Search results for ""Author Paperblanks""

William Morris (1834–1896), one of the most celebrated practitioners of the Arts and Crafts movement, created woven and printed textile designs using the ancient technique of hand woodblock printing. As seen on this Paperblanks Morris Windrush softcover Flexi notebook, his evocations of the natural world, with their depth of tone and magical gradation of tints, have become design classics.

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Capturing the flavour of Renaissance-style bound books, Paperblanks Old Leather Flint journal pays homage to the craft of delicate gold tooling. For this cover design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.

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Our Paperblanks Flexis Aurelia soft cover notebook design is fit for a king. Its inspiration dates back to Paris in the mid-18th century and the original binding housed copies of King Louis XV’s procedures for Holy Week. This book design is a marvellous riot of gold-tooled rococo elements, featuring birds, flowers and leaves.

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Our Kikka soft cover notebook reproduces Michiko Kamee’s “full of chrysanthemum” design originally hand-painted with gold overglaze and colour on china by employing Kyo-Satsuma. In this Paperblanks Flexi cover design the viewer can see hints of the kaleidoscope of flowers in bloom, as well as fine boned artistry in every brush stroke and hue.

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Taking their slightly sullen cues from previous artistic movements, the New Romantics of the 1980s brought their hairstyles and attitudes to new prominence. Our Peacock Punk journal celebrates the drama that made the New Romantic movement some of the most ironic good times popular culture has ever had.

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Taking their slightly sullen cues from previous artistic movements, the New Romantics of the 1980s brought their hairstyles and attitudes to new prominence. Our Urban Glam journal celebrates the drama that made the New Romantic movement some of the most ironic good times popular culture has ever had.

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Our Aurelia journal design is fit for a king. Its inspiration dates back to Paris in the mid-18th century and the original binding housed copies of King Louis XV’s procedures for Holy Week. This book design is a marvellous riot of gold-tooled rococo elements, featuring birds, flowers and leaves.

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In Search of Lost Time, Marcel Proust’s seven-volume masterpiece, is an examination of French society that almost completely lacks any sense of plot. Needless to say, it caused a sensation when the first volume was published in 1913. This Paperblanks journal cover shows a page from his lined notebook with his copious notes in the margins.

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This blue and gold Paperblanks Equinoxe Azure journal reproduces a 1688 binding protecting L’office de la Semaine Sainte. The original binding was adorned “à la fanfare,” a handtooled pattern edged in gilt. “Fanfare,” which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

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If you are celestially minded, this brilliant Paperblanks journal is sure to enchant and delight. With its central star shape, Solis exerts an emotional pull akin to a warm, glowing sunrise after a long winter’s sleep. For those inclined to contemplate the cosmos, look no further than the books in our Nova Stella series.

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This deep blue Delphine journal celebrates the exuberance of the Florentine style. The original book of designs, published in the 1890s by Ginés Codina y Sert, contained over a hundred decorative patterns adorning everything from murals to wallpaper to tapestries.

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Bukhara, one of Uzbekistan’s largest cities, was the birthplace of this dazzling eighteenth-century Islamic binding. The city’s rich intellectual and cultural lifestyle was shaped by Indo-Persian influences, particularly the golden age of the Samanids. Paperblanks Bukhara Adina journal features heart-shaped leaves, a centre rosette and intricate corner pieces, all executed with skill and artistry.

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Featured on our Miroku journal cover is the Miroku Bosatsu Hanka Shiyui statue, a National Treasure at Kyoto’s Koryu-ji Temple, built in 603 AD. This sculpture depicts Maitreya, the Buddha “yet to come,” sitting in stillness as the guardian of the Teachings of the Buddha. As a metaphor for Compassion, Maitreya teaches that each of us possesses the potential to be Enlightened.

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Plaid has always been a pattern that crosses lines. Closely associated with Scottish clan tartans, plaid material has been unearthed in Central Asian tombs from as far back as 1500 BC. The plaid shown on our Kensington journal cover was collected in France in the 1800s, but looks as though it could have come from last year’s runway collection. So goes the cheeky versatility of plaid!

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This red and gold Paperblanks Equinoxe Carmine journal reproduces a 1688 binding protecting L’office de la Semaine Sainte. The original binding was adorned “à la fanfare,” a handtooled pattern edged in gilt. “Fanfare,” which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

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Paperblanks Gold Inlay journal cover reproduces a “Stil der Neorenaissance” (neo-Renaissance style) design popular in 19th-century Germany. The original binding, composed of solid metal, was covered in a fine layer of gold which was then meticulously engraved by skilled craftsmen. Bindings like this were highly valued and were frequently adorned with silk, cloisonné enamels or precious stones.

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Combining the Latin words “filum” (thread) and “granum” (seed), silver “filigree” describes an art form that is achieved by first die cutting a base layer of silver sheets and then meticulously etching elaborate grooves into its surface. The polished binding seen on Paperblanks Silver Filigree Maya Blue journal is inspired by a 1697 French binding of Johann Arndt’s Paradiesgärtlein.

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Our Ironberry journal cover reproduces the binding of a prayer book belonging to the Archbishop Clemens August of Cologne. The interior contents were an extraordinary example of German calligraphic engraving. The prayers were written by Maria Joseph Clement Kaukol and the bound copies were given as gifts to the Archbishop’s friends, presumably to strengthen ties of friendship.

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Paperblanks Safavid journal portrays a leather filigree pattern incorporating handtooled motifs, retaining the elegance and style of the Islamic Golden Age even in our modern context. Symmetry is the hallmark of this binding, which features medallions, a pentagonal envelope flap closure and elaborately decorated “doublures” (interior covers), exquisite creations in cut-out leather and gilding.

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French author and illustrator Benjamin Lacombe lends his unique spirit to our collection with this lively design. Lacombe describes his style as being a combination of pop surrealism and lowbrow art.

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Capturing the flavour of Renaissance-style binding at its zenith, this intricately embellished book cover is unique, tactile and so very pleasing to the eye. During this remarkable period in history, manuscripts were renowned for their exquisitely crafted covers made of fine moroccan leather. Brought into Europe via the flourishing trade routes to the Far and Middle East, this style of ornamentation lent a new vibrancy and lightness of design not found in medieval manuscripts.

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William Morris was one of the most celebrated practitioners of the Arts and Crafts movement in the late 19th century. Created using woodblock printing done by hand, his evocations of antique florals and plants in all their magical gradation of tints have become design classics gracing the decorative arts.

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Photographer Gérard Degeorge has travelled the world, capturing grand pieces of architectural design through the scope of his lens. This cover design comes from his vast collection of photography and is reminiscent of the Alhambra in Granada, Spain. The geometric pattern, floral design and arabesque setting are all suggestive of the art and architecture styles found in the western Islamic world.

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Inspired by the 17th-century binding that originally housed the Bustan, a seminal work by Persian author Saadi (1210–1291), this design features intricate birds and flowers that beautifully mirror the contents of the original volume. Today the historic binding can be found in the British Library.Saadi Shirazi, known by his pen name Saadi, was a poet and prose writer born in Shiraz, Iran. He was nicknamed “The Master of Speech” among fellow Persian scholars for the quality of his writing and the depth of his social and moral thoughts. Saadi’s work conveyed his worldview through the beauty of poetry. The strength of his writing not only impacted Persian literature but also influenced the use of Persian language in everyday life.The Bustan (known in English as The Orchard) is one of Saadi’s two best-known works. Written entirely in verse, the stories within are rich in moral thought and principles. Scattered throughout are aphorisms, practical wisdom and reflections on the human existence. With its delicate botanical patterns, this design reflects the fruits of Saadi’s wisdom.

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This glorious design comes from Sangorski & Sutcliffe, a world-renowned British bindery best known for their bejewelled cover of Omar Khayyam’s Rubaiyat. Established in London in 1901, Sangorski & Sutcliffe quickly rose to become one of the 20th century’s most important bookbinders. They were especially celebrated for their jewelled bindings, like the one reproduced here. Originally crafted in 1922 to house Rudyard Kipling’s 1897 “Recessional” poem written for Queen Victoria’s Diamond Jubilee, it incorporated real turquoise, aquamarine and ruby gemstones, alongside medieval-style illumination by Alberto Sangorski and gold tooling by George Sutcliffe.

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Capturing the flavour of Renaissance-style binding at its zenith, this intricately embellished book cover is unique, tactile and so very pleasing to the eye. During this remarkable period in history, manuscripts were renowned for their exquisitely crafted covers made of fine moroccan leather. Brought into Europe via the flourishing trade routes to the Far and Middle East, this style of ornamentation lent a new vibrancy and lightness of design not found in medieval manuscripts.

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This lovely, organic pattern comes from the illustrious carpet-making traditions of the Moldavian people. By mixing ideals of beauty and harmony with folk mysticism and mythology, Moldavian craftspeople elevate everyday carpets to works of spiritual and cultural expression. This particular design comes from a contemporary rug manufacturer, Floare Carpet, who design their floor coverings in the traditional ways.

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Capturing the flavour of Renaissance-style binding at its zenith, this intricately embellished book cover is unique, tactile and so very pleasing to the eye. During this remarkable period in history, manuscripts were renowned for their exquisitely crafted covers made of fine moroccan leather. Brought into Europe via the flourishing trade routes to the Far and Middle East, this style of ornamentation lent a new vibrancy and lightness of design not found in medieval manuscripts.

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A lifelong artist, Gary Grayson’s affinity for both antique prints and modern graphic design is on display in the digital artwork behind this cover. His distinctive style is an eclectic mix of vintage vector, impressionism and pop art.

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This glorious design comes from Sangorski & Sutcliffe, a world-renowned British bindery best known for their bejewelled cover of Omar Khayyam's Rubaiyat. Established in London in 1901, Sangorski & Sutcliffe quickly rose to become one of the 20th century's most important bookbinders. They were celebrated for their jewelled bindings, like the one reproduced here. Crafted in 1922 to house Rudyard Kipling's 1897 Recessional poem, written for Queen Victoria's Diamond Jubilee, the original binding incorporated real turquoise, aquamarine and ruby gemstones, alongside medieval-style illumination by Alberto Sangorski and gold tooling by George Sutcliffe. In the late 1980s, Sangorski & Sutcliffe was acquired by Asprey, joining forces with Zaehnsdorf under the SSZ umbrella. But the family name was restored in 1998 when Shepherds Bookbinders bought the company.

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A man as tormented as he was beloved, Oscar Wilde (1854 1900) overcame a life of extraordinary ups and downs to become a world-renowned playwright, author and poet. Oppressed by a largely homophobic world, Wilde remained resilient. He used his experiences to form brilliant, if controversial, literary works, including The Importance of Being Earnest. Today, he is remembered as one of the most influential writers of the Victorian era.

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This captivating image comes from the first edition of Scottish poet and anthropologist Andrew Lang s The Olive Fairy Book. Compiled in 1907 by Lang, illustrated by Henry Justice Ford and published under the editorial direction of Lang s wife, Leonora Alleyne, the book was one in a twelve-part series known as Lang s Fairy Books, with each book named for the colour of its fairy.

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Ancient spiritual practices meet modern digital art in the work of Android Jones. His art asks the viewer to focus on the potential for awakening, the power of the third eye and the early reverberations of the time that lies before us. With colours both psychedelic and hyper-modern, and imagery combining Eastern iconography with a science fiction aesthetic, Jones is an artist who draws on old traditions and those yet to be born.

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This captivating image comes from the first edition of Scottish poet and anthropologist Andrew Lang s The Violet Fairy Book. Compiled in 1901 by Lang, illustrated by Henry Justice Ford and published under the editorial direction of Lang s wife, Leonora Alleyne, the book was one in a twelve-part series known as Lang s Fairy Books, with each book named for the colour of its fairy.

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This gold-tooled design comes from a unique binding attributed to Christian Samuel Kalthoeber, a German bookbinder working in London. He created the beautiful new cover for this copy of Shakespeare s First Folio around 1800. Originally published in 1623, Mr. William Shakespeare s Comedies, Histories, & Tragedies (or, First Folio) is one of the most valuable books ever printed.

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This captivating image comes from the first edition of Scottish poet and anthropologist Andrew Lang s The Violet Fairy Book. Compiled in 1901 by Lang, illustrated by Henry Justice Ford and published under the editorial direction of Lang s wife, Leonora Alleyne, the book was one in a twelve-part series known as Lang s Fairy Books, with each book named for the colour of its fairy.

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French artist Claude Monet (1840–1926) was one of the founders of the Impressionist movement. Monet was particularly fascinated with portraying the beauty of nature as the light, shadows and colours changed with each passing moment, day or season. The 1897 painting reproduced on our cover portrays a vibrant bed of colourful chrysanthemums captured in Monet’s distinctive heavy brushstrokes, which beautifully highlight the magnificence of nature.

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William Morris (1834–1896), one of the most celebrated practitioners of the Arts and Crafts Movement, created woven and printed textile designs using the ancient technique of hand woodblock printing. As seen on this pencil case, his evocations of the natural world have become design classics.

Read more less

For the celestially minded and lovers of dark light, we present Nova Stella. This book cover, with its central star shape, exerts an emotional pull like the North Star for nighttime wayfarers. Our Nova Stella cover comes from the 1789 binding of Missale Sacri Ordinis Praedicatorum, printed during the Settecento period by Octavio Puccinelli publishers. During this time bookbinding became at once simpler and yet more complex. The sewing was done on recessed cords to give the spines a smooth appearance and so, while the structure of books was uncomplicated, decoration became increasingly elaborate.

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This Baroque-inspired cover comes from a 1725 binding of The Decameron of Giovanni Boccaccio, a masterpiece of Italian literature. Giovanni Boccaccio (1313–1375) was an Italian writer and poet who helped lay the foundations of Renaissance humanism. With its scope from humour to tragedy and its vivid narrative structure, The Decameron – his defining work – remains an affirmation of humanity and moral values even when read today.

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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye (1879–1959). It was crafted to hold a collection of William Wordsworth’s poems illustrated by Pye’s lifelong friend Thomas Sturge Moore. One of the youngest pre–First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings. With this series, we pay tribute to a pioneering woman in the art of book design.

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A brilliant 16th-century Cairo workshop is responsible for this journal cover design. Though the name of that atelier has been lost to history, the detailed pattern and fine materials used show why books from the workshop were so highly prized. Today the original binding can be found in the collection of the Museum Kunstpalast in Düsseldorf, Germany.

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The eternal appeal of a classic floral design is captured in the work of Irish illustrator William Kilburn (1745–1818). With winding twigs and colourful petals set against an inky black background, this Floralia pencil case design is emblematic of Kilburn’s ability to blend local and exotic flora into a harmonious pattern.

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Among the finest poets America has ever produced, Emily Dickinson lived a life of quiet solitude. A master of the short lyric poem, her eccentric preoccupation with death and immortality permeated many of her greatest works. It is Dickinson’s handwritten draft of “I died for beauty – but was scarce” that we have reproduced for this journal cover.

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Nobility and grace are restored in this filigreed design. Originally crafted in 1675 by the Queens’ Binder “A,” the balance of open space and intricate elements make it a shining jewel of the period. The binding reproduced for our Restoration pencil case was designed to hold Richard Allestree’s The Government of the Tongue.

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Laurel Burch was a self-taught artist who relied on her intuition and passion, speaking from the heart with an unmistakably imaginative style. Based on Laurel Burch’s original “Imagine” butterflies image, Paperblanks Flutterbyes soft cover notebook is the perfect Flexi journal to match any joyful lifestyle.

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