Search results for ""City Lights Books""

While much has been written about the sociological significance of the blues, this is a unique inquiry into the blues and the mind, a study of the blues as thought. Here, the subconscious power of the blues is examined from a poetic and psychological perspective, illuminating the blues' deepest creative sources and exploring its far-reaching influence and appeal. Like Surrealist poetry in particular, blues communicate through highly charged symbols of aggression and desire--eros, crime, magic, night, and drugs, among others. A close analysis of classic blues lyrics, along with a wealth of source material from Freud and James Frazer, to Breton and Marcuse, conveys the blues' major poetic function of spiritual revolt against repression. First published in 1975, Blues and the Poetic Spirit is a blues literature classic. This long-awaited new edition assesses developments in the blues since that time and outlines the social and political forces that continue to shape its evolution. "Paul Garon's study of the blues represents a new and important approach to the analysis of the blues as a psychopoetic phenomenon...this work is an important starting place for researchers who want to investigate the essence of the blues. "-Samuel Floyd "Absolutely the best book on the blues."-Robin D.G. Kelley Paul Garon has written about the blues for nearly fifty years. A co-founder of Living Blues, he is also the author of The Devil's Son-in-Law: The Story of Peetie Wheatstraw and His Songs, Blues and the Poetic Spirit and What's the Use of Walking if a Freight Train's Going Your Way, as well as a small collection of prose poems, Rana Mozelle. He and his wife, co-author Beth Garon, own and operate Beasley Books, a used and rare book business in Chicago.

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Here are all of Ferlinghetti's poems set in the city he has lived in for over half a century. He brings alive, with wit and lyricism, scenes of city life: a Giants baseball game, the Green Street Marching Mortuary Band, bohemian North Beach, Golden Gate Park, yachts on the Bay, and more. Also included are historic photographs, scattered prose pieces, and the text of his mischievous inaugural address with his vision of the city's history as a poetic center and suggestions for keeping it that way. Lawrence Ferlinghetti is a bookman, painter and author of poetry, fiction, essays and plays. His most recent books are How to Paint Sunlight (poetry) and Love in the Days of Rage (fiction).

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One of The Millions Most Anticipated Books for Spring!Featured in Alta Magazine''s New Books for May!Short stories from 25 emerging and established writers of Middle Eastern and North African origins, a unique collection of voices and viewpoints that illuminate life in the global Arab/Muslim world."Provocative and subtle, nuanced and surprising, these stories demonstrate how this complicated and rich region might best be approached—through the power of literature."—Viet Thanh Nguyen, author of The CommittedStories from the Center of the World gathers new writing from the greater Middle East (or SWANA), a vast region that stretches from Southwest Asia, through the Middle East and Turkey, and across Northern Africa. The 25 authors included here come from a wide range of cultures and countries, including Palestine, Syria, Pakistan, Iran, Lebanon, Egypt, and Morocco, t

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A monumental event in American poetry, Get the Money! brings together the essential prose writings of iconic New York School poet Ted Berrigan.“Ted Berrigan was a leader of the New York School; his crazy energy embodied that movement and the city itself.”—John Ashbery, author of Self-Portrait in a Convex Mirror“Get the Money!” was Ted Berrigan’s mantra for the paid writing gigs he took on in support of his career as a poet. This long-awaited collection of his essential prose draws upon the many essays, reviews, introductions, and other texts he produced for hire, as well as material from his journals, travelogues, and assorted, unclassifiable creative texts. Get the Money! documents Berrigan’s innovative poetics and techniques, as well as the creative milieu of poets—centered around New York’s Poetry Project—for whom he served as both nurturer and catalyst. Highlights include his journals from the ’60s, depicting his early poetic discoveries and bohemian activities in New York; the previously unpublished “Some Notes About ‘C,’” an account of his mimeo magazine that serves as a de facto memoir of the early days of the second-generation New York School; a moving and prescient obituary, “Frank O’Hara Dead at 40”; book “reviews” consisting of poems entirely collaged from lines in the book; art reviews of friends and collaborators like Joe Brainard, George Schneeman, and Jane Freilicher; and his notorious “Interviews” with John Cage and John Ashbery, both of which were completely fabricated. Get the Money! provides a view into the development of Berrigan’s aesthetics in real time, as he captures the heady excitement of the era and champions the poets and artists he loves.Praise for Get the Money!:"Get the Money! captures the esprit de corps of the particular community close to Ted’s door on St Mark’s Place. This book of prose with its nimble lift, tinged with intimacy, wit, and perception is a welcome addition to the second generation NY School canon. Ted often went hungry but could make a few dollars with the short reviews. One walks the rounds with Ted on his 'beat': Love, poetry, gossip, art. Telling it like it is. Strolling into artist studios, galleries, poets’ modest digs, and into our hearts."—Anne Waldman, author of Trickster Feminism"Ted was my mentor, my teacher of America and its poetry, and I often quote him. He was an oral genius and I have regretted not writing down everything he said to me. Now I have this collection of journals, critical writing on art, aphorisms, and correspondence. It makes for a grand portrait of the poet who charmed my whole generation. Ted Berrigan is alive in this book in ways that no one could guess."—Andrei Codrescu, author of Too Late for Nightmares"It’s always a significant occasion when we have an edition of a poets prose. Get the Money! offers us an important window into Ted Berrigan’s laboratory, his no bullshit attitude, his class awareness, his gorgeous sentimentality, and his disarming anarchic humor. This book is what anyone could hope it would be: funny, tender, brilliant, intimate, original, alive."—Peter Gizzi, author of Now It's Dark"Ted Berrigan's voice has always been instantly familiar to me so Get the Money! feels less like a reading experience and more like taking a long walk with my favorite poet, then buying him a drink someplace and letting him talk. The pieces collected here offer a superhuman range of formal invention. … Berrigan's prose is often loose and lyrical, hovering somewhere between blogging, letter writing, texting, and transcription. His deadpan bravura and sudden dismissiveness are consistently hilarious. Decades after his death Berrigan remains way ahead of his time. I think Robert Creeley said it best, 'The Bell rings / Ted is ready'."—Cedar Sigo, author of All This Time

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Twenty Dollars and Change places Harriet Tubman’s life and legacy in a long tradition of resistance, illuminating the ongoing struggle to realize a democracy in which her emancipatory vision prevails.America is in the throes of a historic reckoning with racism, with the battle for control over official narratives at ground zero. Across the country, politicians, city councils, and school boards are engaged in a highly polarized debate about whose accomplishments should be recognized, and whose point of view should be included in the telling of America’s history.In Twenty Dollars and Change, political scientist Clarence Lusane, author of the acclaimed The Black History of the White House, writes from a basic premise: Racist historical narratives and pervasive social inequities are inextricably linked—changing one can transform the other. Taking up the debate over the future of the twenty-dollar bill, Lusane uses the question of Harriet Tubman vs. Andrew Jackson as a lens through which to view the current state of our nation's ongoing reckoning with the legacies of slavery and foundational white supremacy. He places the struggle to confront unjust social conditions in direct connection with the push to transform our public symbols, making it plain that any choice of whose life deserves to be remembered and honored is a direct reflection of whose basic rights are deemed worthy of protection, and whose are not."Engaging and insightful, Twenty Dollars and Change illuminates the grassroots effort to have our national currency reflect the diversity of America and all of its citizens—those ordinary and extraordinary people who have stood up and demanded freedom, equality and justice. A must read!"—Kate Clifford Larson, author of Bound for the Promised Land: Harriet Tubman, Portrait of an American Hero

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The hidden history of a vulnerable gay man whose life and death were turned into tabloid fodder.In the early 1990s, eight people living in a small conservative Florida town alleged that Dr. David Acer, their dentist, infected them with HIV. David's gayness, along with his sickly appearance from his own AIDS-related illness, made him the perfect scapegoat and victim of mob mentality. In these early years of the AIDS epidemic, when transmission was little understood, and homophobia rampant, people like David were villainized. Accuser Kimberly Bergalis landed a People magazine cover story, while others went on talk shows and made front page news.With a poet's eulogistic and psychological intensity, Steven Reigns recovers the life and death of this man who also stands in for so many lives destroyed not only by HIV, but a diseased society that used stigma against the most vulnerable. It's impossible not to make connections between this story and how the twenty-first century pandemic has also been defined by medical misinformation and cultural bias.Inspired by years of investigative research into the lives of David and those who denounced him, Reigns has stitched together a hauntingly poetic narrative that retraces an American history, questioning the fervor of his accusers, and recuperating a gay life previously shrouded in secrecy and shame."Much too long, suffering has been part of our collective queer legacy. We weather the storm of insult to character and seemingly irreconcilable injustice in tandem with the hope that the arc of time will bend towards justice; our time is now. A Quilt for David is a posthumous journal of vindication."—Brontez Purnell, author of 100 Boyfriends"A stunning homage to people with AIDS."—Sarah Schulman, author of Let the Record Show: A Political History of ACT UP New York, 1987-1993"I found this an incredibly moving book. Reigns deals in hard truths, revisioning one man's life and death, and our collective queer history."—Justin Torres, author of We the Animals"A Quilt for David is amazing and so powerful, filled with anger and frustration . . . It's an unforgettable book."—Marie Cloutier, Greenlight Bookstore, Brooklyn, NY"Told in short, occasionally haiku-like entries, Reigns has done what literature should: put the reader into the mind, the suffering, of another human being."—Andrew Holleran, author of Chronicle of a Plague, Revisited"Steven Reigns lifts David Acer thirty years after his death to show the naked cost of violent, unexamined public opinion around the catastrophe of AIDS. This poetry masterfully documents the tangle of hatred and lies haunting a generation of survivors. I am often grateful for what poems give to me, most especially the ones in this book."—CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration"This writing is energetic, alive, and uncensored. Through poetry and prose we glean a deep understanding of a life misunderstood and mischaracterized. Reigns goes to the mat to find out what really happened, and with his expert pacing we're right there with him."—Natalie Goldberg, author of Writing Down the Bones"One of the most important roles a poet can assume is that of emotional historian. Reigns certainly understands that notion in this necessary and genre-bending book."—Richard Blanco, 2013 Presidential Inaugural Poet, author of How to Love a Country

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A NEW YORKER & GLOBE AND MAIL BEST BOOK OF THE YEARA love letter to the verbal artistry of hip-hop, What's Good is a work of passionate lyrical analysis"What's Good is, among a great many other things, a byproduct of joyful obsession and immersion into both language and sound, an intersection that offers a rich and expansive land upon which to play." —Hanif Abdurraqib, author of A Little Devil in America: Notes in Praise of Black Performance " . . . an often hilarious, surprisingly moving and always joyful paean to rap’s relationship to words."—Jayson Greene, The New York Times"Rap, he is not afraid to say, is as close to a universal tongue as we have."—Adam Gopnik, The New YorkerWhat's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies.Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What's Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between."For those of us who love rap, What's Good is a gift. The book offers a new set of eyes and ears through which to see and to hear the language of rap. Its brief and brilliant chapters are like the best kinds of freestyles: spontaneous and structured, startling and profound. A remarkable achievement." —Adam Bradley, author of Book of Rhymes: The Poetics of Hip Hop"Could this be the rap equivalent of Lewis Hyde's The Gift or Marina Warner's Once Upon A Time? Anyhow, it's an electrifying book, full of wild epiphanies and provocations, an exhibition of a critical mind in full and open contact with their subject at the highest level, with a winning streak of confessional intimacy as well." —Jonathan Lethem, author of The Arrest: A Novel "What's Good is a feat of critical precision and personal obsession: Daniel Levin Becker's deep appreciation for rap is rangy and illuminating, and his delight in language is infectious. What a thrill to swing so gracefully from Lil Wayne to Mary Ruefle to the lyrical evolution of 'tilapia'; pure pleasure. A generous, joyful exegesis."—Anna Wiener, author of Uncanny Valley: A Memoir

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Investigating the essential role that the postal system plays in American democracy and how the corporate sector has attempted to destroy it."With First Class: The U.S. Postal Service, Democracy, and the Corporate Threat, Christopher Shaw makes a brilliant case for polishing the USPS up and letting it shine in the 21st century."—John Nichols, national affairs correspondent for The Nation and author of Coronavirus Criminals and Pandemic Profiteers: Accountability for Those Who Caused the Crisis"First Class is essential reading for all postal workers and for our allies who seek to defend and strengthen our public Postal Service."—Mark Dimondstein, President, American Postal Workers Union, AFL-CIOThe fight over the future of the U.S. Postal Service is on. For years, corporate interests and political ideologues have pushed to remake the USPS, turning it from a public institution into a private business—and now, with mail-in voting playing a key role in local, state, and federal elections, the attacks have escalated. Leadership at the USPS has been handed over to special interests whose plan for the future includes higher postage costs, slower delivery times, and fewer post offices, policies that will inevitably weaken this invaluable public service and source of employment.Despite the general shift to digital communication, the vast majority of the American people—and small businesses—still rely heavily on the U.S. postal system, and many are rallying to defend it. First Class brings readers to the front lines of the struggle, explaining the various forces at work for and against a strong postal system, and presenting reasonable ideas for strengthening and expanding its capacity, services, and workforce. Emphasizing the essential role the USPS has played ever since Benjamin Franklin served as our first Postmaster General, author Christopher Shaw warns of the consequences for the country—and for our democracy—if we don’t win this fight.Praise for First Class:"Piece by piece, an essential national infrastructure is being dismantled without our consent. Shaw makes an eloquent case for why the post office is worth saving and why, for the sake of American democracy, it must be saved."—Steve Hutkins, founder/editor of Save the Post Office and Professor of English at New York University"The USPS is essential for a democratic American society; thank goodness we have this new book from Christopher W. Shaw explaining why."—Danny Caine, author of Save the USPS and owner of the Raven Book Store, Lawrence, KS"Shaw's excellent analysis of the Postal Service and its vital role in American Democracy couldn't be more timely. … First Class should serve as a clarion call for Americans to halt the dismantling and to, instead, preserve and enhance the institution that can bind the nation together."—Ruth Y. Goldway, Retired Chair and Commissioner, U.S. Postal Regulatory Commission, responsible for the Forever Stamps"In a time of community fracture and corporate predation, Shaw argues, a first-class post office of the future can bring communities together and offer exploitation-free banking and other services."—Robert Weissman, president of Public Citizen

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A clear and urgent call for the national, social, and individual changes required to prevent catastrophic climate change.“An iconoclast of the best kind, Stan Cox has an all-too-rare commitment to following arguments wherever they lead, however politically dangerous that turns out to be.”—Naomi Klein, author of On Fire: The (Burning) Case for the New Green Deal"Moving to zero net carbon emissions, and fast, is the point of Stan Cox’s important new study, The Green New Deal and Beyond. Cox advocates on behalf of the GND as one step of several we need to take to stabilize the planet."—Noam Chomsky, from the book's forewordThe prospect of a Green New Deal is providing millions of people with a sense of hope, but scientists warn there is little time left to take the actions needed. We are at a critical point, and while the Green New Deal will be a step in the right direction, we need to do more—right now—to avoid catastrophe. In The Green New Deal and Beyond, author and plant scientist Stan Cox explains why we must abolish the use of fossil fuels as soon as possible, and how it can be done. He addresses a host of glaring issues not mentioned in the GND and guides us through visionary, achievable ideas for working toward a solution to the deepening crisis. It’s up to each of us, Cox writes, to play key roles in catalyzing the necessary transformation."A strictly science-based plan for effectively addressing the dire realities of climate change. . . . Convincing, painful, and a long shot—but better than the alternative."—Kirkus Reviews "His is a warning well worth heeding."—Raj Patel, co-author of A History of the World in Seven Cheap Things: A Guide to Capitalism, Nature, and the Future of the Planet"In The Green New Deal and Beyond, Stan Cox presents a smart, sane, and plausibly optimistic alternative to abandoning all hope."—David Owen, author of Volume Control: Hearing in a Deafening World "The teachings of Indigenous Peoples are still here, and it's up to the present generation to muster the courage and resources to follow those instructions. Stan Cox reminds us of this historic dialogue and development of the Green New Deal, and helps us find the path back to those instructions."—Winona LaDuke (Anishinaabe), author of All Our Relations: Native Struggles for Land and Life and LaDuke Chronicles"Stan Cox suggests remedies that should ignite lively discussion and intense debate, which is sorely needed. A must-read for those who care about our shared planetary future."—Mary Evelyn Tucker, Yale School of Forestry and Environmental Studies, co-author, Journey of the Universe"An invaluable contribution to what must become an unprecedented international revolution."—Will Potter, author of Green Is the New Red: An Insider’s Account of a Social Movement Under Siege"Cox argues that this is not idealism, but necessity. By 2030 or 2040, if our aims and policies turn out to have been insufficient, as he points out, it will have been too late."—Natalie Suzelis, Uneven Earth"In this important and readable book, Stan Cox moves the Overton window away from false hope and toward a more realistic path for avoiding climate catastrophe."—Dr. Peter Kalmus, NASA climate scientist and author of Being the Change

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A powerful critique of how manipulation of media gives rise to disinformation, intolerance, and divisiveness, and what can be done to change direction."Mickey Huff and Nolan Higdon emphasize what we can do today to restore the power of facts, truth, and fair, inclusive journalism as tools for people to keep political and corporate power subordinate to the engaged citizenry and the common good."—Ralph NaderThe role of news media in a free society is to investigate, inform, and provide a crucial check on political power. But does it?It's no secret that the goal of corporate-owned media is to increase the profits of the few, not to empower the many. As a result, people are increasingly immersed in an information system structured to reinforce their social biases and market to their buying preferences. Journalism’s essential role has been drastically compromised, and Donald Trump’s repeated claims of "fake news" and framing of the media as “an enemy of the people” have made a bad scenario worse.Written in the spirit of resistance and hope, United States of Distraction offers a clear, concise appraisal of our current situation, and presents readers with action items for how to improve it. Praise for United States of Distraction:"A war of distraction is underway, media is the weapon, and our minds are the battlefield. Higdon and Huff have written a brilliant book of how we’ve gotten to this point, and how to educate ourselves to fight back and win."—Henry A. Giroux, author of American Nightmare: Facing the Challenge of Fascism"A timely and urgent demand re-asserting the central importance of civic pursuits—not commercialism—in U.S. media and society."—Ralph Nader"Higdon and Huff have produced the best short introduction to the nature of Trump-era journalism and how the 'Post-Truth' media world is inimical to a democratic society that I have seen. The book is provocative and an entertaining read. Best of all, the analysis in United States of Distraction leads to concrete and do-able recommendations for how we can rectify this deplorable situation."—Robert W. McChesney, author of Rich Media, Poor Democracy: Communication Politics in Dubious Times"The U.S. wouldn't be able to hide its empire in plain sight were it not for the subservient 'free' press. United States of Distraction shows, in chilling detail, America's major media dysfunction—how the gutting of the fourth estate paved the road for fascism and what tools are critical to salvage our democracy."—Abby Martin, The Empire Files"Nolan Higdon and Mickey Huff provides us with a fearless and dangerous text that refuses the post-truth proliferation of fake news, disinformation, and media that serve the interests of the few. This is a vital wake-up call for how the public can protect itself against manipulation and authoritarianism through education and public interest media.”—George Yancy, author of Backlash: What Happens When We Talk Honestly about Racism in America and Professor of Philosophy at Emory University"United States of Distraction challenges our hegemon-media’s ideological mind control and the occupation of human thought. … Huff and Higdon correctly call for mass critical resistance through truth telling by free minds. Power to the people!"—Peter Phillips, author of Giants: The Global Power Elite

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“I believe that Marcuse’s ideas can be as valuable today as they were fifty years ago.”—Angela Y. Davis, from the forewordHerbert Marcuse was one of the twentieth century’s most unlikely pop stars: a celebrity philosopher. In the 1960s, his argument for a “principled utopianism” catalyzed the idealism of a rebellious generation, and Marcuse became an intellectual guide for activists and revolutionaries around the world.From his early studies with Martin Heidegger, to his flight from Nazi Germany with Frankfurt School colleagues, to his status as a countercultural icon, readers are introduced to the development of Marcuse's philosophical theories and the political realities that shaped his work.Marcuse's advocacy for a more humane, sustainable world was grounded in a personal knowledge of authoritarianism's violence, and the risk of its resurgence. Perennially relevant, radical, and inspiring, Marcuse’s concept of a "Great Refusal"—the protest against that which is—is a guide for our times.Praise for Herbert Marcuse, Philosopher of Utopia:"Nick Thorkelson's exploration of the ideas and personality of Herbert Marcuse is exactly the sort of comic book I have longed to read. It is engaging, artful, and explores the world of revolutionary ideas. Books like this keep the fire going inside."—Joe Sacco, author of Footnotes in Gaza"A warm, funny, richly detailed biography. Thorkelson has found a powerful graphic style and narrative voice that animate Marcuse's life and his theory of rebellion. As both personal saga and primer on radical political philosophy, it could not be more relevant to today's resistance movement."—Dan Wasserman, editorial cartoonist for The Boston Globe"Marcuse's energizing sense of critique, hope, politics, and utopian vision are more necessary than ever, especially for the emerging generations of young activists."—Henry A. Giroux, author of American Nightmare: Facing the Challenge of Fascism"A riotous romp through 20th-century philosophy. The story of a man who exists at the eye of storm of ideas, of movements and of social strategies. With workers and students on the streets of Paris once more, Marcuse's life and work has never been more relevant."—Kate Evans, author of Red Rosa: A Graphic Biography"Philosopher of Utopia is art on the attack! A perfect celebration of this unique public intellectual done through a fusion of skill and imagination, Thorkelson's book provides access to the genius and the grit of this master of the dialectic."—Lowell Bergman, Winner of the Pulitzer Prize and Distinguished Chair in Investigative Reporting at UC Berkeley"[This book] confirms my belief that our medium can convey the most complex ideas while being witty and entertaining at the same time."—Sharon Rudahl, author of A Dangerous Woman: A Graphic Biography of Emma Goldman

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A landmark work of bio-romanticism, Mephistos and Other Poems is the first completely new collection in five years from legendary Beat and SF Renaissance poet Michael McClure, reflecting his interests in mammal consciousness and ecological survival. The title sequence stems from McClure's ongoing "grafting" experiment, growing new poems from fragments of previously ones. "Some Fringes" is a series of haiku-like nature poems, while the seventeen-part "Rose Breaths" derives from the poet's practice of meditation. The freestanding poems grouped under the title "Being" pay homage to many of McClure's collaborators and fellow travelers like Bruce Conner, Terry Riley, and Dave Haselwood. The book climaxes with "Song Heavy," recounting McClure's recent encounter with a beached whale in Rockport, Massachusetts, and recalling his classic "For the Death of 100 Whales," which he read at the Six Gallery in 1955--the inaugural moment of American eco-poetics. Michael McClure is an award-winning American poet, playwright, songwriter, and novelist. After moving from Kansas to San Francisco as a young man, he was one of the five poets who participated in the Six Gallery reading that featured the public debut of Allen Ginsberg's landmark poem "Howl." A key figure of the Beat Generation, McClure is immortalized as Pat McLear in Jack Kerouac's novels The Dharma Bums and Big Sur. He also participated in the sixties counterculture alongside musicians like Janis Joplin and Jim Morrison. McClure remains active as a poet, essayist, and playwright and lives with his second wife, Amy, in the San Francisco Bay Area. Michael and I have been twisting the Dharma for twenty years now. He reads his poetry like a mad lion or a hummingbird or a soft evening tidal pool or a wild California thunderstorm...His words are of a new realm of love and joy and terror. What a pleasure to play with such a perceptive artist. It's always been my great joy to make music to his words."--Ray Manzarek [C]ertainly a genius in thought and writing it out ...McClure is one of the few contemporaries to have understood Kerouac as a literary poet--and learned some joyous classic invention therefrom ...Thus we have a McClure poet, a McClure natural philosopher, and a McClure prosateur and novelist. Hardly anyone in America with equal range and sharpness, liveness. What more?"--Allen Ginsberg Praise for Mephistos: In Mephistos we are again thrown into Michael McClure's lavish lair of forceful magic. Its actions are literal ones, handfuls of jewels disintegrate as a firewall rises to a solid prism. There is no poet more adept at calling forth the elements, only to fashion them later as eternal amulets for his readers. 'NEW MOON ((BLACK!)) /STAR CLOUDS/ HALOES/ Flashlight reflects/ into two small eyes.' You will find your body changed through the labyrinth these poems initiate."--Cedar Sigo "Close attention will be rewarded in kind. Keep Mephisto near at hand, read only a poem or two at a time, let the imagery possess you. It's okay, you can trust it. It's McClure: he'll never steer you wrong."--Robert Hunter, lyricist, poet, songwriter "He is such a sweet paradox! Like most of Shelley and the late poems of D.H. Lawrence, McClure turns the phenomenal world inside out, seeking Mind within mind."--Diane di Prima, poet "If you've enjoyed McClure's writings in the past, this volume ought to recapture your poetic heart and rekindle your imagination." --Jonah Raskin, New York Journal of Books "Mephistos is perhaps an open love letter to all of McClure's many fans who have followed him ever since he arrived in San Francisco from Kansas City more than half a century ago."--San Francisco Chronicle

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The Beat Generation is one of the great homegrown countercultures of the United States, but in fact its writers traveled widely and most of them lived abroad for periods of time. Their travels were a vital source of inspiration, and in turn they inspired literary scenes and kindred spirits around the globe. The writers we think of as "beat" first met in New York City in the 1940s and 50s, then joined up with others in San Francisco to form the group that became the "Beat Generation." By the 1960s their books had become seminal texts for America's counterculture, and many were being published in translation. As their travels brought them into contact with writers around the world, the Beats' influence spread far beyond the United States. In The Beats Abroad, renowned Beat scholar Bill Morgan documents that international phase of the Beat Generation's story. He delves deep into epicenters like Paris, Tangier, and Mexico City, and tracks down more remote locales from Siberia to Colombia. Entries contain specific addresses for the globetrotting reader to visit on every continent, and are loaded with fascinating stories that illuminate the lives and works of Ginsberg, Burroughs, Corso, Kerouac, Ferlinghetti, and others. This handy reference lets the reader trace Ginsberg's trail through India, or find the hotel in Tangier where Burroughs wrote Naked Lunch, and much, much more.

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"I loved this book when I read it in Arabic. The Penguin's Song is a classic novel of the Lebanese civil war."--Rabih Alameddine, author of An Unnecessary Woman "Sixteen years after appearing in Daoud's native Lebanon, this elegiac novel has finally arrived in English ...Daoud's novel seems to have inherted its sensibilities--its recursive and dense sentences, its damaged narrator, its poignant obsession with lost time--from Remembrance of Things Past or Notes From the Underground...This is a novel about the trap of poverty--but also an affirmation of the Underground Man's noted maxim: 'I swear, gentlemen, that to be too conscious is an illness.'"--Paul Toutonghi, The New York Times Book Review "In The Penguin's Song, a city falls, a father dies, two women walk the same road over and over, a boy with a broken body dreams of love. Like Agota Kristof's Notebook Trilogy, this spare yet lyrical parable tells us more about exile, loss and the wearing away of hope than most us want to know. I love this beautiful book."--Rebecca Brown, author of American Romances and The End of Youth "Daoud's novel is an elegiac account of loneliness and separation...This is a haunting story inhabited by the ghosts of past lives and demolished buildings, where desires are left unfulfilled and loneliness sweeps through every soul. "--Publishers Weekly "Daoud's claustrophobic novel hauntingly conveys one family's isolation after being relocated during the Lebanese civil war...Daoud's evocation of history as it is experienced is excellent. His characters live through momentous events, but their struggles to survive land them in a kind of purgatory. A novel that defies expectations as it summons up the displacement and dehumanization that can come with war."--Kirkus Reviews " ...deftly explores how people cope with the aftermath of war and the tremendous struggle of rebuilding not only with bricks and concrete but with heart, hopes, and dreams."--Lisa Rohrbaugh, Leetonia Community P.L., OH, and Library Journal "Hassan Daoud is one of Lebanon's most important living writers. With her usual empathy and elegance, veteran translator Marilyn Booth brings out the idiosyncrasies and pathetic charm of this unlikely protagonist in his suffocating world. This is a heartbreaking novel that shines a light with empathy onto small lives lived humbly on the margins." --Max Weiss, Professor of History and Near Eastern Studies, Princeton University and author of In the Shadow of Sectarianism: Law, Shi'ism and the Making of Modern Lebanon As war wreaks havoc on the historic heart of Beirut, tenants of the old city are pushed to the margins and obliged to live on the surrounding hillsides, where it seems they will stay forever, waiting. The dream of return becomes a way of life in the unending time of war. "The Penguin" is a physically deformed young man who lives with his aging mother and father in one of the "temporary" buildings. His father spends his days on the balcony of their apartment, looking at the far-off city and pining for his lost way of life. Mother and father both find their purpose each day in worrying about the future for their son, while he spends his time in an erotic fantasy world, centered on a young woman who lives in the apartment below. Poverty and family crisis go hand in hand as the young man struggles with his isolation and unfulfilled sexual longing. Voted "The Best Arabic Novel of the Year" when it was first published, The Penguin's Song is a finely wrought parable of how one can live out an entire life in the dream of returning to another.

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Two long-lost volumes from the classic Beat period. Tau is Philip Lamantia's mystical second collection of poems, originally slated for publication in 1955, but suppressed by the poet due to his evolving religious beliefs. Journey to the End contains the poems of the legendary John Hoffman (1928-1952), whose poems were read by Lamantia in 1955 at the 6 Gallery reading where Allen Ginsberg debuted "Howl." Lamantia's closest friend, a character in Jack Kerouac's Dharma Bums, and the inspiration for two lines of "Howl," Hoffman moved between San Francisco and New York before his death in Mexico at the age of twenty-four. This volume includes biographical notes and Lamantia's commentaries on Hoff man's poetry.

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White Americans have long been comfortable in the assumption that they are the cultural norm. Now that notion is being challenged, as white people wrestle with what it means to be part of a fast-changing, truly multicultural nation. Facing chronic economic insecurity, a popular culture that reflects the nation's diverse cultural reality, a future in which they will no longer constitute the majority of the population, and with a black president in the White House, whites are growing anxious. This anxiety has helped to create the Tea Party movement, with its call to "take our country back." By means of a racialized nostalgia for a mythological past, the Right is enlisting fearful whites into its campaign for reactionary social and economic policies. In urgent response, Tim Wise has penned his most pointed and provocative work to date. Employing the form of direct personal address, he points a finger at whites' race-based self-delusion, explaining how such an agenda will only do harm to the nation's people, including most whites. In no uncertain terms, he argues that the hope for survival of American democracy lies in the embrace of our multicultural past, present and future. "Sparing neither family nor self...he considers how the deck has always been stacked in his and other white people's favor...His candor is invigorating."--Publishers Weekly "One of the most brilliant, articulate and courageous critics of white privilege in the nation."--Michael Eric Dyson "Tim Wise has written another blockbuster! His new book, Dear White America: Letter to a New Minority, is a cogent analysis of the problems of race and inequality as well as a plea for those who harbor views about race and racism to modify and indeed eliminate them. While the book's title addresses white people, this is really a book for anyone who is concerned about eliminating the issue of racial disparity in our society. This is must read and a good read."--Charles J. Ogletree, Jr., the Jesse Climenko Professor of Law at Harvard Law School and the Executive Director of the Charles Hamilton Houston Institute for Race and Justice. He is the author of a number of books, including The Presumption of Guilt: The Arrest of Henry Louis Gates, Jr. and Race, Class and Crime in America "Tim Wise is an American hero in the truest sense of the term--he tells the truth, no matter how inconvenient that truth might be. Dear White America is a desperately needed response to the insidious mythology that pretends whites are oppressed and people of color unduly privileged. In the process, it exposes how new forms of racism have been deliberately embedded into our supposedly 'color blind' culture. Read this book--but rest assured, it's not for the faint of heart."--David Sirota, syndicated columnist, radio host, author of Back to Our Future: How the 1980s Explain the World We Live In Now "The foremost white analyst of racism in America never fails to provide fresh takes as he punctures myths and defenses."--World Wide Work Tim Wise is one of the most prominent antiracist essayists, educators, and activists in the United States. He is regularly interviewed by A-list media, including CNN, C-SPAN, The Tavis Smiley Show, The Tom Joyner Morning Show, Michael Eric Dyson's radio program, and many more. His most recent books include Colorblind and Between Barack and a Hard Place.

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Following the civil rights movement, race relations in the United States entered a new era. Legal gains were interpreted by some as ensuring equal treatment for all and that "colorblind" policies and programs would be the best way forward. Since then, many voices have called for an end to affirmative action and other color-conscious policies and programs, and even for a retreat from public discussion of racism itself. Bolstered by the election of Barack Obama, proponents of colorblindness argue that the obstacles faced by blacks and people of color in the United States can no longer be attributed to racism but instead result from economic forces. Thus, they contend, programs meant to uplift working-class and poor people are the best means for overcoming any racial inequalities that might still persist. In Colorblind, Tim Wise refutes these assertions and advocates that the best way forward is to become more, not less, conscious of race and its impact on equal opportunity. Focusing on disparities in employment, housing, education and healthcare, Wise argues that racism is indeed still an acute problem in the United States today, and that colorblind policies actually worsen the problem of racial injustice. Colorblind presents a timely and provocative look at contemporary racism and offers fresh ideas on what can be done to achieve true social justice and economic equality. "It's a great book. I highly, highly, highly recommend it."--Tavis Smiley "I finally finished Tim Wise's Colorblind and found it a right-on, straight-ahead piece of work. This guy hits all the targets, it's really quite remarkable...That's two of his that I've read [the first being Between Barack] and they are both works of crystal truth..."--Mumia Abu-Jamal "Tim Wise's Colorblind is a powerful and urgently needed book. One of our best and most courageous public voices on racial inequality, Wise tackles head on the resurgence and absurdity of post-racial liberalism in a world still largely structured by deep racial disparity and structural inequality. He shows us with passion and sharp, insightful, accessible analysis how this imagined world of post racial framing and policy can't take us where we want to go--it actually stymies our progress toward racial unity and equality."--Tricia Rose, Brown University "With Colorblind, Tim Wise offers a gutsy call to arms. Rather than play nice and reiterate the fiction of black racial transcendence, Wise takes the gloves off: He insists white Americans themselves must be at the forefront of the policy shifts necessary to correct our nation's racial imbalances in crime, health, wealth, education and more. A piercing, passionate and illuminating critique of the post-racial moment."--Bakari Kitwana "Tim Wise's Colorblind brilliantly challenges the idea that the election of Obama has ushered in a post-racial era. In clear, engaging, and accessible prose, Wise explains that ignoring problems does not make them go away, that race-bound problems require race-conscious remedies. Perhaps most important, Colorblind proposes practical solutions to our problems and promotes new ways of thinking that encourage us to both recognize differences and to transcend them." --George Lipsitz Tim Wise is one of the most prominent antiracist essayists, educators and activists in the United States. For twenty years he has challenged racial inequities as a community organizer, public speaker, workshop facilitator and writer. He has spoken to hundreds of thousands of people, contributed essays or chapters to more than twenty books, and has appeared regularly on radio and television as a guest commentator on race issues. He is regularly interviewed by national media, including CNN, Tavis Smiley and by Tom Joyner. He is the author of Between Barack and a Hard Place: Racism and White Denial in the Age of Obama.

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Haroun Soussan, narrator of Outcast and a Jewish convert to Islam, is a civil engineer and historian who's just completed his life's work, The Jews and History. The book opens with him getting an award from Saddam Hussein during the time of the Iran-Iraq war. Written in the form of an autobiography, the narrative moves in and out of the present, the recent, and more distant past, providing a unique and intimate chronicle of Iraq's contemporary political history. Shimon Ballas was born in Baghdad in 1930 and immigrated to Israel in 1951.

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Dino Campana wrote the unique, visionary masterwork of Italian literature Orphic Songs when he was in his twenties. The originality, rapturous language, and strange beauty of his poetry make him as important to twentieth-century poetry as Garcia Lorca or Mayakovsky. Campana was the wild man of Italian poetry in 1914, on the eve of World War I. The war saved some young Italians from rebellion and from Fascism, but not Campana. Always an outsider, he was a vagabond who worked now and then as a gaucho, miner, fireman, organ-grinder, janitor, circus tumbler, horse groomer, and a wandering musician with a Gypsy band. He died in Castel Pulci, a psychiatric hospital, in 1932. "Dino Campana's small and intensely magical body of poetry from the early years of the last century-prose and free verse that combine the visual and the visionary with astonishing vigor and haunting grace-is little known to English-speaking readers." -Oberlin College Press Dino Campana (1885-1932) was an Italian lyricist and poet, known for his flamboyant personality. His only collection of poems is found in Orphic Songs. In 1918 he was admitted into a mental hospital and lived the rest of his life there.

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Secrets of Voodoo traces the development in Haiti and the Americas of this complex religion from its sources in the brilliant civilizations of ancient Africa. This book presents a straightforward account of the gods of loas and their function, the symbols and signs, rituals, and the ceremonial calendar of Voodoo; and the procedures for performing magical rites are given. "Voodoo," derived from the words meaning "introspection" and "mystere" is a system of belief about the formation of the world and human destiny with clear correspondences in other world religions. Rigaud makes these connections and discloses the esoteric meaning underlying Voodoo's outward manifestations, which are often misinterpreted. Translated from the French by Robert B. Cross. Drawings and photographs by Odette Mennesson-Rigaud. Milo Rigaud was born in Port au Prince, Haiti, in 1903, where he spent the greater part of his life studying Voodoo tradition. In Haiti he studied law, and in France ethnology, psychology and theology. The involvement of Voodoo in the political struggle of Haitian blacks for independence was one of his main concerns after he returned to his country.

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Spontaneous poetry by the author of On the Road, gathered from underground and ephemeral publications; including "San Francisco Blues," the variant texts of "Pull My Daisy" and "American haiku." HERE DOWN ON DARK EARTH before we all go to Heaven VISIONS OF AMERICA All that hitchhikin All that railroadin All that comin back to America --Jack Kerouac Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, and a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights) and Scripture of the Golden Eternity (City Lights).

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This is an account of the Madhyamika (Middle Way) school of Buddhism, a method of mediation and enlightenment that was developed by the great Indian teacher Nagarjuna. In a collaboration between the Frenchwoman Alexandra David-Neel and her friend, the Tibetan lama Aphur Yongden, these teaching are presented clearly and elegantly, intended for the layman who seeks a way to practice and experience the realization of oneness with all existence. "...this is the most direct, no-nonsense, and down-to-earth explanation of Mahayana Buddhism that has been written. Specifically, it is a wonderfully lucid account of the Middle Way method of enlightenment worked out by the great Indian sage Nagarjuna." --Alan Watts, The Book "The Secret Oral Teachings in Tibetan Buddhist Sects by Alexandra David-Neel and Lama Yongden, is always on my night stand. I return to it again and again in different stages of my life." --Marina Ambramovic "David-Neel herself is often relegated to the ranks of "women adventurers" this despite the production of some forty-odd books, several of which have wielded an extraordinary influence." --Harry Oldmeadow, La Trobe University, Bendigo, Australia Alexandra David-Neel was born in 1868 in Paris. In her youth she wrote an incendiary anarchist treatise and was an acclaimed opera singer; then she decided to devote her life to exploration and the study of world religions, including Buddhist philosophy. She traveled extensively to in Central Asia and the Far East, where she learned a number of Asian languages, including Tibetan. In 1914, she met Lama Yongden, who became her adopted son, teacher, and companion. In 1923, at the age of fifty-five, she disguised herself as a pilgrim and journeyed to Tibet, where she was the first European woman to enter Lhasa, which was closed to foreigners at the time. In her late seventies, she settled in the south of France, where she lived until her death at 101 in 1969.

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"In Learning to Die in the Anthropocene, Roy Scranton draws on his experiences in Iraq to confront the grim realities of climate change. The result is a fierce and provocative book."--Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction: An Unnatural History "Roy Scranton's Learning to Die in the Anthropocene presents, without extraneous bullshit, what we must do to survive on Earth. It's a powerful, useful, and ultimately hopeful book that more than any other I've read has the ability to change people's minds and create change. For me, it crystallizes and expresses what I've been thinking about and trying to get a grasp on. The economical way it does so, with such clarity, sets the book apart from most others on the subject."--Jeff VanderMeer, author of the Southern Reach trilogy "Roy Scranton lucidly articulates the depth of the climate crisis with an honesty that is all too rare, then calls for a reimagined humanism that will help us meet our stormy future with as much decency as we can muster. While I don't share his conclusions about the potential for social movements to drive ambitious mitigation, this is a wise and important challenge from an elegant writer and original thinker. A critical intervention."--Naomi Klein, author of This Changes Everything: Capitalism vs. the Climate "Concise, elegant, erudite, heartfelt & wise."--Amitav Ghosh, author of Flood of Fire "War veteran and journalist Roy Scranton combines memoir, philosophy, and science writing to craft one of the definitive documents of the modern era."--The Believer Best Books of 2015 Coming home from the war in Iraq, US Army private Roy Scranton thought he'd left the world of strife behind. Then he watched as new calamities struck America, heralding a threat far more dangerous than ISIS or Al Qaeda: Hurricane Katrina, Superstorm Sandy, megadrought--the shock and awe of global warming. Our world is changing. Rising seas, spiking temperatures, and extreme weather imperil global infrastructure, crops, and water supplies. Conflict, famine, plagues, and riots menace from every quarter. From war-stricken Baghdad to the melting Arctic, human-caused climate change poses a danger not only to political and economic stability, but to civilization itself ...and to what it means to be human. Our greatest enemy, it turns out, is ourselves. The warmer, wetter, more chaotic world we now live in--the Anthropocene--demands a radical new vision of human life. In this bracing response to climate change, Roy Scranton combines memoir, reportage, philosophy, and Zen wisdom to explore what it means to be human in a rapidly evolving world, taking readers on a journey through street protests, the latest findings of earth scientists, a historic UN summit, millennia of geological history, and the persistent vitality of ancient literature. Expanding on his influential New York Times essay (the #1 most-emailed article the day it appeared, and selected for Best American Science and Nature Writing 2014), Scranton responds to the existential problem of global warming by arguing that in order to survive, we must come to terms with our mortality. Plato argued that to philosophize is to learn to die. If that's true, says Scranton, then we have entered humanity's most philosophical age--for this is precisely the problem of the Anthropocene. The trouble now is that we must learn to die not as individuals, but as a civilization. Roy Scranton has published in the New York Times, Wall Street Journal, Rolling Stone, Boston Review, and Theory and Event, and has been interviewed on NPR's Fresh Air, among other media.

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Richly informed and written in an engaging style, Against Empire exposes the ruthless agenda and hidden costs of the U.S. empire today. Documenting the pretexts and lies used to justify violent intervention and maldevelopment abroad, Parenti shows how the conversion to a global economy is a victory of finance capital over democracy. As much of the world suffers unspeakable misery and the Third-Worldization of the United States accelerates, civil society is impoverished by policies that benefit rich and powerful transnational corporations and the national security state. Hard-won gains made by ordinary people are swept away. The history of imperialism is also, however, a history of resistance, struggle, and achievement; Against Empire offers compelling alternatives for progressive change. Michael Parenti is considered one of the nation's leading progressive thinkers. He received his Ph.D. in political science from Yale University in 1962, and has taught at a number of colleges and universities. His writings have been featured in scholarly journals, popular periodicals, and newspapers. Dr. Parenti lectures around the country on college campuses and before religious, labor, community, peace, and public interest groups. Praise for Michael Parenti's books: "A valuable rebuttal to the drumbeat...from the right."--New York Times Book Review "Entertainingly written."--Publishers Weekly "Parenti writes clear, smooth, often provocative prose, has a way of cutting to the heart of complex issues and knows how to tell a story."--Allan Johnson, Author of Human Arrangements

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The prophetic poem that launched a generation when it was first published in 1965 is here presented in a commemorative 40th Anniversary Edition. Allen Ginsberg's Howl and Other Poems was originally published by City Lights Books in the Fall of 1956. Subsequently seized by U.S. customs and the San Francisco police, it was the subject of a long court trail at which a series of poets and professors persuaded the court that the book was not obscene. Howl & Other Poems is the single most influential poetic work of the post-World War II era, with over 1,000,000 copies now in print. "Howl was Allen's metamorphosis from quiet, brilliant, burning bohemian scholar trapped by his flames and repressions to epic vocal bard."--Michael McClure "It is the poet, Allen Ginsberg, who has gone, in his own body, through the horrifying experiences described from life in these pages." --William Carlos Williams "At the height of his bardic powers, Allen Ginsberg could terrify the authorities with the mere utterance of the syllable "om" as he led street throngs of citizens protesting the Vietnam War. Ginsberg reigned as the raucous poet of American hippiedom and as a literary pioneer whose freewheeling masterwork "Howl" prevailed against government censorship in a landmark obscenity trial 50 years ago." -- New York Times "Fifty years ago, on October 3, Judge Clayton Horn ruled that Allen Ginsberg's great epic Beat-era poem HOWL was not obscene but instead, a work of literary and social merit. This ruling allowed for the publication of HOWL and exonerated the poet Lawrence Ferlinghetti, who faced jail time and a fine 50 years ago for publishing 'HOWL.'" -- Pacifica.org Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian emigre, and Louis Ginsberg, lyric poet and schoolteacher, in Paterson, New Jersey. To these facts Ginsberg adds: "High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote Kaddish 1959, made tape to leave behind & fade in Orient awhile. Carl Solomon to whom Howl is addressed, is a intuitive Bronx dadaist and prose-poet."

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In 1928, Georges Bataille published this first novel under a pseudonym, a legendary shocker that uncovers the dark side of the erotic by means of forbidden obsessive fantasies of excess and sexual extremes. A classic of pornographic literature, Story of the Eye finds the parallels in Sade and Nietzsche and in the investigations of contemporary psychology; it also forecasts Bataille's own theories of ecstasy, death and transgression which he developed in later work.

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These mad immortal stories, now surfaced from the literary underground, have addicted legions of American readers, even though the high literary establishment continues to ignore them. In Europe, however (particularly in Germany, Italy, and France where he is published by the great publishing houses), he is critically recognized as one of America's greatest realist writers."Collections such as The Most Beautiful Woman in Town (1983) . . . showcase Bukowski's impressive narrative and creative abilities in stories that most often take place in bars and dingy apartments but are not simply about sex and alcohol. They're about staying alive in a world where the only choice for the majority of us is to face a firing squad in an office every day—the post office, in Bukowski's case—or maintain a commitment to creativity as we struggle to pay for food and a meager place to live." —Adam Perry, Santa Fe ReporterCharles Bukowski was born in Andernach, Germany on August 16, 1920, the only child of an American soldier and a German mother. At the age of three, he came with his family to the United States and grew up in Los Angeles. He attended Los Angeles City College from 1939 to 1941, then left school and moved to New York City to become a writer. His lack of publishing success at this time caused him to give up writing in 1946 and spurred a ten-year stint of heavy drinking. After he developed a bleeding ulcer, he decided to take up writing again. He worked a wide range of jobs to support his writing, including dishwasher, truck driver and loader, mail carrier, guard, gas station attendant, stock boy, warehouse worker, shipping clerk, post office clerk, parking lot attendant, Red Cross orderly, and elevator operator. He also worked in a dog biscuit factory, a slaughterhouse, a cake and cookie factory, and he hung posters in New York City subways.Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including Pulp (Black Sparrow, 1994), Screams from the Balcony: Selected Letters 1960-1970 (1993), and The Last Night of the Earth Poems (1992). He died of leukemia in San Pedro on March 9, 1994.

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These classic Kerouac meditations, zen koans, and prose poems express the poet's beatific quest for peace and joy through oneness with the universe. "The Scripture of the Golden Eternity is fueled by Kerouac's discerning meditation on the nature of impermanence & consciousness, subtle like the dharma it invokes. We're here to disappear, therefore let's be as vivid & generous as we can. The intelligence & compassion behind this text is still alive." -Anne Waldman, The Jack Kerouac School of Disembodied Poetics The Scripture of the Golden Eternity is Jack Kerouac's statement of confidence in his oneness with the universe of energy and form, a confidence to which his whole being swelled. His was not the search for the ecstasy of the mystic or psychedelic or the Artaud-mad. He sought a recognition in philosophy of his early sense that his body participated in the universal forms of energy with a quality of exuberance-that "serious exuberance" which he so accurately called jazz." -Eric Mottram, Introduction Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights), Scattered Poems (City Lights), and The Scripture of the Golden Eternity (City Lights).

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"Roxanne Dunbar-Ortiz's Loaded is like a blast of fresh air. She is no fan of guns or of our absurdly permissive laws surrounding them. But she does not merely take the liberal side of the familiar debate."--Adam Hochschild, The New York Review of Books"If . . . anyone at all really wants to 'get to the root causes of gun violence in America,' they will need to start by coming to terms with even a fraction of what Loaded proposes."—Los Angeles Review of Books"Her analysis, erudite and unrelenting, exposes blind spots not just among conservatives, but, crucially, among liberals as well. . . . As a portrait of the deepest structures of American violence, Loaded is an indispensable book."—The New RepublicLoaded: A Disarming History of the Second Amendment, is a deeply researched—and deeply disturbing—history of guns and gun laws in the United States, from the original colonization of the country to the present. As historian and educator Dunbar-Ortiz explains, in order to understand the current obstacles to gun control, we must understand the history of U.S. guns, from their role in the "settling of America" and the early formation of the new nation, and continuing up to the present.Praise for Loaded:"Dunbar-Ortiz's argument will be disturbing and unfamiliar to most readers, but her evidence is significant and should not be ignored."—Publishers Weekly" . . . gun love is as American as apple pie—and that those guns have often been in the hands of a powerful white majority to subjugate minority natives, slaves, or others who might stand in the way of the broadest definition of Manifest Destiny."—Kirkus Reviews"Trigger warning! This is a superb and subtle book, not an intellectual safe space for confirming your preconceptions—whatever those might be—but rather a deeply necessary provocation."—Christian Parenti, author of Lockdown America: Police and Prisons in the Age of Crisis

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Blackshirts & Reds explores some of the big issues of our time: fascism, capitalism, communism, revolution, democracy, and ecology--terms often bandied about but seldom explored in the original and exciting way that has become Michael Parenti's trademark. Parenti shows how "rational fascism" renders service to capitalism, how corporate power undermines democracy, and how revolutions are a mass empowerment against the forces of exploitative privilege. He also maps out the external and internal forces that destroyed communism, and the disastrous impact of the "free-market" victory on eastern Europe and the former Soviet Union. He affirms the relevance of taboo ideologies like Marxism, demonstrating the importance of class analysis in understanding political realities and dealing with the ongoing collision between ecology and global corporatism. Written with lucid and compelling style, this book goes beyond truncated modes of thought, inviting us to entertain iconoclastic views, and to ask why things are as they are. It is a bold and entertaining exploration of the epic struggles of yesterday and today. "A penetrating and persuasive writer with an astonishing array of documentation to implement his attacks."--The Catholic Journalist "Blackshirts & Reds discusses the great combat between fascism and socialism that is the defining feature of the Twentieth Century, and takes every official version to task for its substitution of moral analysis for critical analysis, for its selectivity, and for its errata. By portraying the struggle between fascism and Communism in this century as a single conflict, and not a series of discrete encounters, between the insatiable need for new capital on the one hand and the survival of a system under siege on the other, Parenti defines fascism as the weapon of capitalism, not simply an extreme form of it. Fascism is not an aberration, he points out, but a "rational" and integral component of the system."--Stan Goff, The Prism Michael Parenti, PhD Yale, is an internationally known author and lecturer. He is one of the nation's leadiing progressive political analysts. He is the author of over 275 published articles and twenty books. His writings are published in popular periodicals, scholarly journals, and his op-ed pieces have been in leading newspapers such as The New York Times and The Los Angeles Times. His informative and entertaining books and talks have reached a wide range of audiences in North America and abroad.

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This is the story of Olga, a retired mathematician, and Mateo, a college student passionate about robotics, and their plot to influence Google."This book has excited me more than any that I have read this year."—Sam Sacks, Wall Street Journal"This is a beautifully written, endlessly provocative meditation on humanity's relationship to technology, monopoly, memory and fate."— Dave Eggers, author of The Circle and The EveryAfter a chance encounter at the public library, two new friends begin to meet up regularly. Together they decide to submit an application for Google sponsorship to an elite technology-training program. Hoping to stand out, they frame their submission as a direct appeal to the "conscience" of the seemingly all-powerful corporation.Olga, a retired entrepreneur, and Mateo, a college student, find unexpected connection and solace in their conversations. Ideas and arguments open into personal stories as they debate the possibility of free will, the existence of merit, and the role of artificial intelligence. They ask the most basic and important of questions: What does it mean to be human in a reality shaped by data and surveillance? Is there still space for empathy and care? What could we be, what could we build, if we used our resources in different ways?

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Clark Coolidge’s book-length meditation on a crystal—long considered a masterpiece of American avant-garde poetry—returns in a new edition.“No other poet ever has so exquisitely, and sometimes also turbulently, written sheer sonic wonder into poetry.”—Lyn Hejinian, author of My Life and My Life in the NinetiesIn the summer of 1982, Clark Coolidge received an unexpected gift of a crystal; small, clear, entirely unexceptional, the crystal nonetheless provoked the poet into writing what has long been considered his masterpiece, The Crystal Text (1986). A durational poem composed over the course of 10 months, in daybook-like entries of varying length, The Crystal Text is multifaceted and elusive, constantly interrogating itself. Is it a meditation on its titular object like Keats’s “Urn” or a radical investigation of the limits of language as a signifying system? Is the poet channeling the crystal to access its message or is the crystal channeling the poet, drawing language from him to fill its colorless emptiness? Is it dictation or improvisation? Is the poem a record of its own crystalline growth or does it capture the process of consciousness itself? The Crystal Text refuses to resolve the questions it raises but rather inhabits its various possibilities simultaneously, resulting in one of the major works of late 20th century American avant-garde poetry. This new edition includes a preface by poet and scholar Peter Gizzi and an afterword in which Coolidge discusses the text with poet Jason Morris and City Lights editor Garrett Caples. Associated with the New York School and subsequently inspiring the Language Poets, Coolidge remains one of the most singular and original American poets of our time.

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Nine women who have dedicated their lives to the struggle for social justice—movement leaders, organizers, and cultural workers—tell their life stories in their own words. Sharing their most vulnerable and affirming moments, they talk about the origins of their political awakenings, their struggles and aspirations, insights and victories, and what it is that keeps them going in the fight for a better world, filled with justice, hope, love and joy.Featuring Malkia Devich-Cyril, Priscilla Gonzalez, Terese Howard, Hilary Moore, Vanessa Nosie, Roz Pelles, Loretta Ross, Yomara Velez, and Betty Yu

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An intimate account of a seminal filmmaker’s development—as a creator and as a woman—both in art and in life."Joyce Chopra, what a gift of an extraordinary filmmaker you are, and one of our great pioneers who forged a very difficult path. And for female filmmakers everywhere, we are so blessed to have you as a storyteller to forge the way to make it easier for others."—Laura Dern, actorHailed by the New Yorker as “a crucial forebear of generations,” award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director—she couldn’t name a single woman in that role. But with her desire fueled by a stay in Paris during the heady beginnings of the French New Wave, she was determined to find a way.Chopra got her start making documentary films with the legendary D.A. Pennebaker. From her ground-breaking autobiographical short, Joyce at 34 (which was acquired for NY MoMA’S permanent collection), to her rousingly successful first feature, Smooth Talk (winner of the Best Director and Grand Jury Prize at Sundance in 1985), to a series of increasingly cruel moves by Hollywood producers unwilling to accept a woman in the director’s role, Chopra’s career trajectory was never easy or straightforward.In this engaging, candid memoir, Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her. She shares stories of her bruising encounters with Harvey Weinstein and Sydney Pollack, her experience directing Diane Keaton, Treat Williams, and a host of other actors, as well as her deep friendships with Gene Wilder, Arthur Miller, and Laura Dern.Along with the successes and failures of her career, she provides an intimate view of a woman’s struggle to balance the responsibilities and rewards of motherhood and marriage with a steadfast commitment to personal creative achievement. During a career spanning six decades, Joyce Chopra has worked through monumental shifts in her craft and in the culture at large, and the span of her life story offers a view into the implacable momentum of the push for all womens’ liberation."Joyce Chopra has written a devastatingly frank, candid, and unsparing memoir of her life as a film director—a 'woman director' in a field notoriously dominated by men. The reader is astonished on her behalf, at times infuriated, moved to laughter, and then to tears. Lady Director: Adventures in Hollywood, Television, and Beyond is one of its kind—highly recommended." —Joyce Carol Oates, author of "Where Are You Going, Where Have You Been?"

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Winner of the 2020 PEN Open Book AwardBest of 2019: Nonfiction - Entropy MagazineA memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle.Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting.Praise for The Grave on the Wall:"Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review"In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory"Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean“Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems"It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War"Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future"Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue"The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer"It's not just a document from which Brandon Shimoda untangles the dead, but it's a portal through which the ghosts can show themselves to him. To exchange that kind of attention between the living and the dead is love."—Zachary Schomburg, Willamette Week

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Cruel Futures is a witchy confessional and wildly imagistic volume that examines subjects as divergent as Alzheimers, Medusa, mumblecore, and mental illness in sharp-witted, taut poems dense with song. Chronicling life on an endangered planet, in a country on the precipice of profound change compelled by a media machine that produces our realities, the book is a high-energy analysis of popular culture, as well as an exploration of the many social roles that women occupy as mother, daughter, lover, and the resulting struggle to maintain personhood—all in a late capitalist America. Praise for Cruel Futures: "Giménez Smith seeks release from the pressures of societal expectations in this collection of brief yet powerful poems. … Giménez Smith’s crisp lyrics and imagery highlight ever-present threats to female personhood and autonomy."—Publishers Weekly "Cruel Futures is one of those rare books, rare pieces of art, that manages to be extremely intimate, vulnerable and close while also doing a kind of searing cultural critique. The poems can be tender or ironic, and sometimes a blending of the two, which is not easy."—Ross Gay "In the body, through the lyric, and twitching with every sense of the word 'nerve,' this book sings a mongrel nation into and across its cruel futures. Like Neruda in his Plenos Poderes/Full Powers, Giménez Smith has all the mastery she needs to cast a cold eye on her positioning, and ours. In this way Cruel Futures is an autobiography that won't stay in its genre or premise, caring less to author a self than to follow turns of magic in words that might soothe our 'collisions with the living.'"—Farid Matuk "Declamatory anthems to no nation, these songs stride as they deal and wheel with skin and kin: history, catastrophe, the body, love. 'Upturned and defiant, all types of shade, no outskirt, / vital like a saint,' the poems in Cruel Futures shimmer with Giménez Smith’s lyric attention: full of grit, sharp and knowing."—Hoa Nguyen

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A far-ranging critique of the rise of authoritarianism and white nationalism in the US and the consequences for democracy.In this searing critique of the Trump presidency and the rise of authoritarianism in the U.S., Henry Giroux asks, How have we arrived here, and what can be done? In a discussion of events that ranges from the Administration's ongoing attempts to repeal Obamacare and its anti-immigration policies and travel bans, to the normalization of a culture of cruelty and the "weaponization of ignorance," Giroux details the urgency of our current crisis.Giroux explores the political dystopias—those of recent history and those depicted in some of the classics of Western literature—that result when authoritarian forces outmaneuver accountability. He argues that only through increased civic investment in multicultural democracy, education, and resistance can we hope to push back the ominous convergence of white nationalism and elite economic interests.Praise for American Nightmare:"In this current era of corporate media misdirection and misinformation . . . Henry Giroux is one of the few great political voices of today, with powerful insight into the truth. Dr. Giroux is defiantly explaining, against the grain, what's REALLY going on right now, and doing so quite undeniably. Simply put, the ideas he brings forth are a beacon that need to be seen and heard and understood in order for the world to progress."—Julian Casablancas, lead vocalist for The Strokes"In frightening times like these, what is desperately needed is an informed and wise voice that speaks clearly and with conviction about the situation we are in, and what can be done. Henry Giroux is one of the great public intellectuals of our times, and American Nightmare is exactly the book for people grappling with how to understand the Trump era and how to proceed. This is precisely the book that needs to be shared with friends and acquaintances. It will provoke hard thinking, bring clarity, and stimulate much needed conversation and action."—Robert W. McChesney, co-author of People Get Ready: The Fight Against a Jobless Economy and a Citizenless Democracy"We have no greater chronicler of these dystopian times. Giroux's critique cuts to the crux of today’s authoritarian crisis, yet his voice remains of one hope that the people may collectively regain control. Even while living though systemic efforts to privatize hope, Giroux’s critique enacts the sort of shared resistance that can effectively challenge authoritarianism. American Nightmare demonstrates how we can resist the normalization of hate, authoritarianism and alienation in Trump’s America. He shows us that not only are we not alone, but we are among a majority who oppose the cruelties of American social policies."—David H. Price, author of Cold War Anthropology: The CIA and the Growth of Dual Use Anthropology"At a moment when the news cycle presents the dangers of Trumpian authoritarianism through disjointed and discrete hottakes, Giroux's wide-reaching analysis accounts for our current American nightmare with necessary historical context, and in so doing creates an aperture for resistance more meaningful than a hashtag."—Natasha Lennard, contributing writer for The Intercept, co-editor of Violence: Humans in Dark Times"In this passionately argued volume, Henry Giroux, long known for his critical commentaries on the de-democratization of the U.S.A., on its rising inequ(al)ity and neoliberal excesses, reflects very thoughtfully on the specter of Trump’s America: on its violence, cruelty, and incivility, its burgeoning authoritarianism, its inexorable edging toward a Grave Neo World: in short, a rising specter that demands to be countered at all cost if the U.S. is to be rescued from itself.”—John Comaroff, Professor of African and African American Studies and of Anthropology, Harvard University

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"Tim Wise is one of the great public moralists in America today. In his bracing new book, Under the Affluence, he brilliantly engages the roots and ramifications of radical inequality in our nation, carefully detailing the heartless war against the poor and the swooning addiction to the rich that exposes the moral sickness at the heart of our culture. Wise's stirring analysis of our predicament is more than a disinterested social scientific treatise; this book is a valiant call to arms against the vicious practices that undermine the best of the American ideals we claim to cherish. Under the Affluence is vintage Tim Wise: smart, sophisticated, conscientious, and righteously indignant at the betrayal of millions of citizens upon whose backs the American Dream rests. This searing testimony for the most vulnerable in our nation is also a courageous cry for justice that we must all heed."--Michael Eric Dyson, author of The Black Presidency: Barack Obama and the Politics of Race in America Tim Wise is one of America's most prolific public intellectuals. His critically acclaimed books, high-profile media interviews, and year-round speaking schedule have established him as an invaluable voice in any discussion on issues of race and multicultural democracy. In Under the Affluence, Wise discusses a related issue: economic inequality and the demonization of those in need. He reminds us that there was a time when the hardship of fellow Americans stirred feelings of sympathy, solidarity for struggling families, and support for policies and programs meant to alleviate poverty. Today, however, mainstream discourse blames people with low income for their own situation, and the notion of an intractable "culture of poverty" has pushed our country in an especially ugly direction. Tim Wise argues that far from any culture of poverty, it is the culture of predatory affluence that deserves the blame for America's simmering economic and social crises. He documents the increasing contempt for the nation's poor, and reveals the forces at work to create and perpetuate it. With clarity, passion and eloquence, he demonstrates how America's myth of personal entitlement based on merit is inextricably linked to pernicious racial bigotry, and he points the way to greater compassion, fairness, and economic justice. Tim Wise is the author of many books, including Dear White America and Colorblind.

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"In his scathing and deeply reported examination of the U.S. Border Patrol, Todd Miller argues that the agency has gone rogue since the Sept. 11 terrorist attacks, trampling on the dignity and rights of the undocumented with military-style tactics...Miller's book arrives at a moment when it appears that part of the Homeland Security apparatus is backpedaling by promising to tone down its tactics, maybe prodded by investigative journalism, maybe by the revelations of NSA leaker Edward Snowden...Border Patrol is quite possibly the right book at the right time ..."--Tony Perry, Los Angeles Times "At the start of his unsettling and important new book, Border Patrol Nation, Miller observes that these days 'it is common to see the Border Patrol in places--such as Erie, Pennsylvania; Rochester, New York; or Forks, Washington--where only fifteen years ago it would have seemed far-fetched, if not unfathomable.'"--Barbara Spindel, Christian Science Monitor "Miller's approach in Border Patrol Nation is to offer a glimpse into the secretive operations of the Border Patrol, reporting with a journalist's objectivity and nose for a good story. Miller's book is full of facts, and it's clear he's outraged, but he gives voices to people on every side of the issue...Miller's book is a fascinating read...and bring the work of Susan Orlean to mind."--Amanda Eyre Ward Kirkus Reviews "Todd Miller's invaluable and gripping book, Border Patrol Nation: Dispatches from the Front Lines of Homeland Security is the story of how this country's borders are being transformed into up-armored, heavily militarized zones run by a border-industrial complex. It's an achievement and an eye opener."--Tom Engelhardt, TomDispatch "What Jeremy Scahill was to Blackwater, Todd Miller is to the U.S. Border Patrol!"--Tom Miller, author, On the Border: Portraits of America's Southwestern Frontier "Todd Miller has entered a secret world, and he has gone deep...Powerful."--Luis Alberto Urrea, author of The Devil's Highway: A True Story "Journalist Miller tells an alarming story of U.S. Border Patrol and Homeland Security's ever-widening reach into the lives of American citizens and legal immigrants as well as the undocumented. In addition to readers interested in immigration issues, those concerned about the NSA's privacy violations will likely be even more shocked by the actions of Homeland Security."--Publishers Weekly, Starred Review Armed authorities watch from a military-grade surveillance tower as lines of people stream toward the security checkpoint, tickets in hand, anxious and excited to get through the gate. Few seem to notice or care that the US Border Patrol is monitoring the Super Bowl, as they have for years, one of the many ways that forces created to police the borders are now being used, in an increasingly militarized fashion, to survey and monitor the whole of American society. In fast-paced prose, Todd Miller sounds an alarm as he chronicles the changing landscape. Traveling the country--and beyond--to speak with the people most involved with and impacted by the Border Patrol, he combines these first-hand encounters with careful research to expose a vast and booming industry for high-end technology, weapons, surveillance, and prisons. While politicians and corporations reap substantial profits, the experiences of millions of men, women, and children point to staggering humanitarian consequences. Border Patrol Nation shows us in stark relief how the entire country has become a militarized border zone, with consequences that affect us all. Todd Miller has worked on and written about US border issues for over fifteen years.

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After his graduation from Black Mountain College, Michael Rumaker made his way to the post-Howl, pre-Stonewall gay literary milieu of San Francisco, where he entered the circle of Robert Duncan. Contrasting Duncan's daringly frank homosexuality with Rumaker's own then-closeted life, Robert Duncan in San Francisco conjures up with harrowing detail an era of police prosecution of a clandestine gay community struggling to survive in the otherwise "open city" of San Francisco. This expanded edition includes a selection of previously unpublished letters between Rumaker and Duncan, and an interview conducted for this edition, in which Rumaker provides further reflections on the poet and the period. "This is a wonderfully revealing account of a series of lifechanging collisions between a young writer (Rumaker), an older writer (Duncan), a still older mentor for both (Charles Olson), a city (San Francisco), and an important era in American literature (the 1950s), when it was being turned upside down by these individuals and their friends. It's also a tender and intelligent account of a young man's coming to grips with being gay in the midst of this upheaval. Much more than memoir; it's history." --Russell Banks, author of Cloudsplitter Robert Duncan in San Francisco offers a surprising portrait of a mentor in all his witty, wicked, luminous, and vulnerable complexity. Straddling the lines of memoir and cultural history, Michael Rumaker gives a rare and delightful view of Duncan at home in the gay community while also documenting the struggles of that community in 1950s America." --Lisa Jarnot, author of Robert Duncan, The Ambassador from Venus "In this fine memoir of this 16 months in San Francisco, Rumaker learns many lessons about being at home with who he is, in what he calls 'Robert's city.'" --Joanne Kyger, About Now: Collected Poems Michael Rumaker has written several novels and short story collections, as well as the memoir Black Mountain Days. He was born in Philadelphia and is a graduate of Black Mountain College -- where Duncan served as his outside thesis advisor--and Columbia University. He taught at City University of New York and the New School for Social Research. Robert Duncan (1919-1988) was an American poet and well-known as a key figure in the San Francisco Renaissance. City Lights published a book of his poetry titled Selected Poems.

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A mosaic of lyrical vignettes, at once deeply personal and political, set against the turbulent backdrop of Arab/Western relations. Adnan writes, "Contrary to what is usually believed, it is not general ideas and grandiose unfolding of great events that impress the mind during times of heightened historic upheavals, but rather the uninterrupted flow of little experiences, observations, disturbances, small ecstasies, or barely perceptible discouragements that make up day-to-day living." Etel Adnan, a Lebanese American poet, painter, and essayist, lives in Paris, Beirut, and the San Francisco Bay Area. Among her books, the novel Sitt Marie Rose is considered a classic of Middle Eastern literature. She has been a powerful voice for compassion and empowerment in feminist and antiwar movements.

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"At last, at last, at last, Pessoa again! More Pessoa! One of the very great poets of the twentieth century, again and more! And one of the fascinating figures of all literature, with his manifold identities, his amazing audacities, his brilliance and his shyness. I think I have under control the reluctance I feel in having to share Pessoa with the public he should have had all along in America: until now, only the poets, so far as I can tell, have even heard of him, and delighted and exulted in him. He is, in some ways, the poet of modernism, the only one willing to fracture himself into the parcels of action, anguish, and nostalgia which are the grounds of our actual situation." --C. K. Williams "Pessoa is one of the great originals (a fact rendered more striking by his writing as several distinct personalities) of the European poetry of the first part of this century, and has been one of the last poets of comparable stature, in the European languages, to become known in English. Edwin Honig's translations of Spanish and Portuguese poetry have been known to anyone who cares about either, since his work on Lorca in the forties, and his Selected Poems of Pessoa (1971) was a welcome step toward a long-awaited larger colection." -- W. S. Merwin "Fernando Pessoa is the least known of the masters of the twentieth-century poetry. From his heteronymic passion he produced, if that is the word, two of our greatest poets, Alberto Caeiro and Alvaro de Campos, and a third, Ricardo Reis, who isn't bad. Pessoa is the exemplary poet of the self as other, of the poem as testament to unreality, proclamation of nothingness, occasion for expectancy. In Edwin Honig's and Susan Brown's superb translations, Pessoa and his "others" live with miraculous style and vitality." --Mark Strand Fernando Pessoa is Portugal's most important contemporary poet. He wrote under several identities, which he called heteronyms: Albet Caeiro, Alvaro de Campos, Ricardo Reis, and Bernardo Soares. He wrote fine poetry under his own name as well, and each of his "voices" is completely different in subject, temperament, and style. This volume brings back into print the comprehensive collection of his work published by Ecco Press in 1986.

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The Italian film-maker Pier Paolo Pasolini was first and always a poet--the most important civil poet, according to Alberto Moravia, in Italy in the second half of this century. His poems were at once deeply personal and passionately engaged in the political turmoil of his country. In 1949, after his homosexuality led the Italian Communist Party to expel him on charges of "moral and political unworthiness," Pasolini fled to Rome. This selection of poems from his early impoverished days on the outskirts of Rome to his last (with a backward longing glance at his native Friuli) is at the center of his poetic and filmic vision of modern Italian life as an Inferno. "From all these refusals, we know what Pasolini stood against--political ideologies of all kinds, the complacency inherent in the established social order, the corruption of the institutions of church and state. If Pasolini could be said to have stood for anything it was for the struggles of Italy's working class--both the rural peasants and those barracked in the urban slums at the edges of Italian cities--whose humanity he evoked with great eloquence and nuance. But it is his refusals that animate his legacy with an incandescent rage, a passionate and profound fury that did not, as Zigaina suggests, cry out for death--but for just the opposite." -Nathaniel Rich, The New York Review of Books Pier Paolo Pasolini was born in 1922 in Bologna. In addition to the films for which he is world famous, he wrote novels, poetry, and social and cultural criticism, and was an accomplished painter. He was murdered in 1975 at Ostia, near Rome.

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Gasoline & Vestal Lady on Brattle is volume number 8 in the City Lights Pocket Series. "Open this book as you would a box of crazy toys, take in your hands a refinement of beauty out of a destructive atmosphere. These combinations are imaginary and pure, in accordance with Corso's individual (therefore universal) desire." --Allen Ginsberg "Gregory is a gambler. He suffers reverses, like every man who takes chances. But his vitality and resilience always shine through, with a light that is more than human: The immortal light of his muse." --William S. Burroughs "...A touch young kid from the Lower East Side who rose like an angel over the rooftops and sang Italian songs as sweet as Caruso and Sinatra, but in words...Amazing and Beautiful Gregory Corso, The one and only Gregory the Herald. Read slowly and see."--Jack Kerouac "[M]ore than fifty years on from when it was first published in 1958, Gasoline (City Lights, 1958) by Beat poet Gregory Corso is a seminal book in the birth of that particular literary generation." --Paul Stubbs, 3AM Magazine Gregory Corso's first book of poetry, The Vestal Lady on Brattle, was published by City Lights Press in 1955. Born in New York City and raised in Little Italy, Gregory Corso was an American Poet and the youngest of the iconic Beat Generation writers. Homeless and family-less, Corso was arrested at 13 for petty theft and larcenry and spent some time in New York's infamous jail "The Tombs." He was arrested again, but was admitted to Bellevue Hospital Center. On the night of his 18th birthday, he was arrested again and convicted as an adult, resulting in being detained in Clinton State Prison. Gasoline is dedicated to "the Angels of Clinton Prison..." Corso met Allen Ginsberg in 1951 and Ginsberg recognized Corso as "spiritually gifted." Together they traveled from New York to San Francisco to Paris where Corso wrote some of his most famous poems Bombs and Marriage. His journey to, in, and around Paris resulted in his third book of poetry which included poems The Happy Birthday of Death, Minutes to Go, The American Express, and Long LIve Man. He returned to New York in 1958 only to discover he and the other Beat writers had become famous literary figures. Corso and Ginsberg traveled to college campuses and read their famous works Howl and Bomb and Marriage. On January 17, 2001, Corso died from prostate cancer.

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"I am the man," wrote Artaud, "who has best charted his inmost self." Antonin Artaud was a great poet who, like Poe, Holderlin, and Nerval, wanted to live in the infinite and asked that the human spirit burn in absolute freedom. To society, he was a madman. Artaud, however, was not insane but in luciferian pursuit of what society keeps hidden. The man who wrote Van Gogh the Man Suicided by Society raged against the insanity of social institutions with insight that proves more prescient with every passing year. Today, as Artaud's vatic thunder still crashes above the "larval confusion" he despised, what is most striking in his writings is an extravagant lucidity. This collection gives us quintessential Artaud on the occult, magic, the theater, mind and body, the cosmos, rebellion, and revolution in its deepest sense. Antoine Marie Joseph Artaud, better known as Antonine Artaud, was a French dramatist, poet, essayist, actor, and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde. Jack Hirschman (b. December 13, 1933, in New York, NY) is a poet and social activist who has written more than 50 volumes of poetry. Dismissed from teaching at UCLA for anti-war activities in 1966, he moved to San Francisco in 1973, and was the city's present poet laureate. Hirschman translates nine languages and edited The Artaud Anthology.

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"After looking for him in the poems, we search for him in the prose. The pursuit of the Other in Pessoa's work is never-ending," writes Edwin Honig. Essential to understanding the great Portuguese poet are the essays written about (and by) his heteronyms--Alberto Caeiro, Ricardo Reis, and Alvaro de Campos--the several pseudonyms under which he wrote an extraordinary body of poetry. In Always Astonished, Pessoa and his several selves debate and discuss one another's work, revealing how Portuguese modernism was shaped. Fernando Pessoa is one of the great voices of twentieth-century literature, and these manifestos, letters, journal notes, and critical essays range through aesthetics, lyric poetry, dramatic and visual arts, and the psychology of the artist. He gives us, too, a singularly heterodox political position in his strange work of fiction, The Anarchist Banker. "Eloquent, volatile and obsessed with life--and death--[Pessoa is one of the] modernist giants in whose shadow we live and who made our century one of the extraordinary richness."--The New York Times "Only a few years ago Fernando Pessoa was all but invisible in English. Now this outsider's outsider looms as the latest icon of modern poetry. Eugenio Lisboa devised A Centenary Pessoa in 1995, a lavish miscellany of poems, essays, biography, photographs, even paintings he inspired. Edwin Honig and Susan M. Brown reissued Poems of Fernando Pessoa, along with Honig's Always Astonished, a selected prose."-Robert Polito, BOMB Magazine Fernando Pessoa is Portugal's most important contemporary poet. He wrote under several identities, which he called heteronyms: Albet Caeiro, Alvaro de Campos, Ricardo Reis, and Bernardo Soares. He wrote fine poetry under his own name as well, and each of his "voices" is completely different in subject, temperament, and style.

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An inventory of the General Security headquarters in central Baghdad reveals an obscure manuscript. Written by a young man in detention, the prose moves from prison life, to adolescent memories, to frightening hallucinations, and what emerges is a portrait of life in Saddam Hussein's Iraq. In the tradition of Kafka's The Trial or Orwell's 1984, I'jaam offers insight into life under an oppressive political regime and how that oppression works. This is a stunning debut by a major young Iraqi writer-in-exile. Sinan Antoon has been published in leading international journals and has co-directed About Baghdad, an acclaimed documentary about Iraq under US occupation.

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