Search results for ""Author Charlotte"

Architecture, as a discipline and a profession, is facing several crises, which, as yet, it has by no means successfully overcome. The basic hypothesis of the Cosmowomen project is that fully incorporating women into the professional and academic field of architecture would generate new places for thought and attention on the part of professionals or consolidate and expand those that exist, while also intensifying the relationships between those ‘places of thought’, producing a kind of constellation. The exhibition incorporates the work of 65 women architects who have taken the master’s degree programme at the Bartlett School of Architecture in the past ten years, showing a total of 71 projects and including 283 images. The architects are of more than 20 different nationalities and have been tutored by 22 tutors, 50% of them women, who also come from a wide variety of backgrounds in cultural terms and professional experience. The exhibition catalogue includes texts by 20 women architects or professionals in related fields, all with outstanding academic records. Architects: Ana Alonso, Anna Andronova, Christia Angelidou, Felicity Barbur, Justine Bell, Paddi Alice Benson, Christine Bjerke, Romina Canna, Emma Louise Carter, Nicola Chan, Doville Ciapaite, Freya Cobbin, Charlotte Cole, Emma Colthurst, Malina Dabrowska, Naomi De Barr, Emily Doll, Sarah Earney, Sara Firth, Karen A. Frank, Maria Auxiliadora Galvez, Masha Gerzon, Naomi Gibson, Cristina Goberna Pesudo, Faye Greenwood, Lola Haines, Penelope Haralambidou, Bijou Harding, Alice Hardy, Janis Ho, Helena Howard, Sarah Izod, Niki-Marie Jansson, Johanna Just, Gintare Kapociute, Minghui Ke, Fanny Kostorou, Le (Lulu) Li, Ifigeneia Liangi, Ting Jui (Brook) Lin, Marjut Lisco, Shi Yin Ling, Emily Martin, Sara Martinez Zamora, Lauren McNicoll, Heba Mohsen, Alex Mok, Ness Lafoy, Hoy Lei (Kerri) Ngan, Charlotte Page, Jiao Peng, Barbara Penner, Sylwia Poltorak, Sophia Psarra, Katherine Ramchand, Ellie Sampson, Julia Schuetz, Katt Scoot, Maïté Seimetz, Tania Sengupta, Rose Shaw, Faustyna Smolilo, Elin Soderberg, Catrina Stewart, Paula Strunden, Yan Ting (Lorraine), Stefania Tsigkouni, Yinghao Wang, Angeline Wee, Izabela Wieckzorek, Kate Woodcock Fowles, Feng Yang, Siyuan (Amy) Yao, Venessa Yau, See (Phyllis) Yu, Mika Zacarias. Text in English and Italian.

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A riveting collection of short stories by the French feminist Marie-Louise Gagneur. Much acclaimed amongst her contemporaries and yet all but forgotten today, Marie-Louise Gagneur was a defining voice in French feminism. These stories, translated into English for the first time, critique the restrictions of late nineteenth-century society and explore the ways in which both men and women are hurt by rigid attitudes towards marriage. In An Atonement, the Count de Montbarrey awakes one morning to find his wife dead, leaving him free to marry the woman he really loves. Could the Count have accidentally killed his wife? And how can he atone for his crime? Three Rival Sisters tells the story of the rivalry between Henriette, Renee and Gabrielle as they compete for the affections of one man. But marriage does not necessarily guarantee happiness, as the sisters are about to find out. Steeped in wit, empathy and biting social criticism, and with echoes of Charlotte Perkins Gilman and Kate Chopin, the stories show Gagneur to be worthy of renewed attention.

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Alliance Rises in the West documents the experiences of a company town at a critical moment in the rise of working-class consciousness in nineteenth-century California. Through archaeological research Charlotte K. Sunseri overcomes the silence of the documentary record to re-examine the mining frontier at Mono Mills, a community of multiple ethnic and racial groups, predominantly Chinese immigrants and Kudzadika Paiutes. The rise of political, economic, and social alliances among workers symbolized solidarity and provided opportunity to effect change in this setting of unequal power. Urban planning and neighborhood layout depict company structures of control and surveillance, while household archaeology from ethnically distinct neighborhoods speaks to lived experiences and how working-class identities emerged to crosscut ethnic and racial divides imposed in capitalism. Mono Mills’s Paiute and Chinese communities experienced exclusionary legislation and brutal treatment on the basis of racial prejudice but lived alongside and built community with European American laborers, managers, and merchants who were also on an economic periphery. These experiences in Mono Mills and other nineteenth-century company towns did not occur in a vacuum; capitalists’ control and ideologies of race and class all doubled down as American workers used collective action to change the rules of the system. In this rare, in-depth perspective, close consideration of the ghost towns that dot the landscape of the West shows the haunting elements of capitalism and racial structures that characterized Gilded Age society and whose legacies endure to this day.

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The text of the Fourth Edition of the Norton Critical Edition of Emma is based on the 1816 edition published by John Murray. George Justice has lightly and judiciously emended the text for faithfulness and clarity. The novel is accompanied by detailed explanatory annotations as well as facsimiles of the 1816 title and dedication pages. “Backgrounds” collects a wealth of source material, much of it new to the Fourth Edition. New material includes Austen’s correspondence with her publisher about the business of writing, revealing Austen’s view of her own writing and career. In addition, there are two sets of verses—“Kitty, A Fair But Frozen Maid” and “Robin Adair”—referenced in Emma as well as responses (1815–1950) to Austen and her writing from, among others, Charlotte Brontë, Juliet Pollock, Virginia Woolf, D. W. Harding, and Edmund Wilson. “Reviews and Criticism” includes twelve major interpretations of the novel, nine of them new to the Fourth Edition. New contributors include Jan Fergus, Patricia Meyer Spacks, Tony Tanner, Maaja Stewart, D. A. Miller, Emily Auerbach, Gabrielle D. V. White, Richard Jenkyns, and David Monaghan. A Chronology and Selected Bibliography are also included.

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The Broadview Anthology of Victorian Poetry and Poetic Theory is the most comprehensive collection of poetry from the period ever published. Included are generous selections from the work of all major poets, and a representation of the work of virtually every poet of significance, from Thomas Ashe at the beginning of the era to Charlotte Mew at its end. The work of Victorian women poets features very prominently, with extensive selections not only from canonical poets such as Elizabeth Barrett Browning and Christina Rossetti, but also from poets such as Augusta Webster for which high claims have recently been made by critics. The anthology reflects (and will contribute to) the ongoing reassessment of the canon that is central to English Studies today; in all, sixty-six poets are represented.The editors have included complete works wherever feasible — including the complete texts of Tennyson’s In Memoriam and of a number of other long poems. A headnote by the editors introduces the work of each poet, and each selection has been newly annotated.The inclusion of twenty-five selections of the poetic theory from the period is an important feature rounding out the anthology.This anthology is also available in a concise edition.

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Picking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1987, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national -- and often international -- stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of John Doe and Tom DeSavia's west coast punk history portrays the rich cultural diversity of the movement and its characters, the legacy of the scene, how it affected other art forms, and ultimately influenced mainstream pop culture. The book also pays tribute to many of the fallen soldiers of punk rock, the pioneers who left the world much too early but whose influence hasn't faded.As with Under the Big Black Sun, the book features stories of triumph, failure, stardom, addiction, recovery, and loss as told by the people who were influential in the scene, with a cohesive narrative from authors Doe and DeSavia. Along with many returning voices, More Fun in the New World weaves in the perspectives of musicians Henry Rollins, Fishbone, Billy Zoom, Mike Ness, Jane Weidlin, Keith Morris, Dave Alvin, Louis Pérez, Charlotte Caffey, Peter Case, Chip Kinman, Maria McKee, and Jack Grisham, among others. And renowned artist/illustrator Shepard Fairey, filmmaker Allison Anders, actor Tim Robbins, and pro-skater Tony Hawk each contribute chapters on punk's indelible influence on the artistic spirit.In addition to stories of success, the book also offers a cautionary tale of an art movement that directly inspired commercially diverse acts such as Green Day, Rancid, Red Hot Chili Peppers, Wilco, and Neko Case. Readers will find themselves rooting for the purists of punk juxtaposed with the MTV-dominating rock superstars of the time who flaunted a "born to do this, it couldn't be easier" attitude that continued to fuel the flames of new music. More Fun in the New World follows the progression of the first decade of L.A. punk, its conclusion, and its cultural rebirth.

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Plans included: Charlotte Amalie (St Thomas) (1:30 000) Cruz Bay (St John) (1:20 000) Road Harbour, Sea Cow Bay & Nanny Cay Marina (Tortola) (1:20 000) Benner Bay (St Thomas) (1:30 000) Great Camanoe to Scrub Island (1:20 000) Road Harbour & Approaches (Tortola) (1:20 000) Virgin Gorda Yacht Harbour (Virgin Gorda) (1:20 000) South Sound (Virgin Gorda) (1:20 000) Gorda Sound (Virgin Gorda) (1:25 000) Fat Hogs Bay & Maya Cove (Tortola) (1:20 000) Imray-Iolaire charts for the Caribbean are widely acknowledged as the best available for the cruising sailor. They combine the latest official survey data with first-hand information gathered over 60 years of research by Don Street Jr and his wide network of contributors. Like all Imray charts, they are printed on water resistant Pretex paper for durability, and they include many anchorages, facilities and inlets not included on official charts.

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This collection expands the history of colonial medicine and public health by exploring efforts to overcome disease and improve human health in Chinese regions of East Asia from the late nineteenth century to the present. The contributors consider the science and politics of public health policymaking and implementation in Taiwan, Manchuria, Hong Kong, and the Yangzi River delta, focusing mostly on towns and villages rather than cities. Whether discussing the resistance of lay midwives in colonial Taiwan to the Japanese campaign to replace them with experts in “scientific motherhood” or the reaction of British colonists in Shanghai to Chinese diet and health regimes, they illuminate the effects of foreign interventions and influences on particular situations and localities. They discuss responses to epidemics from the plague in early-twentieth-century Manchuria to SARS in southern China, Singapore, and Taiwan, but they also emphasize that public health is not just about epidemic crises. As essays on marsh drainage in Taiwan, the enforcement of sanitary ordinances in Shanghai, and vaccination drives in Manchuria show, throughout the twentieth century public health bureaucracies have primarily been engaged in the mundane activities of education, prevention, and monitoring.Contributors. Warwick Anderson, Charlotte Furth, Marta E. Hanson, Sean Hsiang-lin Lei, Angela Ki Che Leung, Shang-Jen Li, Yushang Li, Yi-Ping Lin, Shiyung Liu, Ruth Rogaski, Yen-Fen Tseng, Chia-ling Wu, Xinzhong Yu

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Matthew Beard and Sophie Rundle star in a brand new BBC Radio 4 full-cast dramatisation of the bestselling novel by Neil Gaiman, narrated by Eleanor Bron. Challenged to retrieve a fallen star, Tristran Thorn leaves the sleepy English village of Wall and crosses into the land of Faerie and the realm of Stormhold. Locating the star, he discovers it is no meteorite, but a young woman, Yvaine. When Yvaine evades him and escapes, Tristran discovers he is not the only one in pursuit of the star: there are dark forces in this magical land, and he must find Yvaine before she falls into their clutches. As he does so, Tristran will uncover the secret to his own identity and a fate beyond his wildest dreams. Directed by Dirk Maggs and Heather Larmour, and featuring over 35 minutes of unbroadcast material, this stunning new dramatisation boasts an extensive cast including Frances Barber, Maggie Steed, Nicholas Boulton, Blake Ritson, Bryan Dick, Charlotte Riley, Aisling Loftus, Sanjeev Bhaskar and Alex Macqueen. There are also cameo appearances by Tori Amos and Neil Gaiman. Duration: 2 hours 30 mins approx.

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Patrick MacGregor is content to spend his days fighting for coin and bedding Scotland's loveliest wenches. Life is about the most blows landed and the most skirts chased, after all. But one day, while nearing his Uncle Tamas's land, he happens upon a bewitching lass sunbathing near the loch, and his heart stirs at the sight of her. When he finally arrives at the castle, he's assigned to protect the very woman who moved him so in the forest, and he soon discovers that she's as infuriating as she is beautiful.Charlotte Lindsay refuses to abide by the barbaric highlander her guardian Tamas has assigned to keep her out of trouble. Charlie is determined to enjoy what freedom she has before she's married off by her distant father. But Patrick MacGregor's constant vigilance--and warrior's body--are starting to become distracting. What's Charlie to do when her biggest temptation is the man charged with keeping her a proper young lass? And when her feelings start to deepen, will she dare defy her father and put herself at risk in the name of love?

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"Not Just Jane restores seven of England's most fascinating and subversive literary voices to their rightful places in history. Shelley DeWees tells each woman writer's story with wit, passion, and an astute understanding of the society in which she lived and wrote." -Dr. Amanda Foreman, New York Times bestselling author of Georgiana: Duchess of Devonshire Jane Austen and the Brontes endure as British literature's leading ladies (and for good reason)-but were these reclusive parsons' daughters really the only writing women of their day? A feminist history of literary Britain, this witty, fascinating nonfiction debut explores the extraordinary lives and work of seven long-forgotten authoresses, and asks: Why did their considerable fame and influence, and a vibrant culture of female creativity, fade away? And what are we missing because of it? You've likely read at least one Jane Austen novel (or at least seen a film one). Chances are you've also read Jane Eyre; if you were an exceptionally moody teenager, you might have even read Wuthering Heights. English majors might add George Eliot or Virginia Woolf to this list...but then the trail ends. Were there truly so few women writing anything of note during late 18th and 19th century Britain? In Not Just Jane, Shelley DeWees weaves history, biography, and critical analysis into a rip-roaring narrative of the nation's fabulous, yet mostly forgotten, female literary heritage. As the country, and women's roles within it, evolved, so did the publishing industry, driving legions of ladies to pick up their pens and hit the parchment. Focusing on the creative contributions and personal stories of seven astonishing women, among them pioneers of detective fiction and the modern fantasy novel, DeWees assembles a riveting, intimate, and ruthlessly unromanticized portrait of female life-and the literary landscape-during this era. In doing so, she comes closer to understanding how a society could forget so many of these women, who all enjoyed success, critical acclaim, and a fair amount of notoriety during their time, and realizes why, now more than ever, it's vital that we remember. Rediscover Charlotte Turner Smith, Helen Maria Williams, Mary Robinson, Catherine Crowe, Sara Coleridge, Dinah Mulock Craik, and Mary Elizabeth Braddon.

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The character of the Creole woman—the descendant of settlers or slaves brought up on the colonial frontier—is a familiar one in nineteenth-century French, British, and American literature. In Creole Crossings, Carolyn Vellenga Berman examines the use of this recurring figure in such canonical novels as Jane Eyre, Uncle Tom's Cabin, and Indiana, as well as in the antislavery discourse of the period. "Creole" in its etymological sense means "brought up domestically," and Berman shows how the campaign to reform slavery in the colonies converged with literary depictions of family life. Illuminating a literary genealogy that crosses political, familial, and linguistic lines, Creole Crossings reveals how racial, sexual, and moral boundaries continually shifted as the century's writers reflected on the realities of slavery, empire, and the home front. Berman offers compelling readings of the "domestic fiction" of Honoré de Balzac, Charlotte Brontë, Maria Edgeworth, Harriet Jacobs, George Sand, Harriet Beecher Stowe, and others, alongside travel narratives, parliamentary reports, medical texts, journalism, and encyclopedias. Focusing on a neglected social classification in both fiction and nonfiction, Creole Crossings establishes the crucial importance of the Creole character as a marker of sexual norms and national belonging.

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In 1837, when Queen Victoria came to the throne, no institution of higher education in Britain was open to women. By the end of the century, a quiet revolution had occurred: women had penetrated even the venerable walls of Oxford and Cambridge and could earn degrees at the many new universities founded during Victoria’s reign. During the same period, novelists increasingly put intellectually ambitious heroines students, teachers, and frustrated scholars—at the center of their books. Educating Women analyzes the conflict between the higher education movement’s emphasis on intellectual and professional achievement and the Victorian novel’s continuing dedication to a narrative in which women’s success is measured by the achievement of emotional rather than intellectual goals and by the forging of social rather than institutional ties. Focusing on works by Charlotte Brontë, George Eliot, Anna Leonowens, and Thomas Hardy, Laura Morgan Green demonstrates that those texts are shaped by the need to mediate the conflict between the professionalism and publicity increasingly associated with education, on the one hand, and the Victorian celebration of women as emblems of domesticity, on the other. Educating Women shows that the nineteenth-century “heroines” of both history and fiction were in fact as indebted to domestic ideology as they were eager to transform it.

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FOLLOW-UP TO THE PHENOMENAL INTERNATIONAL BESTSELLERINCLUDING LETTERS FROM:Jane Austen, Richard Burton, Helen Keller, Alan Turing, Albus Dumbledore, Eleanor Roosevelt, Henry James, Sylvia Plath, John Lennon, Gerald Durrell, Janis Joplin, Mozart, Janis Joplin, Hunter S. Thompson, C. G. Jung, Katherine Mansfield, Marge Simpson, David Bowie, Dorothy Parker, Buckminster Fuller, Beatrix Potter, Che Guevara, Evelyn Waugh, Charlotte Brontë and many more.Discover Richard Burton's farewell note to Elizabeth Taylor, Helen Keller's letter to The New York Symphony Orchestra about 'hearing' their concert through her fingers, the final missives from a doomed Japan Airlines flight in 1985, David Bowie's response to his first piece of fan mail from America and even Albus Dumbledore writing to a reader applying for the position of Defence Against the Dark Arts Professor at Hogwarts.More Letters of Note is another rich and inspiring collection, which reminds us that much of what matters in our lives finds its way into our letters.

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Contemporary feminist scholarship has done much to challenge the many binary constructions at the heart of Western culture: white/nonwhite, theory/practice, and, most notably, masculine/feminine. Feminist criticism has reshaped these conceptions by breaking them apart and reconfiguring them into intersecting, relational fields of difference. The contributors to this collection look to the future of feminist theory and practice, specifically in terms of their complex relationship with the global and local configurations of postmodernity. In the first part of this book, current feminist theory is assessed for possible future directions. Part two focuses primarily on political issues and part three on questions of the body. Topics include feminist success versus social backlash, global womens human rights, postcolonial feminism, the politics of reproduction, and narratives of womens aging in postmodern culture.Contributors: Karen Barad, Anne C. Bellows, Charlotte Bunch, Nao Bustamante, Elaine K. Chang, Marianne DeKoven, Leela Fernandes, Susan Stanford Friedman, Coco Fusco, Radha S. Hegde, Cheryl Johnson-Odim, E. Ann Kaplan, Debra J. Liebowitz, Rajeswari Sunder Rajan, Cynthia Saltzman, Lynne Segal

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The utopias envisioned by Edward Bellamy and other novelists late in the nineteenth century were generally blueprints of government. As satellites of men, women were expected to share in the general improvement of society. The resurgence of the feminist movement since the late 1960s has produced a very different kind of utopian literature. Frances Bartkowski explores a body of work that is striking and vital because it reflects the hopes, fears, and desires of women who have glimpsed the possibilities of a bright new world freed from stifling patriarchal structures. Feminist Utopias is a comparative study of the utopian fiction of nine women writers in the United States, France, and Canada. Except for Charlotte Perkins Gilman's Herland (1915), the prototype for feminist literary utopias, all of the works were published between 1969 and 1986. Bartkowski discusses Monique Wittig's Les Guérillères, Joanna Russ's The Female Man, Marge Piercy's Woman on the Edge of Time, Suzy McKee Charnas's Motherlines, Christine Rochefort's Archaos, ou le jardin étincelant, E. M. Broner's A Weave of Women, Louky Bersianik's The Eugelionne, and two dystopian novels, Charnas's Walk to the End of the World and Margaret Atwood's The Handmaid’s Tale.

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This book examines the representation of empathy in contemporary poetry after crisis, specifically poetry after the Holocaust, the September 11, 2001 terrorist attacks, and Hurricane Katrina. The text argues that, recognizing both the possibilities and dangers of empathy, the poems under consideration variously invite and refuse empathy, thus displaying what Anna Veprinska terms empathetic dissonance. Veprinska proposes that empathetic dissonance reflects the texts’ struggle with the question of the value and possibility of empathy in the face of the crises to which these texts respond. Examining poems from Charlotte Delbo, Dionne Brand, Niyi Osundare, Charles Reznikoff, Robert Fitterman, Wisława Szymborska, Cynthia Hogue, Claudia Rankine, Paul Celan, Dan Pagis, Lucille Clifton, and Katie Ford, among others, Veprinska considers empathetic dissonance through language, witnessing, and theology. Merging comparative close readings with interdisciplinary theory from philosophy, psychology, cultural theory, history and literary theory, and trauma studies, this book juxtaposes a genocide, a terrorist act, and a natural disaster amplified by racial politics and human disregard in order to consider what happens to empathy in poetry after events at the limits of empathy.

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‘Interspersed with acts of breathtaking linguistic daring.’Charlotte Mendelson, Observer Book of the YearOpening with a powerful and tender ‘Ode to the Hymen’, Sharon Olds uses this age-old poetic form to address many aspects of herself, in a collection that is centred around the female body and female pleasures, and touches along the way on parts of her own story which will be familiar from earlier works, each episode and memory now burnished by the wisdom and grace of looking back. In such poems as ‘Ode to My Sister’, ‘Ode of Broken Loyalty’, ‘Ode to My Whiteness’, ‘Blow Job Ode’, ‘Ode to the Last 38 Trees in New York City Visible from This Window’, Olds treats us to an intimate self-examination that, like all her work, is universal and by turns searing and charming in its honesty. From the early bodily joys and sorrows of her girlhood to the recent deaths of those dearest to her – the ‘Sheffield Mountain Ode’ for Galway Kinnell is one of the most stunning pieces here – Olds shapes her world in language that is startlingly fresh, profound in its conclusions, and life-giving for the reader.

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From ancient Greece and Rome (Sappho, Marcellus Empiricus) to the current Covid 19 crisis (Eavan Boland's 'Quarantine'), poets have responded with sensitivity and insight to the troubles of the human body and mind. Poems of Healing is a small treasury of their words, illuminating many different experiences of illness, injury and convalescence, from John Donne's 'Hymne to God My God, In My Sicknesse' to Thom Gunn's 'The Man with Night Sweats'; from Anne Finch's 'Spleen' to Jane Kenyon's 'Prognosis'; from Emily Dickinson's 'The Soul has Bandaged moments' to Seamus Heaney's 'Miracle'. Here are poems from around the world, by Baudelaire, Hugo, Rudaki and Cavafy; by Masaoka Shiki, Miroslav Holub and Zbigniew Herbert. Shakespeare and Milton; Tennyson and Emily Bronte; Charlotte Mew, Sylvia Plath, Wallace Stevens, W. H. Auden, Tony Harrison and Carol Ann Duffy are all present at the sickbed. Messages of hope in the midst of pain - in such masterpieces as Adam Zagajewski's 'Try to Praise the Mutilated World', Wislawa Szymborska's 'The End and the Beginning' and Stevie Smith's 'Away, Melancholy' - make this a perfect gift for anyone on the road to healing.

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The easy, effective and playful way to potty train - fast!Potty training is a major and exciting milestone for toddlers yet something all parents universally dread – and put off! Amanda Jenner, ITV’s Toilet Training expert with decades of experience, is here to help you think differently and approach this challenge with confidence – and even with a little bit of magic.Amanda’s hugely successful five day plan, with no need to take time off work or wait until the holidays, will help you to:*know when your toddler is ready and how best to prepare *see the world through your toddler’s eyes – and be their best coach*overcome setbacks including regression and constipation *use the most effective language and harness creative play to make it all fun!Covering every conceivable problem, and suitable for children with learning difficulties, with Amanda’s super easy playful plan there’s no excuse not to get started.'After hearing about Amanda and her wonderful skills with toddlers, I called upon her for my youngest child, and I was absolutely amazed of the difference she made within a few days. Every home should have an Amanda.' - Charlotte Tilbury

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A sunny, brilliantly witty comedy of manners, this edition of A Room with a View is part of the Penguin Essentials collection and features beautiful cover art by Chris Silas Neal'You love the boy body and soul, plainly, directly, as he loves you . . .' Lucy has her rigid, middle-class life mapped out for her until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance.Her eyes are opened by the unconventional characters she meets at the Pension Pertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George.Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Victorian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart?'He says, and even more implies, things that no other novelist does, and we can go on reading Forster indefinitely' The Times'I loved it. My first intimation of the possibilities of fiction' Zadie Smith

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Romantic Wars is a collection of eight specially commissioned essays focusing on the relations between British Romantic culture (poetry, fiction, painting, and non-fictional prose) and the Revolutionary and Napoleonic wars. Whilst in recent years much attention has been paid to the influence of the French Revolution on British Romanticism, comparatively little has been written about the effects of war. This book takes, as its central thesis, the idea that Romanticism is facilitated and conditioned by a culture of hostility. Whether this is manifested in Blakean visions of 'mental warfare', or in socio-historical reflections on the links between conflict and nationhood, the essays in this volume seek to correct a prevailing assumption that the culture of this period is unaffected by discourses of violence. Through a combination of individual case studies - detailed readings of warfare in Coleridge, Byron, Charlotte Smith and Austen - and wider-ranging survey discussions, including essays on the representation of the British sailor and war poetry by women, the book provides a timely reflection on the texts and contexts of the first 'Great War'. The book is aimed at literary specialists and historians working in the areas of Romanticism and European history. It will also appeal to general readers with an interest in early nineteenth-century writing and British culture.

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Susan Wadley first visited Karimpur - the village 'behind mud walls' made famous by William and Charlotte Wiser - as a graduate student in 1967. She returned often, adding her observations and experiences to the Wisers' field notes from the 1920s and 1930s. In this long-awaited book, Wadley gives us a work of unprecedented scope: a portrait of an Indian village as it has changed over a sixty-year period. She hears of changes in agriculture, labor relations, education, and the family. But Karimpur's residents do not speak with one voice in describing the ways their lives have changed - viewpoints vary considerably depending on the speaker's gender, economic status, and caste. Using cultural documents such as songs and stories, as well as data on household budgets and farming practices, Wadley examines what it means to be poor or rich, female or male. She demonstrates that the forms of subordination prescribed for women are paralleled by those prescribed for lower castes. Villagers also speak of political struggles in India, and of the importance of religion when confronting change. Their stories, songs, and life histories reveal the rich fabric of Karimpur and show how much can be learned from listening to its people.

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The Bestselling Richard & Judy Summer Book Club Pick 2021 The Bestselling Radio 2 Book Club Selection ‘Tight, clever and riddled with wit. Like discovering Adrian Mole or Bridget Jones for the first time.’ Joanna Nadin, author of The Queen of Bloody Everything ‘A sweet, fizzy sherbet dib-dab of a book - deliciously nostalgic, hugely funny and ultimately heartwarming. The perfect book for our times.’ Veronica Henry ‘Such a joyful and uplifting read. Just the sort of thing that people will want to be reading right now.’ Anita Rani, Radio 2 Book ClubIt is the summer of 1962 and sixteen-year-old Evie Epworth stands on the cusp of womanhood. But what kind of a woman will she be? Up until now, Evie’s life has been nothing special: a patchwork of school, Guides, cows, lost mothers, lacrosse and village fetes. But, inspired by her idols (Charlotte Brontë, Shirley MacLaine, the Queen), she dreams of a world far away from rural East Yorkshire, a world of glamour lived under the bright lights of London (or Leeds). Standing in the way of these dreams, though, is Christine, Evie’s soon-to-be stepmother, a manipulative and money-grubbing schemer who is lining Evie up for a life of shampoo-and-set drudgery at the stinky local salon. Luckily Evie is not alone. With the help of a few friends, and the wise counsel of the two Adam Faith posters on her bedroom wall (‘brooding Adam’ and ‘sophisticated Adam’), Evie comes up with a plan to rescue her future from Christine’s pink and over-perfumed clutches. She will need a little luck, a dash of charm and a big dollop of Yorkshire magic if she is to succeed, but in the process she may just discover who exactly it is she is meant to be. Moving, inventive and achingly funny, with an all-star cast of bold-as-brass characters, The Miseducation of Evie Epworth is a perfectly pitched modern fairytale about love, friendship and following your dreams while having a lot of fun along the way. 'Full of fabulous characters, sprinkled with joy and drenched in wit.’ Milly Johnson 'Funny and original with a cast of eccentric characters, this debut novel is a tour de force. Not to be missed.' Sunday Express 'A rich triumph of comic writing.' Waterstones.com 'One of the funniest, wittiest and most joyful books you will read this year.' Lancaster Guardian

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Discussing the actor mutiny of 1733, theatre censorship, controversial plays and Fielding’s forgery of an actor’s biography, the book contends that some subversive Augustan and Georgian artists were early Brechtians. Reconstructions of lost episodes in theatre history include a recounting of Fielding’s last days as a stage satirist before his Little Haymarket theatre was closed, Charlotte Charke’s performances as Macheath and Polly Peachum in The Beggar’s Opera and the 1740 staging of Jonathan Swift’s Polite Conversation on a double bill with Shakespeare’s Merry Wives . . . Some documents in this collection offer another perspective on theatre history by employing fiction – speculative reconstructions of Georgian theatre events for which historical facts are scarce or missing. Brecht also employed fiction to reconsider history in short stories he wrote about Lucullus and Socrates, and a novel about Julius Caesar. The stories and several new letters attributed to Fielding delve into theatre history and keep some of its controversy alive in new ways, historicizing fiction and theatre somewhat as Brecht did. It offers an unconventional, new reading of theatre history, Brecht’s tradition and stage satire.

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In this picturesque exploration of Britain’s constructed landscape, an array of medieval lanes, Georgian crescents and Victorian squares make an appearance, together with the people – famous, infamous and unfamiliar – who designed, built and lived in them. From Bedford Square and Portobello Road in London, through to Grey Street in Newcastle and Charlotte Square in Edinburgh, Historic Streets and Squares takes you over the doorstep of some of the country’s most familiar addresses.Melanie Backe-Hansen takes us beyond the facades, delving into the evolution of ancient streets, the aspirations of builders and architects, and the extraordinary lives of past residents. She also reveals the fascinating stories of how some of our oldest and most valued crescents, lanes and avenues have survived into the twenty-first century, and the twists and turns of their journey along the way.Taken together, these fifty examples tell us much about Britain’s urban development over the centuries, while also highlighting more recent attempts to preserve our architectural heritage. The history of our streets, avenues, lanes and squares reveals more than just changes to architectural style, but offers a doorway into the heritage of our nation.

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What happens when the cerebral--that is, theories of literature and of affect--encounters the corporeal, the human body? In this study by Jane Thrailkill, what emerges from the convergence is an important vision of late-nineteenth-century American realist literature and the role of emotion and physiology in literary criticism.Affecting Fictions offers a new understanding of American literary realism that draws on neuroscience and cognitive psychology. Thrailkill positions herself against the emotionless interpretations of the New Critics. Taking as her point of departure realist works of medicine, psychology, and literature, she argues that nineteenth-century readers and critics would have taken it for granted that texts engaged both mind and body. Feeling, she writes, is part of interpretation. Examining literary works by Henry James, Kate Chopin, Charlotte Perkins Gilman, and Oliver Wendell Holmes, Thrailkill explores the connections among the aesthetic, emotion, consciousness, and the body in readings that illuminate lesser-known works such as "Elsie Venner" and that resuscitate classics such as "The Yellow Wallpaper."Focusing on pity, fear, nervousness, pleasure, and wonder, Thrailkill makes an important contribution to the growing body of critical work on affect and aesthetics, presenting a case for the indispensability of emotions to the study of fiction.

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In medieval Edinburgh the dead were buried in the city’s churchyards, with internment in the church reserved for the wealthy, but in the post-Reformation years both rich and poor were buried in the grounds of the churches. By the nineteenth century the city centre churchyards were overcrowded and new outer town cemeteries created, which were no longer controlled by the town but by independent cemetery companies. In this book local historian Charlotte Golledge takes readers on a tour through the history of Edinburgh’s burial grounds. She covers the individual history of the graveyards of St Cuthbert’s, Greyfriars Kirkyard, Canongate Kirkyard, Old Calton Burial Ground, Buccleuch Parish Chapel Yard, St John’s Churchyard, New Calton Burial Ground, the Jewish cemeteries, East Preston Burial Ground, Warriston Cemetery, Dalry Cemetery, Dean Cemetery, Rosebank Cemetery, The Grange and Piershill Cemetery. The story includes the notable events, burials and grave markers at each burial ground as well as the changes in how the people of Edinburgh buried their dead and mourned their loved ones over the years as the new profession of the undertakers took over the role of the church for the new cemeteries. She also unearths evidence of the lost burial grounds of Edinburgh that have been moved, built over or rediscovered. This fascinating portrait of life and death in Edinburgh over the centuries will appeal to both residents and visitors to the Scottish capital.

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Korean artists are a permanent fixture on today's international art scene, as interest in modern and contemporary art from South as well as North Korea has grown in strength. Museums and individual collectors eager to tap into this rising market are acquiring many more Korean artworks. But how are we to understand Korean art and its cultural significance? What has led to the formation of Korea's cultural scene as we know it today, and what role have artists played in this process? These are some of the questions that frame the narrative in this richly illustrated history of Korean art from the late nineteenth century to the present day - a period which coincided with enormous and rapid political, social and economic change. From artists' first encounters with oil paintings in the late nineteenth century to the varied and vibrant creative outputs of the 2000s, the book covers a critical and, from a cultural perspective, revolutionary period, signified by the breakdown of earlier artistic conventions and the rise of new art forms. Within this historical trajectory, Charlotte Horlyck explores artists' interpretations of new and traditional art forms ranging from oil and ink paintings to video art, multi-media installations, ready-mades and performance, and their questions about the role of art and the artist's position within society. This book will appeal equally to general and specialist readers wanting to explore this rich and fascinating epoch in Korea's cultural history.

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SHE TOOK CONTROL OF HIS COMPUTER. NOW HE'S LOST CONTROL OF HIS LIFE . . .Someone is always watchingJames Fitzpatrick is a high-profile lawyer at a successful City firm. He's married to Bella. She's beautiful and clever, a teacher at a prestigious private school.They have the perfect lives.But then, one night, James loses a file for a multi-million pound deal he's working on and in desperation contacts the company's IT helpdesk. A woman named Charlotte answers his call, setting in motion a series of events set to shatter James' and Bella's lives.In the weeks after, James is accused of more mistakes at work, ones he doesn't remember making and can't explain. Meanwhile Bella finds herself the target of vicious rumours at school - and no one seems willing to believe her side of the story.Everything started with that one phone call.Who is the woman at the other side of the computer screen? And why do Bella and James suddenly find their privileged existence in peril?PRAISE FOR SHANE DUNPHY'A dark, chilling and fantastic read' Patricia Gibney'An edge-of-your-seat thriller' Andrea Carter

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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. The legacy of the Second World War remains unsettled; no consensus has been achieved about its meaning and its lasting impact. This is pre-eminently the case in France, where the experience of defeat and occupation created the grounds for a deeply ambiguous mixture of resistance and collaboration, pride and humiliation, heroism and abjection, which writers and politicians have been trying to disentangle ever since. This book develops a theoretical approach which draws on trauma studies and hermeneutics; and it then focuses on some of the intellectuals who lived through the war and on how their experience and troubled memories of it continue to echo through their later writing, even and especially when it is not the explicit topic. This was an astonishing generation of writers who would go on to play a pivotal role on a global scale in post-war aesthetic and philosophical endeavours. The book proposes close readings of works by some of the most brilliant amongst them: Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Charlotte Delbo, Paul Ricoeur, Emmanuel Levinas, Louis Althusser, Jorge Semprun, Elie Wiesel, and Sarah Kofman.

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A long-overlooked group of workers and their battle for rights and dignity Like thousands of African American women, Charlotte Adelmond and Dollie Robinson worked in New York’s power laundry industry in the 1930s. Jenny Carson tells the story of how substandard working conditions, racial and gender discrimination, and poor pay drove them to help unionize the city’s laundry workers. Laundry work opened a door for African American women to enter industry, and their numbers allowed women like Adelmond and Robinson to join the vanguard of a successful unionization effort. But an affiliation with the powerful Congress of Industrial Organizations (CIO) transformed the union from a radical, community-based institution into a bureaucratic organization led by men. It also launched a difficult battle to secure economic and social justice for the mostly women and people of color in the plants. As Carson shows, this local struggle highlighted how race and gender shaped worker conditions, labor organizing, and union politics across the country in the twentieth century. Meticulous and engaging, A Matter of Moral Justice examines the role of African American and radical women activists and their collisions with labor organizing and union politics.

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The Vinland Viking Saga: Book 1 History set her fate in stone… Murderer. Mercenary. Temptress. Trickster. Traitor. Thief. But under a hammer that falls like thunder, stone will always shatter. So with her voice she lights the forge. The Voyage of Freydis sings the silenced tale of Freydis Eiriksdottir, the first and only woman to lead a Viking voyage across the Atlantic in this tempestuous retelling of an ancient Icelandic saga set at the dawn of the 11th century. Content notice: spousal abuse. Praise for The Voyage of Freydis: ‘Anyone who loves Vikings and historical fiction definitely should pick up this book’ Emily, NetGalley reviewer ‘Very lyrically written, I felt as if I was reading a song’ Tiffany, NetGalley reviewer ‘As a lover of mythology and historical fiction I knew immediately I was going to like this book – and I’m pleased to say I not only liked it but I LOVED it!’ Libby, NetGalley reviewer ‘Tamara Goranson’s writing really shines here. I felt the cold, heard the wind, flinched with the blows – that takes a lot of skill’ Dawn, NetGalley reviewer ‘Took me on a rollercoaster of emotions’ Charlotte, NetGalley reviewer

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The literary classic that inspired the iconic film - the story of two sisters and the hell they made their home.Once an acclaimed child star of vaudeville, Baby Jane Hudson performed for adoring crowds before a move to Hollywood thrust her sister, Blanche, into the spotlight. As Blanche's film career took off, a resentful Jane watched from the shadows as her own career faded into obscurity - until a tragic accident changed everything. Now, years later, the two sisters live in a decaying mansion, isolated from the outside world. Crippled by the accident, Blanche is helpless under the control of her abusive sister, who is slowly descending into madness. And when Baby Jane decides it's time to revive her childhood act, she won't let anything - or anyone - stand in her way. This edition features exclusive extra material: three previously unpublished short stories by Henry Farrell, including the inspiration for the movie Hush...Hush, Sweet Charlotte, and an introduction that reveals how the original novel came about as well as the behind-the-scenes drama of the iconic film starring Joan Crawford and Bette Davis, now recreated in the TV show Feud.

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The powerful aesthetic and philosophical framework that modernism ushered in during the early part of the 20th century revolutionized the built world, transformed our living spaces and lifestyles, and fundamentally changed the way we think about design. As they experimented with new forms, materials and techniques, modernist designers rejected historical precedents to prioritize function over history and tradition. This ambitious survey brings together all facets and all scales of design in a comprehensive volume that presents the vast breadth of both towering and lesserknown figures, revealing unexpected connections and new insights. Through sections on furniture, lighting, glass, ceramics, textiles, industrial and product design, graphic design and posters, architecture and interiors, and through profiles of nearly a hundred influential creators, including iconic figures, such as Bruno Mathsson, Charlotte Perriand and László Moholy-Nagy, as well as architects Alvar Aalto, Le Corbusier, Eliel Saarinen and Walter Gropius, the book’s scope is unprecedented. Complete with specially commissioned essays by established academics and subject specialists, and with nearly 650 illustrations, the majority in colour, this book is set to become the definitive reference for a generation, equally indispensible for the designer’s studio, the library shelves or the collector’s desk.

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'Powerful and moving' RACHEL EDWARDS'Very compelling, told with real depth and passion' 5* Reader Review'Absolutely loved it' LUCY DIAMONDTwo families divided by hateA love that will not die.Sylvie and Donna travel on the same train to work each day but have never spoken. Their families are on different sides of the bitter Brexit divide, although the tensions and arguments at home give them much in common.What they don't know is that their eldest children, Rachid and Jodie, are about to meet for the first time and fall in love. Aware that neither family will approve, the teenagers vow to keep their romance a secret.But as Sylvie's family feel increasingly unwelcome in England, a desire for a better life threatens Rachid and Jodie's relationship. Can their love unite their families - or will it end in tragedy?'A powerful and thought-provoking triumph' MIKE GAYLE'Romeo and Juliet in post-referendum Yorkshire' SHELLEY HARRIS'Outstanding' SUSAN LEWIS'A love story in a world full of prejudice and bias' ANSTEY HARRIS'Original and powerful' LOUISE BEECH'This book broke my heart' CHARLOTTE DUCKWORTHPlease note this novel contains details of racial abuse and racially motivated violence.

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With a handsome police officer for a husband and a brand new house in a quiet, secluded street bordering Kelvingrove Art Gallery, Mae Kelly appears to have it all. But appearances can be deceptive, and Mae soon finds the demands of living at 1 Waterside Way are more than she bargained for. Glasgow in the 1970s is also proving to be a challenging place to live for some of her neighbours. All Paul Brownlee and Clive Westley want to do is live together in peace but the spiteful Reverend Denby is determined to make sure that won't happen in Waterside Way. Meantime, Charlotte Arlington-Jones and her friend Gemma Ford are bitterly opposed to having an Asian family on the street but when her own daughter falls in love with an Asian boy, prejudices on both sides will test everyone to the limit as families are torn apart. And down the road, Doris McIvor is struggling to care for her ailing mother and fears she may end up losing her own mind. As secrets are exposed and beliefs are challenged, each household on Waterside Way must face up to its problems and find new ways to survive.

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In 1837, when Queen Victoria came to the throne, no institution of higher education in Britain was open to women. By the end of the century, a quiet revolution had occurred: women had penetrated even the venerable walls of Oxford and Cambridge and could earn degrees at the many new universities founded during Victoria’s reign. During the same period, novelists increasingly put intellectually ambitious heroines students, teachers, and frustrated scholars—at the center of their books. Educating Women analyzes the conflict between the higher education movement’s emphasis on intellectual and professional achievement and the Victorian novel’s continuing dedication to a narrative in which women’s success is measured by the achievement of emotional rather than intellectual goals and by the forging of social rather than institutional ties. Focusing on works by Charlotte Brontë, George Eliot, Anna Leonowens, and Thomas Hardy, Laura Morgan Green demonstrates that those texts are shaped by the need to mediate the conflict between the professionalism and publicity increasingly associated with education, on the one hand, and the Victorian celebration of women as emblems of domesticity, on the other. Educating Women shows that the nineteenth-century “heroines” of both history and fiction were in fact as indebted to domestic ideology as they were eager to transform it.

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Pierre Guariche (1926-1995) was a leading interior architect, furniture, and lighting designer in postwar France. He created a prolific body of work during what is known as the Thirty Glorious Years (1945-1975), a period of economic prosperity and high growth in France. He was an early adopter of industrial materials and production techniques that emerged during the 1950s, and is known for his remarkable lighting fixtures and simple, elegant furniture designs that could be manufactured on a large scale. He worked with innovative companies like Airborne, Steiner, and Pierre Disderot; he co-founded a design collective (Atelier de Recherche Plastique- ARP); and was the artistic director for the Meurop furniture company in Belgium. In advance of Charlotte Perriand in Les Arcs and Marcel Breuer in Flaine, he worked with the architect Michel Bezançon on the creation of La Plagne, the first comprehensive winter sports resort in France. Making use of unpublished archives, this book looks back on a rich itinerary of over 200 interior architecture and design projects, almost as many pieces of furniture, and a series of remarkable lighting fixtures (reissued today by Sammode) which shed light on the modernity and timeless elegance of this remarkable creator. Text in English and French.

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Profile is a highly personal selection of Jan’s work from the early ‘90’s to 2018. Jan’s defining images cross all kinds of fashion barriers. His respect for the models he works with is evident. His models are raw, sometimes slighty unconventional beauties, quite often with very little hair and make-up. Jan’s images are pure, powerful and evocative, getting to the very soul of the subject. Whether its an androgynous looking girl with a cowboy hat, a model smoking a cigarette on a beach, a movie star or a picture of his wife or children, the pictures are captivating in their simplicity with a very clear style that belongs only to him. His approach to his craft remains unchanged over decades, his style clear, avant-gard and transcendent of trends. Featured are among others Cate Blanchett, Helena Christensen, Eva Herzigova, PJ Harvey, Drew Barrymore, Kirsten Owen, Kylie Minogue, Tatjana Patitz, Jessica Chastain, Christy Turlington, Tilda Swinton, Vanessa Paradis, Gisele Bundchen, Natalia Vodianova, Courtney Love, Doutzen Kroes, Laetitia Casta, Charlotte Gainsbourg, Jennifer Connelly, Milla Jovovich, Bella Haddid and Helen Mirren.

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Thomas Hardy notes the thrush’s ‘full-hearted evensong of joy illimited’, Gilbert White observes how swallows sweep through the air but swifts ‘dash round in circles’ and Rachel Carson watches sanderlings at the ocean’s edge, scurrying ‘across the beach like little ghosts’. From early times, we have been entranced by the bird life around us. This anthology brings together poetry and prose in celebration of birds, records their behaviour, flight, song and migration, the changes across the seasons and in different habitats – in woodland and pasture, on river, shoreline and at sea – and our own interaction with them. From India to America, from China to Rwanda, writers marvel at birds – the building of a long-tailed tit’s nest, the soaring eagle, the extraordinary feats of migration and the pleasures to be found in our own gardens. Including extracts by Geoffrey Chaucer, Dorothy Wordsworth, Richard Jefferies, Charles Darwin, James Joyce, John Keats, Charlotte Brontë, Emily Dickinson, Anton Chekhov, Kathleen Jamie, Jonathan Franzen and Barbara Kingsolver among many others, this rich anthology will be welcomed by bird-lovers, country ramblers and anyone who has taken comfort or joy in a bird in flight.

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This first book-length study of physico-theology questions the widespread notion of a steadily advancing early modern separation of religion and science.Beginning around 1650, the emergence of a number of new scientific concepts, methods, and instruments challenged existing syntheses of science and religion. Physico-theology, which embraced the values of personal, empirical observation, was an international movement of the early Enlightenment that focused on the new science to make arguments about divine creation and providence. By reconciling the new science with Christianity across many denominations, physico-theology played a crucial role in diffusing new scientific ideas, assumptions, and interest in the study of nature to a broad public. In this book, sixteen leading scholars contribute a rich array of essays on the terms and scope of the movement, its scientific and religious arguments, and its aesthetic sensibilities.Contributors: Ann Blair, Simona Boscani Leoni, John Hedley Brooke, Nicolas Brucker, Katherine Calloway, Kathleen Crowther, Brendan Dooley, Peter Harrison, Barbara Hunfeld, Eric Jorink, Scott Mandelbrote, Brian W. Ogilvie, Martine Pécharman, Jonathan Sheehan, Anne-Charlott Trepp, Rienk Vermij, Kaspar von Greyerz

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This illuminating book traces the development of Scottish women’s writing in English from its genesis in the late eighteenth century to its flowering in the late nineteenth and early twentieth centuries. Hindered initially by the hostility of the Presbyterian Church and the self-serving attitude of the male hierarchy which denied them a proper education, an astonishing number of women found opportunities, in the midst of domestic obligations, to write, and often publish – novels, poetry, diaries, journalism, letters, essays and reportage. Charlotte Waldie and Christina Keith visited, respectively, Waterloo and Flanders in the immediate aftermath of battle. Another intrepid writer, Emily Graves, wrote a memoir of her travels in Transylvania in The Light Beyond the Forest – from which Bram Stoker directly lifted the most blood-curdling elements of Dracula. Others remembered include literary multi-tasker and businesswoman Christian Isabel Johnstone; playwright Joanna Baillie; working-class poets Marion Bernstein and Janet Hamilton; novelist Susan Ferrier; memoirist Anne Grant of Laggan; and writer and scientist Mary Somerville, depicted on the cover, after whom Somerville College, Oxford is named.

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Charlotte “Charlie” Sobczak finds the most comfort in making cheese—a craft she learned at the side of her father, Karl Mayer. In the wake of his untimely death, she and her daughter, Lucy, return to her rural hometown of Falls River, Wisconsin. With her marriage to Rick floundering, and still grieving the childhood loss of her sister and mother to polio and depression, she decides to pour all her efforts into reopening the family’s Morgan Cheese Factory. Hyperaware of her own childhood losses and the challenges posed by Rick’s PTSD and heavy drinking, Charlie strives to build a stable home for Lucy. Her degree in biochemistry from the University of Wisconsin gives her a leg up, and the quiet joys of working at the cheese vat provide a deep, healing peace that points the way toward happiness. But Falls River is too narrow-minded to accept a female business owner, and Charlie is ill-prepared for the pettiness and conventions of small-town life. When debts come due, including a lien against her family’s land, she must quickly figure out who is on her side—and how to keep her dreams alive.

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A long-overlooked group of workers and their battle for rights and dignity Like thousands of African American women, Charlotte Adelmond and Dollie Robinson worked in New York’s power laundry industry in the 1930s. Jenny Carson tells the story of how substandard working conditions, racial and gender discrimination, and poor pay drove them to help unionize the city’s laundry workers. Laundry work opened a door for African American women to enter industry, and their numbers allowed women like Adelmond and Robinson to join the vanguard of a successful unionization effort. But an affiliation with the powerful Congress of Industrial Organizations (CIO) transformed the union from a radical, community-based institution into a bureaucratic organization led by men. It also launched a difficult battle to secure economic and social justice for the mostly women and people of color in the plants. As Carson shows, this local struggle highlighted how race and gender shaped worker conditions, labor organizing, and union politics across the country in the twentieth century. Meticulous and engaging, A Matter of Moral Justice examines the role of African American and radical women activists and their collisions with labor organizing and union politics.

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Imagine calling on Stanford, Yale, and Princeton and selecting their finest faculty to enlighten you on their given area of expertise—and making all that insight and information available for the price of a paperback book. John Steinbreder has done just that for the game of golf by calling on elite PGA club professionals to provide tips on everything from putting and practicing to hitting specialty shots and eliminating the slice. Learn driving from Scott Davenport of Quail Hollow in Charlotte, North Carolina; bunker shots from Bob Ford at Oakmont Country Club near Pittsburgh and Seminole Golf Club in Juno Beach, Florida; and even how to take an effective golf lesson from Suzy Whaley at River Highlands in West Hartford, Connecticut. Gene Mattare of Saucon Valley in Pennsylvania reveals the keys to better chipping and putting, while Brendan Walsh discusses the importance of being fit for your clubs and how to do it. And Darrell Kestner of the Deepdale Club on Long Island demonstrates how golfers can better compete. Not to be overlooked, the book entertainingly concludes with a review of the best “19th holes” at some of America’s most prominent links and the refreshing drinks that are served at them.

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A treasure trove of visual delights: examples of the sketchbooks of sixty international illustrators offer new insights into their artistic practice. Intimate and often unseen, the sketchbook means something different to each illustrator. It might be a beautiful object, a work of art in its own right, where every line is painstakingly considered. It might be a pictorial playground, where mistakes can make art. The boundaries between sketchbooks, notebooks and visual journals are often blurred, lending to the creativity that fills their pages. It is likely that you will recognize many of the illustrators featured, including classic childhood favourites Beatrix Potter, Jean de Brunhoff, Edward Ardizzone and Tove Jansson, and established names such as Beatrice Alemagna, Oliver Jeffers and Shaun Tan. Others are up-and-coming, for example Charlotte Ager and Leah Yang. Martin Salisbury draws on decades of experience as an illustrator and educator to shed light on the lives and work of each artist. He even reveals pages from his own sketchbooks, exposing the rawness of his ideas and the narratives that surround them. As the reader will discover, sketchbooks are often a fascinating and surprising window into the mind of the illustrator.

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The Vinland Viking Saga: Book 3 Anja has just settled into a new life on the silver shores of Vinland with her beloved, Bjorn. But then a local warrior bursts onto the scene seeking revenge, swearing to spill Viking blood. And so Bjorn must risk everything to save the woman he loves before she steps into the darkness and sets their world ablaze. The Oath of Bjorn is an epic historical novel of gripping adventure and love everlasting – perfect for fans of Vikings and Outlander. Praise for The Voyage of Freydis: ‘Anyone who loves Vikings and historical fiction definitely should pick up this book’ Emily, NetGalley reviewer ‘Very lyrically written, I felt as if I was reading a song’ Tiffany, NetGalley reviewer ‘As a lover of mythology and historical fiction I knew immediately I was going to like this book – and I’m pleased to say I not only liked it but I LOVED it!’ Libby, NetGalley reviewer ‘Tamara Goranson’s writing really shines here. I felt the cold, heard the wind, flinched with the blows – that takes a lot of skill’ Dawn, NetGalley reviewer ‘Took me on a rollercoaster of emotions’ Charlotte, NetGalley reviewer

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