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At a time when most serious drama being written and produced for the American stage aspires only to mainstream acceptance and high-toned mediocrity, an innovative new generation of playwrights based in New York City has emerged, crafting works that challenge and undermine the conventional structure, language, and characterization of commercial theater while rejecting outdated notions of the avant-garde. New Downtown Now brings together ten new works that exemplify the playfulness, excitement, and possibilities of the theater. Characterized by fragmenting structure, hypnotic rhythms, kaleido-scopic imagery, unpredictable characters, and lyrical language, these plays resemble puzzles from which the writers are teasing revelations. Though disparate in subject matter and style, with characters ranging from a sushi chef to a soldier and settings from a taxicab to a live television broadcast, these highly original plays share a commitment to formal experimentation that places them beyond the psychological clichés of the majority and the cold condescension of postmodernism. The anthology includes Interim by Barbara Cassidy; Tragedy: a tragedy by Will Eno; Nine Come by Elana Greenfield; Shufu-Sachiko and Enoshima Island by Madelyn Kent; The Appeal by Young Jean Lee; The Vomit Talk of Ghosts by Kevin Oakes; Ajax (por nobody) by Alice Tuan; Apparition, an uneasy play of the underknown by Anne Washburn; Demon Baby by Erin Courtney.Mac Wellman is the author of numerous plays and the recipient of three Obie awards, most recently in 2003 for lifetime achievement. He is professor of playwriting at Brooklyn College. Young Jean Lee is a playwright and director, and member of the Obie award-winning company 13P. Jeffrey M. Jones is a playwright and curator of the Obie award-winning Little Theater at Tonic in New York.

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This alternative guidebook for one of the world’s most popular tourist destinations explores all five boroughs to reveal a people’s New York City. The sites and stories of A People’s Guide to New York City shift our perception of what defines New York, placing the passion, determination, defeats, and victories of its people at the core. Delving into the histories of New York's five boroughs, you will encounter enslaved Africans in revolt, women marching for equality, workers on strike, musicians and performers claiming streets for their art, and neighbors organizing against landfills and industrial toxins and in support of affordable housing and public schools. The streetscapes that emerge from these groups' struggles bear the traces, and this book shows you where to look to find them. New York City is a preeminent global city, serving as the headquarters for hundreds of multinational firms and a world-renowned cultural hub for fashion, art, and music. It is among the most multicultural cities in the world and also one of the most segregated cities in the United States. The people that make this global city function—immigrants, people of color, and the working classes—reside largely in the so-called outer boroughs, outside the corporations, neon, and skyscrapers of Manhattan. A People’s Guide to New York City expands the scope and scale of traditional guidebooks, providing an equitable exploration of the diverse communities throughout the city. Through the stories of over 150 sites across the Bronx, Manhattan, Queens, Brooklyn and Staten Island as well as thematic tours and contemporary and archival photographs, a people’s New York emerges, one in which collective struggles for justice and freedom have shaped the very landscape of the city.

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"The maps themselves are things of beauty...a document of its time, of our time." -Sadie Stein, New York Times "One is invited to fathom the many New Yorks hidden from history's eye...thoroughly terrific." -Maria Popova, Brain Pickings Nonstop Metropolis, the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts-from linguists to music historians, ethnographers, urbanists, and environmental journalists-amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan's playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City's unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York's buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more. Contributors: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna Interviews with: Valerie Capers, Peter Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, RZA

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Discover the joys and self-nurturing benefits of plant parenthood, from learning how to begin building your own lush plant family to getting into those fun tips on how to care for your green gurls, with this beautiful, illustrated guide from the dazzling creator of the @plantkween Instagram account. “We all love some new growth, dahling.”Six years ago, Christopher Griffin was just beginning the plant parenthood journey with one small Marble Queen Pothos. Today, this Black Queer non-binary femme plant influencer known as Plant Kween tends to a family of more than 200 healthy green gurls in the Brooklyn apartment they call home. You Grow, Gurl! is Kween’s fun and fabulous guide to becoming a plant parent and keeping your green gurls growing and thriving.Anyone can be a plant parent! It’s all about TLC—taking the time and energy to focus on a plant’s needs, and ultimately your own. Featuring 200 full-color photos and illustrations, practical instructions and tips—on everything from propagating to measuring humidity to repotting—activities, and stories, this fun and joyful guide shows how to green-up any space and have it serving those lush lewks. Self-care takes many forms and tending to your plants’ needs helps you grow too. In addition to information and advice on plant care, Kween provides meditations, mindfulness activities, playlists, and more to help you practice self-care through plant-care. As Kween says, “We can learn a lot about how we treat ourselves, how we treat others, and how we navigate the world from these green lil creatures.” Healing and growing your heart, body, and soul takes time, love, and focus. Taking care of plants teaches you to apply that same attention and love to yourself and helps you find new pathways to explore on your own botanical adventure to self-love.

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With the work of journalists under fire around the world, this year's anthology of National Magazine Awards finalists and winners is a timely reminder of the power of journalism. These pieces from writers driven to explore America's fault lines include Shane Bauer's harrowing "My Four Months as a Private Prison Guard" (Mother Jones), a visceral portrait of the abuses of the carceral system, and Sarah Stillman's account of the havoc wreaked on young people's lives when they are put on sex-offender registries (The New Yorker). In two different considerations of parenting, Nikole Hannah-Jones looks for a school for her daughter in a rapidly changing, racially divided Brooklyn (New York Times Magazine) and Michael Chabon takes his thirteen-year-old son to Fashion Week in Paris (GQ). Pamela Colloff explores how the 1966 University of Texas Tower mass shooting changed the course of one survivor's life (Texas Monthly), and Siddhartha Mukherjee depicts the art and agony of oncology (New York Times Magazine). Other selections take up the shocks of the election, including Matt Taibbi's irreverent dispatches from the campaign trail (Rolling Stone) and George Saunders's transfixing account of Trump's rallies (The New Yorker). Jeffrey Goldberg talks through Obama's foreign-policy legacy with the president (The Atlantic), Andrew Sullivan fears for the future of democracy (New York), and Gabriel Sherman relates how the women of Fox News brought to light Roger Ailes's predations (New York). Joining them are Rebecca Solnit's wide-ranging Harper's commentary, Becca Rothfeld's pondering women waiting from The Odyssey to Tinder (Hedgehog Review), and bold expeditions into nature: David Quammen ventures to Yellowstone to consider the future of wild places (National Geographic), and Mac McClelland sets off for Cuba in search of the ivory-billed woodpecker (Audubon).

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A comprehensive overview on the French artist who has transformed cities worldwide with his epic portraits of their inhabitants Over the past two decades, French artist JR has massively expanded the impact of public art through his ambitious projects that give visibility and agency to people around the world. Showcasing the full scope of the artist's career, JR: Chronicles accompanies the first major exhibition in North America of works by the French-born artist. Working at the intersections of photography, social engagement and street art, JR collaborates with communities by taking individual portraits, reproducing them at a monumental scale and wheat pasting them—sometimes illegally—in nearby public spaces. This superbly produced volume traces JR's career from his early documentation of graffiti artists as a teenager in Paris to his large-scale architectural interventions in cities worldwide, to his more recent digitally collaged murals that create collective portraits of diverse publics. The centerpiece of the accompanying exhibition is The Chronicles of New York City, a new epic mural of more than 1,000 New Yorkers. Also included are previously unseen murals set in Brooklyn; Face 2 Face, diptychs of Israelis and Palestinians in Palestinian and Israeli cities; Women Are Heroes, featuring images of the eyes of women gazing back at their communities in numerous countries; The Gun Chronicles: A Story of America, JR's complex work on guns in America; and other equally famous works. JR (born 1983) is best known for his monumental, wheat-pasted street portraiture projects. JR has carried out projects across the globe. He has shown in museums worldwide and has created site specific works for the Louvre, the 2016 Rio de Janeiro Olympics and the Centre Pompidou.

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The first major monograph on Simone Leigh’s multimedia explorations of community, Black feminism and the traditions and material cultures of the African diaspora Over the past two decades, Simone Leigh has created artwork that situates questions of Black femme-identified subjectivity at the center of contemporary art discourse. Her sculpture, video, installation and social practice explore ideas of race, beauty and community in visual and material culture. Leigh’s art addresses a wide swath of historical periods, geographies and traditions, with specific references to materials across the African diaspora, as well as forms traditionally associated with African art and architecture.This publication includes substantial new scholarship addressing Leigh’s work across mediums and topics. The volume, timed with the artist's first museum survey and national tour, includes contributions by her longtime collaborators, new scholars who add diverse insights and perspectives, and a conversation highlighting Leigh’s voice. Additionally, generous and lushly illustrated plates feature her critically acclaimed work for the 59th Venice Biennale and works made throughout her 20-year career. A special section featuring Leigh's research images gives access to Leigh’s research methodologies and encourages readers to fully engage with all aspects of Leigh’s work. This monograph provides a timely opportunity to gain a holistic understanding of the complex and profoundly moving work of this groundbreaking artist. Born in Chicago in 1967, Simone Leigh received a BA in fine art with a minor in philosophy from Earlham College, Richmond, Indiana, in 1990. In 2022, Leigh represented the United States at the 59th Venice Biennale with her critically acclaimed exhibition Sovereignty. She has had solo presentations at the Kitchen, New York (2012); Creative Time, New York (2014); New Museum of Contemporary Art, New York (2016); Hammer Museum, Los Angeles (2016); and the High Line, New York (2019); among other venues. Leigh lives and works in Brooklyn.

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Lovell’s poetical installations invoke the lost voices of African American ancestry Whitfield Lovell is internationally renowned for his installations that incorporate masterful Conté crayon likenesses of African Americans from between the Emancipation Proclamation and the Civil Rights Movement. Using vintage photography as his source, Lovell often pairs his subjects with found objects, evoking personal memories, ancestral connections and the collective American past. Whitfield Lovell: Deep River compiles stunning likenesses of anonymous African American citizens from Lovell’s celebrated Deep River installation, which pays homage to “Camp Contraband”—a Union Army site near Chattanooga, Tennessee, that served as a refuge for runaway slaves escaping the Confederate South during the Civil War. The book includes a preface by Kellie Jones and an accompanying essay by the scholar Julie L. McGee, which provides the historical context for these deeply resonant portraits highlighted in this publication. McGee writes: “Lovell’s artistry is a vessel for those ancestral spirits that remain near and communicate with those who are able to make the past tangible, accessible and acutely meaningful.” The work of New York–based artist Whitfield Lovell has been exhibited and collected worldwide. The current traveling exhibition, Whitfield Lovell: Passages, will open on June 17 at the Virginia Museum of Fine Arts, in Richmond, Virginia, and will travel to four additional venues. Major installations have been featured at the Phillips Collection in Washington, DC; the Bronx Museum of the Arts in New York; University of Wyoming in Laramie; the Columbus Museum in Georgia; and the Contemporary Art Center of Virginia, among others. His work is in museum collections including the Museum of Modern Art; the Brooklyn Museum; Whitney Museum of American Art; the Metropolitan Museum of Art; the Smithsonian American Art Museum; and the Smithsonian National Museum of African American History and Culture.

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Ken Danby (1940-2007) was one of Canada's foremost practitioners of contemporary realism. Rooted in the Canadian psyche, nourished by his Ontario rural roots, Danby's subject matter was broad and expansive, yet it was the images of Canadian landscapes and life that captured the public's attention. At the Crease, a 1972 egg tempera painting depicting a nameless hockey goalie viewed from ice-level, was his best-known work, and for many, it defined him as an artist. An accomplished painter, watercolourist, printmaker, and commercial artist, Danby's career began to unfold with a modernist narrative in the 1960s and 1970s. It intersected with the fervent nationalism expressed in the music of Ian and Sylvia Tyson, Gordon Lightfoot, and Joni Mitchell. According to art historian Patrick Hutchings, Danby's paintings bring us "face to face with a moment of our own time." Ken Danby: Beyond the Crease, the first major book on Ken Danby's creative practise in two decades, examines the depth and breadth of Danby's work. Designed to accompany a major retrospective exhibition organized by the Art Gallery of Hamilton, it features an essay by art historian Ihor Holubizky, a detailed chronology by Christine Braun, more than sixty reproductions of Danbys major paintings, including At the Crease, Lacing Up, Pancho, and Pulling Out, and dozens of archival photographs, as well as Danby's own words about his life and work drawn from an unpublished autobiographical essay that he completed shortly before his death. Danby's work is highly collectable and can be found in numerous private and public collections, including those of the Museum of Modern Art, New York; the National Gallery of Canada; the Musée des beaux arts, Montreal; the Art Gallery of Vancouver; the Art Institute of Chicago; and the Brooklyn Museum. Ken Danby became a member of the Order of Canada in 2001.

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Top 4 Finalist for the Best New Cocktail or Bartending Book in Tales of the Cocktail Foundation's 17th Annual Spirited Awards.This updated edition contains more than 400 classic and contemporary craft cocktail recipes, paired with exceptional writing and the authoritative voice of The New York Times.Cocktail hour is one of America’s most popular pastimes and a favorite way to entertain. What better place to find the secrets of craft cocktails than The New York Times? Steve Reddicliffe, the “Quiet Drink” columnist for The Times, brings his signature voice and expertise to this collection of delicious recipes from bartenders from around the world, with a special emphasis on New York City.This informative guide includes: Classics such as the Martini, Manhattan, Old Fashioned, and Negroni, served both straight up and with modern twists New imaginative favorites inspired by the craft-distilling boom Auxiliary recipes for signature ingredients, including brandied cherries and brown-butter bourbon, plus recipes for cordials, shrubs, bitters, and more New chapters on non-alcoholic drinks, bourbon cocktails, and vermouth cocktails A complete guide to home entertaining, setting up your personal bar, and how to build your own cocktail encyclopedia Engaging essays from the biggest names in cocktail writing Original interviews with ten bartenders and spirits professionals, including Ivy Mix of Leyenda in Brooklyn, Sother Teague of Amor y Amargo in Manhattan, and Victoria Eady Butler, master blender of Uncle Nearest bourbon Reddicliffe has carefully curated this essential collection, with memorable writing from famed New York Times journalists like Craig Claiborne, Toby Cecchini, Eric Asimov, Rosie Schaap, Robert Simonson, Melissa Clark, William L. Hamilton, Jonathan Miles, Amanda Hesser, William Grimes, and many more. Discover over 400 recipes and the wit and wisdom of decades of this venerable paper’s best cocktail coverage.

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In this book from the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the life of Jean-Michel Basquiat, the graffiti street art movement pioneer. Jean-Michel was born in Brooklyn, New York, to a Puerto Rican mother and Haitian father. When he was eight and recovering from an accident in bed, his mother gave him a copy of Gray's Anatomy, which sparked his interest in the human form. As a teenager, he gained recognition as part of the graffito duo SAMO that spray-painted cryptic messages and images around the landscape of Manhattan's Lower East Side. He eventually made his way to the New York gallery scene and on to international acclaim. This moving book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the brilliant artist's life.Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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Unlikely hero Sammy Gregg has never met a challenge he won’t face head on, but he hasn’t met outlaw Chester Furness!Born in Brooklyn, Sammy Gregg is small in stature and naive to the ways of the world, yet headstrong and resolute to save enough money to marry Susie Mitchell. Gregg calculates that he needs $15‚000 and figures he can earn enough in six months out west. Although he is a small man who knows nothing of fighting‚ guns‚ or horses‚ he takes his $5‚000 in savings and heads west‚ arriving in Munson‚ a tough, lawless town.With his unwavering determination, Gregg finds a few good-paying jobs, but every time he runs up against Chester Furness, a fellow newcomer to Munson. But unlike Gregg, Furness runs a gang that steals horses, robs stagecoaches, and makes life hard for Sammy Gregg.To make good on his word and return to New York with enough savings to start a new life with Susie‚ Gregg will have to face off against Furness, put an end to his raids, and rid Munson of his gang of outlaws for good. But some things are easier said than done . . .Skyhorse Publishing is proud to publish a broad range of books for readers interested in fiction that takes place in the old West. Westerns—books about outlaws, sheriffs, chiefs and warriors, cowboys and Indians—are a genre in which we publish regularly. Our list includes international bestselling authors like Zane Gray and Louis L’Amour, and many more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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Harry Edelson is the son of an illiterate Russian immigrant whose husband left the family when Harry was an infant. He begins his book this way: “I grew up in the poorest neighborhoodin Brooklyn, which was the poorest neighborhood in New York City, and I was the poorest of the poor.” But Mr. Edelson has no intention of wasting his life or our time by lamenting his childhood or anything else. He tells us, “I consider myself to be very lucky. I have been happy all my life even though I started out as poor as a child could be.” . . . If you want to be happy, it is all in your mind. So take control of your senses, determine to be happy, and develop a frame of mind that will make you and all those around you happy.” In Positivity: How to Be Happier, Healthier, Smarter, and More Prosperous Mr. Edelson reveals his secrets and tips for success from the vantage point of a person who has enjoyed having excellent health, a wide range of knowledge from a fine academic background enhanced by self-education, and fulfilling careers on Wall Street in technology, investment banking, and later as owner of a highly successful business in capital investments. Focusing on his strong belief in continuing education to increase skills that entertain us and help our careers, he extolls the benefits of being a speed-reader and increasing memory by learning the techniques of mnemonics, and he demonstrates interesting mathematical tricks that work for him. He also has plenty of good, practical financial advice for individuals of all means; and of course he is expansive on the value of positive attitudes. Mr. Edelson believes without a doubt that you can train your own mind for a lifetime of great happiness

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This illuminating biography of Margaret Sanger—the woman who fought for birth control in America—describes her childhood, her private life, her relationships with Emma Goldman and John Reed, her public role, and more.Margaret Sanger went to jail in 1917 for distributing contraceptives to immigrant women in a makeshift clinic in Brooklyn. She died a half-century later, just after the Supreme Court guaranteed constitutional protection for the use of contraceptives. Now, Ellen Chesler provides an authoritative and widely acclaimed biography of this great emancipator, whose lifelong struggle helped women gain control over their own bodies. An idealist who mastered practical politics, Sanger seized on contraception as the key to redistributing power to women in the bedroom, the home, and the community. For fifty years, she battled formidable opponents ranging from the US Government to the Catholic Church. Her crusade was both passionate and paradoxical. She was an advocate of female solidarity who often preferred the company of men; an adoring mother who abandoned her children; a socialist who became a registered Republican; a sexual adventurer who remained an incurable romantic. Her comrades-in-arms included Emma Goldman and John Reed; her lovers, Havelock Ellis and H.G. Wells. Drawing on new information from archives and interviews, Chesler illuminates Sanger’s turbulent personal story as well as the history of the birth control movement. An intimate biography of a visionary rebel, Woman of Valor is also an epic story that extends from the radical movements of pre-World War I to the family planning initiatives of the Great Society. At a time when women’s reproductive and sexual autonomy is once again under attack, this landmark biography is indispensable reading for the generations in debt to Sanger for the freedoms they take for granted.

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An unmatched collection of delicious low-calorie recipes from the award-winning 1,000 Recipes series This incredible cookbook is packed with tasty, low-calorie recipes that the whole family will love. The recipes cover every meal of the day and give home cooks an unparalleled variety of meals and ideas for eating healthfully--for a lifetime. Every recipe clocks in at less than 500 calories, but most are no more than 300 calories per serving. They're easy to make and take the guesswork out of portion control and calorie counting. Recipes include complete nutrition information, and full menus help home cooks maintain a balanced eating approach--naturally. 1,000 Low-Calorie Recipes covers finger foods and snacks; salads and soups; meat, poultry, fish, and vegetarian entrees; breads and muffins; and yes, even desserts and cocktails. You'll find rustic comfort foods like Five-Spice Turkey Chili, favorites like Pizza Margherita, main courses like Tart Apple-Stuffed Pork Loin, plus innovative recipes that will intrigue and satisfy you, like Caprese Salad Lasagna, Five-Spice Yam Frites, Brooklyn Lager Baked Beans, Homemade Pretzel Puffs, Fudgy Superfood Brownies, and Chocolate Mint Almond-tini. Written by Jackie Newgent, a well-respected Registered Dietitian and cookbook author who writes for and is interviewed by national media, such as The Dr. Oz Show, Cooking Light, Health, and Redbook, among others Includes clever advice on stocking a low-calorie pantry, maintaining a healthy weight, diet-friendly cooking, nutritious ingredient substitutions, full menus, and more Features ingredients that are fresh and flavorful, keeping with Jackie Newgent's "real foods" philosophy: nothing is artificial Whether you're following a particular diet or just want a single go-to guide for nutritious family meals, 1,000 Low-Calorie Recipes is the ultimate resource.

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This new volume presents highlights of the Taft Museum of Art's exceptional collection, which spans over 750 years of creative endevour. Donated to the city of Cincinnati in 1927, Charles and Anna Taft's collection features beautiful porcelain from the Ming and Qing dynasties, paintings by masters including Rembrandt, Gainsborough, Goya, Ingres, Corot, Whistler, and Sargent, and decorative objects including crystal, gold, silver, and enamel-work. The 80 works that feature in this volume, chosen from the 740-piece collection, are presented in four sections, coinciding with the museum's major areas of specialization: European painting, European decorative arts, American art, and Chinese art. Each piece is accompanied by an entry detailing its history and that of its artist or maker written by Taft curatorial staff. Lynne D. Ambrosini's essay explores the collecting practice of Charles and Anna Taft. Deborah Emont Scott's foreword provides a history of the Taft bequest and its lasting significance to the city of Cincinnati and its present day inhabitants. AUTHOR: Lynne D. Ambrosini is deputy director and the Sallie Robinson Wadsworth Chief Curator, Taft Museum of Art. Lynne Ambrosini has overseen the collection and exhibitions at the Taft since 2004, having earlier worked at the Minneapolis Institute of Arts and Brooklyn Museum. She earned a PhD in art history from the Institute of Fine Arts, N.Y.U. Her exhibitions for the Taft include: Hiram Powers: Genius in Marble (2007), Brush/Clay/Wood: The Nancy and Ed Rosenthal Collection of Chinese Art (2008), and Daubigny, Monet, Van Gogh: Impressions of Landscape (2016). She has also published many articles and given invited lectures on such artists as J.F. Millet, Gustave Courbet, Edouard Manet, J.A.M. Whistler, Claude Monet, and Auguste Rodin. 101 colour and 5 b/w illustrations

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An important center of dancehall reggae performance, sound clashes are contests between rival sound systems: groups of emcees, tune selectors, and sound engineers. In World Clash 1999, held in Brooklyn, Mighty Crown, a Japanese sound system and the only non-Jamaican competitor, stunned the international dancehall community by winning the event. In 2002, the Japanese dancer Junko Kudo became the first non-Jamaican to win Jamaica’s National Dancehall Queen Contest. High-profile victories such as these affirmed and invigorated Japan’s enthusiasm for dancehall reggae. In Babylon East, the anthropologist Marvin D. Sterling traces the history of the Japanese embrace of dancehall reggae and other elements of Jamaican culture, including Rastafari, roots reggae, and dub music. Sterling provides a nuanced ethnographic analysis of the ways that many Japanese involved in reggae as musicians and dancers, and those deeply engaged with Rastafari as a spiritual practice, seek to reimagine their lives through Jamaican culture. He considers Japanese performances and representations of Jamaican culture in clubs, competitions, and festivals; on websites; and in song lyrics, music videos, reggae magazines, travel writing, and fiction. He illuminates issues of race, ethnicity, gender, sexuality, and class as he discusses topics ranging from the cultural capital that Japanese dancehall artists amass by immersing themselves in dancehall culture in Jamaica, New York, and England, to the use of Rastafari as a means of critiquing class difference, consumerism, and the colonial pasts of the West and Japan. Encompassing the reactions of Jamaica’s artists to Japanese appropriations of Jamaican culture, as well as the relative positions of Jamaica and Japan in the world economy, Babylon East is a rare ethnographic account of Afro-Asian cultural exchange and global discourses of blackness beyond the African diaspora.

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Named one of Elle Decor’s Best Coffee Table Books to Gift in 2022A tastemaking couple shares their playbook for creating a home that’s both beautiful and comfortable Chris Mitchell and Pilar Guzmán are design obsessives who both want the same thing: rooms that are spare yet warm, layered yet clean, current yet timeless. Rooms that never forget the real humans—with all their needs, hopes, emotions, aspirations, and even spills—who live in these spaces. Over the course of six ever more ambitious home renovations, they’ve cracked the code on how to achieve this. It’s a simple formula, one that lies in mixing modern design with timeworn materials—in particular, white oak, brass, and bridle leather, all three of which become richer, mellower, and burnished with patina as they age. Add a few essential lessons (Decorating by Mood, Borrowing from the Best) and a nine-point manifesto that covers everything from lighting (rooms should feel like lanterns at night), to the use of black as an accent, to the intention that every space should serve multiple purposes, and the result is Patina Modern, a uniquely inspiring and practical design guide. The book leads by example, as the authors reveal in room-by-room detail the full evolution of their homes, including a Brooklyn brownstone and two classic Hamptons “cottages.” Along the way, we come to not only understand just how they see and think but also learn what they’ve learned, getting an education in color, proportion, paint, and the world of modern furniture design, for which the authors have a special passion. Tools, principles, and the power of designing around the things you love—this is the gift of Patina Modern, showing just how to put it all together to create your own beautiful spaces.

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Terri Thal was very much a part of the folk music world in 1960s Greenwich Village, New York. Few people know that she was 21-year-old Bob Dylan's first manager prior to his contract with Albert Grossman and Columbia Records. She also managed musician Dave Van Ronk (who later became her husband), and others to include the Roche sisters, Paul Geremia and The Holy Modal Rounders. She booked performances at coffee houses, clubs and basket houses. In fall 1961, she recorded a set Bob did at the Gaslight. This audition tape she took to clubs and concert producers, trying to get him gigs - the original she still owns! When Dave Van Ronk first saw young Bob performing in a club in Greenwich Village he said 'I just heard this kid who's a fucking genius. You've got to hear him.' Within a few days Terri heard him play and agreed with Dave. Bob Dylan asked Terri, 'Would you get me gigs?' Terri Thal has two passions: folk music and social justice. This is a personal story of the world of folk music in 1960s New York written by a Jewish woman from Brooklyn who, although not a musician, was an intrinsic part of this scene. Terri describes Greenwich Village as a community that was supportive, musically exciting and one in which people had fun. She had many friends in Greenwich Village including Suze Rotolo and a number of seminal 1960s folk musicians. Terri tells us what it was like to hang out in the Village coffee houses and basket houses, to host folk singers like Tom Paxton and Phil Ochs who hung out at her apartment, and to be a manager. We hear her view and involvement of the 1960s socialist organizations, and how she later merged her professional work in not- for-profit agencies.

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Recognized by the New York Times as one of the Best Photography Books. Immerse yourself in the visual stream created over the first 50 years by Kamoinge, a pioneering photographic collective founded in 1963 in New York City, at the height of the Civil Rights Movement. Kamoinge’s members include many of the nation’s most accomplished photographers. This is the first comprehensive book of the work of Kamoinge’s 30 members, from the founding of the Kamoinge Workshop in 1963 to 2014. After more than 5 decades of racist barriers to the recognition of Kamoinge by major museums, the Kamoinge Workshop is finally being celebrated by the art world and has assumed its rightful place as a major force in the history of American photography, as the longest standing photographic collective. The major traveling exhibition Working Together: The Photographers of the Kamoinge Workshop launched in 2020 at the Virginia Museum of Fine Arts and traveled to the Whitney Museum of American Art, the J. Paul Getty Museum, and the Cincinnati Art Museum. Several Kamoinge original members were featured in the major 2017–2020 international exhibition Soul of a Nation: Art in the Age of Black Power, first created at the Tate Modern in London then traveling to Crystal Bridges Museum of American Art, the Brooklyn Museum, the Broad Museum, the de Young Museum, and the Museum of Fine Arts in Houston. In this stunning compendium, over 280 photographs are interspersed with insights and thoughts from Kamoinge’s members and other renowned authors. Taken in New York City, West Africa, Guyana, and suburban America, the photos include abstracts; daily moments of men, women and children; landscapes; and portraits of Miles Davis, Biggie Smalls, a young Ntozake Shange, and many other visionary citizens. Timeless: Photographs by Kamoinge was recognized by the New York Times as one of the Best Photography Books of 2015.

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Whatever Rotterdam may be, it is not a cliché image of Holland. Maybe that is exactly the reason why characterizations of the city usually cannot do without a comparison with arch-rival Amsterdam. In contrast to its picture-perfect big sister, war-traumatized Rotterdam is full of urban ruptures: buildings come and go like in no other Dutch city. The transitory nature of architecture might also be related to its identity as a harbour city. “Other cities have a harbour, but in Rotterdam the harbour has a city”, goes a local saying. The book Rotterdam. Architectural Guide presents 150 buildings, arranged by neighbourhood. On this foray through the city, the reader is introduced to its history – from the Dutch Golden Age in the 17th century to the massive expansion of the harbour in the 19th century, from “the beautiful merchant’s city” to industrial Rotterdam –, even if the focus is clearly on the 20th century and on the latest developments. For although the social problems are great, the city has recently become much more attractive. Around 2014 four iconic buildings were opened: high-rise De Rotterdam, the new Central Station, Markthal, and Timmerhuis. They kicked off a brand-new hype. At the other end of the spectrum lies a range of bottom-up, low-budget projects. Rotterdam offered ample space for such initiatives, with its openness for experiments and and the idea of the city as a prototype that continues to spread there. In combination with the upgrading of the city centre and the gentrification of former harbour areas, all this led to Rotterdam suddenly being called the “Dutch Brooklyn”, praising its off-beat charm in comparison to overcrowded, mainstream Amsterdam. The book Rotterdam. Architectural Guide shows where this charm comes from and where you can find it.

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An “eye-opening” (Kirkus Reviews) and timely exploration of how our food—from where it’s grown to how we buy it—is in the midst of a transformation, showing how this is our chance to do better, for us, for our children, and for our planet, from a global expert on consumer behavior and bestselling author of Why We Buy.Our food system is undergoing a total transformation that impacts how we produce, get, and consume our food. Market researcher and bestselling author Paco Underhill—hailed by the San Francisco Chronicle as “a Sherlock Holmes for retailers”—reveals where our eating and drinking lives are heading in his “delectable” (Michael Gross, New York Times bestselling author of 740 Park) book, How We Eat. In this upbeat, hopeful, and witty approach, How We Eat reveals the future of food in surprising ways. Go to the heart of New York City where a popular farmer’s market signifies how the city is getting country-fied, or to cool Brooklyn neighborhoods with rooftop farms. Explore the dreaded supermarket parking lot as the hub of innovation for grocery stores’ futures, where they can grow their own food and host community events. Learn how marijuana farmers, who have been using artificial light to grow a crop for years, have developed a playbook so mainstream merchants like Walmart and farmers across the world can grow food in an uncertain future. Paco Underhill is the expert behind the most prominent brands, consumer habits, and market trends and the author of multiple highly acclaimed books, including Why We Buy. In How We Eat, he shows how food intersects with every major battle we face today, from political and environmental to economic and racial, and invites you to the market to discover more.

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INSTANT NEW YORK TIMES, USA TODAY, WALL STREET JOURNAL, AND INTERNATIONAL BESTSELLER Discover #1 New York Times bestselling author David Bach’s three secrets to financial freedom in an engaging story that will show you that you are richer than you think. Drawing on the author’s experiences teaching millions of people around the world to live a rich life, this fast, easy listen reveals how anyone—from millennials to baby boomers—can still make his or her dreams come true.In this compelling, heartwarming parable, Bach and his bestselling coauthor John David Mann (The Go-Giver) tell the story of Zoey, a twenty-something woman living and working in New York City. Like many young professionals, Zoey is struggling to make ends meet under a growing burden of credit card and student loan debt, working crazy hours at her dream job but still not earning enough to provide a comfortable financial cushion. At her boss’s suggestion, she makes friends with Henry, the elderly barista at her favorite Brooklyn coffee shop. Henry soon reveals his “Three Secrets to Financial Freedom,” ideas Zoey dismisses at first but whose true power she ultimately comes to appreciate. Over the course of a single week, Zoey discovers that she already earns enough to secure her financial future and realize her truest dreams—all she has to do is make a few easy shifts in her everyday routine. The Latte Factor demystifies the secrets to achieving financial freedom, inspiring you to realize that it’s never too late to reach for your dreams. By following the simple, proven path that Henry shows Zoey, anyone can make small changes today that will have big impact for a lifetime, proving once again that “David Bach is the financial expert to listen to when you’re intimidated by your finances” (Tony Robbins, #1 New York Times bestselling author of Money: Master the Game).

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Edited by SPLIA’s former director, Dr. Robert B. MacKay, Gardens of Eden is an exploration of a distinct type of suburban development that proliferated across the region before zoning regulations were developed to manage land use in New York City and its environs. While the onset of suburbia on Long Island is often believed to be a post-World War II phenomena, it actually began a half century earlier when greater affluence, improved railroad service, and new methods of financing made the dream of country living a greater reality for a growing urban middle class. Luminaries such as Grosvenor Atterbury, Charles W. Leavitt Jr., and Frederick Law Olmsted designed dozens of high-end, carefully conceived communities on New York’s Long Island. Touted as an antidote to the complexities of urban living, these “residential parks” were characterized by significant investment in landscaping and infrastructure and employed concepts introduced by the Garden City movement in England. Gardens of Eden covers the history and development of more than twenty of these remarkable communities and the colorful, at times unscrupulous personalities behind them—like Plandome, designed “for teachers only,” and the Metropolitan Museum’s Munsey Park, where all the streets were named for artists—with writings from their most knowledgeable historians. Other featured communities include: Garden City, Forest Hills Gardens, Long Beach, Great Neck Estates, Brightwaters, Montauk Beach, Prospect Park South in Brooklyn, and many more. About the Society for the Preservation of Long Island Antiquities SPLIA is a not-for-profit organization dedicated to understanding, celebrating, and preserving Long Island’s cultural heritage. Founded in 1948, SPLIA engages its mission through a variety of activities that include interpreting historic houses, creating exhibitions and educational programs, providing preservation advisory services, and publishing works that explore the history of architecture and design on Long Island.

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On the afternoon of August 15, 1969, Richie Havens took the stage at the Woodstock Music and Art Fair, welcoming a crowd of several hundred thousand to the green fields of Max Yasgur's farm. Havens was the first act - the legendary festival, years in the making, was finally beginning. Nothing would be the same after. But the story of the legendary festival begins with Michael Lang, a kid out of Bensonhurst, Brooklyn, who liked to smoke a joint and listen to jazz and who eventually found his way to Florida, where he opened a head shop and produced his first festival - Miami Pop, featuring Jimi Hendrix, Frank Zappa, and others. In the late '60s, after settling in Woodstock, he began to envision a music and arts festival where folks could come and stay for a few days amid the rural beauty of upstate New York. The idea crystallized when Lang talked it over with Artie Kornfeld, a songwriter and A and R man, and with two other young men they formed Woodstock Ventures. They booked talent, from Janis Joplin and the Who to the virtually unknown Santana and Crosby, Stills and Nash; won over agents and promoters; brought in the Hog Farm commune to set up campgrounds; hired a peacekeeping force; took on fleets of volunteers; appeased the Yippies; and, were run out of one town and found another site weeks before the festival. On the ground with the talent, the townspeople, and his handpicked crew, Lang had a unique and panoramic perspective of the festival. Enhanced by interviews with others who were central to the making of the festival, "The Road to Woodstock" tells the story from inspiration to celebration, capturing all the magic, mayhem, and mud in between.

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John Ford’s The Quiet Man (1952) is the most popular cinematic representation of Ireland, and one of Hollywood's classic romantic comedies. For some viewers and critics the film is a powerful evocation of romantic Ireland and the search for home. This book contains new and original information and photographs about the film The Quiet Man. Des MacHale has found a range of unexpected new information about the film. The book opens with the letters of John Ford’s secretary, Meta Sterne, giving authentic information and commentary about what went on behind the scenes on location in Ireland. There were many rumours of a sequel to The Quiet Man but they never came off. However, a belated sequel Only the Lonely starring Maureen O’Hara was produced in 1991 and it is described and analysed. The emergence of the screenplay of The Quiet Man is a long and complicated saga. The book examines the initial rejected screenplay by the Welsh novelist Richard Llewellyn which contained much of the inspiration for the final cut of the movie. The memoirs of Maureen Coyne—Cashman, who lives in Brooklyn, New York, are published here for the first time. She is one of the few surviving bit players and she describes her experiences on set with Wayne, O’Hara, and Ford. The real-life incidents on which the ecumenical scenes in the film are based are discussed. The final part of the book covers more recent events including the Quiet Man conference held in Galway in 2004 and the opening of Pat Cohan’s bar in 2008 which featured in the film as a real bar. The book also contains dozens of previously unseen stills from the movie and many unseen photographs of locations and personalities.

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When the woman who would become Indra Devi was born in Russia in 1899, yoga was virtually unknown outside of India. By the time of her death, in 2002, it was being practiced everywhere, from Brooklyn to Berlin to Ulaanbaatar. In The Goddess Pose, New York Times best-selling author Michelle Goldberg traces the life of the incredible woman who brought yoga to the West and in so doing paints a sweeping picture of the twentieth century.Born into the minor aristocracy (as Eugenia Peterson), Devi grew up in the midst of one of the most turbulent times in human history. Forced to flee the Russian Revolution as a teenager, she joined a famous Berlin cabaret troupe, dove into the vibrant prewar spiritualist movement, and, at a time when it was nearly unthinkable for a young European woman to travel alone, followed the charismatic Theosophical leader Jiddu Krishnamurti to India. Once on the subcontinent, she performed in Indian silent cinema and hobnobbed with the leaders of the independence movement. But her greatest coup was convincing a recalcitrant master yogi to train her in the secrets of his art. Devi would go on to share what she learned with people around the world, teaching in Shanghai during World War II, then in Hollywood, where her students included Gloria Swanson and Greta Garbo. She ran a yoga school in Mexico during the height of the counterculture, served as spiritual adviser to the colonel who tried to overthrow Panamanian strongman Manuel Noriega, and, in her eighties, moved to Buenos Aires at the invitation of a besotted rock star. Everywhere she went, Indra Devi evangelized for yoga, ushering in a global craze that continues unabated. Written with vivid clarity, The Goddess Pose brings her remarkable story as an actress, yogi, and globetrotting adventuress to life.

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SHORTLISTED FOR THE MAN BOOKER PRIZE 2013Colm Tóibín's The Testament of Mary is the moving story of the Virgin Mary, told by a novelist famous for writing brilliantly about the family.From the author of Brooklyn, in a voice that is both tender and filled with rage, The Testament of Mary tells the story of a cataclysmic event which led to an overpowering grief. For Mary, her son has been lost to the world, and now, living in exile and in fear, she tries to piece together the memories of the events that led to her son's brutal death. To her he was a vulnerable figure, surrounded by men who could not be trusted, living in a time of turmoil and change. As her life and her suffering begin to acquire the resonance of myth, Mary struggles to break the silence surrounding what she knows to have happened. In her effort to tell the truth in all its gnarled complexity, she slowly emerges as a figure of immense moral stature as well as a woman from history rendered now as fully human.Praise for The Testament of Mary:'This is a short book, but it is as dense as a diamond. It is as tragic as a Spanish pieta, but it is completely heretical...Tóibín maintains all the dignity of Mary without subscribing to the myths that have accumulated around her' Edmund White, Irish Times'Depicting the harrowing losses and evasions that can go on between mothers and sons...Tóibín creates a reversed Pièta: he holds the mother in his arms' Independent 'A beautiful and daring work...it takes its power from the surprise of its language, its almost shocking characterization' Mary Gordon, New York Times

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You hear a lot these days about "innovation and entrepreneurship" and about how "good jobs" in tech will save our cities. Yet these common tropes hide a stunning reality: local lives and fortunes are tied to global capital. You see this clearly in metropolises such as San Francisco and New York that have emerged as "superstar cities." In these cities, startups bloom, jobs of the future multiply, and a meritocracy trained in digital technology, backed by investors who control deep pools of capital, forms a new class: the tech-financial elite. In The Innovation Complex, the eminent urbanist Sharon Zukin shows the way these forces shape the new urban economy through a rich and illuminating account of the rise of the tech sector in New York City. Drawing from original interviews with venture capitalists, tech evangelists, and economic development officials, she shows how the ecosystem forms and reshapes the city from the ground up. Zukin explores the people and plans that have literally rooted digital technology in the city. That in turn has shaped a workforce, molded a mindset, and generated an archipelago of tech spaces, which in combination have produced a now-hegemonic "innovation" culture and geography. She begins with the subculture of hackathons and meetups, introduces startup founders and venture capitalists, and explores the transformation of the Brooklyn waterfront from industrial wasteland to "innovation coastline." She shows how, far beyond Silicon Valley, cities like New York are shaped by an influential "triple helix" of business, government, and university leaders--an alliance that joins C. Wright Mills's "power elite," real estate developers, and ambitious avatars of "academic capitalism." As a result, cities around the world are caught between the demands of the tech economy and communities' desires for growth--a massive and often--insurmountable challenge for those who hope to reap the rewards of innovation's success.

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Puerto Rican, Russian-Jewish, and Italian cultures collide in homage both to the art and form of the novel, as well as to the passions and histories that fuel our American lives. Pulaski's prose boxes through the surreal and banal. The novel weaves the maelstrom of immigrant life in post WWII New York, and the terrifying solitude of Alzheimer's cloaked beneath Vermont winters, into a fable where the sacred and the profane are inextricably wed. Courting Laura Providencia is a literary devotional. Laura said she was sure he was the father, packed up her things, and moved out of the apartment. She had been cheerful as she collected her belongings. She said Isaac was the sweetest boy she had ever known, and "a rare thing, muy singular, a Jewish drunk." Isaac wanted to say that was not exactly right, but he was drunk at the time and so he sang to her. Laura snapped the suitcase shut, settled herself in a chair, smiled, and let him sing. For a moment Isaac was stunned. It happened often looking straight into the face of Laura Providencia could cause amnesia, sleepwalking, and archaic longings which might require several lifetimes to understand. He had seen it happen to others. Jack Pulaski was born and grew up in the Williamsburg section of Brooklyn, New York. His stories have appeared in The Iowa Review, Ohio Review, Ploughshares, MSS., and The New England Review, as well as in two anthologies: The Pushcart Prize I and The Ploughshares Reader. He is the recipient of a fiction award from the Coordinating Council of Literary Magazines, and his stories have twice been singled out for high praise in the Nelson Algren Short Fiction Contest. Pulaski currently lives in Vermont.

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FINALIST FOR THE PULITZER PRIZE FOR FICTION 2022'Full of rebellious comedy and vitality... Goldman's autobiographical immersion answers the urgent cry of memory... [He] is a natural storyteller - funny, intimate, sarcastic, all-noticing.' James Wood, New YorkerFrancisco Goldman's first novel since his acclaimed, nationally bestselling Say Her Name (winner of the Prix Femina étranger), Monkey Boy is a sweeping story about the impact of divided identity - whether Jewish/Catholic, white/brown, native/expat - and one misfit's quest to heal his damaged past and find love.Our narrator, Francisco Goldberg, an American writer, has been living in Mexico when, because of a threat provoked by his journalism, he flees to New York City, hoping to start afresh. His last relationship ended devastatingly five years before, and he may now finally be on the cusp of a new love with a young Mexican woman he meets in Brooklyn. But Francisco is soon beckoned back to his childhood home outside Boston by a high school girlfriend who witnessed his youthful humiliations, and to visit his Guatemalan mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. On this five-day trip, the spectre of Frank's recently deceased father, Bert, an immigrant from Ukraine - pathologically abusive, yet also at times infuriatingly endearing - as well as the dramatic Guatemalan woman who helped raise him, and the high school bullies who called him 'monkey boy,' all loom.Told in an intimate, irresistibly funny and passionate voice, this extraordinary portrait of family and growing up 'halfie' unearths the hidden cruelties in a predominantly white, working-class Boston suburb where Francisco came of age, and explores the pressures of living between worlds all his life. Monkey Boy is a new masterpiece of fiction from one of the most important American voices in the last forty years.

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_______________ "I'm so starry-eyed for this wise, romantic gem of a book." - Becky Albertalli, bestselling author of Simon vs. the Homo Sapiens Agenda 'A big-hearted, witty, and intensely relatable debut about reaching for your dreams without losing what grounds you.' - Karen M. McManus, New York Times bestselling author of One of Us Is Lying and Two Can Keep a Secret _______________ Two teens find love when their lives are uprooted for their parents’ involvement in a NASA mission to Mars in this smart, heart-warming YA debut, perfect for fans of Becky Albertalli and Adam Silvera. Cal wants to be a journalist, and he’s already well underway with almost half a million followers on his FlashFame app and an upcoming internship at Buzzfeed. But his plans are derailed when his pilot father is selected for a highly-publicized NASA mission to Mars. Within days, Cal and his parents leave Brooklyn for hot and humid Houston. With the entire nation desperate for any new information about the astronauts, Cal finds himself thrust in the middle of a media circus. Suddenly his life is more like a reality TV show, with his constantly bickering parents struggling with their roles as the "perfect American family." And then Cal meets Leon, whose mother is another astronaut on the mission, and he finds himself falling head over heels--and fast. They become an oasis for each other amid the craziness of this whole experience. As their relationship grows, so does the frenzy surrounding the Mars mission, and when secrets are revealed about ulterior motives of the program, Cal must find a way to get to the truth without hurting the people who have become most important to him.

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Drugs, bribes, falsifying evidence, unjustified force and kickbacks: there are many opportunities for cops to act like criminals. Jammed Up is the definitive study of the nature and causes of police misconduct. While police departments are notoriously protective of their own—especially personnel and disciplinary information—Michael White and Robert Kane gained unprecedented, complete access to the confidential files of NYPD officers who committed serious offenses, examining the cases of more than 1,500 NYPD officers over a twenty year period that includes a fairly complete cycle of scandal and reform, in the largest, most visible police department in the United States. They explore both the factors that predict officer misconduct, and the police department’s responses to that misconduct, providing a comprehensive framework for understanding the issues. The conclusions they draw are important not just for what they can tell us about the NYPD but for how we are to understand the very nature of police misconduct. ACTUAL MISCONDUCT CASES »» An off-duty officer driving his private vehicle stops at a convenience store on Long Island, after having just worked a 10 hour shift in Brooklyn, to steal a six pack of beer at gun point. Is this police misconduct? »» A police officer is disciplined no less than six times in three years for failing to comply with administrative standards and is finally dismissed from employment for losing his NYPD shield (badge). Is this police misconduct? »» An officer was fired for abusing his sick time, but then further investigation showed that the officer was found not guilty in a criminal trial during which he was accused of using his position as a police officer to protect drug and prostitution enterprises. Which is the example of police misconduct?

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'Full of rebellious comedy and vitality... Goldman's autobiographical immersion answers the urgent cry of memory... [He] is a natural storyteller - funny, intimate, sarcastic, all-noticing.' James Wood, New YorkerFrancisco Goldman's first novel since his acclaimed, nationally bestselling Say Her Name (winner of the Prix Femina étranger), Monkey Boy is a sweeping story about the impact of divided identity - whether Jewish/Catholic, white/brown, native/expat - and one misfit's quest to heal his damaged past and find love.Our narrator, Francisco Goldberg, an American writer, has been living in Mexico when, because of a threat provoked by his journalism, he flees to New York City, hoping to start afresh. His last relationship ended devastatingly five years before, and he may now finally be on the cusp of a new love with a young Mexican woman he meets in Brooklyn. But Francisco is soon beckoned back to his childhood home outside Boston by a high school girlfriend who witnessed his youthful humiliations, and to visit his Guatemalan mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. On this five-day trip, the spectre of Frank's recently deceased father, Bert, an immigrant from Ukraine - pathologically abusive, yet also at times infuriatingly endearing - as well as the dramatic Guatemalan woman who helped raise him, and the high school bullies who called him 'monkey boy,' all loom.Told in an intimate, irresistibly funny and passionate voice, this extraordinary portrait of family and growing up 'halfie' unearths the hidden cruelties in a predominantly white, working-class Boston suburb where Francisco came of age, and explores the pressures of living between worlds all his life. Monkey Boy is a new masterpiece of fiction from one of the most important American voices in the last forty years.

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Museums in the Digital Age: Changing Meanings of Place, Community, and Culture showcases how the use of technology in museums should be understood as factors directly related to the museums’ notion of community, local culture, and place, whether these places are in mid-America, urban metropolises, or ethnically diverse and underserved communities. Here, museum expert Susana Smith Bautista brings more than twenty years of experience in cultural institutes in Los Angeles, New York, and Greece to propose a social understanding of why museums should be adopting technology, and how it should be adapted based on their particular missions, communities, and places. This book is timely because we are in the midst of the digital age, which is rapidly changing due to rapidly changing developments in technology and society as well, with social adaptations of technology. Theory is always racing to catch up with practice in the digital age, but theory remains a critical - and often neglected - component to accompany the practical application of technology in museums. In order to illustrate these points, the book presents five case studies of the most technologically advanced art museums in the United States today: ·The Indianapolis Museum of Art ·The Walker Art Center ·The San Francisco Museum of Modern Art ·The Museum of Modern Art ·The Brooklyn Museum Each case study ends with a Lessons Learned section to bring these points home. While the case studies focus on museums in the United States, and also on art museums, this book is relevant to all types of museums and to museums all over the world, as they equally face the challenge of incorporating technology into their institutions. Although these case studies are all well-established and well-endowed museums, Bautista reveals valuable insight into the difficulties they face and the questions they are asking which are relevant to even the smallest museum or community cultural center.

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“Pinkard’s account... brings to light the ambition and artistry, the stress and frustration, and ultimately the joy of making this very special album."—Peter Katis, The National’s engineer, and mixer on Boxer “I am spooked by how well [Pinkard] has captured these characters and this madcap project. I am not sure how he did it.” —Carin Besser, co-lyricist on Boxer and wife to Matt Berninger “Accessible, perceptive, sometimes hilarious, but more often harrowing, Pinkard’s book gets a running start on its subject, tracing The National’s trajectory from their first notes together to the creation of Boxer.” —Stephen M. Deusner, music critic and author We all know the Boxer. The fighter who remembers every glove but still remains. That grisly, bruised American allegory who somehow gets up more times than he’s knocked down. This is the fight that nearly broke The National. The one that allowed them to become champions. Released in 2007, The National’s fourth full-length album is the one that saved them. For fans, Boxer is a profound personal meditation on the unmagnificent lives of adults, an elegant culmination of their sophisticated songwriting, and the first National album many fell in love with. For the band, Boxer symbolizes an obsession, a years-long struggle, a love story, a final give-it-everything-you’ve-got effort to keep their fantasy of being a real rock band alive. Based on extensive original interviews with the fighters who were in the ring and the spectators who witnessed it unfold, Ryan Pinkard obsessively reconstructs a transformative chapter in The National’s story, revealing how the Ohio-via-Brooklyn five-piece found the sound, success, and spiritual growth to evolve into one of the most critically acclaimed bands of their time.

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This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. "A remarkable resource for the field of fashion studies suitable for both newcomers ... [and] seasoned practitioners." - Fashion Historia "A precious source in the study of the subject ... inspiring." - The Journal of Dress History The last decade has seen the growing popularity and visibility of fashion as a cultural product, including its growing presence in museum exhibitions. This book explores the history of fashion displays, highlighting the continuity of past and present curatorial practices. Comparing and contrasting exhibitions from different museums and decades—from the Paris Exposition Universelle of 1900 to the Alexander McQueen Savage Beauty show at the Metropolitan Museum of Art in 2011, and beyond—it makes connections between museum fashion and the wider fashion industry. By critically analyzing trends in fashion exhibition practice over the 20th and early 21st centuries, Julia Petrov defines and describes the varied representations of historical fashion within British and North American museum exhibitions. Rooted in extensive archival research on exhibitions by global leaders in the field—from the Victoria and Albert and the Bath Fashion Museum to the Brooklyn and the Royal Ontario Museums—the work reveals how fashion exhibitions have been shaped by the values and anxieties associated with fashion more generally. Supplemented by parallel critical approaches, including museological theory, historiography, body theory, material culture, and visual studies, Fashion, History, Museums demonstrates that in an increasingly corporate and mass-mediated world, fashion exhibitions must be analysed in a comparative and global context. Richly illustrated with 70 images, this book is essential reading for students and scholars of fashion history and museology, as well as curators, conservators, and exhibition designers.

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Puerto Rican, Russian-Jewish, and Italian cultures collide in homage both to the art and form of the novel, as well as to the passions and histories that fuel our American lives. Pulaski's prose boxes through the surreal and banal. The novel weaves the maelstrom of immigrant life in post WWII New York, and the terrifying solitude of Alzheimer's cloaked beneath Vermont winters, into a fable where the sacred and the profane are inextricably wed. Courting Laura Providencia is a literary devotional. Laura said she was sure he was the father, packed up her things, and moved out of the apartment. She had been cheerful as she collected her belongings. She said Isaac was the sweetest boy she had ever known, and "a rare thing, muy singular, a Jewish drunk." Isaac wanted to say that was not exactly right, but he was drunk at the time and so he sang to her. Laura snapped the suitcase shut, settled herself in a chair, smiled, and let him sing. For a moment Isaac was stunned. It happened often looking straight into the face of Laura Providencia could cause amnesia, sleepwalking, and archaic longings which might require several lifetimes to understand. He had seen it happen to others. Jack Pulaski was born and grew up in the Williamsburg section of Brooklyn, New York. His stories have appeared in The Iowa Review, Ohio Review, Ploughshares, MSS., and The New England Review, as well as in two anthologies: The Pushcart Prize I and The Ploughshares Reader. He is the recipient of a fiction award from the Coordinating Council of Literary Magazines, and his stories have twice been singled out for high praise in the Nelson Algren Short Fiction Contest. Pulaski currently lives in Vermont.

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"One need not be fluent in the language of cricket to enjoy the swift, percussive rhythms of Roger Bonair-Agard's second opus calypso. He has refined his line, composed a pulse upon which he conjures, with a sort of astonishing and tender obligation, the fantasies and pathos of adolescence as well as the complexities of mature reflection. These are love poems for Trinidad and America, love poems for their histories, which are tragic, hilarious, wistful and unfinished."Patrick Rosal "Roger Bonair-Agard is a poet of blue lightning and white hot passions--even if the the subject (or metaphor) is the game of cricket. Gully means a lot of things, but in Bonair-Agard's masterful, musical hands, the word means a lot more!"Thomas Lux"In Gully, Roger Bonair-Agard presents the phenomena of muscle memory with such wit and lyricism that the body comes alive. The reader finds his or her own limbs twitching in response to the poems' infectious groove. [...] and the aftershocks of history are revealed under that lens in all their vivid contradiction and verve. While the sidelines of history are theorizing 'postcolonial,' 'post-racial,' 'postmodern,' Bonair-Agard is in the game, 'all feint and dip sharp/ left jab-step and full sprint right/ split knuckle and the rust of blood in the cheek.' This collection is the pin that weaves together our disparate world. Why shouldn't it prick the thumb to show us what we're made of?"Gregory PardloRoger Bonair-Agard is a native of Trinidad & Tobago. He is the author of Tarnish and Masquerade and co-author of Burning Down the House. He teaches at Fordham University. He splits his time between Chicago and Brooklyn.

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Beautiful, kaleidoscopic . . . everyone should be watching Megan Bradbury from now on' Eimear McBride, Baileys Prize-winning author of A Girl Is a Half-formed ThingNew York: A city that inspires. A city that draws people in. A city where everyone is watching, waiting to see what will happen next. 1967. Robert Mapplethorpe knows he is an artist. From his childhood home in Queens he yearns for the heat and excitement of the city, the press of other people's bodies. He wants to be watched, he wants to be known. 1891. Walt Whitman has already found fame, and has settled into his own sort of old age. Still childlike, still passionate, he travels with his friend and biographer Bucke to the city he has always adored, the scene of his greatest triumphs and rejections.1922. Robert Moses is a man with a vision. Standing on the edge of Long Island he knows what it could become. Walking down a street in Brooklyn he sees its future. He is the man who will build modern New York.2013. Edmund White is back in New York. It's the city of his youth, of his life and loves. He remembers days of lazy pleasure, nights of ecstasy and euphoria. But years have gone by since then. Everyone is Watching is a novel about the men and women who have defined New York. Through the lives and perspectives of these great creators, artists and thinkers, and through other iconic works of art that capture its essence, New York itself solidifies. Complex, rich, sordid, tantalizing, it is constantly changing and evolving. Both intimate and epic in its sweep, Everyone is Watching is a love letter to New York and its people - past, present and future.

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Supplying water to millions is not simply an engineering and logistical challenge. As David Soll shows in his finely observed history of the nation’s largest municipal water system, the task of providing water to New Yorkers transformed the natural and built environment of the city, its suburbs, and distant rural watersheds. Almost as soon as New York City completed its first municipal water system in 1842, it began to expand the network, eventually reaching far into the Catskill Mountains, more than one hundred miles from the city. Empire of Water explores the history of New York City’s water system from the late nineteenth century to the early twenty-first century, focusing on the geographical, environmental, and political repercussions of the city’s search for more water. Soll vividly recounts the profound environmental implications for both city and countryside. Some of the region’s most prominent landmarks, such as the High Bridge across the Harlem River, Central Park’s Great Lawn, and the Ashokan Reservoir in Ulster County, have their origins in the city’s water system. By tracing the evolution of the city’s water conservation efforts and watershed management regime, Soll reveals the tremendous shifts in environmental practices and consciousness that occurred during the twentieth century. Few episodes better capture the long-standing upstate-downstate divide in New York than the story of how mountain water came to flow from spigots in Brooklyn and Manhattan. Soll concludes by focusing on the landmark watershed protection agreement signed in 1997 between the city, watershed residents, environmental organizations, and the state and federal governments. After decades of rancor between the city and Catskill residents, the two sides set aside their differences to forge a new model of environmental stewardship. His account of this unlikely environmental success story offers a behind the scenes perspective on the nation’s most ambitious and wide-ranging watershed protection program.

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In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger of Brooklyn, a couple who were devoted to each other, in love with Shakespeare, and bitten by the collecting bug. Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr. While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday, April 23, 1932. The library houses 82 First Folios, 275,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, D.C., for cultural programs, including theater, concerts, lectures, and poetry readings. The library provided Grant with unprecedented access to the primary sources within the Folger vault. He draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.

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THE NEW YORK OBSERVER: ONE OF THE TOP 10 BOOKS FOR FALL It’s no wonder that New York has always been a magnet city for writers. Manhattan is one of the most walkable cities in the world. While many novelists, poets, and essayists have enjoyed long walks in New York, not all of them have had favorable impressions. Addressing an endlessly appealing subject, Walking New York is a study of twelve American writers and several British writers who walked the streets of New York and wrote about their impressions of the city in fiction, nonfiction, and poetry. Seen through the eyes of Walt Whitman, Herman Melville, William Dean Howells, Jacob Riis, Henry James, Stephen Crane, Theodore Dreiser, James Weldon Johnson, Alfred Kazin, Elizabeth Hardwick, Colson Whitehead, and Teju Cole, almost all the works in Walking New York are about Manhattan, with only Whitman and Kazin writing about Brooklyn. Though the writers were often irritated, disturbed, and occasionally shocked by what they saw on their walks, they were still fascinated by the city William Dean Howells called “splendidly and sordidly commercial” and Cynthia Ozick called “faithfully inconstant, magnetic, man-made, unnatural—the synthetic sublime.” In this idiosyncratic guidebook to New York, celebrated writers ruminate on questions that are still hotly debated to this day: the pros and cons of capitalism and the impact of immigration. Many imply that New York is a bewildering text that is hard to make sense of. Returning to New York after an absence of two decades, Henry James loathed many things about “bristling” New York, while native New Yorker Walt Whitman both celebrated and criticized “Mannahatta” in his writings. Combining literary scholarship with urban studies, Walking New York reveals how this crowded, dirty, noisy, and sometimes ugly city gave these “restless analysts” plenty of fodder for their craft.

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A playdate is an organized meeting where parents come together with their children at a public or private location to interact socially or “play.” Children no longer simply “go out and play,” rather, play is arranged, scheduled, and parentally-approved and supervised. How do these playdates happen? Who gets asked and who doesn’t? What is acceptable play behavior? In The Playdate, Tamara R. Mose focuses on the parents of young children in New York City to explore how the shift from spontaneous and child-directed play to managed and adult-arranged playdates reveals the structures of modern parenting and the new realities of childhood. Mose argues that with the rise of moral panics surrounding child abuse, pedophilia, and fears about safety in the city, as well as helicopter parenting, and over-scheduling, the playdate has emerged as not just a necessity in terms of security and scheduling, but as the very hallmark of good parenting. Based on interviews with parents, teachers, childcare directors, and nannies from Brooklyn, Manhattan, Queens, and Long Island, the book provides a first-hand account of the strategies used by middle-class parents of young children to navigate social relationships—their own and those of their children. Mose shows how parents use playdates to improve their own experiences of raising children in New York City while at the same time carefully managing and ensuring their own social and cultural capital. Mose illustrates how the organization of playdates influences parents’ work lives, friendships, and public childrearing performances, and demonstrates how this may potentially influence the social development of both children and parents. Ultimately, this captivating and well-researched book shows that the playdate is much more than just “child’s play.” Tamara Mose on The Brian Lehrer Show

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Supplying water to millions is not simply an engineering and logistical challenge. As David Soll shows in his finely observed history of the nation’s largest municipal water system, the task of providing water to New Yorkers transformed the natural and built environment of the city, its suburbs, and distant rural watersheds. Almost as soon as New York City completed its first municipal water system in 1842, it began to expand the network, eventually reaching far into the Catskill Mountains, more than one hundred miles from the city. Empire of Water explores the history of New York City’s water system from the late nineteenth century to the early twenty-first century, focusing on the geographical, environmental, and political repercussions of the city’s search for more water. Soll vividly recounts the profound environmental implications for both city and countryside. Some of the region’s most prominent landmarks, such as the High Bridge across the Harlem River, Central Park’s Great Lawn, and the Ashokan Reservoir in Ulster County, have their origins in the city’s water system. By tracing the evolution of the city’s water conservation efforts and watershed management regime, Soll reveals the tremendous shifts in environmental practices and consciousness that occurred during the twentieth century. Few episodes better capture the long-standing upstate-downstate divide in New York than the story of how mountain water came to flow from spigots in Brooklyn and Manhattan. Soll concludes by focusing on the landmark watershed protection agreement signed in 1997 between the city, watershed residents, environmental organizations, and the state and federal governments. After decades of rancor between the city and Catskill residents, the two sides set aside their differences to forge a new model of environmental stewardship. His account of this unlikely environmental success story offers a behind the scenes perspective on the nation’s most ambitious and wide-ranging watershed protection program.

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How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis.How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land.But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age.By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.

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"The maps themselves are things of beauty...a document of its time, of our time." -Sadie Stein, New York Times "One is invited to fathom the many New Yorks hidden from history's eye...thoroughly terrific." -Maria Popova, Brain Pickings Nonstop Metropolis, the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts-from linguists to music historians, ethnographers, urbanists, and environmental journalists-amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan's playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City's unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York's buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more. Contributors: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna Interviews with: Valerie Capers, Peter Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, RZA

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‘A warm and beautifully evocative story of family and secrets, love and heartache, with a devastating twist’ Alex Brown, bestselling author of A Postcard from Paris When your heart belongs in two places, can you ever truly find home? Brooklyn, New York,Bea has grown up in the heart of the Irish community, always hearing stories of home. When she discovers a letter from her younger self, written years before, it sends her deep into her own family history. Kilmore Quay, Ireland.Years earlier, Lucy Mernagh leaves her much-loved home and family in search of the New York dream. The Big Apple is a world away from the quiet village she grew up in, and the longing for home aches within her. When Bea uncovers a shocking secret, it takes her back across the water to Kilmore Quay, where – finally – long-buried truths will come to light. But fate has one last twist in store… Praise for The Moon Over Kilmore Quay ‘A heart-warming story which shows the power of friendship, family and heritage’ Independent ‘A life-affirming and emotional story on the importance of family and friends’ Woman ‘Unashamedly full of heart … takes the reader on an unputdownable journey between New York and Wexford. It is a story about family and identity, about legacy and secrets … a touching love letter to Ireland’ Hazel Gaynor ‘Love and laughter woven into a beautiful story brimming with Carmel’s trademark warmth’ Milly Johnson ‘A warm and beautifully evocative story of family and secrets, love and heartache, with a devastating twist that will break your heart’ Alex Brown ‘This fab dual-timeline story is full of secrets, love and all the emotions’ Fabulous ‘A charming, beguiling read, yet another winner from Carmel’ Belfast Telegraph

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