Search results for ""Autumn House Press""

In the story of the prophet Elijah, he must flee his home, and, after an arduous journey, he arrives under a broom tree, where he prays for his own death. But in his sleep, he is touched by an angel who provides food and water. In this moment, the broom tree becomes a symbol for shelter in a barren landscape, a portent of hope and renewal. Drawing inspiration from this tale, Natalie Homer’s debut poetry collection is a trek through the wildernesses of the heart and of the natural world. Exploring the idea of divine providence, Homer finds seams of light opening between forlorn moments and locates, “Something to run a finger through, / something to shine in the ocher light.” Within these narrow spaces, Homer explores themes of longing, home, family, and self-worth amidst the wondrous backdrop of the American West and the Rust Belt, while integrating a rich mythology of narrative, image, and association. The broom tree, offering the capacity for shade and respite, becomes a source of connection and an inspiration for the collection. It is an invitation to sink deep into the earth and self and feel the roots entwine.

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In Chad Abushanab’s debut poetry collection, The Last Visit, he carefully and compassionately explores a family broken by alcoholism and abuse. These poems trace the trajectory of an adolescent living with a violent father struggling with addiction, and recount both the abused child’s perspective and his attempts to reckon with his past as he reaches adulthood, chronicling his own struggles with substance abuse and the reverberations of trauma in his life. Amid the violence and hurt, Abushanab’s verse renders moments of compassion—even the least sympathetic figures are shown to be grappling with their flaws, and the narrator struggles to find compassion and move beyond the memories and habits that haunt him. These well-crafted poems explore how the past shapes us and how difficult it can be to leave behind.

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The debut poetry collection of Charles Kell, Cage of Lit Glass engages themes of death, incarceration, and family through a range of physical, emotional, and philosophical spaces. In startling images of beauty and violence, Kell creates a haunting world that mirrors our individual and cultural fears. Boldly engaging with the absurdity, strain, and horrors of life, Kell’s poems expand upon the lineage of writers such as Kafka, Beckett, and Rimbaud. Cage of Lit Glass follows multiple individuals and points of view, all haunted by various states of unease and struggle that follow them like specters as they navigate their world. Kell’s poems form blurred narratives and playful experiments from our attempts to build lives from despair. A tense and insightful collection, these works will follow the reader long after the book is finished.

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Debut collection by poet and academic Cherene Sherrard

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Winner of the 2014 COAL HILL REVIEW Chapbook Contest.

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The eight full-length poetry collection of noted poet and editor, Ed Ochester.

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A COAL HILL REVIEW special edition. Carson's words strike the most personal cords of Irish and Appalachian life by exploring what it means to be both. These poems are vivid and moving.

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In her debut story collection, Shields unveils the truth behind every monster.

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Judith Vollmer's The Water Books does a stunning job of blending natural images within an urbane setting. Whether it be Pittsburgh, a bus, a phone conversation Vollmer's attention to detail is unparalleled.

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Playwright and author

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Dilworth's first anthology is an exemplary compilation of short fiction by American writers of great promise that present an astounding variety of content and voice.

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A collection of Hazo's selected poems spanning 50 years. Tackling themes of family, faith, and war, Hazo writes with immense lyricism and humanity.

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In this retrospective collection, Sheryl St. Germain sings of her New Orleans upbringing, the Cajun/Creole culture, and the struggles of being a woman in a decaying culture.

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Poems that consider the instability of identity through fictional and religious characters. In Ishmael Mask, Charles Kell reminds us that identity is precarious. Kell’s collection is a collage of the journeys and interior lives of various wanderers—from Ishmael, the son of Hagar, to Melville’s Ishmael, and from Pierre of The Ambiguities to Pierre Guyotat. Each poem strips back the mask and beckons us to witness humanity in its barest forms. Captain Ahab’s leg, Ishmael’s arm, and Pierre’s severed head serve as invitations to consider hunger and hope. The inspirations behind these poems—the Bible, Heraclitus, Melville, Guyotat, Tomaž Šalamun—are transformed by Kell, conjuring dreamscapes both dazzling and haunting. Ishmael Mask masterfully allows a glimpse into the human experience of feeling lost—even when right at home, even in our own bodies.

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Tales of characters trying to find their way through the struggles of underemployment. Wendy Wimmer’s debut short story collection, Entry Level, contains a range of characters who are trying to find, assert, or salvage their identities. These fifteen stories center around the experience of being underemployed—whether by circumstance, class, gender, race, or other prevailing factors—and the toll this takes on an individual. Wimmer pushes the boundaries of reality, creating stories that are funny, fantastic, and at times terrifying. Her characters undergo feats of endurance, heartbreak, and loneliness, all while trying to succeed in a world that so often undervalues them. From a young marine biologist suffering from imposter syndrome and a haunting to a bingo caller facing another brutal snowstorm and a creature that may or not be an angel, Wimmer’s characters are all confronting an oppressive universe that seemingly operates against them or is, at best, indifferent to them. These stories reflect on the difficulties of modern-day survival and remind us that piecing together a life demands both hope and resilience. Entry Level was selected by Deesha Philyaw as the winner of the 2021 Autumn House Fiction Prize.

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A formally inventive debut collection of poetry driven by narrative and character. In this poetry collection, JD Debris focuses on characters who live on society’s outskirts and demand greater visibility in the face of marginalization. At the book’s heart are extended narrative elegies for two musicians. First, the poet follows Mexican singer and songwriter Chalino Sánchez as he avenges his sister’s sexual assault, and then he turns to Gato Barbieri, an influential Argentine tenor saxophonist who is haunted by a shadowy “man in dusk-colored glasses.” As these musicians question their purpose, we as readers are invited to reflect on our lives, our legacies, and ourselves. The Scorpion’s Question Mark is personal and mythological, representational and abstract. These formally inventive and metrically attuned poems compose a range of contrasts—boxers Manny Pacquiao and Marvelous Marvin Hagler appear alongside Tupac and Herman Melville, and apparitions of the Virgin Mary manifest in both human and mirage-like forms on public beachfronts. Looking to the scorpion’s tail that forms the shape of a question mark, Debris seeks to occupy uncertain space within the poems, bending forms to find both expansiveness and tension. The Scorpion’s Question Mark was the winner of the 2022 Donald Justice Poetry Prize.

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A compelling story of characters enduring various hardships in rural New Mexico. This debut novel tells the story of nine-year-old Raymond, nicknamed “Ray Moon” by Molly, his adoptive caretaker, a waitress, and the former partner of his recently deceased uncle. These two outcasts rely on one another for survival, and their bond forms the heart of this book. Living in a trailer atop a mesa in the high desert of New Mexico in 1968, Raymond ages quickly amid hostile circumstances. With the help of a keen imagination that Molly inspires, he navigates various forms of loss and exploitation amid enduring hardship. Kevin Honold’s deft and trance-like prose is interspersed with sharp insights and brings attention to the displacement of Native Americans, the hardships of capitalism, the ills of misogyny, and the raw hurt of living a displaced or marginalized life. This is a story of endurance, memory, and unceasing change. Molly was selected by Dan Chaon as the winner of the 2020 Autumn House Fiction Prize.

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The poems in Lucky Wreck trace the excitement of plans and the necessary swerving detours we must take when those plans fail. Looking to shipwrecks on the television, road trips ending in traffic accidents, and homes that become sites of infestation, Ada Limón finds threads of hope amid an array of small tragedies and significant setbacks. Open, honest, and grounded, the poems in this collection seek answers to familiar questions and teach us ways to cope with the pain of many losses with earnestness and humor. Through the wrecks, these poems continue to offer assurance. This darkness is not the scary one, it’s the one before the sun comes up, the one you can still breathe in. Celebrating the fifteenth anniversary of Limón’s award-winning debut, this edition includes a new introduction by the poet that reflects on the book and on how her writing practice has developed over time.

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