Search results for ""Author Sylvie""

This informative book provides a critical and comprehensive review of the research on innovation in small businesses particularly, the family-owned businesses.Innovation in Small Family Businesses explores how innovation is developed and carried out in small family-owned businesses, the factors underpinning it, and the innovation drivers and barriers in these firms' context. Sylvie Laforet also offers suggestions on how innovation can be fostered and perhaps, sustained in small family-owned businesses and discusses the government s role in this. The book makes an important contribution to the theoretical development of family firms' and small businesses' innovation.The detailed and critical literature review will provide useful reference points for both academics and students and identifies avenues for future research for the area. Policymakers and practitioners will also find this compact compendium insightful.Contents: Preface 1. Introduction 2. Culture, Structure, Leadership, Business Goal, Orientation and Innovation 3. Characteristics and Factors Affecting Innovation in Family Firms 4. Process of Innovation in Small Family Businesses 5. Conclusion Index

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Twentieth-century narratology fostered the assumption, which distinguishes narratology from previous narrative theories, that all narratives have a narrator. Since the first formulations of this assumption, however, voices have come forward to denounce oversimplifications and dangerous confusions of issues. Optional-Narrator Theory is the first collection of essays to focus exclusively on the narrator from the perspective of optional-narrator theories. Sylvie Patron is a prominent advocate of optional-narrator theories, and her collection boasts essays by many prominent scholars—including Jonathan Culler and John Brenkman—and covers a breadth of genres, from biblical narrative to poetry to comics. This volume bolsters the dialogue among optional-narrator and pan-narrator theorists across multiple fields of research. These essays make a strong intervention in narratology, pushing back against the widespread belief among narrative theorists in general and theorists of the novel in particular that the presence of a fictional narrator is a defining feature of fictional narratives. This topic is an important one for narrative theory and thus also for literary practice.Optional-Narrator Theory advances a range of arguments for dispensing with the narrator, except when it can be said that the author actually “created” a fictional narrator.

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2010 Sydney Taylor Book Award, Notable Book for Older ReadersThe tale of Rashi’s granddaughter, a young girl who defies her community to help a friend in need. In this sequel to My Guardian Angel, Sylvie Weil continues the story of Elvina, the 14-year-old granddaughter of Rashi, the famous eleventh-century French Bible and Talmud commentator. It is the spring of 1097 in the town of Troyes, in France. The Crusaders have been marauding their way through Europe, attacking Jewish communities. One evening, a mysterious family arrives in Troyes—German Jews forced by the Crusaders to submit to baptism. The townspeople shun the family, but Elvina befriends eleven-year-old Columba. Columba’s mad cousin, Ephraim, steals a mirror from a member of the Jewish community, believing it will let him see his family killed in the recent attacks. Elvina tries to help Ephraim rid his mind of the terrible images by bringing him her own mirror, in which she claims to see a positive future. Elvina’s story brings the world of Medieval European Jewry to life for young readers.Ages 10 and up

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Between 1931 and 1939, central Athens was transformed by the expropriation and demolition of the Vrysaki neighborhood at the foot of the Acropolis. In these few years, more than 5,000 inhabitants were displaced and 348 properties were torn down so that the American School of Classical Studies at Athens (ASCSA) could excavate the ancient Agora; the scale of the project and the degree to which it was documented make this a unique episode in the history of Greek archaeology. Using materials from the ASCSA Archives and a large collection of photographs from the 1930s, this volume details the history of the negotiations, the expropriations, and, most importantly, the Vrysaki neighborhood itself. Illustrating its streets, shops, houses, names, and faces, the author provides a vivid recreation of the community that was Vrysaki.

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“What is colour?”, “What is the precise meaning of the statement ‘the stock exchange closes at a 5% drop this evening’?”, “How are TV viewers defined?”, or “How can images produce meaning?” Such everyday questions are examined in this book. To make our analysis intuitive and understandable, numerous concrete examples illustrate our theoretical framework and concepts. The examples include gaming, fictional skits in leisure entertainment, and enigmas. The golden thread running through the text revisits the informational process and places the datum as its pivot. The epistemological perspective of our novel approach is that of “radical relativity”. This is based on the precept that a perceptual trace carries with it the spectrum of the process that has engendered it. Given this, the informational tracking endeavour tracks the meaning-making process, notably through interpretive scaffoldings that leads to plausible realities.

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A bear who loves to dance finds music and delight in all the sounds of the city, and discovers that silence shared with others can be a music all its own. Eugene loves to dance. He loves it so much he'll dance to any noise in the city, whether it be a car horn or a jackhammer. He wishes he could get everyone else to dance along with him, but no one else seems to care. When an evening snow begins to fall, Eugene discovers the magic ingredient that will put everyone in a mood to frolic. Here's a gleeful celebration of the rhythms of daily life, and a lesson in how to find the music that's all around you.

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With The Natural Home, you'll discover how to clean everything in your house the healthy way with just a few inexpensive, easy to find products using tried and true cleaning methods that have been around for centuries. Organized by product and location in the home, the book includes an in-depth explanation of natural products like vinegar, lemon, and baking soda which can be used to clean most areas in your home. There's a cleaning guide by room; tips for maintaining materials like marble, stainless steel, and wood; solutions for every stain; natural fragrances for your home; laundry tips; and natural products for pets. Also included recipes for cleaning products you can make on your own that will help disinfect, whiten, deodorize and remove even the toughest stains in bathrooms, kitchen, carpets and clothing.Beautifully designed with two-color interiors and filled with dozens of illustrations, The Natural Home is a charming gift book that shows you how to keep your home sparkling, green, and healthy.

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A sensitive innocent, Hendrickje Stoffels escapes the harsh realities of her garrison home-town to take up a servant's role in Rembrandt's household. She soon becomes his lover and closest confidante, and plays witness to the highs and lows of the great artist's life. But Hendrickje is fated to discover the hypocrisy and greed of society in Amsterdam's Golden Age.In sensuous prose, Matton paints a powerful fictional portrait of this impassioned relationship through the eyes of a remarkable woman.

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In this timely collection, the authors examine Indigenous peoples’ negotiations with different cosmologies in a globalized world. Dussart and Poirier outline a sophisticated theory of change that accounts for the complexity of Indigenous peoples’ engagement with Christianity and other cosmologies, their own colonial experiences, as well as their ongoing relationships to place and kin. The contributors offer fine-grained ethnographic studies that highlight the complex and pragmatic ways in which Indigenous peoples enact their cosmologies and articulate their identity as forms of affirmation. This collection is a major contribution to the anthropology of religion, religious studies, and Indigenous studies worldwide. Contributors: Anne-Marie Colpron, Robert R. Crépeau, Françoise Dussart, Ingrid Hall, Laurent Jérôme, Frédéric Laugrand, C. James MacKenzie, Caroline Nepton Hotte, Ksenia Pimenova, Sylvie Poirier, Kathryn Rountree, Antonella Tassinari, Petronella Vaarzon-Morel

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Many people crave a creative outlet, but more often than not, don't know where to start. In Yellow, Valentina Zucchi and Sylvie Bello invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate yellow, the most cheerful and inviting of colours.Explore some of the many different yellows that artists have used over the years to give substance to the beauty of light, from precious gold to butterscotch and cadmium yellow. Throughout the book, Valentina and Sylvie provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Olafur Eliassoni, Vincent van Gogh, JMW Turner and more, you will discover the many shades of yellow and just some of the ways it can be used to convey meaning.Yellow is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.

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English Pronunciation in Use: Elementary is a comprehensive reference and practice book for learners of English and can be used by individual learners working alone, or in class. There are 50 easy-to use units with key pronunciation points presented on the left-hand page with a range of exercises on the facing right-hand page. All units are supported with audio material which is available in cassette or CD format. The audio material uses a clear model of a standard British accent for presentation and repetition exercises. In receptive exercises different accents used to give learners the opportunity to listen to a range of English accents. There is also a useful reference section. The elementary level will focus on those areas of pronunciation relevant to elementary level learners (e.g. differentiation of sound pairs and pronunciation for listening).

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The clepsydra is an ancient water clock and serves as the primary metaphor for this examination of Jewish conceptions of time from antiquity to the present. Just as the flow of water is subject to a number of variables such as temperature and pressure, water clocks mark a time that is shifting and relative. Time is not a uniform phenomenon. It is a social construct made of beliefs, scientific knowledge, and political experiment. It is also a story told by theologians, historians, philosophers, and astrophysicists. Consequently, Clepsydra is a cultural history divided in two parts: narrated time and measured time, recounted time and counted time, absolute time and ordered time. It is through this dialog that Sylvie Anne Goldberg challenges the idea of a unified Judeo-Christian time and asks, "What is Jewish time?" She consults biblical and rabbinic sources and refers to medieval and modern texts to understand the different sorts of consciousness of time found in Judaism. In Jewish time, Goldberg argues, past, present, and future are intertwined and comprise one perpetual narrative.

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What does it mean to be gayfriendly? Having gay friends, supporting gay marriage, remaining unfazed when one’s son or daughter comes out? Going to gay bars or questioning one’s own sexual orientation? There is no single model of ‘gayfriendliness’, but rather different attitudes which vary according to age, sex, country and life circumstance. Acceptance of homosexuality has undeniably grown, and homosexuality is increasingly seen as one form of sexuality among others. But embedded in this liberal vision is a perspective that is more troubling. Based on interviews with gayfriendly straight people in the liberal neighbourhoods of Park Slope in New York and the Marais in Paris, Sylvie Tissot shows that stereotypes remain and control of gays and lesbians has not disappeared. Acceptance is directed towards those who are of the same socioeconomic background, who proclaim their wish to emulate traditional norms of family life, and who do not make any other demands. Gays must be normal but not completely so, similar and at the same time different, in order to meet the not always conscious conditions of acceptability. Gayfriendliness has managed to dispel violence and discrimination and has accompanied the invention of less conventional lives. But, as Tissot shows, it has not yet liberated itself from the clutches of heterosexual domination which still structures our society and our ways of thinking.

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Entangled Territorialities offers vivid ethnographic examples of how Indigenous lands in Australia and Canada are tangled with governments, industries, and mainstream society. Most of the entangled lands to which Indigenous peoples are connected have been physically transformed and their ecological balance destroyed. Each chapter in this volume refers to specific circumstances in which Indigenous peoples have become intertwined with non-Aboriginal institutions and projects including the construction of hydroelectric dams and open mining pits. Long after the agents of resource extraction have abandoned these lands to their fate, Indigenous peoples will continue to claim ancestral ties and responsibilities that cannot be understood by agents of capitalism. The editors and contributors to this volume develop an anthropology of entanglement to further examine the larger debates about the vexed relationships between settlers and indigenous peoples over the meaning, knowledge, and management of traditionally-owned lands.

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"Hilf mir, es selbst zu tun." Der pädagogische Ansatz von Maria Montessori stellt das Kind und seine Fähigkeiten zu gestalten in den Mittelpunkt und ermutigt Kinder, kreativ zu sein, selbst Wege zu finden und Entscheidungen zu treffen. Möchten Sie sich mit Montessori-Pädagogik beschäftigen und erwägen, Ihr Kind nach dieser Methode zu erziehen? Dieses Buch stellt Ihnen die Grundideen vor und zeigt Ihnen, wie alle Altersstufen, vom Säugling bis zum Teenager und sogar an Alzheimer oder Autismus leidende Erwachsene, von Montessori profitieren. Sie erfahren, wie man das spezielle Montessori-Material einsetzt, erhalten Tipps zur Schulwahl und vor allem, was Sie als Eltern tun können, um Ihr Kind zu begleiten und in seiner Entwicklung zu unterstützen.

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François Truffaut called Night and Fog “the greatest film ever made.” But when Alain Resnais finished his documentary, with its depiction of Nazi atrocities, the resistance of the French censors was fierce. A mere decade had passed since the end of the war, and the French public was unprepared to confront the horrors shown in the film—let alone the possibility of French complicity. In fact it would be through Night and Fog that many viewers first learned, as film critic Serge Daney put it, “that the worst had only just taken place.” An engrossing account of the genesis, production, and legacy of Resnais’s incomparable film, this book documents in extraordinary detail how a film that began as a cinematic spin-off of an educational exhibition on “resistance, liberation, and deportation” went on to become a significant step in the building of a collective consciousness of the tragedy of World War II. Sylvie Lindeperg frames her investigation with the story of historian Olga Wormser-Migot, who played an integral role in the research and writing of Night and Fog—and whose slight error on one point gave purchase to the film’s detractors and revisionists and Holocaust deniers. Lindeperg follows the travails of Resnais, Wormser-Migot, and their collaborators in a pan-European search for footage, photographs, and other documentation. She uncovers creative use of liberation footage to stand in for daily life of the camps featured to such shocking effect in the film—a finding that raises hotly debated questions about reenactment and witnessing even as it enhances our understanding of the film’s provenance and impact.A microhistory of a film that altered the culture it reflected, Night and Fog offers a unique interpretation of the interworking of biography, history, politics, and film in one epoch-making cultural moment.

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François Truffaut called Night and Fog “the greatest film ever made.” But when Alain Resnais finished his documentary, with its depiction of Nazi atrocities, the resistance of the French censors was fierce. A mere decade had passed since the end of the war, and the French public was unprepared to confront the horrors shown in the film—let alone the possibility of French complicity. In fact it would be through Night and Fog that many viewers first learned, as film critic Serge Daney put it, “that the worst had only just taken place.” An engrossing account of the genesis, production, and legacy of Resnais’s incomparable film, this book documents in extraordinary detail how a film that began as a cinematic spin-off of an educational exhibition on “resistance, liberation, and deportation” went on to become a significant step in the building of a collective consciousness of the tragedy of World War II. Sylvie Lindeperg frames her investigation with the story of historian Olga Wormser-Migot, who played an integral role in the research and writing of Night and Fog—and whose slight error on one point gave purchase to the film’s detractors and revisionists and Holocaust deniers. Lindeperg follows the travails of Resnais, Wormser-Migot, and their collaborators in a pan-European search for footage, photographs, and other documentation. She uncovers creative use of liberation footage to stand in for daily life of the camps featured to such shocking effect in the film—a finding that raises hotly debated questions about reenactment and witnessing even as it enhances our understanding of the film’s provenance and impact.A microhistory of a film that altered the culture it reflected, Night and Fog offers a unique interpretation of the interworking of biography, history, politics, and film in one epoch-making cultural moment.

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North African immigrants, once confined to France’s social and cultural margins, have become a strong presence in France’s national life. Similarly, descendants of immigrants from Morocco, Algeria, and Tunisia have gained mainstream recognition as filmmakers and as the subject of films. The first collective volume on this topic, Screening Integration offers a sustained critical analysis of this cinema. In particular, contributors evaluate how Maghrebi films have come to participate in, promote, and, at the same time, critique France’s integration. In the process, these essays reflect on the conditions that allowed for the burgeoning of this cinema in the first place, as well as on the social changes the films delineate.Screening Integration brings together established scholars in the fields of postcolonial, Francophone, and film studies to address the latest developments in this cinematic production. These authors explore the emergence of various genres that recast the sometimes fossilized idea of ethnic difference. Screening Integration provides a much-needed reference for those interested in comprehending the complex shifts in twenty-first-century French cinema and in the multicultural social formations that have become an integral part of contemporary France in the new millennium.

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The Barnes Foundation s holdings of works by the renowned Post-Impressionist Paul Cezanne (1839 1906) sixty-one oils on canvas and eight works on paper are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivalled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cezanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cezanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation s impressive holdings of Cezannes never before published in a single study in their entirety span every period of the artist s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cezanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.

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The narrator (the answer to the question “who speaks in the text?”) is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be “narratorless”? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative). Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.

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The significantly revised second edition of this unique practitioner guide features 65% new material and a new organizing structure. The authors show how to use motivational interviewing (MI) to have productive conversations about behavior change with adolescents and young adults in any clinical context. Noted for its clarity, the book includes extended case examples, sample dialogues, quick-reference tables, and "dos and don'ts." It provides vital tools for helping young people open up about their struggles, explore alternatives, and make healthier choices around such concerns as substance use, smoking, anxiety, medication adherence, and obesity. New to This Edition *More integrative and cohesive: every chapter weaves in diverse clinical issues, replacing the prior edition's population-specific chapters. *Chapters on MI in groups and involving caregivers in treatment. *Restructured around the current four-process model of MI, and proposes maintenance of change as a fifth process. *Incorporates the rapidly growing research base on MI with youth. *Reflects the ongoing refinement of the authors' training approach; includes skill-building activities at the end of each chapter. This book is in the Applications of Motivational Interviewing series, edited by Stephen Rollnick, William R. Miller, and Theresa B. Moyers.

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The lead-acid accumulator was introduced in the middle of the 19th Century, the diverse variants of nickel accumulators between the beginning and the end of the 20th Century. Although old, these technologies are always very present on numerous markets. Unfortunately they are still not used in optimal conditions, often because of the misunderstanding of the internal electrochemical phenomena. This book will show that batteries are complex systems, made commercially available thanks to considerable amounts of scientific research, empiricism and practical knowledge. However, the design of batteries is not fixed; it is subject to constant developments as a result of user feedback and validation processes which are often long and fastidious. This book attempts to show that it is not possible to consider a family of batteries as having fixed, applicable properties and characteristics whatever the application and the technology used in their manufacture. For this reason, the authors have chosen to present the fundamental electrochemical and chemical phenomena involved in as simple and as clear a way as possible. It is essential to be aware of these mechanisms in order to develop suitable theoretical models. This work will be of particular interest to those working in the field of electrical engineering and to industrialists, the final users of these technologies. It will also be of interest to electrochemists, as experts in lead or nickel batteries are becoming fewer and farther between, and their knowledge and practical skills are steadily being lost. Contents Part 1. Universal Characteristics of Batteries 1. Definitions and Methods of Measurement. Part 2. Lead–Acid Batteries 2. The Operation of Lead–Acid Batteries. 3. Internal Composition and Types of Lead–Acid Batteries. 4. Lead Batteries: Main Characteristics. 5. Manufacturing Starting, Lighting and Ignition Batteries. Part 3. Introduction to Nickel-Based Batteries 6. Nickel–Cadmium Batteries. 7. Nickel–Metal Hydride Batteries. 8. Other Nickel-Based Batteries.

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A big one and little one talk together. The little one is frustrated because he wants to do something really big, even though he's still small. The big one asks if he means something big like a mountain. No, a mountain is too big. Big like an elephant? No, that's too gray. More like a lighthouse by the sea, muses the boy, though not exactly. Father and son take a walk by the ocean, and there something surprising and deep and big occurs. Lyrical and gentle, Something Big is a touching story about childhood, parenting, and experiences that repeat generation after generation. Here the author beautifully grasps the tension between a child's smallness and his ability to dream big dreams.

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Papermaking by hand is carried on professionally by only a small number of dedicated papermakers around the world. Yet the craft of papermaking attracts interest from many areas - bookmakers, calligraphers, artists, teachers, sculptors, and printers. The problem has always been where to buy supplies and machinery. Here, at last, is a book that lists sources of equipment and products worldwide for the hand papermaker. It addresses professionals and amateurs alike, listing sources of supply for all types of fibers, pulps, stampers, beaters, moulds and deckles, vats, felts and presses, dyes and pigments. It also lists papermaking kits, Japanese and oriental supplies, vacuum systems, pulp sprayers, paper information resources, workshops, magazines, and videos. (7 3/4 X 10, 112 pages, b&w photos, illustrations, diagrams)

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