Search results for ""Mousse Publishing""

For me it is all about communicating the mystery of religious faith with a feeling. We cannot explain it and that's the beauty of believing.Alexander TovborgThe publication Alexander Tovborg: The Church. Photographed by Mishael Fapohunda, edited and designed by Åbäke, follows the artist's eponymous exhibition at Kunsthal Charlottenborg, Copenhagen (2023), in which Tovborg investigated the mysteries and paradoxes of faith, as well as the power of images. Through the photographs taken by visual artist Mishael Fapohunda, the immersive and sacred atmosphere of the space, architecturally shaped on the model of a church according to Tovborg's own interpretation of Christian iconography, is vividly captured. The book includes a conversation between the artist and curator and writer Francesca Astesani, delving into the themes of spirituality, iconography, and tracing how the sacred has always played a central role in Tovborg's practice and life.

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Published to accompany an exhibition at the Nouveau Musée National de Monaco, this volume, which gathers scientific contributions from leading researchers, art historians, along with in situ installation views, pays tribute to the greatest set designer of the modern era. Viewing theater as a total artwork in which choreography, music, costumes and sets were of equal importance, Léon Bakst worked closely with artists such as Serge Diaghilev, Vaslav Nijinsky, Jean Cocteau, Isadora Duncan, Ida Rubinstein and Igor Stravinsky, transforming the perception of the ballet. Designing Dreams: A Celebration of Léon Bakst highlights Bakst's finest achievements in stage design, while also revealing his decisive influence in the field of textile design. Conceived especially by Nick Mauss, in parallel to the exhibition design, Designing Dreams presents in detail Bakst's drawings, costume and textile designs, previously unpublished writings on ornament and fashion, new scholarship on Bakst's sources an

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Falling In: Movement and Becoming in Curatorial Research, edited by Dahlia El Broul, Ksenia Kaverina, and Jussi Koitela, brings together curators from diverse locations to explore and discuss their research-related methodologies, motivations, and aims. The essays delve into the multifaceted nature of their work, addressing its performative, educational, historical, affective, bodily, activist, and communal dimensions, and highlighting how much of the research takes place beyond traditional academic circles and doesn't necessarily seek validation from institutions. Published within the context of the Frame Curatorial Research Fellowshipa four-year initiative for contemporary art curators aimed at exploring novel research approaches that challenge conventional curatorial and institutional practicesFalling In features contributions from Ama Josephine Budge, Diana Campbell, Sonia D'Alto, Léuli Eshraghi, Satu Herrala and Eva Neklyaeva, Anaïs Lepage, Miguel A. López, Nikolay Smirnov, and TOK

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Grand Illusion is a photographic series of screenshots from Google Cultural Institute's Museum View of Baroque European palacesobjects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible. While the monarchies and empires of the past used beauty as an expression of their authority, technology, in its mediation of the world, often operates without an aesthetic agenda. Throughout this series, the covert power of technology makes itself visible only through accidents such as glitches, a glimpse of the machine in the mirror, the AI blurring the faces of statuary.

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