Search results for ""forge""

The concept of revolution marks the ultimate horizon of modern politics. It is instantiated by sites of both hope and horror. Within progressive thought, “revolution” often perpetuates entrenched philosophical problems: a teleological philosophy of history, economic reductionism, and normative paternalism. At a time of resurgent uprisings, how can revolution be reconceptualized to grasp the dynamics of social transformation and disentangle revolutionary practice from authoritarian usurpation?Eva von Redecker reconsiders critical theory’s understanding of radical change in order to offer a bold new account of how revolution occurs. She argues that revolutions are not singular events but extended processes: beginning from the interstices of society, they succeed by gradually rearticulating social structures toward a new paradigm. Developing a theoretical account of social transformation, Praxis and Revolution incorporates a wide range of insights, from the Frankfurt School to queer theory and intersectionality. Its revised materialism furnishes prefigurative politics with their social conditions and performative critique with its collective force.Von Redecker revisits the French Revolution to show how change arises from struggle in everyday social practice. She illustrates the argument through rich literary examples—a ménage à trois inside a prison, a radical knitting circle, a queer affinity group, and petitioners pleading with the executioner—that forge a feminist, open-ended model of revolution.Praxis and Revolution urges readers not only to understand revolutions differently but also to situate them elsewhere: in collective contexts that aim to storm manifold Bastilles—but from within.

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The 10th anniversary edition of the breathtaking final instalment in Laini Taylor's unmissable Sunday Times bestselling seriesBy way of a staggering deception, Karou has taken control of the chimaera rebellion and is intent on steering its course away from dead-end vengeance. The future rests on her, if there can even be a future for the chimaera in war-ravaged Eretz.Common enemy, common cause.When Jael's brutal seraph army trespasses into the human world, the unthinkable becomes essential, and Karou and Akiva must ally their enemy armies against the threat. It is a twisted version of their long-ago dream, and they begin to hope that it might forge a way forward for their people.And, perhaps, for themselves. Toward a new way of living . . . and maybe even love.But there are bigger threats than Jael in the offing. A vicious queen is hunting Akiva, and, in the skies of Eretz, something is happening. Massive stains are spreading like bruises from horizon to horizon; the great winged stormhunters are gathering as if summoned, ceaselessly circling, and a deep sense of wrong pervades the world.What power can bruise the sky?From the streets of Rome to the caves of the Kirin and beyond, humans, chimaera and seraphim will fight, strive, love, and die in an epic theater that transcends good and evil, right and wrong, friend and enemy. At the very barriers of space and time, what do gods and monsters dream of?

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A longing for togetherness – for love – shows insistently in this 17th edition of MOMENTA Biennale de l’image. The artists and authors invite us to forge intimate kinships with nonhuman life-worlds. They propose that we listen to – and observe, smell, touch, speak to – the land, the water, the air not with the aim of distantly understanding, grasping, or exploiting, but to resonate, to vibrate, to be together. Or, perhaps, with no aim at all. They make room for stories that dwell in the blurred boundaries between technology and ancestral wisdoms, weaving in both human and nonhuman modes of knowing. They celebrate that we are in relation with nature, that we are of nature. Artists: Frances Adair Mckenzie, Abbas Akhavan, alaska B, BUSH Gallery (Jeneen Frei Njootli, Gabrielle L’Hirondelle Hill, Peter Morin, and Tania Willard), Scott Benesiinaabandan, Jen Bervin, Anna Binta Diallo, Charlotte Brathwaite, Carolina Caycedo, Julien Creuzet, Léuli Eshrāghi, Maryse Goudreau, Ayesha Hameed, Taloi Havini, Ts̱ēmā Igharas, Lisa Jackson, Anne Duk Hee Jordan, Hamedine Kane, Kama La Mackerel, Candice Lin, Ange Loft, Chloë Lum and Yannick Desranleau, Malik McKoy, Alex McLeod, Caroline Monnet, Sandra Mujinga, Faye Mullen, New Red Order (Adam Khalil, Zack Khalil, Kite, and Jackson Polys), Thao Nguyen Phan, Laura Ortman, Sabrina Ratté, Tabita Rezaire, Jamilah Sabur, Beatriz Santiago Muñoz, Susan Schuppli, Tejal Shah, Erin Siddall, Miriam Simun, P. Staff, Eve Tagny, Joce Two-Crows Tremblay, Susanne M. Winterling, T’uy’t’tanat-Cease Wyss.

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The very first Drawn and Quarterly Kitaro collection, now back in print with a lush new cover. Kitaro seems just like any other boy. Of course, he isn t what with his one eye and jet-powered geta sandals, and the fact that he can shape shift like a chameleon. It s all a part of being a 350 year-old yokai, a Japanese spirit monster. Against a backdrop of photorealistic landscapes, Kitaro and his otherworldly cartoon friends plunge into the depths of the Pacific Ocean and forge the oft-unseen wilds of Japan s countryside. The twelve stories in this special collection include more works published in the golden age of GeGeGe no Kitaro between 1967 and 1969. It is a must-have for Kitaro s most devoted fans and features one of the earliest battles of monster versus giant robot battles seen in print. In another very special episode, our titular good guy even battles vampires, werewolves, and witches alongside creepy compatriots and occasional foes. Kitaro, as seen on TV and played in video games, is now a cultural touchstone for several generations. This updated and newly released edition is a wonderful companion to the classic all-ages Kitaro series that blends the eerie with the comic. The Eisner-Award winner Shigeru Mizuki s offbeat sense of humor and genius for the macabre make for a delightful, lighthearted romp where bad guys always get what s coming to them.

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'This is a wise, lucid, beautiful book that will help you be less afraid and more alive. Read it as soon as you can; it will change you.' Dr Lucy KalanithiDeath is not waiting for us at the end of a long road. Death is always with us, in the marrow of every passing moment, a secret teacher hiding in plain sight, helping us to discover what matters most in life. So begins Frank Ostaseski's stirring book, The Five Invitations, an exhilarating meditation on the meaning of life and how maintaining an ever-present awareness of death can bring us closer to our truest selves. In his thirty-plus years as a companion to the dying, Frank Ostaseski has sat on the precipice of death with more than a thousand people. A renowned teacher of compassionate care-giving, Ostaseski has distilled the lessons gleaned over the course of his career into a powerful and inspiring exploration of the essential wisdom dying has to impart to all of us about how to forge rich and meaningful lives. The 'Five Invitations' - Welcome Everything, Push Away Nothing; Bring Your Whole Self to the Experience; Don't Wait; Find a Place of Rest in the Middle of Things; and Cultivate a Don't Know Mind - show how death can be the guide we need to wake up fully to our lives. This stunning, unforgettable book offers a radical path to transformation.

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In 2007, Ivan Orkin, a middle-aged Jewish guy from Long Island, did something crazy. In the food-zealous, insular megalopolis of Tokyo, Ivan opened a ramen shop. He was a gaijin (foreigner), trying to make his name in a place that is fiercely opinionated about ramen. At first, customers came because they were curious, but word spread quickly about Ivan’s handmade noodles, clean and complex broth, and thoughtfully prepared toppings. Soon enough, Ivan became a celebrity – a fixture of Japanese TV programmes and the face of his own best-selling brand of instant ramen. Ivan opened a second location in Tokyo and has returned to New York City to open two US branches. Ivan Ramen is essentially two books in one: a memoir and a cookbook. In these pages, Ivan tells the story of his ascent from wayward youth to a star of the Tokyo restaurant scene. He also shares more than forty recipes, including the complete, detailed recipe for his signature Shio Ramen; creative ways to use extra ramen components; and some of his most popular ramen variations. Written with equal parts candour, humour, gratitude and irreverence, Ivan Ramen is the only English-language book that offers a look inside the cultish world of ramen making in Japan. It will inspire you to forge your own path, give you insight into Japanese culture, and leave you with a deep appreciation for what goes into a seemingly simple bowl of noodles.

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An illuminating study of an overlooked artist from the 1960s whose work has recently returned to the limelight This is the first in‑depth study of the idiosyncratic ten‑year career of Lee Lozano (1930–1999), assuring this important artist a key place in histories of post‑war art. The book charts the entirety of Lozano’s production in 1960s New York, from her raucous drawings and paintings depicting broken tools, genitalia, and other body parts to the final exhibition of her spectacular series of abstract “Wave Paintings” at the Whitney Museum of American Art in 1970. Highly regarded at the time, Lozano is now perhaps best known for Dropout Piece (1970), a conceptual artwork and dramatic gesture with which she quit the art world. Shortly afterwards she announced she would have no further contact with other women. Her “dropout” and “boycott of women” lasted until her death, by which time she was all but forgotten. This book tackles head‑on the challenges that Lozano poses to art history—and especially to feminist art history—attending to her failures as well as her successes, and arguing that through dead ends and impasses she struggled to forge an alternative mode of living. Lee Lozano: Not Working looks for the means to think about complex figures like Lozano whose radical, politically ambiguous gestures test our assumptions about feminism and the “right way” to live and work.

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The first novel in the wonderful Factory Girls series. Perfect for fans of Nancy Revell and Ellie Dean.'A brilliantly written and uplifting WWII story' Nancy Revell, author of the Shipyard Girls series‘A delightful authentic-feeling saga’ Peterborough Telegraph‘Highlights the strength of women during the toughest of times…Clarke’s love and respect for her family’s roots really shines through’ Culture Fly'Beautifully written, the warmth shines from every page and the layers are as deep and rich as the coal seams the men work upon.' Frost Magazine_________________________________________August 1941: As war sweeps across Britain and millions of men enlist to serve their country, it’s up to the women to fight the battle on the home front.Fran always thought she would marry her childhood sweetheart and lead a simple life in Massingham, the beloved pit village she has always called home. But with war taking so many men to the front line, the opening of a new factory in the north-east of England presents an opportunity for Fran to forge a new path.Against her father’s wishes and with best friends Sarah and Beth by her side, Fran signs up to join the ranks of women at the factory. It’s dangerous work but as the three friends risk life and limb for their country, they will discover that their lives are only just beginning…___________________________________________Look out for the next book in the series, Heroes on the Home Front, available now!

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A moving reflection on motherhood, friendship, and women making their mark on the world of food from the author of Feast. Food writer Hannah Howard is at a pivotal moment in her life when she begins searching out her fellow food people—women who’ve carved a place for themselves in a punishing, male-dominated industry. Women whose journeys have inspired and informed Hannah’s own foodie quests. On trips that take her from Milan to Bordeaux to Oslo and then always back again to her home in New York City, Hannah spends time with these influential women, learning about the intimate paths that led them each toward fulfilling careers. Each chef, entrepreneur, barista, cheesemaker, barge captain, and culinary instructor expands our long-held beliefs about how the worldwide network of food professionals and enthusiasts works. But amid her travels, Hannah finds herself on a heart-wrenching private path. Her plans to embark on motherhood bring her through devastating lows and unimaginable highs. Hannah grapples with personal joy, loss, and a lifelong obsession with food that is laced with insecurity and darker compulsions. Looking to her food heroes for solace, companionship, and inspiration, she discovers new ways to appreciate her body and nourish her life. At its heart, this lovely and candid memoir explores food as a point of passion and connection and as a powerful way to create community, forge friendships, and make a family.

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Bestselling author Walter Mosley has proven himself a master of narrative tension, both with his extraordinary fiction and gripping writing for television. The Awkward Black Man collects seventeen of Mosley's most accomplished short stories to showcase the full range of his remarkable talent.Mosley presents distinct characters as they struggle to move through the world in each of these stories?heroes who are awkward, nerdy, self-defeating, self-involved, and, on the whole, odd. He overturns the stereotypes that corral black male characters and paints a subtle, powerful portrait of each of these unique individuals. In "The Good News Is," a man's insecurity about his weight gives way to a serious illness and the intense loneliness that accompanies it. Deeply vulnerable, he allows himself to be taken advantage of in return for a little human comfort in a raw display of true need. "Pet Fly," previously published in the New Yorker, follows a man working as a mailroom clerk for a big company?a solitary job for which he is overqualified?and the unforeseen repercussions he endures when he attempts to forge a connection beyond the one he has with the fly buzzing around his apartment. And "Almost Alyce" chronicles failed loves, family loss, alcoholism, and a Zen approach to the art of begging that proves surprisingly effective.Touching and contemplative, each of these unexpected stories offers the best of one of our most gifted writers.

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A gritty and epic adventure to appeal to fans of Mark Lawrence, Andrzej Sapkowski's The Witcher and Joe Abercrombie - The Winter Road is a fantasy novel which remembers that battles leave all kinds of scars.'A bold, assured storyteller' PETER NEWMAN author of The VagrantThe greatest empire of them all began with a road.The Circle - a thousand miles of perilous forests and warring clans. No one has ever tamed such treacherous territory before, but ex-soldier Teyr Amondsen, veteran of a hundred battles, is determined to try. With a merchant caravan protected by a crew of skilled mercenaries, Amondsen embarks on a dangerous mission to forge a road across the untamed wilderness that was once her home. But a warlord rises in the wilds of the Circle, uniting its clans and terrorising its people. Teyr's battles may not be over yet . . .All roads lead back to war.Praise for Adrian Selby:'This book took me on an emotional rollercoaster . . . Highly recommended' JOHN GWYNNE'Perfect for fans of Joe Abercrombie' RT BOOK REVIEWS'A lot to enjoy, especially if you are a fan of dark, gritty, old-soldier stories' FANTASY FACTION'Wears its grimdark on its sleeve . . . a thrilling tale of adventure, betrayal, triumph and loss' INTERZONE 'I give it nothing but the highest recommendation' GRIMDARK MAGAZINE For more epic fantasy action from Adrian Selby, check out SNAKEWOOD or follow him on twitter at @adrianlselby for updates.

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WHAT HAPPENS WHEN ASSIMILATION FAILS? The war with the Arduans—profoundly alien invaders who originally arrived in STL ships—is over. Most of those attackers are now probationary (and very productive) citizens of the Rim Federation. However, many among the Arduans’ warrior caste have accepted neither defeat nor the personhood of any of the other intelligence races. Their leader, the ruthless admiral of the second Arduan exodus— Amunsit—is in firm control of the Zarzuela system. Along with a fifth column among the peaceable Arduans, she hopes to find allies in subsequent refugee fleets that abandoned their race's now-dead home system long ago. But as the victors’ diplomats attempt to soothe tensions with these warlike neighbors, two heroes of the last war—veteran Admiral Ian Trevayne and young trouble-shooter Ossian Wethermere--suspect they have stumbled upon a deeper Arduan plot: one which could shatter the Pan-Sentient Union, and perhaps interstellar civilization itself. About Extremis: “Vivid. . .Battle sequences mingle with thought-provoking exegesis . . .”–Publishers Weekly About Steve White and David Weber’s The Shiva Option: “[Leaves] the reader both exhilarated and enriched.” –Publishers Weekly About Steve White: “White offers fast action and historically informed world-building.”–Publishers Weekly About Steve White’s Forge of the Titans: “. . . recalls the best of the John Campbell era of SF. White's core audience of hard SF fans will be pleased . . .”–Publishers Weekly

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A story about running away, crashing through and hitting my stride When the whole world seems set against you, how you keep the negative voice out of your head?Candice Warner knows all about the damaging consequences of living life in front of the cameras and has learned a lot about how to insulate from the worst of public life - for herself, as a wife and partner, and as a mother. Growing up with, competing in and living among some of the most abrasive environments, Candice has had her integrity attacked, her worth questioned, and her decisions, body and mind judged. But she has never been stronger or more determined to forge the space she and her family need to be safe, and to live a life filled with love, purpose, ambition and optimism.Candid, raw and uplifting, Candice tells it straight - about the ugly, bruising pivotal moments that almost broke her, to the extraordinary turning points that buoyed her ... and the saving grace of the transformative, regenerative power of running.From her beginnings as Australia's youngest Ironwoman and the joys and heartbreak of elite sport, to being publicly shamed as a woman, and her crucial role in Australia's most successful and highest profile partnership, Running Strong is Candice's story - about climbing back from rock bottom, the power of creating precious sanctuary for yourself and protecting the people closest to you.

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Winner of the Australia and New Zealand Law and History Society (ANZLHS) Prize for 2023 Maritime workers occupy a central place in global labour history. This new and compelling account from Australia, shows seafaring and waterside unions engaged in a shared history of activism for legally regulated wages and safe liveable conditions for all who go to sea. Maritime Men of the Asia-Pacific provides a corrective to studies which overlook this region’s significance as a provider of the world’s maritime labour force and where unions have a rich history of reaching across their differences to forge connections in solidarity. From the ‘militant young Australian’ Harry Bridges whose progressive unionism transformed the San Francisco waterfront, to Australia’s successful implementation of the Maritime Labour Convention 2006, this is a story of vision and leadership on the international stage. Unionists who saw themselves as internationalists were also operating within a national and imperial framework where conflicting interests and differences of race and ideology had to be overcome. Union activists in India, China and Japan struggled against indentured labour and ‘coolie’ standards. They linked with their fellow-unionists in pursuing an ideal of international labour rights against the power of shipowners and anti-union governments. This is a complex story of endurance, cooperation and conflict and its empowering legacy.

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An expert on elder justice maps the challenges of aging, how things go wrong, and presents powerful tools we can use to forge better long lives for ourselves, our families, and our communities.As tens of millions of Americans are living longer lives, longevity is creating challenges that cut across race, class, and gender. Caregivers help older relatives for "free," but with high costs to themselves in time, money, jobs, and health. Scammers target countless seniors. The institutions built to protect older people-like nursing homes and guardianship-too often harm them instead. And epidemics of isolation and loneliness make older people vulnerable to all sorts of harm.In The Measure of Our Age, elder justice expert and MacArthur "genius" grant recipient, M.T. Connolly investigates the systems we count on to protect us as we age. Weaving first-person accounts, her own experience, and shocking investigative reporting, she exposes a reality that has long been hidden and sometimes actively covered up. But her investigation also reveals reasons for hope within everyone's grasp.Connolly's strategies and action plans for navigating the many challenges of aging will appeal to a wide range of readers-adult children caring for aging parents; policymakers trying to do the right thing; and, should we be so lucky as to live to old age, all of us. This book transforms how we think about aging.

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An integrated look at the political films of the 1960s and ’70s and how the New Left transformed cinema A timely reassessment of political film culture in the 1960s and ’70s, Enduring Images examines international cinematic movements of the New Left in light of sweeping cultural and economic changes of that era. Looking at new forms of cinematic resistance—including detailed readings of particular films, collectives, and movements—Morgan Adamson makes a case for cinema’s centrality to the global New Left. Enduring Images details how student, labor, anti-imperialist, Black Power, and second-wave feminist movements broke with auteur cinema and sought to forge local and international solidarities by producing political essay films, generating new ways of being and thinking in common. Adamson produces a comparative and theoretical account of New Left cinema that engages with discussions of work, debt, information, and resistance. Enduring Images argues that the cinemas of the New Left are sites to examine, through the lens of struggle, the reshaping of global capitalism during the pivotal moment in which they were made, while at the same time exploring how these movements endure in contemporary culture and politics. Including in-depth discussions of Third Cinema in Argentina, feminist cinema in Italy, Newsreel movements in the United States, and cybernetics in early video, Enduring Images is an essential examination of the political films of the 1960s and ’70s.

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An integrated look at the political films of the 1960s and ’70s and how the New Left transformed cinema A timely reassessment of political film culture in the 1960s and ’70s, Enduring Images examines international cinematic movements of the New Left in light of sweeping cultural and economic changes of that era. Looking at new forms of cinematic resistance—including detailed readings of particular films, collectives, and movements—Morgan Adamson makes a case for cinema’s centrality to the global New Left. Enduring Images details how student, labor, anti-imperialist, Black Power, and second-wave feminist movements broke with auteur cinema and sought to forge local and international solidarities by producing political essay films, generating new ways of being and thinking in common. Adamson produces a comparative and theoretical account of New Left cinema that engages with discussions of work, debt, information, and resistance. Enduring Images argues that the cinemas of the New Left are sites to examine, through the lens of struggle, the reshaping of global capitalism during the pivotal moment in which they were made, while at the same time exploring how these movements endure in contemporary culture and politics. Including in-depth discussions of Third Cinema in Argentina, feminist cinema in Italy, Newsreel movements in the United States, and cybernetics in early video, Enduring Images is an essential examination of the political films of the 1960s and ’70s.

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Drawing on a newly developed theoretical definition of “missed opportunity,” Chances for Peace uses extensive sources in English, Hebrew, and Arabic to systematically measure the potentiality levels of opportunity across some ninety years of attempted negotiations in the Arab-Israeli conflict. With enlightening revelations that defy conventional wisdom, this study provides a balanced account of the most significant attempts to forge peace, initiated by the world’s superpowers, the Arabs (including the Palestinians), and Israel. From Arab-Zionist negotiations at the end of World War I to the subsequent partition, the aftermath of the 1967 War and the Sadat Initiative, and numerous agreements throughout the 1980s and 1990s, concluding with the Annapolis Conference in 2007 and the Abu Mazen-Olmert talks in 2008, pioneering scholar Elie Podeh uses empirical criteria and diverse secondary sources to assess the protagonists’ roles at more than two dozen key junctures.A resource that brings together historiography, political science, and the practice of peace negotiation, Podeh’s insightful exploration also showcases opportunities that were not missed. Three agreements in particular (Israeli-Egyptian, 1979; Israeli-Lebanese, 1983; and Israeli-Jordanian, 1994) illuminate important variables for forging new paths to successful negotiation. By applying his framework to a broad range of power brokers and time periods, Podeh also sheds light on numerous incidents that contradict official narratives. This unique approach is poised to reshape the realm of conflict resolution.

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A SUNDAY TIMES, NEW STATESMAN AND SPECTATOR BOOK OF THE YEAR 'Vivid, illuminating and unbearably tense ... A masterly meditation on trauma, on beauty, on the idea of home and the limits of love' Guardian Charlie’s experiences at the Battle of Kohima and the months he spent lost in the remote jungles of Nagaland during the Second World War are now history. Home and settled on a farm in Norfolk and newly married to Claire, he is one of the lucky survivors. Starting a family and working the land seem the best things a man can be doing. But a chasm exists between them. Memories flood Charlie’s mind; at night, on rain-slicked roads and misty mornings in the fields, the past can feel more real than the present. Though hidden even to himself, the darkest secrets of Charlie’s adventures in the strange and shadowy ridges of the Nagaland mountains, his dream-like encounters with the mysterious and ancient tribesmen, leak and bleed through his consciousness. What should be said and what left unsaid? Is it possible to forge a new life in the wake of unfathomable horror? A compelling addition to Harding’s cycle of acclaimed novels on themes of witness, memory and silence, Land of the Living questions the very nature of survival, and what it is that the living owe the dead.

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Fish have been a major component of our diet and it has been suggested that fish/seafood consumption contributed to the development of the human brain, and this together with the acquisition of bipedalism, perhaps made us what we are. In the modern context global fish consumption is increasing. However, unlike our other staples, until a few years back the greater proportion of our fish supplies were of a hunted origin. This scenario is changing and a greater proportion of fish we consume now is of farmed origin. Aquaculture, the farming of waters, is thought to have originated in China, many millennia ago. Nevertheless, it transformed into a major food sector only since the second half of the last century, and continues to forge ahead, primarily in the developing world. China leads the global aquaculture production in volume, in the number of species that are farmed, and have contributed immensely to transforming the practices from an art to a science. This book attempts to capture some of the key elements and practices that have contributed to the success of Chinese aquaculture. The book entails contributions from over 100 leading experts in China, and provides insights into some aquaculture practices that are little known to the rest of the world. This book will be essential reading for aquaculturists, practitioners, researchers and students, and planners and developers.

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Drawing on more than fifteen years of research, "Mexican New York" offers an intimate view of globalization as it is lived by Mexican immigrants and their children in New York and in Mexico. Robert Courtney Smith's groundbreaking study sheds new light on transnationalism, vividly illustrating how immigrants move back and forth between New York and their home village in Puebla with considerable ease, borrowing from and contributing to both communities as they forge new gender roles; new strategies of social mobility, race, and even adolescence; and new brands of politics and egalitarianism. Smith's deeply informed narrative describes how first-generation men who have lived in New York for decades become important political leaders in their home villages in Mexico. Smith explains how relations between immigrant men and women and their U.S.-born children are renegotiated in the context of migration to New York and temporary return visits to Mexico. He illustrates how U.S.-born youth keep their attachments to Mexico, and how changes in migration and assimilation have combined to transnationalize both U.S.-born adolescents and Mexican gangs between New York and Puebla. "Mexican New York" profoundly deepens our knowledge of immigration as a social process, convincingly showing how some immigrants live and function in two worlds at the same time and how transnationalization and assimilation are not opposing, but related, phenomena.

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Evie Shockley's new poems invite us to dream - and work - toward a more capacious "we"In her new poetry collection, Evie Shockley mobilizes visual art, sound, and multilayered language to chart routes towards openings for the collective dreaming of a more capacious "we." How do we navigate between the urgency of our own becoming and the imperative insight that whoever we are, we are in relation to each other? Beginning with the visionary art of Black women like Alison Saar and Alma Thomas, Shockley's poems draw and forge a widening constellation of connections that help make visible the interdependence of everyone and everything on Earth.perchedi am black, comely,a girl on the cusp of desire.my dangling toes take the restthe rest of my body refuses. spine upright,my pose proposes anticipation. i poisein copper-colored tension, intent onmanifesting my soul in the discouraging world.under the rough eyes of others, i stiffen.if i must be hard, it will be as a tree, alivewith change. inside me, a love of beauty riseslike sap, sprouts from my scalpand stretches forth. i send out my song, an ariablue and feathered, and grow toward it,choirs bare, but soon to bud. i amblack and becoming.- after Alison Saar's Blue Bird

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The Art of Flower Therapy is a comprehensive guide to working with the original 38 Bach flower remedies to support dynamic health and optimal well-being. Since the beginning of time, flowers and plants have been used as medicine. Energy healing and holistic methods are growing in popularity as many people are feeling a need to explore different areas of health and wellness and moving away from traditional medicine. The Art of Flower Therapy teaches us, step by step, how to • gain greater self-awareness • achieve emotional balance and harmony • attain better health and well-being • forge a deeper connection with nature • live the life you desire • integrate flower therapy into their day-to-day lives Readers will receive a clear understanding of the 38 Bach flower remedies and the seven emotional states. The Art of Flower Therapy outlines a simple process to balance emotions, which, in turn, leads to better health. Through the various methods outlined, you’ll feel confident in your ability to choose single and combination remedies for yourself as well as for others. The book is also supported by sumptuous images to help explore the art of flower essence therapy. Harness the tremendous power of flowers to fully embrace the life you truly were meant to live. The Art of Flower Therapy is the perfect companion to Listening to Flowers.

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As a professor at Yale, William Deresiewicz saw something that troubled him deeply. His students, some of the nation's brightest minds, were adrift when it came to the big questions: how to think critically and creatively and how to find a sense of purpose. Now he argues that elite colleges are turning out conformists without a compass. Excellent Sheep takes a sharp look at the high-pressure conveyor belt that begins with parents and counsellors who demand perfect grades and culminates in the skewed applications Deresiewicz saw first-hand as a member of Yale's admissions committee. As schools shift focus from the humanities to "practical" subjects like economics, students are losing the ability to think independently. It is essential, says Deresiewicz, that college be a time for self-discovery, when students can establish their own values and measures of success in order to forge their own paths. He features quotes from real students and graduates he has corresponded with over the years, candidly exposing where the system is broken and offering clear solutions on how to fix it. "Excellent Sheep is likely to make…a lasting mark….He takes aim at just about the entirety of upper-middle-class life in America….Mr. Deresiewicz's book is packed full of what he wants more of in American life: passionate weirdness" (The New York Times).

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In the spirit of Thatcher’s quote, Ambassador Nikki R. Haley offers inspiring examples of women who worked against obstacles and opposition to get things done — including Haley herself. As a brown girl growing up in Bamberg, South Carolina, no one would have predicted she would become the first minority female governor in America, the first female and the first minority governor in South Carolina, or the U.S. ambassador to the United Nations. Her journey wasn’t an easy one. She faced many people who thought she didn’t belong — and who told her so. She was too brown. Too female. Too young. Too conservative. Too principled. Too idealistic. As far as Nikki was concerned, those were not reasons to hold her back. Those were all reasons to forge ahead. She drew inspiration from other trailblazing women throughout history who summoned the courage to be different and lead. This personal and compelling book celebrates ten remarkable women who dared to be bold, from household names like Margaret Thatcher and Israel’s former prime minister Golda Meir, to Jeane Kirkpatrick, the first female U.S. ambassador to the United Nations, to lesser-known leaders like human rights activist Cindy Warmbier, education advocate Virginia Walden Ford, civil rights pioneer Claudette Colvin, and more. Woven with stories from Haley’s own childhood and political career, If You Want Something Done will inspire the next generation of leaders.

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"The limitless possibilities of fiction are brilliantly utilised . . . Ingenious" Irish Times"Agualusa's funny and lively tale turns increasingly ominous ahead of an explosive conclusion" Guardian***A Financial Times Fiction in Translation Book of the Year 2023***Daniel lives with artist Moira on her native Island of Mozambique. They are awaiting the birth of their child, while also organising the island's first literary festival. But as soon as the first festival guests arrive, the coast is hit by a cyclone.The island is spared, but the bridge to the mainland is left impassable, and telephone and internet connections are severed. The islanders - and the writers who have come for the festival - are cut off from the outside world. Left to their own devices, the authors forge new bonds and make the best of a situation that gets stranger each day. Some believe they're in an intermediate realm, a kind of limbo, and some have no choice but to write, as the boundaries between reality and fiction, past and future, and life and death begin to blur.Where do we go when it's all over? Perhaps to a small island. This is a novel about the nature of life and of time, and the extraordinary power of imagination and the written word, capable of creating anything and regenerating everything.Translated from the Portuguese by Daniel Hahn

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'A master storyteller' - Mark Lawrence We have fought battles that left more than a hundred corpses on the ground and not a word of it has ever been set down. The Order fights, but often it fights in shadow, without glory or reward. We have no banners.Vaelin Al Sorna is the Sixth Order's newest recruit. Under their brutal training regime, he learns how to forge a blade, survive the wilds and kill a man quickly and quietly - all in the name of protecting the Realm and the Faith. Now his skills will be put to the test. War is coming. Vaelin must draw upon the very essence of his strength and cunning if he is to survive the coming conflict. Yet as the world teeters on the edge of chaos, Vaelin will learn that the truth can cut deeper than any sword.Blood Song is the epic first novel in the internationally bestselling Raven's Shadow series - an enthralling tale of desperate battles, deadly politics and epic adventure.'Engrossing' - Buzzfeed'Powerful' - SFFWorld'Compelling' - SFXBooks by Anthony RyanRaven's ShadowBlood SongTower LordQueen of FireRaven's BladeThe Wolf's CallThe Black SongDraconis MemoriaThe Waking FireThe Legion of FlameThe Empire of AshesThe Covenant of SteelThe PariahThe MartyrThe TraitorWriting as A. J. RyanRed River Seven

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'Dawn Butler is a history-making, game-changing, ceiling-smashing politician.This powerful book offers a fascinating insight into both the personal and political sides of her journey.'Sadiq Khan, Mayor of London'When I was younger my parents taught me to be resilient and my brothers told me to be resistant, and now I think it's time for a revolution. Let's complete the power of three.'As the third Black woman ever to be elected as an MP, and the first elected African-Caribbean woman to become a Government Minister, Dawn Butler is a true pioneer. Famously ejected from the House of Commons for calling Boris Johnson a liar, her tireless campaigning to eradicate injustice - from the NHS to the Metropolitan Police - has changed lives. Until now, she's never talked openly about what has inspired and motivated her to persevere in the face of oppression.Drawing on lessons from her own life, Dawn shows how traditional routes to power are outdated and reveals that it's easier than we think to disrupt a broken system. From her early life to the Palace of Westminster, she shares the values, people, places and beliefs that have helped her to forge her own authentic path to power.Now she is on a mission to give others the courage and conviction to dream big and make positive change, even when everything feels broken around us.

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Selected Poems charts Mark Ford's growing complexity as a writer and his mastery and use of form. John Ashbery calls Ford's work "refreshing" and it's that exuberance and goodwill that animates the poems, giving them their spontaneity and leavening the grim with comic élan and joy. Myth, history, and the everyday are all at play in this wonderfully diverse collection. Invisible Assets: After he threw he through a plate glass window, nature seemed that much closer. Even the dastardly division in society might be healed by a first-rate glazier. Of course, on Sundays families still picnicked boldly on the village green, and afterwards marveled at the blacksmith's glowing forge— how strong they all were in those days! And yet how small! Even a man only six foot tall was then esteemed a veritable giant. Surely the current furor over architecture would have evoked from them only pitying smiles. Meanwhile the market for landscapes has never been firmer. This view, for instance, includes seven counties, and a bull charging around in its paddock. Mark Ford was born in Nairobi, Kenya, in 1962. He has published three collections of poetry and a biography of the French writer Raymond Roussel and is the editor of Frank O'Hara's Selected Poems. He has also translated Roussel's New Impressions of Africa and is the editor of London: A History in Verse. He lives in London, England.

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The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. However, and especially because so many of the artists were Jewish, their contributions were actively obscured beginning in the late 1930s. Many had to flee Austria, losing their studios and lifework in the process. Some were killed in concentration camps. Along with the stories of individual women artists, the author reconstructs the history of separate women artists' associations and their exhibitions. Chapters covering the careers of Tina Blau, Elena Luksch-Makowsky, Bronica Koller, Helene Funke, and Teresa Ries (among others) point to a more integrated and cosmopolitan art world than previously thought; one where women became part of the avant-garde, accepted and even highlighted in major exhibitions at the Secession and with the Klimt group.

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This young readers’ edition of Christina Baker Kline’s #1 New York Times bestselling novel Orphan Train follows a twelve-year-old foster girl who forms an unlikely bond with a ninety-one-year old woman.This paperback includes: author’s note archival photographs from the orphan train era mother-daughter book club questions Molly Ayer has been in foster care since she was eight years old. Most of the time, Molly knows it’s her attitude that’s the problem, but after being shipped from one family to another, she’s had her fair share of adults treating her like an inconvenience. So when Molly’s forced to help a wealthy elderly woman clean out her attic for community service, Molly is wary. But from the moment they meet, Molly realizes that Vivian isn’t like any of the adults she’s encountered before. Vivian asks Molly questions about her life and actually listens to the answers.Soon Molly sees they have more in common than she thought. Vivian was an orphan, too—an Irish immigrant to New York City who was put on a so-called “orphan train” to the Midwest with hundreds of other children—and she can understand, better than anyone else, the emotional binds that have been making Molly’s life so hard.Together, they not only clear boxes of past mementos from Vivian’s attic, but forge a path of friendship, forgiveness, and new beginnings.

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The incredible new novel from Newbery Medal winning author Donna Barba Higuera.This is the story as it was told to me by Leandro the Mighty.For 400 years, Earth has been a barren wasteland. The few humans that survive scrape together an existence in the cruel city of Pocatel - or go it alone in the wilderness beyond, filled with wandering spirits and wyrms. They don't last long. Thirteen-year-old pickpocket Leandro and his sister Gabi do what they can to forge a life in Pocatel. The city does not take kindly to Cascabel like them - the descendants of those who worked the San Joaquin Valley for generations. When Gabi is caught stealing precious fruit from the Pocatelan elite, Leandro takes the fall. But his exile proves more than he ever could have imagined - far from a simple banishment, his consciousness is placed inside an ancient drone and left to fend on its own. But beyond the walls of Pocatel lie other alebrijes like Leandro who seek for a better world - as well as mutant monsters, wasteland pirates, a hidden oasis, and the truth. A thought-provoking and beautifully written novel, creating a whole new imaginative world that holds a mirror to our own.Praise for The Last Storyteller: 'Truly a beautiful cuento' New York Times

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An archive-based, in-depth analysis of the surreal nature and science movies of the pioneering French filmmaker Jean PainlevéBefore Jacques-Yves Cousteau, there was Jean Painlevé, a pioneering French scientific and nature filmmaker with a Surrealist’s eye. Creator of more than two hundred films, his studies of strange animal worlds doubled as critical reimaginations of humanity. With an unerring eye for the uncanny and unexpected, Painlevé and his assistant Geneviève Hamon captured oneiric octopuses, metamorphic crustaceans, erotic seahorses, mythic vampire bats, and insatiable predatory insects. Zoological Surrealism draws from Painlevé’s early oeuvre to rethink the entangled histories of cinema, Surrealism, and scientific research in interwar France. Delving deeply into Painlevé’s archive, James Leo Cahill develops an account of “cinema’s Copernican vocation”—how it was used to forge new scientific discoveries while also displacing and critiquing anthropocentric viewpoints. From Painlevé’s engagements with Sergei Eisenstein, Georges Franju, and competing Surrealists to the historiographical dimensions of Jean Vigo’s concept of social cinema, Zoological Surrealism taps never-before-examined sources to offer a completely original perspective on a cutting-edge filmmaker. The first extensive English-language study of Painlevé’s early films and their contexts, it adds important new insight to our understanding of film while also contributing to contemporary investigations of the increasingly surreal landscapes of climate change and ecological emergency.

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In the wake of African decolonization, Brazil attempted to forge connections with newly independent countries. In the early 1960s it launched an effort to establish diplomatic ties with Africa; in the 1970s it undertook trade campaigns to open African markets to Brazilian technology. Hotel Trópico reveals the perceptions, particularly regarding race, of the diplomats and intellectuals who traveled to Africa on Brazil’s behalf. Jerry Dávila analyzes how their actions were shaped by ideas of Brazil as an emerging world power, ready to expand its sphere of influence; of Africa as the natural place to assert that influence, given its historical slave-trade ties to Brazil; and of twentieth-century Brazil as a “racial democracy,” a uniquely harmonious mix of races and cultures. While the experiences of Brazilian policymakers and diplomats in Africa reflected the logic of racial democracy, they also exposed ruptures in this interpretation of Brazilian identity. Did Brazil share a “lusotropical” identity with Portugal and its African colonies, so that it was bound to support Portuguese colonialism at the expense of Brazil’s ties with African nations? Or was Brazil a country of “Africans of every color,” compelled to support decolonization in its role as a natural leader in the South Atlantic? Drawing on interviews with retired Brazilian diplomats and intellectuals, Dávila shows the Brazilian belief in racial democracy to be about not only race but also Portuguese ethnicity.

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The Political Machine investigates the essential role that material culture plays in the practices and maintenance of political sovereignty. Through an archaeological exploration of the Bronze Age Caucasus, Adam Smith demonstrates that beyond assemblies of people, polities are just as importantly assemblages of things--from ballots and bullets to crowns, regalia, and licenses. Smith looks at the ways that these assemblages help to forge cohesive publics, separate sovereigns from a wider social mass, and formalize governance--and he considers how these developments continue to shape politics today. Smith shows that the formation of polities is as much about the process of manufacturing assemblages as it is about disciplining subjects, and that these material objects or "machines" sustain communities, orders, and institutions. The sensibilities, senses, and sentiments connecting people to things enabled political authority during the Bronze Age and fortify political power even in the contemporary world. Smith provides a detailed account of the transformation of communities in the Caucasus, from small-scale early Bronze Age villages committed to egalitarianism, to Late Bronze Age polities predicated on radical inequality, organized violence, and a centralized apparatus of rule. From Bronze Age traditions of mortuary ritual and divination to current controversies over flag pins and Predator drones, The Political Machine sheds new light on how material goods authorize and defend political order.

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A man is changed into a flea and must bring his future parents together in order to become human again. A woman convinces a river god to cure her sick son, but the remedy has mixed consequences. A young man must choose whether to be close to his wife's soul or body. And two deaf mutes transcend their physical existence in the garden of dreams. Strange and fantastical, these fairy tales of Bla Balzs (1884-1949), Hungarian writer, film critic, and famous librettist of Bluebeard's Castle, reflect his profound interest in friendship, alienation, and Taoist philosophy. Translated and introduced by Jack Zipes, one of the world's leading authorities on fairy tales, The Cloak of Dreams brings together sixteen of Balzs's unique and haunting stories. Written in 1921, these fairy tales were originally published with twenty images drawn in the Chinese style by painter Mariette Lydis, and this new edition includes a selection of Lydis's brilliant illustrations. Together, the tales and pictures accentuate the motifs and themes that run throughout Balzs's work: wandering protagonists, mysterious woods and mountains, solitude, and magical transformation. His fairy tales express our deepest desires and the hope that, even in the midst of tragedy, we can transcend our difficulties and forge our own destinies. Unusual, wondrous fairy tales that examine the world's cruelties and twists of fate, The Cloak of Dreams will entertain, startle, and intrigue.

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Worlds of Women is a groundbreaking exploration of the "first wave" of the international women's movement, from its late nineteenth-century origins through the Second World War. Making extensive use of archives in the United States, England, the Netherlands, Germany, and France, Leila Rupp examines the histories and accomplishments of three major transnational women's organizations to tell the story of women's struggle to construct a feminist international collective identity. She addresses questions central to the study of women's history--how can women across the world forge bonds, sometimes even through conflict, despite their differences?--and questions central to world history--is internationalism viable and how can its history be written? Rupp focuses on three major organizations that were technically open to all women: the broadly based and cautious International Council of Women, founded in 1888; the feminist International Alliance of Women, originally called the International Woman Suffrage Alliance, founded in 1904; and the vanguard Women's International League for Peace and Freedom, which grew out of the International Congress of Women that met at The Hague in 1915. The histories of these organizations, and their stories of cooperation and competition, shed new light on the international women's movement. They also help us to understand the different but connected story of the second wave of international feminism that emerged from the ashes of World War II.

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Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect—all of which are viewed as critical components of live performance—can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of "slow cinema," Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.

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Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect—all of which are viewed as critical components of live performance—can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of "slow cinema," Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.

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Seeking to reenergize Americans' passion for the space program, the value of further exploration of the Moon, and the importance of human beings on the final frontier, Claude A. Piantadosi presents a rich history of American space exploration and its major achievements. He emphasizes the importance of reclaiming national command of our manned program and continuing our unmanned space missions, and he stresses the many adventures that still await us in the unfolding universe. Acknowledging space exploration's practical and financial obstacles, Piantadosi challenges us to revitalize American leadership in space exploration in order to reap its scientific bounty. Piantadosi explains why space exploration, a captivating story of ambition, invention, and discovery, is also increasingly difficult and why space experts always seem to disagree. He argues that the future of the space program requires merging the practicalities of exploration with the constraints of human biology. Space science deals with the unknown, and the margin (and budget) for error is small. Lethal near-vacuum conditions, deadly cosmic radiation, microgravity, vast distances, and highly scattered resources remain immense physical problems. To forge ahead, America needs to develop affordable space transportation and flexible exploration strategies based in sound science. Piantadosi closes with suggestions for accomplishing these goals, combining his healthy skepticism as a scientist with an unshakable belief in space's untapped-and wholly worthwhile-potential.

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It had been a desert, its dunes languorously meeting the lapping sea which has played its part in world trade since the beginning of time. There had been the gold and spices from nearby India, and the petroleum of today, extracted from its sands or brought from elsewhere, from off the shores of its coasts. It is difficult to imagine that these seven Emirates have a history, as understood in Western canons. Here, the past seems to have been dug away with excavators, drowned in concrete, built over with metropolitan motorways. This does not prevent it from seeming to surge forth at the slightest provocation, at the smallest of solicitations. Proud of what the world acknowledges as his country's achievements, the most insolent of Emiratis grows less arrogant when recalling his father's fathers. Fathers who, hardly more than four decades ago, were Bedouins, traders, camel drivers, almost all pearl fishers. It is in this way that this modern history was written. Twenty centuries of hard seasonal migration of their livestock, intensive trade, fierce competition, destructive setbacks and creative imagination forged mentalities that have made this desert into one of the richest and most envied places in the world. What seems a modern miracle is no more than the culmination of an ancient culture having survived mishap and change to forge a modern economy.

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THE LIFE STORY OF THE LEGENDARY BRITISH DJ, NORMAN JAY MBE 'Full of the heart and spirit Norman Jay brings to his music, but it also offers a salutary account of growing up as part of the Windrush generation in London's Notting Hill, the violence and racism he faced, and his success' ObserverMister Good Times is the enthralling story of a black kid growing up in a (largely white) working class world; of vivid, often violent experiences on the football terraces; of the emerging club scene growing out of a melting pot of styles; of how Jay, with his contemporaries, took the music of Black America, gave it a distinctly London twist, and used the marriage of styles to forge a hugely successful career as a trailblazing DJ and broadcaster, becoming an inspiration to a whole generation of dance music fans, black and white, without ever compromising his integrity.Along the way are tales of adventures across the country following Spurs; of Northern Soul nights, warehouse parties and illegal raves; of sound systems, the good and bad times of the Notting Hill carnival, the heady days of pirate radio, Rare Groove and the burgeoning British dance music scene.Mister Good Times is the story of a man who has lived his life on his own terms, helping to define a new British culture.

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A BBC RADIO 2 BOOK CLUB PICKA KINDLE TOP 5 BESTSELLER'Fast, funny and furious, this book has bags of humour, bags of heart and a proper murder mystery at its core' Janice HallettClaire and Sophie aren't your typical murder investigators . . .When 30-something freelance medium Claire Hendricks is invited to an old university friend's country pile to provide entertainment for a family party, her best friend Sophie tags along. In fact, Sophie rarely leaves Claire's side, because she's been haunting her ever since she was murdered at the age of seventeen.On arrival at The Cloisters it quickly becomes clear that this family is hiding more than just the good china, as Claire learns someone has recently met an untimely end at the house.Teaming up with the least unbearable members of the Wellington-Forge family - depressive ex-cop Basher and teenage radical Alex - Claire and Sophie determine to figure out not just whodunnit, but who they killed, why and when.Together they must race against incompetence to find the murderer - before the murderer finds them... in this funny, modern, media-literate mystery for the My Favourite Murder generation.'Read this fabulous book' Ben Aaronovitch'A delicious mashup of grisly murder, country house and semi-helpful ghosts' Stuart MacBride'Fresh, funny and hugely enjoyable' Catherine Ryan Howard

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Addressing Spinoza’s perennial question: “why do the masses fight for their servitude as if it was salvation?”, Capitalism and the Limits of Desire examines the ways in which self-love as the care of the self has become intertwined with self-love as the pursuit of pleasure. With ongoing austerity and misery for so many, why does capitalism seem to be so insurmountable, so impossible to move beyond? John Roberts offers a compelling response: it is because we love the love of self that capitalism enables, even though it brings anxiety and self-scrutiny. Capitalism in the form of commodities, and, more importantly, the online platforms through which we express ourselves, has become so much of who we are, of how we define self-love as self-pleasure that it is difficult to imagine ourselves outside of it. Roberts contends that disentangling ourselves from this collapsing of self into capitalism is possible and that understanding the insidious nature of capitalist thinking even when it comes to our deepest pleasures is the starting point. Using early and late Marx, Lacan’s distinction between pleasure and desire and the recent debate on perfectionism (Hurka) as his guides, Roberts lays out a way for individuals to move forward and forge a link between self and desire outside the oppressive demands of platform capitalism.

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**SHORTLISTED FOR THE MAN BOOKER PRIZE 2013** Ten-year-old Darling has a choice: it's down, or out'To play the country-game, we have to choose a country. Everybody wants to be the USA and Britain and Canada and Australia and Switzerland and them. Nobody wants to be rags of countries like Congo, like Somalia, like Iraq, like Sudan, like Haiti and not even this one we live in - who wants to be a terrible place of hunger and things falling apart?'Darling and her friends live in a shanty called Paradise, which of course is no such thing. It isn't all bad, though. There's mischief and adventure, games of Find bin Laden, stealing guavas, singing Lady Gaga at the tops of their voices.They dream of the paradises of America, Dubai, Europe, where Madonna and Barack Obama and David Beckham live. For Darling, that dream will come true. But, like the thousands of people all over the world trying to forge new lives far from home, Darling finds this new paradise brings its own set of challenges - for her and also for those she's left behind.'Extraordinary' Daily Telegraph'A debut that blends wit and pain... Heartrending...wonderfully original' Independent 'Sometimes shocking, often heartbreaking but also pulsing with colour and energy' The Times*NoViolet's new book Glory has been Longlisted for the Booker Prize 2022 and is out now*

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How can a traditional music with little apparent historical connection to Berlin become a way of hearing and making sense of the bustling German capital in the twenty-first century? In Sounding Jewish in Berlin, author Phil Alexander explores the dialogue between the city's contemporary klezmer scene and the street-level creativity that has become a hallmark of Berlin's decidedly modern urbanity and cosmopolitanism. By tracing how klezmer music engages with the spaces and symbolic meanings of the city, Alexander sheds light on how this Eastern European Jewish folk music has become not just a product but also a producer of Berlin. This engaging study of Berlin's dynamic Yiddish music scene brings together ethnomusicology, cultural studies, and urban geography to evoke the sounds, atmospheres, and performance spaces through which klezmer musicians have built a lively set of musical networks in the city. Transcending a restrictive framework that considers this music solely in the context of troubled German-Jewish history and notions of guilt and absence, Alexander shows how Berlin's current klezmer community—a diverse group of Jewish and non-Jewish performers—imaginatively blend the genre's traditional musical language with characteristically local tones to forge an adaptable and distinctively twenty-first-century version of klezmer. Ultimately, the music's vital presence in Berlin is powerful evidence that if traditional music is to remain audible amid the noise of the urban, it must become a meaningful part of that noise.

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Examining the expansive nature of Indigenous gender representations in history, literature, and film Within Native American and Indigenous studies, the rise of Indigenous masculinities has engendered both productive conversations and critiques. Lisa Tatonetti intervenes in this conversation with Written by the Body by centering how female, queer, and/or Two-Spirit Indigenous people take up or refute masculinity, and, in the process, offer more expansive understandings of gender. Written by the Body moves from the eighteenth- and nineteenth-century archive to turn-of-the-century and late-twentieth-century fiction to documentaries, HIV/AIDS activism, and, finally, recent experimental film and literature. Across it all, Tatonetti shows how Indigenous gender expansiveness, and particularly queer and non-cis gender articulations, moves between and among Native peoples to forge kinship, offer protection, and make change. She charts how the body functions as a somatic archive of Indigenous knowledge in Native histories, literatures, and activisms—exploring representations of Idle No More in the documentary Trick or Treaty, the all-female wildland firefighting crew depicted in Apache 8, Chief Theresa Spence, activist Carole laFavor, S. Alice Callahan, Thirza Cuthand, Joshua Whitehead, Carrie House, and more.In response to criticisms of Indigenous masculinity studies, Written by the Body de-sutures masculinity from the cis-gendered body and investigates the ways in which female, trans, and otherwise nonconforming masculinities carry the traces of Two-Spirit histories and exceed the limitations of settler colonial imaginings of gender.

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The start of a humorous and heartfelt new chapter book series about a second grade class where each kid turns into an animal for a day It's Tally Tuttle's first day of second grade, and she's so nervous that she feels like she ate butterflies for breakfast! On top of moving to a new town and new school where she doesn't know anyone, everyone starts teasing her when her full name, Tallulah, is revealed during roll call. She just wishes she could retreat into a shell . . . Then, all of a sudden, the desks and her classmates around her seem enormous, and Tally is shell-shocked to discover that she's actually turned into a turtle! She'd heard that Mrs. Norrell's class was special, but she hadn't expected this. Tally likes having a shell to hide in, but there are other parts of turtle life--like the fear of being stepped on--that aren't exactly ideal. And once she's tired of hiding, how can she change back into a girl? Tally will have to forge her own transformation back to herself and come out of her shell--both literally and figuratively! In this new chapter book series, Mrs. Norrell's second grade classroom has magic that allows kids to transform into animals to learn important life lessons. Each book will follow a different kid and their animal transformation, and will include fun natural science facts about the featured animal in the back matter.

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