Search results for ""author art, culture"

Dean Blunt is the most important British artist of the current century because he fundamentally does not care about Britain. His importance makes it shocking that such little critical attention has been paid to his work. His indifference explains it. Dhanveer Singh Brar’s Beefy’s Tune (Dean Blunt Edit) looks to initiate a conversation that needs to be had about Dean Blunt, about Britain (through Blunt’s indifference to it), and about Blackness in Britain (through the depth and complexity of Blunt’s feeling for it). Using the 2016 album ‘BBF Hosted By DJ Escrow’ as a means of navigation, Brar hears Blunt in order to access the long contested dream of Britain’s disappearance that was conducted under the name of Black British Arts. Partial (in the sense of his relation to Blunt) and partial (in the sense of unfinished), Beefy’s Tune (Dean Blunt Edit) see’s Dhanveer Singh Brar give the dream a grammar, if not a name.“To encounter BBF Hosted by DJ Escrow through Dhanveer Brar’s ears is to see Babylon through his eyes, and to sense Britain — to uncover with ‘accuracy, brutality and beauty’ the complexities of its meaning — through the social music, social vision and social feel of those who refuse the Britishness that is withheld from them. Brar discerns Dean Blunt’s rightful place in a cultural field where critical discourse and sonic dream are fundaments of a dub university curriculum whose various approaches show the absolute necessity and generativity of stealth, flaw and the resistance to category. Blunt’s “love letter to the blackness of Hackney” deserves the most rigorous, gentle, erudite attention. Happily, Dhanveer Brar is here to provide it.” – Fred Moten

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This practical travel guide to Venice & the Veneto features detailed factual travel tips and points-of-interest structured lists of all iconic must-see sights as well as some off-the-beaten-track treasures. Our itinerary suggestions and expert author picks of things to see and do will make it a perfect companion both, ahead of your trip and on the ground. This Venice & the Veneto guide book is packed full of details on how to get there and around, pre-departure information and top time-saving tips, including a visual list of things not to miss. Our colour-coded maps make Venice & the Veneto easier to navigate while you're there. This guide book to Venice & the Veneto has been fully updated post-COVID-19 and it comes with a free eBook.The Rough Guide to VENICE & THE VENETO covers: San Marco, Dorsoduro, San Polo and Santa Croce, Cannaregio, Central Castello, Eastern Castello, The Canal Grande, The northern islands, The southern islands.Inside this Venice & the Veneto travel guide you'll find:RECOMMENDATIONS FOR EVERY TYPE OF TRAVELLER Experiences selected for every kind of trip to Venice & the Veneto, from off-the-beaten-track adventures in Verona to family activities in child-friendly places, like Museo del Vetro or chilled-out breaks in popular tourist areas, like Basilica di San Marco.PRACTICAL TRAVEL TIPS Essential pre-departure information including Venice & the Veneto entry requirements, getting around, health information, travelling with children, sports and outdoor activities, food and drink, festivals, culture and etiquette, shopping, tips for travellers with disabilities and more.TIME-SAVING ITINERARIESCarefully planned routes covering the best of Venice & the Veneto give a taste of the richness and diversity of the destination, and have been created for different time frames or types of trip.DETAILED REGIONAL COVERAGEClear structure within each sightseeing chapter of this Venice & the Veneto travel guide includes regional highlights, brief history, detailed sights and places ordered geographically, recommended restaurants, hotels, bars, clubs and major shops or entertainment options.INSIGHTS INTO GETTING AROUND LIKE A LOCALTips on how to beat the crowds, save time and money and find the best local spots for walking, gondola rides, shopping or exploring art museums and markets.HIGHLIGHTS OF THINGS NOT TO MISSRough Guides' rundown of San Marco, the Ghetto, Burano and Murano's best sights and top experiences helps to make the most of each trip to Venice & the Veneto, even in a short time.HONEST AND INDEPENDENT REVIEWS Written by Rough Guides' expert authors with a trademark blend of humour, honesty and expertise, this Venice & the Veneto guide book will help you find the best places matching different needs.BACKGROUND INFORMATIONComprehensive 'Contexts' chapter of this travel guide to Venice & the Veneto features fascinating insights into Venice & the Veneto, with coverage of history, religion, ethnic groups, environment, wildlife and books, plus a handy language section and glossary.FABULOUS FULL COLOUR PHOTOGRAPHYFeatures inspirational colour photography, including the stunning Torre dell'Orologio and the spectacular San Sebastiano.COLOUR-CODED MAPPINGPractical full-colour maps, with clearly numbered, colour-coded keys for quick orientation in the Canal Grande, San Polo and many more locations in Venice & the Veneto, reduce the need to go online.USER-FRIENDLY LAYOUT With helpful icons, and organised by neighbourhood to help you pick the best spots to spend your time.FREE EBOOK Free eBook download with every purchase of this guide book to Venice & the Veneto allows you to access all of the content from your phone or tablet, for on-the-road exploration.

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An exploration of the thirteenth-century law code known as Siete Partidas Conceived and promulgated by Alfonso X, King of Castile and León (r. 1252-1282), and created by a workshop of lawyers, legal scholars, and others, the set of books known as the Siete Partidas is both a work of legal theory and a legislative document designed to offer practical guidelines for the rendering of legal decisions and the management of good governance. Yet for all its practical reach, which extended over centuries and as far as the Spanish New World, it is an unusual text, argues Jesús R. Velasco, one that introduces canon and ecclesiastical law in the vernacular for explicitly secular purposes, that embraces intellectual disciplines and fictional techniques that normally lie outside legal science, and that cultivates rather than shuns perplexity. In Dead Voice, Velasco analyzes the process of the Siete Partidas's codification and the ways in which different cultural, religious, and legal traditions that existed on the Iberian Peninsula during the Middle Ages were combined in its innovative construction. In particular, he pays special attention to the concept of "dead voice," the art of writing the law in the vernacular of its clients as well as in the language of legal professionals. He offers an integrated reading of the Siete Partidas, exploring such matters as the production, transmission, and control of the material text; the collaboration between sovereignty and jurisdiction to define the environment where law applies; a rare legislation of friendship; and the use of legislation to characterize the people as "the soul of the kingdom," endowed with the responsibility of judging the stability of the political space. Presenting case studies beyond the Siete Partidas that demonstrate the incorporation of philosophical and fictional elements in the construction of law, Velasco reveals the legal processes that configured novel definitions of a subject and a people.

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The definitive biography of Michael Jackson, a "vivid...gripping...authoritative account of a world-changing force of nature" (Rolling Stone), celebrating the King of Pop's legendary contributions to music, dance, and popular culture. From the moment in 1965 when he first stepped on stage--at age seven--in Gary, Indiana, Michael Jackson was destined to become the undisputed King of Pop. In a career spanning four decades, Jackson became a global icon, selling over four hundred million albums, earning thirteen Grammy awards, and spinning dance moves that captivated the world. Songs like "Billie Jean" and "Black and White" altered our national discussion of race and equality, and Jackson's signature aesthetic, from the single white glove to the moonwalk, defined a generation. Despite publicized scandals and controversy, Jackson's ultimate legacy will always be his music. In an account that "reminds us why Michael Jackson was, indeed, a 'genius' entertainer" (New York Newsday), Rolling Stone contributing editor Steve Knopper delves deeply into Jackson's music and talent. From the artist's early days with the Jackson 5, to his stratospheric success as a solo artist, to "Beat It" and "Thriller," "Bad" and "The Man in the Mirror," to his volatile final years, his attempted comeback, and untimely death, Knopper draws on his "critical and reportorial savvy in assessing Jackson's creative peaks and valleys," (USA TODAY) exploring the beguiling and often contradictory forces that fueled Michael Jackson's genius. Drawing on an amazing four hundred interviews--ranging from Jackson's relatives, friends, and key record executives to celebrities like will.i.am and Weird Al Yankovic--this critical biography puts his career into perspective and celebrates his triumph in art and music. This is "a thoughtful look at an artist who grew up in a segregated mill town and who, for the rest of his life, made music to bring down walls" (Chicago Tribune).

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Shortlisted for the Wellcome Book Prize 2019'[A] painfully intense, courageous and gripping account of [Fanning's] journey to the underworld of madness and back. This is a brave and instructive book.' Irish Times'Extraordinary. An account of mental illness, grief, delusions, homelessness, a fractured family relationship ... and all while trying to recover and create. Superb writing on a frequently difficult subject.' Sinéad Gleeson Arnold Thomas Fanning had his first experience of depression during adolescence, following the death of his mother. Some ten years later, an up-and-coming playwright, he was overcome by mania and delusions. Thus began a terrible period in which he was often suicidal, increasingly disconnected from family and friends, sometimes in trouble with the law, and homeless in London.Drawing on his own memories, the recollections of people who knew him when he was at his worst, and medical and police records, Arnold Thomas Fanning has produced a beautifully written, devastatingly intense account of madness - and recovery, to the point where he has not had any serious illness for over a decade and has become an acclaimed playwright. Fanning conveys the consciousness of a person living with mania, psychosis and severe depression with a startling precision and intimacy. Mind on Fire is the gripping, sometimes harrowing, and ultimately uplifting testament of a person who has visited hellish regions of the mind.'Arnold Thomas Fanning offers the most vivid and unflinching window into the mind of someone who is in the throes of madness ... It was like nothing I'd read before' Rick Edwards'Mind on Fire is a truly powerful, arresting, haunting account. Arnold Thomas Fanning has reckoned with the darkest matter of his heart and mind, and I challenge anyone not to be moved by that.' Sara Baume, author of Spill Simmer Falter Wither and A Line Made by Walking'In this strange and singular book, Arnold Thomas Fanning mercilessly excavates the infernal underworld of his own years of madness. As reminiscent as it occasionally is of John Healy's The Grass Arena, and even of Orwell's Down and Out in Paris and London, the book is ultimately not quite like anything else I've read, and brought me as close to the lived reality of mental illness as I have ever been. It's a significant achievement: a painful, inexorable work of autobiography, whose existence is its own form of redemption.' Mark O'Connell, Baillie Gifford Prize-shortlisted author of To Be a Machine'This is an extraordinary memoir about how it feels to be depressed, delusional, desperate' The Observer 'Incredibly important' Emilie Pine, author of Notes to Self'A ratcheting pace, a tight first-person immediacy, and utterly staggering to be a passenger over its entire warped course ... An indelible, ground-shaking account' Hilary A White, Irish Independent, Memoir of the Year, Best Reads of 2018'A spellbinding memoir that should prove both moving and hopefully cathartic for the reader.' RTE Culture 'Told in tight and immediate first-person, and imbued with a startling momentum that ratchets unnervingly, Fanning's publishing debut ... is a significant achievement and should be a talking point in publishing this year.' Irish Independent 'Fanning's debut book lays it on the line in a deeply personal and compelling chronicle of his descent into depression and his way back out.' RTE Guide'Wonderful' Joseph O'Connor, Irish Times Books of the Year'Unsparingly direct, searing and honest ... It is gripping to read and must have been exhausting to live' Medical Independent 'One of the most gripping and revealing memoirs I've read in a long time. A controlled and artful exploration of absolute loss of control, an unsettling and at times very moving reconstruction of a period of serious mental illness, Mind on Fire is a beautiful book about a terrifying thing.' Mark O'Connell, Irish Times Books of the Year'Gripping' Sinéad Gleeson, Irish Times Books of the Year'Shocking' Liz Nugent, Irish Times Books of the Year'Poignant, beautifully detailed memoir' Sarah Gilmartin, Irish Times, Best debuts of 2018'Brave and illuminating' Sunday Business Post'This is the type of account that not only grips you wholesale as the pages flitter past, it also changes your very perception of psychology' Hilary A White, Sunday Independent Memoir of the Year

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Express yourself, find inspiration, and unwind as you color beautiful and intriguing tattoo designs. Tattoos can be traced back thousands of years and across cultures. Once a counterculture symbol of our modern era, these permanent skin designs are now ubiquitous and endlessly assorted, from the OG tattoos—pin-ups, anchors, hearts with “mom” written across, maybe a dagger through a rose; featuring bold lines and bright colors—to contemporary ink in a broad array of styles such as fine-line, watercolor, blackwork, black and grey, tribal, ignorant, cartoon, 3D, abstract, realistic, and patchwork. But aside from looking cool, why do people subject themselves to thousands of pin pricks in their skin? Believe it or not, it just might be for “tattoo therapy.” The little bit of pain involved in getting a tattoo causes the body to release endorphins; dubbed the body’s natural painkillers, endorphins also help reduce stress and improve a sense of well-being.Just like coloring! Though hopefully there’s no pain involved, the simple act of coloring similarly calms the mind and helps you relax. Whether you’re coloring or getting inked, your mind is focused on the task at hand; you put down your phone and tune out all the noise and distractions of the world. And, like sitting with a tattooist to sort out the tatt you’re going to get, this coloring book is designed to help you explore your own personal creative side. In the pages of Tattoo Coloring, you will find: More than 120 gorgeous designs, including vipers, eagles, and tigers; skulls, daggers, and nautical imagery; and roses, pin-ups, and doves Line-drawn art with imagery that will put you in a relaxed state of mind An intricate meditative pattern to color on the back of each page Just as there is no right or wrong way to add color to your body, there is no right or wrong way to use this book. You can color in these beautiful illustrations however you wish and in whatever way feels right to you. One of the great things about coloring is that it’s accessible to anyone, regardless of artistic capabilities. Being able to add your own colors helps make it more personal and, unlike with a fresh tattoo, there’s no pressure to make these drawings perfect. Whether you’re sporting a full sleeve or your canvas is as plain as the day you were born, Tattoo Coloring has all the iconic imagery you’d expect. So, while you may be contemplating your next (or first!) tattoo design, there’s no time like now to grab a colored pencil, celebrate tattoo culture, and get coloring!Chartwell Coloring Books is the ultimate coloring book series, encompassing designs of every kind. From intriguing abstract patterns to beautiful pictures from the natural, technological, and fantasy worlds, each of these coloring books will soothe the mind and inspire the inner creative in anyone. With so many variations of complex, beautiful designs in each book, you’ll have plenty of pages to bring to life. Whether young or old, creative or not, this series has something for you.

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The first biography of a visionary twentieth-century American performer who devoted her life to the revival of ancient Greek cultureThis is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874–1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer’s most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renée Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kazantzakis, George Seferis, Henry Miller, Paul Robeson, and Ted Shawn.Brilliant and gorgeous, with floor-length auburn hair, Palmer was a wealthy New York debutante who studied Greek at Bryn Mawr College before turning her back on conventional society to live a lesbian life in Paris. She later followed Raymond Duncan (brother of Isadora) and his wife to Greece and married the Greek poet Angelos Sikelianos in 1907. With single-minded purpose, Palmer re-created ancient art forms, staging Greek tragedy with her own choreography, costumes, and even music. Having exhausted her inheritance, she returned to the United States in 1933, was blacklisted for criticizing American imperialism during the Cold War, and was barred from returning to Greece until just before her death.Drawing on hundreds of newly discovered letters and featuring many previously unpublished photographs, this biography vividly re-creates the unforgettable story of a remarkable nonconformist whom one contemporary described as “the only ancient Greek I ever knew.”

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Insight Explore Guides: pocket-sized books to inspire your on-foot exploration of top international destinations. Experience the best of Los Angeles with this indispensably practical Insight Explore Guide. From making sure you don' tmiss out on must-see attractions like Disneyland and Hollywood, to discovering hidden gems, the easy-to-follow, ready-made walking routes will help you plan your trip, save you time, and enhance your exploration of this thrilling city.· Practical, pocket-sized and packed with inspirational insider information, this will make the ideal on-the-move companion to your trip to Los Angeles· Enjoy over 15 irresistible Best Routes to walk, from Downtown LA, Little Tokyo and the Arts District to Beverley Hills and Santa Monica· Features concise insider information about landscape, history, food and drink, and entertainment options· Invaluable maps: each Best Route is accompanied by a detailed full-colour map, while the large pull-out map provides an essential overview of the area· Discover your destination's must-see sights and hand-picked hidden gems· Directory section provides invaluable insight into top accommodation, restaurant and nightlife options by area, along with an overview of language, books and films · Includes an innovative extra that's unique in the market - all Insight Explore Guides come with a free eBook· Inspirational colour photography throughoutAbout Insight Guides: Insight Guides is a pioneer of full-colour guide books, with almost 50 years' experience of publishing high-quality, visual travel guides with user-friendly, modern design. We produce around 400 full-colour print guide books and maps as well as phrasebooks, picture-packed eBooks and apps to meet different travellers' needs. Insight Guides' unique combination of beautiful travel photography and focus on history and culture create a unique visual reference and planning tool to inspire your next adventure.

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WINNER OF THE BRITISH ACADEMY BOOK PRIZE A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century. ‘A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story’ - William Dalrymple, Financial Times ‘A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour’ - Spectator ‘Beautifully written and masterfully researched, this has the makings of a classic’ - Peter Frankopan SHORTLISTED FOR THE POL ROGER DUFF COOPER PRIZE LONGLISTED FOR THE CUNDILL HISTORY PRIZE SHORTLISTED FOR THE HWA CROWN AWARDS When Thomas Roe arrived in India in 1616 as James I’s first ambassador to the Mughal Empire, the English barely had a toehold in the subcontinent. Their understanding of South Asian trade and India was sketchy at best, and, to the Mughals, they were minor players on a very large stage. Roe was representing a kingdom that was beset by financial woes and deeply conflicted about its identity as a unified ‘Great Britain’ under the Stuart monarchy. Meanwhile, the court he entered in India was wealthy and cultured, its dominion widely considered to be one of the greatest and richest empires of the world. In Nandini Das's fascinating history of Roe's four years in India, she offers an insider's view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. A major debut that explores the art, literature, sights and sounds of Jacobean London and Imperial India, Courting India reveals Thomas Roe's time in the Mughal Empire to be a turning point in history – and offers a rich and radical challenge to our understanding of Britain and its early empire.

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‘I was saying things in songs that female singers didn’t really say back then. I wasn’t submissive or begging him to come back, I was kicking his ass, kicking him out, kicking my own ass too. My Blondie character was an inflatable doll but with a dark, provocative, aggressive side. I was playing it up, yet I was very serious.’ BRAVE, BEAUTIFUL AND BORN TO BE PUNK DEBBIE HARRY is a musician, actor, activist and the iconic face of New York City cool. As the front-woman of Blondie, she and the band forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life – until now. In an arresting mix of visceral, soulful storytelling and stunning visuals that includes never-before-seen photographs, bespoke illustrations and fan art installations, Face It upends the standard music memoir while delivering a truly prismatic portrait. With all the grit, grime, and glory recounted in intimate detail, Face It recreates the downtown scene of 1970s New York City, where Blondie played alongside the Ramones, Television, Talking Heads, Iggy Pop and David Bowie. Following her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie’s break-up as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights, Face It is a cinematic story of a woman who made her own path, and set the standard for a generation of artists who followed in her footsteps – a memoir as dynamic as its subject.

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From the reviews of the first edition of Architecture of New York City. "It should provide joy to anyone even vaguely interested in this city and its artifacts.. It is very likely to turn them into enthusiasts." --New York Times Book Review ".weaves the little-known stories of 80 buildings and landmarks into a colorful tapestry of New York's whirlwind history.. This richly illustrated guide can be read from beginning to end with great pleasure." --Publishers Weekly ".Reynolds takes a new look at the older glories of New York. The architecture is freshly seen and is clearly researched. Reynolds' splendid photographs present highly original views of familiar (and not so familiar) important structures and sites." --Adolph Placzek, former president of the Society of Architectural Historians The history of New York City is a rich pageant of culture, commerce, social change, and human drama stretching back five hundred years. And when we know where to look for it, it is all there for us to see, vividly etched into the cityscape. Now in this celebration of New York's architecture, Donald Martin Reynolds helps us to see and appreciate, as never before, the city's monuments and masterpieces, and to hear the tales they have to tell. With the help of nearly 200 striking photographs (20 of them new to this edition), Dr. Reynolds takes us on an unforgettable tour of five centuries of architectural change and innovation--from 16th-century Dutch canals and 18th-century farmhouses, to the elevator buildings of the 1870s (precursors of skyscrapers) and the Art Deco, Bauhaus, and Post-modern buildings that make up New York City's celebrated skyline. Floor by floor stone by stone, detail by detail Dr. Reynolds lovingly describes 90 of the city's most striking buildings, bridges, parks, and places. He tells us when, why, and how they were built and who built them, and in the process, he evokes the illustrious and exciting history of this restless, ceaselessly seductive metropolis.

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‘Shellac and Swing!’ tells the story of the gramophone’s ‘golden age,’ from 1900-1955, when it helped to shape Britain’s culture from the arts to warfare. The story focuses on the gramophone, the invention of Emile Berliner in the 1880s, but begins with a brief outline of the first attempts to record the human voice and of Edison’s invention of the cylinder and the phonograph. It uses primary evidence, images and interviews with DJs, fans, musicians and historians to explore this fascinating and often eccentric tale. Each chapter ends with ‘On the Record,’ a discussion of a record that relates to the chapter’s themes. Although the gramophone and its fragile shellac discs were vital to Britain’s music scene—opera and music hall, the Jazz Age, the crooners, early rock’n’roll—its impact was far more extensive. Its place in British history encompasses advertising and design, fraud and piracy, phallic symbols, talking books, the threat from radio and TV, the contrasting worlds of the Salvation Army and adult ‘party’ discs, the creation of a parliamentary insult, new political strategies and the seditious activity of the Mau Mau. From the establishment of the Gramophone Company in London in the late 1890s to the end of shellac record production in the 1950s, the British public bought the machines and the discs in their millions and the record labels made stars of performers like Caruso, Harry Lauder, Al Bowlly and Dame Nellie Melba. ‘Shellac and Swing!’ explores the ways in which the gramophone helped these singers to achieve stardom but it also explores in detail and for the first time many other stories of not-so-famous performers, of the gramophone in political electioneering and of forgotten technology: the first pirate radio broadcasters, the soldiers who took their ‘Trench Decca’ portables to the Western Front, the invention of the Flame-O-Phone, the People’s Budget recordings and the pioneering label owner and producer of ‘blue’ discs. The gramophone’s heyday ended with the rise of rock ’n ’roll, teenagers, the 45 rpm single, the LP and the record player, but it survives today as part of a vibrant contemporary music, fashion and lifestyle scene.

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In this philosophically sophisticated and historically significant work, John H. Zammito reconstructs Kant's composition of The Critique of Judgment and reveals that it underwent three major transformations before publication. He shows that Kant not only made his "cognitive" turn, expanding the project from a "Critique of Taste" to a Critique of Judgment but he also made an "ethical" turn. This "ethical" turn was provoked by controversies in German philosophical and religious culture, in particular the writings of Johann Herder and the Sturm und Drang movement in art and science, as well as the related pantheism controversy. Such topicality made the Third Critique pivotal in creating a "Kantian" movement in the 1790s, leading directly to German Idealism and Romanticism. The austerity and grandeur of Kant's philosophical writings sometimes make it hard to recognize them as the products of a historical individual situated in the particular constellation of his time and society. Here Kant emerges as a concrete historical figure struggling to preserve the achievements of cosmopolitan Aufkl-rung against challenges in natural science, religion, and politics in the late 1780s. More specifically Zammito suggests that Kant's Third Critique was animated throughout by a fierce personal rivalry with Herder and by a strong commitment to traditional Christian ideas of God and human moral freedom. "A work of extraordinary erudition. Zammito's study is both comprehensive and novel, connecting Kant's work with the aesthetic and religious controversies of the late eighteenth century. He seems to have read everything. I know of no comparable historical study of Kant's Third Critique."-Arnulf Zweig, translator and editor of Kant's ;IPhilosophical Correspondence, 1759-1799;X"An intricate, subtle, and exciting explanation of how Kant's thinking developed and adjusted to new challenges over the decade from the first edition of the Critique of Pure Reason to the appearance of the Critique of Judgment."—John W. Burbidge, Review of Metaphysics"There has been for a long time a serious gap in English commentary on Kant's Critique of Judgment; Zammito's book finally fills it. All students and scholars of Kant will want to consult it."—Frederick Beiser, Times Literary Supplement

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This Handbook provides an overview and assessment of the state-of-the-art research methods, approaches and applications central to economic geography.Understanding spatial economic outcomes and the forces and mechanisms that influence the geography of economic growth is of utmost importance and demands substantial theoretical and empirical research in economic geography, spatial economics and regional science. Such research is critically dependent upon good and reliable empirical data, and it is here that this Handbook contributes, providing a broad overview of up-to-date research methods and approaches. The chapters are written by distinguished researchers from a variety of scholarly traditions and with a background in different academic disciplines including economics, economic human and cultural geography, and economic history.Researchers and academics in economics and economic geography will find this a fundamental reference point and will benefit from the comprehensive assessment of research methods and approaches in the field. Practitioners and policy-makers will also find the practical applications to be of utmost value.Contributors: M. Andersson, G. Arbia, B. Asheim, R. Basile, M. Birkin, R. Boschma, S. Brakman, J. Bröcker, L. Broersma, H-H. Chang, G. Clarke, M. Clarke, L. Coenen, J. Corcoran, S. Dall'erba, G. Espa, A.M. Esteves, A. Faggian, M.M. Fischer, K. Frenken, M. Fritsch, D. Giuliani, K.E. Haynes, G.J.D. Hewings, M. Horváth, G. Ivanova, N. Kapitsinis, C. Karlsson, H. Khawaldah, M. Kilkenny, J. Klaesson, S. Koster, J.P. Larsson, J. Lesage, Y. Li, I. Llamosas-Rosas, P.A. Longley, T. Mitze, J. Moodysson, I. Noback, T. Norman, J. Oosterhaven, J. Parajuli, M. Partridge, D. Psaltopoulos, M. Schramm, D. Skuras, A. Stephan, P. Thulin, S. Usai, J. van Dijk, C. van Marrewijk, F. van Oort, F. Vanclay, A. Varga, H. Westlund

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Welcome to HAY's universe of irresistible, affordable, everyday design. 'HAY is destined to be an important part of the modern design canon - not as the result of design theory or design thinking, but as a result of design doing.' - John Hoke III, Chief Design Officer, Nike In 2002, husband and wife Rolf and Mette Hay founded their namesake company and forever changed how the world perceives Scandinavian design. Born from the duo's desire to make outstanding design available to all, HAY reimagines functional objects, turning couches, cutting boards, towels, and toothbrushes into vibrant items that bring joy to one's daily life. Simple, stylish, and affordable, HAY's furniture and accessories are a seamless blend of quality and economy. The brand's deep connections within the art, food, fashion, and broader cultural communities, as well as its exuberant use of colour - icy pastels, Memphis primary colours, rich jewel tones, and vivid near-neons - ensure HAY's best-selling products including the Mags Sofa, Matin Lamp, About A Chair, Palissade Collection, and Sowden Accessories Collection remain one step ahead of the zeitgeist. Published to coincide with the brand's 20th anniversary, this inspiring visual monograph explores HAY's origins and astronomical trajectory, including its close partnership with Herman Miller; its collaborations with an ever-growing stable of brilliant designers, along with design companies such as COS, IKEA, and SONOS; and the aesthetic alchemy that makes HAY's products and retail environments so distinct. The book features exclusive interviews with five pairs of designers: Ronan and Erwan Bouroullec; Nipa Doshi and Jonathan Levien; Shane Schneck and Clara von Zweigbergk (who also designed the book); Fien Muller and Hannes Van Severen; and Stine Gam and Enrico Fratesi. Beautifully illustrated with 600 colour images, HAY also includes an introduction by Kelsey Keith, the editorial director at Herman Miller, and contributions from Lucy Bourton, Duncan Riches, Emily Nathan and Tom Morris.

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An expansive volume presenting crip approaches to writing, research, and publishing. Crip Authorship: Disability as Method is an expansive volume presenting the multidisciplinary methods brought into being by disability studies and activism. Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore the ways disability shapes authorship, transforming cultural production, aesthetics, and media. Starting from the premise that disability is plural and authorship spans composition, affect, and publishing, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies. Disability alters, generates, and dismantles method. Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published. The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design. Across five sections—Writing, Research, Genre/Form, Publishing, Media—contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish. Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars. Essays include Mel Y Chen on the temporality of writing with chronic illness; Remi Yergeau on perseveration; La Marr Jurelle Bruce on mad Black writing; Alison Kafer on the reliance of the manifesto genre on disability; Jaipreet Virdi on public scholarship for disability justice; Ellen Samuels on the importance of disability and illness to autotheory; Xuan Thuy Nguyen on decolonial research methods for disability studies; Emily Lim Rogers on virtual ethnography; Cameron Awkward-Rich on depression and trans reading methods; Robert McRuer on crip theory in translation; Kelsie Acton on plain language writing; and Georgina Kleege on description as an access and aesthetic technique.

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Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments.Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd

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An expansive volume presenting crip approaches to writing, research, and publishing. Crip Authorship: Disability as Method is an expansive volume presenting the multidisciplinary methods brought into being by disability studies and activism. Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore the ways disability shapes authorship, transforming cultural production, aesthetics, and media. Starting from the premise that disability is plural and authorship spans composition, affect, and publishing, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies. Disability alters, generates, and dismantles method. Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published. The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design. Across five sections—Writing, Research, Genre/Form, Publishing, Media—contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish. Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars. Essays include Mel Y Chen on the temporality of writing with chronic illness; Remi Yergeau on perseveration; La Marr Jurelle Bruce on mad Black writing; Alison Kafer on the reliance of the manifesto genre on disability; Jaipreet Virdi on public scholarship for disability justice; Ellen Samuels on the importance of disability and illness to autotheory; Xuan Thuy Nguyen on decolonial research methods for disability studies; Emily Lim Rogers on virtual ethnography; Cameron Awkward-Rich on depression and trans reading methods; Robert McRuer on crip theory in translation; Kelsie Acton on plain language writing; and Georgina Kleege on description as an access and aesthetic technique.

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The highly anticipated next book in Tuttle's Stories for Language Learners series is here!This book presents 22 classic Chinese proverbs and the traditional tales behind them. The stories are bilingual, with the Chinese and English versions presented on facing pages. Each includes an explanation of how the proverb is used today, cultural notes, vocabulary and discussion questions. Audio recordings of the tales read by native speakers are included—giving students a chance to improve their pronunciation and comprehension.Some of the proverbs featured in this collection include: "Painting the Eyes on the Dragon"Based on the story of a famous court painter in 6th century China who painted dragons, this proverb refers to the finishing touches needed to bring a work of art or literature to life. In a discussion, it refers to the final statements used to clinch the argument. "Waiting for Rabbits by a Tree Stump"Based on an ancient folktale about a foolish farmer who sees a rabbit kill itself in front of him by running into a tree stump, then gives up tilling his field to wait for more rabbits by the stump. This saying is applied to people who wait passively for luck to strike again. It also refers to impractical people who stick to one way of doing things only because it has worked for them once in the past. "Pure Water Has No Fish; Perfect People Have No Friends"Many versions of this historical tale exist. The one told here is about a 2nd century AD official sent to govern a far-flung outpost on the Silk Road who is fastidious in applying strict rules and thereby causes the local people to rebel against him. In the professional world, it is used to refer to people who do not like to work with an overly strict supervisor or colleague. Whether being used in a classroom or for self-study, Chinese Stories for Language Learners provides an educational and entertaining way for intermediate Mandarin learners to expand their vocabulary and understanding of the language.

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A milestone in literary scholarship, the publication of the Johns Hopkins edition of The Complete Poetry of Percy Bysshe Shelley makes available for the first time critically edited clear texts of all poems and translations that Shelley published or circulated among friends, as well as diplomatic texts of his significant incomplete poetic drafts and fragments. Edited upon historical principles by Donald H. Reiman and Neil Fraistat, the multi volume edition will offer more poems and fragments than any previous collective edition, arranged in the order of their first circulation. These texts are followed by the most extensive collations hitherto available and detailed commentaries that describe their contextual origins and subsequent reception. Rejected passages of released poems appear as supplements to those poems, while other poetic drafts that Shelley rejected or left incomplete at his death will be grouped according to either their publication histories or the notebooks in which they survive. Volume One includes Shelley's first four works containing poetry (all prepared for publication before his expulsion from Oxford), as well as "The Devil's Walk" (circulated in August 1812), and a series of short poems that he sent to friends between 1809 and 1814, including a bawdy satire on his parents and "Oh wretched mortal," a poem never before published. An appendix discusses poems lost or erroneously attributed to the young Shelley. "These early poems are important not only biographically but also aesthetically, for they provide detailed evidence of how Shelley went about learning his craft as a poet, and the differences between their tone and that of his mature short poetry index a radical change in his self-image...The poems in Volume I, then, demonstrate Shelley's capacity to write verse in a range of stylistic registers. This early verse, even in its most abandoned forays into Sensibility, the Gothic, political satire, and vulgarity-perhaps especially in these most apparently idiosyncratic gestures-provides telling access to its own cultural moment, as well as to Shelley's art and thought in general."-from the Editorial Overview

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Mic check! Mic check! Lacking amplification in Zuccotti Park, Occupy Wall Street protestors addressed one another by repeating and echoing speeches throughout the crowd. In "Occupy", W. J. T. Mitchel, Bernard E. Harcourt, and Michael Taussig take the protestors' lead and perform their own resonant call-and-response, playing off of each other in three essays that engage the extraordinary Occupy movement that has swept across the world, examining everything from self-immolations in the Middle East to the G8 crackdown in Chicago to the many protest signs still visible worldwide. "You break through the screen like "Alice in Wonderland"," Taussig writes in the opening essay, "and now you can't leave or do without it." Following Taussig's artful blend of participatory ethnography and poetic meditation on Zuccotti Park, political and legal scholar Harcourt examines the crucial difference between civil and political disobedience. He shows how by effecting the latter - by rejecting the very discourse and strategy of politics - Occupy Wall Street protestors enacted a radical new form of protest. Finally, media critic and theorist Mitchell surveys the global circulation of Occupy images across mass and social media and looks at contemporary works by artists such as Antony Gormley and how they engage the body politic, ultimately examining the use of empty space itself as revolutionary monument. "Occupy" stands not as a primer on or an authoritative account of 2011's revolutions, but as a snapshot, a second draft of history, beyond journalism and the polemics of the moment - an occupation itself. Each Trios book addresses a pressing theme in critical theory, philosophy, or cultural studies through three extended essays written in close collaboration by leading scholars.

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The first major career-spanning collection of the poems of Adonis, widely acknowledged as the most important poet working in Arabic today “Poetry for [Adonis] is not merely a genre or an art form but a way of thinking, something almost like mystical revelation.”—Charles McGrath, New York Times Born in Syria in 1930, Adonis is one of the most celebrated poets of the Arabic-speaking world. His poems have earned international acclaim, and his influence on Arabic literature has been likened to that of T. S. Eliot’s on English-language verse. This volume serves as the first comprehensive survey of Adonis’s work, allowing English readers to admire the arc of a remarkable literary career through the labors of the poet’s own handpicked translator, Khaled Mattawa. Daring in form and prophetic in tone, Adonis’s poetry sings of both the sweet promise of eros and the problems of the self. He writes of childhood (“Your childhood is a village. / You will never cross its boundaries / no matter how far you go”); of blood, bombs, and mutilation (“Murder has changed the city’s shape”); and of the anguish of exile (“‘I write poetry in the language of the country that sheltered me,’ said a young man who looked old”). Adonis demonstrates the poet’s affection for Arabic and European lyrical traditions even as his poems work to destabilize those sensibilities. This collection positions the work of Adonis within the pantheon of the great poets of exile, including César Vallejo, Joseph Brodsky, and Paul Celan, providing for English readers the most complete vision yet of the work of the man whom the cultural critic Edward Said called “today’s most daring and provocative Arab poet.”

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This timely and incisive Handbook provides critical contemporary insights into the theory and practice of entrepreneurship and marketing in the twenty-first century. Bringing together rich and varied contributions from prominent international researchers, it offers a reflective synthesis of scholarship at the interface between marketing and entrepreneurship. Emphasising the need for contextual analysis of marketing and entrepreneurial practices, this Handbook explores the effectiveness of a variety of behaviours, supporting its insights with relevant theory. Chapters cover areas such as innovation, strategy and networking for SMEs, social media and crowdfunding, and entrepreneurial marketing in the arts, including a focus on the growing phenomenon of cultural entrepreneurship. Scholars and postgraduate students in entrepreneurship and marketing, and particularly those working on the intersections between them, will find this Handbook an invaluable read. Its examination of the efficacy of various practices will also be of great interest to marketing professionals and entrepreneurs themselves. Contributors include: C. Ball, A. Bayraktar, S. Brown, D. Cummins, J.H. Deacon, N. Dennis, E. Erdogan, I. Fillis, J.B. Ford, I.S. Fraser, P.J. Fraser, L. Frondigoun, E. Gallagher, A. Gilmore, V. Gustafsson, B. Hynes, B. Jones, R. Jones, M. Kelly, F. Kerrigan, A. Kincaid, T.A. Kirchner, O.F. Lee, K. Lehman, E. Lloyd-Parkes, S. Loane, M. Macaulay, S. Mawson, M.P. Miles, S. Mirvahedi, S.C. Morrish, T. Morrow, S. Mottner, E.L. Ngan, K. Nightingale, R. Noorda, A. Patterson, C. Preece, E. Ramsey, R. Rentschler, E. Ritch, V.L. Rodner, J.E. Schroeder, Z. Sethna, R. Shannon, A.M.J. Smith, R. Smith, M. Suoranta, N. Telford, P. Tjabbes, C. Uslay

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What would a Deleuzian music philosophy be like? For Deleuze, music informed his work on several levels. He did not merely write about music, it formed part of his thinking. Deleuze and Music is the first volume to explore Deleuze's ideas from the perspective of music and sound. Music is central to Deleuze's work from Difference and Repetition and the Logic of Sense to Kafka: Towards a Minor Literature and A Thousand Plateaus (both written with Felix Guattari), music and sound-based problems contribute a great deal to the originality and singularity of his thought. The essays in this volume explore a variety of these problems and their relevance to key debates in a number of areas including ethics, aesthetics, politics, epistemology and the history of ideas. They collectively demonstrate how music functions in Deleuze's work, exploring how at key stages in his thought ideas of melody, rhythm, harmony, counterpoint and the refrain provide the frame of reference for his immanent ontology, his Spinozist ethology and his (and Guattari's) politics of the 'people yet to come'. Furthermore, they show how music proves the exemplary medium for further exploring and developing his 'rhizomatic' conception of thought. The volume provides a much-needed addition to the growing body of secondary work on Deleuze and will be of interest to students and researchers working across a diverse range of disiciplines, including philosophy and cultural and critical theory as well as art history, musicology and ethnomusicology. Features: *The first book on Deleuze in relation to music covering all of the key Deleuzian texts *Covers different types of music, jazz, pop music, electronic music, heavy metal and improvised music *Demonstrate how music functions in Deleuze's work, exploring how ideas of melody, rhythm, harmony, counterpoint and the refrain shape his philosophical thinking.

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This Handbook brings together leading scholars of European social policy to reinvigorate theoretical, conceptual and substantive debates around European welfare states and societies as well as the 'social dimension' of the European Union. This unique and original collection comes together at a time of substantial economic, social and political turbulence across Europe, changing narratives, ideas and attitudes towards welfare, increasing institutional complexity in the delivery of services, and a 'crisis of legitimacy' for the European project itself compounded by Brexit. It is against this backdrop that the Handbook draws together key commentators in European social policy to engage with and further develop theoretical, conceptual and substantive understandings of social policy in post-crisis Europe. Issues covered include, amongst others, varieties of welfare capitalism, cultural political economy, austerity, territoriality, engendering, multiculturalism, socio-ecological changes, social investment and public attitudes. The Handbook of European Social Policy offers a comprehensive and state-of-the-art reflection on theoretical debates on welfare regimes and the trajectories of the EU's social dimension. It is a key reading and teaching resource for students and academics in social policy.Contributors include: D. Bailey, E. Barberis, D. Béland, A. Borchorst, C. Bruzelius, D. Clegg, M. Daly, C. de la Porte, F. Dukelow, V. Fargion, B. Greve, E. Heins, A. Hemerijck, B. Hvinden, B. Jessop, Y. Kazepov, P. Kennett, B. Kovács, J. Kvist, N. Lendvai-Bainton, T. Meyer, T. Modood, B. Nolan, K. Petersen, B. Pfau-Effinger, F. Roosma, C. Saraceno, M.A. Schoyen, M. Schroeder, M. Seeleib-Kaiser, B. Siim, M. Souto-Otero, N.-L. Sum, W. van Oorschot

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The fourth edition of a classic, leading resource for the field of sport, exercise, and performance psychology Now expanded to two volumes, and featuring a wealth of new chapters from highly respected scholars in the field, this all-new edition of the Handbook of Sports Psychology draws on an international roster of experts and scholars in the field who have assembled state-of-the-art knowledge into this thorough, well-rounded, and accessible volume. Endorsed by the International Society of Sport Psychology, it represents an invaluable source of theoretical and practical information on our understanding of the role of psychology in sport, exercise, and performance—and how that understanding can be applied in order to improve real-world outcomes. Presented in eight parts, the Handbook of Sports Psychology, 4th Edition adds new material on emerging areas such as mindfulness, brain mapping, self-consciousness, and mental toughness, and covers special topics such as gender and cultural diversity, athletes with disabilities, and alcohol and drug use in sports. In addition, it covers classic topics such as what motivates an athlete to perform; why do some choke under pressure; how do top performers handle leadership roles; what does one do to mentally train; how an athlete deals with injury; and much more. Fourth edition of the most influential reference work for the field of sport psychology New coverage includes mindfulness in sport and exercise psychology, ethics, mental toughness, sport socialization, and making use of brain technologies in practice Endorsed by the International Society of Sport Psychology (ISSP) Handbook of Sports Psychology, 4th Edition is an indispensable resource for any student or professional interested in the field of sports psychology.

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Pacific salmon inhabit a vast ecosystem that encompasses the rivers within and the ocean between coastal countries. From steep, cold snowmelt streams to major tributaries, from estuaries to the deep ocean, the range of Pacific salmon includes the Tachia River in Taiwan, the permafrost zone of Chukotka that flows to the Chukchi Sea, the vast expanse of the Pacific Ocean between Japan and California, the streams and rivers of the Yukon Territory and British Columbia, and the myriad waterways in Washington, Oregon, Idaho, and California, as far south as Rio Santo Domingo in Baja California. The North Pacific Rim nations--the United States, Canada, Russia, Japan, China, and the Koreas--enjoy vastly different economic, ecological, and cultural relationships with salmon and, until now, the types of data available to assess the abundance and biodiversity of these fish were almost as varied as the scientists who collect them. Atlas of Pacific Salmon is the first book to apply a common, newly calibrated yardstick to measure, across this broad ecosystem, the state of Pacific salmon, which have suffered precipitous declines in abundance and diversity in recent decades. The only map-based assessment of distribution and risk of extinction for seven species of Pacific salmon at one consistent scale, under one authorship, the Atlas is the result of five years' work by Xanthippe Augerot and other foremost experts in the field. Using state-of-the-art GIS mapping tools, this book offers a multidimensional view of Pacific salmon populations from a watershed perspective, through the natural boundaries in which the fish migrate, spawn, and mature. More than three dozen stunning full-page maps overlay the human, climatic, geological, and environmental impacts on salmon populations.

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As performed by Maxine Peake ('visionary'): the radical dystopian classic, lost for forty years: in a nightmarish Britain, THEY are coming closer.'A creepily prescient tale ... Insidiously horrifying!' Margaret Atwood'A masterpiece of creeping dread.' Emily St. John MandelThis is Britain: but not as we know it. THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks - and those who resist.THEY capture dissidents - writers, painters, musicians, even the unmarried and childless - in military sweeps, 'curing' these subversives of individual identity.Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget ...Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick's They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning.'Every bit as creepy, tense and strange as when I first read it 40 years ago.' Ian Rankin'Delicious and sexy and downright chilling ... Read it!' Rumaan Alam'Crystalline ... The signature of an enchantress.' Edna O'Brien'I'm pretty wild about this paranoid, terrifying 1977 masterpiece.' Lauren Groff'Deft, dread filled, hypnotic and hopeful. Completely got under my skin.' Kiran Millwood Hargrave'Lush, hypnotic, compulsive ... A reminder of where groupthink leads.' Eimear McBride'A masterwork of English pastoral horror: eerie and bewitching.' Claire-Louise Bennett'A short shocker: creepy, disturbing, distressing and highly enjoyable.' Andrew Hunter Murray'Prophetic, chilling and a reminder from the past that we have everything to fight for in the future.' Salena Godden

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“This book closes a gap in the PBL literature. It is a thoroughly researched, well documented and engagingly written three part harmony addressing conceptual frames, recurring themes, and broadening horizons. An essential addition to your library.”Professor Karl A. Smith, University of Minnesota“…a comprehensive guide for those new to PBL, and suitable for those new to teaching or for the more experienced looking for a new challenge.”Dr Liz Beaty, Director (Learning and Teaching), HEFCE“This book vividly articulates the key ideas of PBL and provides new PBL practitioners with key guiding posts for its implementation. It is an excellent contribution to the art of using PBL.”Associate Professor Oon-Seng Tan, Nanyang Technological University, Singapore·What is problem-based learning?·How can it be used in teaching?· How does problem-based learning affect staff and students?· How do we assess and evaluate it?Despite the growth in the use of problem-based learning since it was first popularised, there have been no resources to examine the foundations of the approach and offer straightforward guidance to those wishing to explore, understand, and implement it.This book describes the theoretical foundations of problem-based learning and is a practical source for staff wanting to implement it. The book is designed as a text that not only explores the foundations of problem-based learning but also answers many of the frequently-asked questions about its use. It develops readers understanding beyond implementation, including issues such as academic development, cultural, diversity, assessment, evaluation and curricular models of problem-based learning.Foundations of Problem-based Learning is a vital resource for lecturers in all disciplines who want to understand problem-based learning and implement it effectively in their teaching.

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In the summer of 1998, Walter Kirn—then an aspiring novelist struggling with impending fatherhood and a dissolving marriage—set out on a peculiar, fateful errand: to personally deliver a crippled hunting dog from his home in Montana to the New York apartment of one Clark Rockefeller, a secretive young banker and art collector who had adopted the dog over the Internet. Thus began a fifteen-year relationship that drew Kirn deep into the fun-house world of an outlandish, eccentric son of privilege who ultimately would be unmasked as a brazen serial impostor, child kidnapper, and brutal murderer. Kirn's one-of-a-kind story of being duped by a real-life Mr. Ripley takes us on a bizarre and haunting journey from the posh private clubrooms of Manhattan to the hard-boiled courtrooms and prisons of Los Angeles. As Kirn uncovers the truth about his friend, a psychopath masquerading as a gentleman, he also confronts hard truths about himself. Why, as a writer of fiction, was he susceptible to the deception of a sinister fantasist whose crimes, Kirn learns, were based on books and movies? What are the hidden psychological links between the artist and the con man? To answer these and other questions, Kirn attends his old friend’s murder trial and uses it as an occasion to reflect on both their tangled personal relationship and the surprising literary sources of Rockefeller's evil. This investigation of the past climaxes in a tense jailhouse reunion with a man whom Kirn realizes he barely knew—a predatory, sophisticated genius whose life, in some respects, parallels his own and who may have intended to take another victim during his years as a fugitive from justice: Kirn himself. Combining confessional memoir, true crime reporting, and cultural speculation, Blood Will Out is a Dreiser-esque tale of self-invention, upward mobility, and intellectual arrogance. It exposes the layers of longing and corruption, ambition and self-delusion beneath the Great American con.

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The Developing Core Literacy Proficiencies program is an integrated set of English Language Arts/Literacy units spanning grades 6-12 that provide student-centered instruction on a set of literacy proficiencies at the heart of the Common Core State Standards (CCSS). Reading Closely for Textual Details Making Evidence-Based Claims Making Evidence-Based Claims about Literary Technique (Grades 9-12) Researching to Deepen Understanding Building Evidence-Based Arguments The program approaches literacy through the development of knowledge, literacy skills, and academic habits. Throughout the activities, students develop their literacy along these three paths in an integrated, engaging, and empowering way. Knowledge: The texts and topics students encounter in the program have been carefully selected to expose them to rich and varied ideas and perspectives of cultural significance. These texts not only equip students with key ideas for participating knowledgeably in the important discussions of our time, but also contain the complexity of expression necessary for developing college- and career-ready literacy skills. Literacy Skills: The program articulates and targets instruction and assessment on twenty CCSS-aligned literacy skills ranging from “making inferences” to “reflecting critically.” Students focus on this set of twenty skills throughout the year and program, continually applying them in new and more sophisticated ways. Academic Habits: The program articulates twelve academic habits for students to develop, apply, and extend as they progress through the sequence of instruction. Instructional notes allow teachers to introduce and discuss academic habits such as “preparing” and “completing tasks” that are essential to students’ success in the classroom. The program materials include a comprehensive set of instructional sequences, teacher notes, handouts, assessments, rubrics, and graphic organizers designed to support students with a diversity of educational experiences and needs. The integrated assessment system, centered around the literacy skills and academic habits, allows for the coherent evaluation of student literacy development over the course of the year and vertically across all grade levels.

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The Developing Core Literacy Proficiencies program is an integrated set of English Language Arts/Literacy units spanning grades 6-12 that provide student-centered instruction on a set of literacy proficiencies at the heart of the Common Core State Standards (CCSS). Reading Closely for Textual Details Making Evidence-Based Claims Making Evidence-Based Claims about Literary Technique (Grades 9-12) Researching to Deepen Understanding Building Evidence-Based Arguments The program approaches literacy through the development of knowledge, literacy skills, and academic habits. Throughout the activities, students develop their literacy along these three paths in an integrated, engaging, and empowering way. Knowledge: The texts and topics students encounter in the program have been carefully selected to expose them to rich and varied ideas and perspectives of cultural significance. These texts not only equip students with key ideas for participating knowledgeably in the important discussions of our time, but also contain the complexity of expression necessary for developing college- and career-ready literacy skills. Literacy Skills: The program articulates and targets instruction and assessment on twenty CCSS-aligned literacy skills ranging from “making inferences” to “reflecting critically.” Students focus on this set of twenty skills throughout the year and program, continually applying them in new and more sophisticated ways. Academic Habits: The program articulates twelve academic habits for students to develop, apply, and extend as they progress through the sequence of instruction. Instructional notes allow teachers to introduce and discuss academic habits such as “preparing” and “completing tasks” that are essential to students’ success in the classroom. The program materials include a comprehensive set of instructional sequences, teacher notes, handouts, assessments, rubrics, and graphic organizers designed to support students with a diversity of educational experiences and needs. The integrated assessment system, centered around the literacy skills and academic habits, allows for the coherent evaluation of student literacy development over the course of the year and vertically across all grade levels.

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15th-c. adaptations of Chrétien de Troyes, the use of motifs, and standard features including current state of research and book review section. Setting the tone for volume 24 is a trio of articles on 15th-century French adaptations of Chrétien de Troyes's Arthurian romances. Norris Lacy examines adaptation and reception in Cligés,Jane Taylor writes on the importance of cultural details to reception studies of both Erec and Cligés, and Maria Timelli on structural aspects of Erec. Other studies of romance include MaryLynn Saul's article on courtly love and patriarchal marriage institutions in Malory, and Anne Caillaud's piece on gender conventions of courtly love as a vehicle for misogyny in Antoine de la Sale's Petit Jehan de Saintre. Hans-Joachim Behr deals with an adaptation of the 12th-century historical figure of Heinrich von der Löwe in his article on the poetic workof Michel Wyssenherre. Roxana Recio's article on Spanish "amplifications and glosses" draws connections between translation, reception, and interpretation.Moving from romance to legend, Peter De Wilde, in his article on the legendary matter of St. Patrick's journeys to Purgatory, relates a 15th-century account of one Englishman's "visionary pilgrimage" to that destination.A second area of concentration in the volume is the thematic and structural use of motifs. Rainer Goetz discusses archery in Spanish poetry of love and death; Georg Roellenbleck courtly pastimes and the term passe temps inFrench poetry. James Wilkins focuses on the "body as currency" in French passion plays. Kristine Patz moves into art history, examining the importance of the Pythagorean ypsilonin the work of the Italian painter Mantegna.Dealing with the turn to Renaissance humanism are articles by Grady Smith on the short literary career and Latin dramas of Titus Livius Frulovisi, and by Christiane Raynaudon humanism and good government in the Latin Romuleon. Franco Mormando investigates a darker moment: the 1426 witch trial in Rome and the role of Bernardino of Siena as its instigator and chronicler. Rouben Choulakian writes on the poetry of Charles d'Orlean

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A beautifully designed, full-color collection of paper dolls created by Zelda Fitzgerald, lovingly compiled by her granddaughter, Eleanor Lanahan.Born in Montgomery, Alabama, Zelda Sayre Fitzgerald has long been an American cultural icon. A Southern belle turned flapper, Zelda was talented in dance, painting, and writing but lived in the shadow of her writer husband F. Scott Fitzgerald’s success. The golden couple of the Jazz Age, Zelda and her husband moved around—from hotels to rented villas to apartments in Paris—and Zelda always brought along her paints. Few people know she painted at all, and fewer still know she made paper dolls. But throughout her life, Zelda created dolls, whenever she could, in private. By design, paper dolls are delicate, fragile, and destined for destruction at the hands of children. Zelda’s dolls began as playthings for her daughter, Scottie, born in 1921. Fortunately, Zelda continued to make figures after Scottie outgrew them, first of their family and then of storybook characters—lavish, graceful, bold figures. These unique characters were a portable troupe, a colorful paper caravan that travelled inside her luggage. Zelda chose subjects she relished: society figures of the French Court, or Red Riding Hood’s predatory wolf, as vivacious as the girl. Whether they are cardinals, kings, or bears, the dolls are fashionably attired in ball gowns, armor, and capes. A gorgeous and unique keepsake and a perfect gift for book and art lovers, this delightful collection of Zelda’s paper dolls offers an intimate peek into the life of one of the Lost Generation’s most fascinating creative artists.

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Encarnación takes a new look at identity. Following the contemporary movement away from the fixed categories of identity politics toward a more fluid conception of the intersections between identities and communities, this book analyzes the ways in which literature and philosophy draw boundaries around identity. The works of Gloria Anzaldúa, Cherríe Moraga, and Ana Castillo, in particular, enable us to examine how identities shift and intersect with others through processes of “incarnation.” Since the 1980s, critics have come to equate these writers with Chicana feminist identity politics. This critical trend, however, has been unable to account for these writers’ increasing emphasis on bodies that are sick, disabled, permeable, and, oftentimes, mystical. Encarnación thus turns our attention to aspects of these writers’ work that are usually ignored—Anzaldúa’s autobiographical writings about diabetes, Moraga’s narrative about her premature baby’s medical treatments, and Castillo’s figure of a polio-afflicted flamenco dancer—to explore the political and cultural dimensions of illness. Concerned equally with the medical-surgical interventions available in our postmodern age and with the ways of understanding bodies in the Native American and Catholic traditions these writers invoke, Encarnación develops a model for identity that expands beyond the boundaries of individual bodies. The book argues that this model has greater utility for feminism than identity politics because it values human variability, sensation, and openness to others. The methodology of the study is as permeable as the bodies and identities it analyzes. The book brings together discourses as disparate as Mesoamerican anthropology, art history, feminist spirituality, feminist biology, phenomenology, postmodern theory, disability studies, and autobiographical narrative in order to expand our thinking beyond what disciplinary boundaries allow.

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Whether you're rambling down Las Ramblas or making your way down the Gran Via, take your time getting to know Spain's top cities with Moon Barcelona & Madrid. Inside you'll find:*Flexible itineraries for up to a week in Barcelona or Madrid that can be combined into a 2-week trip, including day trips to Montserrat, the Penedès wine region, Toledo, and more*Strategic advice for foodies, art lovers, history buffs, and more*Must-see highlights and unique experiences: Marvel at Gaudi's architectural masterpiece Sagrada Familia, stroll through the baroque Royal Palace, or contemplate Picasso's Guernica and Velázquez's Las Meninas. Cheer for the home team at a fútbol match, people-watch from a sunny café terrace, or climb to the top of Mount Tibidabo and explore the lush surrounding park*Savour the flavours of Barcelona and Madrid: Sample mouthwatering jamon or zumo at a sprawling market or snag a table at a Michelin-starred restaurant. Post up with the locals at a no-frills tapas joint, sip authentic vermouth, or snack on the catch of the day at a beach-front bar*Honest suggestions from Madrid local Jessica Jones*Full-colour photos and detailed maps throughout *Background information on the landscape, history, and cultural customs of each city*Handy tools such as visa information, Spanish and Catalan phrasebooks, and local insight for solo travelers, visitors with disabilities, seniors, LGBTQ travelers, travelers of colour, and families with childrenWith Moon's practical tips and local insight, you can enjoy Barcelona and Madrid at your own pace.For more of Europe's best cities, try Moon Rome, Florence & Venice.

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When the Pioneer Press Building opened its doors in 1889, it was news. The twelve-story skyscraper, the tallest at the time in the heart of St. Paul—featuring the first glass elevator in the country—merited a forty-page special edition of the Pioneer Press, whose editors modestly proclaimed it “the greatest newspaper building mother earth carries.” A year later, another architectural monument, the Endicott Complex—which wraps around the Pioneer Building—opened its doors. Designed by rising St. Paul architect Cass Gilbert, the Endicott included two office buildings linked by a one-story L-shaped shopping arcade crowned by a stained-glass ceiling. Journalist and architectural historian Larry Millett tells the story of these two icons of downtown St. Paul from conception through numerous alterations to their present incarnation as vibrant cultural and living spaces in the city’s center. He describes how the Pioneer came to be designed by noted Chicago architect Solon Beman, who in 1910 added four floors to create a sixteen-story light court that remains one of Minnesota’s great architectural spaces. Millett also describes Gilbert’s meticulous work in designing the Endicott complex, which was inspired by the Renaissance palaces of Florence. Gilbert would later go on to produce such masterpieces as the Minnesota State Capitol and the Woolworth Building in New York. As entertaining as it is edifying, Heart of St. Paul combines architectural history with the rich human story behind two buildings that have played a prominent role in the life of the city for over a century. The book includes an introduction by Kristin Makholm, Director of the Minnesota Museum of American Art, which has found a new home in the buildings.

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The North East is probably England’s most distinctive region. A place of strong character with a very special sense of its past, it is, as William Hutchinson remarked in 1778, ‘truly historical ground’. This is a book about both the ancient Anglian kingdom of Northumbrian, which stretched from the Humber to the Scottish border, and the ways in which the idea of being a Northumbrian, or a northerner, or someone from the ‘North East’, persisted in the area long after the early English kingdom had fallen. It examines not only the history of the region, but also the successive waves of identity that that history has bestowed over a very long period of time. Successful nations write about themselves in these terms; so why not regions? Northumbria existed before ‘England’ began but is still with us in name, and in the way we think about ourselves. A series of sections, entitled Christian Kingdom, Borderland and Coalfield, New Northumbria, Cultural Region and Northumbrian Island, explore the region on the grand scale, from the very beginning, and bring a sharp sense of history to bear on the various threads that have influenced the making of modern regional identity. The book is a work of exceptional scholarship. Never before have so many acclaimed historians addressed together the issues which have affected this special region. Clearly written, and rich in ideas, chapters explore the physical origins of Northumbria and consider just how the pressing political and military claims of adjoining states shaped and tempered it. There are further chapters on art, music, mythology, dialect, history, economy, poetry, politics, religion, antiquarianism, literature and settlement. They show how Northumbrians have lived and died, and looked forward and back, and these accounts of the North East’s past will surely help in the shaping of its future.

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This book examines how the practices of criticism establish a particular domain of knowledge, the truth of literature. As a discussion of the ideology and politics of literary knowledge, it concentrates on constitutive elements of its production: the intertextuality of writing, the mediatedness of understanding, the formative role of reading expectations, the enabling presence of relevant literacy, the conditioning horizon of expectations, and the economic character of axiology. The main argument advanced is that criticism, by constructing literature as an ethnic heritage and communal treasure, participated in the invention of a national identity necessary for the legitimization of the modern state. Case studies have been selected from the highly relevant area of contemporary Greek criticism. Microscopic investigations of its dominant sites, mechanisms, and discourses reveal that the field emerged in response to concrete political needs and provided the state with a literary tradition as proof of its national composition, purity, continuity, and autonomy. The construction and canonization of texts as art works invariably employed, as a measure of aesthetic (and ultimately moral) merit, the Greekness of the literary sign. The book, as a genealogical approach to the neglected national role of literature, should be of interest to specialists in literary theory, comparative literature, Greek studies, and cultural studies. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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"This is a surprising detective story tracing the very complex paths and intersections of cultural, iconographical, and theological influences that formed the architecture and liturgical spaces of New Spain. I don't know of another scholar who has commanded this kind of knowledge about the Jewish, Christian, and Muslim streams of influence and interaction which appeared in the chapels, temples, and theatrical ritual spaces of Mexico." --David Carrasco, Harvard University City, Temple, Stage is a new interpretation of the art, architecture, and liturgy created for the conversion of Aztecs and other native peoples of central Mexico by European Franciscan missionaries in the mid-sixteenth century. Jaime Lara contends that the design of missionary centers, or so-called "fortress monasteries," can only be understood against the backdrop of the eschatological concerns of the age and the missionary techniques of the mendicant friars. Lara argues that these architectural constructions are quasi-theatrical sets for elaborate educational and liturgical events that acted as rehearsals for the last age of world history. By analyzing the iconography associated with the Aztec religion and with Euro-Christian apocalyptic texts, Lara has been able to trace a consistent thread in the religious and liturgical imagination. The close parallels between the symbols and metaphors of Aztec religion and medieval Catholicism fostered an unusual synthesis between their different world visions. These visual, literary, and cultic metaphors survive in what we today call Mexican Catholicism. Drawing on his expertise as a medievalist, Latin Americanist, and architectural and liturgical historian, Lara offers an astonishingly comprehensive and compelling examination of the churches and liturgies created by the Franciscans for new Aztec Christians. Lara's fascinating narrative is supported by more than 230 images.

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The way we experience the world is largely through the design of the places, products, communications, services and systems we encounter every day. Design determines how difficult or easy it is to achieve certain things – whether taking a bath, cooking a meal, crossing the street or making a call, we all want a world that works for us all the time. However, some people are excluded from the simplest and most basic everyday experiences. Why? This is because the act of designing has given insufficient consideration to their level of physical ability or cognitive difference or cultural background or economic circumstance.Over the past 30 years, however, there has been a shift in designing to become more empathic and inclusive of different human needs. The Helen Hamlyn Centre for Design at the Royal College of Art first pioneered the concept of inclusive design in the early 1990s and it has gone on to build an extensive portfolio of collaborative projects over a long period, developing new methods, coaching designers at all levels in the approach and bringing a more inclusive way of thinking about design to international attention. This book shows the parameters of inclusive design through the lens of the centre’s own projects in the field. It therefore maps a movement and, at the same time, marks a milestone: the 30th anniversary of the Helen Hamlyn Centre for Design in 2021. 30 everyday artefacts and environments are explored. These vary in scale: some are simple, hand-held objects, while others form part of large and complex environments or systems. Some have reached the market, others we can file under ‘ideas for the future’. All reflect an approach which could be described as designing with people as opposed to designing for people.

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"This is a volume that will be informative to specialists, but also a visual delight for the average reader. An indispensable addition to the field." ― John Wilmerding, Sarofim Professor of American Art, emeritus, Princeton University "William Morgan offers an overview of the flowering of the collegiate Gothic style in America between the Civil War and the crash of 1929. Here is a splendidly illustrated book full of insight." ― New Criterion Explore America's most breathtaking college campuses ― where Gilded Age wealth found a Gothic inspiration. The Collegiate Gothic style, which flourished between the Gilded Age and the Jazz Age, was intended to lend an air of dignified history to America’s relatively youthful seats of higher learning. In fact, this mash-up of Oxbridge quaintness with piles of new money gave rise ― at schools like Princeton and Vassar, Yale and Chicago ― to unprecedented architectural fantasies that reshaped the image of the college campus. Today the ivy-covered monuments of Collegiate Gothic still exercise a powerful hold on the public imagination ― as evidenced, for example, by their prominent place in the Dark Academia aesthetic that has swept social media. In Academia, the noted architectural historian William Morgan traces the entire arc of Collegiate Gothic, from its first emergence at campuses like Kenyon and Bowdoin to its apotheosis in James Gamble Rogers’s intricately detailed confections at Yale. Ever alert to the complicated cultural and social implications of this style, Morgan devotes special sections to its manifestations at prep schools and in the American South, and to contemporary revivals by architects like Robert A. M. Stern. Illustrated throughout with well-chosen color photographs, Academia offers the ultimate campus tour of our faux-medieval cathedrals of learning.

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On the hundredth anniversary of the production of Sean O'Casey's Dublin plays at the Abbey Theatre, this timely book, Sean O'Casey: Political activist and writer situates O'Casey in the literary and political context of his time. It is written in an accessible style that will appeal to both a general and an academic readership. O'Casey has been widely acknowledged as one of Ireland's foremost dramatists. Drawing on archival material as well as a close reading of his drama, O'Brien examines the influence of the Young Ireland writers, Charles Stewart Parnell, The Gaelic League, and especially the Irish labour leader James Larkin on his development as a writer and a political activist. This book places O'Casey at the centre of Ireland's cultural and political history, charting his involvement in the shaping of modern Ireland, which is interwoven with a political and dramatic critique of post-independent Ireland and the wider world.O'Casey was one of the most political writers of his generation, constantly exploring the frontiers between literature and politics. Like his friend Bernard Shaw, he wrote for a purpose. His life reflects the history of the early twentieth century, a period shaped by two great ideas: nationalism and socialism. History and politics are woven into the fabric of his life and his drama.This book is an engaging and highly original account of one of the finest dramatists of the twentieth century, with a focus on the social and political movements that inspired his writing across the entire span of his career, challenging traditional interpretations that have focused almost exclusively on the three Dublin plays and the dramatic aspect of his life. By placing the working-class at the centre of his drama O'Casey gave a voice to those who are rarely heard: the poor, the dispossessed and the tenement-dweller, whose lives he shaped into works of art.

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A startling look at the unexpected places where violent hate groups recruit young peopleHate crimes. Misinformation and conspiracy theories. Foiled white-supremacist plots. The signs of growing far-right extremism are all around us, and communities across America and around the globe are struggling to understand how so many people are being radicalized and why they are increasingly attracted to violent movements. Hate in the Homeland shows how tomorrow's far-right nationalists are being recruited in surprising places, from college campuses and mixed martial arts gyms to clothing stores, online gaming chat rooms, and YouTube cooking channels.Instead of focusing on the how and why of far-right radicalization, Cynthia Miller-Idriss seeks answers in the physical and virtual spaces where hate is cultivated. Where does the far right do its recruiting? When do young people encounter extremist messaging in their everyday lives? Miller-Idriss shows how far-right groups are swelling their ranks and developing their cultural, intellectual, and financial capacities in a variety of mainstream settings. She demonstrates how young people on the margins of our communities are targeted in these settings, and how the path to radicalization is a nuanced process of moving in and out of far-right scenes throughout adolescence and adulthood.Hate in the Homeland is essential for understanding the tactics and underlying ideas of modern far-right extremism. This eye-opening book takes readers into the mainstream places and spaces where today's far right is engaging and ensnaring young people, and reveals innovative strategies we can use to combat extremist radicalization.

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What ancient graffiti reveals about the everyday lives of Jews in the Greek and Roman worldFew direct clues exist to the everyday lives and beliefs of ordinary Jews in antiquity. Prevailing perspectives on ancient Jewish life have been shaped largely by the voices of intellectual and social elites, preserved in the writings of Philo and Josephus and the rabbinic texts of the Mishnah and Talmud. Commissioned art, architecture, and formal inscriptions displayed on tombs and synagogues equally reflect the sensibilities of their influential patrons. The perspectives and sentiments of nonelite Jews, by contrast, have mostly disappeared from the historical record. Focusing on these forgotten Jews of antiquity, Writing on the Wall takes an unprecedented look at the vernacular inscriptions and drawings they left behind and sheds new light on the richness of their quotidian lives.Just like their neighbors throughout the eastern and southern Mediterranean, Mesopotamia, Arabia, and Egypt, ancient Jews scribbled and drew graffiti everyplace--in and around markets, hippodromes, theaters, pagan temples, open cliffs, sanctuaries, and even inside burial caves and synagogues. Karen Stern reveals what these markings tell us about the men and women who made them, people whose lives, beliefs, and behaviors eluded commemoration in grand literary and architectural works. Making compelling analogies with modern graffiti practices, she documents the overlooked connections between Jews and their neighbors, showing how popular Jewish practices of prayer, mortuary commemoration, commerce, and civic engagement regularly crossed ethnic and religious boundaries.Illustrated throughout with examples of ancient graffiti, Writing on the Wall provides a tantalizingly intimate glimpse into the cultural worlds of forgotten populations living at the crossroads of Judaism, Christianity, paganism, and earliest Islam.

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What ancient graffiti reveals about the everyday lives of Jews in the Greek and Roman worldFew direct clues exist to the everyday lives and beliefs of ordinary Jews in antiquity. Prevailing perspectives on ancient Jewish life have been shaped largely by the voices of intellectual and social elites, preserved in the writings of Philo and Josephus and the rabbinic texts of the Mishnah and Talmud. Commissioned art, architecture, and formal inscriptions displayed on tombs and synagogues equally reflect the sensibilities of their influential patrons. The perspectives and sentiments of nonelite Jews, by contrast, have mostly disappeared from the historical record. Focusing on these forgotten Jews of antiquity, Writing on the Wall takes an unprecedented look at the vernacular inscriptions and drawings they left behind and sheds new light on the richness of their quotidian lives.Just like their neighbors throughout the eastern and southern Mediterranean, Mesopotamia, Arabia, and Egypt, ancient Jews scribbled and drew graffiti everyplace--in and around markets, hippodromes, theaters, pagan temples, open cliffs, sanctuaries, and even inside burial caves and synagogues. Karen Stern reveals what these markings tell us about the men and women who made them, people whose lives, beliefs, and behaviors eluded commemoration in grand literary and architectural works. Making compelling analogies with modern graffiti practices, she documents the overlooked connections between Jews and their neighbors, showing how popular Jewish practices of prayer, mortuary commemoration, commerce, and civic engagement regularly crossed ethnic and religious boundaries.Illustrated throughout with examples of ancient graffiti, Writing on the Wall provides a tantalizingly intimate glimpse into the cultural worlds of forgotten populations living at the crossroads of Judaism, Christianity, paganism, and earliest Islam.

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Communal music has the power to shape a soul and a society.In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. According to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption – its presence as a near-constant soundtrack to our daily lives – poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others – singing with one’s family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community.On this theme:- Maureen Swinger’s amateur choir sings Bach’s Saint Matthew Passion.- Stephen Michael Newby says Black spirituals aren’t just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors.- Joseph Julián González draws on ancient Nahua poets in his music.- Christopher Tin explains why he weaves so many historical influences into his music. - Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children’s bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi.Also in the issue: Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis- Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold- Catholics and Anabaptists unite to commemorate the Radical Reformation- New poems by Jacqueline Saphra- A profile of Argentinian singer Mercedes Sosa.- Reviews of Kate Clifford Larson’s Walk with Me, Rowan Williams’s Shakeshafte, and Sam Quinones’s The Least of UsPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

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Papers from the 17th Symposium on Mediterranean Archaeology, SOMA 2013 held in Moscow, 25-27 April 2013. Contents: A project proposal for the construction of underwater archaeological nature routes into the Protected Marine Area of Santa Maria di Castellabate (Salvatore Agizza); A Recently Discovered Thirteenth Century Church at Myra (T. Engin Akyurek); Archaeological Findings of Thracian / Phrygian Tribes' Crossing of Bosporus (ITA) Istanbul Prehistoric Research Project (Haldun Aydingun); Routes And Harbour Archaeology: An Attempt to Identify Some Ancient Toponyms on the Eastern Adriatic Coast (Mattia Vitelli Casella); The Bath Buildings throughout the Cilician shoreline. The cases of Akkale (Tirtar) and Mylai (Manastir) and the problems of their preservation and fruition. Can the archaeological relevance help in preserving the ancient remains? (Emanuele Casagrande Cicci); Byzantine Small Finds From 'Church B' at Andriake (Myra / Antalya): First Results on the Ceramics (Ozgu Comezoglu); Management of Cultural Heritage in the Coastal Zone 'An investigation on the conservation of wooden house in Istanbul through the eyes of the population' (Pierre Emanuel Decombe); XII Scripta And Two Excavated Game Boards From Kibyra (Unal Demirer); Dionysus and Ariadne in Antiocheia and Zeugma Mosaics: a Contrastive Evaluation (Sehnaz Erarslan); Studying aspects of Pre-Roman History, Religion, Political Organization andTrading Contacts of some Ionian Colonies of 'Thracia Pontica': the case of Dionysopolis & Odessos (Maria Girtzi); 'The Time-traveler meets Emperor Justinian in Byzantine Era': an innovative museological project (Maria Girtzi and Athanasia Bountidou); Hun Originated/Influenced Objects Found In China: Ordos Bronze (Feyza Gorez); Attic Imports to the Black Sea area: the Construction of the Reference Framework (Filippo Giudice with the contribution of Elvia & Giada Giudice, Paolo Madella, Francesco Muscolino, Giuseppe Sanfilippo Chiarello, Rossano Scicolone and Sebastiano Luca Tata); Stoa Philosophy and Its Development Stages in Ancient Era (Ilker Isik); 18th and 19th Century Wall Paintings Featuring Views of Istanbul (Bilge Karaoz); Stazione Neapolis: A journey into the history of Naples from the Neolithic to the Modern Age (Alessandro Luciano); Fish sauces trade and consumption in the ager Mutinensis (Manuela Mongardi); Reconstruction of the Settlement Layout at Salat Tepe: An Interpretation of the Archaeological Evidence (A. Tuba Okse and Ahmet Gormus); Denizli - The Ilbadi Cemetery Namazgah (Kadir Pektas); The Role of the Corinthian Relief Ware in Sardinia as a Socio-Economic and Cultural Indicator of a 'Commissioned' Trade (Paola Puppo and Fabio Mosca); Underwater Archaeological Project at the Ancient City of Akra (Eastern Crimea) 2011-2012 188 (Sergey Solovyev and Viktor Vakhoneev); Management of Underwater Archaeological Heritage: An Environmental Approach to the Protection and Preservation of the Harbour Complex of Aegina (Ioannis Triantafillidis and Vassilis Tselentis); The Byzantine Castle in Akbas on Thracian Chersonessos (Ayse C. Turker); Agoras, Theaters, Baths and Gymnasia: A Case Study on the Urban Redevelopment Choices of Carian Benefactors in the Roman Age (Guray Unver); A Byzantine Monastery South-East of Jerusalem (Yehiel Zelinger); Local and Imported Art in the Byzantine Monastery Newly Discovered Near Jerusalem, Israel (Lihi Habas)

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