Search results for ""Alma Books Ltd""

Dorian Gray is having his picture painted by Basil Hallward, who is charmed by his looks. But when Sir Henry Wotton visits and seduces Dorian into the worship of youthful beauty with an intoxicating speech, Dorian makes a wish he will live to regret: that all the marks of age will now be reflected in the portrait rather than on Dorian's own face. The stage is now set for a masterful tale about appearance, reality, art, life, truth, fiction and the burden of conscience. Oscar Wilde's only full-length novel, The Picture of Dorian Gray is a lasting gem of sophisticated wit and playfulness, which brings together all the best elements of his talent in a reinterpretation of the Faustian myth.

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In the Twilight, the third collection of short stories compiled by Anton Chekhov himself, was his first major success and won him the prestigious Pushkin Prize when it was published in 1888. This volume represents a clear milestone in the writer’s passage from the youthful Antosha Chekhonte, author of slight comic sketches, to the mature master of the short-story genre. This edition presents the sixteen tales of the original collection – ranging from well-known and acknowledged gems such as ‘Agafya’ and ‘On the Road’ to others which will be fresh even to many seasoned readers of Chekhov – in a brand-new translation by Hugh Aplin, providing an invaluable glimpse into a pivotal moment in the writer’s literary career.

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Leo Tolstoy’s most personal novel, Anna Karenina scrutinizes fundamental ethical and theological questions through the tragic story of its eponymous heroine. Anna is desperately pursuing a good, “moral” life, standing for honesty and sincerity. Passion drives her to adultery, and this flies in the face of the corrupt Russian bourgeoisie. Meanwhile, the aristocrat Konstantin Levin is struggling to reconcile reason with passion, espousing a Christian anarchism that Tolstoy himself believed in. Acclaimed by critics and readers alike, Anna Karenina presents a poignant blend of realism and lyricism that makes it one of the most perfect, enduring novels of all time.

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In addition to a sparkling modern translation of Praise of Folly, this volume also includes other works by Erasmus: Pope Julius Barred from Heaven, Epigram against Pope Julius II and a selection of his Adages. Together with the extensive annotation of the texts, these help to set Erasmus’s masterpiece in an accessible context for the modern reader. A central text of the Renaissance, Praise of Folly is an essential part of the Western canon, without which much that has followed – in culture, theology and literature – would not exist. Deeply subversive in its time, the book, after the initial controversy it created, finally gained acceptance as theologians, philosophers and readers came to appreciate Erasmus’s lucid, playful and eloquent reasoning.

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First published in 1859, Oblomov is an indisputable classic of Russian literature, comparable in its stature to such masterpieces as Gogol’s Dead Souls, Tolstoy’s Anna Karenina and Dostoevsky’s Brothers Karamazov. The book centres on the figure of Ilya Ilyich Oblomov, a member of the dying class of the landed gentry, who spends most of his time lying in bed gazing at life in an apathetic daze, encouraged by his equally lazy servant Zakhar and routinely swindled by his acquaintances. But this torpid existence comes to an end when, spurred on by his crumbling finances, the love of a woman and the reproaches of his friend, the hard-working Stoltz, Oblomov finds that he must engage with the real world and face up to his commitments. Rich in situational comedy, psychological complexity and social satire, Oblomov – here presented in Stephen Pearl’s award-winning translation, the first major English-language version of the novel in more than fifty years – is a timeless novel and a monument to human idleness.

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Monroe Stahr is a film producer at the height of his career, revered by the industry and in control of every aspect of his business empire. In his ruthless rise to the top, the young widower has had little time for sentiment, until he mets the beguiling Kathleen Moore and the two embark on an intense but ill-fated relationship. Told in parts from the perspective of Cecelia Brady, the witty and perceptive daughter of Stahr's business partner, The Last Tycoon is a sophisticated, gripping tale of love and intrigue in the Golden Age of Hollywood, containing what many critics have claimed are Fitzgerald's most modern and engaging chracters.

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A collection of early short stories which helped make Fitzgerald’s name, Tales of the Jazz Age combines period pieces – the most notable of which is the novella-length ‘May Day’ – with more fanciful creations, such as the fantastical ‘The Curious Case of Benjamin Button’, recently made into a Hollywood film. Also containing the now classic story ‘The Diamond as Big as the Ritz’, as well as lesser-known sketches and tales, this diverse selection, compiled by Fitzgerald himself from material published in newspapers and magazines, showcases both the variety of his writing and early examples of the themes and characters which would find their way into his later novels.

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Finding himself locked in his room for six weeks, a young officer journeys around his room in his imagination, using the various objects it contains as inspiration for a delightful parody of contemporary travel-writing and an exercise in Sternean picaresque, and humorously demonstrating what one can explore without having set off to exotic locations. Accompanied in this volume by its equally superb sequel, ‘Nocturnal Expedition around my Room’, in which a similar voyage is made at night several years later, ‘A Journey around My Room’ is a masterly and innovative piece of writing, which was immensely popular in its time and would later influence Victor Hugo and Marcel Proust, among others.

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In a series of nine letters, the narrator tells his friend how he introduced Vera Nikolayevna, a married woman who had been forbidden as a child to read fiction and poetry, to the intellectual pleasures of Goethe's masterpiece. Opening up in front of Vera's eyes is not only the realm of imagination, but also a world of unbridled feelings and tempestuous passions, which can only shatter the comfort and safety of her existence and force her to set off on a journey of spiritual awakening.

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Alexander Pope was, at one time, the world’s most celebrated poet. His trenchant satirical works – in which the foibles of all the critics, hacks and bad poets of his day are exploded – and his masterful heroi-comic poem The Rape of the Lock continue to inspire generations of writers and readers to this day. Alongside his more prominent poetical production, Pope engaged with some of the sharpest wits of his era – including Jonathan Swift and John Gay, the author of The Beggar’s Opera – in writing a number of satirical prose works, of which Scriblerus is perhaps the greatest achievement. As he prepares to become father for the fi rst time, the scholar Cornelius is determined to settle on nothing less than a child of the “learned sex” – a boy – and give him the most thorough education so that he can become the greatest critic who ever lived. An account of the birth, the infancy, the schooling, the diet-planning, the unconventional love affairs and the attainments of this child prodigy,The Memoirs of Martinus Scriblerus is surely the funniest imaginary biography ever written.

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At a train station on her way to meet her friends Marie and Leo to recover her pet rock, Madame Charlotte accidentally picks up the Prime Minister’s elephant-hide bag instead of her own. As it contains important documents and the politician is due to make an important speech on children’s education, Miss Charlotte – hoping that she might get a ministerial job out of this – embarks on a quest to track him down. Along the way, Miss Charlotte cannot help making speeches on behalf of the country’s leader and putting her own original twist on his boring children’s policy, while attracting at the same time the attentions of the media and the secret service.

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A new middle-grade sci-fi novel from the author of SIX, Slick is a fresh, funny and heargelt story about what it means to be human. Longlisted for the 2020 UKLA Book Award Eric Young is the first child android to be trialled in society, but he doesn't know that. He does know that he's just moved to Ashland from London, so it's important that he makes new friends. Not just any friends, but the right kind - the kind that would be interested in skateboarding and the new Slick trainers his Uncle Martin sends him. He's already growing his social media presence, but he knows it's important to make friends in the real world too. Danny Lazio doesn't have any friends, but he doesn't care about that. He would rather not be friends with someone like Eric, who's had seemingly everything handed to him. But when Eric takes an interest in Land X, Danny's favourite game, Danny thinks he might have found a real friend... if he can figure out the mystery behind Eric's sudden disappearances and strange lifestyle. As their friendship grows, it becomes harder to ignore the weird events that happen around Eric, from weekly "dentist" appointments to inexplicable medical mishaps. But uncovering the truth is an act that might cost them both, as powerful forces soon move in around them.

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Available for the first time in an English translation, this selection gives non-Francophone readers the chance to encounter the many incarnations of renowned Belgian painter René Magritte – the artist, the man, the aspiring noirist, the fire-breathing theorist – in his own words. Through whimsical personal letters, biting apologia, appreciations of fellow artists, pugnacious interviews, farcical film scripts, prose poems, manifestos and much more, a new Magritte emerges: part Surrealist, part literalist, part celebrity, part rascal. While this book is bound to appeal to admirers of Magritte’s art and those who are curious about his personal life, there is also much to delight all readers interested in the history and theory of art, philosophy and politics, as well as lovers of creativity and the inner workings of a probing, inquisitive mind unrestricted by genre, medium or fashion.

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Miss Charlotte – the new coach of a children’s football team – has some odd methods to prepare them for the big match, including talking to the ball and drinking a special potion, smalalamiam. Also, she teaches them how to lose! And to have fun. Incredibly, it seems to work – but will their hopes of victory be dashed when their star player decides to join the other team? The latest instalment in Dominique Demers’s popular Adventures of Miss Charlotte series, The New Football Coach, brilliantly illustrated by Tony Ross, is a marvellous tale about believing in yourself and beating the odds.

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When the mysterious and eccentric Miss Charlotte arrives in the village of Saint-Anatole to take over the tiny library, the locals are surprised to find out that she does things differently. Wearing a long blue dress and a giant hat, she takes her books out for a walk in a wheelbarrow and shows the children that reading can be fun and useful. Sometimes she is so caught up in the magic of the stories she shares with her audience that she forgets all sense of reality – so much so that one day she loses consciousness and the children must find a way to bring her back. The second in Dominique Demers’s popular The Adventures of Miss Charlotte series, The Mysterious Librarian, brilliantly illustrated by Tony Ross, is a wonderful story about the magical and inspiring power of books.

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Rebelde the snail can’t stop asking his fellow molluscs awkward questions, starting with: why are we so slow? When he is finally banished from the snail community because of this, he is forced to travel the world alone. As he explores in his slow snail-like way, Rebelde makes new friends and goes on plenty of adventures, gaining wisdom from every new encounter. But when he finds out his friends are in danger, he decides to rush home to warn them. Will he get there in time to save them? Luis Sepúlveda’s bestselling The Story of a Snail Who Discovered the Importance of Being Slow is a wonderful ode to diversity and unity, celebrating the importance of being slow in a world obsessed with speed.

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All children dream of having a secret house where they can live on their own, far from any rules and regulations. But not all of them are as lucky as Aglaia, who lives at the top of a magical tree together with her friend Bianca and an incredible host of flying dogs, talking cats, carnivorous flowers and children who speak in verse.Inventively illustrated by Quentin Blake, Aglaia's adventures - and her battles with the gruff Signor Brullo and the woodmen who want to cut down the tree - are sure to enchant and inspire the imagination of every child.

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England, 31st August 1939: the world is on the brink of war. As Hitler prepares to invade Poland, thousands of children are evacuated from London to escape the impending Blitz. Torn from her mother, eight-year-old Anna Sands is relocated with other children to a large Yorkshire estate which has been opened up to evacuees by Thomas and Elizabeth Ashton, an enigmatic childless couple. Soon Anna gets drawn into their unravelling relationship, seeing things that are not meant for her eyes – and finding herself part-witness and part-accomplice to a love affair, with unforeseen consequences. A story of love, loss and complicated loyalties, combining a sweeping narrative with subtle psychological observation, The Very Thought of You is a haunting and memorable debut.

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Shortlisted for the Essex Book Awards and Stockton Children’s Book of the Year Award When Parker Banks moves with his family from London to New York, he struggles to adapt to his new school and environment. His scientist dad is constantly at work on a top-secret technological venture for a major corporation, when one day he is kidnapped. It is up to Parker, along with his deaf sister Emma, their friend Michael and the pet pig their father left behind, to find and rescue him. They have at their disposal the E.F.E. device that their dad has invented to allow the family members to communicate with one another through telepathy. As their search progresses, it becomes clear that Six, the project that Parker's father has been involved in against his will, is a sinister enterprise that poses a threat not only to the Banks family, but to the world at large.

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An enchanting book set in a world where the odd is the ordinary, evil has many faces and love is the most powerful magic of them all. Twelve-year-old Grubb lives a hand-to-mouth existence in Victorian England, working as a chimney sweep under a cruel master. After an incident at an inn, he hides in the trunk of one of its guests, the enigmatic Alistair Grim, and is whisked away to his Odditorium, a wonderful flying house full of incredible mechanical features powered by an enigmatic substance called animus. Now apprenticed to Grim, Grubb begins to settle into his new life and find a new family in the eccentric crew of the Odditorium, when suddenly his new world comes under attack by the evil Prince Nightshade and he is propelled into a perilous quest. As he gets caught up in the struggle, Grubb will learn valuable lessons and discover remarkable secrets about himself and his new host.

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Supermarket checkout girl Tracy Pringle has a very lively imagination indeed. In front of her, as she blip-blips herself into a daydream, walk past not boring housewives with screaming children or tired office clerks, but the likes of Lord Byron, Lawrence of Arabia and Princess Leia. It comes as no surprise, then, that she turns a blind eye when Her Majesty herself pops a packet of Mr Kipling’s Bakewell tarts into her handbag without paying. Obviously, the management sees it differently, and Tracy is given the sack on the spot and forced to find herself another job. But nothing can prepare her for the new life that awaits her at the Taste of Persia restaurant, where she is flung headlong into a clash of cultures, languages, dinner plates, religions and a rather tricky domestic arrangement...

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Now a motion picture starring Andy Serkis and Thomas Brodie-Sangster Donald Delpe is a troubled teenager. Not only is he a ‘terrible teen’ by default, as obsessed with sex, music, videogames and drugs as the rest of his gang, but he is also suffering from a life-threatening form of leukaemia, which makes him an even more difficult boy, both for his parents and his teachers. Escaping into his own comic-book realm of immortal superheroes, ruthless villains and sex-crazed vamps, he repeatedly dashes his family’s hopes by refusing to fight the battles facing him in the real world. As famous psychologist Dr King is brought in to help, a glimmer of hope is rekindled. But will the doctor break the rules, betray the parents’ trust and risk everything to help Donald achieve his greatest wish? Or will Donald be the one to save the doctor? Inspired by real events, Death of a Superhero is a brilliantly original fusion of novel, comic book and film script; a celebration of the transience of life, the eternal difficulty of love and a hilarious riff on our 21st-century infatuation with movies and the superhero solution.

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The poetry of Eluard is that of the real world and its natural sensations and feelings. The main themes that stand out are love, brotherhood and kindness. His imagery is characterized by its appeal to the senses and the importance of concrete objects and of everyday things. In these translations by Gilbert Bowen, the best work of Paul Eluard, perhaps the most popular of twentieth century French poets, has been collected in a bilingual edition. This edition contains a representative selection of poems from different periods and different aspects of his vast output.

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Europe after the Rain takes its title from Max Ernst’s surrealist work, which depicts a vision of rampant destruction – a theme which Burns here takes to its conclusion, showing man not merely trying to come to terms with desolation, but combating human cruelty with that resilience of spirit without which survival would be impossible. The Europe through which the unnamed narrator travels is a devastated world, twisted and misshapen, both geographically and morally, and he is forced to witness terrible sights, to which he brings an interested apathy, without ever succumbing to despair or cynicism. Upon the novel’s first publication, Burns was heralded as presenting a picture of his age and capturing the ‘collective unconscious’ of the twentieth century – in a language that can have few rivals for economy, beauty and rhythm. His austere sentences glow with intelligence, colour and force, and evoke a powerful image for the modern reader of fears every bit as relevant today as on the day when they were written.

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Following a disjointed, vision-like structure, The Blind Owl is the nightmarish exploration of the psyche of a madman. The narrator is an ailing, solitary misanthrope who suffers from hallucinations, and his dreamlike tale is layered, circular, driven by its own demented logic, and punctuated with macabre and surreal episodes such as the discovery of a mutilated corpse, and a bizarre competition in which two men are locked in a dungeon-like room with a cobra. Initially banned in the author’s native Iran, the novel first appeared in Tehran in 1941 and became a bestseller. Full of powerful symbolism and terrifying imagery, this dark novella is Hedayat’s masterpiece.

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Written in America while Trocchi was working on a scow on the Hudson River, Cain's Book is an extraordinary autobiographical account about a junky's life, and an honest, raunchy, eye-opening trip through hell. Probably the most famous novel about drug addiction and the hazards and excitements of an addict's life after Burrough's Naked Lunch, this modern classic - which was prosecuted in Britain for obscenity in 1965 - still shocks in its frankness and is relevant to this day.

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According to many experts, China is already the largest economy on the planet – yet its relations with the rest of the world have deteriorated in recent years, and are now at an all-time low. Is this a passing phase caused by the shockwaves of the Covid pandemic and the personalities of leaders in China and in the USA, or are the current divergencies going to become wider and more entrenched, as China grows economically and develops technological leadership? Can the West learn from its past mistakes and engage successfully with China on many common interests, or are we on the verge of a new Cold War? In The Chinese Conundrum, Vince Cable – author of the the Sunday Times number-one bestseller The Storm: The World Economic Crisis and What it Means – provides an answer to these and many other topical questions of global politics and economy, examining the long history of relationships between China and the West, as well as the change in attitudes on both sides of the divide, with a particular focus on the possible repercussions of the recent election of Joe Biden as president of the United States. The result is a gripping, insightful and accessible investigation into the intricacies of today’s economic and geopolitical situation.

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Published in 1880, one year before Verga’s influential novel The Malavoglias, Life in the Country first marked his stylistic shift towards the verismo school of Italian realism. The collection’s centrepiece, ‘Rustic Honour’ (‘Cavalleria rusticana’) – which was famously adapted into a play by the author before becoming an opera by Mascagni – tells the tale of Turiddu, a poor young man who returns from military service and finds himself embroiled in adultery and a feud with a rival. Also including the well-known stories ‘She-Wolf’ and ‘Foxfur’, Life in the Country captures, in an objective, non-judgemental prose, the difficult conditions and personal struggles of the peasant class in his native Sicily at the turn of the twentieth century.

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Dante is known to most readers outside Italy for his gritty descriptions of the Inferno, but there is another, gentler side to his poetry, which found expression throughout his career in verses that made him, together with his friend Guido Cavalcanti, the leading love poet of his generation. From the ballads and rime of his youth to the heart-rending lyrics written on the death of Beatrice and the more sober, philosophical canzoni of his later years, this volume provides the only English edition of the great Florentine’s complete love poems, in brilliant verse translations by Dante specialists J.G. Nichols and Anthony Mortimer.

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The first story in this volume, How the Two Ivans Quarrelled, is an amusing portrayal of two exceptionally close friends, the mortal insult that drives them apart, and the ensuing chaos that occurs. This is Gogol’s humour at its best, where the most irrelevant-seeming details and turns of phrase take on a bizarre life of their own. Ivan Krylov’s Panegyric in Memory of My Grandfather has an ingenuous narrator praise the nobility and modesty of a landowner whose actions prove him to be otherwise. The two tales by Mikhail Saltykov are satirical attacks on civil servants and Russia’s autocracy. The final piece, Tolstoy’s Ivan the Fool, is a playful and allegorical critique of contemporary Russian society. Together, they represent some of Russia’s finest comic writing before the twentieth century.

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Based on a famous Spanish folk tale and set in rural Andalusia, The Three-Cornered Hat recounts the tribulations of a lecherous local magistrate as he attempts to have his way with the miller’s beautiful but devoted wife, with unforeseen and hilarious consequences. Alarcon’s astute blend of slapstick and comedy of manners provides both timeless entertainment and a sharp satire on the corruption of rural officials and the politics of lust and seduction.

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As a group of Western tourists travel down the Nile on the steamer Korosko towards the historical sites near Egypt’s southern border, they are kidnapped by a marauding band of dervishes who demand their conversion to Islam. Cut off from the world, deprived of the comforts of civilized society and shaken in their beliefs, they will have to overcome the most arduous obstacles to regain their freedom and safety. Written towards the end of the Victorian era and permeated with a sense of fear and uncertainty, The Tragedy of the Korosko calls into question the moral authority of Europe’s presence in the Arab peninsula and the cultural supremacy of British colonialism, all the while demonstrating Conan Doyle’s unparalleled ability as a storyteller.

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One of Twain’s most celebrated novellas, ‘The Man That Corrupted Hadleyburg’ is a satirical retelling of the Garden of Eden story in the Bible, in which the author, mocking the supposed honesty and incorruptibility of the inhabitants of an imaginary American town, shows how man is fundamentally bad and cannot resist the temptations of gold. This collection also includes another acclaimed novella, ‘A Double-Barrelled Detective Story’, a spoof of the mystery genre featuring Sherlock Holmes in the American West, as well as lesser-known narratives such as ‘The Belated Russian Passport’ and ‘The Death Disk’. Together, these tales are a testament to Twain’s inexhaustible gift for invention and his skills as a storyteller.

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As a first-time visitor to London, De Amicis was awestruck by the bustle and magnificence of the Victorian metropolis and wrote a number of sketches in his trademark witty, observational style, which made him one of the best-selling travel writers of his age. Originally conceived as a series of newspaper articles and later published in volume form, De Amici's 'Memories of London' brings back to life all the bygone charm of the capital of the British Empire. De Amici's impressions are paired here with a piece written by one of his contemporaries, the French writer Louis Laurent Simonin, which leaves the city's opulence and granduer behind and offers an uncompromising look at the poverty and squalor of its most deprived areas.

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‘Atala’, published in 1801, tells the tragic tale of the eponymous heroine, the mixed-race Christian daughter of a Native American chief, who saves the captured Chactas and tragically falls in love with him. ‘René’, published the following year, is the seminal portrait of the sensitive and world-weary young Romantic hero who attempts to flee civilization and pursue a life in the wilderness of Louisiana. Referred to by their author as his passionate twins and intended to provide an illustration of the original, primitive virtues of Christianity, the two novellas were hugely successful in their time, thanks to their vivid depictions of exotic locations and their attunement to the emotional sensitivities of the age. They also helped shape European Romantic archetypes which would bear resonance throughout the nineteenth century and profoundly mark its literature and art.

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A.J. Cronin, author of some of the best-loved novels of the mid-twentieth century and the creator of Dr Finlay, has been unjustly overlooked by literary biographers. In this, the first fulllength life of this eminent and unjustly neglected writer, Alan Davies recounts the story of Cronin’s Scottish childhood as the son of a Protestant mother and Catholic father, his subsequent medical career and his rise to literary prominence, emphasizing throughout the importance of holding at arm’s length many of the apocryphal tales that have accumulated around the memory of the author of Hatter’s Castle, The Citadel and The Stars Look Down, many of which are based on mistaken autobiographical readings of Cronin’s fiction itself. Incorporating an account of Cronin’s tempestuous relationship with his publisher, Victor Gollancz, and new revelations about the author’s private life, Davies’s book paints a clearer portrait of both Cronin the writer and Cronin the man.

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Buster was the first, and arguably the most traditional, work of fiction by Alan Burns – dating from before his aleatoric style developed into “cutting up”, but displaying early examples of the trademark disjointed, brisk and biting style which earned him a cult following. Imbued with autobiographical sentiment, the novel shows a young man’s upbringing during World War II and his disillusioned vision of the post-war world. Never before published in standalone volume form since its original publication in the inaugural New Writers anthology in 1961, Buster is characteristically succinct and of huge literary merit, but in its autobiographical and pre-aleatoric style it provides, perhaps more importantly, a key to understanding the rest of Burns’s works.

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Celebrations, Alan Burns’s third novel, brings the inherent violence and oppression so apparent in Europe after the Rain into the setting of a family-owned factory, where social hierarchies, legal structures and humiliation keep the workers in line. By bringing the differences between workers sharply into focus, Burns creates a choking atmosphere of oppression and exploitation – heightened and upended by his trademark aleatoric style, peppering with seemingly random headlines and offcuts the text, which has not lost any of either its relevance or its acerbic bite in the intervening years.

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First published in French magazines in the 1960s, the essays and interviews collected in this volume tackle two of Sartre’s most enduring concerns as a philosopher: politics and literature. With regard to the former, they develop the notion of the intellectual not only as an aloof theoretician, but also as a constructive agent of change. His writings on literature explore the limitations of language as an exact vehicle for meaning, the author’s lack of ownership of his own words and the avenues that certain types of theatre such as Artaud’s open for non-verbal communication. A useful, concise introduction to Sartre’s thinking, Politics and Literature investigates concepts and highlights conflicts, interrogations and debates that remain topical and relevant to this day.

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These Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. ‘Puccini’s motto could be: “The maximum effect with the simplest means”,’ suggests Bernard Keeffe. He analyses different aspects of the score, noting particularly Puccini’s genius for orchestration, and the infinitely subtle effects that give the melodrama irresistible vitality. Stuart Woolfe’s scholarly assessment of the significance of the historical themes for Puccini explains many of the motives of the protagonists. Tosca is a supreme example of music’s power to enthral an audience and Bernard Williams discusses the particular quality of its appeal.

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It used to be thought that Verdi miscalculated with this attempt at a “grand opera” in the French style. This guide demonstrates that Don Carlos was – and remains – an extraordinary achievement in melding two opposing visions of opera: the spectacular public aspect of the French tradition with the dramatic concision of the Italian. And because of the variety of versions which Verdi sanctioned, this debate is open-ended. Contents: A Grand Opera with a Difference, Julian Budden; Off the Beaten Track, Gilles de Van; “A Family Portrait in a Royal Household”: ‘Don Carlos’ from Schiller to Verdi, F.J. Lamport; Stendhal’s ‘Don Carlos’: “The most moving opera ever written”, by Nicholas Cronk; Don Carlos: Grand Opera in Five Acts by Joseph Méry and Camille du Locle; Don Carlo: Italian translation by Achille de Lauzières and Angelo Zanardini with additional material translated by Piero Faggioni; Don Carlos: English translation by Andrew Porter; Introduction by Jennifer Batchelor

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Monteverdi’s 1607 version of the legend of Orpheus is arguably the first masterpiece of opera. Composed for the court of Mantua, where Monteverdi was employed, it is very different from his two other surviving operas, which he wrote more than thirty years later to entertain Venetian audiences in the first public opera houses. Orfeo was long considered untranslatable, because the text is so closely tied to the music, and the Venetian librettos owe some of their brilliance to Spanish Golden Age theatre. This opera guide is an opportunity to read all three of Monteverdi’s stage works together, in Anne Ridler’s graceful translations. Contents: Operas contained in this volume: Orfeo, Il ritorno di Ulisse in patria, L’incoronazione di Poppea; Monteverdi, Opera and History, lain Fenlon; On Translating Opera, Anne Ridler; PART ONE: Mantua; A masterpiece for a Court, John Whenham; Music Examples; ‘Orfeo’: Favola in musica by Alessandro Striggio the Younger; Orfeo: English singing version by Anne Ridler; PART TWO: Venice; Musical Theatre in Venice, Paolo Fabbri; The Spanish Contribution to the Birth of Opera, Jack Sage; Monteverdi Returns to his Homeland, Tim Carter; Musical Examples; ll ritorno d’Ulisse in patria: Dramma in musica by Giacomo Badoaro; The Return of Ulysses: English singing version by Anne Ridler; Public Vice, Private Virtue, lain Fenlon and Peter Miller; Musical Examples; L’incoronazione di Poppea: Opera musicale by Giovanni Francesco Busenello; The Coronation of Poppea: English singing version by Anne Ridler

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Richard Wagner’s fifteen-hour operatic cycle The Ring of the Nibelung ends with this great music drama. Michael Tanner’s essay tackles the scale and meaning not just of this work but of Wagner’s whole undertaking, showing that Götterdämmerung is – for all its length – his fastest-moving drama. Composer Robin Holloway brings the focus of creative genius to his discussion of the score, while Christopher Winkle’s article analyses Brunnhilde’s concluding monologue. The ninety numbered musical themes of the Thematic Guide are cross-referenced to the other Ring guides. Contents: An Introduction to the End, Michael Tanner; Motif, Memory and Meaning in ‘Twilight of the Gods’, Robin Holloway; The Questionable Lightness of Being: Brunnhilde’s Peroration to ‘The Ring’, Christopher Wintle; Götterdämmerung: Poem by Richard Wagner; Twilight of the Gods: English translation by Andrew Porter

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This double volume contains two masterpieces of the Czech composer Leoš Janácek. Jenufa was the opera which finally brought him international recognition – and, with it, fame at home. Based on Ostrovsky’s The Storm, Katya Kabanova contains wonderful music inspired by the composer’s love for a much younger woman. The scores are discussed by Arnold Whittall, and the background sources are variously introduced by social and literary historians. John Tyrell comments on an important letter about the genesis of Katya; Sir Charles Mackerras describes his work as an interpreter and advocate of this brilliantly original and dramatic music. Contents: A National Composer Jaroslav Krejci; Drama into Libretto, Karel Brusak; The Challenge from Within: Janácek’s Musico-dramatic Mastery, Arnold Whittall; Janácek and Czech Realism, Jan Smaczny; Jenufa: Libretto by Leoš Janácek; Jenufa: English translation by Otakar Kraus and Edward Downes; A Russian Heart of Darkness, Alex de Jonge; Janácek’s forgotten commentary on ‘Katya Kabanova’, John Tyrrell; Katya Kabanova: Libretto by Leoš Janácek; Katya Kabanova: English translation by Norman Tucker; Janácek’s Operas – Preparation and Performance, Charles Mackerras

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Although it is impossible to trace any one particular theme running through the operas of Michael Tippett, the libretti of his four operas are fascinating to compare. The dense allusions of The Midsummer Marriage (1955), here annotated, gave way to the classical formality of King Priam (1962); the psychoanalytical preoccupations of The Knot Garden (1970) hardly foreshadow the contemporary political commentary of The Ice Break (1977). Each work breaks new ground and provokes unexpected responses. The libretti offer unique introductions to the music, and throw a searching light on the direction of British theatre since 1945. Contents: Operas contained in this volume: The Midsummer Marriage, King Priam, The Knot Garden, The Ice Break; Introduction, Meirion Bowen; A Ritual of Renewal, Paul Driver; ‘A Visionary Night’, John Lloyd Davies; Music for an Epic, Andrew Clements; A Tempest of Our Time, Meirion Bowen; Stereotypes and Rebirth, Leslie East

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This opera has been described as "the longest single smile in the German language". But Roland Matthews indicates that violence is not far beneath the surface of this portrait of medieval Nuremberg. Arnold Whittall's analysis gives a bird's-eye view of the complexity of the score. Timothy McFarland explores the significance of the choice of subject: that nostalgia for a pre-industrial community, which was a symptom of the German nationalist movement. The long text has many subtleties which opera audiences can hardly appreciate without reading it, and the musical themes are numbered to indicate where they occur. Contents: 'My most genial creation...', Roland Matthews; A Musical Commentary, Amold Whittall; Wagner's Nuremberg, Timothy McFarland; Die Meistersingers von Nurnberg: Poem by Richard Wagner; The Mastersingers of Nuremberg: English translation by Frederick Jameson, revised by Gordon Kember and Norman Feasey

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