Search results for ""Author Charles Dickens"

The story of the surprisingly fluctuating critical reputation of one of the great writers of the English language. Undoubtedly the best-selling author of his day and well loved by readers in succeeding generations, Charles Dickens was not always a favorite among critics. Celebrated for his novels advocating social reform, for half a century after his death he was ridiculed by those academics who condescended to write about him. Only the faithful band of devotees who called themselves Dickensians kept alive an interest in his work. Then, during the Second World War, hewas resurrected by critics, and was soon being hailed as the foremost writer of his age, a literary genius alongside Shakespeare and Milton. More recently, Dickens has again been taken to task by a new breed of literary theoristswho fault his chauvinism and imperialist attitudes. Whether he has been adored or despised, however, one thing is certain: no other Victorian novelist has generated more critical commentary. This book traces Dickens's reputation from the earliest reviews through the work of early 21st-century commentators, showing how judgments of Dickens changed with new standards for evaluating fiction. Mazzeno balances attention to prominent critics from the late 19th century through the first three quarters of the 20th with an emphasis on the past three decades, during which literary theory has opened up new ways of reading Dickens. What becomes clear is that, in attempting to provide fresh insight into Dickens's writings, critics often reveal as much about the predilections of their own age as they do about the novelist. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.

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From 1850 to 1867, Charles Dickens produced special issues (called “numbers”) of his journals Household Words and All the Year Round, which were released shortly before Christmas each year. In Collaborative Dickens, Melisa Klimaszewski undertakes the first comprehensive study of these Christmas numbers. She argues for a revised understanding of Dickens as an editor who, rather than ceaselessly bullying his contributors, sometimes accommodated contrary views and depended upon multivocal narratives for his own success. Klimaszewski uncovers connections among and between the stories in each Christmas collection. She thus reveals ongoing conversations between the works of Dickens and his collaborators on topics important to the Victorians, including race, empire, supernatural hauntings, marriage, disability, and criminality. Stories from Wilkie Collins, Elizabeth Gaskell, and understudied women writers such as Amelia B. Edwards and Adelaide Anne Procter interact provocatively with Dickens’s writing. By restoring links between stories from as many as nine different writers in a given year, Klimaszewski demonstrates that a respect for the Christmas numbers’ plural authorship and intertextuality results in a new view of the complexities of collaboration in the Victorian periodical press and a new appreciation for some of the most popular texts Dickens published.

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Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered—unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted. In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown. Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age.

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The story of the surprisingly fluctuating critical reputation of one of the great writers of the English language. Undoubtedly the best-selling author of his day and well loved by readers in succeeding generations, Charles Dickens was not always a favorite among critics. Celebrated for his novels advocating social reform, for half a century after his death he was ridiculed by those academics who condescended to write about him. Only the faithful band of devotees who called themselves Dickensians kept alive an interest in his work. Then, during the Second World War, hewas resurrected by critics, and was soon being hailed as the foremost writer of his age, a literary genius alongside Shakespeare and Milton. More recently, Dickens has again been taken to task by a new breed of literary theoristswho fault his chauvinism and imperialist attitudes. Whether he has been adored or despised, however, one thing is certain: no other Victorian novelist has generated more critical commentary. This book traces Dickens's reputation from the earliest reviews through the work of early 21st-century commentators, showing how judgments of Dickens changed with new standards for evaluating fiction. Mazzeno balances attention to prominent critics from the late 19th century through the first three quarters of the 20th with an emphasis on the past three decades, during which literary theory has opened up new ways of reading Dickens. What becomes clear is that, in attempting to provide fresh insight into Dickens's writings, critics often reveal as much about the predilections of their own age as they do about the novelist. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.

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Most people know that Charles Dickens (1812-1870) was one of the greatest novelists of the Victorian era, whose works include David Copperfield and Great Expectations. What, perhaps, they don't know is that he invented more than 200 original words and phrases; that he always slept facing north, in an effort to battle insomnia; that he sent more than 14,000 letters in his lifetime; and that he kept a pet raven called Grip, which he had stuffed after its death. Biographic: Dickens presents an instant impression of his life, work and legacy, with an array of irresistible facts and figures converted into infographics to reveal the writer behind the words.

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Wish you had time to re-read and enjoy that daunting stack of Charles Dickens novels? Take heart: Dickens enthusiast Gina Dalfonzo has done the heavy lifting for you. In short, readable excerpts she presents the essence of the great novelist’s prodigious output, teasing out dozens of the most memorable scenes to reveal the Christian vision and values that suffuse all his work. Dickens can certainly entertain, but his legacy endures because of his power to stir consciences with the humanity of his characters and their predicaments. While he could be ruthless in his characterization of greed, injustice, and religious hypocrisy, again and again the hope of redemption shines through. In spite of – or perhaps because of – his own failings, Dickens never stopped exploring the themes of sin, guilt, repentance, redemption, and restoration found in the gospel. In some passages the Christian elements are explicit, in others implicit, but, as Dickens himself said, they all reflect his understanding of and reverence for the gospel. The Gospel in Dickens includes selections from Oliver Twist, David Copperfield, A Tale of Two Cities, Great Expectations, A Christmas Carol, Nicholas Nickleby, The Old Curiosity Shop, Martin Chuzzlewit, Dombey and Son, Bleak House, Hard Times, Little Dorrit, Our Mutual Friend, The Mystery of Edwin Drood, and Sketches by Boz – with a cast of unforgettable characters such as Ebenezer Scrooge, Sydney Carton, Jenny Wren, Fagin, Pip, Joe Gargery, Mr. Bumble, Miss Havisham, betsey Trotwood, and Madame Defarge.

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"Charles Dickens, Francais naturalise, et Citoyen de Paris." This is how Dickens signed a letter from France to his friend John Forster in 1847. Behind the joke lay a fascination for French life and culture and a sense of affinity with the country that would take him back often and that would find expression in some of his finest work. "Dickens on France" brings together short stories, extracts from novels and travel writing. Among its journalistic highlights, are accounts of a train journey from London to Paris, a rough Channel crossing, the pleasures of Boulogne, and Parisian life in the 1850s and 1860s. Extracts from the travelogue Pictures from Italy, take us by coach from Paris to Marseille. The selected short stories include "His Boots", a section of "Mrs Lirriper's Legacy" and "The Boy at Mugby", and there are extracts from "A Tale of Two Cities", "Little Dorrit", "Dombey and Son", "Nicholas Nickleby", and "Our Mutual Friend". Dickens was interested primarily in the character of places he visited, the behaviour of people he observed in them, and in the sensation and psychology of travelling. These preoccupations keep the writing fresh and accessible. It requires no leap through time to appreciate his musings on his fellow passengers, his reflections on sitting in a Paris cafe, his random exploration of city streets or small country towns, or his opposition to cultural bigotry. Infused with energy, perception and open-mindedness, this collection vividly evokes life in France and Britain in the nineteenth century and reminds us, however much progress we make, how little we change. "Dickens on France" is extensively annotated to provide historical and autobiographical contexts, and to highlight literary and other allusions. Brief chapter introductions and a general introduction to the volume, highlight key aspects of the selections and discuss the nature of Dickens's enduring relationship with France.

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Becoming Dickens tells the story of how an ambitious young Londoner became England’s greatest novelist. In following the twists and turns of Charles Dickens’s early career, Robert Douglas-Fairhurst examines a remarkable double transformation: in reinventing himself Dickens reinvented the form of the novel. It was a high-stakes gamble, and Dickens never forgot how differently things could have turned out. Like the hero of Dombey and Son, he remained haunted by “what might have been, and what was not.”In his own lifetime, Dickens was without rivals. He styled himself simply “The Inimitable.” But he was not always confident about his standing in the world. From his traumatized childhood to the suicide of his first collaborator and the sudden death of the woman who had a good claim to being the love of his life, Dickens faced powerful obstacles. Before settling on the profession of novelist, he tried his hand at the law and journalism, considered a career in acting, and even contemplated emigrating to the West Indies. Yet with The Pickwick Papers, Oliver Twist, and a groundbreaking series of plays, sketches, and articles, he succeeded in turning every potential breakdown into a breakthrough.Douglas-Fairhurst’s provocative new biography, focused on the 1830s, portrays a restless and uncertain Dickens who could not decide on the career path he should take and would never feel secure in his considerable achievements.

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In the mid-nineteenth century, the great age of railway building, Charles Dickens could not but be aware of their transformative impact on society. So he wrote about it - to a remarkable extent. He wrote a classic ghost story, 'The Signalman'; in Dombey and Son about what is now the West Coast Main Line being carved through north London in great ravines. He wrote satirical pieces about railway catering - even back then; about the wonder of express train travel to the Channel ports; travel pieces about exploring America by train - and about being personally involved in the notorious Staplehurst train crash in Kent. Now, in the year of Dickens' 150th anniversary, Tony Williams, a distinguished Dickens scholar, collects all these railway writings into a handsome little volume ideal for a long train journey...

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Sheltering from a summer downpour, you encounter the ghost of Charles Dickens. Join him for a chat in the inn beloved by Mr Pickwick and be swept away by his vigour, warmth and humanity. You’ll feel as if you’ve known him all your life. The great novelist Charles Dickens attracted international adulation on an unprecedented scale. He cultivated a genial intimacy with his readers, and after he died many of his admirers felt that they had lost a personal friend. Sit back and listen to this master conversationalist talk about everything from work in a boot-polish factory to lecture tours in America. Who could possibly ask for more?

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'A joyful examination of two artists from different centuries and the unlikely parallels in their life and work' Guardian'An ardent fan letter from Hornby that makes you want to reread Great Expectations whilst listening to Sign o'the Times' Vogue_____________________The essential gift for lovers of Prince, Dickens and everyone in between!In Nick Hornby's completely joyous and original new book two great figures share the stage. Charles Dickens and Prince. Two wildly different artists who caught fire and lit up the world in ways no others could. Where did their magic come from? How did they work so hard and produce so much? How did they manage or give in to the restlessness and intensity of their creativity? How did they use it, and did it kill them?With wit, curiosity and deep admiration Nick Hornby traces their extraordinary lives - from their difficult beginnings to the women they fell for to their limitless energy for work, to their money and the movies - and brilliantly illuminates their very particular kind of genius.'I love this. It's smart and funny and elegantly persuasive' Robert Douglas-Fairhurst, author of Becoming Dickens

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'This is a marvellous, endlessly illuminating book ... It doesn’t go on the shelf alongside other critics; it goes on the shelf alongside Dickens' Howard Jacobson ___________________ Discover the tricks of a literary master in this essential guide to the fictional world of Charles Dickens. From Pickwick to Scrooge, Copperfield to Twist, how did Dickens find the perfect names for his characters? What was Dickens's favourite way of killing his characters? When is a Dickens character most likely to see a ghost? Why is Dickens’s trickery only fully realised when his novels are read aloud? In thirteen entertaining and wonderfully insightful essays, John Mullan explores the literary machinations of Dickens’s eccentric genius, from his delight in clichés to his rendering of smells and his outrageous use of coincidences. A treat for all lovers of Dickens, this essential companion puts his audacity, originality and brilliance on full display. 'Brilliantly sharp ... Mullan makes us see that Charles Dickens was one of the most artful, which is to say skilled, writers the world has ever seen' Mail on Sunday 'Put it on your Christmas list and spend the post-goose collapse reading the good bits aloud' Laura Freeman 'Even if you know a lot about Dickens you will find revelations in this book, and if you know nothing about him it will be the perfect appetiser' The Times, The best paperbacks of 2021

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A TIMES BOOK OF THE YEAR The year is 1851. It's a time of radical change in Britain, when industrial miracles and artistic innovations rub shoulders with political unrest, poverty and disease. It's also a turbulent time in the life of Charles Dickens, as he copes with a double bereavement and early signs that his marriage is falling apart. But this year will become the turning point in Dickens's career, as he embraces his calling as a chronicler of ordinary people's lives. The Turning Point transports us into the foggy streets of Dickens's London, closely following the twists and turns of a year that would come to define him, and forever alter Britain's relationship with the world.'Sparklingly informative' Guardian'Wonderfully entertaining' Observer'It is hard to imagine a better book on Dickens' New Statesman

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If you dream of being a writer, why not learn from the best? In Your Creative Writing Masterclass you'll find ideas, techniques and encouragement from the most admired and respected contemporary and classic authors, including Charles Dickens, Jane Austen and Anton Chekhov. Jurgen Wolff, bestselling author of Your Writing Coach, helps you translate these insights into action to master your craft and write what only you can write. From Robert Louis Stevenson to Mary Shelley, Alice Munro to Stephen King, Your Creative Writing Masterclass guide you through: finding your style, constructing powerful plots, generating story ideas, overcoming writer's block, creating vivid characters and crafting your ideal writer's life. Brimming with support and suggested activities to develop your writing skills, the book also features unique bonus advice, exercises, resources and sharing capabilities via the website www.YourCreativeWritingMasterclass.com.

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From childhood, Charles Dickens was fascinated by tales from other countries and other cultures, and he longed to see the world. In Dickens and Travel, Lucinda Hawksley looks at the journeys made by the author - who is also her great great great grandfather. Although Dickens is usually perceived as a London author, in the 1840s he whisked his family away to live in Italy for year, and spent several months in Switzerland. Some years later he took up residence in Paris and Boulogne (where he lived in secret with his lover). In addition to travelling widely in Europe, he also toured America twice, performed onstage in Canada and, before his untimely death, was planning a tour of Australia. Dickens and Travel enters into the world of the Victorian traveller and looks at how Charles Dickens's journeys influenced his writing and enriched his life.

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During the 19th century the U.S. and Britain came to share an economic profile unparalleled in their respective histories. This book suggests that this early high capitalism came to serve as the ground for a new kind of cosmopolitanism in the age of literary realism, and argues for the necessity of a transnational analysis based upon economic relationships of which people on both sides of the Atlantic were increasingly conscious. The nexus of this exploration of economics, aesthetics and moral philosophy is philanthropy. Pushing beyond reductive debates over the benevolent or mercenary qualities of industrial era philanthropy, the following questions are addressed: what form and function does philanthropy assume in British and American fiction respectively? What are the rhetorical components of a discourse of philanthropy and in which cultural domains did it operate? How was philanthropy practiced and represented in a period marked by self-interest and rational calculation?The author explores the relationship between philanthropy and literary realism in novels by Charles Dickens, Nathaniel Hawthorne, George Eliot, and William Dean Howells, and examines how each used the figure of philanthropy both to redefine the sentiments that informed social identity and to refashion their own aesthetic practices. The heart of this study consists of two comparative sections: the first contains chapters on contemporaries Hawthorne and Dickens; the second contains chapters on second-generation realists Eliot and Howells in order to examine the altruistic imagination at a culminating point in the history of literary realism.

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The nineteenth century was a time of unprecedented transformation, and nowhere was this more apparent than on the streets of London. In only a few decades, London grew from a Regency town to the biggest city the world had ever seen, with more than 6.5 million people and railways, street-lighting and new buildings at every turn.Charles Dickens obsessively walked London's streets, recording its pleasures, curiosities and cruelties. Now, Judith Flanders follows in his footsteps, leading us through the markets, transport systems, sewers, slums, cemeteries, gin palaces and entertainment emporia of Dickens' London. The Victorian City is a revelatory portrait of everyday life on the streets, bringing to life the Victorian capital in all its variety, vibrancy, and squalor. No one who reads it will view London in the same light again.

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Illustrated revision and practice for AQA English Literature, Charles Dickens, A Christmas Carol. Over 200 marks of examination style questions, answers provided for all questions within the book. Illustrated topics to improve memory and recall. Examination tips and techniques. Absolute clarity is the aim with a new generation of revision guide. This guide has been expertly compiled and edited by subject specialists, highly experienced examiners and a good dollop of scientific research into what makes revision most effective. Past examinations questions are essential to good preparation, improving understanding and confidence. This guide has combined revision with tips and more practice questions than you could shake a stick at. All the essential ingredients for getting a grade you can be really proud of. Each specification topic has been referenced and distilled into the key points to make in an examination for top marks. Questions on all topics assessing knowledge, application and analysis are all specifically and carefully devised throughout this book.

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A unique, colorful view of Victorian London when residents both famous and now-forgotten endured “the Great Stink” across one hot summer​ While 1858 in London may have been noteworthy for its broiling summer months and the related stench of the sewage-filled Thames River, the year is otherwise little remembered. And yet, historian Rosemary Ashton reveals in this compelling microhistory, 1858 was marked by significant, if unrecognized, turning points. For ordinary people, and also for the rich, famous, and powerful, the months from May to August turned out to be a summer of consequence. Ashton mines Victorian letters and gossip, diaries, court records, newspapers, and other contemporary sources to uncover historically crucial moments in the lives of three protagonists—Charles Dickens, Charles Darwin, and Benjamin Disraeli. She also introduces others who gained renown in the headlines of the day, among them George Eliot, Karl Marx, William Thackeray, and Edward Bulwer Lytton. Ashton reveals invisible threads of connection among Londoners at every social level in 1858, bringing the celebrated city and its citizens vibrantly to life.

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When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience. The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill's ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen. In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters.

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Few novelists have written so intimately about a city in the way that Charles Dickens wrote about London. A near-photographic memory made his contact with the city indelible from a very young age and it remained his constant focus. Virginia Woolf maintained that, `we remodel our psychological geography when we read Dickens,’ as he produces `characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks.’ But the `character’ he was drawn back to throughout his novels was London itself, all aspects of the capital from the coaching inns of his early years to the taverns and watermen of the Thames; these were the constant cityscapes of his life and work. Based on five walks in central London, Peter Clark illuminates the settings of Dickens’s London, his life, his journalism and his fiction. He also explores `The First Suburbs’ (Camden Town, Chelsea, Greenwich, Hampstead, Highgate and Limehouse) as they feature in Dickens’s writing.

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The intriguing history of Dickens’s London, showing how tourists have reimagined and reinvented the Dickensian metropolis for more than 150 years “Jackson paints a vivid and detailed picture of the city as it was. . . . Dickens, who was no stranger to the instructive and comedic joys of pedantry, would surely have approved.”—Ann Alicia Garza, Times Literary Supplement Tourists have sought out the landmarks, streets, and alleys of Charles Dickens’s London ever since the death of the world-renowned author. Late Victorians and Edwardians were obsessed with tracking down the locations—dubbed “Dickensland”—that famously featured in his novels. But his fans were faced with a city that was undergoing rapid redevelopment, where literary shrines were far from sacred. Over the following century, sites connected with Dickens were demolished, relocated, and reimagined. Lee Jackson traces the fascinating history of Dickensian tourism, exploring both real Victorian London and a fictional city shaped by fandom, tourism, and heritage entrepreneurs. Beginning with the late nineteenth century, Jackson investigates key sites of literary pilgrimage and their relationship with Dickens and his work, revealing hidden, reinvented, and even faked locations. From vanishing coaching inns to submerged riverside stairs, hidden burial grounds to apocryphal shops, Dickensland charts the curious history of an imaginary world.

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Uncover the stories from one of the greatest-novelists of all time in this beautiful anthology of tales from Charles Dickens, rewritten and adapted in an accessible way for children. This book introduces children to eight of Dickens’ greatest works, accompanied by beautiful, colourful illustrations which breathes new life into these timeless classics. Includes favourites such as Oliver Twist, A Christmas Carol, David Copperfield, and Great Expectations. A timeline at the back shows when each story was written, and gives facts about Dickens’ life. Revisit your favourite Dickens stories and introduce his legacy to next generation of readers with this beautiful first introduction to some of the greatest stories all time. Includes: Oliver Twist The Old Curiosity Shop David Copperfield Great Expectations Hard Times A Christmas Carol Nicholas Nickleby Tale of Two Cities The World Full of… series is a collection of beautiful hardback story treasuries. Discover folktales from all around the world or be introduced to some of the world’s best-loved writers with these stunning gift books, the perfection addition to any child’s library.Also available from the series: A Year Full of Stories, A World Full of Animal Stories, A Stage Full of Shakespeare Stories, A World Full of Spooky Stories, A Year Full of Celebrations and Festivals and A Bedtime Full of Stories.

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In the Company of Strangers shows how a reconception of family and kinship underlies the revolutionary experiments of the modernist novel. While stories of marriage and long-lost relatives were a mainstay of classic Victorian fiction, Barry McCrea suggests that rival countercurrents within these family plots set the stage for the formal innovations of Joyce and Proust. Tracing the challenges to the family plot mounted by figures such as Fagin, Sherlock Holmes, Leopold Bloom, and Charles Swann, McCrea tells the story of how bonds generated by chance encounters between strangers come to take over the role of organizing narrative time and give shape to fictional worlds-a task and power that was once the preserve of the genealogical family. By investigating how the question of family is a hidden key to modernist structure and style, In the Company of Strangers explores the formal narrative potential of queerness and in doing so rewrites the history of the modern novel.

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Dickens's Idiomatic Imagination offers an original analysis of how Charles Dickens's use of "low" and "slangular" (his neologism) language allowed him to express and develop his most sophisticated ideas. Using a hybrid of digital (distant) and analogue (close) reading methodologies, Peter J. Capuano considers Dickens's use of bodily idioms—"right-hand man," "shoulder to the wheel," "nose to the grindstone"—against the broader lexical backdrop of the nineteenth century. Dickens was famously drawn to the vernacular language of London's streets, but this book is the first to call attention to how he employed phrases that embody actions, ideas, and social relations for specific narrative and thematic purposes. Focusing on the mid- to late career novels Dombey and Son, David Copperfield, Bleak House, Great Expectations, and Our Mutual Friend, Capuano demonstrates how Dickens came to relish using common idioms in uncommon ways and the possibilities they opened up for artistic expression. Dickens's Idiomatic Imagination establishes a unique framework within the social history of language alteration in nineteenth-century Britain for rethinking Dickens's literary trajectory and its impact on the vocabularies of generations of novelists, critics, and speakers of English.

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Dickens's Idiomatic Imagination offers an original analysis of how Charles Dickens's use of "low" and "slangular" (his neologism) language allowed him to express and develop his most sophisticated ideas. Using a hybrid of digital (distant) and analogue (close) reading methodologies, Peter J. Capuano considers Dickens's use of bodily idioms—"right-hand man," "shoulder to the wheel," "nose to the grindstone"—against the broader lexical backdrop of the nineteenth century. Dickens was famously drawn to the vernacular language of London's streets, but this book is the first to call attention to how he employed phrases that embody actions, ideas, and social relations for specific narrative and thematic purposes. Focusing on the mid- to late career novels Dombey and Son, David Copperfield, Bleak House, Great Expectations, and Our Mutual Friend, Capuano demonstrates how Dickens came to relish using common idioms in uncommon ways and the possibilities they opened up for artistic expression. Dickens's Idiomatic Imagination establishes a unique framework within the social history of language alteration in nineteenth-century Britain for rethinking Dickens's literary trajectory and its impact on the vocabularies of generations of novelists, critics, and speakers of English.

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'Roald Dahl by way of Charles Dickens' - Vox.com 'Dark and wildly original urban fantasy tale' - The New York Times'Delightful, eccentric, heartfelt, surprising, philosophical, everything that a novel for children should be' - Eleanor Catton, winner of the Man Booker Prize 2013'A rare work of individual brilliance' - Inis magazineThe Iremongers have taken up what was not wanted and wanted it.Clod is an Iremonger. He lives in the Heaps, a vast sea of lost and discarded items collected from all over London. At the centre is Heap House, a puzzle of houses, castles, homes and mysteries reclaimed from the city and built into a living maze of staircases and scurrying rats. The Iremongers are a mean and cruel family, robust and hardworking, but Clod has an illness. He can hear the objects whispering. His birth object, a universal bath plug, says 'James Henry', Cousin Tummis's tap is squeaking 'Hilary Evelyn Ward-Jackson' and something in the attic is shouting 'Robert Burrington' and it sounds angry.A storm is brewing over Heap House. The Iremongers are growing restless and the whispers are getting louder. When Clod meets Lucy Pennant, a girl newly arrived from the city, everything changes. The secrets that bind Heap House together begin to unravel to reveal a dark truth that threatens to destroy Clod's world.

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'Roald Dahl by way of Charles Dickens' - Vox.com 'Astonishing and inventive, it calls out to be read' - The Sunday Times'Dark and wildly original urban fantasy tale' - New York Times'All of Edward Carey's work is profound and delightful' - Max Porter'If this were music, Carey would be Eric Satie. If it were film, he would be Tim Burton.' - NewsdayThe ghastly climax to the gothic Iremonger trilogyThe dirt town of Foulsham has been destroyed, its ashes still smoldering. Darkness lies heavily over the city, the sun has not come up for days. Inside the houses throughout the capital, ordinary objects have begun to move. Strange new people run through the darkened streets. There are rumours of a terrible contagion. From the richest mansion to the poorest slum people have disappeared. The police have been instructed to carry arms. And rats, there are rats everywhere. Someone has stolen a certain plug. Someone is lighting a certain box of matches. All will come tumbling down. The Iremongers have come to London.

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Pen Vogler is a food historian and author of the Sunday Times bestseller Scoff: A History of Food and Class in Britain, Dinner with Mr Darcy and Dinner with Dickens. She edited Penguin's Great Food series and guest curated the exhibition 'Food Glorious Food' at the Charles Dickens Museum.

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This book contains six illustrated stories by Charles Dickens. These are six great novels simply retold to form a child's first introduction to Dickens' unique view of humanity. It includes A Christmas Carol, Great Expectations, David Copperfield, The Old Curiosity Shop, Nicholas Nickleby, and - of course - Oliver Twist. Though teeming with extraordinary characters, events and locations, Dickens' writing offers us real insights into the social conditions of his day and the way in which ordinary people were affected. Sidebars explore the historical background and explain the language the author used, which still resonates today. Specially adapted by Sue Butler and with sumptuous illustrations by Jenny Thorne, this beautiful collection is an ideal entry point into the works of Dickens Charles Dickens was born on February 7th 1812 in Portsmouth, England, the son of a navy clerk. After moving to London, his father was imprisoned for debt and the young Dickens went to work in a blacking factory, an experience that contributed greatly to his later views on social reform.He became a journalist, but would be better known for his wonderful novels, short stories and articles - which are still widely read and adapted to this day. Some of his most memorable tales are retold here in shortened and simplified form.

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"This book is amazing." Halloween might seem like the spookiest time of year, but Charles Dickens felt otherwise. He was among the many authors who set their scariest stories during the dim and shivering days of--yes, Christmas. First published in 1866 for a special yuletide issue of All the Year Round, Dickens' "The Signalman" has since fallen into obscurity. An eerie story of isolation, dread, and supernatural visitation, this book is a small treasure, meant to be read aloud on a cold, dark winter night.

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Charles Dickens wrote a number of supernatural and horror stories, some of which were included in his longer works, while others were published in magazines. This collection provides an invaluable insight into the author's storytelling apprenticeship and his steady growth towards excellence. As well as offering a further dimension to the world of his better-known masterpieces, these tales - from `The Story of the Goblins Who Stole a Sexton' to the celebrated `The Signalman' - illustrate Dickens's well-known love of a spooky story told around a blazing fire, the pastime of a bygone age to be rediscovered for our own delight.

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"Published in the Christmas edition of Charles Dickens’s magazine All the Year Round, Mugby Junction is the spellbinding result of a literary collaboration between some of the leading writers of the day, and contains four unforgettable contributions by Dickens himself, including ‘The Signalman’ – a chilling tale of a spectral apparition whose appearances forebode fatal accidents on the line. The eight stories included in this volume range from the hilarious to the hair-raising, and not only remain as fresh today as when they first appeared in 1866, but stand as a testament to the versatility and exuberance of Dickens’s unrivalled genius. Includes: ‘Barbox Brothers’, ‘Barbox Brothers and Co.’, ‘Main Line: The Boy at Mugby’ and ‘No. 1 Branch Line: The Signalman’ by Charles Dickens, ‘No. 2 Branch Line: The Engine Driver’ by Andrew Halliday, ‘No. 3 Branch Line: The Compensation House’ by Charles Collins, ‘No. 4 Branch Line: The Travelling Post-Office’ by Hesba Stretton and ‘No. 5 Branch Line: The Engineer’ by Amelia B. Edwards"

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A masterful collection of ghost stories that have been overlooked by contemporary readers—including tales by celebrated authors such as Charles Dickens, Sir Walter Scott, Mark Twain, and Edith Wharton—presented with insightful annotations by acclaimed horror anthologists Leslie S. Klinger and Lisa Morton.  The ghost story has long been a staple of world literature, but many of the genre's greatest tales have been forgotten, overshadowed in many cases by their authors' bestselling work in other genres. In this spine-tingling anthology, little known stories from literary titans like Charles Dickens and Edith Wharton are collected alongside overlooked works from masters of horror fiction like Edgar Allan Poe and M. R. James. Acclaimed anthologists Leslie S. Klinger (The New Annotated Sherlock Holmes) and Lisa Morton (Ghosts: A Haunted History) set these stories in historical context and trace the literary

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This paperback will feature two Christmas-themed stories by the author: "A Christmas Dream, and How It Came to Be True," a tale inspired by Charles Dickens's A Christmas Carol; and "How It Happened."

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In the summer of 1844, taking a break from novel-writing, the thirty-two-year-old Charles Dickens embarked on a journey to Italy with his wife, his five children and his young sister-in-law. Struck by the scenery and the rapid diorama of monuments and novelties around him, the celebrated author of Oliver Twist and A Christmas Carol captured his experiences and impressions in vivid detail. The result is a travelogue like no other, written by one of the finest writers of all time. Abounding in colour and humour, and interspersed with unforgettable set pieces, such as an eyewitness account of the beheading of a robber in Rome and a hilarious description of a tour guide’s ruinous tumble down the slope of Mount Vesuvius, Pictures from Italy is further proof of Charles Dickens’s genius and versatility.

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The Penguin English Library Edition of A Christmas Carol by Charles Dickens"Every idiot who goes around with 'Merry Christmas' on his lips, should be boiled with his own pudding"Charles Dickens's tale of Ebenezer Scrooge, who is haunted by three spirits and learns the true meaning of Christmas has had, along with Dickens's other Christmas writings, a lasting and significant influence upon our ideas about the season as a time for celebration, charity and memory.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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