Search results for ""Library of America""

“A Meteor of Intelligent Substance” “Something was Missing in our Culture, and Here It Is” Liberties – A Journal of Culture and Politics features new essays and poetry from some of the world's best writers and artists to inspire and impact the intellectual and creative lifeblood of our current culture and today's politics. This summer issue of Liberties includes: Elliot Ackerman on Veterans Are Not Victims; Durs Grünbein on Fascism and the Writer; R.B. Kitaj’s Three Tales; Thomas Chatterton Williams on The Blessings of Assimilation; Anita Shapira on The Fall of Israel’s House of Labor; Sally Satel on Woke Medicine; Matthew Stephenson On Corruption’s Honey and Poison; Helen Vender on Wallace Stevens; David Haziza on Illusions of Immunity; Paul Berman on the Library of America; Clara Collier’s nostalgia for strong women in film; Michael Kimmage on American Inquisitions; Leon Wieseltier (editor) on the high price of Stoicism; Celeste Marcus (managing editor) on a Native American Tragedy; and new poetry from Adam Zagajewski, A.E. Stallings, and Peg Boyers.

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“The only Washington biography you need. . . . As a brief account of Washington’s life, it is unlikely to be surpassed for many years.”—Fergus M. Bordewich, Wall Street Journal"A masterpiece, a concise, fluidly written and well-grounded biography. Rhodehamel . . . has executed an accurate and revealing portrait of a man who, more than any other, made possible the creation and subsequent success of the United States."—Steve Forbes, Forbes magazine As editor of the award-winning Library of America collection of George Washington’s writings and a curator of the great man’s original papers, John Rhodehamel has established himself as an authority of our nation’s preeminent founding father. In this “crisply written, admirably concise, and never superficial” biography (Fergus M. Bordewich, Wall Street Journal) Rhodehamel examines George Washington as a public figure, arguing that the man—who first achieved fame in his early twenties—is inextricably bound to his mythic status. Solidly grounded in Washington’s papers and exemplary in its brevity, this approachable biography is a superb introduction to the leader whose name has become synonymous with America.

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Samuel Menashe’s poetry has a mysterious simplicity, a spiritual intensity and a lingering emotional force. For over 50 years he practised his art of ‘compression and crystallisation’ (in Derek Mahon’s phrase) in poems that are brief in form but profound in their engagement with ultimate questions. As Stephen Spender wrote, Menashe ‘compresses thought into language intense and clear as diamonds’. Intensely musical and rigorously constructed, Menashe’s work stands apart in its solitary meditative power, but it is equally a poetry of the everyday. The humblest of objects, the minutest of natural forms, here become powerfully suggestive, and even the shortest of the poems are spacious in the perspectives they open. Expanded from its original Library of America compilation, this edition covers the full range of his work, from the early collections to very recent work, and includes a DVD of Life Is Immense: Visiting Samuel Menashe, a film by Pamela Robertson-Pearce. This features a visit to Menashe in the tiny apartment in New York’s Greenwich Village where he lived from the 1950s until 2009. Even in his 80s, Menashe still knew all his poems by heart, and between engaging digressions on poetry, life and death, recites numerous examples with engaging humour, warmth and zest.

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As Holderlin was to Martin Heidegger and Mallarme to Jacques Derrida, so is H.P. Lovecraft to the Speculative Realist philosophers. Lovecraft was one of the brightest stars of the horror and science fiction magazines, but died in poverty and relative obscurity in the 1930s. In 2005 he was finally elevated from pulp status to the classical literary canon with the release of a Library of America volume dedicated to his work. The impact of Lovecraft on philosophy has been building for more than a decade. Initially championed by shadowy guru Nick Land at Warwick during the 1990s, he was later discovered to be an object of private fascination for all four original members of the twenty-first century Speculative Realist movement. In this book, Graham Harman extracts the basic philosophical concepts underlying the work of Lovecraft, yielding a weird realism capable of freeing continental philosophy from its current soul-crushing impasse. Abandoning pious references by Heidegger to Holderlin and the Greeks, Harman develops a new philosophical mythology centered in such Lovecraftian figures as Cthulhu, Wilbur Whately, and the rat-like monstrosity Brown Jenkin. The Miskatonic River replaces the Rhine and the Ister, while Holderlin's Caucasus gives way to Lovecraft's Antarctic mountains of madness.

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Shows that the writings of Paul Bowles, who is often seen as a literary renegade, owe much to the antinomian American tradition of Emerson and his literary descendants. Paul Bowles has often been considered a cult writer, a literary renegade: he lived more than fifty years as an expatriate in Morocco, and according to Norman Mailer, his works "let in the murder, the drugs, the incest . . . the call of the orgy, the end of civilization." In recent decades Bowles has found greater acceptance as a serious writer, as evidenced by the two-volume, 2,000-page Library of America edition of his works published in 2002. Still, he has rarely if ever been seen as having written in the antinomian tradition of Emerson and his literary descendants. The present book makes the case for doing so by demonstrating basic Emersonian attitudes and objectives in Bowles' life and works, especially in his focus on human consciousness and perception and on the need for the individual to escape from the trammels of social and cultural conditioning. Bowles' intellectual pursuits seem to have developed at first from his own spontaneous attitudes, which were then reinforced by his conservative and individualistic New England background on both sides of his family and deepened by a serious study of anthropology, Emersonian transcendentalism, and related "Oriental" thought such as the theosophy of Krishnamurti. Despite his half century in Tangier, Bowles is a writer who is thoroughly "in the American grain."

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Dawn Powell was a gifted satirist who moved in the same circles as Dorothy Parker, Ernest Hemingway, renowned editor Maxwell Perkins, and other midcentury New York luminaries. Her many novels are typically divided into two groups: those dealing with her native Ohio and those set in New York. “From the moment she left behind her harsh upbringing in Mount Gilead, Ohio, and arrived in Manhattan, in 1918, she dove into city life with an outlander’s anthropological zeal,” reads a recent New Yorker piece about Powell, and it is those New York novels that built her reputation for scouring wit and social observation. In this critical biography and study of the New York novels, Patricia Palermo reminds us how Powell earned a place in the national literary establishment and East Coast social scene. Though Powell’s prolific output has been out of print for most of the past few decades, a revival is under way: the Library of America, touting her as a “rediscovered American comic genius,” released her collected novels, and in 2015 she was posthumously inducted into the New York State Writer’s Hall of Fame. Engaging and erudite, The Message of the City fills a major gap in in the story of a long-overlooked literary great. Palermo places Powell in cultural and historical context and, drawing on her diaries, reveals the real-life inspirations for some of her most delicious satire.

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The first book dedicated to the career of the preeminent American architect, Henry N. Cobb. As a builder, teacher, and mentor, Henry N. Cobb has been one of the most eloquent voices in architecture for well over half a century. A founding partner of Pei Cobb Freed & Partners, where he has worked actively and continuously since its inception in 1955, his practice encompasses a wide variety of building types, with projects across the world that resound in the public imagination. Cobb's sensitivity to place and use generate surprising and unparalleled forms in educational and civic buildings - such as the Portland Museum of Art in Maine, the Anderson School of Management at UCLA, the John Joseph Moakley U.S. Courthouse in Boston, and Palazzo Lombardia in Milan - or in corporate and commercial projects, such as the John Hancock Tower in Boston, Fountain Place Tower in Dallas, Tour EDF at La Défense in Paris, and Four Seasons Hotel and Residences at One Dalton, now under construction in Boston. Henry N. Cobb: Words & Works 1948-2018 is his first book, uniquely combining poetic analyses of his distinguished works with essays and lectures that cover topics about architecture's past, present, and future. His voice is complemented by interviews and discussions with Michael Graves, Robert A.M. Stern, Hal Foster, Charles Gwathmey, Paolo Conrad Bercah, Cynthia Davidson, Peter Eisenman, Mark Pasnik, and John Hejduk. Handsomely designed by OverUnder, this book is packaged in a portable size evocative of the Library of America series. A longtime educator--and chair of the Harvard Graduate School of Design from 1980 to 1985 - Cobb takes up his extensive subject matter in a thoughtful and engaging manner. To anyone interested in the development of American architecture in its transition from modernism to postmodernism and into the era of high-tech starchitecture, there are a number of treasures here to discover. Henry N. Cobb is a landmark survey - in words and works - of one of the great architects of our time.

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This book gathers a stellar list of contributors to help readers understand linked data concepts by examining practice and projects based in libraries, archives, and museums.Linked open data remains very much a work in progress, and much of the progress has taken place within the domain of the cultural heritage institutions: libraries, archives, and museums.There is no question that the structure of linked data, and the machine inferencing it supports, shows great promise for discoverability. What will be the 'killer app' that breaks linked open data out to the wider world and accelerates its uptake? Perhaps it will be a project described in this volume.Content covered includes:a very simple description of linked data, summing up its promises and challenges a survey of the use of linked data in significant projects across the cultural heritage domain, including Europeana and the Digital Public Library of America (DPLA) practical discussion of migrating a catalogue from a MARC environment to one of linked data and the possibilities that open up in terms of the broader scholarly community reviewing and reimagining library thesauri, metadata schemas, and information discovery, to look at how controlled vocabularies integrate library practice with linked data an examination of the role of authority control, identifiers and vocabularies, including use of the Web Ontology Language (OWL) and the SPARQL query language Carol Jean Godby describes OCLC's experiments with Schema.org as the foundation for a model of library resource description expressed as linked data the development of the Bibliographic Framework Initiative (BIBFRAME) data model and a description of the fundamental differences between MARC and BIBFRAME. Readership: This survey of the cultural heritage linked data landscape will be a key resource for metadata practitioners and researchers within all cultural heritage contexts and all students and academics within the information science and digital humanities fields.

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Millions of readers of Little House on the Prairie believe they know Laura Ingalls - the pioneer girl who survived blizzards and near-starvation on the Great Plains where 'as far as a man could go to the north in a day, or a week, or a whole month, there was nothing but woods. There were no houses'. Her books are beloved around the world. But the true story of her life has never been fully told. The Little House books were not only fictionalized but brilliantly edited, a profound act of myth-making and self-transformation. Now, drawing on unpublished manuscripts, letters, diaries, and land and financial records, Caroline Fraser, the editor of the Library of America edition of the Little House series, masterfully fills in the gaps in Wilder's biography, setting the record straight regarding charges of ghostwriting that have swirled around the books and uncovering the grown-up story behind the most influential childhood epic of pioneer life. Set against nearly a century of epochal change, from the Homestead Act and the Indian Wars to the Dust Bowl and the Great Depression, Wilder's dramatic life provides a unique perspective on American history and our national mythology of self-reliance. Settling on the frontier amidst land-rush speculation, Wilder's family encountered Biblical tribulations of locusts and drought, fire and ruin. Deep in debt after a series of personal tragedies, including the loss of a child and her husband's stroke, Wilder uprooted herself again, crisscrossing the country and turning to menial work to support her family. In middle age, she began writing a farm advice column, prodded by her self-taught journalist daughter. And at the age of sixty, after losing nearly everything in the Depression, she turned to children's books, recasting her hardscrabble childhood as a triumphal vision of homesteading - and achieving fame and fortune in the process, in one of the most astonishing rags-to-riches stories in American letters. Offering fresh insight and new discoveries about Wilder's life and times, Prairie Fires reveals the complex woman who defined the American pioneer character, and whose artful blend of fact and fiction grips us to this day.

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