Search results for ""author art, culture"

Winner of the 2021 Frank S. and Elizabeth D. Brewer Prize of the American Society of Church History Winner of the 2022 SMFS Best First Book in Medieval Feminist Studies Award An overlooked aspect of the iconography of the Annunciation investigated - Mary's book. The Annunciation remains one of the most recognizable scenes in western Christianity: the angel Gabriel addressing the Virgin Mary, capturing the moment when Christ becomes incarnate. But one consistent detail has evaded our scrutiny - Mary's book. What was she reading? What does her book mean? This innovative study traces the history of Mary's book at the Annunciation from the early Middle Ages through to the Reformation, focusing on a wide variety of religious treatises, visionary accounts, and art. It argues that the Virgin provided a sophisticated model of reading and interpretation that was foundational to devotional practices across all spectrums of society in medieval England, and especially for enclosed female readers. By imitating the Virgin, readers learned how to read; they learned how to pray; they learned how to channel God through vision and revelation. Most of all, they learned how to conceive God spiritually, just as Mary had conceived him physically, and just as she had conceived intellectually her reading of the Old Testament prophecies foretelling the Incarnation - that she herself was part of their fulfillment. The Annunciation offered a hermeneutic model of conception radically based on the reproductive female body, otherwise deeply problematic in medieval culture. Scholars have long studied the importance of the Virgin Mary for medieval people. But few would think of her as an intellectual role model. Yet that is what this book contends - that Mary's reading at the Annunciation is, essentially, a missing link for understanding how reading, interpretation, and devotion worked in the Middle Ages.

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Winner of the 2021 Frank S. and Elizabeth D. Brewer Prize of the American Society of Church History Winner of the 2022 SMFS Best First Book in Medieval Feminist Studies Award An overlooked aspect of the iconography of the Annunciation investigated - Mary's book. The Annunciation remains one of the most recognizable scenes in western Christianity: the angel Gabriel addressing the Virgin Mary, capturing the moment when Christ becomes incarnate. But one consistent detail has evaded our scrutiny - Mary's book. What was she reading? What does her book mean? This innovative study traces the history of Mary's book at the Annunciation from the early Middle Ages through to the Reformation, focusing on a wide variety of religious treatises, visionary accounts, and art. It argues that the Virgin provided a sophisticated model of reading and interpretation that was foundational to devotional practices across all spectrums of society in medieval England, and especially for enclosed female readers. By imitating the Virgin, readers learned how to read; they learned how to pray; they learned how to channel God through vision and revelation. Most of all, they learned how to conceive God spiritually, just as Mary had conceived him physically, and just as she had conceived intellectually her reading of the Old Testament prophecies foretelling the Incarnation - that she herself was part of their fulfillment. The Annunciation offered a hermeneutic model of conception radically based on the reproductive female body, otherwise deeply problematic in medieval culture. Scholars have long studied the importance of the Virgin Mary for medieval people. But few would think of her as an intellectual role model. Yet that is what this book contends - that Mary's reading at the Annunciation is, essentially, a missing link for understanding how reading, interpretation, and devotion worked in the Middle Ages.

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To get the full Being With Our Feelings experience, this book can be purchased alongside the storybooks. All books can be purchased together as a set, Being With Our Feelings: Guidebook and Four Storybooks Set, 978-0-367-77231-4.A vital resource, full of practical advice for developing and nurturing children’s emotional, mental and physical wellbeing, this toolkit offers a range of easily implementable, creative options to teach young people how to be with their feelings, themselves and each other with acceptance, kindness and compassion. Using storytelling, movement, drama, art, spoken word, guided meditations and providing plenty of photocopiable and visual aids, the Being With Our Feelings toolkit is a must-have resource for ensuring a mindful, embodied approach to wellbeing. Centred around the teaching of seven key principles carefully designed to develop healthy relationships with our feelings, this toolkit provides a comprehensive and progressive framework (suggested for Years 3-6), as well as the flexibility to suit the needs of any school, group or individual, Each key is unpacked through a main teaching activity with clear teaching points, followed by mindful reflections, creative explorations and opportunities to apply learning using the accompanying storybooks. With opportunities for assessing understanding and progression throughout, this toolkit follows a TEARS structure – teaching and exploring, applying, reviewing and self-evaluating. Being With Our Feelings encourages: increased emotional, mental, and physical wellbeing more conscious behaviour, reduced bullying and healthier relationships greater compassion, empathy and kindness an understanding of integrity and values a diverse feelings culture an established feelings language a space for freedom and creativity of expression including using imagery, sound and movement all-inclusive wellbeing rituals and routines that embody the energy and sensation of feelings Whether you are a teacher or school leader looking to develop your wellbeing curriculum or a caring adult looking to help children to be with all their feelings in a healthy way, this accessible book will enable you to support children’s enhanced development through a greater sense of self-worth and acceptance.

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'I don’t want you to rehabilitate me,' Philip Roth said to his only authorised biographer, Blake Bailey. 'Just make me interesting.' Granted complete independence and access, Bailey spent almost ten years poring over Roth’s personal archive, interviewing his friends, lovers, and colleagues, and listening to Roth’s own breathtakingly candid confessions. Cynthia Ozick, in her front-page rave for the New York Times Book Review, described Bailey’s monumental biography as 'a narrative masterwork...As in a novel, what is seen at first to be casual chance is revealed at last to be a steady and powerfully demanding drive...under Bailey’s strong light what remains on the page is one writer’s life as it was lived, and ― almost ― as it was felt.'Though Roth is generally considered an autobiographical novelist — his alter-egos include not only the Roth-like writer Nathan Zuckerman, but also a recurring character named Philip Roth — relatively little is known about the actual life on which so vast an oeuvre was supposedly based. Bailey reveals a man who, by design, led a highly compartmentalised life: a tireless champion of dissident writers behind the Iron Curtain on the one hand, Roth was also the Mickey Sabbath-like roué who pursued scandalous love affairs and aspired '[t]o affront and affront and affront till there was no one on earth unaffronted' — the man who was pilloried by his second wife, the actress Claire Bloom, in her 1996 memoir, Leaving a Doll’s House. Towering above it all was Roth’s achievement: thirty-one books that give us 'the truest picture we have of the way we live now,' as the poet Mark Strand put it in his remarks for Roth’s Gold Medal at the 2001 American Academy of Arts and Letters ceremonial. Tracing Roth’s path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth’s engagement with nearly every aspect of postwar American culture.

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Taking us from the beginning of our story to the present day, A Cold Spell examines how ice has shaped our thoughts, actions and societies – and what it means for us that it is rapidly disappearing from our planet 'A warm-hearted tale of the bizarre, something to cuddle up with in the bleak midwinter . . . Astonishing' THE TIMES 'Bracingly original . . . As the earth warms threateningly, there could hardly be a more pertinent time for a story like this’ MICHAEL PALIN 'A book of limitless fascinations' OLIVIA LAING 'Brightly written, nimbly researched and really quite delightful' LITERARY REVIEW Ice has confounded, delighted and fascinated us since the first sparks of art and culture in Europe and it now underpins the modern world. Without ice, we would not feed ourselves or heal our sick as we do, and our towns and cities, countryside and oceans would look very different. Science would not have progressed along the avenues it did and our galleries and libraries would be missing many masterpieces. A Cold Spell uses this vital link to understanding our past to tell a surprising story of obsession, invention and adventure – how we have lived and dreamed, celebrated and traded, innovated, loved and fought over thousands of years. It brings together a sacrificial Incan mummy, Winston Churchill’s secret plans for unusual aircraft carriers, strange bones that shook Victorian beliefs about the world and a macabre journey into the depths of the human body. It is an original and unique way of looking at something that is literally all around us, whose loss confronts us daily in the news, but whose impact on our lives has never been fully explored. [An] extraordinary, complete and utter history of the human experience of the cold stuff' JOHN LEWIS-STEMPEL, COUNTRY LIFE ‘A thought-provoking chronicle of humanity . . . Leonard consistently frames ice in surprising and insightful ways, and in doing so lends it a magical quality’ GEOGRAPHICAL

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The razor-sharp first novel in the New York Times bestselling Night Angel series from master of modern fantasy Brent Weeks - an astonishing and epic tale of magic, violence and revenge.The perfect killer has no friends. Only targets. For Durzo Blint, assassination is an art. And he is the city's most accomplished artist, his talents required from alleyway to courtly boudoir.For Azoth, survival is precarious. Something you never take for granted. As a guild rat, he's grown up in the slums, and learned the hard way to judge people quickly - and to take risks. Risks like apprenticing himself to Durzo Blint.But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins' world of dangerous politics and strange magics - and cultivate a flair for death.'Brent Weeks has a style of immediacy and detail that pulls the reader relentlessly into his story. He doesn't allow you to look away' Robin Hobb'Nobody does break-neck pacing and amazingly-executed plot twists like Brent Weeks' Brian McClellan'Weeks creates a rich blend of politics, culture and character . . . then throws in magic-using assassins' Peter V. Brett'Unforgettable characters, a plot that kept me guessing, non-stop action and the kind of in-depth storytelling that makes me admire a writer's work' Terry Brooks'Weeks has truly cemented his place among the great epic fantasy writers of our time' British Fantasy SocietyFor more from Brent Weeks, check out:Night AngelThe Way of ShadowsShadow's EdgeBeyond the ShadowsThe Kylar ChroniclesNight Angel NemesisPerfect Shadow: A Night Angel NovellaThe Way of Shadows: The Graphic NovelLightbringerThe Black PrismThe Blinding KnifeThe Broken EyeThe Blood MirrorThe Burning White

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Starting with the premise that the history of a medieval subject cannot be properly written "without recourse to the materials it produced," Lesley Smith's Masters of the Sacred Page provides an illuminating study of theology in the Middle Ages. She focuses on the dramatic transformations of the discipline in the twelfth century and uses a collection of contemporary manuscripts as a guide to its changes and developments. Smith points out that the medieval masters of theology had a much wider view of their subject than the modern academic tendency for neatness and division can easily admit, and she places their discipline squarely within the rapidly evolving intellectual and educational context of the twelfth-century university. Her approach avoids two of the most common weaknesses of modern historical studies of medieval theology. In the first place, those histories have a tendency to be distorted by a reliance on easily available printed editions of medieval texts, the bulk of which are summae and other logical, systematic treatments. This preponderance, however, often reflects the concerns and interests of nineteenth- and twentieth-century editors more than it does the medieval masters. Biblical commentaries, sermons, and manuals for pastoral use have only recently begun to be edited and printed in numbers reflecting their importance and widespread use in the Middle Ages; Smith includes such material in her study. In the second place, traditional histories have a tendency to remove the study of theology from the actual environment of the medieval university and therefore fail to account for the complex relations between theology, the arts, and the burgeoning disciplines of medicine and law. By refusing to follow this trend, Smith has greatly improved our awareness of the situation of medieval theology. Using the manuscript books themselves as witnesses, Smith shows how theology competed with other disciplines for students (as well as teachers), how it attempted to define itself, and how it cooperated with other disciplines to foster new development in book technology—and new traditions in the social and intellectual culture of the medieval university.

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In the past twenty years or more, there has been a growing interest among philosophers and theologians alike in the transcendentals and especially in the beautiful. This seems fortuitous since so much of contemporary culture is fixated in many ways on beauty, on what might be called a superficial or man-made beauty, intent on outward appearance, with little or no concern for the human person’s interiority and distinctive nature. The Ancients and the Medievals, on the contrary, were sensitive not only to the beauty of nature and art but also to beauty as intelligible, that is, to the beauty of moral harmony and of metaphysical splendor. While the question of whether the beautiful is in fact a transcendental aspect of being continues to be a subject of dispute in contemporary scholarship, the relationship between the beautiful and the good has been accepted since ancient times and has been attended to in recent publications. None of these publications, however, offers a systematic treatment of this relationship by drawing from the wisdom of both ancient and medieval thought in such a way as to bring together the work of scholars in this tradition.Beauty and the Good intends therefore to make a singular contribution by presenting a richer alternative to the contemporary cult of beauty and appearance on the one hand, and to the concomitant decline of real beauty on the other hand. In addition to highlighting the centrality of beauty in the Aristotelian account of moral virtue, where virtue is kalon and virtuous actions are done for the sake of kalon (the word kalon designates that which is beautiful, noble, and good)—an account which is found echoed in the medieval notion of intrinsic goodness (bonum honestum), understood as intelligible or spiritual beauty—this volume will provide the metaphysical and theological grounding for beauty, as influenced in part by Plato and Neoplatonism, together with a much needed account of how we know and judge beauty, and how for the recognition of true good and real beauty we need to be properly disposed. The integration of philosophical and theological reflection on the nature and relationship of beauty and the good, on our perception and judgment of beauty and of the good as beautiful, and on the motivational role of beauty in human action has as its goal to produce a coherent volume of essays.

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Maximize patient care skillsRely on this state-of-the-art, multimedia resource to help you navigate confidently in both common and complex clinical situations. Mastering patient care skills will ground you in fundamental rehabilitation principles; help you establish a culture of patient-centered care; and develop essential your clinical problem-solving and critical-thinking skills. You’ll also learn how to help your patients progress toward greater mobility and independence. Over 750 full-color photographs and illustrations make every concept crystal clear.See the techniques in actionAn access code in new, printed texts unlocks 55 full-color narrated video clips online at FADavis.com that show you clinicians and patients performing key techniques described in the text. UPDATED & EXPANDED! Incorporating current research and today’s best evidence-based practices NEW! Levels of assistance as defined by the Comprehensive Assessment Reporting Evaluation (CARE) tool, edema assessment methods, and expanded application of biomechanics principles to body mechanics for patients and clinicians NEW! Intervention boxes EXPANDED! More emphasis on clinical reasoning with a new decision-making algorithm to guide the clinician’s choice of mechanical and manual transfer methods EXPANDED! More emphasis on diversity and distinguishing between recovery and compensation EXPANDED! More information on neurological conditions such as Parkinson’s disease, dementia, and spinal cord injury and how they relate to mobility concepts as well as the use of a wheelchair as a primary means of locomotion Narrated video clips with closed captioning online at FADavis.com demonstrate must-know techniques. A focus on developing the foundational knowledge, clinical expertise, and problem-solving skills required to work safely and effectively in both common and unexpected patient situations. Organizational structure parallels the progression of patient intervention. Icons throughout the text highlight important concepts and care skills. “Watch Out!” “Keeping Current,” and “Clinical Tips” boxes cover important safety reminders, recent research, and pointers for effectiveness and efficiency in the clinic. “Try This,” “Clinical Reality Check,” “Thinking It Through,” and “Pathophysiology” boxes provide additional learning enhancements. A wealth of clinical examples mirror today’s patient populations.

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“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.” Karl Marx might have been thinking of punk rock when he wrote these words in 1847, but he overlooked the possibility that new forms of solidity and holiness could spring into existence overnight.Punk rock was a celebration of nastiness, chaos, and defiance of convention, which quickly transcended itself and developed its own orthodoxies, shibboleths, heresies, and sectarian wars. Is punk still alive today? What has it left us with? Does punk make any artistic sense? Is punk inherently anarchist, sexist, neo-Nazi, Christian, or—perish the thought—Marxist? When all’s said and done, does punk simply suck? These obvious questions only scratch the surface of punk’s philosophical ramifications, explored in depth in this unprecedented and thoroughly nauseating volume. Thirty-two professional thinkers-for-a-living and students of rock turn their x-ray eyes on this exciting and frequently disgusting topic, and penetrate to punk’s essence, or perhaps they end up demonstrating that it has no essence. You decide. Among the nail-biting questions addressed in this book:● Can punks both reject conformity to ideals and complain that poseurs fail to confirm to the ideals of punk?● How and why can social protest take the form of arousing revulsion by displaying bodily functions and bodily abuse?● Can punk ethics be reconciled with those philosophical traditions which claim that we should strive to become the best version of ourselves?● How close is the message of Jesus of Nazareth to the message of punk?● Is punk essentially the cry of cis, white, misogynist youth culture, or is there a more wholesome appeal to irrepressibly healthy tendencies like necrophilia, coprophilia, and sadomasochism?● In its rejection of the traditional aesthetic of order and complexity, did punk point the way to “aesthetic anarchy,” based on simplicity and chaos?● By becoming commercially successful, did punk fail by its very success?● Is punk what Freddie Nietzsche was getting at in The Birth of Tragedy, when he called for Dionysian art, which venerates the raw, instinctual, and libidinous aspects of life?

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The all-American spirit of midcentury modernism, in three US State Department-sponsored exhibitions This revelatory volume recovers and presents the history of three exhibitions organized by the US State Department’s Traveling Exhibition Service almost 70 years ago: Contemporary American Textiles, curated by Florence Knoll, Contemporary American Wallpapers, curated by Tom Lee, and Containers & Packaging, curated by Will Burtin. These exhibitions were made for presentation in West German schools, museums and trade fairs, and through the Amerika Haus program. By joining consumer choice with political choice, the State Department tried to convince West Germans and other Europeans that the United States, its system of government and its capitalist values offered more and better lifestyle choices than those of the Soviet bloc. This book is both an exhibition catalog and a reader. It restores the spirit of these three exhibitions to the public memory and challenges the idea that design has little political purpose. By piecing together primary sources found within archival collections, libraries and special collections, the book reveals how the State Department deliberately employed design, a process that binds people to daily life, to embody a connection between a rhetoric of political freedom and capitalist values of consumer freedom. Considering these exhibitions and their showcased objects, characteristically associated with midcentury modernism, A Designed Life suggests that, even now, the Cold War affects our lives, habits and culture. Designers and curators include: Anni Albers, Evelyn Anselevicius, Richard Lee Brecker, Will Burtin, Serge Chermayeff, Morton and Millie Goldsholl, Elizabeth Gordon, Eszter Haraszty, Peter Harnden, Ilonka Karasz, Katzenbach and Warren Inc., Juliet Kepes, Florence Knoll, Walter Landor, Laverne Originals, Tom Lee, Dorothy Liebes, Raymond Loewy, Jack Masey, George Nelson, Walter Paepcke, Annemarie Henle Pope, Noémi Raymond, Bernard Rudofsky, Herwin Schaefer, Saul Steinberg, Angelo Testa and the Tilletts.

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2019 AXIOM BUSINESS BOOK AWARD WINNER Featured in Forbes, NPR's Marketplace, and a Google Talk, The Customer Centricity Playbook offers "actionable insights to drive immediate value," according to Neil Hoyne, Head of Customer Analytics and Chief Analytics Evangelist, Google. How did global gaming company Electronic Arts go from being named "Worst Company in America" to clearing a billion dollars in profit? They discovered a simple truth—and acted on it: Not all customers are the same, regardless of how they appear on the surface. In The Customer Centricity Playbook, Wharton School professor Peter Fader and Wharton Interactive's executive director Sarah Toms help you see your customers as individuals rather than a monolith, so you can stop wasting resources by chasing down product sales to each and every consumer. Fader and Toms offer a 360-degree analysis of all the elements that support customer centricity within an organization. In this book, you will learn how to: Develop a customer-centric strategy for your organization Understand the right way to think about customer lifetime value (CLV) Finetune investments in customer acquisition, retention, and development tactics based on customer heterogeneity Foster a culture that sustains customer centricity, and also understand the link between CLV and market valuation Understand customer relationship management (CRM) systems, as they are a vital underpinning for all these areas through the valuable insights they provide Fader's first book, Customer Centricity, quickly became a go-to for readers interested in focusing on the right customers for strategic advantage. In this new book, Fader and Toms offer a true playbook for companies of all sizes that want to create and implement a winning strategy to acquire, develop, and retain customers for the greatest value. "A must-read."—Aimee Johnson, Chief Marketing Officer, Zillow "The Customer Centricity Playbook offers fundamental insights to point organizations of any size in the right direction."—Rob Markey, Partner, Bain & Company, Inc., and coauthor, The Ultimate Question 2.0 "Peter Fader and Sarah Toms offer transformative insights that light the path for business leaders."—Susan Johnson, Chief Marketing Officer, SunTrust Banks

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The Other Classical Musics offers challenging new perspectives on classical music by presenting the history of fifteen parallel traditions. Winner of the Royal Philharmonic Society Music Award for Creative Communication 2015 There is a treasure trove of underappreciated music out there; this book will convince many to explore it. The Economist What is classical music? This book answers the question in a manner never before attempted, by presenting the history of fifteen parallel traditions, of which Western classical music is just one. Each music is analysed in terms of its modes, scales, and theory; its instruments, forms, and aesthetic goals; its historical development, golden age, and condition today; and the conventions governing its performance. The writers are leading ethnomusicologists, and their approach is based on the belief that music is best understood in the context of the culture which gave rise to it. By including Mande and Uzbek-Tajik music - plus North American jazz - in addition to the better-known styles of the Middle East, the Indian sub-continent, the Far East, and South-East Asia, this book offers challenging new perspectives on the word 'classical'. It shows the extent to which most classical traditions are underpinned by improvisation, and reveals the cognate origins of seemingly unrelated musics; it reflects the multifarious ways in which colonialism, migration, and new technology have affected musical development, and continue to do today. With specialist language kept to a minimum, it's designed to help both students and general readers to appreciate musical traditions which may be unfamiliar to them, and to encounter the reality which lies behind that lazy adjective 'exotic'. MICHAEL CHURCH has spent much of his career in newspapers as a literary and arts editor; since 2010 he has been the music and opera critic of The Independent. From 1992 to 2005 he reported on traditional musics all over the world for the BBC World Service; in 2004, Topic Records released a CD of his Kazakh field recordings and, in 2007, two further CDs of his recordings in Georgia and Chechnya. Contributors: Michael Church, Scott DeVeaux, Ivan Hewett, David W. Hughes, Jonathan Katz, Roderic Knight, Frank Kouwenhoven, Robert Labaree, Scott Marcus, Terry E. Miller, Dwight F. Reynolds, Neil Sorrell, Will Sumits, Richard Widdess, Ameneh Youssefzadeh

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The poet and founder of the music collective Flowers for the Living pays tribute to all Black women by focusing on visionaries and leaders who are making history right now, including Ava DuVernay, Janelle Monae, Kamala Harris, Misty Copeland, Nikole Hannah-Jones, Robin Roberts, Roxane Gay, and Simone Biles—with this compilation of celebratory odes featuring full-color illustrations by Melissa Koby.Black women are exceptional. To honor how Black women use their minds, talent, passion, and power to transform society, Harold Green began writing love letters in verse which he shared on his Instagram account. Balm for our troubled times, his tributes to visionaries and leaders quickly went viral and became a social media sensation. Now, in this remarkable collection, Green brings together many of these popular odes with never-before-seen works. A timely celebration of contemporary Black figures who are making history and shaping our culture today, Black Roses is divided into five sections—advocates, curators, innovators, luminaries, trailblazers—reflecting the diversity of Black women’s achievements and the depth of their reach. These inspiring changemakers are leaving their mark on the world by creating new beauty in their respective art forms, heading movements, fighting for equality and to change the status quo, and championing new definitions of what’s possible in every meaningful way. Green lifts them up to create meaningful connections between these figures and our own lives and experiences.Black Roses spotlights and urges readers to learn more about Allyson Felix, Angelica Ross, Ava DuVernay, Bisa Butler, Bozoma Saint John, Charisma Sweat-Green, Dr. Eve Ewing, Dr. Janice Jackson, Dr. Johnnetta Cole, Eunique Jones-Gibson, Issa Rae, Janelle Monae, Jennifer Hudson, Jessica Matthews, Kamala Harris, Keisha Bottoms, Kimberly Bryant, Kimberly Drew, Lisa Green, Lizzo, Mandilyn Graham, Mellody Hobson, Michelle Alexander, Misty Copeland, Naomi Beckwith, Nikole Hannah-Jones, Phylicia Rashad, Rapsody, Raquel Willis, Robin Roberts, Roxane Gay, Shellye Archambeau, Simone Biles, Stacey Abrams, Tabitha Brown, Tamika Mallory, Tarana Burke, Tasha Bell, Tomi Adeyemi, and Tracee Ellis Ross.

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Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works, including The Draughtman's Contract, The Belly of an Architect, A Zed and Two Noughts, The Cook, the Thief, His Wife and Her Lover, The Baby of Mâcon, and The Pillow Book. Other artistic productions, including his paintings and installations are also discussed. These essays examine the filmmaker's position within British and avant-garde cinema and his interest in constructing and deconstructing representational systems. In the years since the first edition of this book, Greenaway has enjoyed continued success in creating hybridized media projects for the stage and screen, as evidenced by additional essays for this revised edition. A new chapter addresses how Dutch political events and Dutch art have been crucial in shaping Greenaway's aesthetic, focusing on The Draughtsman's Contract, the 1991 opera Writing to Vermeer, and Nightwatching, the audio-visual installation and 2007 film of the same name, which were inspired by Rembrandt's Night Watch. Also new to this collection is an essay that examines Greenaway's most ambitious endeavor to date, The Tulse Luper Suitcases, which exists as four feature films, multiple websites, an online game, several books and installations, and a number of theatrical events. Peter Greenaway's Postmodern/Poststructuralist Cinema, Revised Edition explores the cultural, historical, and philosophical implication

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After goldsmiths work, tapestries and embroideries were among the costliest art forms of the Middle Ages, due to their precious materials and the countless hours required to produce them. Whether hung on the wall or worn about the person, textiles provided a potent display of their owners’ wealth and status. Their vivid decoration also provided the perfect backdrop for courtly pageants, royal ceremonies, and liturgical festivals. Even the quickest glance at late medieval paintings shows just how forcefully textiles shaped the visual texture of the occasions they depict. Though always the works of specialist craftsmen, in the later Middle Ages textiles were often made following designs supplied by the leading painters and designers of their age. Yet only a tiny fraction of what was made has survived. The fragility of the fabrics, light damage and insects, together with alterations of use, have made this material extremely rare. This catalogue includes thirty-six late medieval and Renaissance textiles, many published for the first time, that together span a period of almost two hundred years. They are organised by country, starting with otherwise unrecorded examples of ‘opus anglicanum’ made in English workshops between around 1400 and the eve of the Reformation. They are followed by textiles from France, the Netherlands, Germany, Italy and Spain. Different materials and classes of textile are grouped together within each of these regional divisions. For instance, liturgical vestments and altar hangings sit side by side with sumptuous velvets and delicately embroidered tablecloths. Together, they encapsulate the incredible breadth of Europe’s flourishing textile industries during this period. Rosamund Garrett and Matthew Reeves have carefully recorded the physical structure, processes of manufacture, and condition of these remarkable and sometimes complex works, and have situated them within the wider contexts of their production and the cultural climate in which they were made.

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POSITIVE ORGANIZATIONAL PSYCHOLOGY INTERVENTIONS DISCOVER THE LATEST ADVANCEMENTS IN THE FIELD OF POSITIVE ORGANIZATIONAL PSYCHOLOGY Positive Organizational Psychology Interventions: Design and Evaluation delivers a concise description and synthesis of positive organizational psychology theory, empirical research, and evidence-based applications. Based on a thorough review of the peer-reviewed literature by the accomplished and distinguished editors, the book offers readers an encapsulation of the growth of the field and the latest state-of-the-art theory and research-driven interventions in this emerging area. You’ll discover the breadth and depth of the field of positive organizational psychology grounded in empirical research and evidence-based practice, thereby avoiding some of the frivolousness and optimism sometimes associated with the field. The book provides an honest and balanced view of positive organizational psychology by acknowledging the limitations of the research, relevant critiques, and the extent to which findings can be applied. Finally, the volume will serve as a useful tool to inspire ideas for further evidence-based research and intervention design, and for facilitating class exercises, discussions, projects, and more. Readers will also benefit from the inclusion of: A thorough introduction to positive organizational psychology and research methods commonly used in positive organizational psychology An exploration of positive psychological states, traits, and processes in the workplace, as well as strength and virtues at work Practical discussions of flow and work engagement, job crafting, strengths-focused performance reviews, positive organizational capacity building, positive cultural humility, a positive approach to sexual harassment prevention, and positive leadership development An analysis of positive organizational development and positive human resource practices, as well as workplace well-being, thriving, and flourishing Perfect for undergraduate and graduate students in psychology programs, Positive Organizational Psychology Interventions will also earn a place in the libraries of practitioners of positive psychology who seek a one-stop reference for the latest developments in positive organizational psychology scholarship.

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Garden history is more than the study of individuals such as 'Capability Brown' who created estates for a wealthy élite. A new approach, which includes insights from geology and archaeology, the perspectives of social class and gender, the history of art and architecture, science, technology and literature, is changing our perspective so that we can see gardens and gardening within wider social, economic, political and cultural contexts. Landscapes were created, formed and interpreted by town dwellers, women and lesser-known gardeners and designers as well as the 'great men' of the past. Based on papers given at a conference at the University of Birmingham, and written by distinguished scholars who are also writing for a wide audience, these essays highlight the wealth of recent research into landscape and green spaces in the West Midlands. The book ranges from the Picturesque movement in Herefordshire to William Shenstone's unique ferme ornée at The Leasowes, near Halesowen and the aspirational gardens and allotments of the Quaker ironmasters at Coalbrookdale in Shropshire. Other contributions celebrate women's entrepreneurial activity in the nursery trade, chart the uncovering and restoration of a hidden eighteenth-century landscape at Hagley in Worcestershire and explore the lost Vauxhall pleasure gardens in Birmingham, which were established as a commercial venture in the eighteenth century. An examination of Victorian public parks reveals how their aesthetics were shaped by architecture made from the products of manufacturing industry while a study of three modest suburban estates considers how local industrialists shaped the environment of south Birmingham. The relationships between health, medicine and green spaces are explored through an analysis of the role of 'therapeutic landscapes' in late-nineteenth- and twentieth-century Worcestershire. Enhanced with maps, plans and black-and-white and colour illustrations, this is a volume of important scholarship that places the West Midlands at the heart of landscape history.

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Sebastião Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region for six years: the forest, the rivers, the mountains, the people who live there—an irreplaceable treasure of humanity. In the book’s foreword Salgado writes: “For me, it is the last frontier, a mysterious universe of its own, where the immense power of nature can be felt as nowhere else on earth. Here is a forest stretching to infinity that contains one-tenth of all living plant and animal species, the world’s largest single natural laboratory.” Salgado visited a dozen indigenous tribes that exist in small communities scattered across the largest tropical rainforest in the world. He documented the daily life of the Yanomami, the Asháninka, the Yawanawá, the Suruwahá, the Zo’é, the Kuikuro, the Waurá, the Kamayurá, the Korubo, the Marubo, the Awá, and the Macuxi—their warm family bonds, their hunting and fishing, the manner in which they prepare and share meals, their marvelous talent for painting their faces and bodies, the significance of their shamans, and their dances and rituals. Sebastião Salgado has dedicated this book to the indigenous peoples of Brazil’s Amazon region: “My wish, with all my heart, with all my energy, with all the passion I possess, is that in 50 years’ time this book will not resemble a record of a lost world. Amazônia must live on.” INSTITUTO TERRA Founded in 1998 at Aimorés in the state of Minas Gerais, Instituto Terra is the culmination of Lélia Wanick Salgado and Sebastião Salgado’s lifelong activism and work as cultural documentarians. Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados’ mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership. Also available in a Collector's Edition and four Art Editions, each with a signed silver gelatin print, all with a book stand designed by Renzo Piano.

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REVISED 2023 Streetwise Lisbon Map - Laminated City Center Street Map of Lisbon, Portugal. The accordion-fold pocket size travel map includes an integrated surface tram & metro stations. Coverage includes: Main Lisbon Map 1:8,000 Belem Inset Map 1:8,000 Central Lisbon North Map 1:8,000 Lisbon Area Map 1:46,000 Lisbon Regional Map 1:340,000 Portugal Map 1:3,000,000 Dimensions: 4" x 8.5" folded, 8.5" x 32" unfolded Lisbon, benefiting from an influx of funding from the EU, has reemerged on the world stage as a destination for those seeking the cultural experience of Southern Europe. While it still has a patina of wear and retains an air of shabby chic, renovation and new development are mixing the past with the present to create an alluring juxtaposition of hip boutique hotels in old medieval quarters. The magnificent Praça do Commercial by the river Tejo is the center of the city and reflects the atmosphere of this historic maritime center. Heading east, you'll walk through the Alfama with its Moorish past, and up the rising hillside to the dominating presence of the castle of St. George. The pastel houses of the Bairro Alto line up like sunwashed Easter eggs. There's a terrific panoramic view from the park on Rua de San Pedro that shouldn't be missed. Additional must see visits are to the Calouste Gulbenkian Foundation, with one of the best art collections in Europe, and to Bélem to see the Cultural Centre, and the Mosteiro dos Jerónimos, the monastery commemorating Portugal s seagoing superiority. Take the metro D line or a taxi up to the Parque das Naçoes, home of Expo 98 and now a splendid outdoor vista with shops, restaurants and one of the most stunning Aquariums on earth, the Oceanarium. The STREETWISE® Lisbon map, including the Lisbon Area map, pulls all of these sites plus hotels, and metro stations together to help you navigate and enjoy your visit to Lisbon. The Lisbon Region map will guide you on day trips west of the city along the beautiful Costa Estoril to Cascais, Estoril and Sintra. And finally, a map of Portugal facilitates further exploration of the beautiful countryside. Our pocket size map of Lisbon is laminated for durability and accordion folding for effortless use. To enhance your visit to Lisbon, check out the Michelin Green Guide to Portugal which details sites and attractions using the famed Michelin star-rating system so you can prioritize your trip based on your time and interest. For a selection of the best restaurants and hotels, buy the red MICHELIN Guide Main Cities of Europe. For driving or to plan your trip to and from Lisbon, use the Michelin Portugal Road and Tourist Map No. 733.

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Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer-gut he’d become. There were of course those rare moments of transcendence that kept me coming back. But why did they come so few and far between?A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form.Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination.‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom “interdisciplinary” is not a buzzword, but a way of life.’– J. Kelly Nestruck, The Globe and Mail‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’– Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)Jordan Tannahill is a playwright, theatre director, and filmmaker. His plays and short films have been presented in theatres, festivals, and galleries across Canada and internationally. He received the 2014 Governor General’s Literary Award for Drama for his book Age of Minority: Three Solo Plays. In collaboration with William Ellis, Jordan runs the alternative art-space Videofag, out of a defunct barbershop in Toronto's Kensington Market.

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Walt Disney (1901-1966) was one of the most significant creative forces of the twentieth century, a man who made a lasting impact on the art of the animated film, the history of American business, and the evolution of twentieth-century American culture. He was both a creative visionary and a dynamic entrepreneur, roles whose demands he often could not reconcile. In his compelling new biography, noted animation historian Michael Barrier avoids the well-traveled paths of previous biographers, who have tended to portray a blemish-free Disney or to indulge in lurid speculation. Instead, he takes the full measure of the man in his many aspects. A consummate storyteller, Barrier describes how Disney transformed himself from Midwestern farm boy to scrambling young businessman to pioneering artist and, finally, to entrepreneur on a grand scale.Barrier describes in absorbing detail how Disney synchronized sound with animation in "Steamboat Willie"; created in "Snow White and the Seven Dwarfs" sympathetic cartoon characters whose appeal rivaled that of the best live-action performers; grasped television's true potential as an unparalleled promotional device; and - not least - parlayed a backyard railroad into the Disneyland juggernaut. Based on decades of painstaking research in the Disney studio's archives and dozens of public and private archives in the United States and Europe, "The Animated Man" offers freshly documented and illuminating accounts of Disney's childhood and young adulthood in rural Missouri and Kansas City. It sheds new light on such crucial episodes in Disney's life as the devastating 1941 strike at his studio, when his ambitions as artist and entrepreneur first came into serious conflict.Beginning in 1969, two and a half years after Disney's death, Barrier recorded long interviews with more than 150 people who worked alongside Disney, some as early as 1922. Now almost all deceased, only a few were ever interviewed for other books. Barrier juxtaposes Disney's own recollections against the memories of those other players to great effect. What emerges is a portrait of Walt Disney as a flawed but fascinating artist, one whose imaginative leaps allowed him to vault ahead of the competition and produce work that even today commands the attention of audiences worldwide.

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When we crashed over the line two and a half minutes later, there was a short, disbelieving silence and I could feel my knee trembling behind its sarcastic `Disco' patch. A song I'd written had just been played to the finish, and what's more, it hadn't sounded weak, or delusional-it had, in fact, kicked. I backed down from the mic. Here was a new world of sound. Its sky was borderless, and its horizon curled off a previously flat earth. I'd been given a virtual super power and a flame to shoot from my fingers. In Dead People I Have Known, the legendary New Zealand musician Shayne Carter tells the story of a life in music, taking us deep behind the scenes and songs of his riotous teenage bands Bored Games and the Doublehappys and his best-known bands Straitjacket Fits and Dimmer. He traces an intimate history of the Dunedin Sound-that distinctive jangly indie sound that emerged in the seventies, heavily influenced by punk-and the record label Flying Nun. As well as the pop culture of the seventies, eighties and nineties, Carter writes candidly of the bleak and violent aspects of Dunedin, the city where he grew up and would later return. His childhood was shaped by violence and addiction, as well as love and music. Alongside the fellow musicians, friends and family who appear so vividly here, this book is peopled by neighbours, kids at school, people on the street, and the other passing characters who have stayed on in his memory. We also learn of the other major force in Carter's life: sport. Harness racing, wrestling, basketball and football have provided him with a similar solace, even escape, as music. Dead People I Have Known is a frank, moving, often incredibly funny autobiography; the story of making a life as a musician over the last forty years in New Zealand, and a work of art in its own right. 'Sometimes profound. Sometimes utterly hilarious. I couldn't put this book down. A triumph.'-Jon Toogood 'Life life life. Music music music. Girls girls girls. Brilliant - funny, painful, reflective and raw.' -Emily Perkins.

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10000 - 500 BC: The river civilizations; Danube; Mesopotamia; Indus; Early empires; China to the Zhou; Egypt; Mycenae and Knossos. 500 BC - 1000 AD: An Axial Age?; Plato; Ezra; Buddha; Confucius; The glory that was Greece; Alexander and his successors; Rome to Byzantium; Republic to empire; Jews and Christians, Constantine; Islam; Rise of Islam, Muslim Spain, Early America; India to the Guptas; Gaul and Britannia; Clovis to Charlemagne, Angles and Saxons, Carolingian State, Vikings. 1000 - 1600: Clash of cultures; Holy Roman Empire and the papacy; Crusades; Great Schism; Africa and America; Sudanese empires; Aztecs and Incas; Plans and Forest Indians; Pueblos and Beotuk; China and Asia; The horse in history; China and the Mongols; SE Asia; Buddhism and the Jains; Persia; India. 1600 - 1789: Renaissance and Reformation; Humanism and art; Constance and Hussites; printing and paper; Germany; France; Britain; New Worlds; Portuguese and Dutch East Indies; Spanish America; North America; Gunpowder Empires; Turkey; Persia; Moghuls; Europe in America; Colonial wars; development of the New World; The East; China to the 16thc; Japan; Korea; SE Asia; E Indies; Birth of Modern Europe; English Commonwealth; Union; 30 Yrs War; Russia; Poland; Ukraine; Enlightenment; Romanticism; European thought; women writers; American Revolution. 1789 - 1914: French Revolution; Napoleon; Reactions; influence; Reconstruction; Industrial Revolution; Congress system; unification of Italy; German Empire; Ottoman decline; India and China; Raj; Qing China; Opium Wars; US-UK rivalry; Japanese empire; Americas; Manifest Destiny; Mexican Wars; slavery; Civil War; Reconstruction; Explorations; Australia and New Zealand; Pacific; Arctic; cartography; New Empires; France; Germany; Belgium; Scramble for Africa; New Revolutions; Mexico; China; South Africa; India. 1914 - 2003: Stumbling into war; Germany and Austria; Russia; Conduct of war; Post WW1; Versailles; Russian Revolution; Spanish Civil War; WW2; Hitler; Conduct of War; Post WW2; UN; genocide; China; Decolonization; Cold War; Middle East; Shrinking the World; air travel; Internet; IT; Soviet collapse; Balkan Wars; Rise of China. Epilogue.

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Fina Puigdevall, who has run Les Cols since 1990, has bared her soul in her first book. It takes an in-depth look at her philosophy and creations; two of the elements that make up this magical restaurant where it is possible to savour both peace and tranquillity. Its 384 pages cannot but glow with a personal and didactic beauty.In 1990, a young Fina Puigdevall opened the doors of Les Cols (Olot, Girona) in the farmhouse (masía) where she was born. For 27 years, together with her life (and professional) partner Manel Puigvert, she has forged this restaurant with two Michelin stars that is unique in the world and which reflects every facet of her soul. Now, this cook bares it completely in Anima, her first publication. The book, published by Montagud Editores, offers an intimate portrait of the restaurant. Each and every one of Anima's 384 pages glow with a spirit that is didactic, beautiful, reflective and contemplative in equal measure. And they do so via 32 of Fina Puigdevall's most emblematic recipes. All of them take the shape of an offering to the diner, while at the same time reflecting, with exquisite faithfulness, one of the cross-sectional axes of her cuisine: "the unchanging cycle of the seasons". Produce, beyond being an object of homage, is the recipient of devotion and a profound love for the earth; the discreet yet undeniable protagonist.In addition, ten experts on contemporary art, culture, philosophy and poetry, among other disciplines, have collaborated on this book. Their writings open a window onto aspects that are vital for understanding Puigdevall's cuisine. Among them, landscape is represented; the complete awareness of the surroundings and the peace and calm that can only be achieved when plenitude has been reached. These writings are all along the same lines as Fina's dishes, where the superfluous is done away with so that elegance and what is of essence are highlighted. Anima's circle closes with 84 famous and undisputed philosophical quotations by inspirational, wise figures from the world over and from throughout the ages - from Fray Luis de León to Oscar Wilde, via Rabindranath Tagore - and with photos by Mikel Ponce that encompass the same values that guide the evolution of Les Cols.

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An in-depth and unified exploration of genius in the arts and sciences through the life and works of five seminal intellectual and cultural figures: Leonardo da Vinci, William Shakespeare, Isaac Newton, Ludwig von Beethoven, and Albert Einstein.Who among us hasn't read Hamlet, listened to the Fifth Symphony, gazed at the Mona Lisa, or marveled at the three laws of physics and the Theory of Relativity and been struck with the same simple question: how on Earth did they do it? Where did these masters draw inspiration to produce some of the most stunning achievements in human history? Were their brains wired differently than ours? Did they have special traits or unique experiences that set them on the path to greatness? Genius is a broad and elusive concept, one that is divisive and hard to define—and gravely misunderstood. There are “ordinary” geniuses who achieve remarkable feats of brilliance, as well as “magicians” (a term James Gleick invoked to describe Richard Feynman) who make an outsize impact on their given field. But highest among them are transformative geniuses, those rare individuals who redefine their fields or open up new universes of thought altogether. These are the masters whose genius Bulent Atalay decodes in his engrossing, enlightening, and revelatory book. No, Atalay doesn’t have a road map for how we might become the next Einstein or Leonardo, but his revolutionary study of genius gives us a stunning new lens through which to view humanity’s most prolific thinkers and creators and perhaps pick up some inspiration along the way. At first, it seems that transformative geniuses don’t follow any sort of topography. Their prodigious output looks effortless, they leap from summit to summit, and they probably couldn’t explain exactly how they went about solving their problems. They might not even recognize themselves in the ways we talk about them today. Atalay argues that these heroes fit more of a mold than we might think. As evidence, he rigorously dissects the lives, traits, habits, and thought patterns of five exemplars—Leonardo, Shakespeare, Newton, Beethoven, and Einstein— to map the path of the transformative genius. How did Beethoven, who could not perform basic multiplication, innately encode the Fibonacci Sequence in his symphonies? Is it possible that we understate Shakespeare’s poetic influence? How did Leonardo become equally prolific in both the arts and the sciences? How did Newton formulate the universal laws of physics, the basis of so many other sciences? And what prompted TIME Magazine to declare Einstein, a man whose very name is synonymous with genius, the “Individual of the 20th Century”? With great clarity and attention to detail, Atalay expertly traces how these five exemplars ascended to immortality and what their lives and legacies reveal about how transformative geniuses are made

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This book presents the epic story of New York on nearly 600 pages of emotional, atmospheric photographs, from the mid-19th century to the present day. Supplementing this treasure trove of images are over a hundred quotations and references from seminal books, movies, shows, and songs. The city’s fluctuating fortunes are all represented, from the wild nights of the Jazz Age to the hedonistic disco era, from to the grim days of the Depression to the devastation of 9/11 and its aftermath, as its brokenhearted but unbowed citizens picked up the pieces. New York’s remarkable rise, reinvention, and growth are not just the tale of a city, but the story of a nation, From the building of the Brooklyn Bridge to the immigrants arriving at Ellis Island; from the slums of the Lower East Side to the magnificent art deco skyscrapers. The urban beach of Coney Island and the sleaze of Times Square; the vistas of Central Park and the crowds on Fifth Avenue. The streets, the sidewalks, the chaos, the energy, the ethnic diversity, the culture, the fashion, the architecture, the anger, and the complexity of the city are all laid out in this kaleidoscopic book. This is the greatest city in the world after all and great are its extremes, contradictions, and attitude. More than just a remarkable tribute to the metropolis and its civic, social, and photographic heritage, New York: Portrait of a City pays homage to the indomitable spirit of those who call themselves New Yorkers: full of hope and strength, resolute in their determination to succeed among its glass and granite towers. Features hundreds of iconic images, sourced from dozens of archives and private collections—many never before published—and the work of over 150 celebrated photographers, including Victor Prevost, Jacob Riis, Lewis Hine, Alfred Stieglitz, Paul Strand, Berenice Abbott, Walker Evans, Weegee, Margaret Bourke-White, Saul Leiter, Esther Bubley, Arnold Newman, William Claxton, Ralph Gibson, Ryan McGinley, Mitch Epstein, Steve Schapiro, Marvin Newman, Joel Meyerowitz, Andreas Feininger, Charles Cushman, Joseph Rodriguez, Garry Winogrand, Larry Fink, Jamel Shabazz, Allan Tannenbaum, Bruce Davidson, Helen Levitt, Eugene de Salignac, Ruth Orkin, Joel Sternfeld, Keizo Kitajima, and many more.

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Lanzarote's most popular walking guide book just got even better. Walk! Lanzarote 5th edition builds on the reputation of our earlier editions with comprehensive updating so that it caters for the needs of the increasing number of people who would like to combine some walking with a holiday on the Fire island. Walk Lanzarote explodes the myth that there is nowhere worth walking on the island as we range through strolling on coastal promenades, walking across alpine style meadows, striding over the lava sea, dropping into volcanoes, sitting on high mountain seats - quite simply you will be amazed at the wide variety of stunning landscapes the Fire island has to offer the adventurous leisure walker. For the 5th edition we've checked several routes and updated them where necessary. Walk Lanzarote's forty one main walking routes provide a wide variety of adventures with routes ranging from family friendly costal promenades through a surprising range of landscapes up to some serious hiking. Every route is an adventure that will make you eager to explore further on this spectacular island. Walk Lanzarote is produced to our highest standards with walk summary and rating, fully detailed description, frequent timings so you can check your progress, compass directions, and gps waypoints for all country routes. Each country route has full 1:40,000 scale colour mapping and gps waypoints dedicated to that route, while our Teguise town walk uses a large scale street plan. All routes are illustrated with colour photos. Culture and agriculture are included along with a Thingy section on modern art. We've emphasised the Access by Bus sections for each walk along with our Access by Car information for each walking route. Map sections for each route are taken from the Lanzarote Tour & Trail Super-Durable Map 5th edition. For gps users the gps waypoint files are available as a free downloadable zip file on the Discovery Walking Guides website. Quite simply the best book of Lanzarote that you can buy. If this is your first visit to Lanzarote then Walk! Lanzarote plus Lanzarote Tour & Trail Map will give you a series of adventures that will have you returning to the Fire island to experience more.

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Choice 'Outstanding Academic Title' award 2022Measures for Measure features once greatly-disturbed landscapes – now largely reclaimed, physically at least, by post-industrial activity. Yet the surviving machines, buildings and housing of the original Industrial Revolution, founded mostly upon Coal Measures strata, still loom large over many parts of Britain. They do so nowadays in the family-friendly and informative context of industrial museums, reconstructed industrial settlements, preserved landscapes and historic townscapes. Our society and its creative core of literature, visual arts and architecture were profoundly affected by the whole process. The British Carboniferous legacy for wider humankind was profound and permanent, more so with the realisation over the last 60 or so years that the emission of carbon dioxide during human utilisation of fossil fuels has caused global warming – with all its many unintended consequences. Coal, iron ore and other metallic ores and materials had been extracted from Carboniferous strata and traded for over five hundred years before the Industrial Revolution, notably since thirteenth century in the ‘London Trade’ of coal from Tyneside. By contrast, the neighbouring island of Ireland had no great deposits of coal and ironstone, although with gold, copper, lead and zinc aplenty. What produced this abundance of fossil carbon preserved in the Carboniferous rocks of Britain? Why did the Industrial Revolution originate in Britain in the early- to mid-eighteenth century and not elsewhere in mainland Europe where coal was also abundant?Linked geological, economic and social factors combined to enable the formation, preservation, exposure and exploitation of neighbouring coal- and iron-bearing reserves. The principal features of the distinctive industrial regions that grew up are traced back to their landscapes and geology in a major section of the book. Great industrial cities became wonders of the world, their entrepreneurs and industrialists proud at what they had created. However, industrial workers in their mines, foundries, forges, factories and mills had to collectively fight for economic, political and social rights and then to cope with the many traumas of de-industrialisation and unemployment.Measures for Measure will appeal to all with an interest in the industrial history of Great Britain and its impact on the landscape, economy, social history and culture of the island.

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"If you’re looking for a page-turner with some bite, this one’s for you." —theSkimm"If your summer 2023 calendar is booked with weddings, bridal showers, and bachelorettes, you'll appreciate this novel that cleverly explores the darker side of the wedding industrial complex and all the ways it manifests online." —Harper's BazaarA bitingly sharp and darkly humorous debut novel exploring millennial wedding culture, class, and relationships, all filtered through the ever-present lens of social media. In an opulent honeymoon suite in Watch Hill, Rhode Island’s most desirable wedding venue, 29-year-old Callie Holt is spending her wedding night lying in a bathtub shoveling down a pizza; her expensive white dress now splattered with sauce and her groom passed out in the next room. With her seven-hour-old marriage already imploded, Callie turns to the place of record – her phone – sifting through the photographic evidence of the past year to pinpoint where it all went wrong.Could it have started when Callie moved in with her best friend, Virginia Murphy, in the swanky Upper East Side pied-à-terre for which Virginia’s parents foot the bill? Or when Virginia’s irritatingly attractive cousin (and Callie’s secret ex) Ollie returned from pursuing his photography career abroad, throwing a wrench in Callie’s relationship with her kind (if a bit dim) finance bro boyfriend, Whit? Or was the true turning point when Callie stumbled upon a dark secret lurking in the Murphys’ well-heeled past, one with the potential to upend everything Callie knows about the people she considers her second family?Over the course of one wedding-filled year, all these long-simmering secrets and resentments will come bubbling to the surface, leading to a reckoning that will strip Callie and everyone around her down to their most gruesomely real, filter-free selves. As Callie attends wedding after wedding, getting tagged in post after post, she begins to contemplate—and actualize through her own art—the gulf between the true selves of the people around her and the selves they present on their screens.

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An indispensable guide to beads and beading techniques, presenting essential beading know-how together with a wide range of inspirational projects, tips and ideas. Beads are the oldest and most widespread art form, having been used in virtually every culture since ancient times. Over the years new materials and methods of making beads have been introduced and now bead workers have a vast array of stunning beads to work with. Beading has also developed over the years and, even though many traditional techniques are still popular, the craft is constantly evolving. With so many techniques, and such a vast array of beads and materials available for the contemporary beader, there is definitely a need for a comprehensive guide. The Beading Bible is just that - an encyclopaedia of beads and beading techniques that aims to educate and inspire anyone who loves working with beads. The Beading Bible begins by looking at beads themselves; how to choose beads from metal, modelled, gemstone, seed beads and cylinder beads to hex beads, crystals, glass and bugle beads. There are handy tables to help you to understand how beads are measured and bead quantities, as well as advice on choosing bead colours. You are then guided through the basic to more specialist tools and equipment that you will need in beadwork. You will find each beading technique explained in detail throughout the chapters. However, the book begins by giving you the basic knowledge of essential techniques, such as working from a chart and knotting. The book is divided into eight chapters that cover all the traditional techniques: bead loom weaving, off loom bead stitches, ropes and cords, fringing, netting and tassels, threading and stringing, wire work and jewellery techniques, bead embroidery and even knitting and crochet with beads. Within each chapter you are guided through the basic skills, tools and materials, before tackling more advanced techniques. Inspiration pages will give you interesting ideas using the different techniques, and there are over 30 fabulous projects, ranging from beautiful bags and jewellery to stylish scarves and accessories - perfect excuses for trying out your new skills! Easy-to-follow step-by-step instructions, clear diagrams and stunning photography combine to create the must-have resource for beaders of all abilities.

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This Handbook provides an overview and assessment of the state-of-the-art research methods, approaches and applications central to economic geography.Understanding spatial economic outcomes and the forces and mechanisms that influence the geography of economic growth is of utmost importance and demands substantial theoretical and empirical research in economic geography, spatial economics and regional science. Such research is critically dependent upon good and reliable empirical data, and it is here that this Handbook contributes, providing a broad overview of up-to-date research methods and approaches. The chapters are written by distinguished researchers from a variety of scholarly traditions and with a background in different academic disciplines including economics, economic human and cultural geography, and economic history.Researchers and academics in economics and economic geography will find this a fundamental reference point and will benefit from the comprehensive assessment of research methods and approaches in the field. Practitioners and policy-makers will also find the practical applications to be of utmost value.Contributors: M. Andersson, G. Arbia, B. Asheim, R. Basile, M. Birkin, R. Boschma, S. Brakman, J. Bröcker, L. Broersma, H-H. Chang, G. Clarke, M. Clarke, L. Coenen, J. Corcoran, S. Dall'erba, G. Espa, A.M. Esteves, A. Faggian, M.M. Fischer, K. Frenken, M. Fritsch, D. Giuliani, K.E. Haynes, G.J.D. Hewings, M. Horváth, G. Ivanova, N. Kapitsinis, C. Karlsson, H. Khawaldah, M. Kilkenny, J. Klaesson, S. Koster, J.P. Larsson, J. Lesage, Y. Li, I. Llamosas-Rosas, P.A. Longley, T. Mitze, J. Moodysson, I. Noback, T. Norman, J. Oosterhaven, J. Parajuli, M. Partridge, D. Psaltopoulos, M. Schramm, D. Skuras, A. Stephan, P. Thulin, S. Usai, J. van Dijk, C. van Marrewijk, F. van Oort, F. Vanclay, A. Varga, H. Westlund

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Lorca, Bunuel and Dali were, in their respective fields of poetry and theatre, cinema, and painting, three of the most imaginative creative artists of the twentieth century; their impact was felt far beyond the boundaries of their native Spain. But if individually they have been examined by many, their connected lives have rarely been considered. It is these, the ties that bind them, that constitute the subject of this illuminating book. They were born within six years of each other and, as Gwynne Edwards reveals, their childhood circumstances were very similar. Each was affected by a narrow-minded society and an intolerant religious background which equated sex with sin and led all three to experience sexual problems of different kinds: Lorca the guilt and anguish associated with his homosexuality; Bunuel feelings of sexual inhibition; and, Dali virtual impotence. Having met during the 1920s at the Residencia de Estudiantes in Madrid, they developed intense personal relationships and channelled their respective obsessions into the cultural forms then prevalent in Europe, in particular Surrealism. Rooted in emotional turmoil, their work - from Lorca's dramatic characters in search of sexual fulfilment, to Bunuel's frustrated men and women, and Dali's potent images of shame and guilt - is highly autobiographical. Their left-wing outrage directed at bourgeois values and the Catholic Church was strongly felt, and in the case of Lorca in particular, was sharpened by the catastrophic Civil War of 1936-9, during the first months of which he was murdered by Franco's fascists. The war hastened Bunuel's departure to France and Mexico and Dali's to New York. Edwards describes how, for the rest of his life, Bunuel clung to his left-wing ideals and made outstanding films, while the increasingly eccentric and money-obsessed Dali embraced Fascism and the Catholic Church, and saw his art go into rapid decline.

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Mediation Ethics is a groundbreaking text that offers conflict resolution professionals a much-needed resource for traversing the often disorienting landscape of ethical decision making. Edited by mediation expert Ellen Waldman, the book is filled with illustrative case studies and authoritative commentaries by mediation specialists that offer insight for handling ethical challenges with clarity and deliberateness. Waldman begins with an introductory discussion on mediation's underlying values, its regulatory codes, and emerging models of practice. Subsequent chapters treat ethical dilemmas known to vex even the most experienced practitioner: power imbalance, conflicts of interest, confidentiality, attorney misconduct, cross-cultural conflict, and more. In each chapter, Waldman analyzes the competing values at stake and introduces a challenging case, which is followed by commentaries by leading mediation scholars who discuss how they would handle the case and why. Waldman concludes each chapter with a synthesis that interprets the commentators' points of agreement and explains how different operating premises lead to different visions of what an ethical mediator should do in a given case setting. Evaluative, facilitative, narrative, and transformative mediators are all represented. Together, the commentaries showcase the vast diversity that characterizes the field today and reveal the link between mediator philosophy, method, and process of ethical deliberation. Commentaries by Harold Abramson Phyllis Bernard John Bickerman Melissa Brodrick Dorothy J. Della Noce Dan Dozier Bill Eddy Susan Nauss Exon Gregory Firestone Dwight Golann Art Hinshaw Jeremy Lack Carol B. Liebman Lela P. Love Julie Macfarlane Carrie Menkel-Meadow Bruce E. Meyerson Michael Moffitt Forrest S. Mosten Jacqueline Nolan-Haley Bruce Pardy Charles Pou Mary Radford R. Wayne Thorpe John Winslade Roger Wolf Susan M. Yates

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Simon Ingram takes us high into Britain’s most forbidding and astonishing wild places through all the seasons of the year – from the first blush of spring to the darkest bite of the mountain winter. In the late 18th century, mountains shifted from being universally reviled to becoming the most inspiring things on earth. Simply put, the monsters became muses – and an entire artistic movement was born. This movement became a love affair, the love affair became an obsession, and gradually but surely, obsession became lifestyle as mountains became stitched into the fabric of the British cultural tapestry. In his compelling new book, Simon Ingram explores how mountains became such a preoccupation for the modern western imagination, weaving his own adventures into a powerful narrative which provides a kind of experiential hit list for people who don’t have the time nor the will to climb a thousand mountains. For some of these mountains, the most amazing thing about them might be the journey they’ve taken to get here. Others, the tales of science, endeavour and art that have played out on their slopes. The mythology they’re drenched in. The history they’ve seen. The genius they’ve inspired. The danger that draws people to them. The life that clusters around them, human and otherwise. The extreme weather they conjure. The adventure they fuel. The way that some raise the hairs on the back of your neck, and trigger powerful, strange emotions. And moreover, what they’re like to be amidst, under, on – just what that indefinable quality is that the British mountains wield which takes possession of you so powerfully, and never goes away. From Beinn Dearg to Ben Nevis, Ingram takes us on a journey spanning sixteen of Britain’s most evocative mountainous landscapes, and what they mean to us today.

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A brilliant new biography of the mystic poet and artist William Blake - and the first to explore both his struggle to make a name for himself in a society unable to appreciate his genius and his startlingly original quest for spiritual truth.'And did those feet in ancient time ...' The hymn 'Jerusalem', with its famous words by William Blake, stirs our hearts with its evocation of a new holy city built in 'England's green and pleasant land'. Equally popular, and adored by children, is the address to 'Tyger Tyger burning bright,/ In the forests of the night.' Writing of this calibre - heartfelt, vivid and profound - makes Blake one of the best-loved poets writing in English. Yet he was also a visionary artist. To follow Blake into his fascinating labyrinth of thought and feeling you need a guide who not only is deeply knowledgeable about Blake's life and times, but also shares Blake's values. That guide is Tobias Churton. Until now, Blake the guru has been lost under a myriad of inadequate biographies, college dissertations and arts commentaries, by people who have missed the luminescent keys to Blake's symbolism and liberating spirit and the essence of his titanic spiritual effort. In Jerusalem Churton creates an enthralling tapestry out of the threads of Blake's spiritual quest, as well as his struggle to put bread on his table. He conjures a superb portrait of Blake's London, and in particular the rivalries of the cultural community in which the poet-artist was usually misunderstood, and often cruelly abused. For some, Blake is a 'romantic poet' whose plain language, simple verse forms and sympathy with everyday humanity is deeply moving. To others, he is a revolutionary, an angry Cockney rebel with ideas about free sex. This biography, the first to show Blake in all his glory, is essential for those who seek spiritual awakening and an antidote to both materialism and to the commercialization of wonder.

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This new, thoroughly updated sixth edition of Bradt's Armenia remains the only standalone, English-language guide to this mountainous post-Soviet republic at the crossroads of Europe, Asia and the Middle East. Packed with detailed background information and invaluable practical advice, Bradt's Armenia remains the essential choice for anyone travelling to this beautiful country, which is now easily and cheaply accessed by air. Following recent political changes, the story of this new republic is rapidly being rewritten, with transformations extending far beyond the vibrant capital of Yerevan. Road infrastructure has greatly improved, while rural tourism is coming to life in even far-flung provinces, thereby catering for visitors exploring well off the beaten path. New elements in this edition include: expanded treatment of new budget accommodation in Yerevan and provincial capitals; enhanced information on Yerevan designed to inspire the city-break visitor, encompassing arts, culture and nightlife; a wealth of new information for adventurous travellers, including about more than 300km of new hiking trails established since 2018; and an enhanced language section designed to facilitate communication with Armenians. Bradt's Armenia provides the information needed for a successful trip, covering all the most popular sights as well as those off-the-beaten track, including Dilijan National Park and the stunning forested mountains of Tavush, a region undergoing a renaissance as a place to reconnect with nature; Areni village, one of the birthplaces of wine; and Vayots Dzor, the 'valley of woes', whose side valleys are abundant with wildlife-spotting opportunities. Tatev village and the Vorotan Canyon are included, as are the Orbelian's Ccaravanserai and other remnants of the ancient Silk Road trading route network that once criss-crossed the Caucasus region. Rich in both history and spectacular scenery, Armenia is a truly captivating country. Whether seeking out ancient monasteries dotted within dramatic landscapes, wandering through one of Yerevan's impressive museums or admiring the intricate stone carvings at Noratus, you'll find opportunities to delve into this nation's past at every turn. Add to this the welcoming local people, superb hiking possibilities and abundant bird life, and you'll soon discover why Armenia is worth more than just a fleeting visit.

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Here's a book about New York that's seriously streetwise! Let Marco and Amelia, our Lonely Planet explorers, take you off the tourist trail and guide you on a journey through New York you'll never forget. This book is perfect for anyone who has been to New York, plans to go there or is just interested in finding out more about this amazing city! Discover New York's best-kept secrets, amazing stories and loads of other cool stuff from the comfort of your own home or while visiting the city! But, you don't have to be a visitor or armchair traveller to enjoy this-New Yorkers are sure to learn new things about their very own city too! Find out what's lurking in the pumpkin garden, why you might find cows underground, how eating hotdogs could make you rich and lots more! For readers ages 8 and up. Contents: Street Life Skyscraper Fly-By Secret City Green New York Trash Town Urban Jungle Going Underground Bite Into the Big Apple Top Treasures It's Showtime Way to Go Harbor Tour Fright Fest Game On Sounds Great! Big Apple Art Street Sculpture Shop 'Til You Drop Movie Magic Also available: London City Trails, Paris City Trails. About Lonely Planet Kids: From the world's leading travel publisher comes Lonely Planet Kids, a children's imprint that brings the world to life for young explorers everywhere. With a range of beautiful books for children aged 5-12, we're kickstarting the travel bug and showing kids just how amazing our planet can be. From bright and bold sticker activity books, to beautiful gift titles bursting at the seams with amazing facts, we aim to inspire and delight curious kids, showing them the rich diversity of people, places and cultures that surrounds us. We pledge to share our enthusiasm and love of the world, our sense of humour and continual fascination for what it is that makes the world we live in the diverse and magnificent place it is. It's going to be a big adventure - come explore!

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Learn to speak, read, and write Korean—with manga illustrations!A complete language guide for beginners, Learning Korean is your gateway to learning the basics of the Korean language, allowing you to engage in practical daily conversations and build your vocabulary for effective communication. Whether you're a self-study enthusiast or participating in a beginner-level class, this guide equips you with the essential skills to start conversing in Korean right away.Key features include: 11 Beginner-Friendly Lessons: 11 thoughtfully crafted lessons designed to cater to adult learners taking their first steps in the world of Korean language Daily Conversations: Learn basic sentence patterns and essential vocabulary that are commonly used in everyday interactions. This practical approach ensures that you can start communicating effectively from the very beginning Manga Art: Illustrations throughout each lesson demonstrate the daily dialogues and common experiences in Korea, and help make learning the key vocab fun & easy Hangeul and Romanization: All Korean words and sentences are presented in both Korean Hangeul script and Romanized form, making pronunciation and understanding accessible to learners. English translations are also provided for clarity Practical Exercises: Fill-in-the-blanks, word games, dialogue prompts, reading & writing exercises, and more help to reinforce each lesson Native Speaker Audio Recordings: Access native-speaker audio recordings online to improve your pronunciation and listening comprehension skills Downloadable Flashcards: Reinforce your learning with downloadable flashcards, a convenient tool for efficient vocabulary memorization This guide provides invaluable notes and explanations on various aspects of the Korean language, including pronunciation, the Korean Hangeul script, greetings, requests, basic sentence structure, vocabulary, verb conjugations, honorific forms, idiomatic expressions, and etiquette dos and don'ts.Start your Korean language adventure today with Learning Korean and pave the way for meaningful conversations and cultural understanding in the Korean-speaking world!

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France's most alluring region promises fragrant fields of lavender, incredible ancient relics and celebrated art collections. Sandy Riviera beaches, glitzy resorts and hilltop villages may come to mind when you think of Provence and the Côte d'Azur, but this region is also a haven for lovers of the great outdoors. Its array of stunning natural landscapes includes the alpine wilderness of Parc National du Mercantour, the rugged coastal cliffs of the Calanques and the dramatic Gorges du Verdon - Europe's deepest canyon.Immortalised on canvas by the likes of Cézanne and Van Gogh, Provence and the Côte d'Azur is a region resplendent with Roman ruins, stunning beaches, glamorous towns and beautiful countryside. Make the most of your trip to this dazzling corner of France with DK Eyewitness Top 10. Planning is a breeze with our simple lists of ten, covering the very best that Provence and the Côte d'Azur have to offer and ensuring that you don't miss a thing. Best of all, thepocket-friendly format is light and easily portable; the perfect companion while out and about. DK Eyewitness Top 10 Provence and the Cote d'Azur is your ticket to the trip of a lifetime. Inside DK Eyewitness Top 10 Provence and the Cote d'Azur you will find: - Detailed Top 10 lists of Provence and the Cote d'Azur's must-sees including Gorges du Verdon, Aix-en-Provence, St-Tropez, the Camargue and Casino Monte Carlo- Easy-to-follow itineraries including ideas for day trips, weekends and a week's worth of plans to make the most out of each and every day- Expert advice: honest recommendations on Provence and the Côte d'Azur's most interesting areas, with the best places for shopping, eating out and sightseeing, with top tips on getting ready, getting around and staying safe- Themed lists including the best art galleries, beaches, vineyards and distilleries, gourmet restaurants and much more- Detailed maps including a laminated pull-out map of Provence and the Côte d'Azur, plus eight full-colour area maps- Covers: Palais des Papes, Gorges du Verdon, Roman Arles, Aix-en-Provence, Vieux Nice, St-Tropez, The Camargue, Vaison-la-Romaine, Abbaye Notre-Dame de, Sénanque, Casino de Monte Carlo, Moments in History, Provençal Legends, Painters in Provence, Roman Sights, Art Galleries, Places of Worship, Provence Villages, Areas of Natural Beauty, Gardens of Provence, Beaches in Provence, Offshore Islands, Places to See and Be Seen, Vineyards and Distilleries, Children's Activities, Sporting Activities, Gourmet Restaurants, Provence for Free, Festivals and Events, Provence and the Côte d'Azur, Marseille, Bouches-du-Rhône, The Var and Provençal Coast, Nice, Monaco and the Riviera, Alpes-Maritimes, Alpes-de-Haute-Provence, Vaucluse, Streetsmart, Getting Around Provence and the, Côte d'Azur and Practical InformationLooking for more on Provence and the Côte d'Azur's culture, history and attractions? Try our DK Eyewitness Provenceand the Côte d'Azur or DK Eyewitness France.About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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Pasos 2: Spanish Intermediate course is a best-selling, multi-format adult learning programme for classroom and home use. Fully revised and updated for this new edition, the course takes your learning further with a fully integrated book, audio and video-based approach that will get you speaking, reading, writing and understanding Spanish with accuracy and confidence.This listing is for the activity book. Also available is a coursebook, Course Pack, and CD and DVD set (see below for details). Following the success of the best-selling Pasos beginner course, Pasos 2 reviews and builds on your existing knowledge to improve your Spanish. The course covers levels A2 to B1+ of the Common European Framework of Reference (CEFR) for Languages. This Activity Book contains hundreds of extra practice and review activities linked to the coursebook units. Whether you are learning for general interest, for your job, holiday, or for an exam, Pasos 2 is packed full of comprehensive material and interesting features to improve your fluency and understanding. Includes lively and contemporary topics from travel and the arts to education and employment. Book, audio and video content allow for flexible use in the classroom and at home. Range of activities based on authentic materials including menus, brochures and interviews. Different types of writing practice, including letters, CV, emails and blogs. Listening material includes interviews, radio and TV clips. 'Real-life' Spanish videos demonstrate how the language is really spoken. Provides practical and cultural insights into Spanish and Latin American life. Also available: Coursebook (ISBN 9781473664067): this full-colour 190-page coursebook is the primary text for the course. Ideal for classroom and home use. CD and DVD Set (ISBN 9781473664104): contains all the dialogues and listening activities included in the coursebook plus video content building on the real-life Spanish used in the course. Course Pack (ISBN 9781473601390): includes the Coursebook, the CD and DVD Set and a Support Book containing a key to the exercises and audio transcripts).

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To develop a theory of world literature, this book demands that the theory of the novel can no longer ignore literary forms other than realism.Winner of the Donald Murphy Prize for a Distinguished First Book by the American Conference on Irish Studies, and the Waclaw Lednicki Award in the Humanities by the Polish Institute of Arts and Sciences of AmericaFor centuries, the standard account of the development of the novel focused on the rise of realism in English literature. Studies of early novels connected the form to various aspects of British life across the eighteenth and nineteenth centuries, including the burgeoning middle class, the growth of individualism, and the emergence of democracy and the nation-state. But as the push for teaching and learning global literature grows, this narrative is insufficient for studying novel forms outside of a predominately English-speaking British and American realm.In Estranging the Novel, Katarzyna Bartoszynska explores how the emergence and growth of world literature studies has challenged the centrality of British fiction to theories of the novel's rise. She argues that a historicist approach frequently reinforces the realist paradigm that has cast other traditions as "minor," conceding a normative vision of the novel as it seeks to explain why historical forces produced different forms elsewhere. Recasting the standard narrative by looking at different novelistic literary forms, including the Gothic, travel writing, and queer fiction, Bartoszynska offers a compelling comparative study of Polish and Irish works published across the long nineteenth century that emphasize fictionality, or the problem of world-building in literature.Reading works by Ignacy Krasicki, Jan Potocki, Narcyza Zmichowska, and Witold Gombrowicz alongside others by Jonathan Swift, Charles Maturin, Oscar Wilde, and Samuel Beckett, Bartoszynska shows that the history of the novel's rise demands a more capacious and rigorous approach to form as well as a reconceptualization of the relationship between fiction and its cultural contexts. By modeling such a heterogeneous account of the novel form, Estranging the Novel paves the way for a bracing and diverse understanding of the makeup of contemporary world literature and the many texts it encompasses—and a new perspective on the British novel as well.

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The Developing Core Literacy Proficiencies program is an integrated set of English Language Arts/Literacy units spanning grades 6-12 that provide student-centered instruction on a set of literacy proficiencies at the heart of the Common Core State Standards (CCSS). Reading Closely for Textual Details Making Evidence-Based Claims Making Evidence-Based Claims about Literary Technique (Grades 9-12) Researching to Deepen Understanding Building Evidence-Based Arguments The program approaches literacy through the development of knowledge, literacy skills, and academic habits. Throughout the activities, students develop their literacy along these three paths in an integrated, engaging, and empowering way. Knowledge: The texts and topics students encounter in the program have been carefully selected to expose them to rich and varied ideas and perspectives of cultural significance. These texts not only equip students with key ideas for participating knowledgeably in the important discussions of our time, but also contain the complexity of expression necessary for developing college- and career-ready literacy skills. Literacy Skills: The program articulates and targets instruction and assessment on twenty CCSS-aligned literacy skills ranging from “making inferences” to “reflecting critically.” Students focus on this set of twenty skills throughout the year and program, continually applying them in new and more sophisticated ways. Academic Habits: The program articulates twelve academic habits for students to develop, apply, and extend as they progress through the sequence of instruction. Instructional notes allow teachers to introduce and discuss academic habits such as “preparing” and “completing tasks” that are essential to students’ success in the classroom. The program materials include a comprehensive set of instructional sequences, teacher notes, handouts, assessments, rubrics, and graphic organizers designed to support students with a diversity of educational experiences and needs. The integrated assessment system, centered around the literacy skills and academic habits, allows for the coherent evaluation of student literacy development over the course of the year and vertically across all grade levels.

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The Developing Core Literacy Proficiencies program is an integrated set of English Language Arts/Literacy units spanning grades 6-12 that provide student-centered instruction on a set of literacy proficiencies at the heart of the Common Core State Standards (CCSS). Reading Closely for Textual Details Making Evidence-Based Claims Making Evidence-Based Claims about Literary Technique (Grades 9-12) Researching to Deepen Understanding Building Evidence-Based Arguments The program approaches literacy through the development of knowledge, literacy skills, and academic habits. Throughout the activities, students develop their literacy along these three paths in an integrated, engaging, and empowering way. Knowledge: The texts and topics students encounter in the program have been carefully selected to expose them to rich and varied ideas and perspectives of cultural significance. These texts not only equip students with key ideas for participating knowledgeably in the important discussions of our time, but also contain the complexity of expression necessary for developing college- and career-ready literacy skills. Literacy Skills: The program articulates and targets instruction and assessment on twenty CCSS-aligned literacy skills ranging from “making inferences” to “reflecting critically.” Students focus on this set of twenty skills throughout the year and program, continually applying them in new and more sophisticated ways. Academic Habits: The program articulates twelve academic habits for students to develop, apply, and extend as they progress through the sequence of instruction. Instructional notes allow teachers to introduce and discuss academic habits such as “preparing” and “completing tasks” that are essential to students’ success in the classroom. The program materials include a comprehensive set of instructional sequences, teacher notes, handouts, assessments, rubrics, and graphic organizers designed to support students with a diversity of educational experiences and needs. The integrated assessment system, centered around the literacy skills and academic habits, allows for the coherent evaluation of student literacy development over the course of the year and vertically across all grade levels.

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Dominick LaCapra's History and Its Limits articulates the relations among intellectual history, cultural history, and critical theory, examining the recent rise of "Practice Theory" and probing the limitations of prevalent forms of humanism. LaCapra focuses on the problem of understanding extreme cases, specifically events and experiences involving violence and victimization. He asks how historians treat and are simultaneously implicated in the traumatic processes they attempt to represent. In addressing these questions, he also investigates violence's impact on various types of writing and establishes a distinctive role for critical theory in the face of an insufficiently discriminating aesthetic of the sublime (often unreflectively amalgamated with the uncanny). In History and Its Limits, LaCapra inquires into the related phenomenon of a turn to the "postsecular," even the messianic or the miraculous, in recent theoretical discussions of extreme events by such prominent figures as Giorgio Agamben, Eric L. Santner, and Slavoj Zizek. In a related vein, he discusses Martin Heidegger's evocative, if not enchanting, understanding of "The Origin of the Work of Art." LaCapra subjects to critical scrutiny the sometimes internally divided way in which violence has been valorized in sacrificial, regenerative, or redemptive terms by a series of important modern intellectuals on both the far right and the far left, including Georges Sorel, the early Walter Benjamin, Georges Bataille, Frantz Fanon, and Ernst Jünger. Violence and victimization are prominent in the relation between the human and the animal. LaCapra questions prevalent anthropocentrism (evident even in theorists of the "posthuman") and the long-standing quest for a decisive criterion separating or dividing the human from the animal. LaCapra regards this attempt to fix the difference as misguided and potentially dangerous because it renders insufficiently problematic the manner in which humans treat other animals and interact with the environment. In raising the issue of desirable transformations in modernity, History and Its Limits examines the legitimacy of normative limits necessary for life in common and explores the disconcerting role of transgressive initiatives beyond limits (including limits blocking the recognition that humans are themselves animals).

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Our culture wants you to be happy. It rewards those who smile through the pain, who pretend everything's fine, who compartmentalize grief and get on with life. But everything's not fine. And God does not expect us to pretend it is. He wants all of us--including our pain. Perhaps nowhere in Scripture do we get as full a picture of the heights and depths of the human experience as in the Psalms. The outpourings of emotion never shy away from the darkest moments of life, and yet they also point toward the light--toward the God in whom we place our hope. Inspired by Psalm 37, Voices of Lament is a powerful collection of reflections from Christian Women of Color on themes of injustice, heartache, and deep suffering. Their essays, prayers, poems, and liturgies lay bare the experiences of the oppressed even as they draw us into deeper intimacy with God and a more fulsome understanding of each other. For anyone who longs to better express and understand the beauty of lament held in holy tension with hope and love, this extraordinary collection presents both well-known and new voices from various ethnic and people groups and different generations, putting God's faithfulness on full and glorious display. *** "Natasha Sistrunk Robinson has brought a collection to the forefront that shows the beauty and depth of Women of Color voices and shared experiences. . . . This book is for anyone who is broken, longing for justice, and trusting that 'Jesus is a rock in a weary land.' These insights invite you to feast, fellowship, listen, and learn at the table of the marginalized."--Latasha Morrison, founder of Be the Bridge and author of Be the Bridge, from the foreword "You will not read Psalm 37 the same again after you've immersed yourself in this rich collection of poems, reflections, essays, and prayers. The contributors bear honest, life-grounded witness to God's faithful and just response to wickedness. They also honor their ancestors, who have committed themselves to the way of the Lord. The book sings like an anthem through which lament and longing break forth and breathe life. It will embolden you to cry out, wage peace, and cultivate real abundance in solidarity and prayer with Women of Color."--Janette H. Ok, associate professor of New Testament at Fuller Theological Seminary "The collective voice reflected in these Women of Color not only teaches the truths of Psalm 37 but provides an embodied and lived hope that the Western church is longing for. The poems, liturgies, litanies, devotions, and historical biographies remind us that the Spirit has always been moving in the marginalized, if only we would pay attention. Natasha Sistrunk Robinson has curated a deeply meaningful handbook for prayer and worship by meditating on a central tenet of our faith: from mourning comes the morning. If you want to grow your faith in a global context, this is a must-read!"--Mike Ahn, PhD, MDiv, assistant dean of Chapels & Worship, Biola University "Voices of Lament illuminates the power, wisdom, and inspiration that Women of Color bring to their families, communities, and society. Through stories, art, poetry, and prose, this book leads us through a journey of reflection, connection, and hope. Here you will find a call to stand for justice, to lead with faith, and to be guided by the wisdom from the stories of Women of Color, elders, and ancestors who have gone before us."--Kimberly R. Daniel, coauthor of A Way Out of No Way: An Approach to Christian Innovation and senior director of communications, Forum for Theological Exploration (FTE) "Voices of Lament is a book for our time. To those who are weary from the ongoing onslaught of unjust policies and practices by those in positions of power comes a fresh word from our sisters who remind us to look to the Psalms for hope and words of life. This is an invitation to bring our full selves, our lament, anger, and hope to a God who is able to hold it all and invites us to join in the healing work of justice in a broken world."--Darryl Answer, pastor at New Community Church, Kansas City, MO

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Since the introduction of psychoanalysis, radical paradigm shifts have occurred in philosophy, science, mathematics, and the arts. How we exchange information, how we interact on the global stage, and how we conceive of ourselves as citizens have also evolved. And yet, depth psychotherapy remains locked within its nineteenth-century image, poorly understood by those not intimately involved in its processes. Lover, Exorcist, Critic dives deeply into the field’s history, examining the cultural and historical context from which it emerged, and explaining how it evolved into a more vitalising methodology. Alan Michael Karbelnig exposes the inner workings of depth psychotherapy using the innovative perspective of three distinct social role analogies. As Lovers, psychoanalysts create a warm, accepting environment; as Exorcists, they receive, process, and deliver back projections; and, as Critics, they analyse, confront, and educate patients about self- and other-destructive patterns. These methods come to life in the rich descriptions of how psychoanalytic processes progressed with three fictional patients. Carlos, who suffered neglect and abuse during his childhood in East Los Angeles, struggled with the emotional intensity of depth psychotherapy and took months-long breaks when he felt too vulnerable. Gilda, a Greek-American woman sexually abused in her adolescence and traumatised by a physical attack in adulthood, grappled with periods of suicidal depression and episodic psychogenic fugue states. These severe symptoms made the psychotherapy process, at various times, difficult to contain. The final patient, Penn, an orthopaedic surgeon struggling with anxiety and over-achievement which left him exhausted, demonstrates the benefit gained by a person undergoing depth psychotherapy, intermittently, for more than two decades. Bravely exploring the failures alongside the successes, Dr. Karbelnig demonstrates the myriad ways psychoanalytic processes unfold and why they remain an effective, even vibrant way to reduce pain, grow, and live a more authentic life.

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This Cape Town, the Winelands & the Garden Route guidebook is perfect for independent travellers planning a longer trip. It features all of the must-see sights and a wide range of off-the-beaten-track places. It also provides detailed practical information on preparing for a trip and what to do on the ground. And this Cape Town, the Winelands & the Garden Route travel guidebook is printed on paper from responsible sources, and verified to meet the FSC's strict environmental and social standards. This Cape Town, the Winelands & the Garden Route guidebook covers: The City Centre; V&A Waterfront, Robben Island and De Waterkant; Table Mountain and the City Bowl, Southern Suburbs and Cape Flats; Atlantic seaboard; The False Bay seaboard to Cape Point; The Winelands; The Whale Coast and Overberg Interior; The Garden Route; Route 62 and the Little Karoo; Port Elizabeth, Addo and the private reserves.Inside this Cape Town, the Winelands & the Garden Route travel book, you'll find: - A wide range of sights - Rough Guides experts have hand picked places for travellers with different needs and desires: off-the-beaten-track adventures, family activities or chilled-out breaks- Itinerary examples - created for different time frames or types of trip- Practical information - how to get to Cape Town, the Winelands & the Garden Route, all about public transport, food and drink, shopping, travelling with children, sports and outdoor activities, tips for travellers with disabilities and more- Author picks and things not to miss in Cape Town, the Winelands & the Garden Route - Table Mountain Aerial Cableway, Ocean Safaris, Township Tours, Zeitz Mocaa, Cape Point, The Bo-Kaap, Winelands, Mother City Queer Project Party, Neighbourhood Markets, Chapman's Peak Drive, Canopy Tours, De Hoop Nature Reserve, Robben Island, Cape Town International Festival, V&A Waterfront - Insider recommendations - tips on how to beat the crowds, save time and money, and find the best local spots- When to go to Cape Town, the Winelands & the Garden Route - high season, low season, climate information and festivals - Where to go - a clear introduction to Cape Town, the Winelands & the Garden Route with key places and a handy overview - Extensive coverage of regions, places and experiences - regional highlights, sights and places for different types of travellers, with experiences matching different needs- Places to eat, drink and stay - hand-picked restaurants, cafes, bars and hotels- Practical info at each site - hours of operation, websites, transit tips, charges- Colour-coded mapping - with keys and legends listing sites categorised as highlights, eating, accommodation, shopping, drinking and nightlife - Background information for connoisseurs - history, culture, art, architecture, film, books, religion, diversity- Essential Afrikaans dictionary and glossary of local terms - Free download of the eBook - available after purchase of the printed guidebook to Cape Town, the Winelands & the Garden Route - Fully updated post-COVID 19The guide provides a comprehensive and rich selection of places to see and things to do in Cape Town, the Winelands & the Garden Route, as well as great planning tools. It's the perfect companion, both ahead of your trip and on the ground.

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