Search results for ""Author H. G. Wells""

Presented as a miraculous cure-all, Tono-Bungay is in fact nothing other than a pleasant-tasting liquid with no positive effects. Nonetheless, when the young George Ponderevo is employed by his Uncle Edward to help market this ineffective medicine, he finds his life overwhelmed by its sudden success. Soon, the worthless substance is turned into a formidable fortune, as society becomes convinced of the merits of Tono-Bungay through a combination of skilled advertising and public credulity. As the newly rich George discovers, however, there is far more to class in England than merely the possession of wealth.

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A comet rushes toward the earth, a deadly, glowing orb that soon fills the sky and promises doom. But mankind is too busy hating, stealing, scheming, and killing to care. As luminous green trails of cosmic dust and vapor stream across the heavens, blood flows beneath: nations wage all-out war, bitter strikes erupt, and jealous lovers plot revenge and murder. The earth slips past the comet by the narrowest of margins, but all succumb to the gases in its tail. When mankind wakes up, everyone is completely and profoundly different. In the Days of the Comet is H. G. Wells's classic tale of the last days of the old earth and the extraterrestrial Change that becomes the salvation of the human race. An ill-fated romance between Willie Leadford and Nettie Stuart unfolds in a world buried in misery and bent on its own destruction. After the earth passes through the comet's tail, suffering, pettiness, and injustice melt away. Willie, Nettie, and everyone around them are reborn. They now see themselves and their world in a dramatically new and wonderful way.

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"From nearly two hundred centres, and every week added to their number, roared the unquenchable crimson conflagrations of the atomic bombs. The flimsy fabric of the world's credit had vanished, industry was completed disorganised, and every city, every thickly populated area was starving or trembled on the verge of starvation. Most of the capital cities of the world were burning; millions of people had already perished, and over great areas government was at an end." The Last War erupts in Europe, rapidly escalating from bloody trench warfare and vicious aerial duels into a world-consuming, atomic holocaust. Paris is engulfed by an atomic maelstrom, Berlin is an ever-flaming crater, the cold waters of the North Sea roar past Dutch dikes and sweep across the Low Countries. Moscow, Chicago, Tokyo, London, and hundreds of other cities become radioactive wastelands. Governments topple, age-old cultural legacies are destroyed, and the stage is set for a new social and political order. The Last War is H. G. Wells's chilling and prophetic tale of a world gone mad with atomic weapons and of the rebirth of human-kind from the rubble. Written long before the atomic age, Wells's novel is a riveting and intelligent history of the future that discusses for the first time the horrors of the atomic bomb, offering a startling vision of humanity purged by a catastrophic atomic war.

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Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality, colourful, tactile cloth with foil stamped into the design. From the planet of war they came to conquer the Earth ...The night after a shooting star is seen streaking across the sky, a cylinder is discovered on Horsell Common. Fascinated and exhilarated, the local people approach the mysterious object armed with nothing more than a white flag. But when gruesome alien creatures emerge armed with all-destroying heat-rays, their rashness turns rapidly to fear. As the rays blaze towards them, it soon becomes clear they have no choice but to flee - or die.The forces of the Earth, however, may prove harder to beat than they at first appear ...

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‘The million British dead have left no books behind. What they felt as they died hour by hour in the mud, or were choked horribly with gas, or relinquished their reluctant lives on stretchers, no witness tells. But here is a book that almost tells it……Mr Gristwood has had the relentless simplicity to recall things as they were; he was as nearly dead as he could be without dying, and he has smelt the stench of his own corruption. This is the story of millions of men – of millions.’ – H. G. Wells, from the prefaceIn The Somme and its companion The Coward, first published in 1927, the heroics of war and noble self-sacrifice are completely absent; replaced by the gritty realism of life in WWI for the ordinary soldier, and the unflinching portrayal of the horrors of war. Written under the guidance of the master storyteller H. G. Wells, they are classics of the genre.The Somme revolves around a futile attack in 1916 during the Somme campaign. Everitt, the central protagonist is wounded and moved back through a series of dressing stations to the General Hospital at Rouen. Both in and out of the line he behaves selfishly and unheroically, but despite this his circumstances and the conditions around him make his actions easy to understand. Based on A D Gristwood’s own wartime experiences, critics have said that few other accounts of the war give such an accurate picture of trench life.The Coward concerns a man who shoots himself in the hand to escape the war, during the March 1918 retreat – an offence punishable by death. He gets away with it, but is haunted by fear of discovery and self-loathing.

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Shooting stars tear across the night sky, then a gigantic artificial cylinder descends from Mars to land near London. Inquisitive locals gather round, only to be struck down by a murderous Heat-Ray. Giant destructive machines disgorge from the cylinder, destroying everything in their path on a merciless march towards the capital. Can humanity survive this Martian onslaught? A gripping adventure written in semi-documentary style, The War of the Worlds by H. G. Wells is the seminal man versus machine adventure which has inspired countless science fiction stories and novels. This Macmillan Collector's Library edition of The War of the Worlds contains an introduction by author James P. Blaylock.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

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'My next clear recollection is that we were prisoners at we knew not what depth beneath the moon's surface ... At the village of Lympne, on the south coast of England, the 'most uneventful place in the world' the failed playwright Mr Bedford meets the brilliant inventor Mr Cavor, and together they invade the moon. Dreaming respectively of scientific renown and of mineral wealth, they fashion a sphere from the gravity-defying substance Cavorite and go where no human has gone before. They expect a dead world, but instead they find lunar plants that grow in a single day, giant moon-calves and the ant-like Selenites, the super-adapted inhabitants of the Moon's utopian society. The First Men in the Moon is both an inspired and imaginative fantasy of space travel and alien life, and a satire of turn-of-the-century Britain and of utopian dreams of a wholly ordered and rational society.

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Intrigued by the possibilities of time travel as a student and inspired as a journalist by the great scientific advances of the Victorian Age, Wells drew on his own scientific publications—on evolution, degeneration, species extinction, geologic time, and biology—in writing The Time Machine. This Norton Critical Edition is based on the first London edition of the novel. It is accompanied by detailed explanatory annotations and “A Note on the Text.” “Backgrounds and Contexts” is organized thematically into four sections: “The Evolution of The Time Machine” presents alternative versions and installments and excerpts of the author’s time-travel story; “Wells’s Scientific Journalism (1891–94)” focuses on the scientific topics central to the novel; “Wells on The Time Machine” reprints the prefaces to the 1924, 1931, and 1934 editions; and “Scientific and Social Contexts” collects five widely read texts by the Victorian scientists and social critics Edwin Ray Lankester, Thomas Henry Huxley, Benjamin Kidd, William Thomson (Lord Kelvin), and Balfour Stewart and Peter Guthrie Tait. “Criticism” includes three important early reviews of The Time Machine from the Spectator, the Daily Chronicle, and Pall Mall Magazine as well as eight critical essays that reflect our changing emphases in reading and appreciating this futuristic novel. Contributors include Yevgeny Zamyatin, Bernard Bergonzi, Kathryn Hume, Elaine Showalter, John Huntington, Paul A. Cantor and Peter Hufnagel, Colin Manlove, and Roger Luckhurst. A Chronology and Selected Bibliography are also included.

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'So, in the end, above ground you must have the Haves, pursuing pleasure and comfort and beauty, and below ground the Have-nots, the Workers...' At a Victorian dinner party, in Richmond, London, the Time Traveller returns to tell his extraordinary tale of mankind's future in the year 802,701 AD. It is a dystopian vision of Darwinian evolution, with humans split into an above-ground species of Eloi, and their troglodyte brothers. The first book H. G. Wells published, The Time Machine is a scientific romance that helped invent the genre of science fiction and the time travel story. Even before its serialisation had finished in the spring of 1895, Wells had been declared 'a man of genius', and the book heralded a fifty year career of a major cultural and political controversialist. It is a sardonic rejection of Victorian ideals of progress and improvement and a detailed satirical commentary on the Decadent culture of the 1890s. This edition features a contextual introduction, detailed explanatory notes, and two essays Wells wrote just prior to the publication of his first book.

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'The creatures I had seen were not men, had never been men. They were animals, humanised animals...' A shipwrecked Edward Prendick finds himself stranded on a remote Noble island, the guest of a notorious scientist, Doctor Moreau. Disturbed by the cries of animals in pain, and by his encounters with half-bestial creatures, Edward slowly realises his danger and the extremes of the Doctor's experiments. Saturated in pain and disgust, suffused with grotesque and often unbearable images of torture and bodily mutilation, The Island of Doctor Moreau is unquestionably a shocking novel. It is also a serious, and highly knowledgeable, philosophical engagement with Wells's times, with their climate of scientific openness and advancement, but also their anxieties about the ethical nature of scientific discoveries, and their implications for religion. Darryl Jones's introduction places the book in both its scientific and literary context; with the Origin of Species and Gulliver's Travels, and argues that The Island of Doctor Moreau is, like all of Wells's best fiction, is fundamentally a novel of ideas

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Travel into the future in this abridged retelling of The Time Machine, part of the bestselling Classic Starts® series that has sold more than 8 million copies! After inventing a time machine, the Traveler leaves Victorian London and goes far, far into the future. At first, the world he discovers seems peaceful and prosperous. But as he looks farther below the surface, he realizes that things are not exactly as they first appeared. . . . This abridged retelling is the perfect way to introduce young readers to the imaginative world of science fiction and time travel.

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In The Time Machine an inventor travels to the remote future where he finds both love and terror. The protagonist of The Invisible Man struggles to come to terms with his condition in a narrative which is by turns comic and tragic. The War of the Worlds imagines planetary conflict from an individual point of view. If these themes reveal the originality of Wells as a thinker, each story displays his skill as a novelist by the ways in which he anchors astonishing events in vivid everyday details of character and place.All three have spawned countless adaptations and imitations but Wells remains the greatest poet of science we have, an inexhaustible source for speculation about the nature of the future and the meaning of the present.

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'The man's become inhuman ... He has cut himself off from his kind. His blood be upon his own head.' One night in the depths of winter, a bizarre and sinister stranger wrapped in bandages and eccentric clothing arrives in a remote English village. His peculiar, secretive activities in the room he rents spook the locals. Speculation about his identity becomes horror and disbelief when the villagers discover that, beneath his disguise, he is invisible. Griffin, as the man is called, is an embittered scientist who is determined to exploit his extraordinary gifts, developed in the course of brutal self-experimentation, in order to conduct a Reign of Terror on the sleepy inhabitants of England. As the police close in on him, he becomes ever more desperate and violent. In this pioneering novella, subtitled 'A Grotesque Romance', Wells combines comedy, both farcical and satirical, and tragedy - to superbly unsettling effect. Since its publication in 1897, The Invisible Man has haunted not only popular culture (in particular cinema) but also the greatest and most experimental novels of the twentieth century.

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'Cities, nations, civilization, progress-it's all over. That game's up. We're beat.' One of the most important and influential invasion narratives ever written, The War of the Worlds (1897) describes the coming of the Martians, who land in Woking, and make their way remorselessly towards the capital, wreaking chaos, death, and destruction. The novel is closely associated with anxiety about a possible invasion of Great Britain at the turn of the century, and concerns about imperial expansion and its impact, and it drew on the latest astronomical knowledge to imagine a desert planet, Mars, turning to Earth for its future. The Martians are also evolutionarily superior to mankind.

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Wild Boy has been covered in hair since birth and condemned to life in a travelling freak show. Excluded from society, he takes refuge in watching people at the fair - and develops a talent for observation and detection. But when there's a murder, suspicion turns to Wild Boy, so he and the feisty acrobat Clarissa Everett find themselves on the run...

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A parable on Darwinian theory, and a biting social satire, H.G. Wells's science fiction classic The Island of Dr Moreau is a fascinating exploration of what it is to be human. This Penguin Classics edition is edited by Patrick Parrinder with notes by Steven McLean and an introduction by Margaret Atwood, author of The Handmaid's Tale.Adrift in a dinghy, Edward Prendick, the single survivor from the good ship Lady Vain, is rescued by a vessel carrying a profoundly unusual cargo - a menagerie of savage animals. Tended to recovery by their keeper Montgomery, who gives him dark medicine that tastes of blood, Prendick soon finds himself stranded upon an uncharted island in the Pacific with his rescuer and the beasts. Here, he meets Montgomery's master, the sinister Dr. Moreau - a brilliant scientist whose notorious experiments in vivisection have caused him to abandon the civilised world. It soon becomes clear he has been developing these experiments - with truly horrific results.This edition includes a full biographical essay on Wells, a further reading list and detailed notes. Margaret Atwood's introduction explores the social and scientific relevance of this influential work.H.G. Wells (1866-1946) was a professional writer and journalist. Wells's prophetic imagination was first displayed in pioneering works of science fiction, but later he became an apostle of socialism, science and progress. Among his most popular works are The Time Machine (1895); The Island of Doctor Moreau (1896), filmed with Bela Lugosi in 1932, and again in 1996 with Marlon Brando; The Invisible Man (1897); The War of the Worlds (1898), which was the subject of an Orson Welles radio adaptation that caused mass panic when it was broadcast, and a 2005 film directed by Stephen Spielberg; and The First Men in the Moon (1901), which predicted the first lunar landings.If you enjoyed The Island of Doctor Moreau, you might like Wells's The Time Machine, also available in Penguin Classics.

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'The father of science fiction' GuardianThe Time Machine is the first and greatest modern portrayal of time-travel. It sees a Victorian scientist propel himself into the year 802,701 AD, when he is initially delighted to find that suffering has been replaced by beauty, contentment and peace. Entranced at first by the Eloi, an elfin species descended from humans, he soon realizes that they are simply remnants of a once-great culture - now weak and childishly afraid of the dark. They have every reason to be afraid: in deep tunnels beneath their paradise lurks another race - the sinister Morlocks.Edited by PATRIC K PARRINDER with an Introduction by MARINA WARNER and notes by STEVEN MCLEAN

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Herbert George Wells was perhaps best known as the author of such classic works of science fiction as The Time Machine and War of the Worlds. But it was in his short stories, written when he was a young man embarking on a literary career, that he first explored the enormous potential of the scientific discoveries of the day. He described his stories as "a miscellany of inventions," yet his enthusiasm for science was tempered by an awareness of its horrifying destructive powers and the threat it could pose to the human race. A consummate storyteller, he made fantastic creatures and machines entirely believable; and, by placing ordinary men and women in extraordinary situations, he explored, with humor, what it means to be alive in a century of rapid scientific progress.

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While walking in the Swiss Alps, two English travellers fall into a space-warp, and suddenly find themselves in another world. In many ways the same as our own - even down to the characters that inhabit it - this new planet is still somehow radically different, for the two walkers are now upon a Utopian Earth controlled by a single World Government. Here, as they soon learn, all share a common language, there is sexual, economic and racial equality, and society is ruled by socialist ideals enforced by an austere, voluntary elite: the 'Samurai'. But what will the Utopians make of these new visitors from a less perfect world?

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When penniless businessman Mr Bedford retreats to the Kent coast to write a play, he meets by chance the brilliant Dr Cavor, an absent-minded scientist on the brink of developing a material that blocks gravity. Cavor soon succeeds in his experiments, only to tell a stunned Bedford the invention makes possible one of the oldest dreams of humanity: a journey to the moon. With Bedford motivated by money, and Cavor by the desire for knowledge, the two embark on the expedition. But neither are prepared for what they find - a world of freezing nights, boiling days and sinister alien life, on which they may be trapped forever.

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Mr Polly is an ordinary middle-aged man who is tired of his wife's nagging and his dreary job as the owner of a regional gentleman's outfitters. Faced with the threat of bankruptcy, he concludes that the only way to escape his frustrating existence is by burning his shop to the ground, and killing himself. Unexpected events, however, conspire at the last moment to lead the bewildered Mr Polly to a bright new future - after he saves a life, fakes his death, and escapes to a life of heroism, hope and ultimate happiness.

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The time traveller has invented a time machine. Its capabilities are beyond even his fertile imagination. Hundreds of thousand of years in the future, the beautiful Eloi people live in a Garden of Eden. But why are the Eloi so fearful of the dark? What horrors lurk beneath the surface of their world? What will the time traveller learn about the future? Will he survive the evil he encounters? Even if he can find his stolen machine, will it return him safely home? What does his future hold? What is the future of the human race?

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But planet Earth was not only being watched – soon it would be invaded by monstrous creatures from Mars who strode about the land in great mechanical tripods, bringing death and destruction with them. What can possibly stop an invading army equipped with heat-rays and poisonous black gas, intent on wiping out the human race? This is one man’s story of that incredible invasion, from the time the first Martians land near his home town, to the destruction of London. Is this the end of human life on Earth?

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'The classic tale of alien invasion, and still the best' The TimesThe first modern depiction of extra-terrestrials attacking the earth, The War of the Worlds remains one of the most influential of all science-fiction works. It shows the whole of human civilization under threat, as terrifying, tentacled Martians land in England, build gigantic killing machines, destroy all in their path with black gas and burning rays and feast on the warm blood of trapped, still-living human prey. The forces of the Earth, however, may prove harder to beat than they at first appear.Edited by Patrick Parrinder with an Introduction by Brian Aldiss and Notes by Andy Sawyer

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The time traveller has invented a time machine. Its capabilities are beyond even his fertile imagination. Hundreds of thousand of years in the future, the beautiful Eloi people live in a Garden of Eden. But why are the Eloi so fearful of the dark? What horrors lurk beneath the surface of their world? What will the time traveller learn about the future? Will he survive the evil he encounters? Even if he can find his stolen machine, will it return him safely home? What does his future hold? What is the future of the human race?

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Spanning the origins of the Earth to the outcome of the First World War, this is a brilliantly compelling account of the evolution of life and the development of the human race. Along the way, Wells considers such diverse subjects as the Neolithic era, the rise of Judaism, the Golden Age of Athens, the life of Christ, the rise of Islam, the discovery of America and the Industrial Revolution. Breathtaking in its scope and passionate in its intensity, this history remains one of the most readable of its kind.

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When Dr Philip Raven, an intellectual working for the League of Nations, dies in 1930 he leaves behind a powerful legacy - an unpublished 'dream book'. Inspired by visions he has experienced for many years, it appears to be a book written far into the future: a history of humanity from the date of his death up to 2105. The Shape of Things to Come provides this 'history of the future', an account that was in some ways remarkably prescient - predicting climatic disaster and sweeping cultural changes, including a Second World War, the rise of chemical warfare, and political instabilities in the Middle East.

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With his face swaddled in bandages, his eyes hidden behind dark glasses and his hands covered even indoors, Griffin - the new guest at The Coach and Horses - is at first assumed to be a shy accident-victim. But the true reason for his disguise is far more chilling: he has developed a process that has made him invisible, and is locked in a struggle to discover the antidote. Forced from the village, and driven to murder, he seeks the aid of an old friend, Kemp. The horror of his fate has affected his mind, however - and when Kemp refuse to help, he resolves to wreak his revenge.

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A troubled insomniac in 1890s England falls suddenly into a sleep-like trance, from which he does not awake for over two hundred years. During his centuries of slumber, however, investments are made that make him the richest and most powerful man on Earth. But when he comes out of his trance he is horrified to discover that the money accumulated in his name is being used to maintain a hierarchal society in which most are poor, and more than a third of all people are enslaved. Oppressed and uneducated, the masses cling desperately to one dream - that the sleeper will awake, and lead them all to freedom.

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