Search results for ""Author Peter Prinz"

Now in its fifth edition, Frank Beaver’s Dictionary of Film Terms has become an indispensable reference tool for the study of films and filmmaking. This trusted and practical handbook clearly and concisely defines the essential terms of film analysis and film art, with a special focus on the aesthetic parameters and values of filmmaking.The updated and expanded edition includes new definitions ranging from «bullet-time» optical effects, to the coming-of-age narrative, and LED lighting technology in science fiction films such as Gravity. More than 200 film title references not cited in previous editions have been added. Many classic and contemporary photo stills are included to illustrate terms. Extensive cross-referencing among individual definitions ensures easy access to interrelated terms, and a comprehensive topical index relates to larger concepts of film art.This up-to-date and comprehensive resource is a useful companion for film students and filmgoers, who will find it illuminating in its range and clarity.

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AIDS, Sexuality, and the Black Church: Making the Wounded Whole is a revealing account of AIDS activism within Black churches in New York City. AIDS has taken a devastating toll on the Black community. Blacks make up approximately 13% of the total United States population, but almost half of all those infected with HIV in the U.S. are Black. Previous research has claimed that these high rates are due, in large part, to the lack of an immediate response by Black Church leaders and officials when AIDS first began to strike Blacks in the early 1980s. The Black Church can play a major role in providing AIDS education to its parishioners and community. However, feeling uncomfortable with addressing sexuality and homosexuality, many Black churches have simply avoided addressing AIDS believing that such conversations were inappropriate for church. As a result, The Balm in Gilead was formed in 1992 to encourage AIDS awareness among Black religious institutions. The Balm in Gilead is now the largest organization to work exclusively with the Black Church to promote AIDS education and awareness. In AIDS, Sexuality, and the Black Church, Angelique Harris examines the formation of the Black Church AIDS movement and the organizational development of The Balm in Gilead. This research begins from the perspective that the Black Church is working to address AIDS, and details how this work is being done. Harris couches her findings within social movement theory, the sociology of health and illness, social marketing, and the social construction of knowledge. This text provides a unique lens through which to examine AIDS discourse within the Black community. AIDS, Sexuality, and the Black Church is essential reading for AIDS scholars, researchers, and community activists alike.

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Now in its second edition, Advertising and Societies: Global Issues provides an international perspective on the practice of advertising while examining some of the ethical and social ramifications of advertising in global societies. The book illustrates how issues such as the representation of women and minorities in ads, advertising and children, and advertising in the digital era have relevance to a wider global community. This new edition has been updated to reflect the dramatic changes impacting the field of advertising that have taken place since publication of the first edition. The growing importance of emerging markets is discussed, and new photos are included. The book provides students and scholars with a comprehensive review of the literature on advertising and society and uses practical examples from international media to document how global advertising and global consumer culture operate, making it an indispensable research tool and invaluable for classroom use.

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Since his first public appearance in the late 1590s, Shylock has been synonymous with antisemitism. Many of his bon mots remain common currency among Jew-haters; among them "3000 ducats" and the immortal "pound of flesh". But Shakespeare, being Shakespeare, was incapable of inventing anyone so uninteresting; instead he affords Shylock such ambiguity that some of his other lines have become keynotes for believers in shared humanity and tolerance. Following Shakespeare's example these stories - all inspired by The Merchant of Venice - range from the comic to the melancholic. Many pivot on significant productions of the play: Stockholm in 1944, London in 2012, and Venice in 2016. Some are concerned with domestic matters, others with the political, including one - more outrageous than the others - that links Shylock via Israel with the American presidency; most combine both. Running through these linked stories - of which there are seven, like the ages of man - is the cycle of family life, with all its comedy and tragedy.

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Clive Sinclair's first collection of stories won the Somerset Maugham Award.His second was short-listed for the inaugural Dylan Thomas Award.His third won both the PEN Silver Pen, and the Jewish Quarterly Award for fiction.This is his fourth.The new stories range from New Orleans and Texas to Peru and Venice.Their subjects are loss, the fear of loss, and love, most especially that between husbands and wives, fathers and sons.Their cast includes the quick and the dead, the real and the imagined: Davy Crockett, Kinky Friedman, Captain Haddock, Princess Diana, and Shylock.They are as cruel as life, and as funny.

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An ageing film director named Yair Moses has been invited to the Spanish pilgrim city of Santiago de Campostela for a retrospective of his early work. As he and Ruth, his leading actress and longtime muse, settle into their hotel, Moses notices the painting over his bed depicting a classical legend of an old prisoner nursing at the breast of a young woman. For the first time in decades, he recalls the infamous scene from one of his early films which led to his estrangement from his difficult but brilliant screenwriter, Trigano, who was also Ruth's former lover.Throughout the retrospective, Moses is unsettled, straddling the past and the present, and upon his return to Israel, he decides to find the elusive Trigano and propose a new collaboration. But the screenwriter demands a price for such a reconciliation, one that will have strange and lasting consequences.Searching, intellectual, and original, The Retrospective is a probing meditation on mortality, the limits of memory, and the struggle of artistic creation by one of the world's most esteemed writers.

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Anne Frank is known worldwide for her moving and powerful Diary written whilst hiding from the Nazis. Less well known are these stories, fables, personal reminiscences and an unfinished novel - now re-issued after being out of print for many years. Her humour, unflinching honesty and her wisdom - all evident in The Diary of Anne Frank - are equally present in these Tales, rendering it an essential part of her legacy.

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Yehuda Kaminka, a retired teacher, returns to Israel from the U.S. to divorce his estranged wife who is in a mental asylum, having tried to kill him a few years earlier. The impending divorce of their parents throws into turmoil the lives of the couple's three children and grandson, revealing the complexity of their relationships. Yehuda's nine days, leading up to Passover, are remembered by different members of the family: A.B. Yehoshua's brilliance reveals itself in these different voices, each a minor masterpiece.A picture slowly emerges of what happened as memories are revived, hopes expressed and dreams articulated. The narrative gathers pace as Yehuda's visit draws to an end and he changes his mind about the divorce agreement.

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Professor Yohanan Rivlin has two obsessions, the first and most ambitious, is to understand the Arab mind - no mean feat in itself though perhaps made easier by the fact that he lives and works with Israeli Arabs. The second - and more personal, though equally hard to grasp - is to understand the failure of his elder son's marriage. Rivlin's two quests lead him to extraordinary - and at times highly entertaining - encounters with very disparate people, where the personal becomes intertwined with the political, as he searches out the truth both in politics and life.

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Naomi Shepherd is a prize-winning historian and biographer; here she turns her hand to fiction, revealing a razor-sharp eye, a finely attuned ear, and a keen sense of cultural dissonance. In each of these thirteen stories we see a different facet of a fast-changing country where the clash of cultures and of expectations creates situations rich in humour, poignancy, disappointment, and tragedy.

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Each year, thousands of consulting contracts are awarded by organizations to experts who help them with challenges involving people, processes, technologies, goals, resource allocation, problem solving, and more. This volume offers consultants a range of alternative approaches, paradigms, and competencies to build their credibility.

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The twentieth century was the magazine century in many ways. Between 1900 and 2000, the number of magazines grew from about 3,000 to 17,815 – a 593 percent increase, which exceeded population growth by 95 percent. The typical American read less than half a magazine per month in 1920, but by 2000 that figure had tripled. This book examines how and why magazines grew so rapidly. Structured chronologically by decade, it tells the stories of innovative publishers, editors, and magazines, and how and why they succeeded. Illuminating how the move from general interest to niche audiences originated early in the century – not after the rise of television – the book also shows how the growth of advertising enabled the cost of magazines to steadily decline. However, declining costs and expanding audiences brought a steady erosion in the intellectual content of magazines, illustrated by the rise in sex and celebrity titles during the 1970s and later. The book concludes with an assessment of the decade since 2000, and offers an optimistic outlook for the future of magazines.

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Yogev Ben-Ari has been sent to St Petersburg by the Mossad - ostensibly to set up business links. His life is solitary, ordered and lonely, until he meets Anna. Neither is quite what they seem to be, but there is no doubt about the love they feel for each other.This encounter is definitely not part of the Mossad plan and they hatch a dark scheme to drive the two apart. Ben-Ari has no time to discover the truth about Anna's real identity before the Mossad resolves the issue for him. But still Ben-Ari doesn't give up, determined to learn the truth about their love.Amid the shadowy manipulations of the secret services, Mishka Ben-David depicts the world of a Mossad agent who chooses, against all odds, to fight for his right to be with the woman he loves.

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The Race and Education Primer introduces its topic as perspective, policy and pedagogy. It provides a thematic introduction to the guiding beliefs and major practices in the field, with a special emphasis on critical, recurring themes. These include race and intelligence, the education gap, teacher education and cultural competence. Approaching race and education in global context, the primer covers topics of interest to both novice and advanced students. A glossary and suggested readings and resources add to the volume’s value for students new to the field.

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Total Loss Farm in Guilford, Vermont, was and is a wordy place. Its hilly acres and flimsy buildings provided a refuge from a riven country, a place to grow paragraphs and stanzas, among the tilled rows of the market garden. Peter Gould's first novel Burnt Toast was a youthful exploration of this mythic turf. Peter left the farm to pursue love and work. In Horse-Drawn Yogurt, Peter returns to offer his take on how we lived in times that seem exotic, yet oddly familiar, in this second edition, with three new stories and an introduction by Vermont author Bill Schubart. Gould is eloquent, whimsical, critical, musical, magical, and tender. The new stories in this second edtion are gems with additional line drawings by the author.

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