works, as is attested by his major series Otages (1943-1945), Objets (1947-1948) and Partisans (1956). In 1960, he was awarded the first prize for painting at the Venice Biennale. Boasting an exceptionally exhaustive iconography, this first ever comprehensive annotated catalogue of Jean Fautrier’s paintings includes the technique, origin, exhibitions and bibliography for each work. It is supplemented with a detailed biography, technical analyses and authoritative scientific texts, as well as transcriptions of interviews and radio broadcasts from Fautrier’s time. Text in English and French.

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El-Gazzar, born in 1925 in Alexandria, is a leading figure in modern Egyptian art of the 20th century. He enrolled in the Faculty of Fine Arts in Cairo in 1944 and then joined the Contemporary Art Group founded by Hussein Youssef Amin, his master. With an innovative and unique expressionist style, it portrays the people of Cairo in a folkloric way. Later, he tried his hand at abstraction by representing industrial machines and their effects on humans.Recognised during his lifetime, the production of El-Gazzar was exhibited in France from 1949, at the Venice Biennale in 1952 and at the São Paulo Museum in 1953. Today, his works are in private collections in Cairo, Alexandria, Rome, Paris and Brussels, but also in major institutions around the world, such as the Metropolitan Museum of Art in New York or the Mathaf: Arab Museum of Modern Art.This catalogue raisonné, published in English, comprises two volumes. The first is dedicated to the artist''s paintings and the seco

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Chosen for the 59th Venice Biennale, to represent contemporary creation at the Lebanese pavilion Ayman Baalbaki is a Lebanese artist born in Beirut in 1975. He first trained at the Institute of Fine Arts of the university Lebanese school in Beirut, then at the National School of Decorative Arts in Paris. Five years after his arrival in France, he received the silver medal in painting at the Francophone Games and then participated in several exhibitions worldwide. Lebanon, France, Great Britain, Argentina, Egypt and Niger are all countries that welcome the works of the artist. His productions of the last 10 years have been compiled through this unpublished work, published in French, English and Arabic. The authors endeavour to decipher his paintings and installations, crossed by societal issues specific to Lebanon: war, abortive revolt, political and financial bankruptcy, the tragedy of the port of Beirut or even pandemic. The artist paints anonymous portraits of his contemporaries, which have today become symbols of the Middle East. It represents the city, its buildings, erected, but also in ruins. His art is vibrant, dynamic and textured. Text in English, French and Arabic.

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The architect Paul Tissier (1886-1926) turned his short life into a multi-faceted artistic adventure. A student at the Beaux-Arts de Paris, where he founded the Association symphonique, he became president of the famous Quat'z'Arts ball. His talent as a watercolourist and draughtsman made him a witness to the ruins of the 1914-1918 war. Whether in the devastated regions or on the Côte d'Azur, he developed a unique catalogue of modular houses inspired by the region, combining traditional architecture with modern design. In 1923, Tissier was entrusted by the Société des grands hôtels de Nice with the organisation of exceptional festivities based on themes such as Russia, the Far East, Ancient Rome and Latin America, as well as underwater kingdoms and many other fantasies revolving around childhood, fashion and cubism. With his wife Gisèle, he was responsible for both the scenography and the staging: splendidly coloured painted canvases, extravagant costumes, spectacular dances, processions, naval jousts, fireworks and illuminations... A shooting star, Paul Tissier created almost 100 festivities across Europe in three years, before suddenly passing away. This first monograph draws on the 400 set elements and 2,000 graphic documents that survive in his archive, taking us to the heart of the excesses of the Roaring Twenties. Text in French.

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Award-winning chocolate artist Patrick Roger (Meilleur Ouvrier de France chocolatier 2000) has pursued a parallel body of longer-lasting work, creating sculptures in a variety of materials, including bronze, aluminium, silicone, marble, and concrete. He begins with chocolate as a base, working this malleable material quickly with techniques he has perfected over many years, before casting it. This book, the second volume of his sculpted works (Volume 1 was published in 2018), features 177 new creations that are described in detail and beautifully photographed. Further insight into Roger’s work is found in a notebook of contemporary inspirations and a reproduction of his personal sketchbook. Text in French.

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After training as a graphic designer in Hungary, the plastic artist Vera Székely (1919-1994), a member of the Székely-Borderie ceramicist collective, tackled work in clay, metal, wood and glass to reach her artistic fulfillment in textiles. From this point on, Vera Székely acknowledged “swimming and dancing in space to leave a trace in it” with her ephemeral installations of bent felt, her stretched canvas structures and “braced sails” that would be exhibited throughout the world, notably at the Biennale internationale de la tapisserie, Lausanne (1981) the Musée national d’art moderne, Centre Georges Pompidou (1982), the Musée d’art moderne de la ville de Paris (1985), the Lunds Konsthall, Sweden (1988). Text in English and French.

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Interior architect, designer, and founder of the agency RDAI, Rena Dumas (1937-2009) developed an architectural style that was subtle and meticulous, with which she marked her many creations for clients that included Hermès, Artémis, Christie's, John Lobb and Yves Saint Laurent. Her sensitive approach to space, along with her love for natural light, are evident in the Maison Hermès Ginza in Tokyo, designed in collaboration with the architect Renzo Piano, as well as in all Hermès's maisons and stores around the world since the 1980s. Her studies of materials and colours nourished her passion for design, from tableware to 'Pippa', her timeless collection of nomadic furniture. This detailed monograph, including over 400 documents, photographs, plans and drawings, traces her 55 years of creating, reflecting a talent that transcended fashion.

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"Abandoned, forgotten form is reborn in the arms of an all-embracing nature, an envelope within which the origin of the human being, of a society gives us a sensibility, a presence of a fertility." - Vincent Dubourg A graduate of the École nationale supérieure des Arts Décoratifs in Paris, Vincent Dubourg is a designer and a plastic artist. In 2004, he caught the eye of Julien Lombrail, founder of the Carpenters Workshop Gallery, where he has been exhibiting since 2006. Present at major salons and shows - the Pavillon des Arts et du Design, Paris; Design Miami Basel - he has received many public commissions from institutions such as Galeries Lafayette, Swarovski, Vienna, the musée de la chasse et de la nature, Paris, and the Sketch restaurant in London, among others. Vincent says that he feeds himself on the capitals like Paris and New York, which he regularly visits, and digests them in his isolated studio in the Creuse department in France. There, he questions contemporary furniture through the prism of nature and the five elements, like a perfect control of metal. With him, buffet, table and chairs become hallucinatory objects shifting between sculpture and functional furniture. A major exhibit will be devoted to him at the Carpenters Workshop Gallery in New York in late 2017. Solo Show, Carpenters Workshop Gallery, New York, November 2017.

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Encuadernación: RústicaColección: Shonen mangaEl gremio de magos Fairy Tail es el más temido de todo el reino. Allí conviven los magos más duros, los más atrevidos... y los más destructivos.Lucy es una chica que quiere ingresar en Fairy Tail , para poder desarrollar sus poderes mágicos y cumplir los encargos que le puedan salir desde el gremio. Es así como conoce a Natsu , un Dragon Slayer, mago que utiliza la magia de los dragones, y que le permite convertir en fuego cualquier parte de su cuerpo. Junto al resto de sus compañeros, se enfrentarán a los encargos más temibles y duros que les puedan llegar, incluso contra otros gremios que ansían el poder de Fairy Tail .- Esta gran serie manga ha dado ya el salto al anime en TV.Premios: Premio Kdansha al mejor Shonen en 2009 .

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La nueva saga de Rave no ha hecho más que empezar! El viaje de Haru, Plue y sus amigos a Symphonia está plagado de muchos más peligros de los que imaginaban.Atrapados en el corazón de una tormenta,sólo el poder del Rave los podrá llevar a buen puerto. Además, Elie empieza a tener el presentimiento de que en Symphonia le espera la resolución de muchos de sus secretos... y el demonio de cabellos dorados.

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Editada en riguroso orden cronológico,la colección LOS ARCHIVOS DE THE SPIRIT recoge laque es una de las obras maestras de una leyenda del noveno arte:Will Eisner ,que presenta su propia visión de lo que tiene que ser el arte secuencial en una serie llena deexperimentación.

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ATERRIZARON HACE DIEZ AÑOS. POR TODO EL MUNDO. Y NO HICIERON NADA. Erguidos sobre la superficie de la tierra como árboles. Ejerciendo una presión silenciosa en el mundo, como si nadie viviera aquí. Hace diez años que descubrimos que hay otra forma d

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LOS TRONQUIMONSTRUOS REVOLUCIONAN ELMORE! Gumball y Darwin por fin pueden jugar al videojuego más popular del colegio, pero no consiguen ganar ni una partida! Por suerte, un tipo raro del cole conoce un truco secreto para ayudarles, pero será una bue

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