Search results for ""author nicholas""

Foreword by Tom Peters Internationally known management consultants Nicholas Imparato and Oren Harari connect the big picture of our changing civilizations with the specific practical actions that managers have to take to produce results today. All organizations are faced with the same challenge: the need to jump the curve to make significant, discontinuous leaps in their thinking, whether about product, technology, or management style. The alternative to follow current practices all the way to their inevitable decline is unacceptable. The authors show us that it is also unnecessary. Drawing on numerous personal interviews with innovative leaders around the world, as well as research and first-hand observation, Imparato and Harari identify the four strategic imperatives--innovation, intelligence, coherence, and responsibility--that will enable companies to successfully jump the curve and thrive in the emerging epoch. And they show how cutting-edge companies and leaders are translating these imperatives into action. Not since the dawn of the Modern Age some five hundred years ago has civilization undergone the kind of profound, rapid-fire changes we're experiencing today. Even organizations that are adapting, growing and innovating have the gnawing sense that obsolescence is right around the corner. Jumping the Curve offers perspective and guidance for doing business at this unique moment in time. It connects the big picture of our changing world with the practical actions managers must take now to position their organizations for success in a new epoch we can't yet fully see or understand.

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From colonial narratives and Cold War calculations to Iranian-US relations and the Middle East peace process, Oman has played an essential role in global diplomacy and international relations. For Oman, the idea of diplomacy refers not only to the country's interactions in the global community, but also to how Omani life itself is shaped by principles and practices of social and political engagement that are essentially diplomatic. Drawing on key research into Omani religious and social traditions, and ethnographic studies into Omani language and customs, this is the first book to connect Oman's international relations to its history, culture and social organisation.

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A comprehensive study of Oman presenting a portrait of a nation through its diplomacy. For Oman, the idea of diplomacy refers not only to the country's interactions in the global community, but also to the way in which Omani life itself is shaped by principles and practices of social and political engagement that are essentially diplomatic. Such principles are grounded in ideals of tact and tolerance that have developed over a long historical period. This is therefore a cultural history: an historical account of the formation of a distinctive Omani culture. It argues that this culture is where Oman's contemporary foreign policy has been nurtured, and that it is in this culture that a specific conception and practice of diplomacy has been developed. Key Features *the most comprehensive history in English of Oman's international relations *draws upon key research into Omani religious and social traditions, and ethnographic studies of language and social customs. *provides a perspective which places Oman at its centre, rather than as a background actor in broader colonial narratives, Cold War calculations or global concerns over the relationship between Islam and the West *presents an account of Oman's contemporary behind-the-scenes role in relation to Iranian US relations, and the Middle East peace process *the first book to connect Oman's international relations with considerations of Omani history, culture and social organisation

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This book critically engages with the proliferation of literature on postcapitalism, which is rapidly becoming an urgent area of inquiry, both in academic scholarship and in public life. It collects the insights from scholars working across the field of Critical International Political Economy to interrogate how we might begin to envisage a political economy of postcapitalism. The authors foreground the agency of workers and other capitalist subjects, and their desire to engage in a range of radical experiments in decommodification and democratisation both in the workplace and in their daily lives. It includes a broad range of ideas including the future of social reproduction, human capital circulation, political Islam, the political economy of exclusion and eco-communities. Rather than focusing on the ending of capitalism as an implosion of the value-money form, this book focuses on the dream of equal participation in the determination of people's shared collective destiny.

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This is a double volume dedicated to two masterpieces by Benjamin Britten. While Peter Grimes established Britten as a composer of international standing, Gloriana, composed for the coronation of Elizabeth II, has never enjoyed a comparable fame. The variety of mood, characterization and pace, in each, illustrates Britten’s exceptional gift for theatre. Commentaries on the scores reveal, for instance, how much the popular concert extracts gain from their context in the dramas. The essay by E.M. Forster – the inspiration for Peter Grimes – is reprinted here, and Michael Holroyd discusses Lytton Strachey’s controversial Elizabeth and Essex – the source for Gloriana. Contents: Benjamin Britten’s Librettos, Peter Porter; George Crabbe: The Poet and the Man, E.M. Forster; ‘Peter Grimes’: A Musical Commentary, Stephen Walsh; Peter Grimes: Libretto by Montagu Slater; ‘Peter Grimes’ and ‘Gloriana’, Joan Cross, Peter Pears and John Evans; Some Reflections on the Operas of Benjamin Britten, Buxton Orr; ‘A daring experiment’, Michael Holroyd; The Librettist of ‘Gloriana’, Rupert Hart-Davis; The Music of ‘Gloriana’, Christopher Palmer; Notes on the Libretto of ‘Gloriana’, William Plomer; Gloriana: Libretto by William Plomer

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“The truth is rarely pure and never simple,” declares Algernon early in Act One of The Importance of Being Earnest, and were it either, modern literature would be “a complete impossibility.” It is a moment of sly, winking self-regard on the part of the playwright, for The Importance is itself the sort of complex modern literary work in which the truth is neither pure nor simple. Wilde’s greatest play is full of subtexts, disguises, concealments, and double entendres. Continuing the important cultural work he began in his award-winning uncensored edition of The Picture of Dorian Gray, Nicholas Frankel shows that The Importance needs to be understood in relation to its author’s homosexuality and the climate of sexual repression that led to his imprisonment just months after it opened at London’s St. James’s Theatre on Valentine’s Day 1895.In a facing-page edition designed with students, teachers, actors, and dramaturges in mind, The Annotated Importance of Being Earnest provides running commentary on the play to enhance understanding and enjoyment. The introductory essay and notes illuminate literary, biographical, and historical allusions, tying the play closely to its author’s personal life and sexual identity. Frankel reveals that many of the play’s wittiest lines were incorporated nearly four years after its first production, when the author, living in Paris as an exiled and impoverished criminal, oversaw publication of the first book edition. This newly edited text is accompanied by numerous illustrations.

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An earthy, cruel, and hilarious family drama of profound and reckless love Set in a bar in the Florida Everglades, this biting, brutally funny multigenerational family drama concerns a Gulf Coast couple, their disabled young ward, two lesbian tenants, and the bonds that bind them all together. The eleventh winner of the Yale Drama Series playwriting competition, it is a powerful story born out of the playwright’s own experiences with the rapidly changing social environment of rural Florida, where long-standing traditions and beliefs can collide, sometimes dangerously, with new ideas of personhood, identity, and self-realization. A rich and colorful mélange of American classes and cultures, Bottle Fly recounts a profoundly human struggle to reconcile the masks worn at home with the ones donned to go out into the world.

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Arguments about the "evidences of Christianity" have consumed the talents of believers and agnostics. These arguments have tried to give—or to deny—Christian belief a "foundation." Belief is rational, the argument goes, only if it is logically derived from axiomatic truths or is otherwise supported by "enough evidence." Arguments for belief generally fail to sway the unconvinced. But is this because the evidence is flimsy and the arguments weak—or because they attempt to give the right answer to the wrong question? What, after all, would satisfy Russell's all for evidence? Faith and Rationality investigates the rich implications of what the authors call "Calvinistic" or "Reformed epistemology." This is the view of knowledge-enunciated by Calvin, further developed by Barth-that sees belief in God as its own foundation; in the authors’ terms, is it properly "basic" in itself.

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A special new enlarged edition of the bestselling Christmas story told from the point of view of the grumpy innkeeper. When a night of angels, shepherds and bright stars keeps him from his sleep, is there anything that will cheer him up?

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American photographer Nicholas Nixon (born 1947) is best known for The Brown Sisters, his ongoing series of annual portraits of his wife Bebe and her three sisters (recently exhibited and published by The Museum of Modern Art). But Nixon's wider oeuvre has been less well documented. Long overdue, Nicholas Nixon: About Forty Years will be the first publication to focus on the broader swath of Nixon's more than 40-year career. In a published statement about photography written in 1975, Nixon remarked, "The world is infinitely more interesting than any of my opinions about it." To present the world as he sees it--in fascinating, precise and often startling detail--Nixon has consistently used unwieldy large-format cameras, with negatives measuring 8 x 10 inches or 11 x 14 inches. His recurring subjects--cities seen from above, people on their porches, landscapes, portraits of the very young and the very old--are woven together throughout his career like the cords of a cable. Nixon's large-format black-and-white photography is simultaneously intimate, technically precise and somehow relaxed. Beautifully designed and with exquisitely reproduced images, About Forty Years presents the most thorough view yet of this important artist's career.

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William Turnbull (1922-2012) stands as one of Britain's foremost artists in the second half of the twentieth century. Both a sculptor and a painter, he explored the changing contemporary world and its ancient past, actively engaging with the shifting concerns of British, European and American artists.Presenting interpretations of Turnbull's work from an impressive roll-call of over sixty art historians, curators, critics and artists, a picture emerges of an innovative artist who determinedly followed his own path, drawing on influences as diverse as ancient cultures and contemporary music. Expansive in its breadth, William Turnbull: International Modern Artist will stand as the authoritative book on this fascinating artist.With contributions by Oliva Bax, Paul Becker, Andrew Bick, Antonia Boström, Mel Brimfield, Bianca Chu, Matthew Collings, Ann Compton, Sam Cornish, Keith Coventry, Elena Crippa, Amanda A. Davidson, Michael Dean, John Dee, Richard Demarco, Edith Devaney, Norman Dilworth, Patrick Elliott, Ann Elliott, Garth Evans, Pat Fisher, Neil Gall, Margaret Garlake, Antony Gormley, Kirstie Gregory, Kelly Grovier, Nigel Hall, Bill Hare, Daniel F. Herrmann, Peter Hide, Ben Highmore, Nick Hornby, Tess Jaray, Julia Kelly, Phillip King, Liliane Lijn, Clare Lilley, Jeff Lowe, Tim Martin, Ian McKeever, Henry Meyric Hughes, Catherine Moriarty, Richard Morphet, Jed Morse, Peter Murray, Matt Price, Peter Randall-Page, Guggi Rowen, Natalie Rudd, Michael Sandle, Dawna Schuld, Sean Scully, Jyrki Siukonen, Chris Stephens, Peter Suchin, Marin R. Sullivan, Mike Tooby, William Tucker, Johnny Turnbull, Alex Turnbull, Michael Uva, Brian Wall, Nigel Walsh, Calvin Winner, Jon Wood, Bill Woodrow, Greville Worthington, Emily Young

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A fluent and accurate new translation of the dialogue that, of all Plato's works, has seemed to speak most directly to the interests of contemporary and analytical philosophers. White's extensive introduction explores the dialogue's central themes, its connection with related discussions in other dialogues, and its implicaiton for the interpretation of Plato's metaphysics.

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This major new volume brings together leading international scholars to debate the continuing importance and relevance of the concept of abjection for the interpretation of modern and contemporary culture. This genuinely interdisciplinary collection includes important new essays that draw on the work of Georges Bataille, Judith Butler, Julia Kristeva and other key critical thinkers to provide innovative readings of works of art, film, theatre and literature. The clear and accessible essays in this volume extend the existing literature on abjection in exciting new ways to demonstrate the enduring richness of the concept.

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This novel by one of Turkey's most highly regarded writers tells the story of a granddaughter's reckoning with the suppressed and traumatic memories of her grandmother, who survived a genocidal massacre in the Dersim region of southeast Turkey in 1938. Based on Sema Kaygusuz's relationship to her own grandmother, the novel embeds the turmoil of contemporary mass violence within mythic and deep historical timescapes, cracking open the modern history of Turkey to ask greater questions about good and evil, about exile and survival, about resilience in an age of everyday horror.

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Over the past 30 years, merger control has become well-established around the world with broad consensus around its ambit and objectives. That consensus has fractured in recent years. Enforcement today is at a critical juncture, facing an array of challenges and calls for reform unprecedented in their scope and intensity.Authored by leading legal practitioners, economists, enforcers and jurists, this timely Research Handbook on Global Merger Control discusses various critiques that have been made and considers an array of jurisdictional, procedural, substantive and other issues that are generating intense debate across the antitrust community. These include the scope and objectives of merger control, whether merger control can be reconciled with industrial policy, whether the consumer welfare standard is an appropriate tool for substantive assessment, whether merger control should be used to meet broader policy objectives, and whether existing rules and presumptions are appropriate for the digital age.This Research Handbook will be of great value to anyone interested in global merger control, digital markets, industrial policy and the role of public interest considerations. It provides an excellent tool for academics and practitioners looking to gain a rounded view of current issues in global merger control and an understanding of how enforcement is likely to evolve.

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Verdi’s Simon Boccanegra exists in two versions: that of the 1857 original and that of the 1881 revision. The texts of the libretto of both versions are included in this guide, with a number of essays which focus on the differences between the two. Rodolfo Celleti provides the story’s historical context, setting the events of the real life of Simon Boccanegra against the unification of Italy, which formed the political backdrop to the composition of both versions of Verdi’s opera. James A. Hepokoski gives a detailed synopsis of the 1881 score, and indicates the ways in which Verdi radically revised the original and reworked it to fit his late style. Lastly, Desmond Shawe-Taylor discusses Verdi’s attitude to his singers, and the critical reception that performances of both versions of the opera received. This edition contains over twenty illustrations, a thematic guide and the texts of the libretti in the original with literal translations. There is also a bibilography, discography and DVD guide, together with a list of websites that will allow the reader to explore the opera further. Contents: An Historical Perspective, Rodolfo Celletti; An Introduction to the 1881 Score, James Hepokoski; Verdi and his Singers, Desmond Shawe-Taylor; Simon Boccanegra: Libretto by Francesco Maria Piave with additions by Giuseppe Montanelli and additions and alterations by Arrigo Boito; Simon Boccanegra: English translation by James Fenton

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The exploits of Alexander the Great were so remarkable that for centuries after his death the Macedonian ruler seemed a figure more of legend than of history. Thinkers of the European Enlightenment, searching for ancient models to understand contemporary affairs, were the first to critically interpret Alexander’s achievements. As Pierre Briant shows, in the minds of eighteenth-century intellectuals and philosophes, Alexander was the first European: a successful creator of empire who opened the door to new sources of trade and scientific knowledge, and an enlightened leader who brought the fruits of Western civilization to an oppressed and backward “Orient.”In France, Scotland, England, and Germany, Alexander the Great became an important point of reference in discourses from philosophy and history to political economy and geography. Voltaire, Montesquieu, and Robertson asked what lessons Alexander’s empire-building had to teach modern Europeans. They saw the ancient Macedonian as the embodiment of the rational and benevolent Western ruler, a historical model to be emulated as Western powers accelerated their colonial expansion into Asia, India, and the Middle East.For a Europe that had to contend with the formidable Ottoman Empire, Alexander provided an important precedent as the conqueror who had brought great tyrants of the “Orient” to heel. As The First European makes clear, in the minds of Europe’s leading thinkers, Alexander was not an aggressive militarist but a civilizing force whose conquests revitalized Asian lands that had lain stagnant for centuries under the lash of despotic rulers.

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More than 120 years after Oscar Wilde submitted The Picture of Dorian Gray for publication in Lippincott’s Monthly Magazine, the uncensored version of his novel appears here for the first time in a paperback edition. This volume restores all of the material removed by the novel’s first editor.Upon receipt of the typescript, Wilde’s editor panicked at what he saw. Contained within its pages was material he feared readers would find “offensive”—especially instances of graphic homosexual content. He proceeded to go through the typescript with his pencil, cleaning it up until he made it “acceptable to the most fastidious taste.” Wilde did not see these changes until his novel appeared in print. Wilde’s editor’s concern was well placed. Even in its redacted form, the novel caused public outcry. The British press condemned it as “vulgar,” “unclean,” “poisonous,” “discreditable,” and “a sham.” When Wilde later enlarged the novel for publication in book form, he responded to his critics by further toning down its “immoral” elements.Wilde famously said that The Picture of Dorian Gray “contains much of me”: Basil Hallward is “what I think I am,” Lord Henry “what the world thinks me,” and “Dorian what I would like to be—in other ages, perhaps.” Wilde’s comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own repressive Victorian era. By implication, Wilde would have preferred we read today the uncensored version of his novel.

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An A - Z illustrated Town and Village guide to what you can see in the Cotswolds, with word and pen the Author brings to life this wonderful part of England, show and explaining what you can see as you explore the Cotswolds. From the strange sounding Cotswold towns and villages with this guide you will be shown sides of the Cotswolds that the average visitor often misses, the text is brought to life with well over 100 pen and ink sketches of Gargoyles and Hobbit like church entrances, Public monuments to medieval punishment tools, Castles to Magic stones, a life time of local knowledge has gone into this book. The beauty of the Cotswolds is not new, it is not something that has just come about recently, it is, you might even say, as old as the hills themselves. But it is not only beauty to be found in these hills, they are also rich in history, the Romans came, stayed a while and then left. They were about the first to leave us monuments of their advanced way of life that we can understand today, then came the Saxons, the Danes and the Normans. Each left something by which to remember them. In more recent times great houses have been built and are there for all to see. The Cotswolds intriguing, majestic, even cruel in its own way. There is a bigness that is breathtaking, especially during the summer, a loneliness that can be frightening during the winter, but always a grandeur, as powerful as an exciting tale that not one little bit must be missed. Perhaps early man found the excitement of these hills a good reason for settling in them. They offered a natural fortification in many instances for settlements, often with views over the valley of the Severn, where animals could be hunted and fish caught in the river. It is hoped that your visit to the Cotswolds will be most enjoyable, and if, with the help of these pages, more memorable, then the object of this publication will have been achieved

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This book features 366 poems, one for each day of the year (including leap years). Chosen for their narrative, resonance and rhythm, these are poems to learn by heart or treasure and enjoy. Poets included range from Yeats, Shakespeare, Housman and Kipling, to contemporary poets such as Wendy Cope, Carol Ann Duffy, Maya Angelou and Thom Gunn.

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Number Six is still trapped in `The Village'. Do those who run this place want simply to extract classified information or do they have a darker purpose? Number Six has to believe he will escape. And this time he begins to see a possible way out. But will the price of freedom be too high? 3.2 The Girl Who Was Death. Six finds himself free again, back in London. But how did he get here? An explosion rocks the city and Six must work out who he can trust. Will it be Control, Danvers, Number 43, Kate, Number Teo or Potter? 3.3 The Seltzman Connection. Potter and ZM-73 think that if they go back to the beginning of it all, they’ll be able to solve the mystery of the Village. But can Professor Jacob Seltzman really provide all the answers? 3.4 No One Will Know. From London, to Kandersfeld to the Village… Will an end to it all ever be possible? CAST: Mark Elstob (Number Six), Alicia Ambrose-Bayly (Number 999), Jim Barclay (Control), Lucy Briggs-Owen (Kate Butterworth / Number Two) Richard Dixon (Professor Jacob Seltzman), Barnaby Edwards (Danvers / Shopkeeper / Marcus Gray / Herr Müller), Genevieve Gaunt (Number 43 / Anita), Jennifer Healy (Operations-Controller / Village Voice), Lorelei King (Number Two), Glen McCready (Potter / Sir Clifford Earl), Sarah Mowat (Janet). Other parts played by members of the cast.

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In March 2014, Tom Baker sat down with Nicholas Briggs to look back over his 80 amazing years - his youth, his early acting career, his great success with Doctor Who and beyond... and his return to his most famous role with Big Finish.

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'A roaring tale ... remains as vivid and exciting today as it was on publication in 1697' GuardianThe pirate and adventurer William Dampier circumnavigated the globe three times, and took notes wherever he went. This is his frank, vivid account of his buccaneering sea voyages around the world, from the Caribbean to the Pacific and East Indies. Filled with accounts of raids, escapes, wrecks and storms, it also contains precise observations of people, places, animals and food (including the first English accounts of guacamole, mango chutney and chopsticks). A bestseller on publication, this unique record of the colonial age influenced Robinson Crusoe, Gulliver's Travels and consequently the whole of English literature.Edited with an Introduction by Nicholas Thomas

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'Klaus Schwab and the World Economic Forum contribute significantly to one of the most important issues of our time-how to move forward in the Fourth Industrial Revolution' -Jack Ma, Executive Chairman, Alibaba GroupWorld Economic Forum Founder and Executive Chairman Klaus Schwab offers a practical companion and field guide to his previous book, The Fourth Industrial Revolution.Today, technology is changing everything-how we relate to one another, the way we work, how our economies and governments function, and even what it means to be human. Incredible advances-from cryptocurrencies to AI to the internet of things-are already transforming society in unprecedented ways. But the Fourth Industrial Revolution is still in its infancy, says Schwab, and at a time of such tremendous uncertainty and change, it's our actions that will determine the trajectory the future will take.Drawing on contributions from 200 top experts in fields ranging from machine learning to geo-engineering to nanotechnology, to data ethics, Schwab equips readers with the practical tools to leverage the technologies of the future to leave the world better, safer, and more resilient than we found it.'The technologies of the Fourth Industrial Revolution are extraordinary. Leadership has to be equally extraordinary to manage the complexities of systemic change' - Eric Schmidt, Technical Advisor, Alphabet

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A journey through the groundbreaking works of Bruce Nauman, one of the most restlessly inventive contemporary artists of today. Since the late 1960s Bruce Nauman has established a completely new understanding of contemporary art, and has been acknowledged as one of the most relevant artists of the twentieth century. Both the last modern artist and because of his ceaseless experimental approach to new media – the very first contemporary artist, Nauman has is recognised for his landmark conceptual approach against which much contemporary art of today can be measured. Focusing in particular on his experiments with sound, the moving image and immersive installations, this book features explorations of Nauman's video works of the 1980s and 1990s, as well as on his studio practice and more recent work, along with a revealing in-depth conversation between the artist and Andrea Lissoni and Nicholas Serota. This essential book reveals Bruce Nauman as an artist who has uniquely blazed a trail in both the twentieth and twenty-first centuries.

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Nicholas J. McBride is a Fellow of Pembroke College, Cambridge; he was formerly a Fellow of All Souls College, Oxford. Roderick Bagshaw is a Fellow of Magdalen College, Oxford.

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Born in America in the late 1940s, drag racing soon spread across the world, reaching Britain in 1960 when some local hot rod clubs joined forces to form the British Hot Rod Association. At the same time, Sydney Allard saw drag racing as a new challenge, and began building an American style-dragster in the Allard workshops. Sydney also brought over teams of American dragsters to show the British what drag racing was all about, while the British Hot Rod Association was holding meetings on RAF runways with a growing number of enthusiasts who were building their own dragsters based on the American machine designs. John Bennett realised that for drag racing to grow in Britain a permanent facility needed to be found, and at the end of 1965, he announced that Podington airfield was to become Santa Pod Raceway, opening for business in 1966. This book takes a detailed look at the burgeoning British drag racing of the 1960s, complemented by rare colour photos. It follows the development of Santa Pod Raceway, and the ever increasing fields of competitors that ran there up to 1969. A fascinating, nostalgic study of one of the fastest, loudest, most powerful motor sports in the world.

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Acheloios, Thales, and the Origin of Philosophy: A Response to the Neo-Marxians fundamentally changes our understanding of a pivotal moment in the history of mankind – the origin of the philosophical experience in 6th century Ionia. Through a careful analysis of the archaeological record, a close reading of hundreds of ancient sources, and a deep investigation into the various languages of our past, Nicholas Molinari demonstrates the importance of the influence of the cult of Acheloios on Thales; provides a critique of the Neo-Marxian prioritization of coined money and conflation of metaphysical cosmology and philosophy; and, most importantly, reintegrates beauty and love as philosophy’s ultimate source.

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The youthful vigour of urbanization in North America has promulgated a dominant perspective on urban theory, specifically on suburbs, that establishes the United States as the norm against which all other contexts are measured. However, much of the vocabulary surrounding the American experience isn't applicable to the wider world. Old Europe, New Suburbanization? takes us on a journey of rediscovery into some of Europe's oldest metropolises. The volume's contributors reveal the great variety of patterns and processes of urbanization that make Europe a fruitful ground for furthering the diversity of global suburbanisms. The effects of urban history found in such cities as Athens, London, Madrid, Montpellier, and Sofia, varies greatly due to the sheer variety of economic, industrial, land, and expansionist policies at play on the continent. This collection highlights the varied historical and geographical manifestations that have shaped urban areas and provides evidence for new processes of suburbanization.

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